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R [vol.4] ","subtitle":"Un nouveau rendez-vous biennal","text":"

La programmation 2025 du Cipm est marqu\u00e9e par le retour de Num\u00e9ro R, le salon des revues de cr\u00e9ation po\u00e9tique cr\u00e9\u00e9 en 2019 qui sera d\u00e9sormais un rendez-vous biennal. Dans le contexte \u00e9conomique difficile qui est celui des structures artistiques et culturelles, ce devenir biennal nous permet de r\u00e9duire les co\u00fbts de production tout en augmentant le nombre de revues pr\u00e9sentes sur le salon, ce qui a aussi pour cons\u00e9quences d\u2019intensifier la fr\u00e9quentation et d\u2019accro\u00eetre la visibilit\u00e9 de l\u2019\u00e9v\u00e9nement.<\/p>

Pour autant, les objectifs de Num\u00e9ro R restent les m\u00eames que lors des \u00e9ditions pr\u00e9c\u00e9dentes (2019, 2022, 2023) : mettre en avant l\u2019espace de d\u00e9couverte, de formation et d\u2019exp\u00e9rimentation que sont les revues ; faire conna\u00eetre l\u2019engagement de leurs \u00e9quipes et les auteurs et autrices de po\u00e9sie qu\u2019elles publient. Nous avons d\u2019ailleurs souhait\u00e9 que le programme des lectures de ce Num\u00e9ro R [vol.4]<\/a> donne une place particuli\u00e8re aux \u0153uvres \u00e9mergentes.<\/p>

Avec Num\u00e9ro R, le Cipm attire l\u2019attention sur le r\u00f4le primordial jou\u00e9 par les revues dans la vie po\u00e9tique en tant qu\u2019elles sont tout \u00e0 la fois le lieu des premi\u00e8res publications et des premi\u00e8res traductions, l\u2019atelier des exp\u00e9rimentations, l\u2019espace de pr\u00e9sentation des nouvelles formes, le terrain de jeu des avant-gardes, la tribune des manifestes, la vitrine des avanc\u00e9es, des d\u00e9bats critiques relatifs au po\u00e8me, \u00e0 son commentaire et \u00e0 son interpr\u00e9tation. Elles sont aussi des objets sociaux g\u00e9n\u00e9rateurs d\u2019amiti\u00e9s et de ruptures au sein de collectifs plus ou moins transitoires, de maisons d\u2019\u00e9dition, de manifestations publiques. Elles sont enfin l\u2019irrempla\u00e7able laboratoire des recherches graphiques et des modalit\u00e9s \u00e9ditoriales.<\/p>

Num\u00e9ro R est aussi une occasion de d\u00e9couvrir le Cipm et les actions qu\u2019il d\u00e9veloppe tout au long de l\u2019ann\u00e9e \u00e0 Marseille et ailleurs, en particulier \u00e0 travers ses expositions et sa biblioth\u00e8que de po\u00e9sie contemporaine o\u00f9 sont consultables les livraisons de pr\u00e8s de 2.500 revues (plus de 80 faisant l\u2019objet d\u2019un abonnement ou d\u2019un suivi au num\u00e9ro) dont le fonds sp\u00e9cifique repr\u00e9sente environ 20.000 volumes.<\/p>"},{"id":493,"type":3,"publicationStartDate":"2025-05-16","publicationEndDate":"2025-05-20","itemId":5144},{"id":491,"type":2,"publicationStartDate":"2025-05-13","publicationEndDate":"2025-05-29","mediaId":2521,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/5023"},{"id":488,"type":3,"publicationStartDate":"2025-05-10","publicationEndDate":"2025-05-29","itemId":5132},{"id":489,"type":3,"publicationStartDate":"2025-05-10","publicationEndDate":"2025-05-29","itemId":5133},{"id":490,"type":3,"publicationStartDate":"2025-05-10","publicationEndDate":"2025-05-20","itemId":5136},{"id":484,"type":3,"publicationStartDate":"2025-05-09","publicationEndDate":"2025-06-02","itemId":5035},{"id":485,"type":3,"publicationStartDate":"2025-05-09","publicationEndDate":"2025-05-29","itemId":5023},{"id":486,"type":3,"publicationStartDate":"2025-05-09","publicationEndDate":"2025-05-20","itemId":5077},{"id":487,"type":3,"publicationStartDate":"2025-05-09","publicationEndDate":"2025-05-20","itemId":5061},{"id":477,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-08","itemId":5019},{"id":478,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-12","itemId":5079},{"id":479,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-20","itemId":5109},{"id":480,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-20","itemId":5114},{"id":481,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-20","itemId":5020},{"id":482,"type":2,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-05-21","mediaId":2503,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4985"},{"id":483,"type":3,"publicationStartDate":"2025-04-30","publicationEndDate":"2025-06-02","itemId":4985},{"id":469,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-04-30","itemId":5101},{"id":470,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-04-30","itemId":5047},{"id":471,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-04-29","itemId":5072},{"id":472,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-04-30","itemId":5102},{"id":473,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-04-30","itemId":5103},{"id":474,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-05-05","itemId":5016},{"id":475,"type":3,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-05-05","itemId":5018},{"id":476,"type":2,"publicationStartDate":"2025-04-24","publicationEndDate":"2025-06-02","mediaId":2480,"linkUrl":"https:\/\/cipmarseille.fr\/resources\/files\/file_680a5ef6b83b6.pdf"},{"id":468,"type":2,"publicationStartDate":"2025-04-11","publicationEndDate":"2025-09-30","mediaId":2453,"linkUrl":"https:\/\/cipmarseille.fr\/cipm"},{"id":466,"type":3,"publicationStartDate":"2025-04-10","publicationEndDate":"2025-04-29","itemId":5058},{"id":467,"type":3,"publicationStartDate":"2025-04-10","publicationEndDate":"2025-04-29","itemId":5033},{"id":464,"type":3,"publicationStartDate":"2025-04-02","publicationEndDate":"2025-04-22","itemId":5014},{"id":465,"type":3,"publicationStartDate":"2025-04-02","publicationEndDate":"2025-04-24","itemId":5017},{"id":463,"type":3,"publicationStartDate":"2025-03-29","publicationEndDate":"2025-05-20","itemId":4986},{"id":462,"type":3,"publicationStartDate":"2025-03-26","publicationEndDate":"2025-03-31","itemId":5006},{"id":461,"type":3,"publicationStartDate":"2025-03-25","publicationEndDate":"2025-03-31","itemId":4989},{"id":453,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5013},{"id":455,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5011},{"id":456,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5012},{"id":457,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5009},{"id":458,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5008},{"id":459,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5010},{"id":460,"type":3,"publicationStartDate":"2025-03-21","publicationEndDate":"2025-03-25","itemId":5007},{"id":452,"type":3,"publicationStartDate":"2025-03-19","publicationEndDate":"2025-03-23","itemId":4974},{"id":446,"type":3,"publicationStartDate":"2025-03-05","publicationEndDate":"2025-03-20","itemId":4994},{"id":447,"type":2,"publicationStartDate":"2025-03-05","publicationEndDate":"2025-03-25","mediaId":2398,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4994"},{"id":448,"type":4,"publicationStartDate":"2025-03-05","publicationEndDate":"2025-03-17","message":"En 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Charit\u00e9."},{"id":434,"type":3,"publicationStartDate":"2025-02-12","publicationEndDate":"2025-03-03","itemId":4980},{"id":433,"type":3,"publicationStartDate":"2025-01-28","publicationEndDate":"2025-02-22","itemId":4972},{"id":432,"type":3,"publicationStartDate":"2025-01-15","publicationEndDate":"2025-02-19","itemId":4970},{"id":430,"type":3,"publicationStartDate":"2025-01-07","publicationEndDate":"2025-02-07","itemId":4963},{"id":431,"type":4,"publicationStartDate":"2025-01-07","publicationEndDate":"2025-02-07","message":"L\u2019\u00e9quipe du Cipm vous pr\u00e9sente tous ses v\u0153ux de prosp\u00e9rit\u00e9 et vous souhaite une tr\u00e8s heureuse ann\u00e9e 2025."},{"id":429,"type":3,"publicationStartDate":"2024-12-14","publicationEndDate":"2025-01-06","itemId":4957},{"id":407,"type":4,"publicationStartDate":"2024-12-11","publicationEndDate":"2025-01-06","message":"Fermeture hivernale de la biblioth\u00e8que et de la salle d'exposition du Cipm, vendredi 20 d\u00e9cembre 2024 en 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Les membres du Conseil d\u2019administration et de l\u2019\u00e9quipe du Cipm ont la douleur d\u2019apprendre la mort de Jacques Roubaud survenue le 5 d\u00e9cembre 2024. Il fut l\u2019un des tout premiers pr\u00e9sidents du Cipm et accompagna la structure, depuis sa cr\u00e9ation en 1990, \u00e0 la fois comme ami, \u00e9crivain, po\u00e8te, traducteur, lecteur, chercheur. Nos archives retracent de nombreux \u00e9v\u00e9nements auxquels il a particip\u00e9 comme la derni\u00e8re grande lecture qu\u2019il a donn\u00e9e en juillet 2021 ; nous commen\u00e7ons \u00e0 les republier ici. La richesse du fonds am\u00e9ricain de notre biblioth\u00e8que lui doit beaucoup, avec en son c\u0153ur la grande donation de livres qu\u2019il avait effectu\u00e9e en 1995. Nous pensons \u00e0 lui, \u00e0 ses livres, \u00e0 son \u0153uvre. Nous adressons tout notre soutien \u00e0 sa famille et \u00e0 ses proches.<\/p>"},{"id":421,"type":2,"publicationStartDate":"2024-12-06","publicationEndDate":"2025-01-06","mediaId":2338,"linkUrl":"https:\/\/cipmarseille.fr\/bibliotheque\/44433"},{"id":408,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":4949},{"id":409,"type":2,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","mediaId":2336,"linkUrl":"https:\/\/cipmarseille.fr\/lire-ecouter-voir\/4949"},{"id":410,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":460},{"id":411,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":341},{"id":412,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":329},{"id":413,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":38},{"id":414,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":688},{"id":415,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":700},{"id":416,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":332},{"id":417,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":690},{"id":418,"type":3,"publicationStartDate":"2024-12-04","publicationEndDate":"2025-01-05","itemId":473},{"id":403,"type":3,"publicationStartDate":"2024-11-25","publicationEndDate":"2024-12-11","itemId":4934},{"id":404,"type":3,"publicationStartDate":"2024-11-25","publicationEndDate":"2024-12-11","itemId":4933},{"id":405,"type":3,"publicationStartDate":"2024-11-25","publicationEndDate":"2024-12-25","itemId":4942},{"id":406,"type":3,"publicationStartDate":"2024-11-25","publicationEndDate":"2024-12-11","itemId":4931},{"id":402,"type":3,"publicationStartDate":"2024-11-15","publicationEndDate":"2024-12-15","itemId":4935},{"id":400,"type":2,"publicationStartDate":"2024-11-14","publicationEndDate":"2024-12-14","mediaId":2324,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4925"},{"id":401,"type":3,"publicationStartDate":"2024-11-14","publicationEndDate":"2024-12-14","itemId":4936},{"id":396,"type":2,"publicationStartDate":"2024-11-06","publicationEndDate":"2024-11-13","mediaId":2323,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4925"},{"id":397,"type":3,"publicationStartDate":"2024-11-06","publicationEndDate":"2025-01-28","itemId":4924},{"id":398,"type":3,"publicationStartDate":"2024-11-06","publicationEndDate":"2024-12-06","itemId":4930},{"id":399,"type":3,"publicationStartDate":"2024-11-06","publicationEndDate":"2024-11-24","itemId":4923},{"id":395,"type":4,"publicationStartDate":"2024-10-29","publicationEndDate":"2024-11-03","message":"Le 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\"Nous, auteur.es, artistes, professionnel.les, spectateur.ices fid\u00e8les de Mont\u00e9vid\u00e9o \u2013 centre de cr\u00e9ation contemporaine et de r\u00e9sidence d\u2019artistes \u00e0 Marseille, nous inqui\u00e9tons de la disparition prochaine de ce lieu unique dans le paysage culturel.
Nous sommes inform\u00e9.e.s qu\u2019apr\u00e8s des ann\u00e9es de proc\u00e9dure judiciaire, Mont\u00e9vid\u00e9o est d\u00e9sormais menac\u00e9 d\u2019expulsion \u00e0 partir du 15 octobre, et que la destruction du b\u00e2timent pour r\u00e9aliser une op\u00e9ration de promotion immobili\u00e8re est envisag\u00e9e.
Lieu de r\u00e9sidence initi\u00e9 par les artistes Hubert Colas et Jean-Marc Montera il y a plus de vingt ans et d\u00e9di\u00e9 depuis lors \u00e0 la cr\u00e9ation contemporaine, Mont\u00e9vid\u00e9o est aussi le lieu d\u2019implantation de la compagnie Diphtong et le centre n\u00e9vralgique du Festival actoral. Avec le risque de disparition du lieu, leur existence est - elle aussi - aujourd\u2019hui r\u00e9ellement compromise.
Nous appelons de nos v\u0153ux \u00e0 ce qu\u2019une solution soit trouv\u00e9e pour pr\u00e9server cet espace au service des auteur.e.s et des artistes, bien commun qui est le fruit d\u2019ann\u00e9es d\u2019exp\u00e9rience et de travail et que nous souhaitons voir perdurer. C\u2019est un espace rare d\u2019expression artistique, propice \u00e0 l\u2019\u00e9mergence de nouvelles formes, qui risque de dispara\u00eetre. Un lieu o\u00f9 exigence artistique rime aussi avec convivialit\u00e9.
Nous y avons \u00e9crit, lu, jou\u00e9, dans\u00e9, cherch\u00e9, essay\u00e9, innov\u00e9, trouv\u00e9, partag\u00e9, connu d\u2019autres artistes, rencontr\u00e9 de nouveaux publics, pens\u00e9 de nouveaux projets. Ouvert de nouvelles pistes de r\u00e9flexions, trouv\u00e9 un espace d\u2019accueil propice \u00e0 la cr\u00e9ation. Enfin une maison ouverte o\u00f9 le mot d\u2019art ne sonne pas comme \u00e9litiste.
Nous savons que les jours qui viennent sont d\u2019une importance capitale. Nous sommes d\u00e9termin\u00e9.e.s \u00e0 d\u00e9fendre la p\u00e9rennit\u00e9 de ce lieu qui en vingt ans s\u2019est forg\u00e9 une identit\u00e9 singuli\u00e8re, reconnue en France et \u00e0 l\u2019\u00e9tranger. Nous interpellons et attendons des institutions qu\u2019elles fassent tout ce qui est en leur pouvoir pour garantir la poursuite des activit\u00e9s de Mont\u00e9vid\u00e9o. Nous sommes convaincu.e.s que Mont\u00e9vid\u00e9o doit \u00eatre sauv\u00e9 et apporterons notre plein soutien \u00e0 toute initiative visant \u00e0 \u00e9carter la perspective d\u2019une disparition pure et simple de ce lieu de cr\u00e9ation et d\u2019action artistique au c\u0153ur de Marseille.\"

La suite<\/a><\/p>"},{"id":166,"type":2,"publicationStartDate":"2023-10-11","publicationEndDate":"2023-10-17","mediaId":1113},{"id":162,"type":3,"publicationStartDate":"2023-10-10","publicationEndDate":"2023-10-10","itemId":4602},{"id":163,"type":3,"publicationStartDate":"2023-10-10","publicationEndDate":"2023-10-20","itemId":4603},{"id":153,"type":3,"publicationStartDate":"2023-10-05","publicationEndDate":"2023-10-10","itemId":4619},{"id":155,"type":3,"publicationStartDate":"2023-10-05","publicationEndDate":"2023-10-10","itemId":669},{"id":149,"type":3,"publicationStartDate":"2023-09-27","publicationEndDate":"2023-10-02","itemId":4606},{"id":150,"type":3,"publicationStartDate":"2023-09-27","publicationEndDate":"2023-10-10","itemId":1404},{"id":151,"type":3,"publicationStartDate":"2023-09-27","publicationEndDate":"2023-10-27","itemId":4608},{"id":152,"type":3,"publicationStartDate":"2023-09-27","publicationEndDate":"2023-10-27","itemId":4607},{"id":147,"type":3,"publicationStartDate":"2023-09-26","publicationEndDate":"2023-10-16","itemId":4605},{"id":148,"type":3,"publicationStartDate":"2023-09-26","publicationEndDate":"2023-10-16","itemId":4595},{"id":144,"type":3,"publicationStartDate":"2023-09-23","publicationEndDate":"2023-10-09","itemId":4588},{"id":145,"type":3,"publicationStartDate":"2023-09-23","publicationEndDate":"2023-10-09","itemId":4589},{"id":146,"type":3,"publicationStartDate":"2023-09-23","publicationEndDate":"2023-10-10","itemId":4585},{"id":143,"type":3,"publicationStartDate":"2023-09-21","publicationEndDate":"2023-10-21","itemId":4601},{"id":139,"type":3,"publicationStartDate":"2023-09-16","publicationEndDate":"2023-09-25","itemId":4584},{"id":141,"type":3,"publicationStartDate":"2023-09-16","publicationEndDate":"2023-10-03","itemId":4576},{"id":142,"type":3,"publicationStartDate":"2023-09-16","publicationEndDate":"2023-10-02","itemId":4572},{"id":138,"type":3,"publicationStartDate":"2023-09-14","publicationEndDate":"2023-10-14","itemId":4587},{"id":136,"type":1,"publicationStartDate":"2023-09-13","publicationEndDate":"2023-10-04","title":"Une diplographie.","subtitle":"par Micha\u00ebl Batalla","text":"

 <\/p>

C\u2019est \u00e0 Martigues o\u00f9 ils habitent que la photographe Brigitte Palaggi et le po\u00e8te Olivier Domerg imaginent leurs projets d\u2019\u00e9criture et de prise de vue. Le plus souvent, ils situent ces projets en France\u2009; parfois ailleurs dans le monde (New York, Italie). Pour les r\u00e9aliser, ils se d\u00e9placent, ils s\u2019approchent, parcourent, rel\u00e8vent, arpentent\u2009; ils vont \u00e0 la d\u00e9couverte des lieux et \u00e0 la rencontre des gens qui les peuplent. En un mot, ils observent l\u2019\u00e9tendue terrestre : le territoire.<\/p>

Leurs explorations sont con\u00e7ues dans le but pr\u00e9cis de faire \u0153uvre<\/i> d\u2019image et de langage en approfondissant pour cela une exp\u00e9rience universelle, d\u00e9cisive pour la relation humains\/monde : l\u2019exp\u00e9rience du paysage<\/i>.<\/p>

Organis\u00e9e de fa\u00e7on \u00e0 restituer les principales s\u00e9quences d\u2019une pratique au long cours, men\u00e9e conjointement depuis plus de 35 ans, l\u2019exposition La somme des deux (paysages, motifs, chantiers<\/i>) invite \u00e0 la visite du laboratoire o\u00f9 a lieu et o\u00f9 se renouvelle l\u2019exp\u00e9rience en question ainsi qu\u2019\u00e0 une d\u00e9couverte des r\u00e9sultats successifs auxquels elle aboutit. Au fil des vitrines, des panneaux d\u2019accrochage, \u00e0 travers les photographies, les textes, les films, les enregistrements et les documents de toutes sortes rassembl\u00e9s ici, l\u2019exposition ambitionne de donner au compte rendu la dimension d\u2019une retrospective que n\u00e9cessite la port\u00e9e de la d\u00e9marche.<\/p>

En effet, \u00e0 l\u2019heure o\u00f9 un peu partout dans l\u2019espace des arts et des lettres se multiplient les r\u00e9flexions et les pratiques li\u00e9es aux approches critique et cr\u00e9ative de l\u2019\u00e9copo\u00e9tique, la production de Brigitte Palaggi et d\u2019Olivier Domerg fait figure d\u2019\u0153uvre pionni\u00e8re et ce, a fortiori<\/i>, si on l\u2019articule aux perspectives de prise de conscience \u00e9cologique.<\/p>

Il importait, en pr\u00e9sentant dans un m\u00eame lieu ses multiples aspects, d\u2019en montrer la rigueur et l\u2019ouverture. La somme des deux<\/i>, premi\u00e8re exposition non pas \u00ab mono \u00bb mais, pour ainsi dire, diplographique<\/i> \u2014 une somme, effectivement, qui n\u2019est pas tant l\u2019addition que la combinaison, ou encore l\u2019intrication de deux regards pos\u00e9s simultan\u00e9ment sur les manifestations g\u00e9ographiques de la culture humaine et sur la passion de voir et d\u2019exprimer.<\/p>"},{"id":137,"type":2,"publicationStartDate":"2023-09-13","publicationEndDate":"2023-10-13","mediaId":1089},{"id":135,"type":3,"publicationStartDate":"2023-09-08","publicationEndDate":"2023-09-12","itemId":4516},{"id":154,"type":3,"publicationStartDate":"2023-09-06","publicationEndDate":"2023-09-07","itemId":4121},{"id":125,"type":1,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-05","title":"L'\u00e9t\u00e9 2023","subtitle":"Micha\u00ebl Batalla","text":"

 <\/p>

Mois d\u2019ao\u00fbt, d\u00e9j\u00e0 ! Et encore une semaine pour venir voir au Cipm, d\u00e9ploy\u00e9e en un m\u00eame lieu, l\u2019\u0153uvre po\u00e9tico-photographique compl\u00e8te de Suzanne Doppelt ; et aussi, dans quelques jours, Fred Nevch\u00e9 et Martin Mey au (beau) programme de la 6e<\/sup> \u00e9dition du festival Tournez la Plage<\/a>, \u00e0 La Ciotat.<\/p>

Et puis septembre, bient\u00f4t ! Avec en ouverture de saison (le 9) le solo report\u00e9 de Charles Pennequin ; la s\u00e9quence d\u2019ouverture de La somme des deux (paysages, motifs, chantiers),<\/i> l\u2019exposition r\u00e9trospective [35 ans d\u2019\u00e9criture photographique et po\u00e9tique, de cr\u00e9ations et de publications en duo, sur<\/i> et dans<\/i> le paysage] des travaux communs de Brigitte Palaggi et Olivier Domerg (vernissage jeudi 14) avec (vendredi 15) les \u00e9tudiants du \u00ab Master Lettres - \u00e9copo\u00e9tique et cr\u00e9ation \u00bb d'Aix Marseille Universit\u00e9 puis (samedi 16) une conf\u00e9rence (le matin) de St\u00e9phane Baquey, nouveau responsable du Master, suivie (l\u2019apr\u00e8s-midi) d\u2019une performance de B. Palaggi et O. Domerg ; solo (semaine suivante, samedi 23, matin), de Brice Bonfanti, pour une travers\u00e9e des trois volumes de ses Chants d\u2019Utopie<\/i> publi\u00e9s par L\u2019Une & L\u2019autre (sens & tonka & cie), rencontre qui fera \u00e9cho \u00e0 la 4e<\/sup> \u00e9dition du festival Allez Savoir de l\u2019EHESS<\/a>, cadre de cette autre rencontre, Sans utopie<\/i> (apr\u00e8s-midi du m\u00eame samedi), entre l\u2019anthropologue Catherine Hass et l\u2019\u00e9crivain DOA ; et enfin, un quatri\u00e8me samedi (dernier de septembre, le 30) celui-l\u00e0 sous le signe de l\u2019Italie, de la traduction, des \u00e9changes ayant eu lieu au cours des deux premi\u00e8res d\u00e9cennies du XXIe<\/sup> si\u00e8cle entre certaines po\u00e9sies, fran\u00e7aises et italiennes, et l\u2019aventure de la revue en ligne (blog) Nazione Indiana <\/i><\/a>\u2014 avec Andrea Inglese, Andrea Raos, Renata Morresi, Francesco Forlani, Mariasole Ariot.<\/p>

Et bien s\u00fbr, toujours, sinon lors de la (br\u00e8ve) fermeture estivale, la biblioth\u00e8que du Cipm \u2014 l\u2019acc\u00e8s libre et gratuit \u00e0 ses fonds et \u00e0 ses nouvelles acquisitions.<\/p>

Mais avant septembre, pour le mois d\u2019ao\u00fbt, voici, en Une<\/i><\/a>, un aper\u00e7u des potentialit\u00e9s \u00e9ditoriales du nouveau site web du Cipm\u2026 \u00e0 suivre, d\u00e9sormais, comme un m\u00e9dia ; \u00e0 explorer comme un monde en formation, en expansion, dont nous ne connaissons pas encore tous les horizons.<\/p>

 <\/p>"},{"id":126,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4570},{"id":127,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4569},{"id":128,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4568},{"id":129,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4526},{"id":130,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4565},{"id":131,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4566},{"id":132,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4567},{"id":133,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-30","itemId":4557},{"id":134,"type":3,"publicationStartDate":"2023-08-01","publicationEndDate":"2023-09-12","itemId":4571},{"id":123,"type":3,"publicationStartDate":"2023-07-21","publicationEndDate":"2023-09-12","itemId":4564},{"id":124,"type":3,"publicationStartDate":"2023-07-21","publicationEndDate":"2023-09-07","itemId":4528},{"id":120,"type":3,"publicationStartDate":"2023-07-20","publicationEndDate":"2023-09-12","itemId":4560},{"id":121,"type":3,"publicationStartDate":"2023-07-20","publicationEndDate":"2023-09-12","itemId":4559},{"id":122,"type":3,"publicationStartDate":"2023-07-20","publicationEndDate":"2023-09-12","itemId":4563},{"id":116,"type":3,"publicationStartDate":"2023-07-19","publicationEndDate":"2023-09-12","itemId":4543},{"id":117,"type":3,"publicationStartDate":"2023-07-19","publicationEndDate":"2023-09-12","itemId":4460},{"id":118,"type":3,"publicationStartDate":"2023-07-19","publicationEndDate":"2023-09-12","itemId":4447},{"id":111,"type":3,"publicationStartDate":"2023-07-18","publicationEndDate":"2023-12-22","itemId":4555},{"id":112,"type":3,"publicationStartDate":"2023-07-18","publicationEndDate":"2023-09-12","itemId":4514},{"id":113,"type":3,"publicationStartDate":"2023-07-18","publicationEndDate":"2023-09-12","itemId":4481},{"id":114,"type":3,"publicationStartDate":"2023-07-18","publicationEndDate":"2023-09-12","itemId":4467},{"id":115,"type":3,"publicationStartDate":"2023-07-18","publicationEndDate":"2023-09-12","itemId":4556},{"id":109,"type":4,"publicationStartDate":"2023-07-13","publicationEndDate":"2023-07-17","message":"La Biblioth\u00e8que et la salle d'exposition du Cipm seront ferm\u00e9es vendredi 14 et samedi 15 juillet 2023."},{"id":107,"type":3,"publicationStartDate":"2023-07-11","publicationEndDate":"2023-08-31","itemId":4554},{"id":108,"type":3,"publicationStartDate":"2023-07-11","publicationEndDate":"2023-08-31","itemId":4553},{"id":106,"type":3,"publicationStartDate":"2023-06-21","publicationEndDate":"2023-06-30","itemId":4541},{"id":105,"type":3,"publicationStartDate":"2023-06-14","publicationEndDate":"2023-07-10","itemId":4536},{"id":104,"type":2,"publicationStartDate":"2023-06-11","publicationEndDate":"2023-07-10","mediaId":1051,"linkUrl":"https:\/\/cipmarseille.fr\/chronologie\/4354"},{"id":101,"type":3,"publicationStartDate":"2023-06-10","publicationEndDate":"2023-06-18","itemId":4521},{"id":96,"type":3,"publicationStartDate":"2023-06-06","publicationEndDate":"2023-06-17","itemId":4493},{"id":97,"type":3,"publicationStartDate":"2023-06-06","publicationEndDate":"2023-07-06","itemId":4492},{"id":98,"type":3,"publicationStartDate":"2023-06-06","publicationEndDate":"2023-06-12","itemId":4491},{"id":99,"type":3,"publicationStartDate":"2023-06-06","publicationEndDate":"2023-07-06","itemId":4490},{"id":100,"type":3,"publicationStartDate":"2023-06-06","publicationEndDate":"2023-07-06","itemId":4489},{"id":94,"type":4,"publicationStartDate":"2023-05-31","publicationEndDate":"2023-06-07","message":"La Biblioth\u00e8que et la salle d'exposition du Cipm sont ferm\u00e9es jusqu'\u00e0 nouvel ordre \u00e0 partir du 31 mai 2023 en raison d'une maintenance impr\u00e9vue au niveau du site de la Vieille Charit\u00e9. "},{"id":95,"type":4,"publicationStartDate":"2023-05-31","publicationEndDate":"2023-06-07","message":"Cette situation est totalement ind\u00e9pendante de notre volont\u00e9. Des informations suivront."},{"id":91,"type":3,"publicationStartDate":"2023-05-28","publicationEndDate":"2023-06-09","itemId":4481},{"id":92,"type":3,"publicationStartDate":"2023-05-28","publicationEndDate":"2023-06-09","itemId":4482},{"id":93,"type":3,"publicationStartDate":"2023-05-28","publicationEndDate":"2023-06-28","itemId":4483},{"id":88,"type":2,"publicationStartDate":"2023-05-17","publicationEndDate":"2023-05-20","mediaId":1008,"linkUrl":"https:\/\/cipmarseille.fr\/ecole\/4369"},{"id":89,"type":3,"publicationStartDate":"2023-05-17","publicationEndDate":"2023-05-27","itemId":4404},{"id":90,"type":2,"publicationStartDate":"2023-05-17","publicationEndDate":"2023-05-20","mediaId":1009,"linkUrl":"http:\/\/cipmarseille.fr\/ecole\/4369"},{"id":84,"type":2,"publicationStartDate":"2023-05-16","publicationEndDate":"2023-05-16","mediaId":1003,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4480"},{"id":86,"type":1,"publicationStartDate":"2023-05-16","publicationEndDate":"2023-05-29","title":"Rendez-vous \/ Revues \/ R\u00e9gion","subtitle":"Salon Num\u00e9ro R : du vendredi 26 au dimanche 28 mai 2023","imageIds":[3216],"text":"

 <\/p>

Parce que les revues de po\u00e9sie sont des laboratoires essentiels pour l\u2019\u00e9criture contemporaine, le Cipm a d\u00e9cid\u00e9 de leur consacrer un rendez-vous annuel. Cette \u00e9dition 2023 de Num\u00e9ro R<\/i><\/a>, <\/i>organis\u00e9e les vendredi 26, samedi 27 et dimanche 28 mai, rassemble 35 revues pr\u00e9sentes, fran\u00e7aises et \u00e9trang\u00e8res \u2014 canadiennes, grecques, su\u00e9doises, suisses, russes \u2014 et leurs \u00e9diteurs, et programme en continu les interventions, lectures, performances de 36 auteurs associ\u00e9s ; un programme \u00e9tabli \u00e0 partir des propositions des revues, et compl\u00e9t\u00e9 par la diffusion d\u2019archives audiovisuelles du Cipm. L\u2019ensemble, con\u00e7u d\u00e8s l\u2019origine avec le soutien d\u2019Ent\u2019revues et de la P\u00e9riph\u00e9rie du March\u00e9 de la po\u00e9sie, se lie cette ann\u00e9e au festival Oh les Beaux jours ! et aux partenaires m\u00e9dias Ventilo et AOC. <\/p>

Mais <\/i>Num\u00e9ro R<\/i><\/a> conna\u00eet aussi des prolongements sous la forme d\u2019un p\u00f4le R\u00e9gion \u2014 livres et revues en R\u00e9gion Sud \u2014 anim\u00e9 par le Cipm \u00e0 Paris au March\u00e9 de la po\u00e9sie en juin, et au Salon de la revue en octobre. Num\u00e9ro R<\/i> \u2014 cette initiale <\/i>de revue<\/i> ou de r\u00e9gion<\/i>, plac\u00e9e ici sous le signe du Littr\u00e9 \u2014 est donc \u00e0 la fois le nom d\u2019un festival en d\u00e9veloppement et celui d\u2019un travail constant pour accompagner les aventures \u00e9ditoriales actuelles.<\/p>

 <\/p>"},{"id":81,"type":3,"publicationStartDate":"2023-05-14","publicationEndDate":"2023-05-27","itemId":4432},{"id":82,"type":3,"publicationStartDate":"2023-05-14","publicationEndDate":"2023-05-29","itemId":4433},{"id":83,"type":3,"publicationStartDate":"2023-05-14","publicationEndDate":"2023-05-29","itemId":4434},{"id":79,"type":3,"publicationStartDate":"2023-05-12","publicationEndDate":"2023-06-12","itemId":4470},{"id":80,"type":3,"publicationStartDate":"2023-05-12","publicationEndDate":"2023-09-01","itemId":4471},{"id":78,"type":3,"publicationStartDate":"2023-05-11","publicationEndDate":"2023-06-11","itemId":4458},{"id":75,"type":3,"publicationStartDate":"2023-05-07","publicationEndDate":"2023-05-29","itemId":4405},{"id":73,"type":3,"publicationStartDate":"2023-05-06","publicationEndDate":"2023-05-29","itemId":4397},{"id":74,"type":3,"publicationStartDate":"2023-05-06","publicationEndDate":"2023-05-30","itemId":4402},{"id":71,"type":3,"publicationStartDate":"2023-05-03","publicationEndDate":"2023-05-14","itemId":4399},{"id":72,"type":3,"publicationStartDate":"2023-05-03","publicationEndDate":"2023-05-14","itemId":4398},{"id":70,"type":3,"publicationStartDate":"2023-04-29","publicationEndDate":"2023-05-29","itemId":4400},{"id":68,"type":3,"publicationStartDate":"2023-04-28","publicationEndDate":"2023-09-12","itemId":4394},{"id":65,"type":2,"publicationStartDate":"2023-04-27","publicationEndDate":"2023-04-27","mediaId":947,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4363"},{"id":66,"type":3,"publicationStartDate":"2023-04-27","publicationEndDate":"2023-05-01","itemId":4272},{"id":67,"type":4,"publicationStartDate":"2023-04-27","publicationEndDate":"2023-05-06","message":"Les vendredi 5 et samedi 6 mai, la salle d'exposition et la biblioth\u00e8que du Cipm seront ferm\u00e9es au public."},{"id":69,"type":2,"publicationStartDate":"2023-04-26","publicationEndDate":"2023-04-27","mediaId":948,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4327"},{"id":64,"type":3,"publicationStartDate":"2023-04-24","publicationEndDate":"2023-05-20","itemId":4369},{"id":62,"type":3,"publicationStartDate":"2023-04-20","publicationEndDate":"2023-04-20","itemId":3734},{"id":63,"type":3,"publicationStartDate":"2023-04-20","publicationEndDate":"2023-04-21","itemId":4363},{"id":52,"type":2,"publicationStartDate":"2023-04-18","publicationEndDate":"2023-04-22","mediaId":931,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4343"},{"id":59,"type":1,"publicationStartDate":"2023-04-14","publicationEndDate":"2023-05-13","title":"que devient une image dans un champ \u00e9lectrique","imageIds":[3141],"text":"

L\u2019exposition que devient une image dans un champ \u00e9lectrique<\/i><\/a> <\/i>est une reprise et un red\u00e9ploiement des photographies de Suzanne Doppelt hors du livre, des livres, ensemble par ensemble, ainsi qu\u2019un r\u00e9agencement document\u00e9, compl\u00e9t\u00e9 \u00e0 l\u2019\u00e9chelle d\u2019un lieu, d\u2019une pi\u00e8ce, d\u2019une salle \u00e0 parcourir. Un dispositif pour red\u00e9couvrir et approfondir cette fabrique singuli\u00e8re d\u2019images li\u00e9e \u00e0 l\u2019\u00e9criture po\u00e9tique. <\/p>"},{"id":60,"type":3,"publicationStartDate":"2023-04-14","publicationEndDate":"2023-04-18","itemId":4360},{"id":58,"type":2,"publicationStartDate":"2023-04-13","publicationEndDate":"2023-04-13","mediaId":942,"linkUrl":"https:\/\/cipmarseille.fr\/programme\/4327"},{"id":50,"type":3,"publicationStartDate":"2023-04-12","publicationEndDate":"2023-04-22","itemId":4352},{"id":51,"type":3,"publicationStartDate":"2023-04-12","publicationEndDate":"2023-05-14","itemId":4353},{"id":61,"type":2,"publicationStartDate":"2023-04-12","publicationEndDate":"2023-04-18","mediaId":934},{"id":47,"type":3,"publicationStartDate":"2023-03-31","publicationEndDate":"2023-05-16","itemId":4349},{"id":42,"type":3,"publicationStartDate":"2023-03-23","publicationEndDate":"2023-04-12","itemId":4341},{"id":38,"type":3,"publicationStartDate":"2023-03-22","publicationEndDate":"2023-04-13","itemId":4143},{"id":39,"type":3,"publicationStartDate":"2023-03-22","publicationEndDate":"2023-04-22","itemId":4297},{"id":27,"type":3,"publicationStartDate":"2023-03-21","publicationEndDate":"2023-04-26","itemId":4337},{"id":20,"type":3,"publicationStartDate":"2023-03-10","publicationEndDate":"2023-04-10","itemId":4318},{"id":49,"type":1,"publicationStartDate":"2023-03-02","publicationEndDate":"2023-03-15","title":"Un nouveau site web pour le Cipm","imageIds":[3078],"text":"

Olivia Tapiero<\/a>, en r\u00e9sidence La Marelle\/Cipm depuis deux mois vole quelque part au-dessus de l\u2019Atlantique en direction de Montr\u00e9al. Claude Closky<\/a> est arriv\u00e9 gare Saint-Charles en d\u00e9but d\u2019apr\u00e8s-midi. \u00c0 l\u2019instant o\u00f9 nous terminons cet \u00e9dito, il pr\u00e9sente son travail \u00e0 un groupe d\u2019\u00e9tudiants des Beaux-Arts de Marseille, en worskhop au Cipm avec Antoine Hummel<\/a> cette semaine. Il inaugure ainsi la nouvelle formule des \u00ab Solos \u00bb qui, en 2023, deviennent micro-r\u00e9sidences. Demain, Camille de Toledo poursuivra de son c\u00f4t\u00e9 le parcours de cr\u00e9ation litt\u00e9raire d\u00e9di\u00e9 aux \u00e9tudiant\u2e31e\u2e31s du master RED<\/a> \u2013 Aix-Marseille Universit\u00e9. Et samedi, rendez-vous \u00e0 11 heures pour le Solo de Claude Closky. Nouvelle formule, donc. Nouvelle organisation de la programmation des rencontres. En deux mots : deux saisons. Mars, avril, mai, juin puis septembre, octobre, novembre. C\u00f4t\u00e9 expositions (quatre par an), de m\u00eame que pour la biblioth\u00e8que, les r\u00e9sidences, les s\u00e9minaires de traductions, et pour l\u2019activit\u00e9 de l\u2019\u00c9cole, rien ne change : l\u2019activit\u00e9 demeure continue \u2014 tout au long de l\u2019ann\u00e9e. Et puis, aujourd\u2019hui, \u00e9v\u00e9nement au terme de trois ann\u00e9es \u2014 d\u2019abord les tat\u00f4nnements, la r\u00e9flexion collective, les tentatives et les ratages puis la consultation (merci \u00e0 J\u00e9r\u00f4me Saint-Loubert Bi\u00e9<\/a>), le nouveau site web du Cipm con\u00e7u par Rovo<\/a> et d\u00e9velopp\u00e9 par Samuel Asensi<\/a> entre en service. Fruit d\u2019un travail d\u2019\u00e9quipe coordonn\u00e9 par Adrien Bardi Bienenstock ce nouveau site offre non seulement une repr\u00e9sentation compl\u00e8te de l\u2019ensemble des activit\u00e9s du Centre international de po\u00e9sie depuis sa cr\u00e9ation \u00e0 Marseille en 1990, mais \u00e9galement une plateforme de publications qui va progressivement devenir un nouvel espace \u00e9ditorial pour le Cipm. La version que nous mettons en ligne est encore pour quelques temps une version-test. Elle n\u00e9cessite en effet des ajouts, des compl\u00e9ments, des pr\u00e9cisions mais elle est pour autant parfaitement praticable, permettant la navigation orient\u00e9e aussi bien que la d\u00e9rive au sein des diff\u00e9rentes bases de donn\u00e9es que le site connecte et articule l\u2019une \u00e0 l\u2019autre.<\/p>"},{"id":54,"type":3,"publicationStartDate":"2023-03-01","publicationEndDate":"2023-04-12","itemId":4316}],"images":[{"id":3694,"url":"\/resources\/images\/image_6761835178270.jpg","width":3024,"height":3024},{"id":3768,"url":"\/resources\/images\/image_67ebd8807d63b.jpg","width":960,"height":1280,"label":"

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\u00a9 Yohanne Lamoul\u00e8re
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gauche : couverture de L'Ennemi<\/i>, par Cy Twombly
\u00e0 droite : calligramme de Jean-Fran\u00e7ois Bory"},{"id":1449,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/528_evenement_20061128132217.jpg","width":228,"height":300},{"id":1263,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/133_evenement_20090425165846.jpg","width":304,"height":359,"label":"passage d'encres n\u00b018 (couverture)"},{"id":1248,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/104_evenement_20050511164618.jpg","width":300,"height":211},{"id":1989,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/1126_evenement_20151118150149.jpg","width":500,"height":331,"label":"\u00a9 Brigitte Palaggi, 2012."},{"id":3537,"url":"\/resources\/images\/image_66213aabe24e1.jpg","width":709,"height":945,"label":"

La Schlitte du narr\u00e9 (\u00e9tat provisoire, f\u00e9vrier 2024)<\/i><\/p>

\u00a9 P. Beurard-Valdoye \/ Photo Cipm.<\/p>"},{"id":2001,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/1137_evenement_20160202170051.jpg","width":400,"height":300},{"id":2919,"url":"https:\/\/cipmarseille.fr\/images\/publications\/33dbe48838367bd68cc23ee49b508d6f_publication_20130207173545.jpg","width":258,"height":353,"label":"La Temp\u00eate"},{"id":1761,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/897_evenement_20111011145316.jpg","width":267,"height":400},{"id":3163,"url":"\/resources\/images\/image_644d149cafaf7.jpg","width":358,"height":599,"label":"

\u00ab Ce que je vous dis trois fois est vrai \u00bb,<\/p>

Lewis Carroll, La Chasse au Snark<\/i>, 1876<\/p>"},{"id":3271,"url":"\/resources\/images\/image_64b926ab0c9ae.jpg","width":2362,"height":1569,"label":"

\u00a9 Brigitte Palaggi, La Verte traVers\u00e9e<\/i><\/p>"},{"id":2323,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-1-crop2.jpg","width":1920,"height":1689},{"id":2332,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-10.jpg","width":1920,"height":2691},{"id":2333,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-11.jpg","width":1920,"height":2714},{"id":2334,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-12.jpg","width":1920,"height":2691},{"id":2335,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-13.jpg","width":1920,"height":2691},{"id":2336,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-14.jpg","width":1920,"height":2691},{"id":2337,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-15.jpg","width":1920,"height":2678},{"id":2338,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-16.jpg","width":1920,"height":2712},{"id":2339,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-18.jpg","width":1920,"height":2691},{"id":2324,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-2.jpg","width":1920,"height":2606},{"id":2325,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-3.jpg","width":1920,"height":2574},{"id":2326,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-4.jpg","width":1920,"height":2715},{"id":2327,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-5.jpg","width":1920,"height":2715},{"id":2328,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-6.jpg","width":1920,"height":2691},{"id":2329,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-7.jpg","width":1920,"height":2691},{"id":2330,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-8.jpg","width":1920,"height":2691},{"id":2331,"url":"http:\/\/cipmarseille.fr\/images\/DP-LD-9.jpg","width":1920,"height":2691},{"id":3685,"url":"\/resources\/images\/image_6751b74f5d314.jpg","width":3195,"height":2407},{"id":3337,"url":"\/resources\/images\/image_652670ec9d746.png","width":977,"height":731,"label":"

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Cr\u00e9ation de Latences<\/i>, carillon de Forcalquier, 4 mai 2023.<\/p>"},{"id":3268,"url":"\/resources\/images\/image_64b6b07284d36.jpg","width":1024,"height":768,"label":"

Cr\u00e9ation de Latences<\/i>, carillon de Forcalquier, 4 mai 2023.<\/p>"},{"id":1629,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/756_evenement_20091120171111.jpg","width":286,"height":400},{"id":1992,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/1129_evenement_20151119130619.jpg","width":400,"height":306},{"id":1450,"url":"https:\/\/cipmarseille.fr\/images\/evenements\/530_evenement_20061128131657.jpg","width":200,"height":300},{"id":3932,"url":"\/resources\/images\/image_688395ff0a58b.jpg","width":480,"height":640,"label":"

Alberto Giacometti, T\u00eate d\u2019homme sur socle<\/i>, 1949-51.
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\u00a9 Nella Arambasin<\/p>

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(extrait) du Cahier du refuge du Cipm n\u00b0 252, juin 2016<\/p>","title":"\u00ab Aupr\u00e8s de toute b\u00eate qui vient de mourir \u00bb","artistIds":[2270],"data":{"book":{},"publication":{},"media":{"mediaId":1120,"artworkDateToDisplay":"2016"}},"publicationDate":"2023-10-27"},{"id":223,"type":14,"title":"\u00ab Centre international de po\u00e9sie Marseille cherche abri. Faire offre. \u00bb","subtitle":"L'Humanit\u00e9 - Gerhard K. Jacquet","artistIds":[1784],"data":{"media":{"mediaId":223,"artworkDate":"2007-12-02"}},"publicationDate":"2023-02-23"},{"id":3738,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec L'Odeur du temps<\/strong><\/h3>","occurences":[{"startDate":"2023-03-09","startTime":"19:00:00","endDate":null,"endTime":null}],"placeId":1,"title":"\u00ab D'Utopie ce jour \u00bb","artistIds":[2286],"imageIds":[2560],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":211,"type":14,"title":"\u00ab Dans la presse : Le Centre de po\u00e9sie d\u00e9log\u00e9 inqui\u00e8te Lib\u00e9 \u00bb","subtitle":"Marseille-Hebdo - La r\u00e9daction.","artistIds":[1778],"data":{"media":{"mediaId":211,"artworkDate":"2007-11-14"}},"publicationDate":"2023-02-23"},{"id":3447,"type":2,"occurences":[{"startDate":"2018-03-31","endDate":null,"startTime":"11:00:00","endTime":null}],"title":"\u00ab Dire, lire et montrer \u00bb","subtitle":"\u00c0 la librairie Ombres Blanches, Toulouse","imageIds":[2143],"publicationDate":"2023-02-23"},{"id":3639,"type":3,"occurences":[{"startDate":"2021-12-09","endDate":"2021-12-09","startTime":"10:00:00","endTime":"18:00:00"}],"title":"\u00ab\u00a0faits divers et caetera\u00a0\u00bb","subtitle":"Atelier de recherche et d\u2019\u00e9criture pour les \u00e9l\u00e8ves des Beaux-Arts de Marseille 
avec 
Laure Gauthier","artistIds":[2315],"imageIds":[2437],"publicationDate":"2023-02-23"},{"id":207,"type":14,"title":"\u00ab Inqui\u00e9tude pour la po\u00e9sie \u00e0 Marseille \u00bb","subtitle":"Le Monde - M. Samson","artistIds":[1776],"data":{"media":{"mediaId":207,"artworkDate":"2007-11-09"}},"publicationDate":"2023-02-23"},{"id":224,"type":14,"title":"\u00ab La Charit\u00e9, svp ! \u00bb","subtitle":"la Provence - C. Darras","artistIds":[1785],"data":{"media":{"mediaId":224,"artworkDate":"2007-11-21"}},"publicationDate":"2023-02-23"},{"id":210,"type":14,"title":"\u00ab La po\u00e9sie pri\u00e9e de d\u00e9m\u00e9nager \u00bb","subtitle":"Marseille-Hebdo - V. Simonet","artistIds":[1781],"data":{"media":{"mediaId":210,"artworkDate":"2007-11-14"}},"publicationDate":"2023-02-23"},{"id":4894,"type":14,"typePrecision":"article de presse","extraText1":"

Poesibao \/ L'actualit\u00e9 de la po\u00e9sie, article publi\u00e9 en ligne le 3 ao\u00fbt 2024<\/a>.<\/p>","extraText3":"

\u00c9ric Villeneuve explore le dernier livre de Patrick Beurard-Valdoye et l\u2019exposition qui lui est consacr\u00e9e au Cipm.<\/p>","title":"\u00ab Lamenta des murs \u00bb","artistIds":[2712],"data":{"book":{},"publication":{},"media":{"mediaId":2307,"artworkDate":"2024-08-22","artworkDateToDisplay":"Republi\u00e9 ici le 22 ao\u00fbt 2024."}},"publicationDate":"2024-08-22"},{"id":213,"type":14,"title":"\u00ab Le centre de po\u00e9sie cherche d\u00e9sesp\u00e9rement un autre abri \u00bb","subtitle":"La Provence - A.Cefai","artistIds":[1782],"data":{"media":{"mediaId":213,"artworkDate":"2007-11-17"}},"publicationDate":"2023-02-23"},{"id":209,"type":14,"title":"\u00ab Le cercle des po\u00e8tes disparus \u00bb","subtitle":"Ventilo - F. Jouve","artistIds":[1780],"data":{"media":{"mediaId":209,"artworkDate":"2007-10-30"}},"publicationDate":"2023-02-23"},{"id":222,"type":14,"title":"\u00ab Marseille, capitale europ\u00e9enne de la culture ou cit\u00e9 des po\u00e8tes expuls\u00e9s \u00bb","subtitle":"L'Humanit\u00e9 - Gerhard K. Jacquet","artistIds":[1784],"data":{"media":{"mediaId":222,"artworkDate":"2007-12-02"}},"publicationDate":"2023-02-23"},{"id":4756,"type":4,"occurences":[{"startDate":"2023-12-05","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-02-08","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-02-15","startTime":null,"endDate":null,"endTime":null}],"placeId":51,"title":"\u00ab Nos paysages \u00bb","artistIds":[1202],"imageIds":[3499],"subItemIds":[4757],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-09"},{"id":4757,"type":13,"extraText1":"

Atelier en milieu scolaire les 5 d\u00e9cembre 2023 et les 8 et 15 f\u00e9vrier 2024 avec Sarah K\u00e9ryna, G\u00e9raldine Wolff, enseignante, et les \u00e9l\u00e8ves du CE 2 de l\u2019\u00e9cole Bernard Cadenat<\/p>","title":"\u00ab Nos paysages \u00bb","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-15"},{"id":4754,"type":4,"extraText1":"

Les 16, 17 novembre et les 14, 15 d\u00e9cembre 2023<\/p>","occurences":[{"startDate":"2023-11-16","startTime":null,"endDate":null,"endTime":null}],"placeId":50,"title":"\u00ab Nos tours, sorties des pins \u00bb","artistIds":[2204],"imageIds":[3495],"subItemIds":[4755],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-08"},{"id":4755,"type":13,"extraText1":"

Atelier avec Maxime Actis, Carole Joscht, enseignante de Lettres et les \u00e9l\u00e8ves de 4\u00e8me <\/sup>5 du coll\u00e8ge Vallon des pins, les 16, 17 novembre et  les 14, 15 d\u00e9cembre 2023<\/p>","title":"\u00ab Nos tours, sorties des pins \u00bb","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-08"},{"id":214,"type":14,"title":"\u00ab On vire m\u00eame les po\u00e8tes \u00bb","subtitle":"La Marseillaise - A.Schaller","artistIds":[1783],"data":{"media":{"mediaId":214,"artworkDate":"2007-11-19"}},"publicationDate":"2023-02-23"},{"id":4397,"type":2,"subTypeId":11,"extraText1":"

Lectures de Le sang nu<\/i> (1968) par Micha\u00ebl Batalla<\/p>

et de D\u00e9lit du corps<\/i> (1978) par Nora Barbier<\/a>.<\/p>

Projections de courts m\u00e9trages de Lionel Soukaz,<\/p>

et des surprises. <\/p>

 <\/p>

Rencontre organis\u00e9e avec le concours du FIDMarseille<\/a><\/p>

dans le cadre de<\/p>

\u00ab 24 heures dans l'\u0153uvre de Michel Journiac \u00bb<\/a><\/p>

deux journ\u00e9es d'\u00e9tude internationales au MUCEMLAB (MUCEM),<\/p>

jeudi 25 et vendredi 26 mai 2023<\/p>","occurences":[{"startDate":"2023-05-25","startTime":"19:30:00","endDate":null,"endTime":null}],"title":"\u00ab Oursins dans le caviar \u00bb","subtitle":"Une soir\u00e9e au Cipm autour de","artistIds":[2577],"imageIds":[3155],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-27"},{"id":2841,"type":2,"occurences":[{"startDate":"2007-06-29","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"\u00ab Po\u00e8me \u00bb de Roger Giroux","artistIds":[611,150,597],"imageIds":[1472],"publicationDate":"2023-02-23"},{"id":208,"type":14,"title":"\u00ab Quand po\u00e9sie rime avec sans abri \u00bb","subtitle":"Lib\u00e9ration - F. Roussel","artistIds":[1779],"data":{"media":{"mediaId":208,"artworkDate":"2007-11-13"}},"publicationDate":"2023-02-23"},{"id":1670,"type":7,"artistIds":[1712],"publicationDate":"2023-02-23"},{"id":3053,"type":5,"occurences":[{"startDate":"2010-05-01","endDate":"2010-05-31","startTime":null,"endTime":null}],"title":"(D)\u00e9crire","subtitle":"Atelier \u00e0 la M\u00e9diath\u00e8que Albert Camus - Carnoux en Provence (3)","artistIds":[378],"imageIds":[1681],"publicationDate":"2023-02-23"},{"id":5035,"type":6,"subTypeId":36,"extraText3":"

Une r\u00e9sidence d\u2019\u00e9criture de Jiwon Lee co-produite avec La Marelle ; 
du 2 mai au 2 juin \u00e0 Marseille, et du 16 ao\u00fbt au 12 septembre 2025 \u00e0 La Ciotat<\/p>","occurences":[{"startDate":"2025-05-02","startTime":null,"endDate":null,"endTime":null}],"title":"(en cours)","artistIds":[2756],"imageIds":[3773],"extraSectionIds":[5],"logoImageIds":[3437],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-02"},{"id":36,"type":14,"title":"(PO\u00c8ME) 123456, extrait<\/sub>","artistIds":[958],"referenceItemIds":[3758],"data":{"media":{"mediaId":36,"artworkDate":"1995-05-01"}},"publicationDate":"2023-02-23"},{"id":3758,"type":8,"title":"(PO\u00c8ME)
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En pr\u00e9sence des \u00e9diteurs<\/p>

Alphonse Clarou<\/a> et Fran\u00e7ois Ballaud<\/a>.<\/p>

 <\/p>

Le Cipm s'associe \u00e0 Alphabetville<\/a><\/p>

qui porte l'organisation de cette rencontre.<\/p>","occurences":[{"startDate":"2025-05-15","startTime":"18:30:08","endDate":null,"endTime":null}],"placeId":88,"title":"La femme de personne <\/i>

une r\u00e9\u00e9criture de l'Odyss\u00e9e <\/p>

par Barbara K\u00f6hler","artistIds":[809,2761],"imageIds":[3819],"logoImageIds":[3820],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":3127,"type":2,"occurences":[{"startDate":"2011-10-01","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Les etceteras<\/i> \/ Sommaire astral<\/i>","subtitle":"Pr\u00e9sentation des deux nouvelles publications de Joan Brossa","artistIds":[720,2003,2005],"imageIds":[1754,1755],"publicationDate":"2023-02-23"},{"id":2397,"type":2,"occurences":[{"startDate":"2005-04-29","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les rouge gorges<\/i>","subtitle":"de Michel Enrici et Philippe Turc","artistIds":[1355,1354],"imageIds":[1236],"publicationDate":"2023-02-23"},{"id":3029,"type":2,"occurences":[{"startDate":"1990-10-13","startTime":null,"endDate":null,"endTime":null}],"title":"o<\/i>\u00b7bl\u0113k<\/i>","artistIds":[1080,384,1727,1136,897,754,1483,723,703],"imageIds":[1662,1663],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":15,"type":14,"title":"Quand ils ont d\u00e9couvert le feu...<\/i>","artistIds":[673,891],"referenceItemIds":[3746],"data":{"media":{"mediaId":15,"artworkDate":"1992-02-01"}},"publicationDate":"2023-02-23"},{"id":2403,"type":2,"occurences":[{"startDate":"2005-02-04","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Quatorze po\u00e8tes ; anthologie critique & po\u00e9tique<\/i>","subtitle":"(Pr\u00e9texte \u00e9diteur)","artistIds":[811,686,1325,1199,1299],"imageIds":[1242],"publicationDate":"2023-02-23"},{"id":2991,"type":2,"occurences":[{"startDate":"2009-10-30","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Suppl\u00e9ments au pass\u00e9<\/i>","subtitle":"Ghassan Zaqtan","artistIds":[482,644],"imageIds":[1618],"publicationDate":"2023-02-23"},{"id":3729,"type":6,"subTypeId":2,"occurences":[{"startDate":"2023-01-02","startTime":null,"endDate":"2023-02-28","endTime":null}],"title":"Un carr\u00e9 de poussi\u00e8re<\/i>","subtitle":"R\u00e9sidence de cr\u00e9ation","artistIds":[2540],"imageIds":[2550],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2992,"type":2,"occurences":[{"startDate":"2009-11-06","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Vengeance du traducteur<\/i>","subtitle":"Brice Matthieussent","artistIds":[357,1904],"imageIds":[1619],"publicationDate":"2023-02-23"},{"id":4585,"type":6,"subTypeId":2,"occurences":[{"startDate":"2023-10-09","startTime":null,"endDate":"2023-11-09","endTime":null}],"title":"Vive<\/i>","subtitle":"R\u00e9sidence de cr\u00e9ation","artistIds":[2228],"imageIds":[3296],"logoImageIds":[3437],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-23"},{"id":5189,"type":2,"subTypeId":10,"extraText1":"

En partenariat avec l'EHESS<\/p>

dans le cadre de S'informer, vraiment ?!<\/i><\/p>

sixi\u00e8me \u00e9dition du festival Allez Savoir<\/a>.<\/p>","occurences":[{"startDate":"2025-09-27","startTime":"16:00:00","endDate":null,"endTime":null}],"title":"

\u00c9crire la th\u00e9orie comme la po\u00e9sie <\/p>

\u2014 et vice versa<\/i> ? <\/p>","artistIds":[2785,2786,237],"imageIds":[3920],"logoImageIds":[3287,3285],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-22"},{"id":5180,"type":1,"extraText1":"

 <\/p>

Vernissage<\/p>

samedi 20 septembre 2025<\/p>

de 18 h \u00e0 21 h.<\/p>

 <\/p>

Au programme de la soir\u00e9e
- Quelques mots d\u2019ouverture<\/i>,<\/p>

par Micha\u00ebl Batalla et C\u00e9cile Marie-Castanet
- Mallarm\u00e9 Memory Boat<\/i>, perfomance sonore
de et avec Alessandro Bosetti et Liliane Giraudon
- La po\u00e9sie inflammable a-t-elle un go\u00fbt\u2009?<\/i>
performance culinaire de Ryoko Sekiguchi<\/p>

 <\/p>

Entr\u00e9e libre et gratuite<\/p>

dans la limite des places disponibles.<\/p>","extraText2":"

En \u00e9cho : 

Ombre sonore<\/a><\/p>

une exposition de Bernard MONINOT<\/a><\/p>

 du 9 octobre au 29 novembre 2025

INvisible Galerie
2, rue du Petit Puits<\/p>

13002 Marseille
0618172782<\/p>

invisible.galerie@ymail.com<\/a><\/p>

 <\/p>

Commissaire d\u2019exposition C\u00e9cile Marie-Castanet

INvisible galerie accueille l\u2019exposition Ombre sonore<\/i> de Bernard Moninot. Les liens entre po\u00e9sie et dessin sont un fil rouge dans l\u2019ensemble in\u00e9dit d\u2019\u0153uvres choisies. Le spectre lire-\u00e9crire-dessiner se d\u00e9ploie \u00e0 travers une propagation de dessins et une s\u00e9lection de livres r\u00e9alis\u00e9s avec des po\u00e8tes (Liliane Giraudon, Jean-Christophe Bailly, Bernard No\u00ebl, Esther Tellermann).<\/p>

 <\/p>

Cecile Marie-Castanet | aicafrance.org<\/a><\/p>","extraText3":"

Prolongation du 7 au 31 janvier 2026.<\/p>","occurences":[{"startDate":"2025-09-20","startTime":null,"endDate":"2026-01-31","endTime":null}],"title":"

Liliane Giraudon <\/p>

madame himself <\/p>

& l'humour po\u00e9tasse <\/p>","subtitle":"


Commissaire <\/p>","artistIds":[2784],"imageIds":[3926],"fileIds":[32,31],"linkedItemIdsWithLayout":[{"itemId":5182,"layout":2}],"referenceItemIds":[5222,5227],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-24"},{"id":4871,"type":2,"subTypeId":7,"occurences":[{"startDate":"2024-08-01","startTime":null,"endDate":"2024-08-03","endTime":null}],"placeId":66,"title":"

7e<\/sup> \u00e9dition <\/p> du festival Tournez la Plage","artistIds":[2621],"imageIds":[3582],"logoImageIds":[3131],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-07-11"},{"id":5204,"type":4,"extraText1":"

Le projet Classes po\u00e9tiques <\/i>a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm<\/p>","occurences":[{"startDate":"2025-03-25","startTime":null,"endDate":"2025-05-09","endTime":null}],"title":"

Classes po\u00e9tiques <\/p>

2024-2025<\/p>","artistIds":[1549,1929,1004,2237,522],"imageIds":[3942],"logoImageIds":[3943],"subItemIds":[5205,5206,5207,5208,5209,5210,5211,5212,5213,5214,5215,5216],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5266,"type":5,"extraText1":"

atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 6 et 13 d\u00e9cembre 2025<\/p>","extraText2":"

 <\/p>

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30\u20ac (15\u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 20\u20ac (10\u20ac \/ la s\u00e9ance)<\/p>","extraText3":"

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144 films de 50\u2019\u2019 <\/p>

 <\/p>

Narguerite Duracell, Michel Collet & John Giorno, Agn\u00e9s Rosse, Pierre Tilman, Fapeyla & SP38, Elisa Ctorza, Aziyad\u00e9 Baudouin-Talec, Hortense Gauthier, Valentina Traianovava, Vincent Broqua, Gustavo Gomez-Mejia, C\u00e9dric Lerible, Julien d\u2019Abrigeon, Simona Polvani, Jean-Pierre Bobillot avec Guylaine Monnier, et Mathias Lair, Guylaine Monnier, Isa Henmar, Charles Dreyfus, Guillaume Fosse, Jean-Pierre Balpe, Camille d\u2019Arc, Marko Miladinovi\u0107, Marta Shilova, Christophe Fiat, Micha\u00ebl Garcia et Pascale Petit, Reha Yu\u0308nlu\u0308el, Gauthier Keyaerts, Lorenzo Menoud, Micka.l Berdugo, Elisa Fantozzi, Jean-Christophe Cros, Hortense Raynal, Franck Ancel, Patricia Favreau, Gilles Amalvi, Ollivier Moreels, Thanasis Chondros<\/p>

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 <\/p>

Vernissage<\/p>

samedi 15 mars 2025<\/p>

de 15 h \u00e0 18 h.<\/p>

 <\/p>

Entr\u00e9e libre et gratuite<\/p>

dans la limite des places disponibles.<\/p>

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 <\/p>

Une exposition con\u00e7ue par le Cipm en collaboration avec Selma Thies.<\/p>

En partenariat avec le r\u00e9seau L\u2019\u00e9cole(s) du sud.<\/p>

 <\/p>

 <\/p>

Vernissage<\/p>

samedi 14 f\u00e9vrier 2026<\/p>

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E. 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A Woman Comes Into the Room<\/i> from  The World Record<\/i>, readings at the St. Mark's Poetry Project, 1969-1980, recorded February 21, 1979.<\/p>

Dur\u00e9e : 01'06\".<\/p>","title":"A Woman Comes Into the Room","artistIds":[2641],"referenceItemIds":[4706],"data":{"book":{},"publication":{},"media":{"mediaId":1282,"artworkDateToDisplay":"1979"}},"publicationDate":"2024-01-19"},{"id":899,"type":7,"artistIds":[3],"publicationDate":"2023-02-23"},{"id":4984,"type":7,"artistIds":[2733],"imageIds":[3721],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-02-20"},{"id":5105,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : \u00c9ric Houser<\/p>

78 boulevard de la Lib\u00e9ration 13004 Marseille<\/p>

 <\/p>

eric.pierre.houser@gmail.com<\/a><\/p>","title":"A6","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":900,"type":7,"artistIds":[4],"imageIds":[1],"publicationDate":"2023-02-23"},{"id":901,"type":7,"artistIds":[5],"imageIds":[2],"publicationDate":"2023-02-23"},{"id":2683,"type":6,"subTypeId":2,"occurences":[{"startDate":"2002-04-25","endDate":"2002-06-25","startTime":null,"endTime":null}],"title":"Abdallah Zrika","artistIds":[5],"publicationDate":"2023-02-23"},{"id":1941,"type":7,"artistIds":[2083],"publicationDate":"2023-02-23"},{"id":2207,"type":7,"artistIds":[2397],"imageIds":[1053],"publicationDate":"2023-02-23"},{"id":902,"type":7,"artistIds":[8],"imageIds":[3],"publicationDate":"2023-02-23"},{"id":903,"type":7,"artistIds":[9],"publicationDate":"2023-02-23"},{"id":2811,"type":6,"subTypeId":2,"occurences":[{"startDate":"1993-10-01","endDate":"1993-12-01","startTime":null,"endTime":null}],"title":"Abderrazak Sahli","artistIds":[9],"imageIds":[1462],"publicationDate":"2023-02-23"},{"id":904,"type":7,"artistIds":[10],"imageIds":[4],"publicationDate":"2023-02-23"},{"id":4570,"type":14,"typePrecision":"vid\u00e9opo\u00e8me","title":"AB\u00c9C\u00c9ZAROUM","subtitle":"vid\u00e9o, 15''","artistIds":[2292],"data":{"book":{},"publication":{},"media":{"mediaId":1083,"artworkDate":"2022-01-01","artworkDateToDisplay":"2022"}},"publicationDate":"2023-07-28"},{"id":905,"type":7,"artistIds":[12],"imageIds":[5],"publicationDate":"2023-02-23"},{"id":1752,"type":7,"artistIds":[1843],"imageIds":[694],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":448,"type":14,"title":"Abribus \/ G\u00e9ographie","artistIds":[1690],"referenceItemIds":[2782,4006],"data":{"media":{"mediaId":448,"artworkDate":"2006-10-06"}},"publicationDate":"2023-02-23"},{"id":2086,"type":7,"artistIds":[2250],"imageIds":[960],"publicationDate":"2023-02-23"},{"id":5085,"type":14,"extraText1":"

Absence,<\/i> texte re\u00e7u le 31 mars de Raed Wahesh, <\/p>

\u00e0 l'approche de la rencontre du 25 juin 2025.<\/p>","title":"Absence","artistIds":[2501],"data":{"book":{},"publication":{},"media":{"mediaId":2462,"artworkDate":"2025-03-31"}},"publicationDate":"2025-04-22"},{"id":636,"type":14,"title":"Absolument","artistIds":[1319],"referenceItemIds":[2437,3896],"data":{"media":{"mediaId":636,"artworkDate":"2004-01-23"}},"publicationDate":"2023-02-23"},{"id":197,"type":14,"title":"Aby \u00e0 Hambourg","artistIds":[809],"referenceItemIds":[2428,3906],"data":{"media":{"mediaId":197,"artworkDate":"2004-04-09"}},"publicationDate":"2023-02-23"},{"id":355,"type":14,"title":"Accoules Po\u00e9sie","artistIds":[397],"referenceItemIds":[2964],"data":{"media":{"mediaId":355,"artworkDate":"2007-06-01"}},"publicationDate":"2023-02-23"},{"id":4899,"type":2,"extraText2":"

Avec La M\u00e9tropole<\/a> Aix-Marseille-Provence et l'Agence Karkad\u00e9 <\/a><\/p>","occurences":[{"startDate":"2024-06-27","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-09-02","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Accueil des membres du jury du prix litt\u00e9raire m\u00e9tropolitain ","imageIds":[3623],"logoImageIds":[3255],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-07-27"},{"id":4817,"type":5,"extraText1":"

atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 18 et 25 mai  2024<\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30 \u20ac (15 \u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 20 \u20ac (10 \u20ac \/ la s\u00e9ance)<\/p>","occurences":[{"startDate":"2024-05-18","startTime":"10:00:48","endDate":null,"endTime":null},{"startDate":"2024-05-25","startTime":"10:00:12","endDate":null,"endTime":null}],"placeId":54,"title":"Accueillir une phrase","subtitle":"Cycle de 2 s\u00e9ances de 3 heures","artistIds":[1929],"imageIds":[3550],"subItemIds":[4921],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-24"},{"id":4921,"type":13,"extraText1":"

atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 18 et 25 mai  2024<\/p>","title":"Accueillir une phrase","subtitle":"Atelier public anim\u00e9 par Anne Houdy","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-25"},{"id":906,"type":7,"artistIds":[13],"imageIds":[6],"publicationDate":"2023-02-23"},{"id":4810,"type":2,"subTypeId":10,"extraText1":"

Lectures, performances sonores et graphiques, pr\u00e9sentation des \u00e9ditions et de la revue V\u00e9hicule.<\/p>","occurences":[{"startDate":"2024-06-08","startTime":"16:00:36","endDate":null,"endTime":null}],"title":"Activer la po\u00e9sie","subtitle":"Carte blanche aux \u00e9ditions Vroum","artistIds":[2699,2698,2700,2701],"imageIds":[3561],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-25"},{"id":3308,"type":6,"subTypeId":2,"occurences":[{"startDate":"2015-03-29","endDate":"2015-05-09","startTime":null,"endTime":null}],"title":"Actuellement en r\u00e9sidence \u00e0 Beyrouth (Liban)","artistIds":[1112],"imageIds":[1958,1959],"publicationDate":"2023-02-23"},{"id":4964,"type":7,"artistIds":[2730],"imageIds":[3699],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-01-11"},{"id":1983,"type":7,"artistIds":[2125],"publicationDate":"2023-02-23"},{"id":907,"type":7,"artistIds":[16],"imageIds":[7],"publicationDate":"2023-02-23"},{"id":2447,"type":2,"occurences":[{"startDate":"2003-09-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Ad\u00edlia Lopes","subtitle":"Comptoir n\u00b07","artistIds":[16,435,131,809,660],"publicationDate":"2023-02-23"},{"id":869,"type":14,"title":"Adonis","artistIds":[2231],"referenceItemIds":[3347,4224],"data":{"media":{"mediaId":869,"artworkDate":"2016-03-10"}},"publicationDate":"2023-02-23"},{"id":2069,"type":7,"artistIds":[2231],"imageIds":[944],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3347,"type":2,"occurences":[{"startDate":"2016-03-10","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Adonis & Zad Moultaka","subtitle":"La violence de la langue arabe","artistIds":[2231,2232],"imageIds":[2003],"publicationDate":"2023-02-23"},{"id":2156,"type":7,"artistIds":[2343],"imageIds":[1004],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2287,"type":7,"artistIds":[2492],"imageIds":[1127],"publicationDate":"2023-02-23"},{"id":4674,"type":1,"subTypeId":31,"extraText1":"

Vernissage samedi 20 janvier \u00e0 16h<\/p>

Lecture \u00ab Solo \u00bb d\u2019Alice Notley
pr\u00e9c\u00e9d\u00e9e par quelques mots d\u2019ouverture
de Micha\u00ebl Batalla, Giulia Camin et Abigail Lang<\/p>","extraText2":"

Apr\u00e8s l'exposition Anne-Marie Albiach, Vers ce cercle, textes et \u00e9ditions<\/i> (20 novembre 2021 - 5 f\u00e9vrier 2022) et apr\u00e8s La Diagonale des revues, 1922-2022, une chronologie <\/i>(18 juin - 19 novembre 2022), l'exposition Adventures in poetry<\/i> explore \u00ab\u202fla biblioth\u00e8que am\u00e9ricaine\u202f\u00bb, troisi\u00e8me fonds sp\u00e9cifique de la biblioth\u00e8que du Cipm.<\/p>

 <\/p>

Remerciements : PennSound<\/a>, Charles Bernstein, Olivier Brossard, Zachary Carduner, Henry Hills, Flinn Elizabeth Moore Rauck, Aki Yamouridis. Les textes du livret d'exposition se fondent notamment sur les travaux de Michael Davidson, de Jerome Rothenberg et de Steve Clay. L\u2019exposition doit beaucoup aux archives mises \u00e0 disposition par Steve Clay (fromasecretlocation.com<\/a>).<\/p>

 <\/p>

\u00c0 lire : Abigail Lang, La conversation transatlantique, Les \u00e9changes franco-am\u00e9ricains en po\u00e9sie depuis 1968, <\/i>coll. L'\u00e9cart absolu, Les presses du r\u00e9el, 2020.<\/p>

 <\/p>

Dans la presse : La Provence<\/a>.<\/p>","occurences":[{"startDate":"2024-01-20","startTime":null,"endDate":"2024-04-27","endTime":null}],"title":"ADVENTURES IN POETRY","subtitle":"La biblioth\u00e8que am\u00e9ricaine du Cipm


Commissaire <\/p>","artistIds":[1843],"imageIds":[3378],"fileIds":[23],"referenceItemIds":[3480,3487,3531,3603,3630,3691,5158],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-12-21"},{"id":4679,"type":2,"subTypeId":9,"extraText2":"

Vient de para\u00eetre : Telling the Truth as It Comes Up<\/i><\/a><\/p>","extraText3":"

 <\/p>

\u00c0 l'occasion de l'ouverture de l'exposition<\/p>

ADVENTURES IN POETRY<\/p>

La biblioth\u00e8que am\u00e9ricaine du Cipm<\/p>

 <\/p>","occurences":[{"startDate":"2024-01-20","startTime":"16:00:13","endDate":null,"endTime":null}],"title":"Adventures so far","subtitle":"Mes aventures jusqu'\u00e0 pr\u00e9sent","artistIds":[2641],"imageIds":[3391],"referenceItemIds":[4674],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-02"},{"id":4731,"type":2,"typePrecision":"restitution de workshop","extraText1":"

Restitution ouverte au public sur r\u00e9servation<\/a>.<\/p>","extraText2":"

Atelier de recherche-cr\u00e9ation
organis\u00e9 par Annalisa Bertoni (ESBAN) et Vincent Broqua (U Paris 8).<\/p>","occurences":[{"startDate":"2024-03-08","startTime":"16:30:01","endDate":null,"endTime":null}],"title":"Affecter la traduction","subtitle":"Rencontre","artistIds":[2677,2147],"imageIds":[3443],"referenceItemIds":[4733],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-09"},{"id":4733,"type":3,"extraText2":"

Atelier de recherche-cr\u00e9ation<\/p>

organis\u00e9 par Annalisa Bertoni (ESBAN) et Vincent Broqua (U Paris 8).<\/p>","occurences":[{"startDate":"2024-03-07","startTime":null,"endDate":"2024-03-08","endTime":null}],"title":"Affecter la traduction","subtitle":"Atelier","artistIds":[2677,2147],"imageIds":[3444],"publicId":3,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-09"},{"id":5110,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Elie Petit & Tugdual De Morel
22 rue de la R\u00e9publique, 93200 SAINT-DENIS

contact@revue-affixe.fr<\/a>
revue-affixe.fr<\/a><\/p>","title":"Affixe","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":349,"type":14,"title":"Aforismos","artistIds":[1422],"referenceItemIds":[3882,2458],"data":{"media":{"mediaId":349,"artworkDate":"2003-05-24"}},"publicationDate":"2023-02-23"},{"id":4248,"type":8,"title":"Afra \/ vrai corps","artistIds":[2286],"imageIds":[3022],"referenceItemIds":[4246],"data":{"book":{"publicationDate":"2010-07-01","isbn10":"978-2-917824-09-2"},"publication":{"price":14,"collectionIds":[12]}},"publicationDate":"2023-02-23"},{"id":3297,"type":9,"occurences":[{"startDate":"2015-03-27","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Agir et r\u00e9sister, infinitivement","subtitle":"dlpc 22 - Emmanuel Fournier","artistIds":[347],"imageIds":[1945],"publicationDate":"2023-02-23"},{"id":909,"type":7,"artistIds":[22],"imageIds":[9],"publicationDate":"2023-02-23"},{"id":4770,"type":7,"artistIds":[2516],"imageIds":[3510],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-15"},{"id":4565,"type":14,"extraText1":"

Le po\u00e8me Ainsi ces cris<\/i> a \u00e9t\u00e9 compos\u00e9 par J\u00e9r\u00f4me Bertin<\/p>

lors d'une R\u00e9sidence de lecture \u00e0 la Biblioth\u00e8que du Cipm entre le 22 septembre et le 3 octobre 2021.<\/p>","title":"Ainsi ces cris","artistIds":[2362],"data":{"book":{},"publication":{},"media":{"mediaId":1077,"artworkDate":"2021-10-02","artworkDateToDisplay":"Il a fait l'objet d'une lecture par son auteur, le 16 octobre 2021 lors d'un duo avec Cia Rinne."}},"publicationDate":"2023-07-22"},{"id":1570,"type":7,"artistIds":[1588],"imageIds":[560],"publicationDate":"2023-02-23"},{"id":2531,"type":2,"occurences":[{"startDate":"2001-01-19","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Al Dante","subtitle":"Vernissage - lecture - performance","artistIds":[792,234,855,603],"imageIds":[1311],"publicationDate":"2023-02-23"},{"id":4975,"type":2,"typePrecision":"finissage de l'exposition Al Dante","extraText1":"

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 <\/p>

Une exposition con\u00e7ue<\/p>

avec Laurent Cauwet et St\u00e9phane Nowak Papantoniou.<\/p>

 <\/p>

 <\/p>

En lien avec l'exposition AL DANTE : LE RAOUT<\/p>

samedi 30 novembre 2024<\/p>

de 17h30 \u00e0 19h30<\/p>

M\u00e9diath\u00e8que Louis Aragon<\/p>

Quai des Anglais<\/p>

13500 Martigues<\/p>

Rencontre autour de l'\u0153uvre de Christophe Tarkos<\/a><\/p>

avec Amandine Andr\u00e9 et Cyrille Bret<\/p>

 <\/p>

 <\/p>

Vernissage<\/p>

samedi 9 novembre 2024<\/p>

de 17\u2009h \u00e0 21\u2009h\u200930<\/p>

entr\u00e9e libre et gratuite dans la limite des places disponibles<\/p>

 <\/p>

Table ronde, lectures, performances
avec Laurent Cauwet, St\u00e9phane Nowak Papantoniou, Julien Blaine,<\/p>

Carmen Diez Salvatierra, Liliane Giraudon.
Et pour accompagner la pr\u00e9sentation chronologique de l\u2019ensemble du catalogue Al Dante, 
les interventions graphiques de Gorge Bataille, SNG (Natacha Guiller),<\/p>

St\u00e9phane B\u00e9rard, Laurent Marissal, Charles Pennequin.<\/p>","occurences":[{"startDate":"2024-11-09","startTime":null,"endDate":"2025-03-08","endTime":null}],"title":"AL DANTE : LE RAOUT","subtitle":"[raout : de l\u2019anglais\u00a0rout,\u00a0d\u00e9sordre, et de l\u2019ancien fran\u00e7ais\u00a0route,\u00a0compagnie]","imageIds":[3676,3677],"fileIds":[15],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-21"},{"id":3081,"type":1,"occurences":[{"startDate":"2010-12-10","endDate":"2011-01-22","startTime":null,"endTime":null}],"title":"Al Manar","imageIds":[1707],"publicationDate":"2023-02-23"},{"id":912,"type":7,"artistIds":[31],"imageIds":[12],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2122,"type":7,"artistIds":[2299],"publicationDate":"2023-02-23"},{"id":1594,"type":7,"artistIds":[1617],"imageIds":[580],"publicationDate":"2023-02-23"},{"id":916,"type":7,"artistIds":[41],"imageIds":[16],"publicationDate":"2023-02-23"},{"id":1595,"type":7,"artistIds":[1618],"imageIds":[581],"publicationDate":"2023-02-23"},{"id":917,"type":7,"artistIds":[42],"imageIds":[17],"publicationDate":"2023-02-23"},{"id":1921,"type":7,"artistIds":[2063],"imageIds":[841],"publicationDate":"2023-02-23"},{"id":918,"type":7,"artistIds":[45],"imageIds":[18],"publicationDate":"2023-02-23"},{"id":914,"type":7,"artistIds":[35],"imageIds":[14],"publicationDate":"2023-02-23"},{"id":2078,"type":7,"artistIds":[2240],"publicationDate":"2023-02-23"},{"id":919,"type":7,"artistIds":[46],"imageIds":[19],"publicationDate":"2023-02-23"},{"id":910,"type":7,"artistIds":[27],"imageIds":[10],"publicationDate":"2023-02-23"},{"id":2618,"type":2,"occurences":[{"startDate":"1998-01-30","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Alain Joule","subtitle":"\u00c9quations po\u00e9tiques","artistIds":[27],"publicationDate":"2023-02-23"},{"id":1862,"type":7,"artistIds":[1994],"imageIds":[794],"publicationDate":"2023-02-23"},{"id":1885,"type":7,"artistIds":[2021],"imageIds":[813],"publicationDate":"2023-02-23"},{"id":911,"type":7,"artistIds":[29],"imageIds":[11],"publicationDate":"2023-02-23"},{"id":913,"type":7,"artistIds":[32],"imageIds":[13],"publicationDate":"2023-02-23"},{"id":915,"type":7,"artistIds":[36],"imageIds":[15],"publicationDate":"2023-02-23"},{"id":920,"type":7,"artistIds":[48],"imageIds":[20],"publicationDate":"2023-02-23"},{"id":2508,"type":2,"occurences":[{"startDate":"2001-09-21","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Alain Veinstein","artistIds":[48],"publicationDate":"2023-02-23"},{"id":3461,"type":1,"occurences":[{"startDate":"2018-07-07","endDate":"2018-10-13","startTime":null,"endTime":null}],"title":"Alain Veinstein","subtitle":"Papiers noirs","imageIds":[2160,2161],"publicationDate":"2023-02-23"},{"id":2691,"type":6,"subTypeId":2,"occurences":[{"startDate":"2000-01-04","endDate":"2000-02-04","startTime":null,"endTime":null}],"title":"Alain-Christophe Restrat","artistIds":[51],"publicationDate":"2023-02-23"},{"id":921,"type":7,"artistIds":[51],"imageIds":[21],"publicationDate":"2023-02-23"},{"id":3492,"type":2,"occurences":[{"startDate":"2019-04-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Alba et le Livre de la terre","artistIds":[2337,2335,2365,2277],"imageIds":[2205,null],"publicationDate":"2023-02-23"},{"id":2164,"type":7,"artistIds":[2354],"publicationDate":"2023-02-23"},{"id":922,"type":7,"artistIds":[54],"imageIds":[22],"publicationDate":"2023-02-23"},{"id":1663,"type":7,"artistIds":[1705],"imageIds":[632],"publicationDate":"2023-02-23"},{"id":1858,"type":7,"artistIds":[1988],"imageIds":[790],"publicationDate":"2023-02-23"},{"id":3104,"type":6,"subTypeId":2,"occurences":[{"startDate":"2011-05-01","endDate":"2011-07-01","startTime":null,"endTime":null}],"title":"Albert Roig","artistIds":[1988],"imageIds":[1730],"publicationDate":"2023-02-23"},{"id":5190,"type":7,"artistIds":[2785],"imageIds":[3921],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-22"},{"id":5194,"type":2,"typePrecision":"lecture","occurences":[{"startDate":"2025-09-21","startTime":"15:00:31","endDate":null,"endTime":null}],"placeId":92,"title":"Alberto Giacometti, anatomie d\u2019un geste","artistIds":[345],"imageIds":[3932],"logoImageIds":[3258,3929,3928],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-25"},{"id":5302,"type":14,"extraText2":"

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Atelier d\u2019\u00e9criture avec une classe de seconde bac pro
\u00c0 l'initiative d'Isabelle Robert-Battocchio, professeure documentaliste et Julie Salavera, enseignante de Lettres
Merci \u00e0 Christophe Gerrer, charg\u00e9 de mission \"\u00c9ducation et territoire\" Parc naturel r\u00e9gional du Queyras<\/p>

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Enseignements coordonn\u00e9s par C\u00e9cile Marie-Castanet, <\/p>

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 <\/p>

Rencontre organis\u00e9e en partenariat avec le March\u00e9 de la po\u00e9sie de Paris<\/a><\/p>

et la Biblioth\u00e8que arabe associ\u00e9e de Marseille (BaaM)<\/a>.<\/p>","occurences":[{"startDate":"2025-06-25","startTime":"19:00:32","endDate":null,"endTime":null}],"placeId":91,"title":"Aujourd'hui la po\u00e9sie palestinienne","subtitle":"Rencontre pr\u00e9sent\u00e9e par Lotfi Nia<\/a>, Sarah Rolfo<\/a>, et  Jean-Charles Depaule<\/a>","artistIds":[2764,2763,2762,2501],"imageIds":[3850],"logoImageIds":[3851,3829],"referenceItemIds":[5084,5085,5086],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-25"},{"id":4061,"type":8,"title":"Aujourd'hui, je vide la poche","artistIds":[1317],"imageIds":[2831],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2009-02-01","isbn10":"978-2-909097-72-5"},"publication":{"price":10,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":2203,"type":7,"artistIds":[2393],"imageIds":[1049],"publicationDate":"2023-02-23"},{"id":2043,"type":7,"artistIds":[2199],"publicationDate":"2023-02-23"},{"id":4340,"type":7,"artistIds":[2561],"imageIds":[3125],"linkedItemIdsWithLayout":[{"itemId":3704,"layout":3}],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-21"},{"id":2223,"type":7,"artistIds":[2415],"imageIds":[1068],"publicationDate":"2023-02-23"},{"id":3028,"type":2,"occurences":[{"startDate":"1990-09-21","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Australie - USA : 4 po\u00e8tes","artistIds":[214,89,127,520],"imageIds":[1661],"publicationDate":"2023-02-23"},{"id":2651,"type":9,"occurences":[{"startDate":"2000-11-17","endDate":"2000-11-18","startTime":null,"endTime":null}],"title":"Autobiographie & po\u00e9sie","artistIds":[359,312,1341,345,680,611,809,211,1485,548,996,1025,936,518,652],"imageIds":[1338],"publicationDate":"2023-02-23"},{"id":3626,"type":5,"occurences":[{"startDate":"2021-11-13","endDate":"2022-01-29","startTime":null,"endTime":null}],"title":"Autobiographie des autres","artistIds":[522],"imageIds":[2423,2424],"publicationDate":"2023-02-23"},{"id":3254,"type":2,"occurences":[{"startDate":"2014-05-23","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Autoportrait","subtitle":"Simone Fattal","imageIds":[1892],"publicationDate":"2023-02-23"},{"id":3776,"type":8,"title":"Autoportrait au silence","artistIds":[51],"imageIds":[2594],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2000-01-01","isbn10":"2-909097-36-6"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":662,"type":14,"title":"Autoportrait nu","artistIds":[1987],"referenceItemIds":[4117,3106,3128],"data":{"media":{"mediaId":662,"artworkDate":"2011-10-01"}},"publicationDate":"2023-02-23"},{"id":3342,"type":2,"occurences":[{"startDate":"2016-02-02","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Autour de Christophe Tarkos","subtitle":"Soir\u00e9e organis\u00e9e par Ent'revues","imageIds":[1998],"publicationDate":"2023-02-23"},{"id":4952,"type":14,"typePrecision":"rencontre","title":"Autour de David Antin","artistIds":[290,597,1034],"referenceItemIds":[2528],"data":{"book":{},"publication":{},"media":{"mediaId":2342,"artworkDate":"2001-01-27","artworkDateToDisplay":"Samedi 27 janvier 2001"}},"publicationDate":"2024-12-07"},{"id":5312,"type":2,"subTypeId":10,"occurences":[{"startDate":"2026-04-04","startTime":"16:00:50","endDate":null,"endTime":null}],"title":"Autour de Jean-Luc Sarr\u00e9

<\/p>avec la revue Europe<\/i>","artistIds":[1003,240,1913,495,1627],"imageIds":[4050],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-12"},{"id":4967,"type":4,"occurences":[{"startDate":"2024-09-26","startTime":null,"endDate":"2024-10-11","endTime":null}],"placeId":79,"title":"Autour de l\u2019Arbre","artistIds":[1929],"imageIds":[3701],"subItemIds":[4968],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-11"},{"id":4968,"type":13,"extraText1":"

Atelier en milieu scolaire anim\u00e9 par Anne Houdy <\/p>

du 26 septembre au 11 octobre 2024, <\/p>

Coll\u00e8ge Roger Carcassonne, 13330 P\u00e9lissanne<\/p>","title":"Autour de l\u2019Arbre ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-11"},{"id":4664,"type":4,"occurences":[{"startDate":"2023-10-20","startTime":null,"endDate":"2023-11-17","endTime":null}],"placeId":37,"title":"Autour de l\u2019arbre","artistIds":[1929],"imageIds":[3371],"subItemIds":[4665],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-12-08"},{"id":4665,"type":13,"title":"Autour de l\u2019arbre","subtitle":"par Anne Houdy","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-12-12"},{"id":3643,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-01-29","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Autour de Louis Zukofsky","subtitle":"Rencontre","artistIds":[423,2137,1843,2453],"imageIds":[2441],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4529,"type":14,"title":"Autour de Louis Zukofsky","artistIds":[423],"referenceItemIds":[3643],"data":{"book":{},"publication":{},"media":{"mediaId":1037,"artworkDate":"2022-01-29"}},"publicationDate":"2023-06-10"},{"id":4530,"type":14,"title":"Autour de Louis Zukofsky","artistIds":[2137],"referenceItemIds":[3643,4529],"data":{"book":{},"publication":{},"media":{"mediaId":1038,"artworkDate":"2022-01-29"}},"publicationDate":"2023-06-10"},{"id":4531,"type":14,"title":"Autour de Louis Zukofsky","artistIds":[2453],"referenceItemIds":[3643,4529,4530],"data":{"book":{},"publication":{},"media":{"mediaId":1039,"artworkDate":"2022-01-29"}},"publicationDate":"2023-06-10"},{"id":4532,"type":14,"title":"Autour de Louis Zukofsky","artistIds":[1843],"referenceItemIds":[3643,4529,4530,4531],"data":{"book":{},"publication":{},"media":{"mediaId":1040,"artworkDate":"2022-01-29"}},"publicationDate":"2023-06-10"},{"id":4951,"type":14,"title":"Autour des livres de Jacques Roubaud","artistIds":[597],"imageIds":[3688],"data":{"book":{},"publication":{},"media":{"mediaId":2341,"artworkDate":"1993-05-26","artworkDateToDisplay":"Mercredi 26 mai 1993"}},"publicationDate":"2024-12-06"},{"id":371,"type":14,"title":"Autour des oeuvres de Christian Garcin avec les \u00e9l\u00e8ves de l'\u00e9cole des Accoules","referenceItemIds":[2964],"data":{"media":{"mediaId":371,"artworkDate":"2007-06-22"}},"publicationDate":"2023-02-23"},{"id":4919,"type":2,"subTypeId":7,"extraText1":"

\u00c0 l'invitation de la Librairie du jour - La fab<\/a>.<\/p>

dans le cadre de l'exposition Memories of Jonas Mekas<\/a>.<\/p>

 <\/p>

Pr\u00e9sentation suivie par la lecture d'un choix de po\u00e8mes par Thierry Raynaud.<\/p>

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Comptoir n\u00b0 6<\/p>","occurences":[{"startDate":"2003-03-14","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"Autriche : Margret Kreidl","subtitle":"Les Comptoirs de la Nouvelle B. 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Traduction Laurent Cassagnau.<\/p>

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 Introduction Berrigan<\/i>, reading at Buffalo with Introduction by Robert Creeley, May 6, 1968.<\/p>

Dur\u00e9e : 00'37\".<\/p>

 <\/p>

Words For Love, <\/i>reading at Buffalo with Introduction by Robert Creeley, May 6, 1968.<\/p>

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Biting Off The Tongue Of A Corpse<\/i> - The Dial-A-Poem Poets, album cover, 1975.<\/p>

 <\/p>

Helen Adam, Cheerless Junkie Song<\/i>, from  the album Biting Off The Tongue Of A Corpse<\/i> \u2013 The Dial-A-Poem Poets,  Giorno Poetry Systems records, New York, 1975.<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Alyson Onana Zobo et David Bonnand
Chiche \u00e9ditions c\/o Alyson Onana Zobo, 
19 rue de la cour des Noues 75020 Paris<\/p>


chicheestunerevue@gmail.com<\/a>
www.chicheeditions.com<\/a><\/p>","title":"Chiche","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":336,"type":14,"title":"Chinesis - Chinatown","artistIds":[962],"referenceItemIds":[2409,3913],"data":{"media":{"mediaId":336,"artworkDate":"2004-10-22"}},"publicationDate":"2023-02-23"},{"id":993,"type":7,"artistIds":[213],"publicationDate":"2023-02-23"},{"id":2685,"type":6,"subTypeId":2,"occurences":[{"startDate":"2001-10-10","endDate":"2001-12-10","startTime":null,"endTime":null}],"title":"Chlo\u00e9 Delaume","artistIds":[213],"publicationDate":"2023-02-23"},{"id":833,"type":14,"title":"Chouchanik 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 <\/p>

Atelier d\u2019\u00e9criture de Paul Anders avec deux classes, CE1-CE2 et CM1-CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire National, 13003 Marseille<\/p>

Enseignante : Sandrine Dollinger<\/p>

Classe de CM1-CM2<\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire National, 13003 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5205,"type":13,"extraText1":"


Atelier d\u2019\u00e9criture d'Annabelle Verhaeghe avec deux classes, CP-CE1 et CE1 \u2014 \u00c9cole \u00c9l\u00e9mentaire Cap Est, 13010 Marseille<\/p>

Enseignantes : V\u00e9ronique Bouisset et Nathalie G\u00e9rard<\/p>

Classes de CP-CE1 et CE1 <\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire Cap Est, 13010 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5206,"type":13,"extraText1":"

 <\/p>

Atelier d\u2019\u00e9criture d'H\u00e9l\u00e8na Villovitch avec deux classes, CM1 et CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire Granados, 13009 Marseille<\/p>

Enseignante : Sandrine Foin<\/p>

Classes de CM1 et CM2 <\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire Granados, 13009 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5208,"type":13,"extraText1":"


Atelier d\u2019\u00e9criture de Nicolas Tardy avec deux classes, CE1-CE2 et CE2-CM1 \u2014 \u00c9cole \u00c9l\u00e9mentaire Jean Fiolle, 13006 Marseille<\/p>

Enseignante : Mme. Rabeyrin<\/p>

Classe de CE1-CE2<\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire Jean Fiolle, 13006 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5210,"type":13,"extraText1":"


Atelier d\u2019\u00e9criture de Nicolas Tardy avec deux classes, CE1-CE2 et CE2-CM1 \u2014 \u00c9cole \u00c9l\u00e9mentaire Jean Fiolle, 13006 Marseille<\/p>

Enseignante : Mme. Chauvet<\/p>

Classe de CE2-CM1 <\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire Jean Fiolle, 13006 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5211,"type":13,"extraText1":"


Atelier d\u2019\u00e9criture de Nicolas Tardy avec deux classes, CE1-CM2 et CM1 \u2014 \u00c9cole \u00c9l\u00e9mentaire La Baume, 13009 Marseille<\/p>

Enseignants : Mme. Hougnon, M. Soares<\/p>

Classes de CE1-CM2 et CM1<\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire La Baume, 13009 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5207,"type":13,"extraText1":"

 <\/p>

Atelier d\u2019\u00e9criture d'Anne Houdy avec deux classes de CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire La Fourrag\u00e8re, 13012 Marseille<\/p>

Enseignants : C\u00e9line Guidou<\/p>

Classes de CM2<\/p>","title":"Classes po\u00e9tiques 2024-2025 : \u00c9cole \u00c9l\u00e9mentaire La Fourrag\u00e8re, 13012 Marseille","subtitle":"Le projet Classes po\u00e9tiques a \u00e9t\u00e9 initi\u00e9 par l'OCCE 13 en partenariat avec le Cipm","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":5209,"type":13,"extraText1":"

 <\/p>

Atelier d\u2019\u00e9criture d'Anne Houdy avec deux classes de CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire La Fourrag\u00e8re, 13012 Marseille<\/p>

Enseignants : O. Ponzi<\/p>

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 <\/p>

Atelier d\u2019\u00e9criture d'Anne Houdy avec deux classes de CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire Montolivet, 13012 Marseille<\/p>

Enseignants : Mme. De Jesus, Hugo Pellegrin<\/p>

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 <\/p>

Atelier d\u2019\u00e9criture de Paul Anders avec deux classes, CE1-CE2 et CM1-CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire National, 13003 Marseille<\/p>

Enseignante : Myriam Berliner<\/p>

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 <\/p>

Atelier d\u2019\u00e9criture de Paul Anders avec deux classes, CM1 et CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire Rose Place, 13013 Marseille<\/p>

Enseignante : Jessica Berkioun<\/p>

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 <\/p>

Atelier d\u2019\u00e9criture de Paul Anders avec deux classes, CM1 et CM2 \u2014 \u00c9cole \u00c9l\u00e9mentaire Rose Place, 13013 Marseille<\/p>

Enseignante : S\u00e9verine Sioubalak<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue :
Charlotte Rolland : Directrice de publication
Christophe Fiat : R\u00e9dacteur en chef
Revue COCKPIT, 28 rue du Poteau 75018 PARIS<\/p>


revuecockpit@gmail.com<\/a>
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Pr\u00e9sentation d\u2019une pratique \u00e9ditoriale et lectures<\/p>

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Coproduction Actoral<\/a>\/Cipm 

R\u00e9server<\/strong><\/a> <\/p>","extraText2":"

\u00c0 l'occasion du Baudelaire Poetry Day<\/a> en partenariat avec Extra!<\/a>, le festival de la litt\u00e9rature vivante du Centre Pompidou<\/a> 
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Texte in\u00e9dit d'Olivier Domerg adress\u00e9 le 26 octobre 2023, <\/p>

dans la cadre de l'invitation \u00e0 la lecture Rh\u00f4n\u00e9o-Rod\u00e9o,<\/i> <\/p>

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Un \u00e9v\u00e9nement propos\u00e9 par le Cipm, co-r\u00e9alis\u00e9 avec Mont\u00e9vid\u00e9o dans le cadre du Festival actoral 2023<\/p>","occurences":[{"startDate":"2023-10-13","startTime":"21:00:34","endDate":null,"endTime":null}],"placeId":24,"title":"Comment commencer","subtitle":"(pr\u00e9ambules)","artistIds":[2623,2626,2627],"imageIds":[3311],"logoImageIds":[3278,3127],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-21"},{"id":3544,"type":2,"occurences":[{"startDate":"2020-02-01","endDate":null,"startTime":"11:00:00","endTime":null}],"title":"Comment devenir un \"grand po\u00e8te\"\u00a0?","artistIds":[1243],"imageIds":[2277],"publicationDate":"2023-02-23"},{"id":29,"type":14,"title":"Comment j'ai appris \u00e0 ne pas...","artistIds":[713],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":29,"artworkDate":"2005-03-12"}},"publicationDate":"2023-02-23"},{"id":2978,"type":4,"occurences":[{"startDate":"2008-11-01","endDate":"2009-05-31","startTime":null,"endTime":null}],"title":"Comment nous avons d\u00e9coup\u00e9 certains de nos po\u00e8mes...","subtitle":"Intervention en 2008 - 2009","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":3657,"type":2,"subTypeId":9,"occurences":[{"startDate":"2022-03-19","startTime":"11:00:00","endDate":null,"endTime":null}],"title":"Comment vivre","subtitle":"Solo de Martin Richet","artistIds":[1552],"imageIds":[2459],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5257,"type":14,"title":"Compl\u00e9ment d'objet (extrait)","artistIds":[678],"referenceItemIds":[5253],"data":{"book":{},"publication":{},"media":{"mediaId":2819,"artworkDateToDisplay":"2025"}},"publicationDate":"2025-10-31"},{"id":783,"type":14,"title":"Compl\u00e9ments de noms","artistIds":[962],"referenceItemIds":[3175,4139],"data":{"media":{"mediaId":783,"artworkDate":"2012-09-28"}},"publicationDate":"2023-02-23"},{"id":796,"type":14,"title":"Compositions","artistIds":[777],"referenceItemIds":[2496,3990],"data":{"media":{"mediaId":796,"artworkDate":"2002-03-02"}},"publicationDate":"2023-02-23"},{"id":4346,"type":14,"extraText1":"

Texte in\u00e9dit, en pr\u00e9paration du Solo d'Isabelle Sbrissa. <\/a><\/p>","extraText2":"

Isabelle Sbrissa, extrait d'un travail en cours, Compost ; <\/i><\/p>

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Concert acousmatique de Fr\u00e9d\u00e9ric Acquaviva, mis au point avec Laurent Cauwet et St\u00e9phane Nowak Papantoniou pour clore la s\u00e9quence du grand raout Al Dante.<\/p>","extraText2":"

Un programme de lectures, performances et concert acousmatique mis au point avec Laurent Cauwet et St\u00e9phane Nowak Papantoniou pour clore la s\u00e9quence du grand raout Al Dante. Remerciements au GMEM pour sa tr\u00e8s amicale participation technique.<\/p>","title":"Concert acousmatique de Fr\u00e9d\u00e9ric Acquaviva","artistIds":[1758],"referenceItemIds":[4975,4925,4963,5021],"data":{"book":{},"publication":{},"media":{"mediaId":2520,"artworkDate":"2025-03-08","artworkDateToDisplay":"Samedi 8 mars 2025"}},"publicationDate":"2025-05-10"},{"id":3737,"type":2,"subTypeId":9,"extractText":"

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En partenariat avec Plaine Page, Zone d\u2019int\u00e9r\u00eat po\u00e9tique<\/a><\/p>

pour l'ouverture de la 17e<\/sup> \u00e9dition du festival Les Eauditives<\/i><\/a>.<\/p>","occurences":[{"startDate":"2025-05-07","startTime":"18:00:33","endDate":null,"endTime":null}],"placeId":87,"title":"Conf\u00e9rence hydrique","artistIds":[2724],"imageIds":[3760],"fileIds":[21],"logoImageIds":[3374],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-02"},{"id":105,"type":14,"title":"Connaissance","artistIds":[322],"referenceItemIds":[3997,2737],"data":{"media":{"mediaId":105,"artworkDate":"2006-02-03"}},"publicationDate":"2023-02-23"},{"id":1685,"type":7,"artistIds":[1727],"publicationDate":"2023-02-23"},{"id":2808,"type":6,"subTypeId":2,"occurences":[{"startDate":"1992-04-01","endDate":"1992-06-01","startTime":null,"endTime":null}],"title":"Connell Mc Grath","artistIds":[1727],"publicationDate":"2023-02-23"},{"id":2196,"type":7,"artistIds":[2386],"imageIds":[1042],"publicationDate":"2023-02-23"},{"id":5221,"type":7,"artistIds":[2788],"imageIds":[3955],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-08-26"},{"id":4911,"type":14,"extraText1":"

Quatre po\u00e8mes extraits de Kontaktas<\/i> [Contact], kitos knygos, Vilnius, 2023<\/p>

in\u00e9dits en France et traduits par Migl\u0117 Dulskyt\u0117, <\/p>

\u00e0 l\u2019approche du Jonas Mekas Poetry Day \u00e0 Marseille (actoral\/Cipm\/La C\u00f4merie)<\/a>,<\/p>","title":"Contact (extraits)","artistIds":[2715],"data":{"book":{},"publication":{},"media":{"mediaId":2311,"artworkDate":"2023-01-01","artworkDateToDisplay":"en septembre 2024."}},"publicationDate":"2024-09-11"},{"id":818,"type":14,"title":"Conte","subtitle":"(extrait)","artistIds":[2082],"referenceItemIds":[3199],"data":{"media":{"mediaId":818}},"publicationDate":"2023-02-23"},{"id":456,"type":14,"title":"Contre la po\u00e9tisation du printemps & Pour des centres nationaux de po\u00e9sie [4 pages]","referenceItemIds":[4091],"data":{"media":{"mediaId":456,"artworkDate":"2010-03-23"}},"publicationDate":"2023-02-23"},{"id":4091,"type":8,"title":"Contre la po\u00e9tisation du printemps
&
Pour des centres nationaux de po\u00e9sie","artistIds":[346],"referenceItemIds":[3741],"data":{"book":{"publicationDate":"2010-03-01"},"publication":{"price":3,"collectionIds":[1]}},"publicationDate":"2023-02-23"},{"id":3450,"type":2,"occurences":[{"startDate":"2018-05-05","endDate":null,"startTime":"16:30:00","endTime":null}],"title":"Contre-mur","artistIds":[1004,190,1881,2341,2065],"imageIds":[2146,2147],"publicationDate":"2023-02-23"},{"id":235,"type":14,"title":"Copier n'est pas jouer","artistIds":[673],"referenceItemIds":[4038,2925],"data":{"media":{"mediaId":235,"artworkDate":"2008-01-25"}},"publicationDate":"2023-02-23"},{"id":573,"type":14,"title":"Coquelicot pour la complainte de Bethlehem","artistIds":[1651],"referenceItemIds":[3923,3082],"data":{"media":{"mediaId":573,"artworkDate":"2010-12-10"}},"publicationDate":"2023-02-23"},{"id":2852,"type":1,"occurences":[{"startDate":"2007-07-06","endDate":"2007-10-20","startTime":null,"endTime":null}],"title":"Cordesse","subtitle":"Les lignes orphelines
livres illustr\u00e9s, toiles et papiers","artistIds":[1750],"imageIds":[1474,1475],"publicationDate":"2023-02-23"},{"id":2966,"type":2,"occurences":[{"startDate":"2007-07-06","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Cordesse - Les lignes orphelines<\/i>","subtitle":"Vernissage - Lectures - Projections","artistIds":[1750,1749,1748,1746,1745,1744,1743,1750,1743,1751],"imageIds":[1592],"publicationDate":"2023-02-23"},{"id":300,"type":14,"title":"Corona","artistIds":[1063],"referenceItemIds":[2446,3889],"data":{"media":{"mediaId":300,"artworkDate":"2003-10-03"}},"publicationDate":"2023-02-23"},{"id":828,"type":14,"title":"Corps diaphane (extrait)","artistIds":[2117],"referenceItemIds":[3216,4159],"data":{"media":{"mediaId":828,"artworkDate":"2013-07-05"}},"publicationDate":"2023-02-23"},{"id":5158,"type":1,"subTypeId":31,"extraText1":"

Vernissage<\/p>

Jeudi 12 juin<\/p>

de 18h \u00e0 21h<\/p>","occurences":[{"startDate":"2025-06-12","startTime":null,"endDate":"2025-09-06","endTime":null}],"title":"CORPUS MARSEILLE","imageIds":[3893],"fileIds":[27],"referenceItemIds":[5172,5173,4674,3630,3691,3603,3531,3487,3480],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-03"},{"id":2358,"type":1,"occurences":[{"startDate":"1998-09-11","endDate":"1998-10-10","startTime":null,"endTime":null}],"title":"Correspondances","artistIds":[110,685],"imageIds":[1196],"publicationDate":"2023-02-23"},{"id":3109,"type":2,"occurences":[{"startDate":"2011-05-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Correspondances","subtitle":"\u00c0 vous de lire 2011","artistIds":[427,1993],"imageIds":[1738],"publicationDate":"2023-02-23"},{"id":124,"type":14,"title":"Corrupted by Showgirls","artistIds":[1645],"referenceItemIds":[2759,4004],"data":{"media":{"mediaId":124,"artworkDate":"2006-05-26"}},"publicationDate":"2023-02-23"},{"id":1688,"type":7,"artistIds":[1737],"imageIds":[651],"publicationDate":"2023-02-23"},{"id":421,"type":14,"title":"Courte pr\u00e9sentation du Bleu du Ciel, de l'Affiche, de Claude Chambard, Vincent Sabatier et Didier Arnaudet","artistIds":[302],"referenceItemIds":[3886,2455],"data":{"media":{"mediaId":421,"artworkDate":"2003-06-06"}},"publicationDate":"2023-02-23"},{"id":3200,"type":2,"occurences":[{"startDate":"2013-03-01","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Courts lettrages","artistIds":[2066,31,1936,2068,2067,2065],"imageIds":[1826],"publicationDate":"2023-02-23"},{"id":114,"type":14,"title":"Cri","artistIds":[1622],"referenceItemIds":[2748],"data":{"media":{"mediaId":114,"artworkDate":"2006-03-11"}},"publicationDate":"2023-02-23"},{"id":198,"type":14,"title":"Cristallisation du sel","artistIds":[1182],"referenceItemIds":[2428,3906],"data":{"media":{"mediaId":198,"artworkDate":"2004-04-09"}},"publicationDate":"2023-02-23"},{"id":5058,"type":9,"extraText1":"

Cette conf\u00e9rence est aussi l'ouverture de la journ\u00e9e \u00c9copo\u00e9tique \u2014 \u00c9cologie, po\u00e9tique, politique<\/i> con\u00e7ue par le Cipm et St\u00e9phane Baquey, en partenariat avec le \u00ab parcours \u00e9copo\u00e9tique \u00bb du master de cr\u00e9ation litt\u00e9raire d\u2019Aix-Marseille-Universit\u00e9.<\/p>","occurences":[{"startDate":"2025-04-26","startTime":"11:00:32","endDate":null,"endTime":null}],"title":"CROIRE AU MONDE ET D\u00c9TRUIRE L'EMPIRE","subtitle":"th\u00e9ologie et magie contre le technofascisme","artistIds":[2371],"imageIds":[3806],"referenceItemIds":[5033],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-08"},{"id":754,"type":14,"title":"Cuculide","artistIds":[2032],"referenceItemIds":[4132,3167],"data":{"media":{"mediaId":754,"artworkDate":"2012-06-23"}},"publicationDate":"2023-02-23"},{"id":2506,"type":2,"occurences":[{"startDate":"2001-11-09","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Cuisine de l\u2019Imm\u00e9diat","artistIds":[410,428,562,982,562],"publicationDate":"2023-02-23"},{"id":5102,"type":14,"extraText1":"

vid\u00e9o re\u00e7u de Taylor Smith et Christopher Alexander, le 24 avril \u00e0 l'approche de la journ\u00e9e \u00c9copo\u00e9tique \u2014 \u00c9cologie, po\u00e9tique, politique<\/a> du 26 avril 2025<\/p>","title":"Cutting through the garden","artistIds":[2757,2766],"referenceItemIds":[5033],"data":{"book":{},"publication":{},"media":{"mediaId":2474,"artworkDateToDisplay":"2022"}},"publicationDate":"2025-04-24"},{"id":1024,"type":7,"artistIds":[278],"imageIds":[107],"publicationDate":"2023-02-23"},{"id":1794,"type":7,"artistIds":[1911],"imageIds":[734],"publicationDate":"2023-02-23"},{"id":5349,"type":14,"extraText2":"

D'apr\u00e8s photos, <\/i>deux extraits d'un <\/i>texte en cours re\u00e7u de Dominique Qu\u00e9len le 10 avril  en amont du solo, le 23 mai 2026.<\/p>","title":"D'apr\u00e8s photos (extraits)","artistIds":[1882],"referenceItemIds":[5345],"data":{"book":{},"publication":{},"media":{"mediaId":2913,"artworkDateToDisplay":"2026"}},"publicationDate":"2026-04-11"},{"id":3111,"type":5,"occurences":[{"startDate":"2011-03-01","endDate":"2011-03-31","startTime":null,"endTime":null}],"title":"D'infinis paysages","subtitle":"Printemps des po\u00e8tes 2011 (adultes)","artistIds":[378],"publicationDate":"2023-02-23"},{"id":563,"type":14,"title":"D'un \u00e9t\u00e9 \u00e0 l'autre (extrait)","artistIds":[1202],"referenceItemIds":[4078,3072],"data":{"media":{"mediaId":563,"artworkDate":"2010-10-21"}},"publicationDate":"2023-02-23"},{"id":4539,"type":14,"title":"D'un geste qui oublie \/ et continue","subtitle":"solo","artistIds":[2399],"referenceItemIds":[3540],"data":{"book":{},"publication":{},"media":{"mediaId":1060,"artworkDate":"2020-01-25"}},"publicationDate":"2023-06-14"},{"id":3540,"type":2,"subTypeId":9,"occurences":[{"startDate":"2020-01-25","startTime":"11:00:00","endDate":null,"endTime":null}],"title":"D'un geste qui oublie \/ et continue.","artistIds":[2399],"imageIds":[2273],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3177,"type":2,"occurences":[{"startDate":"2012-10-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"D'une langue \u00e0 l'autre","subtitle":"Recontre \/ lecture avec Dimitri Bortnikov","artistIds":[2045,2049,2045],"imageIds":[1802],"publicationDate":"2023-02-23"},{"id":374,"type":14,"title":"D'une langue \u00e0 l'autre ... Paroles & musique","referenceItemIds":[2975,2979],"data":{"media":{"mediaId":374,"artworkDate":"2009-06-30"}},"publicationDate":"2023-02-23"},{"id":2979,"type":4,"occurences":[{"startDate":"2009-01-01","endDate":"2009-05-01","startTime":null,"endTime":null}],"title":"D'une langue \u00e0 l'autre ... Paroles et musique","subtitle":"Intervention en 2008 - 2009","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":4010,"type":8,"title":"D\u2019un devenir fant\u00f4me","subtitle":"formes po\u00e9tiques en temps de deuil","artistIds":[1593,348,758,1034,1594,291],"imageIds":[2783],"referenceItemIds":[3870],"data":{"book":{"publicationDate":"2006-06-01","isbn10":"2-909097-61-07"},"publication":{"price":8,"collectionIds":[8]}},"publicationDate":"2023-02-23"},{"id":3661,"type":9,"extraText1":"

En partenariat avec le festival Les Eauditives<\/a><\/p>","occurences":[{"startDate":"2022-05-28","startTime":"11:30:00","endDate":null,"endTime":null}],"title":"D\u2019un lyrisme l\u2019autre. La cr\u00e9ation entre po\u00e9sie et musique au XXIe<\/sup> si\u00e8cle ","artistIds":[2315],"imageIds":[2463],"logoImageIds":[3374],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3731,"type":5,"extraText1":"

pour le Printemps des Po\u00e8tes 
de 10 \u00e0 12h, les samedis 4 f\u00e9vrier, 4, 11 et 25 mars 2023 
M\u00e9diath\u00e8que Albert Camus, Avenue Paul Verlaine, Carnoux-en-Provence 
inscriptions : 04 42 01 68 60 <\/h3>","occurences":[{"startDate":"2023-02-04","startTime":null,"endDate":"2023-03-25","endTime":null}],"title":"D\u2019un univers \u00e0 l\u2019autre","subtitle":"Ateliers \u00e0 la M\u00e9diath\u00e8que Albert Camus \/ Carnoux-en-Provence","artistIds":[522],"imageIds":[2552,2553],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1725,"type":7,"artistIds":[1798],"publicationDate":"2023-02-23"},{"id":2721,"type":1,"occurences":[{"startDate":"2005-09-16","endDate":"2005-10-15","startTime":null,"endTime":null}],"title":"DADA & Cie","artistIds":[652],"imageIds":[1377],"publicationDate":"2023-02-23"},{"id":2722,"type":2,"occurences":[{"startDate":"2005-09-16","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"DADA & Cie - Vers une exposition<\/i>","subtitle":"Vernissage - lectures","artistIds":[652,652,1579,478],"imageIds":[1378],"publicationDate":"2023-02-23"},{"id":4699,"type":14,"extraText2":"

Dakini Software <\/i>from \u201cJohnny Guitar\u201d Part 1, recorded at St. Mark\u2019s Church New York, November 1972; Trumansburg N.Y., January 1968; New York, January & March 1969.<\/p>

Moog Synthesizer: John Giorno, du d\u00e9but jusqu'\u00e0 16 '12\".<\/p>

Dur\u00e9e : 16'12\".<\/p>

 <\/p>","title":"Dakini Software from \u201cJohnny Guitar\u201d Part 1","artistIds":[732],"referenceItemIds":[4693,4694,4695,4696,4697,4698,4674],"data":{"book":{},"publication":{},"media":{"mediaId":1265,"artworkDateToDisplay":"1969"}},"publicationDate":"2024-01-19"},{"id":1025,"type":7,"artistIds":[280],"imageIds":[108],"publicationDate":"2023-02-23"},{"id":2544,"type":2,"occurences":[{"startDate":"2000-05-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Damas \/ Marseille","artistIds":[644,20,851,976,990,644,697],"publicationDate":"2023-02-23"},{"id":2663,"type":6,"subTypeId":3,"occurences":[{"startDate":"2000-05-01","startTime":null,"endDate":"2000-05-30","endTime":null}],"title":"Damas \/ Marseille","subtitle":"Un \u00e9change de po\u00e9sie contemporaine","artistIds":[20,851,976,990,644,697],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3869,"type":8,"title":"Damas \/ Marseille","subtitle":"Un \u00e9change de po\u00e9sie contemporaine","artistIds":[20,851,990,644,976,697],"imageIds":[2676],"referenceItemIds":[3868],"data":{"book":{"editorIds":[3],"publicationDate":"2002-10-01","isbn10":"2-909097-42-0"},"publication":{"price":15,"isOutOfStock":true,"collectionIds":[7]},"media":{}},"publicationDate":"2023-02-23"},{"id":2062,"type":7,"artistIds":[2223],"imageIds":[937],"publicationDate":"2023-02-23"},{"id":1902,"type":7,"artistIds":[2043],"imageIds":[827],"publicationDate":"2023-02-23"},{"id":3171,"type":2,"occurences":[{"startDate":"2012-07-07","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Damien Odoul","artistIds":[2043],"imageIds":[1797,1798,null],"publicationDate":"2023-02-23"},{"id":5236,"type":7,"artistIds":[2794],"imageIds":[3974],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-25"},{"id":1027,"type":7,"artistIds":[283],"imageIds":[110],"publicationDate":"2023-02-23"},{"id":2087,"type":7,"artistIds":[2251],"imageIds":[961],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1716,"type":7,"artistIds":[1789],"imageIds":[676],"publicationDate":"2023-02-23"},{"id":241,"type":14,"title":"Daniel Charles sur John Cage","artistIds":[1789],"referenceItemIds":[2874,4039],"data":{"media":{"mediaId":241,"artworkDate":"2008-02-08"}},"publicationDate":"2023-02-23"},{"id":5304,"type":7,"artistIds":[2822],"imageIds":[4044],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-02-24"},{"id":1028,"type":7,"artistIds":[284],"imageIds":[111],"publicationDate":"2023-02-23"},{"id":1694,"type":7,"artistIds":[1743],"publicationDate":"2023-02-23"},{"id":1029,"type":7,"artistIds":[285],"imageIds":[112],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1838,"type":7,"artistIds":[1967],"imageIds":[771],"publicationDate":"2023-02-23"},{"id":1870,"type":7,"artistIds":[2002],"publicationDate":"2023-02-23"},{"id":1026,"type":7,"artistIds":[282],"imageIds":[109],"publicationDate":"2023-02-23"},{"id":2230,"type":7,"artistIds":[2422],"imageIds":[1072],"publicationDate":"2023-02-23"},{"id":2051,"type":7,"artistIds":[2210],"imageIds":[926],"publicationDate":"2023-02-23"},{"id":1030,"type":7,"artistIds":[287],"publicationDate":"2023-02-23"},{"id":1626,"type":7,"artistIds":[1655],"imageIds":[608],"publicationDate":"2023-02-23"},{"id":2768,"type":9,"occurences":[{"startDate":"2006-06-02","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Danielle Collobert","artistIds":[611,1656,1657,1655],"imageIds":[1419],"publicationDate":"2023-02-23"},{"id":3900,"type":8,"title":"Danielle Collobert","artistIds":[321,1659,1657,1656,611,1655,597],"imageIds":[2706,1271],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"2006-06-01","issn":"1148-652 X"},"publication":{"price":3,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":3179,"type":6,"subTypeId":2,"occurences":[{"startDate":"2012-09-15","endDate":"2012-11-15","startTime":null,"endTime":null}],"title":"Danielle M\u00e9moire","artistIds":[1913],"publicationDate":"2023-02-23"},{"id":876,"type":14,"title":"Danielle M\u00e9moire","artistIds":[1913],"referenceItemIds":[3336,4218],"data":{"media":{"mediaId":876,"artworkDate":"2015-12-04"}},"publicationDate":"2023-02-23"},{"id":1796,"type":7,"artistIds":[1913],"imageIds":[736],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":449,"type":14,"title":"Dans cette ville mon amour","artistIds":[1688],"referenceItemIds":[2782,4006],"data":{"media":{"mediaId":449,"artworkDate":"2006-10-06"}},"publicationDate":"2023-02-23"},{"id":4329,"type":14,"title":"Dans \u00c9POP\u00c9E, il y a POP ! 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S\u00e9ances les samedis de 14h \u00e0 16h :

\u2022 12 janvier
\u2022 23 f\u00e9vrier
\u2022 23 mars (report\u00e9e au 27 avril)
\u2022 6 avril
\u2022 4 mai
\u2022 15 juin
\u2022 21 septembre
\u2022 19 octobre
\u2022 16 novembre
\u2022 14 d\u00e9cembre <\/p>

 <\/p>

Inscriptions :<\/p>


Biblioth\u00e8que de la Grognarde
04 91 89 57 04<\/p>","occurences":[{"startDate":"2019-01-12","startTime":null,"endDate":"2023-12-14","endTime":null}],"placeId":43,"title":"Dans la petite cuisine d\u2019\u00e9criture","artistIds":[1929],"imageIds":[3375],"logoImageIds":[3376],"subItemIds":[4669],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-12-16"},{"id":194,"type":14,"title":"Dans le courant de l'ann\u00e9e 1991 ...","artistIds":[251],"referenceItemIds":[3922,2402],"data":{"media":{"mediaId":194,"artworkDate":"2005-01-21"}},"publicationDate":"2023-02-23"},{"id":735,"type":14,"title":"Dans le journal que j'ai sous les yeux... (deux extraits s\u00e9par\u00e9s d'un commentaire)","artistIds":[678],"referenceItemIds":[4130,3154],"data":{"media":{"mediaId":735,"artworkDate":"2012-04-20"}},"publicationDate":"2023-02-23"},{"id":4176,"type":8,"title":"Dans le miroir d'Orph\u00e9e","artistIds":[2117,2117],"imageIds":[2950,2951],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"0000-01-01","issn":"1148-652 X"},"publication":{"price":14,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":488,"type":14,"title":"Dans le salon de peinture","artistIds":[1302],"referenceItemIds":[3959,3024],"data":{"media":{"mediaId":488,"artworkDate":"1991-11-16"}},"publicationDate":"2023-02-23"},{"id":602,"type":14,"title":"Dans sang froid","referenceItemIds":[3098],"data":{"media":{"mediaId":602,"artworkDate":"2011-04-01"}},"publicationDate":"2023-02-23"},{"id":1945,"type":7,"artistIds":[2087],"imageIds":[856],"publicationDate":"2023-02-23"},{"id":1031,"type":7,"artistIds":[290],"imageIds":[113],"publicationDate":"2023-02-23"},{"id":2528,"type":2,"occurences":[{"startDate":"2001-01-27","startTime":"18:00:00","endDate":null,"endTime":null}],"title":"David Antin","artistIds":[290,597,1034],"imageIds":[1310],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2321,"type":7,"artistIds":[2544],"imageIds":[1159],"publicationDate":"2023-02-23"},{"id":1568,"type":7,"artistIds":[1586],"imageIds":[559],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1553,"type":7,"artistIds":[1550],"imageIds":[543],"publicationDate":"2023-02-23"},{"id":1850,"type":7,"artistIds":[1980],"imageIds":[783],"publicationDate":"2023-02-23"},{"id":1636,"type":7,"artistIds":[1667],"imageIds":[615],"publicationDate":"2023-02-23"},{"id":2088,"type":7,"artistIds":[2252],"imageIds":[962],"publicationDate":"2023-02-23"},{"id":1032,"type":7,"artistIds":[291],"imageIds":[114],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":2011,"type":7,"artistIds":[2156],"imageIds":[896],"publicationDate":"2023-02-23"},{"id":3253,"type":2,"occurences":[{"startDate":"2014-05-24","endDate":null,"startTime":"16:00:00","endTime":null}],"title":"David Scher","artistIds":[2155,2156,2154],"imageIds":[1891],"publicationDate":"2023-02-23"},{"id":2218,"type":7,"artistIds":[2409],"imageIds":[1064],"publicationDate":"2023-02-23"},{"id":1033,"type":7,"artistIds":[292],"publicationDate":"2023-02-23"},{"id":4593,"type":9,"occurences":[{"startDate":"2023-11-04","startTime":"11:00:39","endDate":null,"endTime":null}],"title":"De La Lettre au carr\u00e9<\/i> aux cartes de lettres ","artistIds":[2635],"imageIds":[3310],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-20"},{"id":2932,"type":2,"occurences":[{"startDate":"2009-04-03","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"De l'air du temps","subtitle":"un si\u00e8cle d'archives m\u00e9t\u00e9orologiques (1900-2000)","artistIds":[359,1859],"imageIds":[1555,1556],"publicationDate":"2023-02-23"},{"id":4349,"type":4,"extraText1":"

Atelier d'\u00e9criture et de lecture au Lyc\u00e9e Pierre Mend\u00e8s France de Vitrolles<\/p>

avec des \u00e9l\u00e8ves de seconde et de premi\u00e8re.<\/p>","extraText2":"

\u00c0 l'initiative de M. Jean-\u00c9ric Barou, professeur documentaliste, <\/p>

et en collaboration avec Mme Valette, MM. Le Bourhis, Millon et Pensec, enseignants de Lettres.<\/p>","occurences":[{"startDate":"2023-03-27","startTime":null,"endDate":"2023-04-14","endTime":null}],"placeId":11,"title":"De l'autre","artistIds":[1929],"imageIds":[3122],"subItemIds":[4545,4546,4547,4548,4549],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-30"},{"id":4310,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-04-01","startTime":"16:00:53","endDate":null,"endTime":null}],"title":"De l'autre c\u00f4t\u00e9 de la langue","artistIds":[2550],"imageIds":[3081],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-02"},{"id":3695,"type":2,"subTypeId":12,"occurences":[{"startDate":"2022-07-22","startTime":null,"endDate":"2022-07-30","endTime":null}],"title":"De l'autre c\u00f4t\u00e9 du Rh\u00f4ne (saison 3)","subtitle":"Pr\u00e9sence au Salon du Festival Voix Vives de M\u00e9diterran\u00e9e","imageIds":[2501],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":330,"type":14,"title":"De l'in\u00e9galit\u00e9 des textes","artistIds":[962],"referenceItemIds":[3936,2944,3789],"data":{"media":{"mediaId":330,"artworkDate":"1995-04-06"}},"publicationDate":"2023-02-23"},{"id":3565,"type":2,"occurences":[{"startDate":"2020-07-18","endDate":"2020-07-25","startTime":null,"endTime":null}],"title":"De l\u2019autre c\u00f4t\u00e9 du Rh\u00f4ne","subtitle":"Salon et rencontres au Festival Voix Vives de la M\u00e9diterran\u00e9e","imageIds":[2304],"publicationDate":"2023-02-23"},{"id":3606,"type":2,"occurences":[{"startDate":"2021-07-23","endDate":"2021-07-31","startTime":null,"endTime":null}],"title":"De l\u2019autre c\u00f4t\u00e9 du Rh\u00f4ne (saison 2)","subtitle":"Pr\u00e9sence au Salon du Festival Voix Vives de M\u00e9diterran\u00e9e","imageIds":[2397],"publicationDate":"2023-02-23"},{"id":4408,"type":14,"title":"De l\u2019incidence du genre des lettres sur le temps des verbes","artistIds":[147],"referenceItemIds":[3734],"data":{"book":{},"publication":{},"media":{"mediaId":914,"artworkDate":"2023-03-18"}},"publicationDate":"2023-04-29"},{"id":4637,"type":14,"extraText2":"

Texte in\u00e9dit d'Emmanuel Rubio adress\u00e9 le 21 octobre 2023, <\/p>

dans la cadre de l'invitation \u00e0 la conf\u00e9rence De La Lettre au carr\u00e9<\/i> aux cartes de lettres <\/p>

du 4 novembre  2023. <\/p>","title":"De La Lettre au carr\u00e9 aux cartes de lettres","artistIds":[2635],"data":{"book":{},"publication":{},"media":{"mediaId":1116}},"publicationDate":"2023-10-21"},{"id":4660,"type":14,"typePrecision":"conf\u00e9rence","title":"De La Lettre au carr\u00e9 aux cartes de lettres","artistIds":[2635],"referenceItemIds":[4593,4637,4646],"data":{"book":{},"publication":{},"media":{"mediaId":1138,"artworkDate":"2023-11-04","artworkDateToDisplay":"Samedi 4 novembre 2023"}},"publicationDate":"2023-11-23"},{"id":3647,"type":4,"occurences":[{"startDate":"2022-01-04","startTime":null,"endDate":"2022-02-01","endTime":null}],"title":"De la page au mur, le mot s'expose","subtitle":"Ateliers de po\u00e9sie \u00e0 l'\u00e9cole Saint Mitre","artistIds":[349],"imageIds":[2446],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":894,"type":14,"title":"DE LA PAGE AU MUR, LE MOT S'EXPOSE - Kiara","referenceItemIds":[3647],"data":{"media":{"mediaId":894}},"publicationDate":"2023-02-23"},{"id":895,"type":14,"title":"DE LA PAGE AU MUR, LE MOT S'EXPOSE - Th\u00e9o","referenceItemIds":[3647],"data":{"media":{"mediaId":895}},"publicationDate":"2023-02-23"},{"id":94,"type":14,"title":"de la porte, en rouge...","artistIds":[1605],"referenceItemIds":[3916,2733],"data":{"media":{"mediaId":94,"artworkDate":"2005-11-18"}},"publicationDate":"2023-02-23"},{"id":4143,"type":8,"extraText1":"

Anne Kawala a \u00e9t\u00e9 accueillie par le cipM en r\u00e9sidence \u00e0 Sa\u00efda et Beyrouth avec l'aide de la Mission culturelle fran\u00e7aise au Liban et de la Fondation Hariri lors de l'automne 2011.<\/i><\/p>","title":"De la rose et du renard, leurs couleurs et odeurs,","artistIds":[2007],"imageIds":[3115],"referenceItemIds":[4040],"data":{"book":{"publicationDate":"2012-10-01","isbn10":"978-2-909097-98-5"},"publication":{"price":14,"collectionIds":[10]},"media":{}},"publicationDate":"2023-02-23"},{"id":3471,"type":5,"extraText2":"

Plus d'informations sur 
https:\/\/culturesducoeur.org\/<\/a> <\/p>","extraText3":"

et Cipm<\/p>","occurences":[{"startDate":"2018-12-05","startTime":null,"endDate":"2019-01-02","endTime":null}],"placeId":42,"title":"De la sc\u00e8ne \u00e0 la plume","subtitle":"Cultures du C\u0153ur 13","artistIds":[1887],"imageIds":[2171],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4336,"type":9,"occurences":[{"startDate":"2023-04-08","startTime":"11:00:08","endDate":null,"endTime":null}],"title":"De la traduction louche \u00e0 la traduction qui a du toupet","artistIds":[2147],"imageIds":[3110],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-15"},{"id":721,"type":14,"title":"De notes nues","artistIds":[1940],"referenceItemIds":[4130,3155,3156],"data":{"media":{"mediaId":721,"artworkDate":"2012-04-13"}},"publicationDate":"2023-02-23"},{"id":185,"type":14,"title":"De quelle mort vais-je parler pendant 3 pages ?","artistIds":[1650],"referenceItemIds":[4001,2756,4004],"data":{"media":{"mediaId":185,"artworkDate":"2006-06-09"}},"publicationDate":"2023-02-23"},{"id":77,"type":14,"title":"De Sleutel","subtitle":"La clef","artistIds":[363],"referenceItemIds":[2421,2659,3918],"data":{"media":{"mediaId":77,"artworkDate":"2004-05-28"}},"publicationDate":"2023-02-23"},{"id":191,"type":14,"title":"De temps \u00e0 autre, marchant, je regardais le ciel ...","artistIds":[230],"referenceItemIds":[2711,3976],"data":{"media":{"mediaId":191,"artworkDate":"2005-06-10"}},"publicationDate":"2023-02-23"},{"id":5073,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Pascal Thevenet, Philippe Roux
2 rue Emile Littr\u00e9, 42100 Saint-Etienne

contact@desgenerations.com<\/a>
 desgenerations.com<\/a><\/p>","title":"De(s)g\u00e9n\u00e9rations","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4413,"type":13,"title":"de(s)g\u00e9n\u00e9rations","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"},{"id":4896,"type":8,"subTypeId":38,"extraText1":"

Ce livre est l'aboutissement d\u2019un programme<\/p>

de traduction collective surpervis\u00e9 par le Cipm.<\/p>

 <\/p>

\u00c9quipe de traduction :<\/p>","extraText2":"

En librairie le 6 septembre 2024<\/p>","title":"Debout parmi les choses","subtitle":"Po\u00e8mes 1948-2007","artistIds":[735],"imageIds":[3640],"data":{"book":{"secondaryArtistIds":[1971,2515,2552,2509,96,2516,2514,2683],"editorIds":[4],"publicationDate":"2024-09-06","isbn13":"9782370841391"},"publication":{"price":"30","collectionIds":[14]},"media":{}},"publicationDate":"2024-08-29"},{"id":4902,"type":10,"occurences":[{"startDate":"2024-09-02","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Debout parmi les choses","subtitle":"Po\u00e8mes 1948-2007","artistIds":[735],"imageIds":[3626],"extraSectionIds":[4],"referenceItemIds":[4896,4895,4898],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-09-02"},{"id":315,"type":14,"title":"d\u00e9cembre 1999","artistIds":[359],"referenceItemIds":[4063,2932],"data":{"media":{"mediaId":315,"artworkDate":"2009-03-27"}},"publicationDate":"2023-02-23"},{"id":4808,"type":2,"subTypeId":9,"occurences":[{"startDate":"2024-06-08","startTime":"11:00:51","endDate":null,"endTime":null}],"title":"D\u00e9compte Z\u00e9ro","artistIds":[2698],"imageIds":[3544],"referenceItemIds":[4809],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-20"},{"id":3655,"type":12,"occurences":[{"startDate":"2022-03-16","endDate":null,"startTime":"10:15:00","endTime":"12:00:00"}],"title":"D\u00e9couverte de la po\u00e9sie contemporaine","subtitle":"Dans le cadre du Printemps des po\u00e8tes","artistIds":[1929],"imageIds":[2457],"publicationDate":"2023-02-23"},{"id":4742,"type":9,"subTypeId":37,"extraText1":"

 <\/p>

Giulia Camin, biblioth\u00e9caire au Centre international de la po\u00e9sie Marseille<\/p>

Mathilde Humbert, biblioth\u00e9caire \u00e0 la m\u00e9diath\u00e8que d\u00e9partementale des Alpes-Maritimes,<\/p>

Lambert Savigneux, r\u00e9f\u00e9rent po\u00e9sie, Maison de la po\u00e9sie de Grasse,<\/p>

Mathilde Ch\u00e8vre, directrice des \u00e9ditions Le port a jauni, autrice et illustratrice,<\/p>

Pierre Le Pillou\u00ebr, cr\u00e9ateur et r\u00e9dacteur en chef de Sitaudis, le premier site Internet ressource de po\u00e9sie contemporaine.<\/p>","extraText2":"

 <\/p>

Programme d\u00e9taill\u00e9 et informations pratiques<\/a>.<\/p>

 <\/p>

 <\/p>

 <\/p>","extraText3":"

Journ\u00e9e gratuite sur inscription, nombre de place limit\u00e9.<\/p>","occurences":[{"startDate":"2024-02-22","startTime":"10:00:27","endDate":null,"endTime":null}],"placeId":48,"title":"D\u00e9couvrir des ressources","subtitle":"transmettre et faire vivre la po\u00e9sie","imageIds":[3475],"logoImageIds":[3474,3476,3477],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-20"},{"id":4624,"type":2,"typePrecision":"lecture","extraText1":"

 Rencontre organis\u00e9e dans le cadre de la r\u00e9sidence d'\u00e9criture de Ma\u00ebl Guesdon, <\/p>

en partenariat avec La Marelle et L'Odeur du temps. <\/p>","occurences":[{"startDate":"2023-10-26","startTime":"19:00:00","endDate":"2023-10-26","endTime":null}],"placeId":1,"title":"D\u00e9finitivement m\u00e8mes","artistIds":[2630,2228],"imageIds":[3353],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-11"},{"id":615,"type":14,"title":"D\u00e9j\u00e0, dire qu'elle n'est pas si bleue ...","artistIds":[1996],"referenceItemIds":[3114,4114],"data":{"media":{"mediaId":615,"artworkDate":"2011-06-17"}},"publicationDate":"2023-02-23"},{"id":3311,"type":2,"occurences":[{"startDate":"2015-06-05","endDate":"2015-06-06","startTime":null,"endTime":null}],"title":"D\u00e9lices des listes","subtitle":"Listes, inventaires, \u00e9numerations","artistIds":[683,1630,962,2193,97,713,2194,2195,2116],"imageIds":[1962,1963],"publicationDate":"2023-02-23"},{"id":3163,"type":9,"occurences":[{"startDate":"2012-05-31","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"D\u00e9lits d'\u00e9vidence","subtitle":"avec quoi parle-t-on, comment \u00e9crit-on","artistIds":[1167],"imageIds":[1788],"publicationDate":"2023-02-23"},{"id":317,"type":14,"title":"Demain je meurs (extrait)","artistIds":[223],"referenceItemIds":[4065,2936],"data":{"media":{"mediaId":317,"artworkDate":"2009-04-10"}},"publicationDate":"2023-02-23"},{"id":820,"type":14,"title":"Demons in the detail","artistIds":[732],"referenceItemIds":[3199],"data":{"media":{"mediaId":820}},"publicationDate":"2023-02-23"},{"id":2214,"type":7,"artistIds":[2405],"imageIds":[1060],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":1975,"type":7,"artistIds":[2117],"imageIds":[874],"publicationDate":"2023-02-23"},{"id":3227,"type":2,"occurences":[{"startDate":"2013-10-18","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"D\u00e9mosth\u00e8nes Davvetas","subtitle":"Actuellement en r\u00e9sidence","artistIds":[2117],"publicationDate":"2023-02-23"},{"id":1994,"type":7,"artistIds":[2136],"imageIds":[885],"publicationDate":"2023-02-23"},{"id":893,"type":14,"title":"dent","artistIds":[2131],"data":{"media":{"mediaId":893}},"publicationDate":"2023-02-23"},{"id":5352,"type":14,"extraText2":"

Derri\u00e8re la porte, <\/i>texte re\u00e7u de Tarik Hamdan le 15 avril  en amont de la rencontre \u00c9tats du texte #8<\/a>, le 22 mai 2026 \u00e0 Forcalquier.<\/p>

Traduction de l\u2019arabe : Thomas Guyonnet<\/p>","title":"Derri\u00e8re la porte","artistIds":[2835],"referenceItemIds":[5347],"data":{"book":{},"publication":{},"media":{"mediaId":2914}},"publicationDate":"2026-04-15"},{"id":873,"type":14,"title":"Derri\u00e8re la porte ouverte","artistIds":[2235],"referenceItemIds":[3349,4224],"data":{"media":{"mediaId":873,"artworkDate":"2016-03-12"}},"publicationDate":"2023-02-23"},{"id":2806,"type":2,"occurences":[{"startDate":"2007-04-06","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Derri\u00e8re la Salle de Bains","subtitle":"La Cl\u00e9 Des \u00c9ditions Est Une Baignoire","artistIds":[1715,968,1716,880,880,1912],"imageIds":[1460],"publicationDate":"2023-02-23"},{"id":4643,"type":2,"typePrecision":"lecture","extraText1":"

Rencontre organis\u00e9e en partenariat avec l'iReMMO-Suds, dans le cadre du festival \u00ab Adab \u00bb \u00e0 la Maison de la Po\u00e9sie \u00e0 Paris<\/p>","occurences":[{"startDate":"2023-12-09","startTime":"16:00:20","endDate":"2023-12-09","endTime":null}],"title":"Des choses m\u2019ont \u00e9chapp\u00e9","artistIds":[555,2637,1852],"imageIds":[3352],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-26"},{"id":4644,"type":14,"extraText2":"

Po\u00e8mes tir\u00e9s du recueil d'Iman Mersal Des choses m\u2019ont \u00e9chapp\u00e9 <\/i>(traduction Richard Jacquemond),<\/p>

re\u00e7u le 26 octobre 2023 dans la cadre de l'invitation \u00e0 la lecture Des choses m\u2019ont \u00e9chapp\u00e9,<\/i> du 9 d\u00e9cembre 2023. 
 <\/p>","title":"Des choses m\u2019ont \u00e9chapp\u00e9","artistIds":[555],"data":{"book":{},"publication":{},"media":{"mediaId":1119,"artworkDateToDisplay":"2018"}},"publicationDate":"2023-10-26"},{"id":2682,"type":4,"occurences":[{"startDate":"2002-04-18","endDate":"2002-06-18","startTime":null,"endTime":null}],"title":"Des enfants [Po\u00e9sie]<\/b> Des voix","subtitle":"L'Atelier - Lecture 2001-2002","artistIds":[1445],"publicationDate":"2023-02-23"},{"id":2479,"type":2,"occurences":[{"startDate":"2002-06-18","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Des enfants [Po\u00e9sie]<\/b> Des voix","subtitle":"L'Atelier - Lecture 2001-2002","artistIds":[1445],"imageIds":[1298,1299],"publicationDate":"2023-02-23"},{"id":270,"type":14,"title":"Des extensions aux Intensifs","artistIds":[1844],"referenceItemIds":[2906,4058],"data":{"media":{"mediaId":270,"artworkDate":"2008-10-17"}},"publicationDate":"2023-02-23"},{"id":3434,"type":2,"typePrecision":"projection","extraText1":"

En partenariat avec Des courts l\u2019apr\u00e8s-midi et Baldanders films<\/p>","occurences":[{"startDate":"2018-02-10","startTime":"15:00:00","endDate":null,"endTime":null}],"title":"des films parl\u00e9s #1","subtitle":"Animal pensivit\u00e9 de Christine Baudillon","artistIds":[2327,1934],"imageIds":[2127],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3448,"type":2,"occurences":[{"startDate":"2018-04-14","endDate":null,"startTime":"14:00:00","endTime":null}],"title":"des films parl\u00e9s #2 \/ Le Rouge et le Gris","subtitle":"Fran\u00e7ois Lagarde","imageIds":[2144],"publicationDate":"2023-02-23"},{"id":3457,"type":2,"occurences":[{"startDate":"2018-06-17","endDate":null,"startTime":"15:00:00","endTime":null}],"title":"des films parl\u00e9s #3 \/\u00a0Jusqu\u2019\u00e0 l\u2019usure du langage\u00a0","subtitle":"S\u00e9verine Pr\u00e9hembaud","artistIds":[2346,1904],"imageIds":[2156],"publicationDate":"2023-02-23"},{"id":4226,"type":8,"title":"Des go\u00fbts et des couleurs","referenceItemIds":[3741],"data":{"book":{"publicationDate":"2001-10-01"},"publication":{"price":3,"collectionIds":[1]},"media":{}},"publicationDate":"2023-02-23"},{"id":871,"type":14,"title":"Des go\u00fbts et des couleurs","referenceItemIds":[4226],"data":{"media":{"mediaId":871}},"publicationDate":"2023-02-23"},{"id":3271,"type":4,"occurences":[{"startDate":"2013-11-16","endDate":"2014-04-30","startTime":null,"endTime":null}],"title":"Des go\u00fbts et des couleurs \u2013 Lyc\u00e9e Amp\u00e8re (Marseille)","artistIds":[1004,2168],"publicationDate":"2023-02-23"},{"id":2931,"type":2,"occurences":[{"startDate":"2009-03-27","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Des Grands soirs aux Petits matins","subtitle":"ou Plus belle la po\u00e9sie","artistIds":[1605,1857,1856,1858],"imageIds":[1554],"publicationDate":"2023-02-23"},{"id":3422,"type":2,"occurences":[{"startDate":"2017-12-09","endDate":"2017-12-22","startTime":null,"endTime":null}],"title":"Des livres en d\u00e9cembre","imageIds":[2112,2113],"publicationDate":"2023-02-23"},{"id":4559,"type":4,"typePrecision":"randonn\u00e9e po\u00e9tique","extraText1":"

avec la 3\u00e8me<\/sup> d\u2019Ingrid Tisserand, professeur de litt\u00e9rature
en partenariat avec Le Parc R\u00e9gional du Verdon et le Cipm<\/p>","occurences":[{"startDate":"2023-04-01","startTime":null,"endDate":"2023-05-31","endTime":null}],"placeId":22,"title":"Des mots dans la gorge","artistIds":[322],"imageIds":[3270],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-19"},{"id":4639,"type":5,"extraText1":"

atelier d'\u00e9criture pour 10 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 18 novembre et 16 d\u00e9cembre 2023<\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a><\/p>

 <\/p>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30 \u20ac (15 \u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 20 \u20ac (10 \u20ac \/ la s\u00e9ance)<\/p>","occurences":[{"startDate":"2023-11-18","startTime":"10:00:32","endDate":"2023-11-18","endTime":"13:00:38"},{"startDate":"2023-12-16","startTime":"10:00:48","endDate":"2023-12-16","endTime":"13:00:04"}],"title":"Des mots de basse intensit\u00e9","subtitle":"Cycle de 2 s\u00e9ances de 3 heures","artistIds":[2204],"imageIds":[3349],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-25"},{"id":4727,"type":2,"subTypeId":9,"occurences":[{"startDate":"2024-04-13","startTime":"16:00:57","endDate":null,"endTime":null}],"title":"des r\u00e9cits parcellaires et des choses qui passent","artistIds":[1296],"imageIds":[3484],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-01"},{"id":4874,"type":14,"typePrecision":"solo","title":"des r\u00e9cits parcellaires et des choses qui passent","artistIds":[1296],"referenceItemIds":[4727,4785],"data":{"book":{},"publication":{},"media":{"mediaId":2292,"artworkDate":"2024-04-13","artworkDateToDisplay":"Samedi 13 avril 2024"}},"publicationDate":"2024-04-13"},{"id":427,"type":14,"title":"Des soldats vont \u00e0 la mort, Ici et Mort","artistIds":[966],"referenceItemIds":[3008,3944],"data":{"media":{"mediaId":427,"artworkDate":"1993-11-26"}},"publicationDate":"2023-02-23"},{"id":4414,"type":13,"title":"Desmos","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"},{"id":3771,"type":8,"title":"Dessins . Disegni<\/i>","artistIds":[267],"imageIds":[2589],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1995-01-01","isbn10":"2-909097-21-8"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":778,"type":14,"title":"Destruction \u00e9cho","artistIds":[85],"referenceItemIds":[2475,2704,3902,3857],"data":{"media":{"mediaId":778,"artworkDate":"2002-09-20"}},"publicationDate":"2023-02-23"},{"id":4179,"type":8,"title":"D\u00e9troit","artistIds":[2146],"imageIds":[2954],"referenceItemIds":[4040],"data":{"book":{"publicationDate":"2014-04-01","isbn10":"979-10-91911-16-2"},"publication":{"price":14,"collectionIds":[10]}},"publicationDate":"2023-02-23"},{"id":4833,"type":14,"extraText1":"

Po\u00e8mes re\u00e7us de Juana Dolores en mai 2024<\/p>

 \u00e0 l'approche de l'Exploration des \u00e9ditions L'Extr\u00eame contemporain. <\/p>","title":"Deux po\u00e8mes","subtitle":"extraits de Bijuteria (2020)","artistIds":[2694],"data":{"book":{},"publication":{},"media":{"mediaId":2060,"artworkDate":"2020-01-01","artworkDateToDisplay":"Traduction : David Casta\u00f1er."}},"publicationDate":"2024-05-21"},{"id":2930,"type":2,"occurences":[{"startDate":"2009-03-13","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Deux po\u00e8tes libanais","subtitle":"Abbas Beydoun & Iskandar Habache","artistIds":[4,566],"imageIds":[1552,1553],"publicationDate":"2023-02-23"},{"id":4469,"type":2,"subTypeId":7,"extraText1":"

Atelier pour enfants con\u00e7u et anim\u00e9 par Anne Houdy au Centre municipal d\u2019animation Tempo Pastr\u00e9 + ARC (Atelier de recherche et cr\u00e9ation) \"Textes et voix\", Beaux-Arts de Marseille, un enseignement coordonn\u00e9 par C\u00e9cile Marie-Castanet en collaboration avec le Cipm.<\/p>

 <\/p>

Dans le cadre du partenariat Cipm \/ Oh ma parole !<\/a><\/p>","extraText3":"

Jardin de l'\u00e9glise Sainte-Anne, Place Baverel, Marseille 13008<\/p>","occurences":[{"startDate":"2023-05-13","startTime":"11:00:37","endDate":null,"endTime":null}],"title":"Deux restitutions ","subtitle":"Lectures","imageIds":[3202],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-12"},{"id":4328,"type":2,"subTypeId":7,"extraText1":"

1. Mon corps de ferme<\/i>, Aur\u00e9lie Olivier<\/a> et Liliane Giraudon<\/a> \/ propos\u00e9 par Zo\u00e8me<\/p>

2. R\u00e9parations, num\u00e9ro z\u00e9ro. Temps-R\u00e9parations #4 \/ propos\u00e9 par le Cipm<\/p>

Marc Perrin<\/a>, Odile Etcheto<\/a>, Anne Kawala<\/a>, \u00c9lodie Petit<\/a><\/p>","occurences":[{"startDate":"2023-04-07","startTime":"19:30:31","endDate":null,"endTime":null}],"placeId":6,"title":"Deux temps ce soir","artistIds":[2556,2561,809,2226,2558,2007,2557],"imageIds":[3101,3108],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-10"},{"id":5094,"type":9,"occurences":[{"startDate":"2025-06-14","startTime":"11:00:31","endDate":null,"endTime":null}],"title":"Devenir min\u00e9ral","artistIds":[2767],"imageIds":[3843],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-23"},{"id":5287,"type":14,"typePrecision":"conf\u00e9rence","title":"Devenir min\u00e9ral","artistIds":[2767],"referenceItemIds":[5094],"data":{"book":{},"publication":{},"media":{"mediaId":2846,"artworkDate":"2025-06-14","artworkDateToDisplay":"samedi 14 juin 2025"}},"publicationDate":"2025-06-14"},{"id":5325,"type":2,"typePrecision":"workshop","extraText1":"

 <\/p>

Une proposition de Sabine Guermouche (CEHTA-CRAL-EHESS)<\/p>

et C\u00e9cile Marie-Castanet (Beaux-Arts de Marseille)

Atelier coordonn\u00e9 par Aude Fanlo et Anne Faure (MucemLab),<\/p>

Rapha\u00ebl Bories, Enguerrand Lascols (Mucem),<\/p>

Giulia Camin (Cipm), Cl\u00e9o Carastro (ANHIMAEHESS),<\/p>

Antonella Fenech (CNRS\u2013Centre Andr\u00e9 Chastel), Mathilde Badie (ENS\u2013Mucem).<\/p>

Avec la participation de Alice Lefilleul autrice et r\u00e9alisatrice sonore, invit\u00e9e par les Beaux-Arts de Marseille.<\/p>

 <\/p>

\u2014 R\u00e9serv\u00e9 aux \u00e9tudiants des Beaux-Arts de Marseille <\/p>

et les masterant\u00b7e\u00b7s et doctorant\u00b7e\u00b7s de l\u2019EHESS \u2014<\/p>","occurences":[{"startDate":"2026-03-24","startTime":"14:30:11","endDate":null,"endTime":null}],"placeId":54,"title":"Deviner \u2013 D\u00e9crire \u2013 D\u00e9jouer","subtitle":"La description comme mode de cr\u00e9ation et de connaissance par le sensible

\u2009<\/p>","artistIds":[2784,2638],"imageIds":[4062],"fileIds":[35],"extraSectionIds":[6,5],"logoImageIds":[3870,3285,3736],"publicId":8,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-18"},{"id":5339,"type":3,"occurences":[{"startDate":"2026-03-24","startTime":"14:30:55","endDate":null,"endTime":null}],"placeId":54,"title":"Deviner \u2013 D\u00e9crire \u2013 D\u00e9jouer","subtitle":"La description comme mode de cr\u00e9ation et de connaissance par le sensible

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Giulia Camin, Mathilde Humbert, Lambert Savigneux, Mathilde Ch\u00e8vre et Pierre Le Pillou\u00ebr<\/p>","occurences":[{"startDate":"2023-03-23","startTime":null,"endDate":null,"endTime":null}],"placeId":55,"title":"Diffuser la po\u00e9sie aujourd'hui","imageIds":[3531],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":164,"type":14,"title":"Dimanche matin","artistIds":[1741],"referenceItemIds":[2821,4024],"data":{"media":{"mediaId":164,"artworkDate":"2007-06-15"}},"publicationDate":"2023-02-23"},{"id":1904,"type":7,"artistIds":[2045],"imageIds":[828],"publicationDate":"2023-02-23"},{"id":3391,"type":2,"occurences":[{"startDate":"2017-04-21","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Dimitri Bortnikov","subtitle":"Face au Styx","artistIds":[2045],"imageIds":[2080],"publicationDate":"2023-02-23"},{"id":1039,"type":7,"artistIds":[304],"imageIds":[120],"publicationDate":"2023-02-23"},{"id":4856,"type":4,"extraText1":"

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","occurences":[{"startDate":"2024-01-09","startTime":null,"endDate":"2024-06-04","endTime":null}],"title":"Dire la 2024","artistIds":[1004,1202,349,2533,1933],"imageIds":[3576],"subItemIds":[4857,4858,4859,4860,4861],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-01"},{"id":4857,"type":13,"extraText1":"


Coll\u00e8ge Ste Trinit\u00e9, 13009 Marseille<\/p>

Auteur : Nicolas Tardy<\/p>

Enseignante documentaliste : Julie Lafaurie<\/p>

Enseignant de lettres : \u00c9milien Fr\u00e9zot<\/p>

Classe de 6\u00e8me<\/sup> A

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","title":"Dire la po\u00e9sie","subtitle":"Coll\u00e8ge Ste Trinit\u00e9 - Classes de 6\u00e8me A","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-04"},{"id":4858,"type":13,"extraText1":"


Coll\u00e8ge Ste Trinit\u00e9, 13009 Marseille<\/p>

Auteur : Sarah K\u00e9ryna<\/p>

Enseignante documentaliste : Julie Lafaurie<\/p>

Enseignant de lettres : \u00c9milien Fr\u00e9zot<\/p>

Classe de 6\u00e8me<\/sup> B

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","title":"Dire la po\u00e9sie","subtitle":"Coll\u00e8ge Ste Trinit\u00e9 - Classes de 6\u00e8me B","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-04"},{"id":4859,"type":13,"extraText1":"


Coll\u00e8ge G\u00e9rard Philipe, 13500 Martigues<\/p>

Auteur : Emmanuelle Bentz<\/p>

Enseignante de Lettres : Adeline Chavas<\/p>

Classe de 6\u00e8me<\/sup> 

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","title":"Dire la po\u00e9sie","subtitle":"Coll\u00e8ge G\u00e9rard Philipe - Classe de 6\u00e8me","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-04"},{"id":4860,"type":13,"extraText1":"

 <\/p>

Coll\u00e8ge St Joseph Viala, 13015 Marseille<\/p>

Auteurs : Julia Lep\u00e8re et St\u00e9phane Novak<\/p>

Enseignante de Lettres : Sandrine Sanchez<\/p>

Classes de 4\u00e8me<\/sup> Baggio

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","title":"Dire la po\u00e9sie","subtitle":"Coll\u00e8ge St Joseph Viala - Classe 4\u00e8me Baggio","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-04"},{"id":4861,"type":13,"extraText1":"

 <\/p>

Coll\u00e8ge St Joseph Viala, 13015 Marseille<\/p>

Auteurs : Julia Lep\u00e8re et St\u00e9phane Novak<\/p>

Enseignante de Lettres : Sandrine Sanchez<\/p>

Classes de 4\u00e8me<\/sup> Yuma

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>","title":"Dire la po\u00e9sie","subtitle":"Coll\u00e8ge St Joseph Viala - Classe 4\u00e8me Yuma","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-04"},{"id":5152,"type":4,"extraText1":"

Dire la po\u00e9sie <\/i>s\u2019inscrit dans le cadre des Action \u00e9ducatives <\/p>

et culturelles propos\u00e9es par le conseil d\u00e9partemental 13<\/p>

 <\/p>","occurences":[{"startDate":"2024-10-09","startTime":null,"endDate":"2025-06-12","endTime":null}],"title":"Dire la po\u00e9sie 2025","artistIds":[1549,349,131,1202,1933,397,1004],"subItemIds":[5155,5157,5166,5167,5168,5169,5170,5171],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-28"},{"id":5157,"type":13,"extraText1":"

 <\/p>

Atelier de St\u00e9phane Nowak avec une classes de 6\u00e8me <\/sup> Coll\u00e8ge Andr\u00e9 Malraux, 13010 Marseille<\/p>

Enseignante de Lettres : Karine Lucas<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Andr\u00e9 Malraux, 13010 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-31"},{"id":5166,"type":13,"extraText1":"

 <\/p>

Atelier d'Arno Calleja avec une classe de 6\u00e8me <\/sup> Coll\u00e8ge Andr\u00e9 Malraux, 13010 Marseille<\/p>

Enseignant de Lettres : Nicolas Saint-Girons<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Andr\u00e9 Malraux, 13010 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-28"},{"id":5170,"type":13,"extraText1":"

Atelier de Nicolas Tardy avec une classe de 5\u00e8me <\/sup> Coll\u00e8ge Chevreul-Blancarde, 13004 Marseille<\/p>

Enseignante de Lettres : Ang\u00e9lique Pieri<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Chevreul-Blancarde, 13004 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-01"},{"id":5155,"type":13,"extraText1":"

 <\/p>

Atelier de Sarah K\u00e9ryna avec la classes de 5\u00e8me <\/sup> Coll\u00e8ge Gyptis, 13009 Marseille<\/p>

Enseignante de Lettres : Julie Soubie
Enseignant documentaliste : J\u00e9r\u00f4me Toupiac<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Gyptis, 13009 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-28"},{"id":5167,"type":13,"extraText1":"

 <\/p>

Atelier de Paul Anders avec une classe de 4\u00e8me <\/sup> Coll\u00e8ge Jean Jaur\u00e8s , 13600 La Ciotat<\/p>

Enseignante de Lettres : Odile Marty<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Jean Jaur\u00e8s, 13600 La Ciotat","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-28"},{"id":5168,"type":13,"extraText1":"

 <\/p>

Atelier d'Emmanuelle Bentz avec la classe de 6\u00e8me <\/sup>Segpa <\/sup> Coll\u00e8ge Mont Sauvy, 13660 Orgon<\/p>

Enseignante de Lettres : B\u00e9atrice Pacha<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Mont Sauvy, 13660 Orgon","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-28"},{"id":5169,"type":13,"extraText1":"

 <\/p>

Atelier de St\u00e9phane Nowak avec la classe de 6\u00e8me <\/sup> Coll\u00e8ge Ste Elisabeth, 13170 Les Pennes Mirabeau<\/p>

Enseignante de Lettres : Florence Bontempo<\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Ste Elisabeth, 13170 Les Pennes Mirabeau","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-28"},{"id":5171,"type":13,"extraText1":"

Atelier de Florence Pazzottu  avec une classe de 4\u00e8me <\/sup> Coll\u00e8ge Ste Trinit\u00e9, 13009 Marseille<\/p>

Enseignant de lettres : Mme. Topialian
Enseignante documentaliste : Julie Lafaurie<\/p>

 <\/p>","title":"Dire la po\u00e9sie 2025 : Coll\u00e8ge Ste Trinit\u00e9, 13009 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-01"},{"id":5123,"type":4,"extraText1":"

Atelier de Nicolas Tardy avec la classe de 6e<\/sup>3 de la cit\u00e9 internationale Jacques Chirac \u00e0 Marseille<\/p>

Enseignant : Jonathan Usai<\/p>","occurences":[{"startDate":"2025-01-09","startTime":null,"endDate":"2025-01-23","endTime":null}],"title":"Dis-moi dix mots pour la plan\u00e8te","artistIds":[1004],"imageIds":[3862],"subItemIds":[5124],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-01-23"},{"id":5124,"type":13,"extraText1":"

Atelier de Nicolas Tardy avec la classe de 6e<\/sup>3 de la Cit\u00e9 scolaire internationale Jacques Chirac, Marseille<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue :  Xavier Dandoy de Casabianca & Fran\u00e7ois Massut
9, descente des Chartreux 20200 Bastia 
T\u00e9l. : 04 95 31 74 66<\/p>


docksneverdies@gmail.com<\/a>
editionseoliennes.fr<\/a><\/p>","title":"Doc(k)s","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":5309,"type":1,"subTypeId":58,"extraText1":"

 <\/p>

Vernissage samedi 28 mars de 17h \u00e0 21h.<\/p>

 <\/p>

Une revue internationale fond\u00e9e par Julien Blaine (Marseille) en 1976, dirig\u00e9e de 1990 \u00e0 2022 par Philippe Castellin et Jean Torregrosa (Akenaton,  Ajaccio) et depuis 2022 par Fran\u00e7ois Massut (Po\u00e9sie is not dead, Paris-S\u00e8te-Charleville) et Xavier Dandoy de Casabianca (\u00e9ditions \u00e9oliennes, Bastia).<\/p>

 <\/p>

Une exposition con\u00e7ue par le Cipm en collaboration avec Po\u00e9sie is not dead et avec l\u2019Imec (Institut M\u00e9moires de l\u2019\u00e9dition contemporaine).<\/p>

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Dope<\/i>, reading with Diane Di Prima, recorded by the Naropa Institute, July 26, 1978.<\/p>

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Du cycle \u00ab Les mendiants \u00bb, un court texte in\u00e9dit extrait d\u2019un cycle en cours d\u2019\u00e9criture, re\u00e7u de Luba Jurgenson le 16 mars en amont de la rencontre autour des \u00e9ditions Cr\u00e9aphis, le 9 mai 2026.<\/p>","title":"Du cycle \u00ab\u00a0Les mendiants\u00a0\u00bb","artistIds":[2826],"data":{"book":{},"publication":{},"media":{"mediaId":2859}},"publicationDate":"2026-03-16"},{"id":3181,"type":2,"occurences":[{"startDate":"2012-10-12","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Du geste minimum","subtitle":"Charles Reznikoff \/ Marc Cholodenko","artistIds":[1482,2046,357],"imageIds":[1804],"publicationDate":"2023-02-23"},{"id":2766,"type":5,"occurences":[{"startDate":"2004-11-01","endDate":"2005-05-01","startTime":null,"endTime":null}],"title":"Du matin et de l'apr\u00e8s-midi","subtitle":"Un atelier \u00e0 Gardanne 2004\/5","artistIds":[1034],"publicationDate":"2023-02-23"},{"id":4002,"type":8,"title":"Du matin et de l'apr\u00e8s-midi","subtitle":"Un atelier d\u2019\u00e9criture \u00e0 Gardanne (2004\/2005)","artistIds":[1034],"imageIds":[2775],"referenceItemIds":[3741],"data":{"book":{"publicationDate":"2004-04-01","issn":"1148-652 X"},"publication":{"price":3,"collectionIds":[1]}},"publicationDate":"2023-02-23"},{"id":2599,"type":2,"occurences":[{"startDate":"1998-06-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Du pain et des jeux","subtitle":"La Nouvelle B.S. n\u00b0 23","artistIds":[809,660,529,357,742],"imageIds":[1321],"publicationDate":"2023-02-23"},{"id":2684,"type":4,"occurences":[{"startDate":"2002-01-07","endDate":"2002-06-12","startTime":null,"endTime":null}],"title":"Du po\u00e8me au tableau - 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 <\/p>

Direction de la publication
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 <\/p>

1.0\/N_06-2023<\/p>

+ ARC TEXTES ET VOIX<\/p>

BEAUX-ARTS DE MARSEILLE - INSEAMM
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 <\/p>

2.0\/N_06-2024<\/p>

+ ARC TEXTES ET VOIX<\/p>

BEAUX-ARTS DE MARSEILLE - INSEAMM<\/p>

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 <\/p>

3.0\/N_05-2025<\/p>

+ ARC TEXTES ET VOIX<\/p>

BEAUX-ARTS DE MARSEILLE<\/p>

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Journ\u00e9e con\u00e7ue par le Cipm et St\u00e9phane Baquey,<\/p>

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La 3e<\/sup> \u00e9dition des rencontres d\u2019\u00c9couter le monde \u00e0 la BnF est consacr\u00e9e aux sons qui restent en m\u00e9moire, aux voix inoubliables et \u00e0 la po\u00e9sie<\/p>","extraText2":"

En partenariat avec RFI<\/p>","occurences":[{"startDate":"2023-11-17","startTime":null,"endDate":null,"endTime":null}],"placeId":57,"title":"\u00c9couter le monde","artistIds":[2638,2639],"imageIds":[3547],"logoImageIds":[3359],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-11-17"},{"id":4812,"type":2,"typePrecision":"journ\u00e9e d'\u00e9tude \/ colloque ","extraText1":"

 <\/p>

Pierre Pichon, Monica Fantini, Barbara Cassin, Pascal Poyet, Giulia Camin, S\u00e9verine Janssen<\/p>","extraText2":"

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 <\/p>

Atelier d\u2019\u00e9criture avec une classe de CAP 1\u00e8re<\/sup> ann\u00e9e, deux classes de seconde et une classe de Terminale.<\/p>","title":"Entrer dans un po\u00e8me","subtitle":"Classe de Jessy Carthieux, Lyc\u00e9e professionnel Pierre Mend\u00e8s France, 13741 Vitrolles","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-29"},{"id":4868,"type":4,"extraText1":"

Atelier d\u2019\u00e9criture avec une classe de CAP 1\u00e8re<\/sup> ann\u00e9e, deux classes de seconde et une classe de Terminale<\/p>","occurences":[{"startDate":"2024-01-29","startTime":null,"endDate":null,"endTime":null}],"placeId":64,"title":"Entrer dans un po\u00e8me","artistIds":[1929],"imageIds":[3579],"subItemIds":[4866,4867],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-29"},{"id":389,"type":14,"title":"Entretien \u00e0 propos de Paul Celan (extrait)","subtitle":"La rencontre","artistIds":[1902,611],"referenceItemIds":[4064],"data":{"media":{"mediaId":389,"artworkDate":"2008-10-30"}},"publicationDate":"2023-02-23"},{"id":144,"type":14,"title":"Entretien avec Jacques Carelman, de Jean-Roch Siebauer","artistIds":[1707,1710],"referenceItemIds":[2970,4017],"data":{"media":{"mediaId":144,"artworkDate":"2007-01-26"}},"publicationDate":"2023-02-23"},{"id":4544,"type":13,"extraText1":"

par Guillaume Richez <\/p>

pour la revue en ligne Les imposteurs<\/i><\/p>","title":"Entretien avec Suzanne Doppelt","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-06-28"},{"id":4551,"type":10,"extraText1":"

https:\/\/chroniquesdesimposteurs.wordpress.com\/2023\/06\/26\/entretien-avec-suzanne-doppelt\/<\/a><\/p>","extraText3":"

Pour la revue en ligne Les Imposteurs<\/i><\/p>","occurences":[{"startDate":"2023-06-26","startTime":null,"endDate":null,"endTime":null}],"title":"Entretien avec Suzanne Doppelt","artistIds":[1239,2613],"imageIds":[3261],"referenceItemIds":[4327],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-06-28"},{"id":4560,"type":4,"extraText1":"

Avec les \u00e9l\u00e8ves de premi\u00e8re MELEC et MSPCE et les enseignantes, Mme Merelli et Mme Rahouti.<\/p>","occurences":[{"startDate":"2023-04-01","startTime":null,"endDate":"2023-04-30","endTime":null}],"placeId":23,"title":"Entrez dans le paysage","artistIds":[1996],"imageIds":[3272],"subItemIds":[4562],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-20"},{"id":2379,"type":1,"occurences":[{"startDate":"1996-11-09","endDate":"1997-01-11","startTime":null,"endTime":null}],"title":"\u00c9picerie litt\u00e9raire 95 (caisse \u00e0 figure et fichier) de Mich\u00e9a Jacobi & Petites t\u00eates (27 petites t\u00eates de 27 grands hommes) d'Antoine Martin","artistIds":[932,111],"imageIds":[1217],"publicationDate":"2023-02-23"},{"id":3572,"type":1,"subTypeId":16,"extraText1":"

Ouverture au public vendredi 11 septembre \u00e0 14h 
Performance inaugurale vendredi 11 et samedi 12 septembre \u00e0 17h30 

Dans le cadre des Parall\u00e8les du Sud de Manifesta 13<\/a> 

Exposition cor\u00e9alis\u00e9e par la Fondation Bonotto<\/a>, Alphabetville<\/a> et le Cipm avec le soutien de l\u2019Italian Council (7e \u00e9dition 2019), programme de promotion de l\u2019art contemporain italien dans le monde de la Direzione Generale Creativit\u00e0 Contemporanea du Ministero per i Beni e le Attivit\u00e0 Culturali e per il Turismo 

Sur une proposition de Julien Blaine 

Commissaire : Patrizio Peterlini, directeur de la Fondation Bonotto <\/p>","occurences":[{"startDate":"2020-09-11","startTime":null,"endDate":"2020-12-20","endTime":null}],"title":"Epigenetic poetry","artistIds":[502],"imageIds":[2309,2310,2311,2312,2313,2314,2315,2316,2317],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4537,"type":14,"title":"Epigenetic poetry","artistIds":[502],"referenceItemIds":[3572],"data":{"book":{},"publication":{},"media":{"mediaId":1058,"artworkDate":"2020-09-11"}},"publicationDate":"2023-06-14"},{"id":129,"type":14,"title":"\u00e9ponges mod\u00e8le 2003","artistIds":[317],"referenceItemIds":[2764],"data":{"media":{"mediaId":129,"artworkDate":"2006-05-12"}},"publicationDate":"2023-02-23"},{"id":2373,"type":1,"occurences":[{"startDate":"1998-01-30","endDate":"1998-03-21","startTime":null,"endTime":null}],"title":"\u00c9quations 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volente","artistIds":[2062],"referenceItemIds":[4146,3197],"data":{"media":{"mediaId":802,"artworkDate":"2013-02-01"}},"publicationDate":"2023-02-23"},{"id":801,"type":14,"title":"Esfera volente \/ Circo companiero","artistIds":[2063],"referenceItemIds":[4146,3197],"data":{"media":{"mediaId":801,"artworkDate":"2013-02-01"}},"publicationDate":"2023-02-23"},{"id":3292,"type":2,"occurences":[{"startDate":"2015-03-06","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Espace(s) fait sa revue","subtitle":"Et l'influence de l'Espace sur l'Art, alors ?","artistIds":[2184,2181,2182,2183],"imageIds":[1932,1933],"publicationDate":"2023-02-23"},{"id":758,"type":14,"title":"Essai sur le S","artistIds":[754],"data":{"media":{"mediaId":758,"artworkDate":"1985-11-05"}},"publicationDate":"2023-02-23"},{"id":3486,"type":3,"subTypeId":30,"extraText1":"

En partenariat avec le parcours \u00ab recherche, \u00e9criture, discours \u00bb (RED)<\/a> du Master Lettres d\u2019Aix-Marseille Universit\u00e9<\/a>, <\/p>","extraText2":"

Restitution publique le samedi 8 mars \u00e0 16h00
suivie d'une lecture de Laura Vazquez.<\/p>","occurences":[{"startDate":"2019-03-08","startTime":null,"endDate":"2018-03-09","endTime":null}],"title":"Est-ce que c'est l'avant ou l'arri\u00e8re de ma t\u00eate ?","artistIds":[2116],"imageIds":[2199],"logoImageIds":[2193],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4377,"type":13,"title":"Estaci\u00f3n Poes\u00eda \/ N\u00b0R 2","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-06-17"},{"id":1072,"type":7,"artistIds":[366],"imageIds":[149],"publicationDate":"2023-02-23"},{"id":1073,"type":7,"artistIds":[367],"imageIds":[150],"publicationDate":"2023-02-23"},{"id":2614,"type":1,"occurences":[{"startDate":"1998-03-27","endDate":"1998-05-09","startTime":"18:30:00","endTime":null}],"title":"Esther Ferrer","subtitle":"Le livre du sexe Le livre des t\u00eates","artistIds":[367],"imageIds":[1326,1327],"publicationDate":"2023-02-23"},{"id":2971,"type":2,"occurences":[{"startDate":"1998-03-27","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Esther Ferrer - Le livre du sexe - Le livre des t\u00eates<\/i>","subtitle":"Vernissage - performance","artistIds":[367],"imageIds":[1599,1600,1601,1602],"publicationDate":"2023-02-23"},{"id":1864,"type":7,"artistIds":[1996],"imageIds":[795],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1074,"type":7,"artistIds":[368],"imageIds":[3150,151],"referenceItemIds":[4934],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1897,"type":7,"artistIds":[2038],"publicationDate":"2023-02-23"},{"id":5013,"type":14,"title":"Et puis, soudain, il carillonne","artistIds":[1554],"referenceItemIds":[4974,5008,5009,5010,5013],"data":{"book":{},"publication":{},"media":{"mediaId":2412,"artworkDate":"2023-01-24","artworkDateToDisplay":"2023"}},"publicationDate":"2025-03-21"},{"id":4886,"type":4,"extraText1":"

Atelier d'\u00e9criture propos\u00e9 \u00e0 la classe de 6\u00e8me <\/sup>de Delphine Mareachealee, enseignante de Lettres<\/p>","occurences":[{"startDate":"2024-04-11","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-04-18","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-05-21","startTime":null,"endDate":null,"endTime":null}],"placeId":69,"title":"Et si l\u2019utopie","artistIds":[349],"imageIds":[3599,3600],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-21"},{"id":5070,"type":7,"artistIds":[2760],"imageIds":[3815],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-15"},{"id":3720,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i> et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2022-11-24","startTime":"19:00:00","endDate":null,"endTime":null}],"placeId":31,"title":"\u00c9tats du texte #1","subtitle":"L\u2019Agencement des mobiles : Po&sie<\/i> et Catastrophes<\/i>","artistIds":[2513,1022,2393,1882,397,2277],"imageIds":[2539],"logoImageIds":[3211,3210],"referenceItemIds":[4476,4638,4837],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4476,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i> et avec la participation de la librairie La Carline.<\/p>","extraText2":"

Didier Bourda, Juliette Penblanc et Florence Pazzottu liront aussi mercredi 31 mai \u00e0 19 heures 30<\/p>

\u00e0 la galerie Zo\u00e8me (8 rue Vian, 13006 Marseille) lors d'une soir\u00e9e consacr\u00e9e aux derni\u00e8res publications des \u00e9ditions LansKine.<\/p>

 <\/p>

\u00c0 d\u00e9couvrir :<\/p>

\u2022 le foss\u00e9 macinante<\/i>, de Didier Bourda ;<\/p>

\u2022 point d'impact<\/i>, de Juliette Penblanc ;<\/p>

\u2022 L'accouch\u00e9e<\/i>, de Florence Pazzottu<\/p>

(premier volume de la collection poche de LansKine)<\/p>

 paru initialement chez Comp'Act en 2002.<\/p>

 <\/p>","occurences":[{"startDate":"2023-06-01","startTime":"19:00:17","endDate":null,"endTime":null}],"placeId":9,"title":"\u00c9tats du texte #2","artistIds":[2603,962,1920,2430],"imageIds":[3209],"logoImageIds":[3210,3211,3212],"referenceItemIds":[3720,4638,4837],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-16"},{"id":4638,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i> et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2023-11-30","startTime":"19:00:19","endDate":"2023-11-30","endTime":null}],"placeId":31,"title":"\u00c9tats du texte #3","artistIds":[809,2007,1586,2441],"imageIds":[3348],"logoImageIds":[3254,3211,3210,3212],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-25"},{"id":4837,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i> et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2024-06-27","startTime":"19:00:24","endDate":null,"endTime":null}],"placeId":9,"title":"\u00c9tats du texte #4","artistIds":[2509,922,1755,2270],"imageIds":[3568],"logoImageIds":[3211,3254,3210,3212],"referenceItemIds":[3720,4476,4638],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-22"},{"id":4931,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i> et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2024-12-05","startTime":"19:00:37","endDate":null,"endTime":null}],"placeId":9,"title":"\u00c9tats du texte #5","artistIds":[2725,2505,1933,1996],"imageIds":[3670],"logoImageIds":[3211,3210,3212],"referenceItemIds":[3720,4476,4638,4837],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-11-06"},{"id":5049,"type":2,"subTypeId":11,"typePrecision":"partenariat hors les murs","extraText1":"

En partenariat avec le Collectif Et autres choses inutiles<\/i> et  l'association Alt(r)a Voce<\/i><\/p>

et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2025-06-26","startTime":"19:00:59","endDate":null,"endTime":null}],"placeId":31,"title":"\u00c9tats du texte #6","artistIds":[2510,2751,2147,2275],"imageIds":[3792],"logoImageIds":[3211,3210,3212],"referenceItemIds":[3720,4476,4638,4837,4931],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-23"},{"id":5253,"type":2,"subTypeId":11,"extraText1":"

En partenariat avec le Collectif Et autres choses inutiles<\/i> et l'association Alt(r)a Voce<\/i><\/p>

et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2025-11-27","startTime":"19:00:21","endDate":null,"endTime":null}],"placeId":30,"title":"\u00c9tats du texte #7","artistIds":[2799,444,678,2445],"imageIds":[3998],"logoImageIds":[3212,3210,3211],"referenceItemIds":[5250,5253,5259,3720,4476,4638,4837,4931,5049],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-10-31"},{"id":5347,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le Collectif Et autres choses inutiles<\/i> et l'association Alt(r)a Voce<\/i><\/p>

et avec la participation de la librairie La Carline.<\/p>","occurences":[{"startDate":"2026-05-22","startTime":"19:00:33","endDate":null,"endTime":null}],"placeId":30,"title":"\u00c9tats du texte #8","artistIds":[2836,2835,1882,2429],"imageIds":[4099],"referenceItemIds":[3720,4476,4638,4837,4931,5049,5253],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-04-10"},{"id":4957,"type":14,"typePrecision":"table ronde","extraText1":"

Table ronde Les grandes traditions po\u00e9tiques, leur apport \u00e0 la po\u00e9sie contemporaine<\/i><\/p>","title":"\u00c9tats g\u00e9n\u00e9raux de la po\u00e9sie","artistIds":[597,314,2727,1116,2728,962],"referenceItemIds":[3864],"data":{"book":{},"publication":{},"media":{"mediaId":2354,"artworkDate":"1992-06-12","artworkDateToDisplay":"Vendredi 12 juin 1992"}},"publicationDate":"1992-06-12"},{"id":3785,"type":8,"title":"\u00c9tats G\u00e9n\u00e9raux de la Po\u00e9sie","artistIds":[1348],"imageIds":[2602],"referenceItemIds":[3783],"data":{"book":{"publicationDate":"1993-02-01","isbn10":"2-909097-08-0"},"publication":{"price":15.24,"isOutOfStock":true,"collectionIds":[6]}},"publicationDate":"2023-02-23"},{"id":3864,"type":8,"title":"\u00c9tats G\u00e9n\u00e9raux de la Po\u00e9sie (programme)","subtitle":"Pour la po\u00e9sie","artistIds":[225,809,1021,634,1256,873,77,359,474,691,450,260,497,413,453,754,1086,876,652,694,1343,314,935,177,1095,1003,258,953,584,936,435,158,644,699,1026,1335,123,256,247,240,154,266,218,451,109,977,678,400,743,1046,983,159,342,723,879,1485,130,1116,858,659,197,1102,155,1338,944,962,680,682,1097,180,697,1069,236,61,539,1307,1269,673,1253,1209,906,1265,294,597,9,1149,671,75,660],"imageIds":[2672],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"1992-06-01"},"publication":{"price":3,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":3244,"type":1,"occurences":[{"startDate":"2014-04-11","endDate":"2014-05-31","startTime":null,"endTime":null}],"title":"Etel Adnan","subtitle":"Dessins","artistIds":[2143],"imageIds":[1873,1874,1875,1876],"publicationDate":"2023-02-23"},{"id":2001,"type":7,"artistIds":[2143],"imageIds":[3366],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5262,"type":2,"typePrecision":"projection, lecture, en partenariat","extraText1":"

 <\/p>

En partenariat avec l'EHESS dans le cadre de l'Apr\u00e8s-midi cin\u00e9-po\u00e9tique<\/p>","extraText2":"

 <\/p>

entr\u00e9e libre et gratuite<\/p>

 <\/p>","occurences":[{"startDate":"2025-12-12","startTime":"14:00:00","endDate":"2025-12-12","endTime":"18:00:00"}],"placeId":26,"title":"\u00c9thiopie : les marges urbaines en cr\u00e9ation","subtitle":"\u2014 Avec Itsushi Kawase, anthropologue, cin\u00e9aste et po\u00e8te \u2014","imageIds":[4008],"logoImageIds":[3285,3929],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-11-08"},{"id":1075,"type":7,"artistIds":[369],"imageIds":[152],"publicationDate":"2023-02-23"},{"id":5079,"type":2,"typePrecision":"en r\u00e9sidence","extraText1":"

La Marelle et le Cipm accueillent cette ann\u00e9e l'autrice de po\u00e9sie Jiwon Lee<\/p>

pour une re\u0301sidence d\u2019\u00e9criture de deux mois :<\/p>

un mois a\u0300 Marseille avec le Cipm et un mois a\u0300 La Ciotat avec La Marelle.<\/p>","occurences":[{"startDate":"2025-05-10","startTime":"16:00:10","endDate":null,"endTime":null}],"title":"\u00eatre sur la terre pointe des pieds transmet","artistIds":[2756],"imageIds":[3822],"referenceItemIds":[5035],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":2728,"type":1,"occurences":[{"startDate":"2005-10-21","endDate":"2005-11-26","startTime":null,"endTime":null}],"title":"Eugen Gomringer","subtitle":"Au centre de la po\u00e9sie concr\u00e8te","artistIds":[370,1592,31,370],"imageIds":[1382],"publicationDate":"2023-02-23"},{"id":1076,"type":7,"artistIds":[370],"imageIds":[153],"publicationDate":"2023-02-23"},{"id":2729,"type":2,"occurences":[{"startDate":"2005-10-21","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Eugen Gomringer - Au centre de la po\u00e9sie concr\u00e8te<\/i>","subtitle":"Vernissage - interventions - lectures","artistIds":[370,1592,31],"imageIds":[1383],"publicationDate":"2023-02-23"},{"id":3099,"type":6,"subTypeId":2,"occurences":[{"startDate":"2011-03-27","endDate":"2011-04-10","startTime":null,"endTime":null}],"title":"Eugene Robinson","artistIds":[1978],"imageIds":[1726],"publicationDate":"2023-02-23"},{"id":1848,"type":7,"artistIds":[1978],"imageIds":[781],"publicationDate":"2023-02-23"},{"id":1077,"type":7,"artistIds":[372],"imageIds":[154],"publicationDate":"2023-02-23"},{"id":2634,"type":2,"occurences":[{"startDate":"1997-05-31","endDate":null,"startTime":"16:00:00","endTime":null}],"title":"Eug\u00e8ne Savitzkaya","subtitle":"Rencontre \u00e0 la biblioth\u00e8que du cipM","artistIds":[372],"publicationDate":"2023-02-23"},{"id":2844,"type":6,"subTypeId":2,"occurences":[{"startDate":"1997-04-01","endDate":"1997-06-30","startTime":null,"endTime":null}],"title":"Eug\u00e8ne Savitzkaya","artistIds":[372],"publicationDate":"2023-02-23"},{"id":4780,"type":7,"artistIds":[2684],"imageIds":[3514],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-26"},{"id":2003,"type":7,"artistIds":[2145],"publicationDate":"2023-02-23"},{"id":1525,"type":7,"artistIds":[1498],"publicationDate":"2023-02-23"},{"id":2842,"type":6,"subTypeId":2,"occurences":[{"startDate":"1995-01-01","endDate":"1995-03-31","startTime":null,"endTime":null}],"title":"Eugenio Miccini","artistIds":[1498],"imageIds":[1473],"publicationDate":"2023-02-23"},{"id":5143,"type":7,"artistIds":[2779],"imageIds":[3884],"referenceItemIds":[5023,5024,5132],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-16"},{"id":2020,"type":7,"artistIds":[2166],"publicationDate":"2023-02-23"},{"id":1078,"type":7,"artistIds":[374],"imageIds":[155],"publicationDate":"2023-02-23"},{"id":1079,"type":7,"artistIds":[376],"imageIds":[156],"publicationDate":"2023-02-23"},{"id":4706,"type":14,"extraText2":"

Excerpt from I Remember<\/i>, recorded Calais, Vermont, July 1970.<\/p>

Dur\u00e9e : 04'03\".<\/p>","title":"Excerpt from I Remember","artistIds":[1475],"referenceItemIds":[4674],"data":{"book":{},"publication":{},"media":{"mediaId":1280,"artworkDateToDisplay":"1970"}},"publicationDate":"2024-01-19"},{"id":4695,"type":14,"extraText2":"

Image courtesy of Festival of Fantastics archives.<\/p>

 <\/p>

Excerpt from The 8-Voice Stereo-Canon Realization of The Black Tarantula Crossword Gatha<\/i>, 1973.<\/p>

Dur\u00e9e : 10'49\".<\/p>

 <\/p>

8-Voice Stereo Canon (The 4 over-laid performances begin on channel one about 20 seconds after they begin on channel two: a \"4-against-4\" canon.) \"The Black Tarantula Crossword Gatha\" was written (drawn) 8\/25\/73 & after. Realized and recorded at NYU Composers' Workshop N.Y. on November 25, 1973. Note: \"The Black Tarantula\" is one of Kathy Acker's pseudonyms.<\/i> Originally published as a cassette by S Press Tonbandverlag, Dusseldorf\/Munchen, West Germany, 1975.<\/p>","title":"Excerpt from The 8-Voice Stereo-Canon Realization of The Black Tarantula Crossword Gatha","artistIds":[2653],"referenceItemIds":[4693,4694,4674],"data":{"book":{},"publication":{},"media":{"mediaId":1257,"artworkDateToDisplay":"1973"}},"publicationDate":"2024-01-18"},{"id":545,"type":14,"title":"Exciter la voracit\u00e9 des mots... \/ Lait","artistIds":[389],"referenceItemIds":[3008,3944],"data":{"media":{"mediaId":545,"artworkDate":"1993-11-27"}},"publicationDate":"2023-02-23"},{"id":4572,"type":2,"subTypeId":25,"extraText1":"

Andrea Inglese et Andrea Raos \u00e9voquent, dans une perspective critique, certains des moments les plus significatifs de leurs exp\u00e9riences d\u2019auteurs et de traducteurs de po\u00e9sie entre la France et l\u2019Italie.<\/p>","occurences":[{"startDate":"2023-09-30","startTime":"11:00:04","endDate":null,"endTime":null}],"title":"Expatrier le po\u00e8me ","artistIds":[2279,85],"imageIds":[3282],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-28"},{"id":5039,"type":3,"subTypeId":57,"extraText1":"

Un atelier de la s\u00e9rie \u00ab L\u2019exp\u00e9rience de la lecture \u00bb anim\u00e9 par Danielle M\u00e9moire<\/p>

\u2014 R\u00e9serv\u00e9 aux \u00e9tudiants des Beaux-Arts de Marseille \u2014<\/p>

 <\/p>

Enseignements coordonn\u00e9s par C\u00e9cile Marie-Castanet, <\/p>

professeure \u00e0 l'Ecole des Beaux-Arts de Marseille<\/p>","extraText3":"

Atelier de l'ARC 2025<\/p>","occurences":[{"startDate":"2025-03-11","startTime":null,"endDate":"2025-03-14","endTime":null}],"placeId":54,"title":"Exp\u00e9rience de la lecture 2025","artistIds":[1913],"imageIds":[3779],"extraSectionIds":[6,5],"logoImageIds":[3870],"publicId":5,"contextId":1,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-11"},{"id":3204,"type":2,"occurences":[{"startDate":"2013-05-17","endDate":null,"startTime":"17:00:00","endTime":null}],"title":"Exposition \u00e0 la Galerie Porte Avion","subtitle":"Hommage \u00e0 Brion Gysin","imageIds":[1828],"publicationDate":"2023-02-23"},{"id":3314,"type":2,"occurences":[{"startDate":"2015-06-19","endDate":"2015-09-20","startTime":null,"endTime":null}],"title":"Exposition Herv\u00e9 T\u00e9l\u00e9maque (Mus\u00e9e Cantini)","subtitle":"Rencontre avec Jean Daive et Herv\u00e9 T\u00e9l\u00e9maque (cipM<\/i>)","artistIds":[611,2200],"imageIds":[1967],"publicationDate":"2023-02-23"},{"id":301,"type":14,"title":"Extrait","artistIds":[559],"referenceItemIds":[2446,3889],"data":{"media":{"mediaId":301,"artworkDate":"2003-10-03"}},"publicationDate":"2023-02-23"},{"id":633,"type":14,"title":"Extrait","artistIds":[1291],"referenceItemIds":[3972,3032],"data":{"media":{"mediaId":633,"artworkDate":"1990-05-31"}},"publicationDate":"2023-02-23"},{"id":813,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Dreamachine","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":813,"artworkDate":"1977-02-10"}},"publicationDate":"2023-02-23"},{"id":814,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Dreamachine et visions","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":814,"artworkDate":"1977-02-10"}},"publicationDate":"2023-02-23"},{"id":810,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Le cut-up","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":810,"artworkDate":"1977-02-08"}},"publicationDate":"2023-02-23"},{"id":812,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Les permutations","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":812,"artworkDate":"1977-02-08"}},"publicationDate":"2023-02-23"},{"id":811,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Machine poetry","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":811,"artworkDate":"1977-02-08"}},"publicationDate":"2023-02-23"},{"id":809,"type":14,"title":"Extrait d'Entretien avec Brion Gysin : Rencontre avec les musiciens Jajouka","referenceItemIds":[4155,3199],"data":{"media":{"mediaId":809,"artworkDate":"1977-02-11"}},"publicationDate":"2023-02-23"},{"id":393,"type":14,"title":"Extrait d'un sous TAS en cours","artistIds":[1088],"referenceItemIds":[2525,3806],"data":{"media":{"mediaId":393,"artworkDate":"2001-03-09"}},"publicationDate":"2023-02-23"},{"id":821,"type":14,"title":"Extrait d'un texte in\u00e9dit","artistIds":[1904],"referenceItemIds":[3199],"data":{"media":{"mediaId":821}},"publicationDate":"2023-02-23"},{"id":5303,"type":14,"extraText2":"

Extrait de 31, c\u2019est peu (Stig Dagerman, 1923-1954)<\/i>, \u00e9ditions La Fosse aux Ours, 2023, re\u00e7u le 8 f\u00e9vrier de Christophe Fourvel en amont de la rencontre Autour de Jean-Luc Sarr\u00e9 avec la revue Europe<\/a>, le 4 avril 2026.<\/p>","title":"Extrait de 31, c\u2019est peu (Stig Dagerman, 1923-1954)","artistIds":[240],"data":{"book":{},"publication":{},"media":{"mediaId":2849,"artworkDate":"2026-02-08","artworkDateToDisplay":"2023"}},"publicationDate":"2026-02-19"},{"id":5241,"type":14,"extraText1":"

In\u00e9dit, extrait de Comptes \u00e0 rebours<\/i>, \u00e0 para\u00eetre aux \u00e9ditions du Cano\u00eb en 2026, re\u00e7u d'Antoine Dufeu, le 23 septembre \u00e0 l'approche de la soir\u00e9e Joyeux anniversaires ! <\/i><\/p>

du 3 octobre 2025 \u00e0 La co\u0302merie pour les 35 ans du Le Centre international de poe\u0301sie Marseille, 15 ans de La Marelle et 25 ans d'actoral.<\/p>

 <\/p>","title":"Extrait de Comptes \u00e0 rebours","artistIds":[1697],"referenceItemIds":[5223],"data":{"book":{},"publication":{},"media":{"mediaId":2805,"artworkDateToDisplay":"2026"}},"publicationDate":"2025-09-23"},{"id":5334,"type":14,"extraText2":"

Extrait de Don\u2019t be fooled by appearances<\/i>, Nesrine Salem, \u00e9pilogue pour \u00ab The hour of wolf and sheep \u00bb de Melika Sadeghzadeh, sortie pr\u00e9vu le 7 mai 2026 chez Postfirebooks.<\/p>","title":"Extrait de Don\u2019t be fooled by appearances","artistIds":[2829],"referenceItemIds":[5330],"data":{"book":{},"publication":{},"media":{"mediaId":2893,"artworkDateToDisplay":"7 mai 2026"}},"publicationDate":"2026-03-31"},{"id":822,"type":14,"title":"Extrait de Ev\u00e8nement 09","artistIds":[97],"referenceItemIds":[3199],"data":{"media":{"mediaId":822}},"publicationDate":"2023-02-23"},{"id":5310,"type":14,"extraText2":"

Extrait de PV d\u2019audition<\/i>, re\u00e7u de Claudie Lenzi le 1er mars en amont de la rencontre autour des \u00e9ditions LansKine, le 14 mars 2026.<\/p>","title":"Extrait de PV d\u2019audition","artistIds":[265],"data":{"book":{},"publication":{},"media":{"mediaId":2853}},"publicationDate":"2026-03-04"},{"id":772,"type":14,"title":"Extrait in\u00e9dit","artistIds":[164],"referenceItemIds":[3955,3180],"data":{"media":{"mediaId":772,"artworkDate":"1992-04-10"}},"publicationDate":"2023-02-23"},{"id":756,"type":14,"title":"Extraits","artistIds":[2033],"referenceItemIds":[4132,3167],"data":{"media":{"mediaId":756,"artworkDate":"2012-06-23"}},"publicationDate":"2023-02-23"},{"id":897,"type":14,"title":"Extraits de textes r\u00e9dig\u00e9s lors des ateliers d'\u00e9criture Machines de cr\u00e9ation, machines sensibles","artistIds":[2348],"referenceItemIds":[3576],"data":{"book":{},"publication":{},"media":{"mediaId":897,"artworkDate":"2022-02-26"}},"publicationDate":"2023-02-23"},{"id":1080,"type":7,"artistIds":[377],"imageIds":[157],"publicationDate":"2023-02-23"},{"id":4253,"type":8,"title":"F.aire L.a F.eui||e","artistIds":[2007],"imageIds":[3027],"referenceItemIds":[4246],"data":{"book":{"publicationDate":"2008-10-01","isbn10":"978-2-917824-00-9"},"publication":{"price":16,"collectionIds":[12]}},"publicationDate":"2023-02-23"},{"id":1656,"type":7,"artistIds":[1696],"imageIds":[625],"publicationDate":"2023-02-23"},{"id":1082,"type":7,"artistIds":[381],"imageIds":[159],"publicationDate":"2023-02-23"},{"id":2025,"type":7,"artistIds":[2173],"imageIds":[3099,907],"linkedItemIdsWithLayout":[{"itemId":4327,"layout":3}],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":1081,"type":7,"artistIds":[378],"imageIds":[3727],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":471,"type":14,"title":"Fables de la critique","artistIds":[1080],"referenceItemIds":[2560,3822],"data":{"media":{"mediaId":471,"artworkDate":"1999-10-23"}},"publicationDate":"2023-02-23"},{"id":1083,"type":7,"artistIds":[382],"imageIds":[160],"publicationDate":"2023-02-23"},{"id":2695,"type":6,"subTypeId":2,"occurences":[{"startDate":"1999-01-27","endDate":"1999-03-27","startTime":null,"endTime":null}],"title":"Fabrice Bothereau","artistIds":[382],"imageIds":[1359],"publicationDate":"2023-02-23"},{"id":2141,"type":7,"artistIds":[2326],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1793,"type":7,"artistIds":[1910],"imageIds":[733],"publicationDate":"2023-02-23"},{"id":5164,"type":4,"extraText1":"

Atelier de Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani avec la classe de CE2, CM1 et CM2 de l'\u00c9cole Chevalier Paul, Marseille.<\/p>

Enseignante : Nathalie Guimard<\/p>","occurences":[{"startDate":"2025-03-18","startTime":null,"endDate":"2025-06-17","endTime":null}],"title":"Fabriquer le po\u00e8me : \u00c9cole Chevalier Paul, Marseille","artistIds":[444],"imageIds":[3898],"subItemIds":[5165],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-17"},{"id":5165,"type":13,"extraText1":"

Atelier de Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani avec la classe de CE2, CM1 et CM2 de l'\u00c9cole Chevalier Paul, Marseille.<\/p>

Enseignante : Nathalie Guimard<\/p>","title":"Fabriquer le po\u00e8me : \u00c9cole Chevalier Paul, Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-27"},{"id":5162,"type":4,"extraText1":"

Atelier de Marie Ch\u00e9n\u00e9 avec la classe de CE2 de l'\u00c9cole La Solidarit\u00e9, Marseille.<\/p>

Enseignante : Julia Sagalow<\/p>","occurences":[{"startDate":"2025-04-01","startTime":null,"endDate":"2025-06-12","endTime":null}],"title":"Fabriquer le po\u00e8me : \u00c9cole La Solidarit\u00e9, Marseille","artistIds":[2180],"imageIds":[3897],"subItemIds":[5163],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-26"},{"id":5163,"type":13,"extraText1":"

Atelier de Marie Ch\u00e9n\u00e9 avec la classe de CE2 de l'\u00c9cole La Solidarit\u00e9, Marseille.<\/p>

Enseignants : Julia Sagalow<\/p>","title":"Fabriquer le po\u00e8me : \u00c9cole La Solidarit\u00e9, Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-26"},{"id":5151,"type":4,"extraText1":"

Atelier de Sarah K\u00e9ryna avec la classe de CM1\/CM2 de l'\u00c9cole Le Rouet, Marseille.<\/p>

Enseignante : G\u00e9raldine Basset <\/p>","occurences":[{"startDate":"2025-03-27","startTime":null,"endDate":"2025-05-06","endTime":null}],"title":"Fabriquer le po\u00e8me : \u00c9cole Le Rouet, Marseille","artistIds":[1202],"imageIds":[3892],"subItemIds":[5156],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-28"},{"id":5156,"type":13,"extraText1":"

Atelier de Sarah K\u00e9ryna avec la classe de CM1\/CM2 de l'\u00c9cole Le Rouet, Marseille.<\/p>

Enseignante : G\u00e9raldine Basset <\/p>","title":"Fabriquer le po\u00e8me : \u00c9cole Le Rouet, Marseille ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-28"},{"id":5150,"type":4,"extraText1":"

Atelier de H\u00e9l\u00e8na Villovitch avec la classe de CE2\/CM2 de l'\u00c9cole Saint-Louis Le Rove, Marseille.<\/p>

Enseignants : Serguiane Pirani et Micha\u00ebl Haller<\/p>","occurences":[{"startDate":"2025-03-06","startTime":null,"endDate":"2025-05-22","endTime":null}],"title":"Fabriquer le po\u00e8me : \u00c9cole Saint-louis Le Rove, Marseille","artistIds":[522],"imageIds":[3891],"subItemIds":[5154],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-27"},{"id":5154,"type":13,"extraText1":"

Atelier de H\u00e9l\u00e8na Villovitch avec la classe de CE2\/CM2 de l'\u00c9cole Saint-Louis Le Rove, Marseille.<\/p>

Enseignants : Serguiane Pirani et Micha\u00ebl Haller<\/p>","title":"Fabriquer le po\u00e8me : \u00c9cole Saint-louis Le Rove, Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-28"},{"id":3059,"type":12,"occurences":[{"startDate":"2009-11-01","endDate":"2009-11-30","startTime":null,"endTime":null}],"title":"Fabriquer un livre","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":746,"type":14,"title":"Faille voil\u00e9e","artistIds":[224],"data":{"media":{"mediaId":746,"artworkDate":"1984-01-26"}},"publicationDate":"2023-02-23"},{"id":4604,"type":3,"extraText1":"

Un atelier \u00ab po\u00e9sie-image \u00bb propos\u00e9 par Frank Smith<\/p>","occurences":[{"startDate":"2023-11-13","startTime":null,"endDate":"2023-11-17","endTime":null}],"title":"FAIRE COMMUN ENSEMBLE ?","artistIds":[431],"imageIds":[3319],"logoImageIds":[3363],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-22"},{"id":5016,"type":2,"extraText1":"

Premier volet des rencontres en dyptique du 3 mai.<\/p>","occurences":[{"startDate":"2025-05-03","startTime":"15:30:58","endDate":null,"endTime":null}],"title":"Faire corps avec un fran\u00e7ais langue \u00e9trang\u00e9e (FL\u00c9)","subtitle":"Du \u00ab s \u00bb comme marque de pluriel aux sismographies","artistIds":[2750],"imageIds":[3758],"referenceItemIds":[5018],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-25"},{"id":4415,"type":13,"title":"faire part","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"},{"id":3648,"type":4,"occurences":[{"startDate":"2021-11-01","endDate":"2021-12-31","startTime":null,"endTime":null}],"title":"Faire, d\u00e9faire, laisser faire","subtitle":"Atelier d'\u00e9criture au Lyc\u00e9e professionnel Charles Montgrand (Port de Bouc)","artistIds":[131],"imageIds":[2450],"publicationDate":"2023-02-23"},{"id":2306,"type":7,"artistIds":[2512],"imageIds":[1146],"publicationDate":"2023-02-23"},{"id":5129,"type":7,"artistIds":[2770],"imageIds":[3866],"referenceItemIds":[5023],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-07"},{"id":1781,"type":7,"artistIds":[1884],"imageIds":[721],"publicationDate":"2023-02-23"},{"id":1084,"type":7,"artistIds":[384],"imageIds":[161],"publicationDate":"2023-02-23"},{"id":2228,"type":7,"artistIds":[2420],"imageIds":[1071],"publicationDate":"2023-02-23"},{"id":5254,"type":1,"subTypeId":50,"occurences":[{"startDate":"2025-09-20","startTime":null,"endDate":"2026-01-31","endTime":null}],"placeId":54,"title":"Fant\u00f4mes, marque-pages ","artistIds":[809],"imageIds":[3999],"referenceItemIds":[3551,3704,4518,5180,5222,5246],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-20"},{"id":1085,"type":7,"artistIds":[385],"imageIds":[162],"publicationDate":"2023-02-23"},{"id":1086,"type":7,"artistIds":[386],"imageIds":[163],"publicationDate":"2023-02-23"},{"id":5089,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : Maya Ouabadi
08 rue Takarli Abdelgnani

editions.motifs@gmail.com<\/a>
editionsmotifs.com\/revue-fassl<\/a><\/p>

 <\/p>","title":"Fassl","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4708,"type":14,"extraText2":"

Fast Speaking Woman,<\/i> recorded at St. Mark\u2019s Church S Press, Sept. 28, 1974, publi\u00e9 par S Press Tonbandverlag, 1977.<\/p>

\u00c0 partir de 20'40\" jusqu\u2019\u00e0 la fin.<\/p>

Dur\u00e9e : 08'24\".<\/p>","title":"Fast Speaking Woman","artistIds":[2085],"referenceItemIds":[4674,4706,4707],"data":{"book":{},"publication":{},"media":{"mediaId":1284,"artworkDateToDisplay":"1977"}},"publicationDate":"2024-01-19"},{"id":1087,"type":7,"artistIds":[387],"imageIds":[164],"publicationDate":"2023-02-23"},{"id":5127,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Le collectif de la BaaM en collaboration avec le Port a jauni et Les Presses s\u00e9par\u00e9es de Marseille
116 rue de l\u2019Olivier 13005 Marseille

bibliotheque.baam@gmail.com<\/a>
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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Sarah Rosa et Julie Marie Cazard
22 bd Cassini 13004 Marseille<\/p>


bibliothequefifiturin@gmail.com<\/a>
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R\u00e9alisation et image : Damien Cattinari<\/p>

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Pour un p\u00f4le po\u00e9sie R\u00e9gion Sud <\/p>","occurences":[{"startDate":"2024-04-04","startTime":null,"endDate":"2024-04-07","endTime":null}],"title":"Foire du livre de Bruxelles","imageIds":[3471],"logoImageIds":[3472],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-17"},{"id":4379,"type":13,"title":"fondcommun \/ N\u00b0R 2","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-06-17"},{"id":480,"type":14,"title":"For Charles Tyler","artistIds":[143],"referenceItemIds":[3027,3970],"data":{"media":{"mediaId":480,"artworkDate":"1990-09-14"}},"publicationDate":"2023-02-23"},{"id":3633,"type":2,"subTypeId":10,"occurences":[{"startDate":"2021-12-04","startTime":"15:00:00","endDate":null,"endTime":null}],"title":"Format Am\u00e9ricain","subtitle":"L\u2019int\u00e9grale (1993-2006)","artistIds":[2063,1843,1842,758,428,410],"imageIds":[2431],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4819,"type":2,"extraText1":"

en direction des m\u00e9diateurs des espaces lectures et des projets hors les murs de l'Association Acelem<\/p>","extraText2":"

Ce projet s'inscrit dans le cadre du dispositif Rendez-vous en biblioth\u00e8que et dans les actions de lecture publique construite et mise en place en synergie par et avec les associations Opera Mundi, Cipm, La Marelle, Collectif Saafi et Fotokino.<\/p>","occurences":[{"startDate":"2023-05-09","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Formation autour de la po\u00e9sie contemporaine","imageIds":[3552],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-09"},{"id":3664,"type":5,"occurences":[{"startDate":"2022-04-09","endDate":"2022-04-30","startTime":"11:00:00","endTime":null}],"title":"FORMES","subtitle":"\u00c0 partir d'une \u0153uvre figurative","artistIds":[2390],"imageIds":[2466],"publicationDate":"2023-02-23"},{"id":5197,"type":4,"extraText1":"

Classe de 1\u00e8re<\/sup> - EPA \"animation\"<\/p>

Enseignante de lettre : Audrey Stromboni<\/p>

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Atelier d\u2019\u00e9criture de Nicolas Tardy avec une classe Classe de 1\u00e8re<\/sup> - EPA \"animation\" -  Lyc\u00e9e Emile Zola, 13100 Aix en Provence
Classe de 1\u00e8re<\/sup> - EPA \"animation\"<\/p>

Enseignante de lettre : Audrey Stromboni<\/p>

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 <\/p>

Marseille
Classe de 4\u00e8me
Intervenante : Marie Ch\u00e9n\u00e9
Enseignantes : Corinne Gotnich et Isabelle Chaudon

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge des Chartreux","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-07-02"},{"id":4771,"type":13,"extraText1":"


Marseille
Classe de 4 \u00e8me
Intervenante : Florence Pazzottu
Enseignantes : Patricia Peretti et Isabelle Chaudon<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge des Chartreux","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-07-09"},{"id":4772,"type":13,"extraText1":"


Marseille
Classe de 4 \u00e8me
Intervenante : Laura Vazquez
Enseignante : Ang\u00e9lique Pi\u00e9ri<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Chevreul Blancarde ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-06-27"},{"id":4773,"type":13,"extraText1":"


Marseille
Classe de 4 \u00e8me
Intervenante : Anne Houdy
Enseignante : Boutheina Obadia<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Chevreul Blancarde ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-06-28"},{"id":4774,"type":13,"extraText1":"

 <\/p>

Marseille
Classe de 4 \u00e8me
Intervenante : Sarah K\u00e9ryna
Enseignante : Boutheina Obadia<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Chevreul Blancarde","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-07-02"},{"id":4775,"type":13,"extraText1":"


La Ciotat
Classe de 4 \u00e8me
Intervenante : Fanny Blondel
Enseignantes : Ang\u00e9lique Muniga et Annick Amad\u00e9i<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Virebelle","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-07-29"},{"id":4778,"type":13,"extraText1":"


La Ciotat
Classe de 4 \u00e8me
Intervenante : Emmanuelle Bentz
Enseignantes : Ang\u00e9lique Muniga, Carina Pr\u00e9vot et Annick Amad\u00e9i<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Virebelle","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-06-24"},{"id":4779,"type":13,"extraText1":"

 <\/p>

Port de Bouc
Classe de 4\u00e8me
Intervenante : Paul Anders
Enseignante : Fanny Gaspari<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2020","subtitle":"Coll\u00e8ge Fr\u00e9d\u00e9ric Mistral","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2020-07-01"},{"id":4760,"type":13,"extraText1":"

 <\/p>

Marseille
Classe de 4\u00e8me 
Intervenante : Florence Pazzottu
Enseignante de lettres : Patricia Peretti<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2021","subtitle":"Coll\u00e8ge des Chartreux","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2021-07-16"},{"id":4761,"type":13,"extraText1":"

 <\/p>

Marseille
Classe Segpa \/ 4\u00e8me 
Intervenant : St\u00e9phane Nowak
Enseignant de lettres : Rachid Zerrouki

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2021","subtitle":"Coll\u00e8ge Darius Milhaud ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2021-06-24"},{"id":4762,"type":13,"extraText1":"

 <\/p>

Tarascon
Classe de 4\u00e8me<\/sup>
Intervenante : Emmanuelle Bentz
Enseignante de lettres : Laurence Gasiglia<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2021","subtitle":"Coll\u00e8ge Ren\u00e9 Cassin","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2021-06-14"},{"id":4763,"type":13,"extraText1":"


Tarascon
Classe de 4\u00e8me<\/sup>
Intervenante : Boris Crack
Enseignante de lettres : Charlotte Capitani<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2021","subtitle":"Coll\u00e8ge Ren\u00e9 Cassin","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2021-06-06"},{"id":3607,"type":4,"extraText1":"

Ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","occurences":[{"startDate":"2021-03-01","startTime":null,"endDate":"2021-06-01","endTime":null}],"title":"Forum de la po\u00e9sie 2021","artistIds":[349,2347,1933,397],"subItemIds":[4760,4761,4762,4763],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":3666,"type":4,"extraText1":"

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","occurences":[{"startDate":"2022-01-01","startTime":null,"endDate":"2022-04-01","endTime":null}],"title":"Forum de la po\u00e9sie 2022","artistIds":[349,1202,1004,1884],"subItemIds":[4744,4748,4750,4759],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":4744,"type":13,"extraText1":"

 <\/p>

Port de Bouc
Classe de 4\u00e8me
Intervenante : Emmanuelle Bentz
Enseignant de Lettres : Julien Oreste<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2022","subtitle":"Coll\u00e8ge Fr\u00e9d\u00e9ric Mistral","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-04-01"},{"id":4748,"type":13,"extraText1":"


Marseille<\/p>

Classe de 4 \u00e8me A
Intervenante : Sarah K\u00e9ryna
Enseignante de Lettres : Genevi\u00e8ve Hamon
Professeure documentaliste : Laura Ghaninejad<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2022","subtitle":"Coll\u00e8ge Saint Vincent de Paul ","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-04-01"},{"id":4750,"type":13,"extraText1":"


Marseille
Classe de 4\u00e8me SEGPA
Intervenant : Nicolas Tardy
Enseignant de fran\u00e7ais : Monsieur Gauthey<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>","title":"Forum de la po\u00e9sie 2022","subtitle":"Coll\u00e8ge Saint Vincent de Paul","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-04-01"},{"id":4759,"type":13,"extraText1":"


Marseille
Intervenante : Fanny Blondel
Enseignante de Lettres : Corinne Gotnich
Enseignant de Musique : Nicolas Saadane<\/p>

 <\/p>

Le forum des po\u00e8mes, ateliers de cr\u00e9ation po\u00e9tique dans les coll\u00e8ges du d\u00e9partement des Bouches-du-Rh\u00f4ne<\/p>

 <\/p>

Traductions libres et freestyle<\/p>","title":"Forum de la po\u00e9sie 2022","subtitle":"Coll\u00e8ge Chartreux","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2022-04-01"},{"id":3229,"type":2,"occurences":[{"startDate":"2013-10-23","endDate":"2013-10-25","startTime":null,"endTime":null}],"title":"Fotokino","subtitle":"Aventures au grand \u00e9cran","imageIds":[1856],"publicationDate":"2023-02-23"},{"id":1947,"type":7,"artistIds":[2089],"publicationDate":"2023-02-23"},{"id":238,"type":14,"title":"Four 6<\/sup>","artistIds":[675],"referenceItemIds":[2872,4039],"data":{"media":{"mediaId":238,"artworkDate":"2008-01-26"}},"publicationDate":"2023-02-23"},{"id":671,"type":14,"title":"Fourteen Thousand Facts","artistIds":[1013],"referenceItemIds":[3137,4120],"data":{"media":{"mediaId":671,"artworkDate":"2011-10-21"}},"publicationDate":"2023-02-23"},{"id":433,"type":14,"title":"Fragment d'automne [Eshiro Mitsuru]","artistIds":[845],"referenceItemIds":[2474,3862],"data":{"media":{"mediaId":433,"artworkDate":"2002-09-27"}},"publicationDate":"2023-02-23"},{"id":4654,"type":14,"extraText2":"

Po\u00e8me in\u00e9dit de Liliane Giraudon <\/i>re\u00e7u le 5 novembre 2023, <\/p>

\u00e0 l'approche de son Solo, Guenon je singe.<\/i><\/p>","title":"Fragment d\u2019un Po\u00e8me de circonstance","artistIds":[809],"data":{"book":{},"publication":{},"media":{"mediaId":1129}},"publicationDate":"2023-11-07"},{"id":2644,"type":2,"occurences":[{"startDate":"1997-02-28","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Fragments","artistIds":[643,64],"publicationDate":"2023-02-23"},{"id":2396,"type":1,"occurences":[{"startDate":"1997-02-28","endDate":"1997-04-05","startTime":null,"endTime":null}],"title":"Fragments","artistIds":[643,64],"imageIds":[1235],"publicationDate":"2023-02-23"},{"id":13,"type":14,"title":"Fragments d'amour","artistIds":[180],"referenceItemIds":[2543,3791],"data":{"media":{"mediaId":13,"artworkDate":"2000-05-19"}},"publicationDate":"2023-02-23"},{"id":2543,"type":2,"occurences":[{"startDate":"2000-05-19","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Fragments d'amour","artistIds":[528,180],"publicationDate":"2023-02-23"},{"id":660,"type":14,"title":"Fragments d'un dossier","artistIds":[2001],"referenceItemIds":[3117,4115],"data":{"media":{"mediaId":660,"artworkDate":"2011-07-09"}},"publicationDate":"2023-02-23"},{"id":625,"type":14,"title":"Fragments pour E.H. 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From Bob Kaufman, poet: the life and times of an African-American man<\/i>, 1992.<\/p>

Written and produced by David Henderson; courtesy of Naropa University Audio Archive, David Henderson, and Neeli Cherkovski, 35'58\" excerpt of Kaufman reading more from Jail Poems.<\/p>

Dur\u00e9e : 02'30\".<\/p>","title":"From Bob Kaufman, poet: the life and times of an African-American man ","artistIds":[2643],"referenceItemIds":[4674,4680,4681],"data":{"book":{},"publication":{},"media":{"mediaId":1231,"artworkDateToDisplay":" 1992"}},"publicationDate":"2024-01-18"},{"id":582,"type":14,"title":"From Maximus - Lecture compl\u00e8te au Black Mountain College","artistIds":[1943],"referenceItemIds":[4087,3089,4104],"data":{"media":{"mediaId":582,"artworkDate":"1954-01-01"}},"publicationDate":"2023-02-23"},{"id":4680,"type":14,"extraText2":"

Jack Kerouac listening to himself on the radio, 1959.<\/p>

 <\/p>

From Readings by Jack Kerouac on The Beat Generation<\/i>, Verve Records, 1958, San Francisco Scene (The Beat Generation).<\/p>

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Pr\u00e9sentation du n\u00b0 12 de la revue GPS consacr\u00e9 \u00e0 Frank Smith<\/p>","occurences":[{"startDate":"2023-11-18","startTime":"16:30:20","endDate":"2023-11-18","endTime":null}],"title":"GPS #12 : Frank Smith \/ Gu\u00e9rillas po\u00e9tiques","artistIds":[431,2631,270,2219,265],"imageIds":[3346],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-25"},{"id":4474,"type":7,"artistIds":[2590],"imageIds":[3206],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-13"},{"id":4683,"type":14,"extraText2":"

McClure at San Francisco Zoo reading from his book Ghost Tantras<\/i>, 1966.<\/p>

 <\/p>

Grahhh! <\/i>(Michael in the Lion's Den), reading at the Lion House, San Francisco Zoo, Summer 1966.<\/p>

Dur\u00e9e : 03'40\".<\/p>","title":"Grahhh! ","artistIds":[2644],"referenceItemIds":[4674,4680,4681,4682],"data":{"book":{},"publication":{},"media":{"mediaId":1233,"artworkDateToDisplay":"1966"}},"publicationDate":"2024-01-18"},{"id":4133,"type":8,"title":"Grammaire de Tanger, le coffret","artistIds":[348],"imageIds":[2902,2903,2904],"referenceItemIds":[4040],"data":{"book":{"publicationDate":"2012-04-01"},"publication":{"price":50,"isOutOfStock":true,"collectionIds":[10]}},"publicationDate":"2023-02-23"},{"id":1599,"type":7,"artistIds":[1622],"imageIds":[585],"publicationDate":"2023-02-23"},{"id":4594,"type":7,"artistIds":[2623],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-21"},{"id":4471,"type":8,"typePrecision":"num\u00e9ro de revue","extraText2":"

Le site de la revue Nioques<\/a><\/p>","extraText3":"

num\u00e9ro double publi\u00e9 avec le concours du Cipm<\/p>","title":"GR\u00c8CE \/ \u0395\u039b\u039b\u0391\u0394\u0391","subtitle":"Revue Nioques 28-29","artistIds":[2483,2538,2482,678],"imageIds":[3203],"referenceItemIds":[3741],"data":{"book":{"editorIds":[1],"publicationDate":"2023-05-01","isbn13":"978-2-95673468-0","issn":"1148-4896"},"publication":{"price":"23.00","collectionIds":[1]},"media":{}},"publicationDate":"2023-05-12"},{"id":4606,"type":2,"extraText2":"

Le site de la revue Nioques<\/a><\/p>","extraText3":"

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Texte in\u00e9dit de Julie R\u00e9al adress\u00e9 le 21 juillet 2023, <\/p>

dans la cadre de l'invitation \u00e0 la rencontre Les Laboratoires d'Aubervilliers \/ Mosa\u00efques des Lexiques, <\/p>

du 14 octobre 2023. <\/p>

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Conf\u00e9rence illustr\u00e9e par une s\u00e9lection d\u2019extraits, lus par Micha\u00ebl Batalla, de la nouvelle traduction de l\u2019Iliade<\/i> par Pierre Judet de la Combe,<\/p>

\u00e0 para\u00eetre \u00e0 l\u2019automne chez Albin Michel-Belles Lettres (hors collection) dans le volume Tout Hom\u00e8re<\/i>, dirig\u00e9 par H\u00e9l\u00e8ne Monsacr\u00e9. <\/p>

 <\/p>

Dans le cadre du festival Allez savoir<\/a> 
en coproduction avec l'EHESS<\/a> <\/p>","occurences":[{"startDate":"2019-09-28","startTime":"20:00:00","endDate":null,"endTime":null}],"title":"Hom\u00e8re et la nature","artistIds":[2759],"imageIds":[2249],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2522,"type":1,"occurences":[{"startDate":"2001-04-13","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Hommage \u00e0 Christiane Stoll","artistIds":[77,208,809,1201,77,660],"publicationDate":"2023-02-23"},{"id":2973,"type":2,"occurences":[{"startDate":"1996-03-08","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Hommage \u00e0 Franco Beltrametti","subtitle":"Vernissage - lectures","artistIds":[413,992,367,726,612],"imageIds":[1605],"publicationDate":"2023-02-23"},{"id":377,"type":14,"title":"hommage \u00e0 Franco Beltrametti par Esther Ferrer","artistIds":[367],"referenceItemIds":[3928,2973],"data":{"media":{"mediaId":377,"artworkDate":"1996-03-08"}},"publicationDate":"2023-02-23"},{"id":3895,"type":8,"title":"Hommage \u00e0 Gh\u00e9rasim Luca","artistIds":[652,585,1021,236,809,723,742,238,660,1381,1204],"imageIds":[2701],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"1994-05-01","issn":"1148-652 X"},"publication":{"isOutOfStock":true,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":2489,"type":2,"occurences":[{"startDate":"2002-05-03","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Hommage \u00e0 Gilles Deleuze","artistIds":[611,1085,456,348],"publicationDate":"2023-02-23"},{"id":2886,"type":2,"occurences":[{"startDate":"2008-06-28","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Hommage \u00e0 Jean Schuster","artistIds":[652,1832,1833,1579],"imageIds":[1511],"publicationDate":"2023-02-23"},{"id":3378,"type":2,"occurences":[{"startDate":"2016-10-28","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Hommage à Jean Todrani","artistIds":[420,224,2283,473,2282],"imageIds":[2044],"publicationDate":"2023-02-23"},{"id":292,"type":14,"title":"Homme de poussi\u00e8re","artistIds":[13],"referenceItemIds":[3926,2443,2660,3892],"data":{"media":{"mediaId":292,"artworkDate":"2003-11-07"}},"publicationDate":"2023-02-23"},{"id":11,"type":14,"title":"Hongroise Histoire","artistIds":[767],"referenceItemIds":[3746],"data":{"media":{"mediaId":11,"artworkDate":"1994-11-01"}},"publicationDate":"2023-02-23"},{"id":2503,"type":2,"occurences":[{"startDate":"2001-11-17","endDate":null,"startTime":"10:00:00","endTime":null}],"title":"Horizontes del sur","artistIds":[1457,844,330],"publicationDate":"2023-02-23"},{"id":110,"type":14,"title":"Horloges d'Amour","artistIds":[1273],"referenceItemIds":[3996,2742],"data":{"media":{"mediaId":110,"artworkDate":"2006-01-27"}},"publicationDate":"2023-02-23"},{"id":4542,"type":14,"title":"Horloges d'amour \u2013 Claque & d\u00e9calque","subtitle":"Vernissage","artistIds":[1273,1572,673],"referenceItemIds":[110,2741,2742],"data":{"book":{},"publication":{},"media":{"mediaId":1061,"artworkDate":"2006-01-27"}},"publicationDate":"2023-06-23"},{"id":2741,"type":1,"occurences":[{"startDate":"2006-01-27","startTime":null,"endDate":"2006-03-04","endTime":null}],"title":"Horloges d\u2019amour - Calque & d\u00e9calque","artistIds":[1273],"imageIds":[1394,1395,3250,3251,3252],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":726,"type":14,"title":"Hormis un chirurgien s'op\u00e9rant soi-m\u00eame... (extrait)","artistIds":[996],"referenceItemIds":[2595,3835],"data":{"media":{"mediaId":726,"artworkDate":"1998-09-25"}},"publicationDate":"2023-02-23"},{"id":4696,"type":14,"extraText2":"

The 13th Horse <\/i>song of Frank Mitchell, 1993.<\/p>

Dur\u00e9e : 04'53\".<\/p>

 <\/p>

The Wedding<\/i> from \u201cPoland \/ 1931\u201d, music by Bertram Turetzky, 1974.<\/p>

Dur\u00e9e : 03'05\".<\/p>

 <\/p>

In the dark world<\/i>, \u201ckhurbn\u201d, music by Charlie Morrow, 1989.<\/p>

Dur\u00e9e : 00'45\".<\/p>","title":"Horse + The Wedding + In the dark world","artistIds":[711],"referenceItemIds":[4674,4693,4694,4695],"data":{"book":{},"publication":{},"media":{"mediaId":1259,"artworkDateToDisplay":"1993 - 1974 - 1989"}},"publicationDate":"2024-01-18"},{"id":1971,"type":7,"artistIds":[2113],"imageIds":[870],"publicationDate":"2023-02-23"},{"id":5027,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Sabrina Soyer, Doriane Balin, M\u00e9lanie Blaison, Lorca Coquelicot, Camille Kingu\u00e9, L\u00e6titia Paviani, Sof\u00eda Quintero Hern\u00e1ndez et Barbara Sirieix
135 rue Etienne Marcel, 93100 Montreuil
 <\/p>

howtobecomearevue@gmail.com<\/a><\/p>

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Extrait de Lamenta des murs<\/i>, <\/p>","title":"HUVEAUNE","artistIds":[1057],"data":{"book":{},"publication":{},"media":{"mediaId":2111,"artworkDate":"2024-04-10","artworkDateToDisplay":"po\u00e9sie\/Flammarion, 2024."}},"publicationDate":"2024-06-14"},{"id":807,"type":14,"title":"I am","artistIds":[2090],"data":{"media":{"mediaId":807}},"publicationDate":"2023-02-23"},{"id":4694,"type":14,"extraText2":"

Dick Higgins from interview by Carl N\u00f8rrested and Svend Thomsen, State Museum for Fine Art, Copenhagen 1986.<\/p>

 <\/p>

I found myself composing music with words<\/i>, excerpt from interview by Carl N\u00f8rrested and Svend Thomsen, State Museum for Fine Art, Copenhagen 1986.<\/p>

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LP rock vintage : The Fugs First Album, 1st<\/sup> Reissue, mono, ESP Disk ESP1018, 1966.<\/p>

 <\/p>

I saw the best minds of My Generation Rock<\/i>, (Ed Sanders covers Allen Ginsberg's poem, \u00ab Howl \u00bb), Virgin Fugs<\/i> 1967<\/p>

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I was walking down the street<\/i>, from Sugar, Alcohol, & Meat<\/i> (LP), Giorno Poetry Systems Institute GPS-018-019, 1980<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Hubert Colas, Chlo\u00e9 Chambelland et Manon Sahli
202b rue Breteuil

info@revueif.org<\/a>
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Texte \u00e9crit \u00e0 la demande du Cipm<\/p>

en vue de l'exposition<\/p>

Brigitte Palaggi - Olivier Domerg<\/p>

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Responsables de la revue : Louise de Bastier & Carole Landa
Association Tous Croient Toujours, 
102 boulevard Leroy 14000 Caen<\/p>

 
ilotlitteraire@gmail.com<\/a> 
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Lieu \u00e0 pr\u00e9ciser<\/p>","occurences":[{"startDate":"2026-04-24","startTime":"19:00:46","endDate":null,"endTime":null}],"title":"Import\u2009\/\u2009Export Ath\u00e8nes Marseille #2","subtitle":"

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samedi 15 f\u00e9vrier 2025 \u00e0 12h<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : Zo\u00e9 Sinatti 
7, rue de l\u2019Arc 

revue.ingredient@lebouillondenoailles.fr<\/a> 
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Journ\u00e9e organis\u00e9e par le Centre Norbert Elias dans le cadre des 24es <\/sup>rencontres entre enseignant\u00b7es et chercheur\u00b7es de l'Acad\u00e9mie Aix-Marseille<\/p>","occurences":[{"startDate":"2024-04-09","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Interroger le genre dans les pratiques professionnelles","imageIds":[3528],"logoImageIds":[3532],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-09"},{"id":586,"type":14,"title":"Interrupteur","artistIds":[1967],"referenceItemIds":[3088,4104],"data":{"media":{"mediaId":586,"artworkDate":"2011-02-04"}},"publicationDate":"2023-02-23"},{"id":3073,"type":2,"occurences":[{"startDate":"2010-11-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Intervention \/ Lecture avec H\u00e9l\u00e8ne Gerster","artistIds":[1720,1954],"imageIds":[1699,1700],"publicationDate":"2023-02-23"},{"id":232,"type":14,"title":"Intervention d'Alain Giffard (extrait)","artistIds":[35],"referenceItemIds":[2864],"data":{"media":{"mediaId":232,"artworkDate":"2007-10-25"}},"publicationDate":"2023-02-23"},{"id":230,"type":14,"title":"Intervention de Kenneth McKenzie Wark (extrait)","artistIds":[1765],"referenceItemIds":[2864],"data":{"media":{"mediaId":230,"artworkDate":"2007-10-25"}},"publicationDate":"2023-02-23"},{"id":148,"type":14,"title":"intervention de Lorenzo Menoud (extrait)","artistIds":[1706],"referenceItemIds":[2798,4015],"data":{"media":{"mediaId":148,"artworkDate":"2007-01-20"}},"publicationDate":"2023-02-23"},{"id":233,"type":14,"title":"Intervention de Patrice Maniglier (extrait)","subtitle":"Culture libre, culture hacker","artistIds":[1766],"referenceItemIds":[2864],"data":{"media":{"mediaId":233,"artworkDate":"2007-10-25"}},"publicationDate":"2023-02-23"},{"id":231,"type":14,"title":"Intervention de Stephen Wright (extrait)","artistIds":[1767],"referenceItemIds":[2864],"data":{"media":{"mediaId":231,"artworkDate":"2007-10-25"}},"publicationDate":"2023-02-23"},{"id":816,"type":14,"title":"Interview Patti Smith","referenceItemIds":[3199],"data":{"media":{"mediaId":816}},"publicationDate":"2023-02-23"},{"id":823,"type":14,"title":"Interview Patti Smith \u00e0 Tanger traduit","artistIds":[2086],"referenceItemIds":[3199],"data":{"media":{"mediaId":823}},"publicationDate":"2023-02-23"},{"id":4611,"type":14,"extraText1":"

Revue If <\/p>

\u00ab La phrase image \u00bb<\/p>

 <\/p>","title":"Intime","artistIds":[1103],"referenceItemIds":[2428],"data":{"book":{},"publication":{},"media":{"mediaId":1097,"artworkDate":"2004-04-09","artworkDateToDisplay":"Vendredi 9 avril 2004."}},"publicationDate":"2023-09-27"},{"id":4701,"type":14,"extraText2":"

John Ashbery at 92Y in 1970  Frank O'Hara tribute reading, Photo by Jack Prelutsky<\/p>

 <\/p>

Introduction by Kenneth Koch.<\/p>

Dur\u00e9e : 02'35\".<\/p>


These Lacustrine Cities<\/i>, reading at The Living Theatre, New York City, September 16, 1963.<\/p>

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Laur\u00e9at du Prix Bernard Heidsieck<\/p>

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Extra! le festival de la litt\u00e9rature vivante du Centre Pompidou<\/p>

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Dans le cadre de<\/p>

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Vernissage le jeudi 7 mars 
de 17h \u00e0 19h, au cipm 
Performance d'\u00c9ric Watier \u00e0 18h <\/p>","occurences":[{"startDate":"2019-03-08","startTime":null,"endDate":"2019-05-11","endTime":null}],"title":"La diagonale d'\u00c9ric Watier","artistIds":[1704],"imageIds":[2200],"referenceItemIds":[3480,3531,3603,3630,3691,4674,5158],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3603,"type":1,"subTypeId":31,"extraText2":"

Remerciements \u00e0 la Biblioth\u00e8que de l\u2019Alcazar et au Mus\u00e9e d\u2019art contemporain de la ville de Marseille pour leur soutien logistique.<\/p>","occurences":[{"startDate":"2021-06-12","startTime":null,"endDate":"2021-08-06","endTime":null}],"title":"La diagonale de la r\u00e9serve","subtitle":"\u00e0 partir des publications rares conserv\u00e9es par la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm","imageIds":[2392,2393],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3691,"type":1,"subTypeId":31,"extraText1":"

 <\/p>

Avec l'amicale participation des revues 
arpa<\/i>, B\u00e9b\u00e9<\/i>, Cahier d'Essais Po\u00e9tiques<\/i>, Chiche<\/i>, Cockpit<\/i>, 
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Ph\u0153nix<\/i>, La Revue des revues<\/i>, [Translit]<\/i>, vinaigrette<\/i>, 
pour la constitution d'un espace de consultation de revues contemporaines au sein de l'exposition. <\/p>","occurences":[{"startDate":"2022-06-18","startTime":null,"endDate":"2022-11-19","endTime":null}],"title":"La diagonale des revues","subtitle":"1922-2022 UNE CHRONOLOGIE","imageIds":[2495],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3531,"type":1,"subTypeId":31,"extraText1":"

 <\/p>

En \u00e9cho \u00e0 l'exposition Par Hasard, organis\u00e9e par les Mus\u00e9es de Marseille,<\/i><\/p>

au Centre de la Vieille Charit\u00e9 et \u00e0 la Friche de la Belle de Mai<\/i><\/p>","extraText2":"

Pr\u00eateurs :
Biblioth\u00e8que Litt\u00e9raire Jacques Doucet \/ Chancellerie des Universit\u00e9s de Paris
FRAC PACA, Marseille
Galerie di Meo, Paris
Jean-Michel Alberola, Paris
France Gaillet, Hy\u00e8res
L\u00e9opoldine Hugo, Paris
Biblioth\u00e8que du Cipm, Marseille<\/p>","extraText3":"

Entr\u00e9e libre du mardi au samedi de 12h \u00e0 18h <\/p>","occurences":[{"startDate":"2019-10-18","startTime":null,"endDate":"2019-12-20","endTime":null}],"title":"La diagonale du hasard","subtitle":"


Commissaire <\/p>","artistIds":[2477],"imageIds":[2258],"subItemIds":[4672],"referenceItemIds":[3480,3487,3603,3630,3691,4674,5158],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3505,"type":1,"subTypeId":31,"occurences":[{"startDate":"2019-05-21","startTime":null,"endDate":"2019-06-22","endTime":null}],"title":"La Diagonale du Silence","imageIds":[2225],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":341,"type":14,"title":"La Dissolution (extrait)","artistIds":[597],"referenceItemIds":[2942,4067],"data":{"media":{"mediaId":341,"artworkDate":"2009-05-15"}},"publicationDate":"2023-02-23"},{"id":3733,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-03-11","startTime":"16:00:00","endDate":null,"endTime":null}],"title":"La fabrique de pr\u00e8s","artistIds":[683],"imageIds":[2555],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2552,"type":2,"occurences":[{"startDate":"2000-03-03","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Fabrique, un journal d'artistes","artistIds":[1132,985,1214,614],"publicationDate":"2023-02-23"},{"id":2360,"type":1,"occurences":[{"startDate":"2000-03-03","endDate":"2000-04-08","startTime":null,"endTime":null}],"title":"La Fabrique, un journal d\u2019artiste","artistIds":[1132,985,614,1214],"imageIds":[1198],"publicationDate":"2023-02-23"},{"id":4839,"type":2,"subTypeId":9,"occurences":[{"startDate":"2024-06-29","startTime":"16:00:11","endDate":null,"endTime":null}],"title":"La face nord de Juliau, 1980-2024","subtitle":"Une aventure pour nous","artistIds":[1755],"imageIds":[3570],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-22"},{"id":4862,"type":14,"typePrecision":"solo","title":"La face nord de Juliau, 1980-2024","subtitle":"Une aventure pour nous","artistIds":[1755],"referenceItemIds":[4839],"data":{"book":{},"publication":{},"media":{"mediaId":2233,"artworkDate":"2024-06-29","artworkDateToDisplay":"Samedi 29 juin 2024"}},"publicationDate":"2024-07-05"},{"id":637,"type":14,"title":"La femme et autres po\u00e8mes courts","artistIds":[801],"referenceItemIds":[3931,3124],"data":{"media":{"mediaId":637,"artworkDate":"1995-11-17"}},"publicationDate":"2023-02-23"},{"id":151,"type":14,"title":"La fin de Fin<\/i>","artistIds":[611],"referenceItemIds":[2785,4006],"data":{"media":{"mediaId":151,"artworkDate":"2006-09-08"}},"publicationDate":"2023-02-23"},{"id":2785,"type":2,"occurences":[{"startDate":"2006-09-08","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"La fin de FIN<\/i>","subtitle":"Vernissage - interventions","artistIds":[1444,889,611,597,261],"imageIds":[1437],"publicationDate":"2023-02-23"},{"id":417,"type":14,"title":"La for\u00eat","artistIds":[131],"referenceItemIds":[4083,2995],"data":{"media":{"mediaId":417,"artworkDate":"2009-11-27"}},"publicationDate":"2023-02-23"},{"id":306,"type":14,"title":"La fourrure de ma tante Rachel (extrait)","artistIds":[1138],"referenceItemIds":[2448,3887],"data":{"media":{"mediaId":306,"artworkDate":"2003-09-20"}},"publicationDate":"2023-02-23"},{"id":3180,"type":2,"occurences":[{"startDate":"1992-04-10","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La jeune Po\u00e9sie italienne","subtitle":"Groupe 93","artistIds":[992,875,1179,164,799],"publicationDate":"2023-02-23"},{"id":2643,"type":2,"occurences":[{"startDate":"1997-03-07","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La langue et la plume","subtitle":"voir avec les oreilles","artistIds":[468,699,1294],"imageIds":[1337],"publicationDate":"2023-02-23"},{"id":2637,"type":2,"occurences":[{"startDate":"1997-04-25","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La litt\u00e9rature vietnamienne","subtitle":"(Volet III)","publicationDate":"2023-02-23"},{"id":115,"type":14,"title":"La loi des rendements d\u00e9croissants","artistIds":[1605],"referenceItemIds":[3997,4043,2746,2747],"data":{"media":{"mediaId":115,"artworkDate":"2006-03-03"}},"publicationDate":"2023-02-23"},{"id":2747,"type":2,"occurences":[{"startDate":"2006-03-03","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La loi des rendements d\u00e9croissants","subtitle":"Rencontre - Lecture avec J\u00e9r\u00f4me Mauche","artistIds":[1605],"imageIds":[1400],"publicationDate":"2023-02-23"},{"id":4043,"type":8,"title":"La Maison Bing","artistIds":[1605],"imageIds":[2813],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2008-02-01","isbn10":"978-2-909097-66-4","issn":"1148-652 X"},"publication":{"price":10,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":5072,"type":14,"extraText1":"

La maison p\u00e8le,<\/i> texte in\u00e9dit re\u00e7u le 7 avril de Christine Guichou, <\/p>

\u00e0 l'approche de la journ\u00e9e \u00c9copo\u00e9tique \u2014 \u00c9cologie, po\u00e9tique, politique<\/i> du 26 avril 2025.<\/p>","title":"La maison p\u00e8le","artistIds":[2755],"referenceItemIds":[5033],"data":{"book":{},"publication":{},"media":{"mediaId":2456}},"publicationDate":"2025-04-15"},{"id":14,"type":14,"title":"La Maladie de la chair","artistIds":[149],"referenceItemIds":[3791],"data":{"media":{"mediaId":14,"artworkDate":"1995-11-18"}},"publicationDate":"2023-02-23"},{"id":395,"type":14,"title":"La m\u00e9canique optique de Wonder Woman","artistIds":[582],"referenceItemIds":[2466,3873],"data":{"media":{"mediaId":395,"artworkDate":"2003-02-07"}},"publicationDate":"2023-02-23"},{"id":5099,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Alban Lefranc, No\u00e9mi Lefebvre, Bernard Banoun et Antoine Brea 
\u00c9ditions Vanloo D9 R\u00e9sidence Saint-Donat 13100 Aix-en-Provence

editions.vanloo@gmail.com<\/a>
facebook.com\/lamergelee<\/a><\/p>","title":"La mer gel\u00e9e","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":3598,"type":2,"occurences":[{"startDate":"2021-06-26","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"La mer gel\u00e9e","artistIds":[2354,2364,2423,2238,131,2424],"imageIds":[2387],"publicationDate":"2023-02-23"},{"id":4420,"type":13,"title":"la mer gel\u00e9e","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"},{"id":445,"type":14,"title":"La m\u00e9thode Berre","artistIds":[1696],"referenceItemIds":[2791,4012],"data":{"media":{"mediaId":445,"artworkDate":"2006-11-24"}},"publicationDate":"2023-02-23"},{"id":3500,"type":2,"subTypeId":7,"typePrecision":"performances","extraText1":"

En partenariat avec le festival Les Eauditives<\/a><\/p>","extraText2":"

Une co-r\u00e9alisation Cipm \/ Les Eauditives<\/a> \/ Poema<\/a> \/ Lanskine<\/a> \/ \u00c9ditions des Lisi\u00e8res<\/a> \/ Le T\u00e9l\u00e9graphe<\/a> <\/p>","occurences":[{"startDate":"2019-05-16","startTime":"20:00:00","endDate":null,"endTime":null}],"placeId":40,"title":"La milice de la culture","artistIds":[2372,2374,2373,2375,2375],"imageIds":[2217],"logoImageIds":[3374],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":203,"type":14,"title":"La mol\u00e9cule","artistIds":[967],"referenceItemIds":[2432,3896],"data":{"media":{"mediaId":203,"artworkDate":"2004-02-20"}},"publicationDate":"2023-02-23"},{"id":3092,"type":2,"occurences":[{"startDate":"2011-03-09","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La montagne des Marseillais","subtitle":"Regards crois\u00e9s sur le paysage des Hautes-Alpes","artistIds":[1022,1972],"imageIds":[1717],"publicationDate":"2023-02-23"},{"id":87,"type":14,"title":"La Musique","artistIds":[1595],"referenceItemIds":[2731],"data":{"media":{"mediaId":87,"artworkDate":"2005-10-29"}},"publicationDate":"2023-02-23"},{"id":4492,"type":2,"subTypeId":10,"occurences":[{"startDate":"2023-06-24","startTime":"16:00:06","endDate":null,"endTime":null}],"title":"La Nerthe, de 2006 \u00e0\u2026","artistIds":[1093,2477,2529,2606],"imageIds":[3230],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-06-01"},{"id":2949,"type":2,"occurences":[{"startDate":"2009-06-12","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Nerthe, \u00c9diteur - 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atelier d'\u00e9criture pour 10 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 21 et 28 octobre 2023
 <\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a><\/p>

 <\/p>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30 \u20ac (15 \u20ac \/ la s\u00e9ance)
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Rencontres organis\u00e9es en coproduction avec l'Institut Culturel Italien de Marseille, dans le cadre de la \u00ab 24e<\/sup> Semaine de la langue italienne dans le monde - L\u2019italien et le livre, un monde entre les lignes \u00bb<\/p>","occurences":[{"startDate":"2024-10-19","startTime":"16:00:57","endDate":null,"endTime":null}],"title":"La po\u00e9sie italienne avec Nous","artistIds":[2138,2137,2721,2401],"imageIds":[3642],"logoImageIds":[3641,3620],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-09-12"},{"id":4944,"type":14,"typePrecision":"rencontre, exploration","extraText1":"

Rencontres organis\u00e9es en coproduction avec l'Institut Culturel Italien de Marseille<\/p>","title":"La po\u00e9sie italienne avec Nous","artistIds":[2138,2137,2721,2401],"referenceItemIds":[4913],"data":{"book":{},"publication":{},"media":{"mediaId":2333,"artworkDate":"2024-10-19","artworkDateToDisplay":"Samedi 19 octobre 2024"}},"publicationDate":"2024-10-19"},{"id":2388,"type":1,"occurences":[{"startDate":"2002-09-13","endDate":"2002-10-19","startTime":null,"endTime":null}],"title":"La po\u00e9sie japonaise d'avant-garde","artistIds":[652,1331],"imageIds":[1227],"publicationDate":"2023-02-23"},{"id":2476,"type":2,"occurences":[{"startDate":"2002-09-13","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"La po\u00e9sie japonaise d'avant-garde","subtitle":"Vernissage - conf\u00e9rence - lectures","artistIds":[652,1331,652],"imageIds":[1296,1297,null],"publicationDate":"2023-02-23"},{"id":4892,"type":12,"extraText1":"

Ateliers d\u2019\u00e9criture avec 2 Centres a\u00e9r\u00e9s de Marseille dans la biblioth\u00e8que du Cipm<\/p>

Centre a\u00e9r\u00e9 de la Bastide Cazeaux de 10h \u00e012h
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Ateliers d\u2019\u00e9criture d'H\u00e9l\u00e8na Villovitch avec 2 centres a\u00e9r\u00e9s de Marseille dans la biblioth\u00e8que du Cipm<\/p>

Centre a\u00e9r\u00e9 de la Bastide Cazeaux de 10h \u00e012h
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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : Fanny Pomar\u00e8de
La Marelle, Friche la Belle de Mai, 41 Rue Jobin, 13003 Marseille

contact@la-marelle.org<\/a><\/p>

 la-marelle.org<\/a><\/p>","title":"La premi\u00e8re chose

que je peux vous dire <\/p>","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4426,"type":13,"title":"La premi\u00e8re chose que je peux vous dire\u2026","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"},{"id":4736,"type":4,"occurences":[{"startDate":"2023-11-10","startTime":null,"endDate":"2023-11-24","endTime":null}],"placeId":46,"title":"La recherche de soi, une approche po\u00e9tique","artistIds":[322],"imageIds":[3450,3453,3454,3456,3457,3458,3459,3460,3461,3462,3463,3465,3466,3467],"subItemIds":[4737],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-15"},{"id":4737,"type":13,"title":"La recherche de soi, une approche po\u00e9tique","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-15"},{"id":1550,"type":7,"artistIds":[1547],"imageIds":[541],"publicationDate":"2023-02-23"},{"id":725,"type":14,"title":"La r\u00e9daction n'est pas une soci\u00e9t\u00e9 secr\u00e8te... (extrait)","artistIds":[237],"referenceItemIds":[2595,3835],"data":{"media":{"mediaId":725,"artworkDate":"1998-09-25"}},"publicationDate":"2023-02-23"},{"id":4189,"type":8,"title":"La rencontre de Sapho et R\u00fbm\u00ee","subtitle":"Traduit du turc par Asli Aktug et Alain Mascarou","artistIds":[1990,1990],"imageIds":[2965],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2014-10-01","isbn10":"979-10-91911-17-9"},"publication":{"price":14,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":3207,"type":2,"occurences":[{"startDate":"2013-05-24","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue \" Enter \"","artistIds":[2097,2101,2102],"imageIds":[1833,1830],"publicationDate":"2023-02-23"},{"id":2995,"type":2,"occurences":[{"startDate":"2009-11-27","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue \"GPU\"","artistIds":[1740,1907,131,1740,1907,1908],"imageIds":[1622,1623],"publicationDate":"2023-02-23"},{"id":2993,"type":2,"occurences":[{"startDate":"2009-11-13","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue \"Il particolare\"","subtitle":"Dossier Jean-Luc Sarr\u00e9","artistIds":[541,694,671,218,1627,1905],"imageIds":[1620],"publicationDate":"2023-02-23"},{"id":2604,"type":2,"occurences":[{"startDate":"1998-05-23","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"La revue \"Petite\"","artistIds":[230,859,397,700,36,1261,230],"imageIds":[1322],"publicationDate":"2023-02-23"},{"id":4963,"type":9,"subTypeId":20,"extraText3":"

de 11\u202fh \u00e0 13\u202fh<\/p>

et de 14\u202fh\u202f30 \u00e0 18\u202fh<\/p>","occurences":[{"startDate":"2025-02-01","startTime":null,"endDate":null,"endTime":null}],"title":"La revue Attaques: traductions<\/i>, po\u00e9sie et politique","artistIds":[2726,2147,2077,2731,1933,2730,2722],"imageIds":[3698],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-20"},{"id":3740,"type":2,"subTypeId":10,"occurences":[{"startDate":"2023-03-17","startTime":"19:30:30","endDate":null,"endTime":null}],"placeId":6,"title":"La revue Chiche<\/i>","subtitle":"Conversation","artistIds":[2544,2548,2541,2549,2270],"imageIds":[2562],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5331,"type":2,"subTypeId":53,"typePrecision":"partenariat hors les murs","extraText1":"

 <\/p>

En pr\u00e9sence de Fran\u00e7ois Massut (Po\u00e9sie is not dead) et d\u2019Elodie Royer, commissaire de l\u2019exposition L\u2019\u00c9cologie des relations \u2013 La For\u00eat amante de la mer<\/i> (jusqu\u2019au 15 novembre au Frac).<\/p>","extraText2":"

En partenariat avec le Frac Sud et la revue Doc(k)s<\/i>-\u00e9ditions \u00e9oliennes<\/p>","occurences":[{"startDate":"2026-04-09","startTime":"18:30:36","endDate":"2026-04-09","endTime":"20:30:49"}],"placeId":34,"title":"La revue Doc(k)s\u2009<\/i> et le Japon\u202f :

histoire et actualit\u00e9 d\u2019une relation <\/p> ","subtitle":"Pr\u00e9sentation Doc(k)s\u2009<\/i> #3 | 5e s\u00e9rie | Suivie d\u2019une performance de l\u2019artiste et po\u00e8te Seiji Shimoda

\u2009<\/p>","artistIds":[2830,2608],"imageIds":[4068],"logoImageIds":[3635,3833],"referenceItemIds":[5309],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-31"},{"id":2465,"type":2,"occurences":[{"startDate":"2003-03-07","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"La revue FIN<\/i>","subtitle":"Vernissage - Lectures","artistIds":[611,1444,889,404],"imageIds":[1290],"publicationDate":"2023-02-23"},{"id":2350,"type":1,"occurences":[{"startDate":"2003-03-07","endDate":"2003-04-05","startTime":null,"endTime":null}],"title":"La revue FIN<\/i> (vol. 1)","subtitle":"Une mani\u00e8re de ne pas finir.
Une mani\u00e8re de ne jamais commencer.","artistIds":[611],"imageIds":[1188],"publicationDate":"2023-02-23"},{"id":2776,"type":1,"occurences":[{"startDate":"2006-09-08","endDate":"2006-10-14","startTime":null,"endTime":null}],"title":"La revue FIN<\/i> (vol. 2)","imageIds":[1430,1431],"publicationDate":"2023-02-23"},{"id":2359,"type":1,"occurences":[{"startDate":"2004-04-10","endDate":"2004-05-15","startTime":null,"endTime":null}],"title":"La Revue If<\/i> \/ Emmelene Landon","subtitle":"La phrase image \/ Estuaire","artistIds":[352],"imageIds":[1197],"publicationDate":"2023-02-23"},{"id":2499,"type":2,"occurences":[{"startDate":"2002-02-01","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue Il Particolare<\/i>","subtitle":"Art, litt\u00e9rature, th\u00e9orie critique","artistIds":[541,541,223],"publicationDate":"2023-02-23"},{"id":2757,"type":2,"occurences":[{"startDate":"2006-04-07","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue Il Particolare<\/i> - dossier Arno Schmidt","artistIds":[541,696,1638,1639,1643],"imageIds":[1410],"publicationDate":"2023-02-23"},{"id":2711,"type":2,"occurences":[{"startDate":"2005-06-10","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Revue Petite<\/i>","subtitle":"(juin 1995 \u2013 juin 2005)","artistIds":[230,1352,397,1554,1553],"imageIds":[1371],"publicationDate":"2023-02-23"},{"id":2756,"type":2,"occurences":[{"startDate":"2006-06-09","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue RIVENEUVE Continents<\/i>","subtitle":"revue des litt\u00e9ratures de langue Fran\u00e7aise","artistIds":[448,1650,1651,1649],"imageIds":[1409],"publicationDate":"2023-02-23"},{"id":5021,"type":14,"typePrecision":"journ\u00e9e d'\u00e9tude","extraText2":"

Dans le cadre de l'exposition : AL DANTE : LE RAOUT<\/a><\/p>

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Cette soir\u00e9e est d\u00e9di\u00e9e \u00e0 la m\u00e9moire Jean-Marie Gleize.<\/p>","occurences":[{"startDate":"2026-04-25","startTime":"19:00:51","endDate":null,"endTime":null}],"placeId":101,"title":"La revue Nioques \u00e0 Ath\u00e8nes","artistIds":[2788,2483,1933,2538,2277,2502,2837,2838,2839],"imageIds":[4100],"referenceItemIds":[4471],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-04-15"},{"id":2535,"type":2,"occurences":[{"startDate":"2000-09-22","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Revue NU(e)","artistIds":[144,537,648,1192,160],"publicationDate":"2023-02-23"},{"id":2438,"type":2,"occurences":[{"startDate":"2003-12-05","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"La revue passage d'encres","subtitle":"Vernissage - pr\u00e9sentation - lectures","artistIds":[1500,1352,1414,266,1501,1497],"imageIds":[1263],"publicationDate":"2023-02-23"},{"id":2631,"type":2,"occurences":[{"startDate":"1997-06-13","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Revue Sud","subtitle":"QUESTION DE PO\u00c9SIE","artistIds":[883,684,477,862,620,75],"publicationDate":"2023-02-23"},{"id":2586,"type":2,"occurences":[{"startDate":"1999-02-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La revue Th\u00e9odore Balmoral","artistIds":[1266,1266,218,495,32],"publicationDate":"2023-02-23"},{"id":4782,"type":2,"subTypeId":10,"extraText1":"

En \u00e9cho \u00e0 l'exposition Adventures in poetry.<\/p>","extraText2":"

Le site de la revue.<\/a><\/p>","occurences":[{"startDate":"2024-04-27","startTime":"17:00:03","endDate":null,"endTime":null}],"title":"La revue Watts","subtitle":"Rouleau d'\u00e9cran de po\u00e9sie sous \u00e9conomie d'\u00e9nergie","artistIds":[1195,2364,2685],"imageIds":[3516],"referenceItemIds":[4674],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-28"},{"id":2410,"type":2,"occurences":[{"startDate":"2004-10-01","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Roumanie aux \u00e9ditions Autres Temps","artistIds":[466,1162],"imageIds":[1248],"publicationDate":"2023-02-23"},{"id":52,"type":14,"title":"La Route","artistIds":[1483],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":52,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":881,"type":14,"title":"La Sainte-Victoire de Trois-Quarts","data":{"media":{"mediaId":881,"artworkDate":"2015-11-20"}},"publicationDate":"2023-02-23"},{"id":3334,"type":2,"occurences":[{"startDate":"2015-11-20","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Sainte-Victoire de Trois-Quarts","artistIds":[1022,1919,1918],"imageIds":[1989],"publicationDate":"2023-02-23"},{"id":4741,"type":14,"title":"La saison des mousses","subtitle":"Extrait","artistIds":[2173],"data":{"book":{},"publication":{},"media":{"mediaId":1337,"artworkDate":"2024-01-31","artworkDateToDisplay":"in La saison des mousses, Biophilia, Corti, 2023."}},"publicationDate":"2024-02-18"},{"id":381,"type":14,"title":"La salle d'attente est tout \u00e0 fait vide ...","artistIds":[998,101,1006,1226,1467,1469,1473,309,334,379,58,63,753],"referenceItemIds":[2619,3842],"data":{"media":{"mediaId":381,"artworkDate":"1997-12-12"}},"publicationDate":"2023-02-23"},{"id":728,"type":14,"title":"La sensation de Kronecker","artistIds":[676],"referenceItemIds":[2595,3835],"data":{"media":{"mediaId":728,"artworkDate":"1998-09-25"}},"publicationDate":"2023-02-23"},{"id":322,"type":14,"title":"La seule raison po\u00e8mes","artistIds":[1352],"referenceItemIds":[2438,3894],"data":{"media":{"mediaId":322,"artworkDate":"2003-12-05"}},"publicationDate":"2023-02-23"},{"id":4555,"type":1,"subTypeId":15,"extraText1":"

35 ans d\u2019\u00e9criture photographique et po\u00e9tique sur et dans le paysage
35 ans de cr\u00e9ations et de publications en duo<\/p>

 <\/p>

Vernissage jeudi 14 septembre de 17h \u00e0 21h<\/p>

en pr\u00e9sence des artistes <\/p>","occurences":[{"startDate":"2023-09-14","startTime":null,"endDate":"2023-12-22","endTime":null}],"title":"La somme des deux","subtitle":"(paysages, motifs, chantiers)","artistIds":[1972,1022],"imageIds":[3266],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-11"},{"id":623,"type":14,"title":"La strat\u00e9gie du coquelicot (extrait)","artistIds":[1735],"referenceItemIds":[3117,4115],"data":{"media":{"mediaId":623,"artworkDate":"2011-07-09"}},"publicationDate":"2023-02-23"},{"id":3173,"type":2,"occurences":[{"startDate":"1993-01-15","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La Taverna di Auerbach","artistIds":[337,502,1131,826],"publicationDate":"2023-02-23"},{"id":3345,"type":2,"occurences":[{"startDate":"2016-02-12","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"La tête et les cornes","artistIds":[2228,2227,2226,203],"imageIds":[2001],"publicationDate":"2023-02-23"},{"id":4147,"type":8,"title":"La Temp\u00eate","artistIds":[1988],"imageIds":[2919],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2013-01-01","isbn10":"978-2-909097-99-4"},"publication":{"price":12,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":260,"type":14,"title":"La terre du moment","artistIds":[1846],"referenceItemIds":[2907,2919,4058],"data":{"media":{"mediaId":260,"artworkDate":"2008-10-31"}},"publicationDate":"2023-02-23"},{"id":4924,"type":1,"subTypeId":13,"typePrecision":"hors les murs","extraText1":"

 <\/p>

PROLONGATION JUSQU'AU 28 JANVIER<\/p>

 <\/p>

Vernissage<\/p>

dimanche 3 novembre 2024<\/p>

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\u00a9 imaged by Heritage Auctions.<\/p>

 <\/p>

Lana Turner has Collapsed<\/i>, poem, SUNY, Buffalo \u2013 September 25, 1964.<\/p>

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Une co-production Festival Num\u00e9ro Z\u00e9ro<\/a>\/Cipm, en partenariat avec Radio Zinzine <\/a>(100.7).<\/p>","extraText3":"

dans Forcalquier et sur Radio Zinzine (100.7)<\/p>","occurences":[{"startDate":"2023-05-04","startTime":"17:00:25","endDate":null,"endTime":"17:30:00"},{"startDate":"2023-05-06","startTime":"17:30:10","endDate":null,"endTime":"18:00:19"}],"title":"Latences","subtitle":"une pie\u0300ce pour carillon, radio et valle\u0301e","artistIds":[2379],"imageIds":[3114],"logoImageIds":[3112,3113],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-27"},{"id":4337,"type":6,"extraText1":"

Une co-production Festival Num\u00e9ro Z\u00e9ro<\/a>\/Cipm, en partenariat avec Radio Zinzine <\/a>(100.7).<\/p>","extraText3":"

Cr\u00e9ation dans Forcalquier et sur Radio Zinzine, jeudi 4 \u00e0 17h et samedi 6 mai \u00e0 17h30<\/span>
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Une co-production Festival Num\u00e9ro Z\u00e9ro<\/a>\/Cipm, en partenariat avec Radio Zinzine <\/a>(100.7).<\/p>

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en pr\u00e9sence de Sandrine Wymann, directrice de La Kunsthalle de Mulhouse<\/p>","occurences":[{"startDate":"2020-02-20","startTime":"18:30:00","endDate":null,"endTime":null}],"placeId":34,"title":"LE CIPM AU FRAC #1","subtitle":"Dossier des ouvrages ex\u00e9cut\u00e9s (La Kunsthalle, Mulhouse)","artistIds":[2131,1882,2116],"imageIds":[2274],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3579,"type":2,"subTypeId":7,"extraText1":"

Une s\u00e9rie de rendez-vous qui marque le commencement d\u2019une collaboration nouvelle entre le Cipm et le FRAC Provence-Alpes-C\u00f4te d'Azur en 2020.<\/p>","occurences":[{"startDate":"2020-11-12","startTime":null,"endDate":null,"endTime":null}],"placeId":34,"title":"LE CIPM AU FRAC #2","subtitle":"L\u2019\u00e9cart absolu","artistIds":[943,2412],"imageIds":[2344],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":104,"type":14,"title":"Le circuit de l\u2019eau dans la nature","artistIds":[1599],"referenceItemIds":[2732],"data":{"media":{"mediaId":104,"artworkDate":"2005-11-23"}},"publicationDate":"2023-02-23"},{"id":509,"type":14,"title":"Le citron perd son apparence","artistIds":[1557],"referenceItemIds":[4093,3021],"data":{"media":{"mediaId":509,"artworkDate":"2010-05-21"}},"publicationDate":"2023-02-23"},{"id":3376,"type":2,"occurences":[{"startDate":"2016-10-21","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"le clou dans le fer","artistIds":[2279,2007,2278,2277],"imageIds":[2042],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":3136,"type":9,"occurences":[{"startDate":"2011-10-18","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Le code secret de Mallarm\u00e9 enfin d\u00e9voil\u00e9 ?","artistIds":[2014,2015],"imageIds":[1762],"publicationDate":"2023-02-23"},{"id":4440,"type":14,"title":"Le collectif Delta et les revues Bezoar et Estac\u00edon poesia","subtitle":"Salon NUM\u00c9RO R\u239c2022","artistIds":[2133,2497,2493,2507,2492,2495],"referenceItemIds":[3690],"data":{"book":{},"publication":{},"media":{"mediaId":976,"artworkDate":"2022-06-17"}},"publicationDate":"2023-05-04"},{"id":4155,"type":8,"title":"Le Colloque \u00c0 Tanger","artistIds":[478,1888,683,1912],"imageIds":[2927,1271],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"2013-04-01","issn":"1148-652 X"},"publication":{"price":3,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":280,"type":14,"title":"Le commencement de la nuit - Courrier de la douleur","artistIds":[566],"referenceItemIds":[2512,3804],"data":{"media":{"mediaId":280,"artworkDate":"2001-07-06"}},"publicationDate":"2023-02-23"},{"id":589,"type":14,"title":"Le commencement du jour \/ Plantation - Beginning [Charles Olson]","artistIds":[691],"referenceItemIds":[3089,4104],"data":{"media":{"mediaId":589,"artworkDate":"2011-02-19"}},"publicationDate":"2023-02-23"},{"id":524,"type":14,"title":"Le concentr\u00e9 de tomate","artistIds":[1931],"referenceItemIds":[4097,3036],"data":{"media":{"mediaId":524,"artworkDate":"2010-06-26"}},"publicationDate":"2023-02-23"},{"id":3708,"type":9,"occurences":[{"startDate":"2022-10-13","startTime":"14:00:00","endDate":"2022-10-14","endTime":null}],"title":"Le corps sonore de l'\u00e9criture : rem\u00e9diatiser, performer, interm\u00e9diatiser ","subtitle":"Colloque international","imageIds":[2524],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":131,"type":14,"title":"le corps-biblioth\u00e8que (version d\u00e9finitive) [5 pages]","subtitle":"une biblioth\u00e9conomie de la langue","artistIds":[582],"referenceItemIds":[2786],"data":{"media":{"mediaId":131,"artworkDate":"2006-10-21"}},"publicationDate":"2023-02-23"},{"id":3542,"type":2,"occurences":[{"startDate":"2020-01-30","endDate":null,"startTime":"20:00:00","endTime":null}],"title":"Le Coup de d\u00e9s de St\u00e9phane Mallarm\u00e9","artistIds":[203,754,2397],"imageIds":[2275],"publicationDate":"2023-02-23"},{"id":3174,"type":1,"occurences":[{"startDate":"2012-09-28","startTime":null,"endDate":"2012-11-24","endTime":null}],"title":"Le cours du Danube \/ Gigantexte n\u00b012","artistIds":[962],"imageIds":[1799],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":791,"type":14,"title":"Le Cow boy et le po\u00e8te (extrait)","artistIds":[1996,2007],"referenceItemIds":[4143,3131],"data":{"media":{"mediaId":791,"artworkDate":"2011-10-22"}},"publicationDate":"2023-02-23"},{"id":2349,"type":1,"occurences":[{"startDate":"1999-01-22","endDate":"1999-02-27","startTime":null,"endTime":null}],"title":"Le Daily-Bul : quarante balais et quelques","imageIds":[1187],"publicationDate":"2023-02-23"},{"id":2588,"type":2,"occurences":[{"startDate":"1999-01-22","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Le Daily-Bul : Quarante Balais et Quelques","artistIds":[1466,574,79,703],"publicationDate":"2023-02-23"},{"id":750,"type":14,"title":"Le d\u00e9part","artistIds":[2028],"referenceItemIds":[4132,3166],"data":{"media":{"mediaId":750,"artworkDate":"2012-06-22"}},"publicationDate":"2023-02-23"},{"id":3781,"type":8,"title":"Le Dilettante","artistIds":[439],"imageIds":[2599],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1991-01-01","isbn10":"2-909097-02-1"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":4405,"type":2,"subTypeId":7,"typePrecision":"lecture musicale","extraText1":"

En cor\u00e9alisation avec le festival Oh les beaux jours<\/a>.<\/p>","extraText2":"

Micha\u00ebl Batalla. \u2014 Vous ne saviez pas que vous aviez d\u00e9cid\u00e9 chacune de votre cot\u00e9 du m\u00eame principe pour le titre de vos livres ?<\/p>

 <\/p>

Sally Bonn \/ Virginie Poitrasson \/ Cole Swensen. \u2014 Mais non\u2026 rien du tout. C\u2019est \u00e7a qui est compl\u00e8tement fou !<\/p>

 <\/p>

M. B. \u2014 Comment parler de ce livre, Cole, And, and and ?<\/p>

 <\/p>

C. S. \u2014 Ce sont des nano-essais \u2013 des r\u00e9flexions, des remarques, sur le langage et sur la po\u00e9tique. Ils sont \u00e9crits \u00e0 partir de l\u2019absurdit\u00e9 des situations quotidiennes. Sous forme de s\u00e9ries ; je travaille beaucoup par s\u00e9rialit\u00e9. \u00c0 l\u2019\u00e9poque o\u00f9 j\u2019\u00e9crivais ce livre, l\u2019absurdit\u00e9 trouvait peut-\u00eatre sa racine dans le paradoxe de la situation dans laquelle je me trouvais : \u00eatre heureuse, confin\u00e9e dans la maison de mon enfance en Californie alors que s\u00e9vissait la pand\u00e9mie de covid. Mais le livre n\u2019en parle pas.<\/p>

 <\/p>

M. B. \u2014 Sally, y a-t-il eu aussi, pour \u00c9crire, \u00e9crire, \u00e9crire, une circonstance d\u2019\u00e9criture particuli\u00e8re ?<\/p>

 <\/p>

S. B. \u2014 Le livre a \u00e9t\u00e9 \u00e9crit \u00e0 Marseille, en 2019, avant le confinement donc\u2026 C\u2019est en quelque sorte un pr\u00e9-roman. L\u2019enjeu pour moi \u00e9tait de passer de l\u2019essai \u00e0 la fiction. C\u2019est un livre charni\u00e8re, qui entrelace les r\u00e9gimes d\u2019\u00e9criture que sont le r\u00e9cit, l\u2019essai, l\u2019\u00e9criture du souvenir, la fiction. Je tente de rendre compte de cette pr\u00e9sence en moi de l\u2019\u00e9criture \u2013 son apparition, son d\u00e9ploiement au fil du temps.<\/p>

 <\/p>

M. B. \u2014 Tant\u00f4t, tant\u00f4t, tant\u00f4t, Virginie ?<\/p>

 <\/p>

V. P . \u2014 Cauchemars \u00e0 cause des chiens. R\u00eaves, peur. Questionner le rapport \u00e0 la peur. Commenc\u00e9 avant le confinement, termin\u00e9 apr\u00e8s. Exploration de la m\u00e9moire, d\u2019exp\u00e9riences v\u00e9cues, comme ce 11 septembre o\u00f9 j\u2019\u00e9tais \u00e0 New York. Et comme Sally, la naissance du d\u00e9sir d\u2019\u00e9crire. Conjurer la peur, le temps de la formulation, les fant\u00f4mes, et des figures, des personnages qui accompagnent l\u2019\u00e9criture, en patchwork. Diff\u00e9rentes approches, plus sonores plus narratives. Vari\u00e9t\u00e9 formelle.<\/p>

 <\/p>

M. B. \u2014 Au-del\u00e0 de la structure du titre, c\u2019est peut-\u00eatre \u00e7a le point commun\u2026<\/p>

 <\/p>

S. B. \/ V. P. \/ C. S. \u2014 Oui. Sans genre ! En nous, hors de nous, l\u2019\u00e9criture est ce que nous faisons et ce qui nous fait. O\u00f9 commence-t-elle ? Dans quel endroit de l\u2019enfance ? Dans quelle partie du corps ? En quel lieu de l\u2019espace r\u00e9el ou imaginaire ? Suite \u00e0 quel \u00e9v\u00e9nement ? \u00c0 la suite de quel genre de pens\u00e9e ou de sensation ? Nous d\u00e9chiffrons le monde avec les mots, avec leurs sonorit\u00e9s, leurs images ; le langage remplit indistinctement le monde qui nous entoure et les mots se r\u00e9fl\u00e9chissent \u00e0 la lumi\u00e8re des choses. Et ce qui nous fait, c\u2019est l\u2019effort de mettre en mots, m\u00eame ce qui para\u00eet impossible, indicible. Trouver les mots pour dire la terreur, la sid\u00e9ration, dire le monde et la force qu\u2019il faut pour l\u2019habiter et tenter de le saisir.<\/p>","occurences":[{"startDate":"2023-05-29","startTime":"16:30:39","endDate":null,"endTime":null}],"placeId":15,"title":"Le dire trois fois","artistIds":[1193,2430,1808,2578],"imageIds":[3163],"logoImageIds":[3159],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-05"},{"id":2517,"type":2,"occurences":[{"startDate":"2001-05-25","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Le dir\u00e9crire \u00ab ouvrants \u00bb","artistIds":[246],"publicationDate":"2023-02-23"},{"id":5263,"type":14,"extraText2":"

Le discours en apn\u00e9e<\/i> (extrait), re\u00e7u de Andrea Inglese le 8 novembre \u00e0 l'approche du colloque Liliane Giraudon : \u00e0 la p\u00e9riph\u00e9rie du po\u00e8me<\/i><\/a> du 15 novembre 2025.<\/p>","title":"Le discours en apn\u00e9e (extrait)","artistIds":[2279],"referenceItemIds":[5246],"data":{"book":{},"publication":{},"media":{"mediaId":2821,"artworkDateToDisplay":"2025"}},"publicationDate":"2025-11-12"},{"id":672,"type":14,"title":"Le dit d'amour et de mort du Cornette Christoph Rilke [Rainer Maria Rilke] (extrait)","artistIds":[1167],"referenceItemIds":[3139,4121],"data":{"media":{"mediaId":672,"artworkDate":"2011-11-04"}},"publicationDate":"2023-02-23"},{"id":713,"type":14,"title":"Le Facteur Cheval","artistIds":[644],"referenceItemIds":[3940,3151],"data":{"media":{"mediaId":713,"artworkDate":"1994-06-10"}},"publicationDate":"2023-02-23"},{"id":885,"type":14,"title":"Le fait est que...","artistIds":[431],"referenceItemIds":[3333,4217],"data":{"media":{"mediaId":885,"artworkDate":"2015-11-13"}},"publicationDate":"2023-02-23"},{"id":281,"type":14,"title":"Le Fant\u00f4me de Hamlet","subtitle":"extrait de Fleurs M\u00e9t\u00e9oriques","artistIds":[332],"referenceItemIds":[4018,2804,2861,4062],"data":{"media":{"mediaId":281,"artworkDate":"2007-03-09"}},"publicationDate":"2023-02-23"},{"id":3700,"type":2,"subTypeId":10,"extraText1":"

En partenariat avec l'EHESS<\/strong><\/p>

Cet \u00e9v\u00e8nement fait partie de la programmation du festival Allez savoir<\/strong><\/a> <\/p>","occurences":[{"startDate":"2022-09-25","startTime":"13:30:00","endDate":null,"endTime":null}],"title":"Le fil des jours : \u00e0 propos de quelques horizons contemporains du journal","subtitle":"Dialogue entre Beno\u00eet Casas, po\u00e8te et C\u00e9dric Parizot, anthropologue, questionn\u00e9s par Valeria Siniscalchi","artistIds":[2517,2137],"imageIds":[2516],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3774,"type":8,"title":"Le Filon","artistIds":[1277],"imageIds":[2592],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1991-01-01","issn":"2-909097-04-8"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":5265,"type":2,"subTypeId":25,"occurences":[{"startDate":"2025-12-06","startTime":"16:00:24","endDate":null,"endTime":null}],"title":"Le final des finaux","artistIds":[754,2116],"imageIds":[4010],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-11-13"},{"id":2627,"type":9,"occurences":[{"startDate":"1997-09-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Le Forum Femmes M\u00e9diterran\u00e9e","artistIds":[246,443,1480],"publicationDate":"2023-02-23"},{"id":4482,"type":14,"extraText1":"

LansKine, 2023<\/p>","title":"le foss\u00e9 macinante","subtitle":"extraits","artistIds":[2603],"data":{"book":{},"publication":{},"media":{"mediaId":1005,"artworkDate":"2023-02-01"}},"publicationDate":"2023-05-16"},{"id":2926,"type":1,"occurences":[{"startDate":"2009-02-20","endDate":"2009-04-04","startTime":null,"endTime":null}],"title":"Le Futur a 100 ans","subtitle":"Ivan Messac
Hommage graphique au futurisme
(archives et documents)","artistIds":[1854,652],"imageIds":[1548,1271],"publicationDate":"2023-02-23"},{"id":2927,"type":2,"occurences":[{"startDate":"2009-02-20","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Le Futur a 100 ans - Ivan Messac<\/i>","subtitle":"Vernissage - Lectures","artistIds":[1854,652,1579,1854,1004],"imageIds":[1549,1550],"publicationDate":"2023-02-23"},{"id":4161,"type":8,"title":"Le hasard, l'agrafeuse et la n\u00e9cessit\u00e9","artistIds":[1524,1524],"imageIds":[2934,1845],"referenceItemIds":[4052],"data":{"book":{"publicationDate":"2013-07-01","isbn10":"979-10-91991-07-0","issn":"1148-652 X"},"publication":{"price":50,"collectionIds":[11]}},"publicationDate":"2023-02-23"},{"id":724,"type":14,"title":"Le h\u00e9ros (extrait)","artistIds":[1299],"referenceItemIds":[2639,3848],"data":{"media":{"mediaId":724,"artworkDate":"1997-04-18"}},"publicationDate":"2023-02-23"},{"id":255,"type":14,"title":"le jour viendra ...","artistIds":[676],"referenceItemIds":[4049,2885],"data":{"media":{"mediaId":255,"artworkDate":"2008-06-27"}},"publicationDate":"2023-02-23"},{"id":4596,"type":2,"subTypeId":10,"extraText1":"

Avec la participation de Fran\u00e7ois Hiffler, Pascale Murtin et Margot Videcoq<\/p>

 <\/p>

Une rencontre propos\u00e9e par le Cipm,<\/p>

co-r\u00e9alis\u00e9e avec Mont\u00e9vid\u00e9o dans le cadre du Festival actoral 2023.<\/p>

 <\/p>","occurences":[{"startDate":"2023-10-14","startTime":"16:00:38","endDate":null,"endTime":null}],"title":"Le Journal des Laboratoires \/ Mosa\u00efque des Lexiques","artistIds":[2625,1034,2628],"imageIds":[3313],"logoImageIds":[3278,3127],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-21"},{"id":4298,"type":8,"subTypeId":38,"title":"Le Kilo","subtitle":"et autres in\u00e9dits","artistIds":[238],"imageIds":[3075],"referenceItemIds":[3651,3653,3644],"data":{"book":{"publicationDate":"2022-02-01","isbn10":"978-2-8180-5444-4"},"publication":{"collectionIds":[1]},"media":{}},"publicationDate":"2023-02-23"},{"id":348,"type":14,"title":"Le lac des aveugles","artistIds":[1326],"referenceItemIds":[3886,2451,2661,3905],"data":{"media":{"mediaId":348,"artworkDate":"2003-06-27"}},"publicationDate":"2023-02-23"},{"id":50,"type":14,"title":"Le Lecteur","artistIds":[1038],"referenceItemIds":[3983],"data":{"media":{"mediaId":50,"artworkDate":"1978-01-02"}},"publicationDate":"2023-02-23"},{"id":5053,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : Mathieu Provansal
M. Provansal \/Bellevue 8 avenue de la Piscine 12330 Marcillac

pavillonjournaud@gmail.com<\/a>
 <\/p>","title":"Le lierre \/Journaud","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":304,"type":14,"title":"Le mais trop blanc (extrait)","artistIds":[743],"referenceItemIds":[2461,3880],"data":{"media":{"mediaId":304,"artworkDate":"2003-04-11"}},"publicationDate":"2023-02-23"},{"id":195,"type":14,"title":"Le manquant, l'\u00e9tonn\u00e9 ...","artistIds":[1400],"referenceItemIds":[3922,2402],"data":{"media":{"mediaId":195,"artworkDate":"2005-01-21"}},"publicationDate":"2023-02-23"},{"id":884,"type":14,"title":"Le mausol\u00e9e des mots ail\u00e9s","artistIds":[2221],"referenceItemIds":[3333,4217],"data":{"media":{"mediaId":884,"artworkDate":"2015-11-13"}},"publicationDate":"2023-02-23"},{"id":4823,"type":14,"extraText1":"

Texte re\u00e7u de Simon Brown <\/p>","title":"LE M\u00caME PANIER","subtitle":"(2024)","artistIds":[2685],"referenceItemIds":[4782,4781],"data":{"book":{},"publication":{},"media":{"mediaId":2055,"artworkDate":"2024-04-18","artworkDateToDisplay":"le 18 avril 2024 \u00e0 l'approche de l'Exploration de la Revue WATTS."}},"publicationDate":"2024-04-26"},{"id":1,"type":14,"title":"Le mille-pattes de Sophie","artistIds":[676],"referenceItemIds":[2571,3791,3987],"data":{"media":{"mediaId":1,"artworkDate":"1999-06-11"}},"publicationDate":"2023-02-23"},{"id":3775,"type":8,"title":"Le moment que","artistIds":[600],"imageIds":[2593],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1998-01-01","isbn10":"2-909097-26-9"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":3301,"type":2,"occurences":[{"startDate":"2015-04-17","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Le monde des Wards","artistIds":[1004,2187,2188],"imageIds":[1949,1950],"publicationDate":"2023-02-23"},{"id":307,"type":14,"title":"Le mus\u00e9e des culs imaginaires","artistIds":[1138],"referenceItemIds":[2448,3887],"data":{"media":{"mediaId":307,"artworkDate":"2003-09-20"}},"publicationDate":"2023-02-23"},{"id":2781,"type":2,"occurences":[{"startDate":"2006-09-15","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Le noir et le bleu","subtitle":"Paul C\u00e9zanne \/ Hubert Lucot","artistIds":[548],"imageIds":[1433],"publicationDate":"2023-02-23"},{"id":178,"type":14,"title":"Le noir et le bleu \u2013 Paul C\u00e9zanne (extrait)","artistIds":[548],"referenceItemIds":[2781,4006],"data":{"media":{"mediaId":178,"artworkDate":"2006-09-15"}},"publicationDate":"2023-02-23"},{"id":4869,"type":4,"extraText1":"

Atelier d\u2019\u00e9criture avec une classe de CM2<\/p>

Enseignante : Adeline Sidler<\/p>","occurences":[{"startDate":"2024-06-18","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-06-20","startTime":null,"endDate":null,"endTime":null}],"placeId":65,"title":"Le nom des rues","artistIds":[1202],"imageIds":[3580],"subItemIds":[4870],"referenceItemIds":[1439],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-06-20"},{"id":4870,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture avec une classe de CM2<\/p>

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atelier d'\u00e9criture pour 10 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm<\/span><\/p>

de 11 \u00e0 13h, les samedis 25 mars, 1 et 15 avril 2023<\/span>
 <\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
Cycle de trois s\u00e9ances : 30 \u20ac (10 \u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 21 \u20ac (7 \u20ac \/ la s\u00e9ance)
 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

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 <\/p>

\u00ab Cette journ\u00e9e d\u00e9di\u00e9e \u00e0 l\u2019\u0153uvre de C\u00e9dric Demangeot sera l\u2019occasion de parcourir son \u0153uvre, d\u2019abord en la lisant, puis par le t\u00e9moignage de proches avec qui il a travaill\u00e9. Peut-\u00eatre commencera-t-on \u00e0 entrevoir l\u2019ampleur du travail d\u2019un po\u00e8te, traducteur et \u00e9diteur dont l\u2019\u0153uvre marque une partie de sa g\u00e9n\u00e9ration.  \u00bb<\/i><\/p>

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Dans le cadre de l'exposition 
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Avec les \u00e9l\u00e8ves de la classe de seconde \u00ab Nature, jardin \u00bb<\/p>

Enseignants : Jehan Bernard Margin\u00e8des, Farida Bouhassane et Madame Bousquet.<\/p>

Enseignantes documentalistes : M\u00e9lanie Delabie et Bernadette Chauvet,<\/p>

Merci au Parc r\u00e9gional des Alpilles et \u00e0 l\u2019association Chemin faisan.<\/p>","occurences":[{"startDate":"2023-09-26","startTime":null,"endDate":"2023-11-14","endTime":null}],"placeId":36,"title":"Les Alpilles, naturellement naturelles","artistIds":[349],"imageIds":[3370],"subItemIds":[4662],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-11-24"},{"id":4662,"type":13,"extraText1":"


Avec les \u00e9l\u00e8ves de la classe de seconde \u00ab Nature, jardin \u00bb<\/p>

Enseignants : Jehan Bernard Margin\u00e8des, Farida Bouhassane et Madame Bousquet.<\/p>

Enseignantes documentalistes : M\u00e9lanie Delabie et Bernadette Chauvet,<\/p>

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En partenariat avec le festival Les Eauditives<\/a><\/p>","occurences":[{"startDate":"2022-05-28","startTime":"19:00:55","endDate":null,"endTime":null}],"placeId":39,"title":"Les corps caverneux","subtitle":"Lecture perform\u00e9e","artistIds":[2315],"imageIds":[2482],"logoImageIds":[3374],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3182,"type":2,"occurences":[{"startDate":"2012-10-04","endDate":"2012-10-07","startTime":null,"endTime":null}],"title":"Les Correspondances de Tanger","artistIds":[1913,5,348,1038],"imageIds":[1805],"publicationDate":"2023-02-23"},{"id":4676,"type":14,"extraText1":"

Soir\u00e9e Cris po\u00e9tiques<\/p>

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, Alt(r)a Voce, le Collectif Et autres choses inutiles.<\/p>

Captation et montage, Florence Pazzottu.<\/p>","extraText2":"

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Soir\u00e9e Cris po\u00e9tiques<\/p>

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, Alt(r)a Voce, le Collectif Et autres choses inutiles.<\/p>

Captation et montage, Florence Pazzottu.<\/p>","extraText2":"

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derniertelegramme.fr<\/a><\/p>","occurences":[{"startDate":"2025-10-04","startTime":"16:00:25","endDate":null,"endTime":null}],"title":"Les \u00e9ditions Dernier T\u00e9l\u00e9gramme","artistIds":[2532,2526,2791,2792],"imageIds":[3966],"referenceItemIds":[5232],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-23"},{"id":2565,"type":2,"occurences":[{"startDate":"1999-09-24","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions Derri\u00e8re le salle de bains","artistIds":[880,1231,1005,284,457,968],"publicationDate":"2023-02-23"},{"id":2523,"type":2,"occurences":[{"startDate":"2001-03-23","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions du Scorff","artistIds":[316,149,200,922,282],"publicationDate":"2023-02-23"},{"id":2647,"type":2,"occurences":[{"startDate":"1996-12-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00c9ditions Fidel Anthelme X","artistIds":[331],"publicationDate":"2023-02-23"},{"id":2435,"type":2,"occurences":[{"startDate":"2004-02-06","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions H\u00e9ros-Limite","artistIds":[31,1305,598,370,19],"publicationDate":"2023-02-23"},{"id":5228,"type":2,"subTypeId":10,"extraText1":"

Avec le soutien de Pro Helvetia, Fondation suisse pour la culture<\/p>","occurences":[{"startDate":"2025-10-25","startTime":"16:00:03","endDate":null,"endTime":null}],"title":"Les \u00e9ditions H\u00e9ros-Limite","artistIds":[31,2787,2065,2790,2789],"imageIds":[3965],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-20"},{"id":4533,"type":14,"title":"Les \u00e9ditions Isabelle Sauvage","artistIds":[2461],"referenceItemIds":[3652],"data":{"book":{},"publication":{},"media":{"mediaId":1041,"artworkDate":"2022-03-05"}},"publicationDate":"2023-06-10"},{"id":4535,"type":14,"title":"Les \u00e9ditions Isabelle Sauvage","artistIds":[2275],"referenceItemIds":[3652,4533,4534],"data":{"book":{},"publication":{},"media":{"mediaId":1043,"artworkDate":"2022-03-05"}},"publicationDate":"2023-06-10"},{"id":3654,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-03-19","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Les \u00c9ditions L\u2019Usage","subtitle":"rencontre-lecture","artistIds":[2464,2465,2466,2355],"imageIds":[2456],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4466,"type":14,"title":"Les \u00c9ditions L\u2019Usage","subtitle":"Exploration du domaine de la po\u00e9sie","artistIds":[2464,2466,2465,2355],"referenceItemIds":[3654],"data":{"book":{},"publication":{},"media":{"mediaId":998,"artworkDate":"2022-03-19"}},"publicationDate":"2023-05-11"},{"id":4309,"type":2,"subTypeId":10,"occurences":[{"startDate":"2023-03-25","startTime":"16:00:09","endDate":null,"endTime":null}],"title":"Les \u00e9ditions la Boucherie litt\u00e9raire","artistIds":[2562,2220,2389,2546,2545],"imageIds":[3080],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-01"},{"id":5308,"type":2,"subTypeId":10,"occurences":[{"startDate":"2026-03-14","startTime":"16:30:13","endDate":null,"endTime":null}],"title":"Les \u00e9ditions LansKine","artistIds":[2367,2823,265,397,2734,2329],"imageIds":[4046],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-02-27"},{"id":2553,"type":2,"occurences":[{"startDate":"2000-02-25","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00c9ditions Le Bois d'Orion","artistIds":[215,815,695],"publicationDate":"2023-02-23"},{"id":3711,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-10-22","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Les \u00e9ditions le Dernier T\u00e9l\u00e9gramme par Les \u00e9ditions Dernier T\u00e9l\u00e9gramme","artistIds":[830,2195,2532,2526],"imageIds":[2527,2528],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4515,"type":14,"title":"Les \u00e9ditions le Dernier T\u00e9l\u00e9gramme par Les \u00e9ditions Dernier T\u00e9l\u00e9gramme","artistIds":[2526,2532,2195,830],"data":{"book":{},"publication":{},"media":{"mediaId":1021,"artworkDate":"2022-10-22"}},"publicationDate":"2023-06-08"},{"id":2791,"type":2,"occurences":[{"startDate":"2006-11-24","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions Mix","artistIds":[1696,1697,1325,1698,1195,1696],"imageIds":[1444],"publicationDate":"2023-02-23"},{"id":3238,"type":2,"occurences":[{"startDate":"2014-02-14","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions Nous","artistIds":[2131,594,2139,2137,2138],"imageIds":[1865],"publicationDate":"2023-02-23"},{"id":3401,"type":2,"occurences":[{"startDate":"2017-06-16","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions P.O.L","artistIds":[440,2185,2306,96,1069],"imageIds":[2090],"publicationDate":"2023-02-23"},{"id":2386,"type":1,"occurences":[{"startDate":"1999-04-24","endDate":"1999-05-22","startTime":null,"endTime":null}],"title":"Les \u00c9ditions Parcelle","artistIds":[435,809,660],"imageIds":[1225],"publicationDate":"2023-02-23"},{"id":2578,"type":2,"occurences":[{"startDate":"1999-04-24","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Les \u00c9ditions Parcelle","artistIds":[435,809,660],"publicationDate":"2023-02-23"},{"id":3176,"type":2,"occurences":[{"startDate":"2012-10-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions Tarabuste","artistIds":[1003,110,2047,2048,224],"imageIds":[1801],"publicationDate":"2023-02-23"},{"id":4363,"type":2,"subTypeId":10,"extraText2":"

Rencontre et lectures avec B\u00e9n\u00e9dicte Vilgrain,<\/span> directrice des \u00e9ditions Th\u00e9\u00e2tre Typographiques, 
et trois de ses auteur\u2e31e\u2e31s<\/p>","occurences":[{"startDate":"2023-04-29","startTime":"16:00:25","endDate":null,"endTime":null}],"title":"Les \u00e9ditions Th\u00e9\u00e2tre Typographique","artistIds":[147,2378,2566,1034],"imageIds":[3145],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-19"},{"id":3689,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-06-25","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Les \u00e9ditions Trente-trois morceaux ","artistIds":[2488,2490,2491,2489],"imageIds":[2492],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3491,"type":2,"occurences":[{"startDate":"2019-03-21","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Les \u00e9ditions Vanloo","artistIds":[2362,2363,131,2364],"imageIds":[2204],"publicationDate":"2023-02-23"},{"id":2432,"type":2,"occurences":[{"startDate":"2004-02-20","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les \u00e9ditions Via Valeriano","artistIds":[249,967,246,727,967,443],"publicationDate":"2023-02-23"},{"id":3709,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-10-29","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Les \u00e9ditions Zo\u00e8me","subtitle":"Rencontre","artistIds":[2270,2523,1880,2510,2524],"imageIds":[2525],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4303,"type":14,"title":"Les \u00e9ditions Zo\u00e8me","artistIds":[2524,2510,2270,2523,1880],"referenceItemIds":[3709],"data":{"book":{},"publication":{},"media":{"mediaId":903,"artworkDate":"2022-10-29"}},"publicationDate":"2023-02-28"},{"id":4566,"type":14,"extraText1":"

Cette \u00ab esp\u00e8ce de fiction \u00bb [V. T.], issue d'une R\u00e9sidence d'\u00e9criture au Cipm <\/p>

dont a b\u00e9n\u00e9fici\u00e9 Vincent Tholom\u00e9 en mai et juin 2017<\/p>

nous a \u00e9t\u00e9 confi\u00e9e par l'auteur le 3 avril 2019. <\/p>

Rest\u00e9 in\u00e9dit jusqu'\u00e0 aujourd'hui, <\/p>","title":"Les \u00e9gar\u00e9s - 1","subtitle":"consid\u00e9rations sur la vie martienne et les sushi bars","artistIds":[2278],"data":{"book":{},"publication":{},"media":{"mediaId":1079,"artworkDate":"2019-04-03","artworkDateToDisplay":"22 juillet 2023, ce texte est publi\u00e9 ici pour la premi\u00e8re fois."}},"publicationDate":"2023-07-22"},{"id":4567,"type":14,"extraText1":"

Cette \u00ab esp\u00e8ce de fiction \u00bb [V. T.], issue d'une R\u00e9sidence d'\u00e9criture au Cipm <\/p>

dont a b\u00e9n\u00e9fici\u00e9 Vincent Tholom\u00e9 en mai et juin 2017<\/p>

nous a \u00e9t\u00e9 confi\u00e9e par l'auteur le 3 avril 2019. <\/p>

Rest\u00e9 in\u00e9dit jusqu'\u00e0 aujourd'hui, <\/p>","title":"Les \u00e9gar\u00e9s - 2","subtitle":"consid\u00e9rations sur la vie martienne et les sushi bars","artistIds":[2278],"data":{"book":{},"publication":{},"media":{"mediaId":1080,"artworkDate":"2019-04-03","artworkDateToDisplay":"22 juillet 2023, ce texte est publi\u00e9 ici pour la premi\u00e8re fois."}},"publicationDate":"2023-07-22"},{"id":2687,"type":4,"occurences":[{"startDate":"2000-09-10","endDate":"2001-06-12","startTime":null,"endTime":null}],"title":"Les enfants eux-m\u00eames","subtitle":"L'Atelier - Lecture 2000-2001","artistIds":[1445],"publicationDate":"2023-02-23"},{"id":2514,"type":2,"occurences":[{"startDate":"2001-06-12","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Les enfants eux-m\u00eames","subtitle":"L'Atelier - Lecture 2000-2001","artistIds":[1445],"imageIds":[1304],"publicationDate":"2023-02-23"},{"id":4118,"type":8,"title":"Les etceteras","artistIds":[720,720],"imageIds":[2886,2887],"referenceItemIds":[4052],"data":{"book":{"publicationDate":"2011-10-01","isbn10":"978-2-909097-91-6"},"publication":{"price":50,"collectionIds":[11]}},"publicationDate":"2023-02-23"},{"id":2712,"type":4,"occurences":[{"startDate":"2004-12-01","endDate":"2005-07-01","startTime":null,"endTime":null}],"title":"Les \u00c9toiles","subtitle":"Intervention en 2004 - 2005","artistIds":[397],"publicationDate":"2023-02-23"},{"id":2755,"type":4,"occurences":[{"startDate":"2006-01-01","endDate":"2006-06-01","startTime":null,"endTime":null}],"title":"Les \u00c9toiles - 2006","subtitle":"Intervention en 2005 - 2006","artistIds":[1637,397],"publicationDate":"2023-02-23"},{"id":2739,"type":2,"occurences":[{"startDate":"2006-01-21","endDate":"2006-01-22","startTime":null,"endTime":null}],"title":"Les films de Robert Filliou","artistIds":[1609],"publicationDate":"2023-02-23"},{"id":249,"type":14,"title":"Les formules du narateur n\u00b02","artistIds":[1827],"referenceItemIds":[4049,2884],"data":{"media":{"mediaId":249,"artworkDate":"2008-06-06"}},"publicationDate":"2023-02-23"},{"id":3769,"type":8,"title":"Les fronti\u00e8res de l'insaisissable","subtitle":"Dialogue avec Claude Margat","artistIds":[673],"imageIds":[2587],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1994-01-01","isbn10":"2-909097-17-X"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":3381,"type":1,"occurences":[{"startDate":"2017-01-20","endDate":"2017-03-11","startTime":null,"endTime":null}],"title":"Les fruits du matin","subtitle":"Jean-Charles Depaule","artistIds":[644],"imageIds":[2047,2048],"publicationDate":"2023-02-23"},{"id":4971,"type":9,"occurences":[{"startDate":"2025-03-01","startTime":"11:00:09","endDate":null,"endTime":null}],"title":"Les gestes d'\u00e9criture : r\u00e9cit d'une recherche","artistIds":[1193],"imageIds":[3704],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-01-22"},{"id":658,"type":14,"title":"Les Goudes","referenceItemIds":[3964,3129],"data":{"media":{"mediaId":658,"artworkDate":"1991-05-24"}},"publicationDate":"2023-02-23"},{"id":3595,"type":2,"occurences":[{"startDate":"2021-06-12","endDate":null,"startTime":"17:00:00","endTime":null}],"title":"Les Grands Soirs aux \u00e9ditions Les Petits Matins","artistIds":[522,1605,2147],"imageIds":[2380,2381,2382,2383,2384],"publicationDate":"2023-02-23"},{"id":3765,"type":8,"title":"Les horizons du sol","artistIds":[962],"imageIds":[2583],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1999-01-01","isbn10":"2-909097-31-5"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":3651,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-02-19","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Les in\u00e9dits de Tarkos #1","subtitle":"Le Kilo au Cipm","artistIds":[2454,2116,322,131,2458,2459],"imageIds":[2453],"referenceItemIds":[3644],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4460,"type":14,"title":"Les in\u00e9dits de Tarkos #1 : Marseille","subtitle":"Lectures de Le Kilo et autres in\u00e9dits<\/i> de Tarkos","artistIds":[131,2459,2454,2458,322,2116],"linkedItemIdsWithLayout":[{"itemId":3644,"layout":3}],"referenceItemIds":[3651,4298],"data":{"book":{},"publication":{},"media":{"mediaId":992,"artworkDate":"2022-02-19"}},"publicationDate":"2023-05-11"},{"id":3653,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-03-11","startTime":"20:00:00","endDate":null,"endTime":null}],"title":"Les in\u00e9dits de Tarkos #2","subtitle":"Le Kilo \u00e0 la Maison de la po\u00e9sie de Paris","artistIds":[2458,809,2116,203,2426,2460],"imageIds":[2455],"referenceItemIds":[3644],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5173,"type":14,"extraText1":"

 <\/p>

Textes re\u00e7us dans cet ordre \u00e0 la demande du Cipm<\/p>

pour l'exposition CORPUS MARSEILLE<\/a>.<\/p>

 <\/p>

Charles Pennequin, Pierre Drogi, Hugo Pernet, Julien Blaine, Paul de Brancion, Nicolas Tardy, Patrick Varetz, G\u00e9rard Cartier, Sandra Moussemp\u00e8s, Jean-Franc\u0327ois Puff, Barbara Dimopoulou, Mich\u00e8le M\u00e9tail, Gilles Weinzaepflen, \u00c9ric Watier, St\u00e9phane B\u00e9rard, Florence Manlik, Dominique Qu\u00e9len, Suzanne Doppelt, \u00c9ric Houser, Antoine Dufeu, Yves Boudier, H\u00e9l\u00e9na Villovitch, D\u00e9mosth\u00e8ne Agrafiotis, (SNG) Natacha Guillier, Esther Salmona, Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani, Pierre Gu\u00e9ry, Doroth\u00e9e Volut, Liliane Giraudon, Mathieu Provansal, Nadine Agostini, Olivier Domerg, V\u00e9ronique Vassiliou, John Deneuve, Christian D\u00e9sagulier, Virginie Lalucq, Patricia Lavelle, Mathias Richard, Guillaume Richez, Nicolas Pesqu\u00e8s, Jean-Michel Espitallier, Claude Ber, Vincent Broqua, C\u00e9cile Sans, Claude Closky, Vincent Tholom\u00e9, Jean-Patrice Courtois, Didier Bourda, Sarah K\u00e9ryna, Nella Arambasin, H\u00e9l\u00e8ne Sanguinetti, Anne-Claire Hello, Collette Tron, Jean-Charles Depaule, H\u00e9l\u00e8ne Grimaud, Jean-Baptiste Cabaud, St\u00e9phane Nowak Papantoniou, Jiwon Lee, Cia Rinne, Juliette Penblanc, Emma Cambier, Ioannis Chondros, Simon Johannin, Florence Pazzottu, Antoine Boute, Laura Giuliberti, Alessandro Bosetti, Fr\u00e9d\u00e9ric Danos, Anne-James Chaton, etai\u0308nn zwer, Arno Calleja, Vannina Maestri, Giovanni Fontana, Luc Desbenoit, Patrick Beaurard-Valdoye, S\u00e9verine Daucourt, Maxime Hortense Pascal, Joe\u0308l Hubaut, Th\u00e9o Casciani, Anne Houdy, Jean-Marie Gleize, Sophie Deshayes, David Christoffel, Christopher Alexander, St\u00e9phane Lambion, Pierre Eug\u00e8ne, Pascal Poyet, Anne Calas, Sabrina Calvo, Christophe Fiat, Annabelle Verhaeghe, Linda Maria Baros.<\/p>

 <\/p>

 <\/p>","title":"Les in\u00e9dits du Corpus","referenceItemIds":[5172,5173],"data":{"book":{},"publication":{},"media":{"mediaId":2696,"artworkDate":"2025-06-12","artworkDateToDisplay":"mai 2025"}},"publicationDate":"2025-07-11"},{"id":2906,"type":2,"occurences":[{"startDate":"2008-10-17","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les Intensifs","subtitle":"Po\u00e8tes du XXI\u00e8me si\u00e8cle","artistIds":[1786,404,348,426,224,1844],"imageIds":[1521,1522],"publicationDate":"2023-02-23"},{"id":3387,"type":1,"occurences":[{"startDate":"2017-03-17","endDate":"2017-05-06","startTime":null,"endTime":null}],"title":"Les invités","subtitle":"Claude Horstmann","artistIds":[2296,1975,2295],"imageIds":[2055,2056,2057,2058,2059,2060,2061,2062,2063,2064,2065,2066,2067,2068,2069,2070,2071,2072,2073,2074,2075,2076],"publicationDate":"2023-02-23"},{"id":520,"type":14,"title":"Les lignes du d\u00e9sir (extraits)","artistIds":[1584],"referenceItemIds":[4097,3035],"data":{"media":{"mediaId":520,"artworkDate":"2010-06-25"}},"publicationDate":"2023-02-23"},{"id":150,"type":14,"title":"Les livres ont un prix - fausse conf\u00e9rence","artistIds":[1704],"referenceItemIds":[4011,3010],"data":{"media":{"mediaId":150,"artworkDate":"2006-12-01"}},"publicationDate":"2023-02-23"},{"id":4358,"type":2,"subTypeId":7,"extraText2":"

\u00c0 lire : Perrine Le Querrec, Les mains d\u2019Hannah<\/i>, \u00c9ditions Tinbad, 2023<\/p>

\u00c0 explorer : le site de L'art Hic & Hoc<\/a><\/p>","extractText":"

\u00c0 la poursuite de l\u2019artiste dada Hannah H\u00f6ch Perrine le Querrec \u00e9chafaude des \u00e9critures, les fondations d'un livre incertain. <\/p>","occurences":[{"startDate":"2023-04-21","startTime":"19:00:02","endDate":null,"endTime":null}],"placeId":12,"title":"Les mains d'Hannah","artistIds":[2563],"imageIds":[3132],"logoImageIds":[3131],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-12"},{"id":2385,"type":1,"occurences":[{"startDate":"1999-12-03","startTime":null,"endDate":"2000-01-15","endTime":null}],"title":"Les Mains, les Boules","subtitle":"De l'apparition au plus pr\u00e8s de mes mains \u00e0 la disparition au plus loin de mes yeux
Les Yeux, les Textes
De la disparition au plus pr\u00e8s de mes yeux \u00e0 l'apparition au plus loin de mes mains","artistIds":[673],"imageIds":[3247,3248,3249,1224],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2667,"type":12,"occurences":[{"startDate":"2004-12-01","endDate":"2005-01-03","startTime":null,"endTime":null}],"title":"Les Mots \u00e0 la bouche","artistIds":[322],"imageIds":[1347],"publicationDate":"2023-02-23"},{"id":397,"type":14,"title":"Les mots sont la retenue du son","artistIds":[1021],"referenceItemIds":[2989,3937],"data":{"media":{"mediaId":397,"artworkDate":"1994-10-15"}},"publicationDate":"2023-02-23"},{"id":4795,"type":3,"typePrecision":"visite","extraText1":"


Atelier d\u2019\u00e9criture anim\u00e9 par Sara K\u00e9ryna dans le cadre du projet Les Naturalistes en mer, au fil de l\u2019eau <\/i>con\u00e7u par Opera Mundi<\/p>","occurences":[{"startDate":"2023-12-13","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Les Naturalistes en mer, au fil de l\u2019eau","artistIds":[1202],"imageIds":[3533],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-12-13"},{"id":3518,"type":2,"subTypeId":9,"typePrecision":"+ propager le po\u00e8me","extraText3":"

+ Cipm<\/p>","occurences":[{"startDate":"2019-09-13","startTime":"19:00:56","endDate":null,"endTime":null},{"startDate":"2019-09-14","startTime":"17:00:04","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #1
\u00c0 travers le Cycle
","artistIds":[1057],"imageIds":[2239,2240,2241],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5346,"type":2,"subTypeId":7,"extraText2":"

R\u00e9servation<\/a> <\/p>

V\u00e9lo Th\u00e9\u00e2tre \u2013 reservation@velotheatre.com \u2013 04 90 04 85 25<\/p>

 <\/p>

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2026-05-21","startTime":"20:00:23","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #10","artistIds":[1882,2835],"imageIds":[4098],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3518,3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-04-10"},{"id":3668,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre et l'association Alt(r)a Voce.<\/i><\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2022-04-08","startTime":"20:00:00","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #2","artistIds":[1352,804],"imageIds":[2470,2471],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3721,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i>.<\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2022-11-25","startTime":"20:00:00","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux cris po\u00e9tiques #3","subtitle":"Sous vos doigts, \u00e7a recommence ","artistIds":[2513,2533,2534],"imageIds":[2540],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4477,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles.<\/i><\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2023-06-02","startTime":"20:00:24","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #4","artistIds":[962,1920],"imageIds":[3213],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-16"},{"id":4655,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i>.<\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2023-12-01","startTime":"20:00:51","endDate":"2023-12-01","endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #5","artistIds":[809,1586],"imageIds":[3361],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-11-06"},{"id":4838,"type":2,"subTypeId":7,"extraText1":"

En partenariat avec le V\u00e9lo Th\u00e9\u00e2tre, l'association Alt(r)a Voce<\/i>, le Collectif Et autres choses inutiles<\/i>.<\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2024-06-28","startTime":"20:00:59","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #6","artistIds":[922,1755],"imageIds":[3569],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-22"},{"id":4933,"type":2,"subTypeId":7,"extraText1":"

La soir\u00e9e est d\u00e9di\u00e9e \u00e0 la m\u00e9moire de Jean de Breyne.<\/p>","extraText2":"

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2024-12-06","startTime":"20:00:56","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #7","artistIds":[1933,368],"imageIds":[3671],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-11-06"},{"id":5043,"type":2,"subTypeId":7,"extraText1":"

Soir\u00e9e pr\u00e9sent\u00e9e par Florence Pazzottu.<\/p>","extraText2":"

R\u00e9servation<\/a> <\/p>

 <\/p>

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2025-06-27","startTime":"19:30:49","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #8","artistIds":[2147,2275],"imageIds":[3853],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-23"},{"id":5250,"type":2,"subTypeId":7,"extraText1":"

Soir\u00e9e pr\u00e9sent\u00e9e par Florence Pazzottu<\/p>","extraText2":"

R\u00e9servation<\/a> <\/p>

V\u00e9lo Th\u00e9\u00e2tre \u2013 reservation@velotheatre.com \u2013 04 90 04 85 25<\/p>

 <\/p>

Fond\u00e9s par le po\u00e8te et \u00e9diteur Jean de Breyne en 2005 au V\u00e9lo Th\u00e9\u00e2tre, les <\/i>Cris po\u00e9tiques<\/i><\/a> sont depuis 2019 con\u00e7us et anim\u00e9s par l'association Alt(r)a Voce et le Cipm, en complicit\u00e9 avec l\u2019\u00e9quipe du V\u00e9lo Th\u00e9\u00e2tre.<\/i><\/p>","occurences":[{"startDate":"2025-11-28","startTime":"19:30:00","endDate":null,"endTime":null}],"placeId":2,"title":"Les nouveaux Cris po\u00e9tiques #9","subtitle":"les 20 ans des \u00ab\u00a0Cris po\u00e9tiques \/ Des po\u00e8tes sur la sc\u00e8ne\u00a0\u00bb<\/p>\u2009<\/p>","artistIds":[2266,2445],"imageIds":[3994],"logoImageIds":[3212,3210,3211],"referenceItemIds":[3668,3721,4477,4655,4838,4933,5043,5250],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-10-30"},{"id":5305,"type":14,"extraText2":"

Les Peaux cibles<\/i>, texte re\u00e7u de Claudie Lenzi le 23 f\u00e9vrier en amont de la rencontre autour des \u00e9ditions LansKine, le 14 mars 2026.<\/p>","title":"Les Peaux cibles","artistIds":[265],"data":{"book":{},"publication":{},"media":{"mediaId":2850}},"publicationDate":"2026-02-24"},{"id":2490,"type":2,"occurences":[{"startDate":"2002-04-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les petits classiques du grand pirate","artistIds":[1456,427,110,701],"publicationDate":"2023-02-23"},{"id":75,"type":14,"title":"Les Professions \u00e9quivoques ou Les Talents profanes","artistIds":[1552],"referenceItemIds":[2709],"data":{"media":{"mediaId":75,"artworkDate":"2005-06-04"}},"publicationDate":"2023-02-23"},{"id":137,"type":14,"title":"Les quatre soeurs","artistIds":[482],"referenceItemIds":[2787,2790,4082,4012],"data":{"media":{"mediaId":137,"artworkDate":"2006-11-10"}},"publicationDate":"2023-02-23"},{"id":2400,"type":2,"occurences":[{"startDate":"2005-03-11","endDate":"2005-03-12","startTime":"18:00:00","endTime":null}],"title":"Les quinze ans du cipM<\/i>","subtitle":"Vernissage - pr\u00e9sentation - 2 soir\u00e9es de lectures","artistIds":[611,48,936,597,965,495,200,671,473,1301,683,1920,1483,652,676,92,359,256,434,1003,348,224,1527,1034,713,367,594,307,131,1357,261],"imageIds":[1239],"publicationDate":"2023-02-23"},{"id":3379,"type":2,"occurences":[{"startDate":"2016-11-04","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les résidences en Méditerranée du cipM<\/i>","artistIds":[1112,683,359],"imageIds":[2045],"publicationDate":"2023-02-23"},{"id":3287,"type":2,"occurences":[{"startDate":"2014-12-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les r\u00e9sidences en M\u00e9diterran\u00e9e du cipM<\/i>","artistIds":[644,348,1912,1034],"imageIds":[1926],"publicationDate":"2023-02-23"},{"id":252,"type":14,"title":"Les rideaux tir\u00e9s [...] les draps moites.","artistIds":[1830],"referenceItemIds":[4049,2884],"data":{"media":{"mediaId":252,"artworkDate":"2008-06-06"}},"publicationDate":"2023-02-23"},{"id":2495,"type":2,"occurences":[{"startDate":"2002-03-08","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les semelles d'or","subtitle":"Mettray","artistIds":[298],"publicationDate":"2023-02-23"},{"id":481,"type":14,"title":"Les seuls sens ou la n\u00e9cessit\u00e9 de la vie","artistIds":[1178],"referenceItemIds":[3959,3023],"data":{"media":{"mediaId":481,"artworkDate":"1991-11-16"}},"publicationDate":"2023-02-23"},{"id":326,"type":14,"title":"Les soifs","artistIds":[170],"referenceItemIds":[2441,3892],"data":{"media":{"mediaId":326,"artworkDate":"2003-11-22"}},"publicationDate":"2023-02-23"},{"id":4125,"type":8,"title":"Les sons inimitables de l'amour","subtitle":"Un plan \u00e0 trois en quatre actes","artistIds":[1978],"imageIds":[2894],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2011-12-01","isbn10":"978-2-909097-93-0"},"publication":{"price":12,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":4210,"type":8,"title":"Les tables du temps","artistIds":[1982],"imageIds":[2985,2986],"referenceItemIds":[4052],"data":{"book":{"publicationDate":"2015-07-01","isbn10":"979-10-91991-22-3"},"publication":{"price":50,"collectionIds":[11]}},"publicationDate":"2023-02-23"},{"id":3703,"type":2,"subTypeId":9,"occurences":[{"startDate":"2022-09-24","startTime":"11:30:00","endDate":null,"endTime":null}],"title":"Les temps de l'\u00e9criture","subtitle":"Solo","artistIds":[1020],"imageIds":[2519],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3013,"type":2,"occurences":[{"startDate":"2010-03-12","endDate":"2010-03-13","startTime":null,"endTime":null}],"title":"Les temps multiples \u00e0 l'\u0153uvre","artistIds":[603,1913,548,1619,1112,1888,1112,548,1913,603],"imageIds":[1645],"publicationDate":"2023-02-23"},{"id":5061,"type":2,"subTypeId":7,"typePrecision":"lectures","extraText1":"

En premi\u00e8re partie, les \u00e9tudiantes et les \u00e9tudiants de l'ARC Textes et voix <\/i>des Beaux-Arts de Marseille.<\/p>

 <\/p>

Dans le cadre de la 5\u00e8me <\/sup>\u00e9dition de Oh ! Ma Parole<\/i><\/p>

f\u00eate participative de la parole vivante<\/p>

du 15 au 24 mai 2025 \u00e0 Marseille<\/p>","occurences":[{"startDate":"2025-05-16","startTime":"19:30:29","endDate":null,"endTime":null}],"placeId":38,"title":"Les textes et les voix","subtitle":"Carte blanche au Cipm","artistIds":[131,2737,444],"imageIds":[3809],"logoImageIds":[3373],"referenceItemIds":[3592,3688,4399,4811],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-08"},{"id":723,"type":14,"title":"Les textes faits pour n'\u00eatre lu qu'une seule fois (extrait)","artistIds":[203],"referenceItemIds":[2639,3848],"data":{"media":{"mediaId":723,"artworkDate":"1997-04-18"}},"publicationDate":"2023-02-23"},{"id":5267,"type":8,"subTypeId":38,"extraText1":"

 <\/p>

tirage limit\u00e9<\/p>","title":"Les tribulations de la petite G","artistIds":[809],"imageIds":[4013],"data":{"book":{"editorIds":[7],"publicationDate":"2025-11-15","isbn13":"9791096646647"},"publication":{"price":"13","collectionIds":[16]},"media":{}},"publicationDate":"2025-11-15"},{"id":2951,"type":2,"occurences":[{"startDate":"2009-06-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2009","artistIds":[652,1004,1881,1882,1883],"imageIds":[1585],"publicationDate":"2023-02-23"},{"id":3035,"type":2,"occurences":[{"startDate":"2010-06-25","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2010","artistIds":[652,1603,1584,1930],"imageIds":[1669],"publicationDate":"2023-02-23"},{"id":3115,"type":2,"occurences":[{"startDate":"2011-06-24","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2011","subtitle":"L'Humidit\u00e9","artistIds":[652,2000,1999],"imageIds":[1743],"publicationDate":"2023-02-23"},{"id":3167,"type":2,"occurences":[{"startDate":"2012-06-23","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2012","subtitle":"La Revue Steve","artistIds":[652,2033,2032],"imageIds":[1792],"publicationDate":"2023-02-23"},{"id":3262,"type":2,"occurences":[{"startDate":"2014-06-27","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2014","subtitle":"L'exp\u00e9rience D","artistIds":[652,2165,1102],"imageIds":[1904],"publicationDate":"2023-02-23"},{"id":3316,"type":2,"occurences":[{"startDate":"2015-06-27","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Les Usagers du cipM<\/i> 2015","subtitle":"La revue Pro Memoria","artistIds":[652,1301,1010,2205,2162],"imageIds":[1969,1271],"publicationDate":"2023-02-23"},{"id":3363,"type":2,"occurences":[{"startDate":"2016-06-24","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"Les usagers du cipM<\/i> 2016","subtitle":"S\u00e9bastien Lespinasse \/ Los Muchos","artistIds":[2266,2268,2267],"imageIds":[2020],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3404,"type":2,"occurences":[{"startDate":"2017-06-23","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"Les Usagers du cipM<\/i> 2017","artistIds":[652,1930],"imageIds":[2094],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5279,"type":14,"title":"Les v\u00e9rit\u00e9s de la po\u00e9sie La faille critique du po\u00e8me La main la prose","artistIds":[1085],"referenceItemIds":[5042],"data":{"book":{},"publication":{},"media":{"mediaId":2841,"artworkDate":"2025-06-07","artworkDateToDisplay":"samedi 7 juin 2025"}},"publicationDate":"2025-06-07"},{"id":5042,"type":2,"subTypeId":9,"occurences":[{"startDate":"2025-06-07","startTime":"16:00:36","endDate":null,"endTime":null}],"title":"Les v\u00e9rit\u00e9s de la po\u00e9sie. La faille critique du po\u00e8me.","subtitle":"La main la prose.","artistIds":[1085],"imageIds":[3810],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-23"},{"id":2556,"type":2,"occurences":[{"startDate":"2000-01-15","endDate":null,"startTime":"17:00:00","endTime":null}],"title":"Les Yeux, les textes","subtitle":"De la disparition au plus pr\u00e8s de mes yeux
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 <\/p>

Contact libraire : steffen@cipmarseille.fr<\/a><\/p>","title":"Madrid \/ Marseille","subtitle":"Un \u00e9change de po\u00e9sie contemporaine <\/p>\u2009<\/p> ","artistIds":[2710,1721,2707,2510,2363,2709,2708],"imageIds":[3987],"referenceItemIds":[4889,4970,4978],"data":{"book":{"editorIds":[6],"publicationDate":"2025-10-24","isbn13":"<\/p>\u2009<\/p> 9782493242211"},"publication":{"price":"10"},"media":{}},"publicationDate":"2025-10-24"},{"id":859,"type":14,"title":"Maël Guesdon lit Lucie Taïeb","artistIds":[2228],"referenceItemIds":[3345,4222],"data":{"media":{"mediaId":859,"artworkDate":"2016-02-12"}},"publicationDate":"2023-02-23"},{"id":2066,"type":7,"artistIds":[2228],"imageIds":[3294],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1295,"type":7,"artistIds":[839],"imageIds":[338],"publicationDate":"2023-02-23"},{"id":1296,"type":7,"artistIds":[843],"imageIds":[339],"publicationDate":"2023-02-23"},{"id":5004,"type":9,"subTypeId":33,"typePrecision":"partenariat","extraText1":"

En pr\u00e9sence de l'auteure.<\/p>

 <\/p>

Ce colloque est co-organis\u00e9 par l\u2019Universit\u00e0 Roma Tre, l\u2019Universit\u00e9 Bordeaux Montaigne et The University of Manchester.
Il b\u00e9n\u00e9ficie du soutien des appels \u00e0 projets Cassini (Institut fran\u00e7ais Italia \u2013 Ambassade de France en Italie) et Label scientifique (Universit\u00e0 italo-francese \/ Universit\u00e9 franco-italienne).
Nous avons aussi \u00e9t\u00e9 soutenus par l\u2019\u00e9quipe de recherche Plurielles de l\u2019Universit\u00e9 Bordeaux Montaigne.
Enfin, nous remercions la Fondazione Primoli, le Cipm ainsi que la Libreria Stendhal \u2013 Librairie fran\u00e7aise de Rome pour leur accueil et leur aide dans l\u2019organisation du colloque.
 <\/p>

Comit\u00e9 scientifique : <\/p>

Jeff Barda, Micha\u00ebl Batalla, Luca Bevilacqua, Elisa Bricco, Vincent Broqua, Jean-Michel Gouvard, Nathalie Koble, Abigail Lang, Luigi Magno, Valerio Magrelli, Laure Michel, Estelle Mouton-Rovira, Jean-Fran\u00e7ois Puff, Fabio Scotto, Paolo Tamassia.<\/p>


Comit\u00e9 d\u2019organisation :
Marine Aubry-Morici, Jeff Barda, Luigi Magno, Estelle Mouton-Rovira, Valerio Sold\u00e0.<\/p>","extraText2":"

Le programme en ligne sur le site de la Fondazione Primoli<\/a>.<\/p>

 <\/p>

 <\/p>","occurences":[{"startDate":"2025-03-18","startTime":null,"endDate":"2025-03-20","endTime":null}],"title":"MAGIES ABERRATIONS ET M\u00c9CANIQUES PO\u00c9TIQUES DE SUZANNE DOPPELT","subtitle":"Colloque international","imageIds":[3748],"fileIds":[18,19],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-05"},{"id":656,"type":14,"title":"Main de nuit (extrait)","artistIds":[148],"referenceItemIds":[2559,3822],"data":{"media":{"mediaId":656,"artworkDate":"1999-11-20"}},"publicationDate":"2023-02-23"},{"id":684,"type":14,"title":"Maintenant","artistIds":[969],"referenceItemIds":[2628,3845,3799],"data":{"media":{"mediaId":684,"artworkDate":"1997-09-19"}},"publicationDate":"2023-02-23"},{"id":324,"type":14,"title":"Maison \u00e0 deux genoux","artistIds":[1497],"referenceItemIds":[2438,3894],"data":{"media":{"mediaId":324,"artworkDate":"2003-12-05"}},"publicationDate":"2023-02-23"},{"id":610,"type":14,"title":"Maison morte","artistIds":[1990],"referenceItemIds":[3105,3112,4114],"data":{"media":{"mediaId":610,"artworkDate":"2011-06-10"}},"publicationDate":"2023-02-23"},{"id":172,"type":14,"title":"Ma\u00eetre en Pi\u00e8ce(s) (extrait) [Jules Vipaldo]","artistIds":[1004,1022,748],"referenceItemIds":[2840,4024],"data":{"media":{"mediaId":172,"artworkDate":"2007-06-16"}},"publicationDate":"2023-02-23"},{"id":1297,"type":7,"artistIds":[845],"imageIds":[340],"publicationDate":"2023-02-23"},{"id":2345,"type":1,"occurences":[{"startDate":"1996-10-18","endDate":"1996-12-07","startTime":null,"endTime":null}],"title":"Malcolm de Chazal","subtitle":"Quelques peintures, quelques aphorismes","artistIds":[847],"imageIds":[1184],"publicationDate":"2023-02-23"},{"id":5227,"type":2,"subTypeId":19,"typePrecision":"performance","extraText1":"

Mallarm\u00e9 Memory Boat<\/i><\/p>

performance sonore de et avec Alessandro Bosetti et Liliane Giraudon<\/p>

cr\u00e9\u00e9e \u00e0 l'occasion du vernissage de l\u2019exposition<\/p>

Liliane Giraudon madame himself & l\u2019humour po\u00e9tasse<\/i><\/a><\/p>

orchestr\u00e9e par C\u00e9cile Marie-Castanet.<\/p>","occurences":[{"startDate":"2025-09-20","startTime":"18:00:46","endDate":null,"endTime":null}],"title":"Mallarm\u00e9 Memory Boat","artistIds":[2379,809],"imageIds":[3964],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-17"},{"id":1298,"type":7,"artistIds":[851],"imageIds":[341],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":825,"type":14,"title":"Manifeste HP Process","artistIds":[2112],"data":{"media":{"mediaId":825}},"publicationDate":"2023-02-23"},{"id":1299,"type":7,"artistIds":[853],"imageIds":[342],"publicationDate":"2023-02-23"},{"id":81,"type":14,"title":"Mano a mano","artistIds":[1527,594],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":81,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":1603,"type":7,"artistIds":[1626],"imageIds":[588],"publicationDate":"2023-02-23"},{"id":2049,"type":7,"artistIds":[2208],"publicationDate":"2023-02-23"},{"id":3323,"type":1,"occurences":[{"startDate":"2015-10-02","endDate":"2016-01-23","startTime":null,"endTime":null}],"title":"Manuel Casimiro","subtitle":"Voyage \u00e0 travers la peinture, la pens\u00e9e","artistIds":[2208,2208,2210,2211],"imageIds":[1976,1977],"publicationDate":"2023-02-23"},{"id":1300,"type":7,"artistIds":[854],"imageIds":[343],"publicationDate":"2023-02-23"},{"id":1301,"type":7,"artistIds":[855],"imageIds":[344],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1302,"type":7,"artistIds":[856],"imageIds":[345],"publicationDate":"2023-02-23"},{"id":587,"type":14,"title":"Manufacture","artistIds":[1968],"referenceItemIds":[3088,4104],"data":{"media":{"mediaId":587,"artworkDate":"2011-02-04"}},"publicationDate":"2023-02-23"},{"id":599,"type":14,"title":"Mar Thom (extrait)","artistIds":[1938],"referenceItemIds":[3068,3091,4107],"data":{"media":{"mediaId":599,"artworkDate":"2011-03-04"}},"publicationDate":"2023-02-23"},{"id":1873,"type":7,"artistIds":[2005],"imageIds":[803],"publicationDate":"2023-02-23"},{"id":1521,"type":7,"artistIds":[1482],"imageIds":[530],"publicationDate":"2023-02-23"},{"id":1667,"type":7,"artistIds":[1709],"imageIds":[636],"publicationDate":"2023-02-23"},{"id":2130,"type":7,"artistIds":[2310],"publicationDate":"2023-02-23"},{"id":2064,"type":7,"artistIds":[2226],"imageIds":[939],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":1303,"type":7,"artistIds":[859],"imageIds":[346],"publicationDate":"2023-02-23"},{"id":2473,"type":9,"occurences":[{"startDate":"2002-10-11","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Marcel Duchamp","subtitle":"PO\u00cbTE","artistIds":[611,1042,611,76,618],"publicationDate":"2023-02-23"},{"id":3796,"type":8,"title":"Marcel Duchamp","subtitle":"Une s\u00e9ance de cin\u00e9ma exp\u00e9rimental<\/p>

pour marquer les derniers jours de l'exposition<\/p>

CORPUS MARSEILLE<\/a>.<\/p>","extraText2":"

 <\/p>

Les cinq films au programme<\/p>

proviennent du catalogue<\/p>

de Light Cone<\/a>.<\/p>","occurences":[{"startDate":"2025-08-30","startTime":"16:00:34","endDate":null,"endTime":null}],"placeId":26,"title":"MARSEILLE CINQ FILMS","imageIds":[3903],"logoImageIds":[3902],"referenceItemIds":[5158,5173],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-11"},{"id":3799,"type":8,"title":"Marseille Hamb(o)urg - Passage 1997","artistIds":[969,1021,1512,444,1019,1764,386],"imageIds":[2613],"referenceItemIds":[3741],"data":{"book":{"publicationDate":"1998-11-01","isbn10":"2-909097-29-3"},"publication":{"price":9,"collectionIds":[1]}},"publicationDate":"2023-02-23"},{"id":3800,"type":8,"title":"Marseille Hamb(o)urg - Passage 1998","artistIds":[1034,969,1019,386,1329,444,1301],"imageIds":[2614],"referenceItemIds":[3741],"data":{"book":{"publicationDate":"1999-09-01","isbn10":"2-909097-34-X"},"publication":{"price":7,"collectionIds":[1]}},"publicationDate":"2023-02-23"},{"id":555,"type":14,"title":"Marseille, le 20 juin ...","artistIds":[264],"referenceItemIds":[2596,2697],"data":{"media":{"mediaId":555,"artworkDate":"1998-09-12"}},"publicationDate":"2023-02-23"},{"id":3759,"type":8,"title":"Marseille, un reportage","subtitle":"(po\u00e8mes)","artistIds":[1747,1747],"imageIds":[2577],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1993-01-01","isbn10":"2-909097-10-2"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":1578,"type":7,"artistIds":[1599],"imageIds":[568],"publicationDate":"2023-02-23"},{"id":2225,"type":7,"artistIds":[2417],"imageIds":[3130],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2053,"type":7,"artistIds":[2212],"imageIds":[928],"publicationDate":"2023-02-23"},{"id":3327,"type":2,"occurences":[{"startDate":"2015-10-16","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Martin H\u00f6gstr\u00f6m","subtitle":"(Su\u00e8de)","artistIds":[2212],"imageIds":[1982],"publicationDate":"2023-02-23"},{"id":3330,"type":6,"subTypeId":2,"occurences":[{"startDate":"2015-10-01","endDate":"2015-11-30","startTime":null,"endTime":null}],"title":"Martin H\u00f6gstr\u00f6m","artistIds":[2212],"imageIds":[1985],"publicationDate":"2023-02-23"},{"id":3414,"type":2,"occurences":[{"startDate":"2017-10-20","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Martin H\u00f6gstr\u00f6m","subtitle":"Discours transposés","artistIds":[2212,2318],"imageIds":[2104],"publicationDate":"2023-02-23"},{"id":1628,"type":7,"artistIds":[1657],"imageIds":[610],"publicationDate":"2023-02-23"},{"id":4552,"type":7,"artistIds":[2614],"imageIds":[3263],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-07"},{"id":1319,"type":7,"artistIds":[900],"imageIds":[360],"publicationDate":"2023-02-23"},{"id":1555,"type":7,"artistIds":[1552],"imageIds":[545],"publicationDate":"2023-02-23"},{"id":2210,"type":7,"artistIds":[2401],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3547,"type":2,"subTypeId":9,"occurences":[{"startDate":"2020-02-15","startTime":"11:00:00","endDate":null,"endTime":null}],"title":"Martin Rueff","subtitle":"La Jonction","artistIds":[2401],"imageIds":[2280],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2249,"type":7,"artistIds":[2444],"imageIds":[1090],"publicationDate":"2023-02-23"},{"id":643,"type":14,"title":"Martingale, chant n\u00b06 (extrait)","artistIds":[1037],"referenceItemIds":[3931,3124],"data":{"media":{"mediaId":643,"artworkDate":"1995-11-18"}},"publicationDate":"2023-02-23"},{"id":2013,"type":7,"artistIds":[2158],"imageIds":[898],"publicationDate":"2023-02-23"},{"id":2263,"type":7,"artistIds":[2461],"imageIds":[1104],"publicationDate":"2023-02-23"},{"id":1320,"type":7,"artistIds":[907],"imageIds":[361],"publicationDate":"2023-02-23"},{"id":3528,"type":5,"occurences":[{"startDate":"2019-09-13","endDate":"2019-03-27","startTime":null,"endTime":null}],"title":"Master RED","imageIds":[2255,2192,2193],"publicationDate":"2023-02-23"},{"id":3705,"type":3,"occurences":[{"startDate":"2022-09-16","endDate":"2023-04-03","startTime":null,"endTime":null}],"title":"Masterclass RED","imageIds":[2521],"publicationDate":"2023-02-23"},{"id":4959,"type":3,"extraText1":"

Masterclasse de cr\u00e9ation litt\u00e9raire
Intervenante Florence Pazzottu<\/p>","placeId":54,"title":"Masterclasse de cr\u00e9ation litt\u00e9raire","subtitle":"Atelier ","artistIds":[397],"imageIds":[3694],"contextId":4,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-17"},{"id":4946,"type":3,"subTypeId":30,"occurences":[{"startDate":"2024-09-27","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Masterclasse de cr\u00e9ation litt\u00e9raire en lien avec la pr\u00e9paration de l'exposition Al Dante","artistIds":[1933],"imageIds":[3683],"contextId":4,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-09-27"},{"id":3467,"type":5,"occurences":[{"startDate":"2018-10-26","endDate":"2018-10-27","startTime":null,"endTime":null}],"title":"Masterclasse RED","subtitle":"Avec Alban Lefranc","artistIds":[2354],"imageIds":[2166],"publicationDate":"2023-02-23"},{"id":3617,"type":5,"occurences":[{"startDate":null,"endDate":null,"startTime":null,"endTime":null}],"title":"Masterclasse RED","subtitle":"\u00c9crire, r\u00e9\u00e9crire, avec, autour, contre, vers l\u2019\u00e9criture de l\u2019autre","imageIds":[2414],"publicationDate":"2023-02-23"},{"id":3482,"type":5,"occurences":[{"startDate":"2019-02-08","endDate":"2019-02-09","startTime":null,"endTime":null}],"title":"Masterclasse RED \/ Dans le d\u00e9cor","subtitle":"Avec Anne Savelli","artistIds":[2358],"imageIds":[2194,2192,2193],"publicationDate":"2023-02-23"},{"id":3481,"type":5,"occurences":[{"startDate":"2019-01-25","endDate":"2019-01-26","startTime":null,"endTime":null}],"title":"Masterclasse RED \/ Je tu il elle","subtitle":"Avec Natacha Samuel","artistIds":[2357],"imageIds":[2191,2192,2193],"publicationDate":"2023-02-23"},{"id":3470,"type":5,"occurences":[{"startDate":"2018-11-30","endDate":"2018-12-01","startTime":null,"endTime":null}],"title":"Masterclasse RED \/ Le r\u00e9el en chantier","subtitle":"Avec Sylvain Prudhomme","artistIds":[2355],"imageIds":[2170],"publicationDate":"2023-02-23"},{"id":3472,"type":5,"occurences":[{"startDate":"2018-12-08","endDate":null,"startTime":"17:00:00","endTime":null}],"title":"Masterclasse RED \/ Variations sur Wallace","subtitle":"Avec Alban Lefranc","artistIds":[2354],"imageIds":[2172],"publicationDate":"2023-02-23"},{"id":4831,"type":6,"subTypeId":36,"extraText1":"

Dans le cadre de la 4\u00e8me <\/sup>\u00e9dition du festival \"Oh ! Ma Parole\".<\/p>","occurences":[{"startDate":"2024-05-21","startTime":null,"endDate":"2024-05-24","endTime":null}],"placeId":58,"title":"Mat au [mac]","artistIds":[2348],"imageIds":[3565],"logoImageIds":[3373],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-21"},{"id":4832,"type":2,"subTypeId":23,"extraText1":"

Dans le cadre de la 4\u00e8me <\/sup>\u00e9dition du festival \"Oh ! Ma Parole\".<\/p>","occurences":[{"startDate":"2024-05-24","startTime":"20:00:57","endDate":null,"endTime":null}],"placeId":58,"title":"Mat sur le toit du [mac]","artistIds":[2348],"imageIds":[3566],"logoImageIds":[3373],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-21"},{"id":3146,"type":2,"occurences":[{"startDate":"2012-03-02","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Math\u00e9matique & Po\u00e9sie","artistIds":[535,1725],"imageIds":[1772],"publicationDate":"2023-02-23"},{"id":1766,"type":7,"artistIds":[1864],"publicationDate":"2023-02-23"},{"id":2160,"type":7,"artistIds":[2348],"imageIds":[1008],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1321,"type":7,"artistIds":[908],"imageIds":[362],"publicationDate":"2023-02-23"},{"id":2584,"type":2,"occurences":[{"startDate":"1999-03-05","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Mathieu B\u00e9n\u00e9zet \/ Jean-Paul H\u00e9raud","subtitle":"Trac\u00e9s d'esp\u00e8ces","artistIds":[688,908,908],"publicationDate":"2023-02-23"},{"id":1835,"type":7,"artistIds":[1960],"imageIds":[768],"publicationDate":"2023-02-23"},{"id":1764,"type":7,"artistIds":[1857],"imageIds":[705],"publicationDate":"2023-02-23"},{"id":2200,"type":7,"artistIds":[2390],"imageIds":[3299],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1542,"type":7,"artistIds":[1539],"imageIds":[540],"publicationDate":"2023-02-23"},{"id":2158,"type":7,"artistIds":[2345],"imageIds":[1006],"publicationDate":"2023-02-23"},{"id":5186,"type":4,"extraText1":"

Atelier de Doroth\u00e9e Volut avec trois classes de 6\u00e8me <\/sup>- Coll\u00e8ge Jean Giono, 13013 Marseille
Enseignante documentaliste : Sophie Couot<\/p>

3 Classes de 6\u00e8me<\/sup><\/p>","occurences":[{"startDate":"2025-06-02","startTime":null,"endDate":"2025-06-04","endTime":null}],"placeId":93,"title":"Mati\u00e8re \u00e0 po\u00e8mes","artistIds":[322],"imageIds":[3917],"subItemIds":[5187],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-04"},{"id":5187,"type":13,"extraText1":"

Atelier de Doroth\u00e9e Volut avec trois classes de 6\u00e8me<\/sup> - Coll\u00e8ge Jean Giono, 13013 Marseille
Enseignante documentaliste : Sophie Couot<\/p>

3 Classes de 6\u00e8me<\/sup><\/p>","title":"Mati\u00e8re \u00e0 po\u00e8mes","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-04"},{"id":639,"type":14,"title":"Matin piscine \/ Mythe \/ Almanach 1","artistIds":[323],"referenceItemIds":[3931,3124],"data":{"media":{"mediaId":639,"artworkDate":"1995-11-17"}},"publicationDate":"2023-02-23"},{"id":497,"type":14,"title":"Matisse","artistIds":[481],"referenceItemIds":[2636,3848],"data":{"media":{"mediaId":497,"artworkDate":"1997-05-16"}},"publicationDate":"2023-02-23"},{"id":316,"type":14,"title":"Matisse en famille","artistIds":[223],"referenceItemIds":[4065,2936],"data":{"media":{"mediaId":316,"artworkDate":"2009-04-10"}},"publicationDate":"2023-02-23"},{"id":1529,"type":7,"artistIds":[1512],"imageIds":[537],"publicationDate":"2023-02-23"},{"id":1322,"type":7,"artistIds":[912],"publicationDate":"2023-02-23"},{"id":1861,"type":7,"artistIds":[1992],"imageIds":[793],"publicationDate":"2023-02-23"},{"id":2369,"type":1,"occurences":[{"startDate":"1999-04-16","endDate":"1999-05-22","startTime":null,"endTime":null}],"title":"Maurice Henry","artistIds":[1000,329,1181,902,40,919],"imageIds":[1206],"publicationDate":"2023-02-23"},{"id":2579,"type":2,"occurences":[{"startDate":"1999-04-16","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Maurice Henry","artistIds":[919,1000,329,1181,902,40],"publicationDate":"2023-02-23"},{"id":1324,"type":7,"artistIds":[918],"publicationDate":"2023-02-23"},{"id":2376,"type":1,"occurences":[{"startDate":"1999-05-28","endDate":"1999-06-26","startTime":null,"endTime":null}],"title":"Maurice Lema\u00eetre et la photographie d'avant-garde","artistIds":[918],"imageIds":[1214],"publicationDate":"2023-02-23"},{"id":1323,"type":7,"artistIds":[914],"imageIds":[363],"publicationDate":"2023-02-23"},{"id":2193,"type":7,"artistIds":[2383],"imageIds":[1039],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2047,"type":7,"artistIds":[2204],"imageIds":[924],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1325,"type":7,"artistIds":[922],"imageIds":[364],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":2044,"type":7,"artistIds":[2201],"imageIds":[921],"publicationDate":"2023-02-23"},{"id":5083,"type":7,"artistIds":[2764],"imageIds":[3826],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":2182,"type":7,"artistIds":[2372],"imageIds":[1028],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2406,"type":2,"occurences":[{"startDate":"2004-11-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"M\u00e9disant Contre-Pied : 1994-2004","artistIds":[1022,958,254,748,1301,238,1004,996,307,203,678,351,1258],"imageIds":[1244],"publicationDate":"2023-02-23"},{"id":1326,"type":7,"artistIds":[923],"imageIds":[365],"publicationDate":"2023-02-23"},{"id":1859,"type":7,"artistIds":[1990],"imageIds":[791],"publicationDate":"2023-02-23"},{"id":3105,"type":6,"subTypeId":2,"occurences":[{"startDate":"2011-05-01","endDate":"2011-07-01","startTime":null,"endTime":null}],"title":"Mehmet Yashin","artistIds":[1990],"imageIds":[1731,1732],"publicationDate":"2023-02-23"},{"id":4923,"type":2,"subTypeId":10,"typePrecision":"lecture","extraText1":"

Dans le cadre de la Saison de la Lituanie en France 2024<\/a>.   <\/p>","occurences":[{"startDate":"2024-11-16","startTime":"16:00:28","endDate":null,"endTime":null}],"title":"Mekas traduit","artistIds":[2277,2515,2137,2509],"imageIds":[3668],"logoImageIds":[3620,3619],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-15"},{"id":4939,"type":14,"typePrecision":"exploration, lectures","extraText2":"

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\u00c0 LIRE :<\/p>

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Revue Muscle, 23 Traverse Raynouard, 13005 Marseille<\/p>


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\u00e9voquent certains des moments les plus significatifs de l\u2019histoire du blog<\/p>

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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable.s de la revue : Jean-Marie Gleize, fondateur et directeur litt\u00e9raire. C\u00e9cile Sans, coordination \u00e9ditoriale.
Membres du comit\u00e9 de r\u00e9daction : Alessandro de Francesco, Barbara Dimopoulou, Jean-Marie Gleize, Emmanu\u00e8le Jawad, St\u00e9phane Nowak, \u00c9lodie Petit, Nathalie Quintane, Patrick Sainton, C\u00e9cile Sans. Mise en page : Jean-Jacques Tomasso. Relecture : M\u00e9lit\u00e8 Prokovas.
62 bd Jean Giono. 04130 Volx.

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Jour 2 et 3 : samedi 24 et dimanche 25 mai, lectures<\/p>","extraText2":"

Cipm \/ Centre de la Vieille Charit\u00e9,<\/p>

2 rue de la Charit\u00e9, 13002 Marseille

En partenariat avec Ent\u2019Revues, les Beaux-Arts de Marseille, et la revue Diacritik<\/p>","occurences":[{"startDate":"2025-05-24","startTime":"14:00:37","endDate":null,"endTime":"21:30:06"},{"startDate":"2025-05-25","startTime":"14:00:20","endDate":null,"endTime":"18:30:27"}],"title":"Num\u00e9ro R [vol.4]","subtitle":"4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025","imageIds":[3874],"logoImageIds":[3872,3870,3871],"subItemIds":[4503,5026,5044,5045,5046,5051,5053,5069,5076,5105,5107,5110,5142],"referenceItemIds":[5023,5132,5126,5128,5129,5130],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-09"},{"id":4691,"type":14,"extraText2":"

Nursery Rhyme<\/i>, from the Factory School Archive<\/i>, Home Recording made by Cid Corman, November 1970.<\/p>

Dur\u00e9e : 00'17\".<\/p>

 <\/p>

On writing poetry more frequently, <\/i>from the Factory School Archive<\/i>, Home Recording made by Cid Corman, November 1970.<\/p>

Dur\u00e9e : 00'54\".<\/p>","title":"Nursery Rhyme + On writing poetry more frequently","artistIds":[2141],"referenceItemIds":[4674,4687,4688,4689,4690],"data":{"book":{},"publication":{},"media":{"mediaId":1249,"artworkDateToDisplay":"1970"}},"publicationDate":"2024-01-18"},{"id":867,"type":14,"title":"Nymphes, sir\u00e8nes, poup\u00e9es, anges et autres larves","artistIds":[1707],"referenceItemIds":[3346,4224],"data":{"media":{"mediaId":867,"artworkDate":"2016-03-04"}},"publicationDate":"2023-02-23"},{"id":771,"type":14,"title":"O Vanda","artistIds":[875],"referenceItemIds":[3955,3180],"data":{"media":{"mediaId":771,"artworkDate":"1992-04-10"}},"publicationDate":"2023-02-23"},{"id":5088,"type":7,"artistIds":[2765],"imageIds":[3863],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":4908,"type":9,"typePrecision":"\"micro-colloque\"","extraText1":"

En partenariat avec l'EHESS<\/p>

dans le cadre de Des ob\u00e9issances<\/i><\/p>

cinqui\u00e8me \u00e9dition du festival Allez Savoir.<\/p>","extraText2":"


Tout le programme du festival \u00e0 t\u00e9l\u00e9charger<\/a><\/p>","occurences":[{"startDate":"2024-09-28","startTime":"16:00:42","endDate":null,"endTime":null}],"title":"Ob\u00e9ir au vers","subtitle":"Les po\u00e8tes peuvent-ils \u00eatre libres ?","artistIds":[2719,1725,2277],"imageIds":[3637],"logoImageIds":[3638],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-09-06"},{"id":4941,"type":14,"typePrecision":"conf\u00e9rence, \"micro-colloque\"","extraText1":"

En partenariat avec l'EHESS dans le cadre de Des ob\u00e9issances <\/i>cinqui\u00e8me \u00e9dition du festival Allez Savoir<\/p>","title":"Ob\u00e9ir au vers","subtitle":"Les po\u00e8tes peuvent-ils \u00eatre libres ?","artistIds":[1725,2719,2277],"referenceItemIds":[4908],"data":{"book":{},"publication":{},"media":{"mediaId":2329,"artworkDate":"2024-09-28","artworkDateToDisplay":"Samedi 28 septembre 2024"}},"publicationDate":"2024-09-28"},{"id":2366,"type":1,"occurences":[{"startDate":"2000-01-21","endDate":"2000-02-26","startTime":null,"endTime":null}],"title":"objets muets - objets parlants","artistIds":[1383],"publicationDate":"2023-02-23"},{"id":4480,"type":2,"subTypeId":19,"extraText1":"

Le Cipm est partenaire de l'INVISIBLE pour la communication de cette exposition.<\/p>","occurences":[{"startDate":"2023-06-02","startTime":"17:00:50","endDate":null,"endTime":"21:00:03"}],"placeId":16,"title":"OCTOPUS SALOON","artistIds":[2604,809,522],"imageIds":[3214],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-23"},{"id":4331,"type":7,"artistIds":[2558],"imageIds":[3103],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-11"},{"id":2793,"type":1,"occurences":[{"startDate":"2006-12-01","endDate":"2007-01-20","startTime":null,"endTime":null}],"title":"\u0152uvres-Livres","subtitle":"Aper\u00e7u apr\u00e8s impression","artistIds":[1301],"imageIds":[1446,null],"publicationDate":"2023-02-23"},{"id":3010,"type":2,"occurences":[{"startDate":"2006-12-01","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"\u0152uvres-Livres - aper\u00e7u avant impression","subtitle":"Vernissage - interventions","artistIds":[1301,582,1703,1702,1301,1704],"imageIds":[1638,1639,1640],"publicationDate":"2023-02-23"},{"id":245,"type":14,"title":"Offrande de fleurs","subtitle":"extrait de <\/i>Les Techniciens du sacr\u00e9","artistIds":[711],"referenceItemIds":[2879,4045],"data":{"media":{"mediaId":245,"artworkDate":"2008-04-04"}},"publicationDate":"2023-02-23"},{"id":4684,"type":14,"extraText2":"

Often I Am Permitted<\/i>, reading and discussion of  Often I am Permitted <\/i> at the Poetry Center at San Francisco State University, May 18, 1959.<\/p>

 Dur\u00e9e : 02'00\".<\/p>","title":"Often I Am Permitted","artistIds":[2645],"referenceItemIds":[4674,4680,4681,4682,4683],"data":{"book":{},"publication":{},"media":{"mediaId":1235,"artworkDateToDisplay":"1959"}},"publicationDate":"2024-01-18"},{"id":3601,"type":2,"occurences":[{"startDate":"2021-07-16","endDate":"2021-07-17","startTime":null,"endTime":null}],"title":"Oh les beaux jours ! ","subtitle":"Maxime Actis \/ Patrick Varetz","artistIds":[2426,2204],"imageIds":[2390],"publicationDate":"2023-02-23"},{"id":5069,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsable de la revue : Thomas D. Lamouroux
15 rue du Baigneur 75018

olgapoesienonpoesie@gmail.com<\/a>
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vid\u00e9o re\u00e7u d'Oana Avasilichioaei, le 2 mai \u00e0 l'approche de la rencontre organis\u00e9e avec l'association Calopsitte, Huit pistes<\/a> du 14 jun 2025<\/p>

 <\/p>","title":"Operator","artistIds":[2765],"referenceItemIds":[5087],"data":{"book":{},"publication":{},"media":{"mediaId":2516,"artworkDateToDisplay":"2019"}},"publicationDate":"2025-05-02"},{"id":4966,"type":14,"extraText1":"

Texte in\u00e9dit re\u00e7us le 28 d\u00e9cembre 2024 <\/p>","title":"Oph\u00e9lie\u00a0se traduit","artistIds":[2731],"referenceItemIds":[4963,4925],"data":{"book":{},"publication":{},"media":{"mediaId":2358,"artworkDate":"2024-12-28","artworkDateToDisplay":"

\u00e0 l'approche de la conf\u00e9rence, journ\u00e9e d'\u00e9tude : La revue Attaques: traductions<\/i>, po\u00e9sie et politique du 1er<\/sup> f\u00e9vrier 2025 <\/a> <\/p>"}},"publicationDate":"2025-01-14"},{"id":5029,"type":7,"artistIds":[2752],"imageIds":[3766],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4793,"type":3,"occurences":[{"startDate":"2024-03-26","startTime":null,"endDate":"2024-03-29","endTime":null}],"placeId":54,"title":"Oreille en coin","artistIds":[2688,2689],"imageIds":[3530],"publicId":4,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-29"},{"id":4352,"type":3,"extraText1":"

\u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy<\/a><\/p>","extraText2":"

Les \u00e9tudiants du Studio : C\u00e9leste Gatier, Tina Jander, Th\u00e9au Lerma, Lily Meul\u00e9, Esther Teillard<\/p>

H\u00e9l\u00e8ne Yamba-Guimbi, encadr\u00e9s par \u00c9ric Maillet<\/p>","extractText":"

Atelier du mardi 18 au vendredi 21 avril 2023 avec six \u00e9tudiant\u2e31e\u2e31s du Studio \u00ab Oreille en coin \u00bb de l\u2019ENSAPC, Ecole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy, encadr\u00e9s par \u00c9ric Maillet.<\/p>

Restitution publique au Cipm le vendredi 21 avril \u00e0 16h<\/p>","occurences":[{"startDate":"2023-04-18","startTime":null,"endDate":"2023-04-21","endTime":null},{"startDate":"2023-04-21","startTime":"15:00:36","endDate":null,"endTime":null}],"title":"Oreille en coin","imageIds":[3126],"linkedItemIdsWithLayout":[{"itemId":4342,"layout":2}],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-12"},{"id":272,"type":14,"title":"Oreille rouge - extrait","artistIds":[1810,1811,1812,1813,1814,1815,1816],"referenceItemIds":[2924,4045],"data":{"media":{"mediaId":272,"artworkDate":"2008-04-25"}},"publicationDate":"2023-02-23"},{"id":1372,"type":7,"artistIds":[1029],"publicationDate":"2023-02-23"},{"id":1373,"type":7,"artistIds":[1030],"imageIds":[408],"publicationDate":"2023-02-23"},{"id":560,"type":14,"title":"Osiris, Dieu de pierre","artistIds":[1940],"referenceItemIds":[4078,3069],"data":{"media":{"mediaId":560,"artworkDate":"2010-10-08"}},"publicationDate":"2023-02-23"},{"id":319,"type":14,"title":"o\u00f9 disjonction","artistIds":[889],"referenceItemIds":[2465,3876],"data":{"media":{"mediaId":319,"artworkDate":"2003-03-07"}},"publicationDate":"2023-02-23"},{"id":202,"type":14,"title":"O\u00f9 \u00e9tais-je ? ...","artistIds":[443],"referenceItemIds":[2432,3896],"data":{"media":{"mediaId":202,"artworkDate":"2004-02-20"}},"publicationDate":"2023-02-23"},{"id":2331,"type":1,"occurences":[{"startDate":"1998-05-15","endDate":"1998-07-04","startTime":null,"endTime":null}],"title":"O\u00f9 faut-il chercher l'oubli ? \/ Nouvelles du sud et du nord","artistIds":[1351,359],"imageIds":[1170],"publicationDate":"2023-02-23"},{"id":3145,"type":2,"occurences":[{"startDate":"1991-01-25","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Oulipo","artistIds":[597,580,1068,248,861],"publicationDate":"2023-02-23"},{"id":4625,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-12-09","startTime":"11:00:52","endDate":"2023-12-09","endTime":null}],"title":"Out standing in her field","artistIds":[1808],"imageIds":[3337],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-10-11"},{"id":4673,"type":14,"title":"Out standing in her field","artistIds":[1808],"referenceItemIds":[4625],"data":{"book":{},"publication":{},"media":{"mediaId":1200,"artworkDate":"2023-12-09","artworkDateToDisplay":"Samedi 9 d\u00e9cembre 2023"}},"publicationDate":"2023-12-20"},{"id":5044,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani et Muriel Modr
37, rue de la Loge, 13002 Marseille<\/p>


fglmarseille@gmail.com<\/a><\/p>

fidelanthelmex.fr<\/a><\/p>","title":"P.Y.R","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4785,"type":14,"extraText1":"

Pages re\u00e7ues de Vannina Maestri<\/p>

\u00e0 l'approche des rencontres des 12 et 13 avril 2024.<\/p>","title":"p't-e\u0302tre a\u0300 la recherche d'une image efficace","artistIds":[1296],"referenceItemIds":[4726,4727],"data":{"book":{},"publication":{},"media":{"mediaId":2023,"artworkDate":"2024-02-04","artworkDateToDisplay":"\u00e0 l'approche des rencontres des 12 et 13 avril 2024."}},"publicationDate":"2024-04-04"},{"id":2014,"type":7,"artistIds":[2159],"imageIds":[899],"publicationDate":"2023-02-23"},{"id":2194,"type":7,"artistIds":[2384],"imageIds":[1040],"publicationDate":"2023-02-23"},{"id":700,"type":14,"title":"Palindrome de vers [Raymond Queneau]","artistIds":[597],"referenceItemIds":[2498,3797],"data":{"media":{"mediaId":700,"artworkDate":"2002-02-20"}},"publicationDate":"2023-02-23"},{"id":696,"type":14,"title":"Palindrome phon\u00e9tique - Zazie dans le m\u00e9tro","artistIds":[2019],"referenceItemIds":[2498,3797],"data":{"media":{"mediaId":696,"artworkDate":"2002-02-20"}},"publicationDate":"2023-02-23"},{"id":289,"type":14,"title":"Palos Gruesos \/ Gros batons","artistIds":[339],"referenceItemIds":[2442,3892],"data":{"media":{"mediaId":289,"artworkDate":"2003-11-21"}},"publicationDate":"2023-02-23"},{"id":3660,"type":5,"occurences":[{"startDate":"2022-03-29","endDate":"2022-03-29","startTime":"14:00:00","endTime":"16:00:00"}],"title":"Panier e(s)t Po\u00e9sie","subtitle":"M\u00e9diation et atelier de lecture","imageIds":[2462],"publicationDate":"2023-02-23"},{"id":420,"type":14,"title":"Par manque de temps...","artistIds":[1308],"referenceItemIds":[2547,3816],"data":{"media":{"mediaId":420,"artworkDate":"2000-04-20"}},"publicationDate":"2023-02-23"},{"id":34,"type":14,"title":"Par Roulement","artistIds":[1034],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":34,"artworkDate":"2005-03-12"}},"publicationDate":"2023-02-23"},{"id":5010,"type":14,"extraText2":"

Extrait du manuscrit Paradiciaca. Un Lac-Op\u00e9ra,<\/i> (traduction en n\u00e9erlandais.)<\/p>","title":"Paradiciaca. Un Lac-Op\u00e9ra","artistIds":[1554],"referenceItemIds":[4974,5008,5009],"data":{"book":{},"publication":{},"media":{"mediaId":2411,"artworkDate":"2025-01-24","artworkDateToDisplay":"vendredi 24 janvier 2025"}},"publicationDate":"2025-03-21"},{"id":5009,"type":14,"extraText2":"

enfin <\/i>(eindelijk<\/i>), <\/i>extrait de Paradisiaca. Un Lac-Op\u00e9ra, <\/i>livre en cours.(extrait de Paradisiaca. Een Meer-Opera<\/i>, livre jumeau en auto-traduction cr\u00e9atrice, en cours \u00e0 venir en 2026.)<\/p>","title":"Paradisiaca. Un Lac-Op\u00e9ra ","artistIds":[1554],"referenceItemIds":[4974,5008,5010],"data":{"book":{},"publication":{},"media":{"mediaId":2410,"artworkDate":"2025-01-24","artworkDateToDisplay":"vendredi 24 janvier 2025"}},"publicationDate":"2025-03-21"},{"id":650,"type":14,"title":"Parce que je suis la force de l'innomie et autres po\u00e8mes","artistIds":[330],"referenceItemIds":[2504,3798],"data":{"media":{"mediaId":650,"artworkDate":"2001-11-16"}},"publicationDate":"2023-02-23"},{"id":4724,"type":2,"subTypeId":7,"extraText1":"

Un atelier de 10h \u00e0 13h suivi d'une lecture \u00e0 15h.<\/p>

 <\/p>

Commanderie de Peyrassol<\/p>

\u00ab Chemin de Peyrassol \u00bb<\/p>

RN7 \u2013 83340 Flassans-sur-Issole<\/p>","extraText2":"

R\u00e9servation aupr\u00e8s de la Commanderie de Peyrassol : 
Atelier d'\u00e9criture<\/a> 
Rencontre<\/a><\/p>

 <\/p>

Librairie invit\u00e9e :<\/p>

Le carr\u00e9 des mots, 83000 Toulon<\/a><\/p>

 <\/p>","extraText3":"

En partenariat avec la Commanderie de Peyrassol<\/p>","occurences":[{"startDate":"2024-03-16","startTime":"15:00:03","endDate":null,"endTime":null}],"placeId":45,"title":"Parce que le vivant, le po\u00e8me","artistIds":[2173],"imageIds":[3441],"logoImageIds":[3468,3469],"referenceItemIds":[4741],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-31"},{"id":883,"type":14,"title":"Parce-que","artistIds":[922],"referenceItemIds":[3333,4217],"data":{"media":{"mediaId":883,"artworkDate":"2015-11-13"}},"publicationDate":"2023-02-23"},{"id":3730,"type":2,"subTypeId":7,"occurences":[{"startDate":"2023-01-14","startTime":"16:00:00","endDate":"2023-01-14","endTime":"18:00:00"}],"title":"Parcipation du Cipm \u00e0 Po\u00e9sie Poetry Poezija !<\/i>","subtitle":"Rencontre autour de la po\u00e9sie de Jonas Mekas organis\u00e9e par La Fab.","imageIds":[2551],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5296,"type":2,"subTypeId":10,"occurences":[{"startDate":"2026-03-07","startTime":"15:30:36","endDate":null,"endTime":null}],"title":"Pariah et L\u2019Angle Mort","subtitle":"Rencontre avec deux maisons d'\u00e9dition

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Une r\u00e9sidence partag\u00e9e entre La Marelle et le Cipm <\/p>","occurences":[{"startDate":"2024-03-01","startTime":null,"endDate":"2024-03-31","endTime":null}],"title":"Paseo doble ","artistIds":[2390],"imageIds":[3438],"logoImageIds":[3437],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-25"},{"id":546,"type":14,"title":"Passages","artistIds":[62],"referenceItemIds":[3940,3066],"data":{"media":{"mediaId":546,"artworkDate":"1994-05-28"}},"publicationDate":"2023-02-23"},{"id":3386,"type":5,"occurences":[{"startDate":"2017-03-25","endDate":"2017-03-26","startTime":"14:30:00","endTime":"16:30:00"}],"title":"Passages, tissages, tressages","subtitle":"Atelier d'\u00e9criture","artistIds":[1996],"imageIds":[2054],"publicationDate":"2023-02-23"},{"id":429,"type":14,"title":"Passant par","artistIds":[1219],"referenceItemIds":[3008,3944],"data":{"media":{"mediaId":429,"artworkDate":"1993-11-26"}},"publicationDate":"2023-02-23"},{"id":3513,"type":2,"occurences":[{"startDate":"2019-06-14","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"Passer \u00e0 l'\u00e9chelle 1","imageIds":[2234],"publicationDate":"2023-02-23"},{"id":8,"type":14,"title":"Passionn\u00e9ment","artistIds":[483],"referenceItemIds":[3746],"data":{"media":{"mediaId":8,"artworkDate":"1991-07-01"}},"publicationDate":"2023-02-23"},{"id":4745,"type":9,"extraText1":"

En \u00e9cho \u00e0 l'exposition Adventures in Poetry.<\/p>

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 <\/p>

Vernissage samedi 18 mai de 16h45 \u00e0 18h45.<\/p>

Performance de Patrick Beurard-Valdoye \u00e0 17h00.<\/p>","extraText3":"

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Performances of A <\/i>-24 by an ensemble of Bay Area poets including : Steve Benson, Carla Harryman, Lyn Hejinian, Kit Robinson and Barrett Watten with Bob Perelman on piano, at the University of California Davis, November 16, 1978.<\/p>

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Dans le cadre de la 1\u00e8re <\/sup>\u00e9dition du festival \"Oh ! Ma Parole\".<\/p>","occurences":[{"startDate":"2021-06-06","startTime":"10:00:00","endDate":null,"endTime":null}],"placeId":38,"title":"Petit d\u00e9jeuner po\u00e9tique #1","subtitle":"Carte blanche au Cipm","artistIds":[1202,1996,1004],"imageIds":[2371],"logoImageIds":[3373],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3688,"type":2,"subTypeId":7,"typePrecision":"lectures","extraText1":"

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En premi\u00e8re partie, sc\u00e8ne ouverte aux \u00e9tudiantes et aux \u00e9tudiants de l'ARC Textes et voix des Beaux-Arts de Marseille : Sophie Andry, Ariadna Chavez, Blanche Coquerel, Zhiting Fu, Arielle Holtz, Amadeus Kapp, Maxime Lela, Camille No\u00ebl.<\/p>

 <\/p>

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Tarifs
Cycle de trois s\u00e9ances : 30 \u20ac (10 \u20ac \/ la s\u00e9ance)
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Pr\u00e9sentation de l'ouvrage collectif Toi aussi, tu as des armes<\/i>, La Fabrique, 2011. <\/p>

 <\/p>

Soir\u00e9e organis\u00e9e dans le cadre de <\/i>Le peuple manque-t-il ?<\/p>

une proposition d'Alphabetville, du 5 avril au 19 mai 2012. <\/i><\/p>","occurences":[{"startDate":"2012-04-20","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"Po\u00e9sie & politique","artistIds":[996,1934,678],"imageIds":[1780,1781],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5270,"type":4,"extraText1":"

Atelier de po\u00e9sie sonore propos\u00e9 par Emmanuelle Bentz <\/p>

avec une classe de 4\u00e8me <\/sup>- Coll\u00e8ge La Carraire, 13141 Miramas
Enseignante de lettres : Delphine Mareachealee<\/p>

Classe de 4\u00e8me<\/sup><\/p>","occurences":[{"startDate":"2025-03-05","startTime":null,"endDate":"2025-04-05","endTime":null}],"placeId":98,"title":"Po\u00e9sie & RAP","artistIds":[349],"subItemIds":[5271],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-04"},{"id":5271,"type":13,"extraText1":"

Atelier de po\u00e9sie sonore propos\u00e9 par Emmanuelle Bentz <\/p>

avec une classe de 4\u00e8me <\/sup>- Coll\u00e8ge La Carraire, 13141 Miramas
Enseignante de lettres : Delphine Mareachealee<\/p>

Classe de 4\u00e8me<\/sup><\/p>","title":"Po\u00e9sie & RAP","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-05"},{"id":263,"type":14,"title":"Po\u00e9sie \u00e0 l'\u00e9cole \u00e9l\u00e9mentaire Saint Joseph Servi\u00e8res - Po\u00e9sie en vrac \u00e0 deux voix<\/i>","referenceItemIds":[2965],"data":{"media":{"mediaId":263,"artworkDate":"2008-06-01"}},"publicationDate":"2023-02-23"},{"id":3394,"type":4,"occurences":[{"startDate":"2017-01-01","endDate":"2017-01-30","startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 l'\u00e9cole Saint Joseph de la Madeleine","artistIds":[1202],"imageIds":[2082],"publicationDate":"2023-02-23"},{"id":3435,"type":4,"occurences":[{"startDate":"2017-11-24","endDate":null,"startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 l'\u00e9cole Saint Joseph de la Madeleine","artistIds":[1202],"imageIds":[2128],"publicationDate":"2023-02-23"},{"id":3122,"type":4,"occurences":[{"startDate":"2011-03-01","endDate":"2011-06-30","startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 l'\u00e9cole Saint Joseph Servi\u00e8res","subtitle":"Intervention en 2010 - 2011","artistIds":[349],"imageIds":[1746,1747,1748,1749,1750],"publicationDate":"2023-02-23"},{"id":2891,"type":4,"occurences":[{"startDate":"2007-11-01","endDate":"2008-01-31","startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 l'\u00e9cole Sainte Marthe","subtitle":"Intervention en 2007 - 2008","artistIds":[349],"publicationDate":"2023-02-23"},{"id":3359,"type":4,"occurences":[{"startDate":"2015-11-17","endDate":"2015-11-19","startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 l\u2019Ecole Saint Joseph de la Madeleine","artistIds":[1202],"imageIds":[2018],"publicationDate":"2023-02-23"},{"id":2780,"type":4,"occurences":[{"startDate":"2006-03-01","endDate":"2006-04-01","startTime":null,"endTime":null}],"title":"Po\u00e9sie \u00e0 Plan de Cuques","subtitle":"Intervention en 2005 - 2006","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":2518,"type":2,"occurences":[{"startDate":"2001-05-19","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Po\u00e9sie alg\u00e9rienne contemporaine","artistIds":[988,796,385,987,988],"publicationDate":"2023-02-23"},{"id":2759,"type":2,"occurences":[{"startDate":"2006-05-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Po\u00e9sie anglaise contemporaine","subtitle":"les \u00e9ditions Barque Press","artistIds":[1034,1644,1645,1646,713,771],"imageIds":[1414],"publicationDate":"2023-02-23"},{"id":3051,"type":4,"occurences":[{"startDate":"2010-01-01","endDate":"2010-01-31","startTime":null,"endTime":null}],"title":"Po\u00e9sie au coll\u00e8ge du Roy d'Espagne","subtitle":"Intervention en 2009 - 2010","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":3121,"type":4,"occurences":[{"startDate":"2011-05-01","endDate":"2011-05-31","startTime":null,"endTime":null}],"title":"Po\u00e9sie au coll\u00e8ge Malraux","subtitle":"Intervention en 2010 - 2011","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":2855,"type":4,"occurences":[{"startDate":"2006-12-01","endDate":"2007-06-01","startTime":null,"endTime":null}],"title":"Po\u00e9sie au lyc\u00e9e","subtitle":"Intervention en 2006 - 2007","artistIds":[397],"publicationDate":"2023-02-23"},{"id":2908,"type":2,"occurences":[{"startDate":"2008-11-12","endDate":"2008-11-12","startTime":"10:00:00","endTime":"12:00:00"}],"title":"Po\u00e9sie au lyc\u00e9e","artistIds":[686],"publicationDate":"2023-02-23"},{"id":4969,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Anne Houdy avec une classe de 1\u00e8re<\/sup> bac pro - Lyc\u00e9e Montmajour, Arles<\/p>

Du mercredi 16 octobre au jeudi 19 d\u00e9cembre 2024<\/p>

Enseignantes : Sandrine Gouaz\u00e9 et Karine Vial<\/p>","title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e Montmajour, Arles","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-19"},{"id":5118,"type":4,"extraText1":"

Atelier d\u2019\u00e9criture d'Anne Houdy avec une classe de 1\u00e8re<\/sup> bac pro - Lyc\u00e9e Montmajour, Arles<\/p>

Enseignantes : Sandrine Gouaz\u00e9 et Karine Vial<\/p>","occurences":[{"startDate":"2024-10-16","startTime":null,"endDate":"2024-12-19","endTime":null}],"title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e Montmajour, Arles","artistIds":[1929],"imageIds":[3702],"subItemIds":[4969],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-19"},{"id":5115,"type":4,"extraText1":"

Enseignante : Aurore Bonnier 
Classe de 6e<\/sup> SEGPA<\/p>","occurences":[{"startDate":"2025-01-27","startTime":null,"endDate":"2025-03-03","endTime":null}],"title":"Po\u00e9sie Aujourd'hui : Coll\u00e8ge Henri Boudon, 84000 Boll\u00e8ne","artistIds":[1929],"imageIds":[3852],"subItemIds":[5116],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-03"},{"id":5116,"type":13,"extraText1":"

Atelier d'\u00e9criture d'Anne Houdy<\/p>

Enseignante : Aurore Bonnier 
Classe de 6e<\/sup> SEGPA<\/p>","title":"Po\u00e9sie Aujourd'hui : Coll\u00e8ge Henri Boudon, 84000 Boll\u00e8ne","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-03"},{"id":4962,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Emmanuelle Bentz avec une classe de Terminale pro - Lyc\u00e9e professionnel Alexandre Dumas, Cavaillon
Du lundi 21 novembre au mercredi 12 d\u00e9cembre 2024<\/p>

Enseignant : Bernard Orlando<\/p>

Enseignante documentaliste : Fabienne Appy<\/p>","title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e professionnel Alexandre Dumas, Cavaillon","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-12"},{"id":5117,"type":4,"extraText1":"

Atelier d\u2019\u00e9criture d'Emmanuelle Bentz avec une classe de Terminale pro <\/p>

Enseignant : Bernard Orlando<\/p>

Enseignante documentaliste : Fabienne Appy<\/p>","occurences":[{"startDate":"2024-11-21","startTime":null,"endDate":"2024-12-12","endTime":null}],"title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e professionnel Alexandre Dumas, Cavaillon","artistIds":[349],"imageIds":[3697],"subItemIds":[4962],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-12"},{"id":5119,"type":4,"extraText1":"

Atelier d'\u00e9criture d'Emmanuelle Bentz avec la classe de Terminale Bac pro m\u00e9caniciens.<\/p>

Enseignants : Valerie L\u00e9ger et Mohamed Sidi Khoya<\/p>","occurences":[{"startDate":"2025-03-11","startTime":null,"endDate":"2025-04-01","endTime":null}],"title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e professionnel Les Alpilles, Miramas","artistIds":[349],"imageIds":[3857],"subItemIds":[5121],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-30"},{"id":5121,"type":13,"extraText1":"

Atelier d'\u00e9criture d'Emmanuelle Bentz avec la classe de Terminale Bac pro m\u00e9caniciens.<\/p>

Enseignants : Valerie L\u00e9ger et Mohamed Sidi Khoya<\/p>","title":"Po\u00e9sie Aujourd'hui : Lyc\u00e9e professionnel Les Alpilles, Miramas","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4961,"type":4,"occurences":[{"startDate":"2024-10-14","startTime":null,"endDate":"2025-06-06","endTime":null}],"title":"Po\u00e9sie Aujourd'hui 2024-2025","artistIds":[349,1929],"imageIds":[3696],"subItemIds":[4962,4969],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-12-12"},{"id":5184,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Esther Salmona avec une classe de 6\u00e8me <\/sup>- Coll\u00e8ge Gassendi, Dignes-Les-Bains
Enseignante : Anne Giovannoni<\/p>

Classe de 6\u00e8me<\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Gassendi, 04070 Dignes-Les-Bains","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-23"},{"id":5185,"type":4,"extraText1":"

Enseignantes : Anne Giovannoni et Faustine Renouf <\/p>

Classes de 6\u00e8me <\/sup>et de 5\u00e8me <\/sup><\/p>","occurences":[{"startDate":"2025-01-14","startTime":null,"endDate":"2025-04-22","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Coll\u00e8ge Gassendi, 04070 Dignes-Les-Bains","artistIds":[1996],"imageIds":[3913],"subItemIds":[5184,5199],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":5199,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Esther Salmona avec une classe de 5\u00e8me <\/sup>- Coll\u00e8ge Gassendi, Dignes-Les-Bains
Enseignante : Faustine Renouf<\/p>

Classe de 5\u00e8me<\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Gassendi, 04070 Dignes-Les-Bains","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-22"},{"id":5177,"type":4,"extraText1":"

Enseignante : Magali Vermeil<\/p>

Classe de 4\u00e8me<\/sup><\/p>","occurences":[{"startDate":"2025-04-24","startTime":null,"endDate":"2025-06-12","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Coll\u00e8ge Henri Laugier, 04088 Forcalquier","artistIds":[1996],"imageIds":[3907],"subItemIds":[5181],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-12"},{"id":5181,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Esther Salmona avec une classe de 4\u00e8me <\/sup>- Coll\u00e8ge Henri Laugier, Forcalquier<\/p>

Enseignante : Magali Vermeil<\/p>

Classe de 4\u00e8me<\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Henri Laugier, 04088 Forcalquier","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-12"},{"id":5200,"type":4,"extraText1":"

Enseignante : Magali Crocitti<\/p>

Enseignante documentaliste : Isabelle Guerra<\/p>

Classe de 5\u00e8me<\/sup><\/p>","occurences":[{"startDate":"2025-05-09","startTime":null,"endDate":"2025-07-12","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Coll\u00e8ge J.M.G Itard, 04143 Oraison","artistIds":[1996],"imageIds":[3939],"subItemIds":[5201],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-12"},{"id":5201,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Esther Salmona avec une classe de 5\u00e8me <\/sup>- Coll\u00e8ge J.M.G Itard, Oraison
Enseignante : Magali Crocitti<\/p>

Enseignante documentaliste : Isabelle Guerra<\/p>

Classe de 5\u00e8me<\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge J.M.G Itard, 04143 Oraison","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-12"},{"id":5321,"type":4,"extraText1":"

Enseignant : Yann Mirall\u00e8s<\/p>

Classe 5\u00e8me<\/sup> C <\/p>","occurences":[{"startDate":"2026-01-09","startTime":null,"endDate":"2026-01-30","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Joseph Vernet, 84000 Avignon","artistIds":[1929],"imageIds":[4059],"subItemIds":[5322],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-01-30"},{"id":5322,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Anne Houdy avec une classe de 5\u00e8me<\/sup> C <\/sup>- Coll\u00e8ge Joseph Vernet, Avignon<\/p>

Enseignant : Yann Mirall\u00e8s<\/p>

Classe de 5\u00e8me<\/sup> C <\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Joseph Vernet, 84000 Avignon","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-01-30"},{"id":5195,"type":4,"extraText1":"

Enseignante : Elise Schuster<\/p>

Classe 4\u00e8me<\/sup><\/p>","occurences":[{"startDate":"2025-05-05","startTime":null,"endDate":"2025-05-20","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Coll\u00e8ge l\u2019Estaque, 13016 Marseille","artistIds":[1004],"imageIds":[3933],"subItemIds":[5196],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-20"},{"id":5196,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture de Nicolas Tardy avec une classe de 4\u00e8me <\/sup>- Coll\u00e8ge l\u2019Estaque, 13016 Marseille
Enseignante : Elise Schuster<\/p>

Classe 4\u00e8me<\/sup><\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge l\u2019Estaque, 13016 Marseille","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-20"},{"id":5179,"type":4,"extraText1":"

Enseignant : Karim Ramrane<\/p>

Enseignante documentaliste : Marie Nedellec<\/p>

Classe ULIS<\/p>","occurences":[{"startDate":"2025-01-10","startTime":null,"endDate":"2025-02-07","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Coll\u00e8ge Mont d\u2019Or, 04100 Manosque","artistIds":[322],"imageIds":[3912],"subItemIds":[5183],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-02-07"},{"id":5183,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture de Doroth\u00e9e Volut avec une classe ULIS- Coll\u00e8ge Mont d\u2019Or, Manosque<\/p>

Enseignant : Karim Ramrane<\/p>

Enseignante documentaliste : Marie Nedellec<\/p>

Classe ULIS<\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Coll\u00e8ge Mont d\u2019Or, 04100 Manosque","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-02-07"},{"id":5217,"type":4,"extraText1":"

Enseignante : Estelle Gust
Enseignante documentaliste : Clare Lansac
Classe de seconde<\/p>","extraText2":"

Lyc\u00e9e Cit\u00e9 scolaire internationale Jacques Chirac<\/a><\/p>","occurences":[{"startDate":"2024-11-11","startTime":null,"endDate":"2024-12-18","endTime":null}],"title":"Po\u00e9sie Aujourd\u2019hui\u00a0: Lyc\u00e9e Cit\u00e9 scolaire internationale Jacques Chirac, 13002 Marseille","artistIds":[131],"imageIds":[3949,3950,3951,3952],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-08-02"},{"id":5323,"type":4,"extraText1":"

Enseignante : Nathalie Fabre<\/p>

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Atelier d\u2019\u00e9criture d'Emmanuelle Bentz avec une classe de Terminale <\/sup>- Lyc\u00e9e Professionnel Alexandre Dumas, Cavaillon<\/p>

Enseignante : Nathalie Fabre<\/p>

Classe de Terminale<\/p>","title":"Po\u00e9sie Aujourd\u2019hui : Lyc\u00e9e Professionnel Alexandre Dumas, 84300 Cavaillon","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-02-05"},{"id":5202,"type":4,"extraText1":"

Enseignante de Lettres : Audrey Jaillon
Enseignante documentaliste : Caroline Codaccioni
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Atelier d\u2019\u00e9criture d'Arno Calleja avec une classe de 1\u00e8re<\/sup> bac pro MCV - Lyc\u00e9e professionnel Fr\u00e9d\u00e9ric Mistral, Marseille<\/p>

Enseignante de Lettres : Audrey Jaillon
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Atelier d\u2019\u00e9criture avec une classe de 1\u00e8re<\/sup> option \u00ab Culture et Antiquit\u00e9 \u00bb<\/p>

Merci \u00e0 Karen Bataille, enseignante documentaliste, et Muriel Michel, enseignante de Lettres<\/p>","occurences":[{"startDate":"2024-05-24","startTime":null,"endDate":null,"endTime":null}],"placeId":67,"title":"Po\u00e9sie en mouvement

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atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 7 et 14 d\u00e9cembre 2024<\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30 \u20ac (15 \u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 20 \u20ac (10 \u20ac \/ la s\u00e9ance)<\/p>","extraText3":"

Cycle de 2 s\u00e9ances de 3 heures<\/p>

 <\/p>","occurences":[{"startDate":"2024-12-07","startTime":null,"endDate":null,"endTime":null},{"startDate":"2024-12-14","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Po\u00e9sie pas seule","artistIds":[1721],"imageIds":[3675],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-11-13"},{"id":3722,"type":2,"subTypeId":9,"occurences":[{"startDate":"2022-11-26","startTime":"11:30:00","endDate":null,"endTime":null}],"title":"Po\u00e9sie pour la fin et le d\u00e9but des mondes ","artistIds":[2513],"imageIds":[2541],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4262,"type":8,"title":"Po\u00e9sie sonore","artistIds":[698],"imageIds":[3036],"referenceItemIds":[4246],"data":{"book":{"publicationDate":"2008-10-01","issn":"978-2-917824-05-4"},"publication":{"price":14,"collectionIds":[12]}},"publicationDate":"2023-02-23"},{"id":3098,"type":2,"occurences":[{"startDate":"2011-04-01","endDate":"2011-04-09","startTime":null,"endTime":null}],"title":"Po\u00e9sieRock","subtitle":"une coproduction du cipM et du GRIM","artistIds":[1982,1981,1980,1979,1978,1195,1983],"imageIds":[1722,1723,1724,1725,1271],"publicationDate":"2023-02-23"},{"id":595,"type":14,"title":"Po\u00e9sieRock [4 pages]","artistIds":[1195,1978,1979,1980,1981,1982,1983],"referenceItemIds":[4110,3098,3099,3100],"data":{"media":{"mediaId":595,"artworkDate":"2011-03-29"}},"publicationDate":"2023-02-23"},{"id":3230,"type":2,"occurences":[{"startDate":"2013-11-15","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Po\u00e8tes d'Afrique du Sud","artistIds":[2134,2136,2135],"imageIds":[1857],"publicationDate":"2023-02-23"},{"id":2767,"type":5,"occurences":[{"startDate":"2003-01-01","endDate":null,"startTime":null,"endTime":null}],"title":"Po\u00e8tes dans la Ville","subtitle":"Un atelier \u00e0 Gardane 2003","artistIds":[1199],"publicationDate":"2023-02-23"},{"id":3899,"type":8,"title":"Po\u00e8tes dans la ville","subtitle":"Un atelier d'\u00e9criture \u00e0 Gardanne","artistIds":[1199],"imageIds":[2705],"referenceItemIds":[3741],"data":{"book":{"publicationDate":"2003-01-01","issn":"1148-652X"},"publication":{"price":3,"collectionIds":[1]}},"publicationDate":"2023-02-23"},{"id":4563,"type":9,"extraText1":"

En lien avec l'exposition La somme des deux<\/i><\/p>

et avec le Master Lettres - \u00e9copo\u00e9tique et cr\u00e9ation<\/i> d'Aix Marseille Universit\u00e9.<\/p>","occurences":[{"startDate":"2023-09-16","startTime":"11:00:03","endDate":null,"endTime":null}],"title":"Po\u00e9tiques du d\u00e9paysage","artistIds":[1852],"imageIds":[3277],"referenceItemIds":[4555,4558],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-20"},{"id":4607,"type":14,"typePrecision":"conf\u00e9rence","extraText2":"

en lien avec l\u2019exposition \u00ab\u2009Brigitte Palaggi, Olivier Domerg \/ La somme des deux\u2009\u00bb,<\/p>

avec le \u00ab\u2009Parcours \u00e9criture\u2009\u00bb du Master RED et le Master \u00ab\u2009\u00c9copo\u00e9tique\u2009\u00bb d\u2019Aix Marseille Universit\u00e9.<\/p>

 <\/p>","title":"Po\u00e9tiques du d\u00e9paysage","artistIds":[1852],"referenceItemIds":[4563,4555],"data":{"book":{},"publication":{},"media":{"mediaId":1093,"artworkDate":"2023-09-16","artworkDateToDisplay":"Samedi 16 septembre 2023"}},"publicationDate":"2023-09-27"},{"id":5095,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : Joep Polderman, Lola Arrouasse et St\u00e9phane Lambion
Collectif Point de chute : Chez Joep Polderman
10 rue Jean-Baptiste Berlier, 75013 Paris

revuepointdechute@gmail.com<\/a> 
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4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>

 <\/p>","extraText2":"

Responsable de la revue : Philippe Blanchon
80 Imp. Du Mas des Rochers 83200 Toulon<\/p>

 <\/p>

phblanchon@wanadoo.fr<\/a><\/p>

lanerthe.wixsite.com<\/a><\/p>","title":"Politique de l\u2019auteur","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":4800,"type":2,"typePrecision":"carte blanche","extraText1":"

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R\u00e9sidence au Lyc\u00e9e des M\u00e9tiers Fr\u00e9d\u00e9ric Mistral<\/p>

du lundi 16 octobre au vendredi 17 novembre 2023<\/p>","extraText2":"

Un grand merci \u00e0 Arno Calleja qui a bien voulu se livrer \u00e0 l'interview pr\u00e9par\u00e9 par les \u00e9l\u00e8ves de la section UPEAA, \u00e0 la fin de sa r\u00e9sidence au CDI. Restitution du podcast \u00e0 venir ! <\/p>","occurences":[{"startDate":"2023-10-16","startTime":null,"endDate":"2023-11-17","endTime":null}],"placeId":53,"title":"Pratiquer la po\u00e9sie c\u2019est possible !","artistIds":[131],"imageIds":[3524],"subItemIds":[4788],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-05"},{"id":4788,"type":13,"extraText1":"

R\u00e9sidence d'\u00e9criture d'Arno Galleja  avec 5 classes du Lyc\u00e9e des M\u00e9tiers Fr\u00e9d\u00e9ric Mistral<\/p>

du lundi 16 octobre au vendredi 17 novembre 2023<\/p>

 <\/p>","title":"Pratiquer la po\u00e9sie c\u2019est possible !","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-05"},{"id":4659,"type":14,"title":"Pr\u00e9ambule","artistIds":[1167],"referenceItemIds":[66,3989],"data":{"book":{},"publication":{},"media":{"mediaId":1137,"artworkDate":"2001-03-10"}},"publicationDate":"2023-11-22"},{"id":2524,"type":9,"typePrecision":"\u00ab De la po\u00e9sie contemporaine \u00bb","occurences":[{"startDate":"2001-03-10","startTime":"18:00:00","endDate":null,"endTime":null}],"title":"Pr\u00e9ambule","artistIds":[1167],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":103,"type":14,"title":"Prefab","artistIds":[506],"referenceItemIds":[2419],"data":{"media":{"mediaId":103,"artworkDate":"2004-06-04"}},"publicationDate":"2023-02-23"},{"id":234,"type":14,"title":"Pr\u00e9face \u00e0 \u00ab Copier n'est pas jouer \u00bb","artistIds":[1572],"referenceItemIds":[4038,2925],"data":{"media":{"mediaId":234,"artworkDate":"2008-01-25"}},"publicationDate":"2023-02-23"},{"id":4470,"type":14,"title":"Pr\u00e9l\u00e8vements","subtitle":"avril 2023, hypocentre de la Biblioth\u00e8que du Cipm","artistIds":[2563],"data":{"book":{},"publication":{},"media":{"mediaId":1001,"artworkDate":"2023-04-21"}},"publicationDate":"2023-05-12"},{"id":2615,"type":2,"occurences":[{"startDate":"1998-03-20","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Pr\u00e9l\u00e8vements... et la suite","subtitle":"La Nouvelle B.S. n\u00b0 22","artistIds":[809,660,299,697,106],"publicationDate":"2023-02-23"},{"id":847,"type":14,"title":"Pr\u00e9monition (extrait)","subtitle":"Etel Adnan","artistIds":[2143],"referenceItemIds":[3244,3246,4177],"data":{"media":{"mediaId":847,"artworkDate":"2014-04-11"}},"publicationDate":"2023-02-23"},{"id":4592,"type":2,"subTypeId":9,"extraText1":"

Une rencontre propos\u00e9e par le Cipm,<\/p>

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Une rencontre propos\u00e9e par le Cipm, co-r\u00e9alis\u00e9e avec Mont\u00e9vid\u00e9o dans le cadre du Festival actoral 2023.<\/p>","title":"Prends ton temps !","artistIds":[1034],"referenceItemIds":[4592],"data":{"book":{},"publication":{},"media":{"mediaId":1124,"artworkDate":"2023-10-14","artworkDateToDisplay":"Samedi 14 octobre 2023"}},"publicationDate":"2023-11-08"},{"id":2566,"type":2,"occurences":[{"startDate":"1999-09-17","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Pr\u00e9sence de Claude Fa\u00efn","artistIds":[247,247,743],"publicationDate":"2023-02-23"},{"id":3389,"type":2,"occurences":[{"startDate":"2017-03-24","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Pr\u00e9sentation CCP n\u00b0 33","subtitle":"Danièle Robert \/ Ryoko Sekiguchi","artistIds":[2297,1182,224,287],"imageIds":[2078],"publicationDate":"2023-02-23"},{"id":4901,"type":2,"extraText1":"

En partenariat avec : Institut Fran\u00e7ais<\/a><\/p>","occurences":[{"startDate":"2024-05-26","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Pr\u00e9sentation de la biblioth\u00e8que et des activit\u00e9s du Centre international de po\u00e9sie","artistIds":[2277,2638],"imageIds":[3625],"logoImageIds":[3621],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-05-26"},{"id":536,"type":14,"title":"Pr\u00e9sentation de P.O.L","artistIds":[1069],"referenceItemIds":[3061,3971],"data":{"media":{"mediaId":536,"artworkDate":"1990-06-29"}},"publicationDate":"2023-02-23"},{"id":192,"type":14,"title":"Pr\u00e9sentation des Cahiers de l'Adour","artistIds":[271],"referenceItemIds":[3922,2402],"data":{"media":{"mediaId":192,"artworkDate":"2005-01-21"}},"publicationDate":"2023-02-23"},{"id":3215,"type":1,"occurences":[{"startDate":"2013-07-12","endDate":"2013-09-21","startTime":null,"endTime":null}],"title":"Pr\u00e9sentation des d\u00e9tails","artistIds":[1524],"imageIds":[1843,1844,1271,1845],"publicationDate":"2023-02-23"},{"id":5259,"type":2,"subTypeId":9,"occurences":[{"startDate":"2025-11-29","startTime":"16:00:46","endDate":null,"endTime":null}],"title":"Presque \u00e7a et autre chose","artistIds":[2266],"imageIds":[4006],"referenceItemIds":[5250,5253],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-10-31"},{"id":5280,"type":14,"typePrecision":"solo","title":"Presque \u00e7a et autre chose","artistIds":[2266],"referenceItemIds":[5259],"data":{"book":{},"publication":{},"media":{"mediaId":2842,"artworkDate":"2025-11-29","artworkDateToDisplay":"samedi 29 novembre 2025"}},"publicationDate":"2025-11-29"},{"id":543,"type":14,"title":"Pri\u00e8re \/ Mise en facteur","artistIds":[376],"referenceItemIds":[3008,3944],"data":{"media":{"mediaId":543,"artworkDate":"1993-11-27"}},"publicationDate":"2023-02-23"},{"id":5008,"type":14,"extraText2":"

printemps cosmique<\/i>, <\/i>extrait de Juin sur avril <\/i>(\u00ab <\/i>Le double printemps \u00bb), dans Et puis, soudain, il carillonne [Selected 2005-2021], LansKine, 2023.<\/i><\/p>","title":"printemps cosmique","artistIds":[1554],"referenceItemIds":[4974,5009],"data":{"book":{},"publication":{},"media":{"mediaId":2409,"artworkDate":"2021-01-24","artworkDateToDisplay":"2005-2021"}},"publicationDate":"2025-03-21"},{"id":2894,"type":12,"occurences":[{"startDate":"2007-03-01","endDate":"2007-05-01","startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2007 \/ Biblioth\u00e8que St Savournin","artistIds":[322,1004],"publicationDate":"2023-02-23"},{"id":2981,"type":12,"occurences":[{"startDate":"2009-03-28","endDate":null,"startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2009 : Biblioth\u00e8que municipale Elisabeth Badinter - Ensu\u00e8s-la-Redonne","artistIds":[322],"imageIds":[1607,1608],"publicationDate":"2023-02-23"},{"id":3057,"type":5,"occurences":[{"startDate":"2010-02-23","endDate":"2010-03-20","startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2010 (adultes)","artistIds":[1202],"imageIds":[1683],"publicationDate":"2023-02-23"},{"id":3056,"type":12,"occurences":[{"startDate":"2010-02-23","endDate":"2010-02-20","startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2010 (jeunesse)","artistIds":[322,1202],"imageIds":[1682],"publicationDate":"2023-02-23"},{"id":529,"type":14,"title":"Printemps des po\u00e8tes 2010 (jeunesse) [morceaux choisis]","referenceItemIds":[3056],"data":{"media":{"mediaId":529,"artworkDate":"2010-03-20"}},"publicationDate":"2023-02-23"},{"id":3241,"type":5,"occurences":[{"startDate":"2014-03-13","endDate":null,"startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2014","subtitle":"En partenariat avec la biblioth\u00e8que de Bonneveine","artistIds":[397],"imageIds":[1868,1869],"publicationDate":"2023-02-23"},{"id":3294,"type":5,"occurences":[{"startDate":"2015-03-12","endDate":null,"startTime":null,"endTime":null}],"title":"Printemps des po\u00e8tes 2015","subtitle":"En partenariat avec la biblioth\u00e8que de Bonneveine","artistIds":[1004],"imageIds":[1936,1937],"publicationDate":"2023-02-23"},{"id":3348,"type":5,"occurences":[{"startDate":"2016-03-10","endDate":"2016-03-18","startTime":"14:00:00","endTime":"16:30:00"}],"title":"Printemps des po\u00e8tes 2016","subtitle":"En partenariat avec la biblioth\u00e8que de Bonneveine","artistIds":[1202],"imageIds":[2004,2005],"publicationDate":"2023-02-23"},{"id":2778,"type":12,"subTypeId":5,"occurences":[{"startDate":"2006-03-30","endDate":null,"startTime":null,"endTime":null}],"title":"Printemps des Po\u00e8tes \u00e0 l\u2019IUFM.","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":5006,"type":2,"extraText2":"


Centre Nobert Elias<\/a>
Centre LGBTQIA+ Marseille<\/a>
Ville de Marseille \u2013 Mus\u00e9es de Marseille \u2013 MAAOA<\/a>
Efigies<\/a> (Association de jeunes chercheur\u00b7es en \u00e9tudes f\u00e9ministes, genre et sexualit\u00e9s)
Avec le soutien de la Maison M\u00e9diterran\u00e9enne de sciences de l\u2019homme<\/a> (MMSH)<\/p>

 <\/p>","occurences":[{"startDate":"2025-03-27","startTime":"10:00:18","endDate":null,"endTime":null}],"placeId":86,"title":"Printemps f\u00e9ministes","artistIds":[2638],"imageIds":[3750],"logoImageIds":[3532,3751,3752],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-06"},{"id":5338,"type":2,"typePrecision":"workshop","extraText1":"

Jeudi 26 et vendredi 27 mars 2026
La Vieille Charit\u00e9 \u2013 Vid\u00e9ochroniques \u2013Biblioth\u00e8que l\u2019Alcazar \u2013 Centre LGBTQIA+<\/p>","extraText2":"

 <\/p>

\u00ab Printemps f\u00e9ministes \u00bb est la seconde \u00e9dition d\u2019un \u00e9v\u00e9nement initi\u00e9 par l\u2019axe \u00ab Chantiers f\u00e9ministes<\/a> \u00bb du Centre Norbert Elias (CNRS, Avignon Universit\u00e9, Aix-Marseille Universit\u00e9), un centre de recherche pluridisciplinaire en sciences sociales associant le CNRS, Avignon Universit\u00e9 et Aix-Marseille Universit\u00e9.<\/p>

 <\/p>","occurences":[{"startDate":"2026-03-26","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Printemps f\u00e9ministes #2","artistIds":[2638],"imageIds":[4084],"logoImageIds":[3532,4064,4028,3751],"referenceItemIds":[5326,5006],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-26"},{"id":5326,"type":2,"typePrecision":"workshop","extraText2":"

 <\/p>

\u00ab Printemps f\u00e9ministes \u00bb est la seconde \u00e9dition d\u2019un \u00e9v\u00e9nement initi\u00e9 par l\u2019axe \u00ab Chantiers f\u00e9ministes<\/a> \u00bb du Centre Norbert Elias (CNRS, Avignon Universit\u00e9, Aix-Marseille Universit\u00e9), un centre de recherche pluridisciplinaire en sciences sociales associant le CNRS, Avignon Universit\u00e9 et Aix-Marseille Universit\u00e9.<\/p>","occurences":[{"startDate":"2026-03-26","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Printemps f\u00e9ministes #2 :

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Le 7e<\/sup> Prix international de litt\u00e9rature Bernard Heidsieck-Centre Pompidou<\/p>

sera remis le jeudi 7 septembre 2023 \u00e0 21h30<\/p>

lors de la soir\u00e9e d\u2019ouverture d\u2019Extra!,<\/p>

le festival de litt\u00e9rature vivante du Centre Pompidou.
Entr\u00e9e libre<\/p>","extraText2":"

Communiqu\u00e9s de presse<\/p>

du Centre Pompidou<\/p>

\u00e0 t\u00e9l\u00e9charger pour conna\u00eetre les laur\u00e9ats : en fran\u00e7ais<\/a> \/ en anglais<\/a>.<\/p>

\u00e0 t\u00e9l\u00e9charger pour conna\u00eetre les nomin\u00e9s.<\/a><\/p>","occurences":[{"startDate":"2023-09-07","startTime":"21:00:25","endDate":null,"endTime":null}],"placeId":25,"title":"Prix litt\u00e9raire Bernard Heidsieck ","imageIds":[3279],"logoImageIds":[3281,3280],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-07-28"},{"id":846,"type":14,"title":"Prog\u00e9nitures (extrait)","subtitle":"Pierre Guyotat","artistIds":[1109],"referenceItemIds":[2536,3813],"data":{"media":{"mediaId":846,"artworkDate":"2000-09-12"}},"publicationDate":"2023-02-23"},{"id":3295,"type":2,"occurences":[{"startDate":"2015-03-12","endDate":"2015-04-17","startTime":null,"endTime":null}],"title":"Programme","subtitle":"Mars - Avril 2015","imageIds":[1938,1939],"publicationDate":"2023-02-23"},{"id":3251,"type":2,"occurences":[{"startDate":"2014-05-07","endDate":"2014-05-31","startTime":null,"endTime":null}],"title":"Programme Mai 2014","subtitle":"Manifestations","publicationDate":"2023-02-23"},{"id":824,"type":14,"title":"Programme Pier Paolo Pasolini La force scandaleuse du pass\u00e9","referenceItemIds":[3208,3209,3210,3211,4158],"data":{"media":{"mediaId":824,"artworkDate":"2013-05-14"}},"publicationDate":"2023-02-23"},{"id":200,"type":14,"title":"Projet (M)W (suite)","artistIds":[1172],"referenceItemIds":[2429,3897],"data":{"media":{"mediaId":200,"artworkDate":"2004-04-02"}},"publicationDate":"2023-02-23"},{"id":2429,"type":2,"occurences":[{"startDate":"2004-04-02","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Projet (M)W (suite)","subtitle":"deux musiciens et une voix","artistIds":[1172,675,628],"publicationDate":"2023-02-23"},{"id":3673,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-04-23","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Projets","subtitle":"Duo","artistIds":[1882,343],"imageIds":[2476],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4462,"type":14,"title":"Projets","subtitle":"Duo","artistIds":[1882,343],"referenceItemIds":[3673],"data":{"book":{},"publication":{},"media":{"mediaId":994,"artworkDate":"2022-04-23"}},"publicationDate":"2023-05-11"},{"id":4335,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-04-08","startTime":"16:00:07","endDate":null,"endTime":null}],"title":"PROLANADA","artistIds":[2226],"imageIds":[939],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-15"},{"id":4715,"type":14,"extraText2":"

Prologue: The 1980s<\/i> from Bad History.<\/i><\/p>

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Quatre po\u00e8mes re\u00e7us le 24 novembre 2024 <\/p>","title":"Quatre po\u00e8mes in\u00e9dits","artistIds":[368],"referenceItemIds":[4934],"data":{"book":{},"publication":{},"media":{"mediaId":2330,"artworkDate":"2024-11-23","artworkDateToDisplay":"

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 <\/p>

PROLONGATION JUSQU'AU 5 AO\u00dbT<\/p>","extractText":"

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 <\/p>

Rencontre \u00e0 l\u2019Institut fran\u00e7ais de Ramallah (Palestine) 
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Lecture bilingue au Mus\u00e9e Mahmoud Darwich 
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Un atelier de la s\u00e9rie \u00ab Exp\u00e9rience de la lecture \u00bb anim\u00e9 par Laura Vazquez.<\/p>

\u2014 R\u00e9serv\u00e9 aux \u00e9tudiants des Beaux-Arts de Marseille. \u2014<\/p>

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Restitution du workshop, vendredi 22 mars \u00e0 15h<\/p>","extraText2":"

Cycle \u00ab L\u2019exp\u00e9rience de la lecture \u00bb<\/p>

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Texte de la performance donn\u00e9e par J. Hubaut<\/p>

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atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
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Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
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En partenariat avec l'EHESS<\/p>

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Vers l'espace presse du Festival.<\/a><\/p>

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avec les \u00e9tudiants des Beaux-Arts de Marseille,
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Dans le cadre du partenariat entre le Centre International de Po\u00e9sie de Marseille (Cipm) et les Beaux-Arts de Marseille<\/p>","occurences":[{"startDate":"2024-04-17","startTime":null,"endDate":"2024-04-18","endTime":null}],"placeId":54,"title":"Semaine intensive","imageIds":[3551],"logoImageIds":[3536],"publicId":1,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-17"},{"id":4263,"type":8,"title":"SEnsemble","artistIds":[1697],"imageIds":[3037],"referenceItemIds":[4246],"data":{"book":{"publicationDate":"2008-10-01","issn":"978-2-9526347-8-6"},"publication":{"price":14,"collectionIds":[12]},"media":{}},"publicationDate":"2023-02-23"},{"id":3356,"type":6,"subTypeId":3,"occurences":[{"startDate":"2016-05-09","startTime":null,"endDate":"2016-05-13","endTime":null}],"title":"S\u00e9oul \/ Marseille","subtitle":"Premier volet \u00e0 Marseille","artistIds":[506,96,1112,2260,2261,2262],"imageIds":[2015,2016],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3374,"type":6,"subTypeId":3,"occurences":[{"startDate":"2016-10-09","startTime":null,"endDate":"2016-10-17","endTime":null}],"title":"S\u00e9oul \/ Marseille","subtitle":"Un \u00e9change de po\u00e9sie contemporaine","artistIds":[2262,506,2261,96,1112,2260],"imageIds":[2040,2016],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":313,"type":14,"title":"septembre 1939","artistIds":[1859],"referenceItemIds":[4063,2932],"data":{"media":{"mediaId":313,"artworkDate":"2009-03-27"}},"publicationDate":"2023-02-23"},{"id":2145,"type":7,"artistIds":[2332],"imageIds":[996],"publicationDate":"2023-02-23"},{"id":1443,"type":7,"artistIds":[1211],"imageIds":[473],"publicationDate":"2023-02-23"},{"id":3192,"type":1,"occurences":[{"startDate":"2012-11-30","endDate":"2012-01-26","startTime":null,"endTime":null}],"title":"Serge Assier \/ Fernando Arrabal","subtitle":"Travaux communs \/ \u00c9critures \/ Photographies","artistIds":[2060,1211],"imageIds":[1817],"publicationDate":"2023-02-23"},{"id":3193,"type":2,"occurences":[{"startDate":"2012-11-30","endDate":"2012-12-01","startTime":null,"endTime":null}],"title":"Serge Assier \/ Fernando Arrabal - Travaux communs \/ \u00c9critures \/ Photographies<\/i>","subtitle":"Vernissage \/ interventions \/ projection","artistIds":[2060,1211,2061],"imageIds":[1818],"publicationDate":"2023-02-23"},{"id":1913,"type":7,"artistIds":[2055],"publicationDate":"2023-02-23"},{"id":1442,"type":7,"artistIds":[1209],"imageIds":[472],"publicationDate":"2023-02-23"},{"id":2810,"type":6,"subTypeId":2,"occurences":[{"startDate":"1993-06-01","endDate":"1993-09-01","startTime":null,"endTime":null}],"title":"Serge Pey","artistIds":[1209],"publicationDate":"2023-02-23"},{"id":1444,"type":7,"artistIds":[1214],"imageIds":[474],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1912,"type":7,"artistIds":[2054],"publicationDate":"2023-02-23"},{"id":4053,"type":8,"title":"S\u00e9rie Br\u00e9sil","artistIds":[483,483],"imageIds":[2822,2823],"referenceItemIds":[4052],"data":{"book":{"publicationDate":"2008-08-01","isbn10":"978-2-909097-70-1"},"publication":{"price":50,"collectionIds":[11]}},"publicationDate":"2023-02-23"},{"id":3602,"type":2,"occurences":[{"startDate":"2021-07-10","endDate":null,"startTime":"15:00:00","endTime":null}],"title":"s\u00e9rie discr\u00e8te","artistIds":[2427,2428,2007,203,1004,2429],"imageIds":[2391],"publicationDate":"2023-02-23"},{"id":681,"type":14,"title":"S\u00e9rie rouge - Trolley Bus n\u00b03","artistIds":[1512],"referenceItemIds":[2628,3845,3799],"data":{"media":{"mediaId":681,"artworkDate":"1997-09-19"}},"publicationDate":"2023-02-23"},{"id":486,"type":14,"title":"S\u00e9ries Baudelaire","artistIds":[928],"referenceItemIds":[3959,3024],"data":{"media":{"mediaId":486,"artworkDate":"1991-11-16"}},"publicationDate":"2023-02-23"},{"id":462,"type":14,"title":"Serment","artistIds":[797],"referenceItemIds":[2653,3855],"data":{"media":{"mediaId":462,"artworkDate":"1998-10-24"}},"publicationDate":"2023-02-23"},{"id":826,"type":14,"title":"Seul les arbres pour moi sont sacr\u00e9s","artistIds":[2119],"referenceItemIds":[3216,4159],"data":{"media":{"mediaId":826,"artworkDate":"2013-07-05"}},"publicationDate":"2023-02-23"},{"id":2135,"type":7,"artistIds":[2316],"imageIds":[992],"publicationDate":"2023-02-23"},{"id":3488,"type":2,"subTypeId":9,"occurences":[{"startDate":"2019-03-30","startTime":"11:00:00","endDate":null,"endTime":null}],"title":"S\u00e9verine Daucourt","subtitle":"L'intime impersonnel","artistIds":[2316],"imageIds":[2201],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1622,"type":7,"artistIds":[1650],"imageIds":[605],"publicationDate":"2023-02-23"},{"id":1624,"type":7,"artistIds":[1652],"publicationDate":"2023-02-23"},{"id":1606,"type":7,"artistIds":[1631],"imageIds":[592],"publicationDate":"2023-02-23"},{"id":2295,"type":7,"artistIds":[2500],"imageIds":[1135],"publicationDate":"2023-02-23"},{"id":1445,"type":7,"artistIds":[1218],"imageIds":[475],"publicationDate":"2023-02-23"},{"id":1446,"type":7,"artistIds":[1219],"publicationDate":"2023-02-23"},{"id":346,"type":14,"title":"Si elle \u00e9tait blanche","artistIds":[923],"referenceItemIds":[3886,2451,2661,3905],"data":{"media":{"mediaId":346,"artworkDate":"2003-06-27"}},"publicationDate":"2023-02-23"},{"id":171,"type":14,"title":"Si j'\u00e9cris ...","artistIds":[1736],"referenceItemIds":[4022,2819],"data":{"media":{"mediaId":171,"artworkDate":"2007-06-01"}},"publicationDate":"2023-02-23"},{"id":705,"type":14,"title":"Si l'oeil est l'animal du feu... (extrait)","artistIds":[358],"referenceItemIds":[3144,3941],"data":{"media":{"mediaId":705,"artworkDate":"2012-02-03"}},"publicationDate":"2023-02-23"},{"id":184,"type":14,"title":"Si la musique doit mourir...","artistIds":[1651],"referenceItemIds":[4001,2756,4004],"data":{"media":{"mediaId":184,"artworkDate":"2006-06-09"}},"publicationDate":"2023-02-23"},{"id":3726,"type":1,"subTypeId":15,"extraText1":"

 <\/p>

Exposition du 3 au 16 d\u00e9cembre 2022 
et du 4 janvier au 1er avril 2023 

Une coproduction 
Centre international de po\u00e9sie \/ Bernar Venet Studio<\/strong> <\/p>

 <\/p>

Vernissage le samedi 3 d\u00e9cembre \u00e0 16h30<\/strong>, 
Introduction \u00e0 la m\u00e9thode de Bernar Venet, par Vincent Bonnet<\/strong> 
performance inaugurale de Bernar Venet<\/strong> <\/p>","extractText":"

Cette exposition est la premi\u00e8re \u00e0 \u00eatre exclusivement consacr\u00e9e \u00e0 l\u2019\u0153uvre po\u00e9tique de Bernar Venet. Compos\u00e9e, sur les vitrines centrales, d\u2019une installation de 36 livres ouverts (Poetic? Po\u00e9tique\u2009?<\/i>, Jean Bo\u00eete \u00c9ditions, 2017) pouvant \u00eatre feuillet\u00e9s, elle se reconfigure en permanence \u00e0 la mani\u00e8re d\u2019un grand po\u00e8me al\u00e9atoire infini. Un choix de pages extraites de deux \u00e9ditions rares pr\u00eat\u00e9es par l\u2019artiste (Sursaturations<\/i>, Maison des Arts Georges & Claude Pompidou, 2000 et Points de saturation<\/i>,\u202fArkadin, 1999) est pr\u00e9sent\u00e9 dans les vitrines lat\u00e9rales.\u202fAux murs, l\u2019accrochage consiste d\u2019une part en une s\u00e9rie de collages pr\u00e9paratoires agrandis imprim\u00e9s sur plaques d\u2019aluminium Dibond et, d\u2019autre part, sur les panneaux noirs, en un po\u00e8me in\u00e9dit uniquement constitu\u00e9 de la r\u00e9p\u00e9tition de son titre. Les \u0153uvres de cet accrochage mural ont \u00e9t\u00e9 r\u00e9alis\u00e9es sp\u00e9cialement pour l\u2019exposition par Bernar Venet Studio. Sur le mur du fond, la performance vid\u00e9o projet\u00e9e (Po\u00e8mes satur\u00e9s<\/i>,\u202fArkadin Production, 2019) transpose dans l\u2019espace audiovisuel la technique de superposition des impressions employ\u00e9e pour les \u00ab\u202fsursaturations\u202f\u00bb imprim\u00e9es. Enfin, sur la borne d\u2019\u00e9coute, c\u2019est l\u2019ensemble des po\u00e8mes de l\u2019installation centrale qui est audible lu en fran\u00e7ais par Bernar Venet et en anglais am\u00e9ricain par son ami le po\u00e8te Kenneth Goldsmith. <\/p>","occurences":[{"startDate":"2022-12-03","startTime":null,"endDate":"2023-04-01","endTime":null}],"title":"si les canards pataugent alors 5 est un nombre premier","artistIds":[2574],"imageIds":[3085,2545],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":878,"type":14,"title":"Si Mo\u00efse avait insist\u00e9","artistIds":[2213],"referenceItemIds":[3335,4217],"data":{"media":{"mediaId":878,"artworkDate":"2015-11-27"}},"publicationDate":"2023-02-23"},{"id":16,"type":14,"title":"Si nous ne pouvons pas voir nos yeux c'est que nous sommes encore dans l'enfance du monde","artistIds":[673],"referenceItemIds":[2556,3791],"data":{"media":{"mediaId":16,"artworkDate":"2000-01-15"}},"publicationDate":"2023-02-23"},{"id":4123,"type":8,"title":"Si quelque chose noir","artistIds":[1922,1922],"imageIds":[2891,2892],"referenceItemIds":[4052],"data":{"book":{"publicationDate":"2011-12-01"},"publication":{"price":50,"isOutOfStock":true,"collectionIds":[11]}},"publicationDate":"2023-02-23"},{"id":246,"type":14,"title":"Si riche heure (extrait) [Cole Swensen]","artistIds":[711],"referenceItemIds":[2879,4045],"data":{"media":{"mediaId":246,"artworkDate":"2008-04-04"}},"publicationDate":"2023-02-23"},{"id":1447,"type":7,"artistIds":[1220],"imageIds":[476],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":2835,"type":6,"subTypeId":2,"occurences":[{"startDate":"1991-12-01","endDate":"1992-02-28","startTime":null,"endTime":null}],"title":"Siegfried Plumper-Huttenbrink","artistIds":[1220],"publicationDate":"2023-02-23"},{"id":1585,"type":7,"artistIds":[1607],"imageIds":[574],"publicationDate":"2023-02-23"},{"id":1833,"type":7,"artistIds":[1958],"imageIds":[766],"publicationDate":"2023-02-23"},{"id":343,"type":14,"title":"Silat Rahem (extrait)","referenceItemIds":[2948],"data":{"media":{"mediaId":343,"artworkDate":"2009-06-05"}},"publicationDate":"2023-02-23"},{"id":4693,"type":14,"extraText2":"

Excerpt from Silence<\/i>, from the CD Caged \/ Uncaged<\/i>, Cramps records, 1993. <\/p>

Initially from \"Silence\". Excerpts on the CD are a courtesy of Giorno Poetry Systems, recorded in 1968.<\/p>

Dur\u00e9e : 01'05\".<\/p>

 <\/p>

Mureau<\/i>, recorded by Nikolaus Einhorn,  and released as a cassette by Edition S Press (TONBAND No<\/sup>. 14), October 3rd <\/sup>1972.<\/p>

Dur\u00e9e : 04'06\".<\/p>","title":"Silence + Mureau","artistIds":[2651],"referenceItemIds":[4674],"data":{"book":{},"publication":{},"media":{"mediaId":1253,"artworkDateToDisplay":"1969 - 1972"}},"publicationDate":"2024-01-18"},{"id":2127,"type":7,"artistIds":[2307],"imageIds":[986],"publicationDate":"2023-02-23"},{"id":4822,"type":7,"artistIds":[2685],"imageIds":[3555],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-26"},{"id":2089,"type":7,"artistIds":[2253],"imageIds":[963],"publicationDate":"2023-02-23"},{"id":2293,"type":7,"artistIds":[2498],"imageIds":[1133],"publicationDate":"2023-02-23"},{"id":2170,"type":7,"artistIds":[2360],"imageIds":[1016],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2002,"type":7,"artistIds":[2144],"publicationDate":"2023-02-23"},{"id":48,"type":14,"title":"Sinon la nuit","artistIds":[48],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":48,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":45,"type":14,"title":"Sinuo","artistIds":[238],"referenceItemIds":[3940,3066],"data":{"media":{"mediaId":45,"artworkDate":"1994-05-27"}},"publicationDate":"2023-02-23"},{"id":3593,"type":2,"subTypeId":11,"occurences":[{"startDate":"2021-06-24","startTime":"18:00:00","endDate":"2021-07-15","endTime":null}],"title":"SISSI x CIPM","subtitle":"Cycle de po\u00e9sie","artistIds":[2415,2416,2417,2420,2419,2418],"imageIds":[2372,2373,2374,2375,2376,2377,2378],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2302,"type":7,"artistIds":[2508],"imageIds":[1142],"publicationDate":"2023-02-23"},{"id":806,"type":14,"title":"Skin meat bones","artistIds":[2085],"data":{"media":{"mediaId":806}},"publicationDate":"2023-02-23"},{"id":1448,"type":7,"artistIds":[1221],"imageIds":[477],"publicationDate":"2023-02-23"},{"id":402,"type":14,"title":"Sleepwalker","artistIds":[1903],"data":{"media":{"mediaId":402,"artworkDate":"2004-02-07"}},"publicationDate":"2023-02-23"},{"id":4928,"type":7,"artistIds":[2724],"imageIds":[3664],"referenceItemIds":[4925],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-22"},{"id":4948,"type":10,"subTypeId":39,"occurences":[{"startDate":"2024-11-20","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"SNG Natacha Guiller, La Brocante<\/i>","subtitle":"Int\u00e9gration aux collections de la biblioth\u00e8que du Cipm","artistIds":[2724],"imageIds":[3685],"referenceItemIds":[4928,4943],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-11-20"},{"id":2580,"type":2,"occurences":[{"startDate":"1999-04-02","startTime":"19:00:00","endDate":null,"endTime":null}],"title":"Soir\u00e9e performance","artistIds":[1090,978,360],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4524,"type":14,"title":"Solo","artistIds":[1335],"referenceItemIds":[3702],"data":{"book":{},"publication":{},"media":{"mediaId":1029,"artworkDate":"2022-09-10"}},"publicationDate":"2023-06-10"},{"id":5232,"type":2,"subTypeId":9,"extraText1":"

Performance suivie d'un dialogue avec Fabrice Caravaca, <\/p>

dans le cadre de l\u2019anniversaire des \u00e9ditions Dernier T\u00e9l\u00e9gramme<\/p>","occurences":[{"startDate":"2025-10-04","startTime":"11:30:00","endDate":null,"endTime":null}],"title":"Solo \u2014 Esther Ferrer","artistIds":[367],"imageIds":[3969],"referenceItemIds":[5229],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-09-24"},{"id":4781,"type":2,"subTypeId":9,"occurences":[{"startDate":"2024-04-27","startTime":"16:00:56","endDate":null,"endTime":null}],"title":"Solo de basse en plein air","artistIds":[1195],"imageIds":[3515],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-26"},{"id":4875,"type":14,"typePrecision":"solo","title":"Solo de basse en plein air","artistIds":[1195],"referenceItemIds":[4781,4782,4804],"data":{"book":{},"publication":{},"media":{"mediaId":2293,"artworkDate":"2024-04-27","artworkDateToDisplay":"Samedi 27 avril 2024"}},"publicationDate":"2024-04-27"},{"id":4609,"type":14,"extraText1":"

En co-r\u00e9alisation avec Mont\u00e9vid\u00e9o<\/p>

dans le cadre du Festival actoral 2021.<\/p>

 <\/p>","title":"Solo de Pierre Alferi","artistIds":[1103],"referenceItemIds":[3613,4611,4610],"data":{"book":{},"publication":{},"media":{"mediaId":1095,"artworkDate":"2021-09-25","artworkDateToDisplay":"Samedi 25 septembre 2021."}},"publicationDate":"2023-09-27"},{"id":4481,"type":14,"title":"Solo ma non troppo","artistIds":[1920],"data":{"book":{},"publication":{},"media":{"mediaId":1004,"artworkDate":"2023-04-23"}},"publicationDate":"2023-05-16"},{"id":1449,"type":7,"artistIds":[1225],"imageIds":[478],"publicationDate":"2023-02-23"},{"id":4119,"type":8,"title":"Sommaire astral","subtitle":"& autres po\u00e8mes","artistIds":[720,720,2005],"imageIds":[2888],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2011-10-01","isbn10":"978-2-909097-90-9"},"publication":{"price":12,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":661,"type":14,"title":"Sommaire astral III [Joan Brossa]","artistIds":[2003,2005],"referenceItemIds":[4117,3127,4119],"data":{"media":{"mediaId":661,"artworkDate":"2011-10-01"}},"publicationDate":"2023-02-23"},{"id":1488,"type":7,"artistIds":[1317],"imageIds":[506],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2802,"type":6,"subTypeId":2,"occurences":[{"startDate":"2007-01-15","endDate":"2007-04-15","startTime":null,"endTime":null}],"title":"SON Woul-Woun","artistIds":[1317],"imageIds":[1455],"publicationDate":"2023-02-23"},{"id":4718,"type":14,"extraText2":"

Song of the Andoumboulou, <\/i>Nathaniel Mackey with Royal Hartigan and Hafez Modirzadeh, from Strick, 1994.<\/p>

Royal Hartigan: drum set and Chinese opera percussion instruments: ban (clapper and wood block), tan pi ku (drum), nao bo (cymbols), xiao luo (small gong), and da luo (large gong) Hafez Modirzadeh: tenor saxophone.<\/p>

Dur\u00e9e : 05'57\".<\/p>","title":"Song of the Andoumboulou","artistIds":[2671],"referenceItemIds":[4674,4713,4714,4715,4716,4717],"data":{"book":{},"publication":{},"media":{"mediaId":1303,"artworkDateToDisplay":"1994"}},"publicationDate":"2024-01-19"},{"id":1856,"type":7,"artistIds":[1986],"imageIds":[788],"publicationDate":"2023-02-23"},{"id":693,"type":14,"title":"Sonnet dynamique","artistIds":[861],"referenceItemIds":[3967,3145],"data":{"media":{"mediaId":693,"artworkDate":"1991-01-25"}},"publicationDate":"2023-02-23"},{"id":1803,"type":7,"artistIds":[1921],"publicationDate":"2023-02-23"},{"id":2222,"type":7,"artistIds":[2414],"imageIds":[1067],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1450,"type":7,"artistIds":[1228],"publicationDate":"2023-02-23"},{"id":2283,"type":7,"artistIds":[2485],"imageIds":[1123],"publicationDate":"2023-02-23"},{"id":2310,"type":7,"artistIds":[2524],"imageIds":[1149],"publicationDate":"2023-02-23"},{"id":3736,"type":2,"subTypeId":10,"occurences":[{"startDate":"2023-02-18","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Sortie de r\u00e9sidence d'Olivia Tapiero","artistIds":[2540,2509],"imageIds":[2558],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":5311,"type":7,"artistIds":[2824],"imageIds":[4049],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-12"},{"id":4751,"type":5,"extraText1":"

atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 6 et 13 avril  2024<\/p>","extraText2":"


Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a><\/p>

 <\/p>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30 \u20ac (15 \u20ac \/ la s\u00e9ance)
Tarif r\u00e9duit (\u00e9tudiants et personnes en recherche d'emploi) : 20 \u20ac (10 \u20ac \/ la s\u00e9ance)<\/p>","occurences":[{"startDate":"2024-04-06","startTime":"10:00:41","endDate":null,"endTime":"13:00:57"},{"startDate":"2024-04-13","startTime":"10:00:26","endDate":null,"endTime":"13:00:38"}],"placeId":54,"title":"Sources & M\u00e9thodes","subtitle":"Cycle de 2 s\u00e9ances de 3 heures","artistIds":[2377],"imageIds":[3494],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-05"},{"id":4864,"type":4,"extraText1":"

Atelier d\u2019\u00e9criture avec une classe de seconde g\u00e9n\u00e9rale
Enseignante de Lettres : Alexia Mostowski
Enseignante documentaliste : Nadia Spire<\/p>","extraText2":"

Atelier de d\u00e9couverte de la po\u00e9sie contemporaine ; tenter une approche de la po\u00e9sie par un travail sur le po\u00e8me et sa construction<\/p>","occurences":[{"startDate":"2024-04-04","startTime":null,"endDate":"2024-04-05","endTime":null}],"placeId":63,"title":"Sources et M\u00e9thodes","artistIds":[2377],"imageIds":[3494],"referenceItemIds":[2187],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-04-05"},{"id":5068,"type":10,"typePrecision":"campagne","title":"Soutenir l'action du Cipm","subtitle":"pour p\u00e9renniser sa mission au service de la po\u00e9sie contemporaine","imageIds":[3678],"fileIds":[22],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-11"},{"id":132,"type":14,"title":"Souvenirs de ma vie collective","artistIds":[965],"referenceItemIds":[2546,3791],"data":{"media":{"mediaId":132,"artworkDate":"2000-04-28"}},"publicationDate":"2023-02-23"},{"id":3256,"type":2,"occurences":[{"startDate":"2014-05-30","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Sp\u00e9cial \u00ab Black Mountain College \u00bb (I)","subtitle":"Jour I","artistIds":[696,357,726],"imageIds":[1894],"publicationDate":"2023-02-23"},{"id":3257,"type":2,"occurences":[{"startDate":"2014-05-31","endDate":null,"startTime":"17:00:00","endTime":null}],"title":"Sp\u00e9cial \u00ab Black Mountain College \u00bb (II)","subtitle":"Jour II","artistIds":[2153,2158,2157,1791],"imageIds":[1895],"publicationDate":"2023-02-23"},{"id":3255,"type":2,"occurences":[{"startDate":"2014-05-30","endDate":"2014-05-31","startTime":null,"endTime":null}],"title":"Sp\u00e9cial \u00ab Black Mountain College \u00bb","artistIds":[696,357,726,2153,1791,2157,2158],"imageIds":[1893],"publicationDate":"2023-02-23"},{"id":4568,"type":14,"extraText1":"

Ce texte introductif et ces traductions nouvelles<\/p>

du Book of Music,<\/i><\/p>

d'extraits de My Vocabulary Did This To Me<\/i><\/p>

et de Be Brave To Things,<\/i><\/p>

de<\/i> Jack Spicer,<\/p>

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Responsable de la revue : Brian Mura
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Substitution,<\/i> texte  re\u00e7u le 31 mars de Nida Younis, <\/p>

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R\u00e9alisation : Marie Alberto Jeanjacques <\/p>

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Avec le Cipm depuis","extraText1":"

Enseignements coordonn\u00e9s par C\u00e9cile Marie-Castanet, <\/p>

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The Blue Stairs<\/i>, reading in the Recording Laboratory at the Library of Congress,  June 2, 1969.<\/p>

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The Circus<\/i>, from The Collected Poems of Kenneth Koch.<\/i><\/p>

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The Language<\/i>, at the University of Arizona Poetry Center, Tucson, December 4, 1963.<\/p>

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vid\u00e9o re\u00e7u de Taylor Smith et Christopher Alexander, le 24 avril \u00e0 l'approche de la journ\u00e9e \u00c9copo\u00e9tique \u2014 \u00c9cologie, po\u00e9tique, politique<\/a> du 26 avril 2025<\/p>","title":"The moon is an (upside-down) place","artistIds":[2757,2766],"referenceItemIds":[5033],"data":{"book":{},"publication":{},"media":{"mediaId":2473,"artworkDateToDisplay":"2021-2022"}},"publicationDate":"2025-04-24"},{"id":264,"type":14,"title":"The Movies - Cin\u00e9ma","artistIds":[1848],"referenceItemIds":[4054,2909],"data":{"media":{"mediaId":264,"artworkDate":"2008-11-14"}},"publicationDate":"2023-02-23"},{"id":469,"type":14,"title":"The Photography of the Girl of the River","artistIds":[1158],"referenceItemIds":[2635,3847],"data":{"media":{"mediaId":469,"artworkDate":"1997-05-24"}},"publicationDate":"2023-02-23"},{"id":4697,"type":14,"extraText2":"

The Principle of Fit, II, Part 1<\/i>, recording at the Folger Shakespeare Library, Washington DC, June 1980.<\/p>

 Dur\u00e9e : 26'32\".<\/p>","title":"The Principle of Fit, II, Part 1","artistIds":[290],"referenceItemIds":[4674,4693,4694,4695,4696],"data":{"book":{},"publication":{},"media":{"mediaId":1261,"artworkDateToDisplay":"1980"}},"publicationDate":"2024-01-18"},{"id":583,"type":14,"title":"The Rites etc. - Lecture compl\u00e8te au Black Mountain College","artistIds":[1970],"referenceItemIds":[4087,3089,4104],"data":{"media":{"mediaId":583,"artworkDate":"1954-01-01"}},"publicationDate":"2023-02-23"},{"id":4689,"type":14,"extraText2":"

The Secret<\/i> from Perhaps<\/i> at the 92nd Street Y in New York, 1963.<\/p>

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Song 2 - 4<\/i> from The Songs of Maximus<\/i>, Studio Recording at Black Mountain College, made by Robert Creeley c., first issued as a record, 1954<\/p>

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atelier d'\u00e9criture pour 12 personnes \u00e0 la biblioth\u00e8que de po\u00e9sie contemporaine du Cipm
de 10h \u00e0 13h, les samedis 15 et 22 f\u00e9vrier 2025<\/p>","extraText2":"

Inscriptions
04 91 91 26 45 \/ steffen@cipmarseille.fr<\/a>

Tarifs
Cycle de 2 s\u00e9ances de 3 h : 30\u20ac (15\u20ac \/ la s\u00e9ance)
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Cycle de 2 s\u00e9ances de 3 heures<\/p>","occurences":[{"startDate":"2025-02-15","startTime":null,"endDate":null,"endTime":null},{"startDate":"2025-02-22","startTime":"10:00:06","endDate":null,"endTime":"13:00:16"}],"placeId":54,"title":"Th\u00e8me, variations, blackout","artistIds":[2540],"imageIds":[3705],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-01-28"},{"id":2226,"type":7,"artistIds":[2418],"imageIds":[1070],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4351,"type":7,"artistIds":[2559],"imageIds":[3124],"referenceItemIds":[4334],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-04"},{"id":2157,"type":7,"artistIds":[2344],"imageIds":[1005],"publicationDate":"2023-02-23"},{"id":4458,"type":14,"title":"Th\u00e9or\u00e8me \u00e7a a l\u2019air assez simple","artistIds":[2147,96],"linkedItemIdsWithLayout":[{"itemId":4401,"layout":3}],"referenceItemIds":[4353,4435],"data":{"book":{},"publication":{},"media":{"mediaId":990,"artworkDate":"2023-05-11","artworkDateToDisplay":"Texte li\u00e9 \u00e0 la r\u00e9sidence Genre gestes genre th\u00e9or\u00e8me<\/i>, transmis le 11 mai 2023."}},"publicationDate":"2023-05-11"},{"id":5174,"type":2,"subTypeId":10,"occurences":[{"startDate":"2025-09-06","startTime":"16:00:54","endDate":null,"endTime":null}],"title":"Th\u00e9or\u00e8mes, descriptions et virgule","subtitle":"Explorer la trilogie de Jean-Patrice Courtois","artistIds":[2139,2783,1852,2137,2401,2782],"imageIds":[3904],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-07-16"},{"id":5307,"type":14,"typePrecision":"conf\u00e9rence","title":"Th\u00e9or\u00e8mes, descriptions et virgule","subtitle":"Explorer la trilogie de Jean-Patrice Courtois","artistIds":[2139,2783,1852,2137,2401,2782],"referenceItemIds":[5174],"data":{"book":{},"publication":{},"media":{"mediaId":2851,"artworkDate":"2025-09-06","artworkDateToDisplay":"samedi 6 septembre 2025"}},"publicationDate":"2026-02-25"},{"id":46,"type":14,"title":"Th\u00e9orie des pr\u00e9positions","artistIds":[261],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":46,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":226,"type":14,"title":"Th\u00e9orie des pr\u00e9positions - 2","artistIds":[261],"referenceItemIds":[2870,4035],"data":{"media":{"mediaId":226,"artworkDate":"2007-11-30"}},"publicationDate":"2023-02-23"},{"id":2336,"type":1,"occurences":[{"startDate":"2001-12-07","endDate":"2002-01-12","startTime":null,"endTime":null}],"title":"Th\u00e9r\u00e8se Bonnelalbay","subtitle":"Dessins, documents","artistIds":[1271,743,809,1257,529,660],"imageIds":[1175],"publicationDate":"2023-02-23"},{"id":2501,"type":2,"occurences":[{"startDate":"2001-12-07","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Th\u00e9r\u00e8se Bonnelalbay","subtitle":"Dessins, documents","artistIds":[529,809,743,1271,660],"publicationDate":"2023-02-23"},{"id":2116,"type":7,"artistIds":[2293],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1459,"type":7,"artistIds":[1258],"imageIds":[484],"publicationDate":"2023-02-23"},{"id":1666,"type":7,"artistIds":[1708],"imageIds":[635],"publicationDate":"2023-02-23"},{"id":3236,"type":1,"occurences":[{"startDate":"2014-01-23","endDate":"2014-04-05","startTime":"18:30:00","endTime":null}],"title":"Thieri Foulc","subtitle":"Peintures des mots","artistIds":[1708],"imageIds":[1861,1862,1863],"publicationDate":"2023-02-23"},{"id":2326,"type":1,"occurences":[{"startDate":"2001-01-19","endDate":"2001-02-24","startTime":null,"endTime":null}],"title":"Thierry Agullo","artistIds":[1350],"imageIds":[1164,1165],"publicationDate":"2023-02-23"},{"id":1461,"type":7,"artistIds":[1266],"imageIds":[486],"publicationDate":"2023-02-23"},{"id":1774,"type":7,"artistIds":[1877],"imageIds":[714],"publicationDate":"2023-02-23"},{"id":1776,"type":7,"artistIds":[1879],"imageIds":[716],"publicationDate":"2023-02-23"},{"id":2262,"type":7,"artistIds":[2458],"imageIds":[1103],"publicationDate":"2023-02-23"},{"id":2136,"type":7,"artistIds":[2317],"publicationDate":"2023-02-23"},{"id":1729,"type":7,"artistIds":[1804],"publicationDate":"2023-02-23"},{"id":1460,"type":7,"artistIds":[1261],"imageIds":[485],"publicationDate":"2023-02-23"},{"id":2278,"type":7,"artistIds":[2476],"imageIds":[1118],"publicationDate":"2023-02-23"},{"id":4685,"type":14,"extraText2":"

Thing Language<\/i>, Jack Spicer reads Language in its entirety<\/i> \u2014 Vancouver, June 1965.<\/p>

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Actoral invite Thomas Clerc et Anne Parian pour une lecture de leurs derni\u00e8res parutions, suivie d'une rencontre anim\u00e9e par J\u00e9r\u00f4me Mauche.<\/p>","occurences":[{"startDate":"2025-06-11","startTime":"19:30:19","endDate":null,"endTime":null}],"placeId":8,"title":"Thomas Clerc + Anne Parian","artistIds":[1416,92],"imageIds":[3895],"logoImageIds":[3278],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-06-06"},{"id":5128,"type":7,"artistIds":[2769],"imageIds":[3865],"referenceItemIds":[5023],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-07"},{"id":5333,"type":7,"artistIds":[2831],"imageIds":[4072],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-03-31"},{"id":2149,"type":7,"artistIds":[2336],"imageIds":[1000],"publicationDate":"2023-02-23"},{"id":1611,"type":7,"artistIds":[1639],"imageIds":[597],"publicationDate":"2023-02-23"},{"id":2148,"type":7,"artistIds":[2335],"imageIds":[999],"publicationDate":"2023-02-23"},{"id":1462,"type":7,"artistIds":[1269],"imageIds":[487],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2190,"type":7,"artistIds":[2380],"imageIds":[1036],"publicationDate":"2023-02-23"},{"id":3506,"type":2,"occurences":[{"startDate":"2019-05-30","endDate":null,"startTime":"16:00:00","endTime":null}],"title":"Tiffany Tavernier","subtitle":"Fiction et po\u00e9sie : les passerelles invisibles","artistIds":[2380],"imageIds":[2226,2227],"publicationDate":"2023-02-23"},{"id":4591,"type":10,"occurences":[{"startDate":"2023-09-22","startTime":"19:00:35","endDate":"2023-09-22","endTime":"22:00:01"}],"placeId":28,"title":"Tip of the tongue","imageIds":[3302],"logoImageIds":[3303],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-16"},{"id":1839,"type":7,"artistIds":[1968],"imageIds":[772],"publicationDate":"2023-02-23"},{"id":1463,"type":7,"artistIds":[1271],"imageIds":[488],"publicationDate":"2023-02-23"},{"id":1464,"type":7,"artistIds":[1273],"imageIds":[489],"publicationDate":"2023-02-23"},{"id":2742,"type":2,"occurences":[{"startDate":"2006-01-27","startTime":"18:30:00","endDate":null,"endTime":null}],"title":"Titi Parant - Horloges d\u2019amour - Calque & d\u00e9calque<\/i>","subtitle":"Vernissage - lectures","artistIds":[1572,1273,673],"imageIds":[1396],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":1465,"type":7,"artistIds":[1274],"imageIds":[490],"publicationDate":"2023-02-23"},{"id":4717,"type":14,"extraText2":"

To Rosmarie in Bad Kissingen<\/i> from Windfall Losses, <\/i>1977.<\/p>

Dur\u00e9e 02'05\".<\/p>

 <\/p>

A Hatful of Flood<\/i> from The Garden of Effort<\/i>, 1975.<\/p>

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Atelier d\u2019\u00e9criture avec 8 groupes d\u2019\u00e9l\u00e8ves de 1\u00e8re<\/sup><\/p>

Enseignants de Lettres : Soria Adda, Selhan Ka\u00e7an, Lucienne Sarr-Bour et Thierry Cayo<\/p>

Enseignante documentaliste : Christine Balanci<\/p>","occurences":[{"startDate":"2024-01-08","startTime":null,"endDate":"2024-03-29","endTime":null}],"placeId":71,"title":"Tout est facile","artistIds":[131],"imageIds":[3604],"subItemIds":[4891],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-29"},{"id":4891,"type":13,"extraText1":"

Atelier d\u2019\u00e9criture d'Arno Calleja avec 8 groupes d\u2019\u00e9l\u00e8ves de 1\u00e8re <\/sup><\/p>

Enseignants de Lettres : Soria Adda, Selhan Ka\u00e7an, Lucienne Sarr-Bour et Thierry Cayo<\/p>

Enseignante documentaliste : Christine Balanci<\/p>","title":"Tout est facile","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-29"},{"id":380,"type":14,"title":"Tout le monde se ressemble (extrait)","artistIds":[99,994,1186,1262,1306,157,198,204,205,309,334,842],"referenceItemIds":[3849,2641],"data":{"media":{"mediaId":380,"artworkDate":"1997-04-04"}},"publicationDate":"2023-02-23"},{"id":2334,"type":1,"occurences":[{"startDate":"1999-03-05","endDate":"1999-04-10","startTime":null,"endTime":null}],"title":"Trac\u00e9s d'esp\u00e8ces","artistIds":[688,908],"imageIds":[1173],"publicationDate":"2023-02-23"},{"id":3561,"type":2,"occurences":[{"startDate":"2020-06-22","startTime":null,"endDate":"2020-07-01","endTime":null}],"title":"Traduire mais les Sonnets de Shakespeare","artistIds":[1034],"imageIds":[2298],"referenceItemIds":[4538],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4538,"type":14,"title":"Traduire mais les Sonnets de Shakespeare","subtitle":"Lecture \/ rencontre \u00e0 la Fondation Camargo, Cassis","artistIds":[1034],"data":{"book":{},"publication":{},"media":{"mediaId":1059,"artworkDate":"2020-06-30"}},"publicationDate":"2023-06-14"},{"id":3699,"type":6,"subTypeId":3,"extraText1":"

En partenariat avec l'Institut culturel lituanien et la Fondation Camargo <\/p>


Pr\u00e9sentations publiques du projet au Cipm le 17 septembre, 15h30, 
\u00e0 la Fondation Camargo le 18 septembre, 17h <\/p>","extraText2":"

Un programme de traduction collective surpervis\u00e9 par le Cipm
avec le soutien de LKI - Lietuvos kult\u016bros institutas
et le concours de l'Ambassade de la R\u00e9publique de Lituanie en France<\/p>","occurences":[{"startDate":"2022-09-12","startTime":null,"endDate":"2022-09-18","endTime":null}],"title":"Traduire Mekas","subtitle":"Premi\u00e8re s\u00e9quence","artistIds":[2514,96,2509,1971,2515,2516],"imageIds":[2514,2515],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4318,"type":6,"subTypeId":3,"extraText1":"

Coordination : Aust\u00e9 Zdan\u010di\u016bt\u00e9 et Micha\u00ebl Batalla<\/p>","extraText2":"

Un programme de traduction collective surpervis\u00e9 par le Cipm
avec le soutien de LKI - Lietuvos kult\u016bros institutas
et le concours de l'Ambassade de la R\u00e9publique de Lituanie en France<\/p>","extraText3":"

En partenariat avec l'Institut culturel lituanien<\/a> et la BULAC<\/a>, Biblioth\u00e8que universitaire des langues et civilisations<\/p>","occurences":[{"startDate":"2023-03-15","startTime":null,"endDate":"2023-03-22","endTime":null}],"placeId":7,"title":"Traduire Mekas","subtitle":"Deuxi\u00e8me s\u00e9quence","artistIds":[2514,96,2552,2509,1971,2515,2516],"imageIds":[3093],"logoImageIds":[3094,3096],"referenceItemIds":[3699],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-10"},{"id":4521,"type":6,"subTypeId":3,"extraText1":"

Coordination : Aust\u00e9 Zdan\u010di\u016bt\u00e9 et Micha\u00ebl Batalla<\/p>

Restitution publique<\/a> le mercredi 14 juin \u00e0 18h, \u0160v. Jono gatv\u0117 11, LT-01123 Vilnius, Lituanie<\/p>","extraText2":"

Un programme de traduction collective surpervis\u00e9 par le Cipm
avec le soutien de LKI - Lietuvos kult\u016bros institutas
et le concours de l'Ambassade de la R\u00e9publique de Lituanie en France<\/p>","occurences":[{"startDate":"2023-06-12","startTime":null,"endDate":"2023-06-16","endTime":null}],"placeId":18,"title":"Traduire Mekas","subtitle":"Troisi\u00e8me s\u00e9quence","artistIds":[1971,2515,2552,2509,96,2516,2514],"imageIds":[3242],"logoImageIds":[3094,3239,3240],"referenceItemIds":[3699,4318],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-06-09"},{"id":4767,"type":6,"subTypeId":3,"extraText1":"

Coordination : Micha\u00ebl Batalla et Aust\u00e9 Zdan\u010di\u016bt\u00e9.<\/p>","extraText2":"

Un programme de traduction collective surpervis\u00e9 par le Cipm
avec le soutien de LKI - Lietuvos kult\u016bros institutas<\/p>","occurences":[{"startDate":"2024-04-02","startTime":null,"endDate":"2024-04-05","endTime":null}],"placeId":52,"title":"Traduire Mekas","subtitle":"S\u00e9quence finale","artistIds":[1971,2683,2515,2552,2509,96,2516,2514],"imageIds":[3508],"logoImageIds":[3094,3281,3239,3240],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-03-15"},{"id":89,"type":14,"title":"Train de nuit","artistIds":[1604],"referenceItemIds":[3916,2733],"data":{"media":{"mediaId":89,"artworkDate":"2005-11-18"}},"publicationDate":"2023-02-23"},{"id":5046,"type":13,"extraText1":"

4\u00e8me<\/sup> \u00e9dition de Num\u00e9ro R, 23-25 mai 2025<\/p>","extraText2":"

Responsables de la revue : L\u00e9on Pradeau (\u00e9diteur en chef), Camille Boisaubert (directrice de publication), Maud Bougerol et Kai Ihns (\u00e9ditrices invit\u00e9es)<\/p>

34 Boulevard de Clichy, 75018 Paris<\/p>

 <\/p>

revuetransat@gmail.com<\/a><\/p>

editionslesmurmurations.com\/Transat<\/a><\/p>","title":"Transat\u2019","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-04-01"},{"id":3055,"type":5,"occurences":[{"startDate":"2010-03-11","endDate":null,"startTime":null,"endTime":null}],"title":"Transcrire\/Transposer\/Traduire","subtitle":"Centre social Mer & Colline","artistIds":[1935],"publicationDate":"2023-02-23"},{"id":528,"type":14,"title":"Transcrire\/Transposer\/Traduire (Compte-rendu et extraits)","referenceItemIds":[3055],"data":{"media":{"mediaId":528,"artworkDate":"2010-03-11"}},"publicationDate":"2023-02-23"},{"id":3728,"type":3,"occurences":[{"startDate":"2022-12-08","startTime":null,"endDate":"2022-12-09","endTime":null}],"title":"Transluciner la th\u00e9orie","subtitle":"Workshop de recherche-cr\u00e9ation","artistIds":[2147],"imageIds":[2548,2549],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3350,"type":2,"occurences":[{"startDate":"2016-03-19","endDate":"2016-03-19","startTime":"18:30:00","endTime":"21:30:00"}],"title":"Transport","subtitle":"e-festival de po\u00e9sie","artistIds":[2237,131,2239,922,2238],"imageIds":[2007],"publicationDate":"2023-02-23"},{"id":518,"type":14,"title":"Travail de rivi\u00e8re (extrait)","artistIds":[1603],"referenceItemIds":[4097,3035],"data":{"media":{"mediaId":518,"artworkDate":"2010-06-25"}},"publicationDate":"2023-02-23"},{"id":2328,"type":1,"occurences":[{"startDate":"2001-12-23","endDate":"2002-02-23","startTime":null,"endTime":null}],"title":"Travaux communs","subtitle":"\u00c9critures \/ Photographies","artistIds":[934,1211],"imageIds":[1167],"publicationDate":"2023-02-23"},{"id":5261,"type":2,"subTypeId":9,"typePrecision":"performance","occurences":[{"startDate":"2025-11-15","startTime":"11:30:00","endDate":null,"endTime":null}],"title":"TRAVAUX EN RELAIS","artistIds":[2797],"imageIds":[4007],"referenceItemIds":[5246],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-10-30"},{"id":4588,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-10-07","startTime":"11:00:39","endDate":null,"endTime":null}],"title":"Travers\u00e9e paradoxale","artistIds":[1167],"imageIds":[3305,3308,3309],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-09-21"},{"id":4651,"type":14,"title":"Travers\u00e9e paradoxale","artistIds":[1167],"referenceItemIds":[4588,4589],"data":{"book":{},"publication":{},"media":{"mediaId":1127,"artworkDate":"2023-10-07","artworkDateToDisplay":"Samedi 7 octobre 2023"}},"publicationDate":"2023-11-24"},{"id":333,"type":14,"title":"Tre (environ)","artistIds":[390],"referenceItemIds":[3936,2944,3789],"data":{"media":{"mediaId":333,"artworkDate":"1995-04-06"}},"publicationDate":"2023-02-23"},{"id":385,"type":14,"title":"Tr\u00e8s pratique est notre peau, tr\u00e8s g\u00e9niale est notre colonne vert\u00e9brale","artistIds":[1446,1447,1448,1449,1450,1451,1452,1453,1454,1455,1455],"referenceItemIds":[2488,3857],"data":{"media":{"mediaId":385,"artworkDate":"2002-05-17"}},"publicationDate":"2023-02-23"},{"id":1470,"type":7,"artistIds":[1281],"publicationDate":"2023-02-23"},{"id":359,"type":14,"title":"Tri selon Tri (extrait)","artistIds":[1881],"referenceItemIds":[2951,4077],"data":{"media":{"mediaId":359,"artworkDate":"2009-06-26"}},"publicationDate":"2023-02-23"},{"id":5341,"type":3,"extraText1":"

Un atelier d\u2019\u00e9criture de John Deneuve avec les \u00e9tudiants en master des Beaux-Arts de Marseille, Cipm\/INSEAMM, Biblioth\u00e8que de po\u00e9sie contemporaine du Cipm. <\/p>

Dans le cadre de l\u2019atelier de recherche et de cr\u00e9ation (ARC).<\/p>","extraText3":"

Enseignements coordonn\u00e9s par C\u00e9cile Marie-Castanet, <\/p>

professeure \u00e0 l'Ecole Sup\u00e9rieure des Beaux-Arts de Marseille - INSEAMM<\/p>","occurences":[{"startDate":"2026-02-19","startTime":null,"endDate":null,"endTime":null}],"placeId":54,"title":"Tricot de corps","artistIds":[2737,2784],"logoImageIds":[3870],"publicId":5,"contextId":1,"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2026-02-19"},{"id":3496,"type":6,"subTypeId":3,"occurences":[{"startDate":"2019-04-24","startTime":null,"endDate":"2019-04-27","endTime":null}],"title":"Trieste \/ Marseille","subtitle":"Un \u00e9change de po\u00e9sie contemporaine","artistIds":[2359,1725,2228,2331,2360,2361,2271],"imageIds":[2213],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4357,"type":13,"title":"Trois","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-04-14"},{"id":4008,"type":8,"title":"Trois cuill\u00e9r\u00e9es de poivre","artistIds":[1098],"imageIds":[2781],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"2007-05-01","isbn10":"978-2-909097-62-6"},"publication":{"price":10,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":498,"type":14,"title":"Troisi\u00e8me mise \u00e0 mort","artistIds":[802],"referenceItemIds":[2606,3837],"data":{"media":{"mediaId":498,"artworkDate":"1998-05-16"}},"publicationDate":"2023-02-23"},{"id":2648,"type":2,"occurences":[{"startDate":"1996-11-22","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Trop de rose dans la prose","subtitle":"La Nouvelle B.S. n\u00b0 18","artistIds":[809,660,445,678,1034],"publicationDate":"2023-02-23"},{"id":3234,"type":4,"occurences":[{"startDate":"2013-01-15","endDate":"2013-06-15","startTime":null,"endTime":null}],"title":"Trouver sa po\u00e9sie","subtitle":"Atelier au Coll\u00e8ge Nathalie Sarraute \u00e0 Aubagne","artistIds":[1887],"publicationDate":"2023-02-23"},{"id":40,"type":14,"title":"Tu es toi","artistIds":[1920],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":40,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":325,"type":14,"title":"Tu es venue entre mes yeux","artistIds":[170],"referenceItemIds":[2441,2672,3892],"data":{"media":{"mediaId":325,"artworkDate":"2003-11-22"}},"publicationDate":"2023-02-23"},{"id":2558,"type":2,"occurences":[{"startDate":"1999-11-26","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Tu serais la deuxi\u00e8me \u00e0 partir de la gauche ( tombeau de dame D.)","subtitle":"de Jean-Charles Depaule","artistIds":[433,747,644,591],"publicationDate":"2023-02-23"},{"id":1772,"type":7,"artistIds":[1874],"imageIds":[712],"publicationDate":"2023-02-23"},{"id":468,"type":14,"title":"Two Hangovers [James Wright]","artistIds":[606],"referenceItemIds":[2635,3847],"data":{"media":{"mediaId":468,"artworkDate":"1997-05-24"}},"publicationDate":"2023-02-23"},{"id":2241,"type":7,"artistIds":[2433],"imageIds":[1082],"publicationDate":"2023-02-23"},{"id":1627,"type":7,"artistIds":[1656],"imageIds":[609],"publicationDate":"2023-02-23"},{"id":1471,"type":7,"artistIds":[1283],"imageIds":[493],"publicationDate":"2023-02-23"},{"id":2471,"type":2,"occurences":[{"startDate":"2002-11-29","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Udayan Vajpeyi","artistIds":[1283,412],"imageIds":[1294],"publicationDate":"2023-02-23"},{"id":1933,"type":7,"artistIds":[2075],"imageIds":[850],"publicationDate":"2023-02-23"},{"id":1715,"type":7,"artistIds":[1787],"imageIds":[675],"publicationDate":"2023-02-23"},{"id":189,"type":14,"title":"Ultra \"petit\" a","artistIds":[1352],"referenceItemIds":[2711,3976],"data":{"media":{"mediaId":189,"artworkDate":"2005-06-10"}},"publicationDate":"2023-02-23"},{"id":4878,"type":6,"subTypeId":36,"extraText1":"

Une r\u00e9sidence partag\u00e9e entre La Marelle et le Cipm <\/p>","occurences":[{"startDate":"2024-09-01","startTime":null,"endDate":"2024-09-15","endTime":null},{"startDate":"2024-10-15","startTime":null,"endDate":"2024-10-31","endTime":null}],"title":"Ultraviande ","artistIds":[2674],"imageIds":[3586],"logoImageIds":[3437],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-07-23"},{"id":4917,"type":2,"typePrecision":"lecture","extraText1":"

 Rencontre organis\u00e9e dans le cadre de la r\u00e9sidence d'\u00e9criture de Camille Z\u00e9henne, <\/p>

en partenariat avec La Marelle et L'Odeur du temps<\/p>","occurences":[{"startDate":"2024-10-31","startTime":"19:00:54","endDate":null,"endTime":null}],"placeId":1,"title":"Ultraviande","artistIds":[2674],"imageIds":[3436],"logoImageIds":[3437],"referenceItemIds":[4878],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-10-01"},{"id":31,"type":14,"title":"Un anniversaire","artistIds":[348],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":31,"artworkDate":"2005-03-12"}},"publicationDate":"2023-02-23"},{"id":3642,"type":2,"subTypeId":10,"occurences":[{"startDate":"2022-01-15","startTime":"15:30:00","endDate":null,"endTime":null}],"title":"Un apr\u00e8s-midi avec Jack Spicer","subtitle":"Projection, conf\u00e9rence et rencontre","artistIds":[397,360,1634],"imageIds":[2440],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":2758,"type":1,"occurences":[{"startDate":"2006-05-05","endDate":"2006-06-24","startTime":null,"endTime":null}],"title":"Un chant et ses traces","subtitle":"Calligraphies de po\u00e8mes arabes anciens de Mounir al-Shaarani","artistIds":[644,1641,1640],"imageIds":[1411,1412,1413],"publicationDate":"2023-02-23"},{"id":2762,"type":2,"occurences":[{"startDate":"2006-05-05","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"Un chant et ses traces - Calligraphies de po\u00e8mes arabes anciens de Mounir al-Shaarani","subtitle":"Vernissage - pr\u00e9sentation - lecture","artistIds":[644,1641,1642],"imageIds":[1415],"publicationDate":"2023-02-23"},{"id":4739,"type":2,"typePrecision":"r\u00e9sidence, lecture","extraText1":"

En partenariat avec La Marelle<\/p>","occurences":[{"startDate":"2024-03-23","startTime":"16:00:36","endDate":null,"endTime":null}],"title":"Un commentaire d\u00e9plac\u00e9","artistIds":[2390],"imageIds":[3452],"logoImageIds":[3437],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-16"},{"id":4849,"type":14,"typePrecision":"lecture","extraText2":"

En partenariat avec La Marelle<\/p>","title":"Un commentaire d\u00e9plac\u00e9","artistIds":[2390],"referenceItemIds":[4721,4739],"data":{"book":{},"publication":{},"media":{"mediaId":2090,"artworkDate":"2024-03-23","artworkDateToDisplay":"samedi 23 mars 2024"}},"publicationDate":"2024-03-23"},{"id":634,"type":14,"title":"Un coup de d\u00e9 [St\u00e9phane Mallarm\u00e9]","artistIds":[783],"referenceItemIds":[3972,3032],"data":{"media":{"mediaId":634,"artworkDate":"1990-05-31"}},"publicationDate":"2023-02-23"},{"id":689,"type":14,"title":"Un coup de fil peut sauver une vie et autres fausses contrep\u00e8terie","artistIds":[1068],"referenceItemIds":[3967,3145],"data":{"media":{"mediaId":689,"artworkDate":"1991-01-25"}},"publicationDate":"2023-02-23"},{"id":116,"type":14,"title":"Un cr\u00e9puscule","artistIds":[1626],"referenceItemIds":[2748],"data":{"media":{"mediaId":116,"artworkDate":"2006-03-11"}},"publicationDate":"2023-02-23"},{"id":4738,"type":2,"typePrecision":"r\u00e9sidence","extraText1":"

Randonn\u00e9e en biblioth\u00e8que, en partenariat avec La Marelle<\/p>","occurences":[{"startDate":"2024-03-12","startTime":"17:30:06","endDate":null,"endTime":null}],"placeId":47,"title":"Un d\u00e9placement comment\u00e9 ","artistIds":[2390],"imageIds":[3451],"logoImageIds":[3437],"referenceItemIds":[4721],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-02-16"},{"id":182,"type":14,"title":"Un \u00e9pouventail","artistIds":[613],"referenceItemIds":[2774,4007],"data":{"media":{"mediaId":182,"artworkDate":"2006-06-30"}},"publicationDate":"2023-02-23"},{"id":4986,"type":9,"typePrecision":"lecture","extraText1":"

La conf\u00e9rence sera pr\u00e9c\u00e9d\u00e9e d'une lecture par Beno\u00eet Casas<\/a> d'un passage du Chant XXI \u2014 le combat entre Achille et le fleuve \u2014 de L'Iliade<\/i>  extrait de la traduction de Pierre Judet de La Combe (Albin Michel, Espaces Libres Poche, 2024).<\/p>","occurences":[{"startDate":"2025-04-12","startTime":"16:00:23","endDate":null,"endTime":null}],"title":"Un homme tuait un homme","subtitle":"L\u2019Iliade, le po\u00e8me et la guerre\u00a0: une enqu\u00eate po\u00e9tique.","artistIds":[2616],"imageIds":[3794,3723],"linkedItemIdsWithLayout":[{"itemId":1995,"layout":2}],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-02-20"},{"id":5114,"type":14,"typePrecision":"conf\u00e9rence","extraText1":"

La conf\u00e9rence sera pr\u00e9c\u00e9d\u00e9e d'une lecture par Beno\u00eet Casas<\/a> d'un passage du Chant XXI \u2014 le combat entre Achille et le fleuve \u2014 de L'Iliade<\/i>  extrait de la traduction de Pierre Judet de La Combe (Albin Michel, Espaces Libres Poche, 2024)<\/p>","title":"Un homme tuait un homme ","subtitle":"L\u2019Iliade, le po\u00e8me et la guerre : une enqu\u00eate po\u00e9tique","artistIds":[2616],"referenceItemIds":[4986],"data":{"book":{},"publication":{},"media":{"mediaId":2485,"artworkDate":"2025-04-12","artworkDateToDisplay":"Samedi 12 avril 2025"}},"publicationDate":"2025-04-29"},{"id":5220,"type":14,"extraText1":"

Un jardin sans all\u00e9es<\/i>, extrait re\u00e7u de Baptiste Gaillard, le 11 ao\u00fbt \u00e0 l'approche de la rencontre autour des \u00e9ditions H\u00e9ros-Limite du 25 octobre 2025.<\/p>","title":"Un jardin sans all\u00e9es (extrait)","artistIds":[2065],"data":{"book":{},"publication":{},"media":{"mediaId":2797}},"publicationDate":"2025-08-11"},{"id":365,"type":14,"title":"Un jour je serai paysanne \/ Salvatore Bonifazio","artistIds":[1887],"referenceItemIds":[2952,4070],"data":{"media":{"mediaId":365,"artworkDate":"2009-06-27"}},"publicationDate":"2023-02-23"},{"id":538,"type":14,"title":"Un matin de semaine (extrait)","referenceItemIds":[3061,3971],"data":{"media":{"mediaId":538,"artworkDate":"1990-06-29"}},"publicationDate":"2023-02-23"},{"id":4802,"type":2,"subTypeId":7,"typePrecision":"exploration","extraText1":"

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L\u2019incidence de la machine \u00e0 \u00e9crire sur la cr\u00e9ation po\u00e9tique du milieu du XXe<\/sup> si\u00e8cle.<\/p>

 <\/p>

Prolongation jusqu'au 2 mars.<\/p>","occurences":[{"startDate":"2019-01-12","startTime":null,"endDate":"2019-02-16","endTime":null}],"title":"Underwood 2","subtitle":"\u00ab L'Internationale Concr\u00e8te \u00bb et les artistes de la machine \u00e0 \u00e9crire","imageIds":[2184,2185,2186,2187,2188,2189,2190],"referenceItemIds":[3487,3531,3603,3630,3691,4674,5158],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":4272,"type":8,"title":"Une aventure de Tanger","artistIds":[1034],"imageIds":[3046],"referenceItemIds":[4040],"data":{"book":{"publicationDate":"2017-05-01"},"publication":{"price":5,"collectionIds":[10]}},"publicationDate":"2023-02-23"},{"id":271,"type":14,"title":"Une babouche devient jaune","artistIds":[348],"referenceItemIds":[4066,2904,4058],"data":{"media":{"mediaId":271,"artworkDate":"2008-10-01"}},"publicationDate":"2023-02-23"},{"id":193,"type":14,"title":"Une br\u00e8ve histoire de l'homme","artistIds":[625],"referenceItemIds":[3922,2402],"data":{"media":{"mediaId":193,"artworkDate":"2005-01-21"}},"publicationDate":"2023-02-23"},{"id":4994,"type":2,"subTypeId":43,"typePrecision":"lecture","extraText1":"

 <\/p>

Dans le cadre du workshop de recherche et de cr\u00e9ation du s\u00e9minaire commun du Cehta \u00ab Face au Bilderatlas Mne-mosyne <\/i>\u00bb 2024\/2025, en collaboration avec le MucemLab et L'INSEAMM  \u00c9cole des Beaux-Arts de Marseille (Campus Art M\u00e9diterran\u00e9e)<\/p>

EXPLORER LES ESPACES INTERM\u00c9DIAUX\u2009: PROJECTION\u2009\u2013\u2009MONTAGE\u2009\u2013\u2009EXPOSITION\u2009<\/i>
Organis\u00e9 par\u2009: Sabine Guermouche, Simon S\u00e9guier-Faucher, Matteo Vallorani (Cehta\/Cral, EHESS), Maxime Guitton, C\u00e9cile Marie-Castanet (Beaux-Arts de Marseille, Campus Art M\u00e9diterran\u00e9e), Aude Fanlo, Anne Faure, Enguerrand Lascols (Mucem) et Anne Creissels (AIAC, Paris 8). Avec la participation des artistes\u2009: <\/i>Pierre Parlant, Simon Ripoll-Hurier.
 <\/p>","extraText3":"

Atelier de recherche et de cr\u00e9ation (ARC)<\/p>","occurences":[{"startDate":"2025-03-19","startTime":"18:00:45","endDate":null,"endTime":null}],"placeId":84,"title":"Une cause dans\u00e9e","artistIds":[1112],"imageIds":[3734,3735],"fileIds":[17],"extraSectionIds":[6,5],"logoImageIds":[3536,3736],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-03-05"},{"id":112,"type":14,"title":"Une femme","artistIds":[1625],"referenceItemIds":[2748],"data":{"media":{"mediaId":112,"artworkDate":"2006-03-11"}},"publicationDate":"2023-02-23"},{"id":670,"type":14,"title":"Une femme de quelques vies (premier cahier)","artistIds":[611],"referenceItemIds":[3137,4120],"data":{"media":{"mediaId":670,"artworkDate":"2011-10-21"}},"publicationDate":"2023-02-23"},{"id":4041,"type":8,"title":"Une grammaire de Tanger","artistIds":[348],"imageIds":[2811],"referenceItemIds":[4040],"data":{"book":{"publicationDate":"2008-01-01","isbn10":"978-2-909097-68-8"},"publication":{"price":12,"collectionIds":[10]}},"publicationDate":"2023-02-23"},{"id":3734,"type":2,"subTypeId":9,"occurences":[{"startDate":"2023-04-29","startTime":"11:00:49","endDate":null,"endTime":null}],"title":"Une grammaire tib\u00e9taine","artistIds":[147],"imageIds":[2556],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-03-23"},{"id":299,"type":14,"title":"Une histoire \u00e0 propos d'Ingeborg Bachmann et de Paul Celan","artistIds":[1175],"referenceItemIds":[2446,3889],"data":{"media":{"mediaId":299,"artworkDate":"2003-10-03"}},"publicationDate":"2023-02-23"},{"id":26,"type":14,"title":"Une larme...","artistIds":[611],"referenceItemIds":[3925,2400],"data":{"media":{"mediaId":26,"artworkDate":"2005-03-11"}},"publicationDate":"2023-02-23"},{"id":2395,"type":1,"occurences":[{"startDate":"2002-04-06","endDate":"2001-05-12","startTime":null,"endTime":null}],"title":"Une ligne brouillon","artistIds":[380],"imageIds":[1234],"publicationDate":"2023-02-23"},{"id":146,"type":14,"title":"Une Longue Marche (extrait) [Victor Segalen]","artistIds":[619],"referenceItemIds":[4018,2800],"data":{"media":{"mediaId":146,"artworkDate":"2007-02-09"}},"publicationDate":"2023-02-23"},{"id":2800,"type":2,"occurences":[{"startDate":"2007-02-09","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Une Longue Marche, Victor Segalen","artistIds":[359,619],"imageIds":[1453],"publicationDate":"2023-02-23"},{"id":740,"type":14,"title":"Une Mort Programm\u00e9e [tract]","referenceItemIds":[3162],"data":{"media":{"mediaId":740,"artworkDate":"2012-04-26"}},"publicationDate":"2023-02-23"},{"id":5291,"type":2,"subTypeId":9,"extraText1":"

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Centre Nobert Elias<\/a>
Centre LGBTQIA+ Marseille<\/a>
Ville de Marseille \u2013 Mus\u00e9es de Marseille \u2013 MAAOA<\/a>
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Texte re\u00e7u de Guido Mazzoni le 1er<\/sup> octobre 2024<\/p>

[Traduction de Martin Rueff]<\/p>","title":"Uscire","artistIds":[2721],"referenceItemIds":[4913,4916],"data":{"book":{},"publication":{},"media":{"mediaId":2314}},"publicationDate":"2024-10-02"},{"id":82,"type":14,"title":"Usine","artistIds":[1551],"referenceItemIds":[2709],"data":{"media":{"mediaId":82,"artworkDate":"2005-06-04"}},"publicationDate":"2023-02-23"},{"id":3232,"type":2,"occurences":[{"startDate":"2013-11-29","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Ut pictura poesis","subtitle":"Interventions et lectures","artistIds":[2129,2121,1913,1004],"imageIds":[1859],"publicationDate":"2023-02-23"},{"id":3600,"type":2,"subTypeId":25,"occurences":[{"startDate":"2021-07-03","startTime":"15:00:00","endDate":null,"endTime":null}],"title":"V. Beaudouin \/ J. Roubaud","subtitle":"entretien","artistIds":[597,2425],"imageIds":[2389],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":42,"type":14,"title":"Vaduz","artistIds":[159],"referenceItemIds":[2598],"data":{"media":{"mediaId":42,"artworkDate":"1998-07-10"}},"publicationDate":"2023-02-23"},{"id":4554,"type":2,"subTypeId":7,"extraText2":"

Le Cipm et L\u2019art Hic & Hoc (La Ciotat) poursuivent leur collaboration et co-produisent cet \u00e9t\u00e9<\/p>

deux rencontres dans le cadre de la 6\u00e8me<\/sup> \u00e9dition du festival Tournez la Plage,<\/p>

\u00e0 La Ciotat, du 3 au 5 ao\u00fbt 2023.<\/p>

 <\/p>

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Responsable de la revue : Sandrine Cnudde
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En amont de son Solo<\/a>,<\/p>

quatre extraits d'un travail en cours re\u00e7us de l'autrice le<\/p>","title":"Volens nolens ","artistIds":[2563],"data":{"book":{},"publication":{},"media":{"mediaId":931,"artworkDate":"2023-03-22"}},"publicationDate":"2023-04-12"},{"id":3683,"type":2,"occurences":[{"startDate":"2022-05-29","endDate":null,"startTime":"16:00:00","endTime":null}],"title":"VOUS M\u2019AVEZ FAIT CHERCHER","subtitle":"Rencontre","artistIds":[317,2479,2480],"imageIds":[2486],"publicationDate":"2023-02-23"},{"id":2605,"type":2,"occurences":[{"startDate":"1998-05-22","endDate":null,"startTime":"19:00:00","endTime":null}],"title":"Voyage \u00e0 Reykjavik","artistIds":[348,60,348],"imageIds":[1323],"publicationDate":"2023-02-23"},{"id":175,"type":14,"title":"Vraiment, de participer \u00e0 mon d\u00e9sir, je fis part","artistIds":[968],"referenceItemIds":[2806,4020],"data":{"media":{"mediaId":175,"artworkDate":"2007-04-06"}},"publicationDate":"2023-02-23"},{"id":3696,"type":2,"subTypeId":7,"occurences":[{"startDate":"2022-08-05","startTime":null,"endDate":null,"endTime":null},{"startDate":"2022-08-06","startTime":null,"endDate":null,"endTime":null}],"title":"VTGK au festival Tournez la plage","subtitle":"Duo","artistIds":[2278],"imageIds":[2502],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-02-23"},{"id":3760,"type":8,"title":"Vues de Marseille","subtitle":"(po\u00e9sies spatialistes)","artistIds":[1747],"imageIds":[2578],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1993-01-01","isbn10":"2-909097-11-0"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":759,"type":14,"title":"W (extrait)","artistIds":[611],"data":{"media":{"mediaId":759,"artworkDate":"1985-06-14"}},"publicationDate":"2023-02-23"},{"id":1579,"type":7,"artistIds":[1601],"imageIds":[569],"publicationDate":"2023-02-23"},{"id":1612,"type":7,"artistIds":[1640],"publicationDate":"2023-02-23"},{"id":1727,"type":7,"artistIds":[1802],"imageIds":[679],"publicationDate":"2023-02-23"},{"id":267,"type":14,"title":"Walter Benjamin","artistIds":[1112],"referenceItemIds":[4054,2914],"data":{"media":{"mediaId":267,"artworkDate":"2008-11-15"}},"publicationDate":"2023-02-23"},{"id":1486,"type":7,"artistIds":[1311],"publicationDate":"2023-02-23"},{"id":4569,"type":14,"extraText1":"

Cette version de WASTING MY GRAMMAR <\/i><\/p>

a \u00e9t\u00e9 lue par Cia Rinne, lors d'un duo avec J\u00e9r\u00f4me Bertin,<\/p>

en sortie de R\u00e9sidence de lecture \u00e0 la Biblioth\u00e8que du Cipm<\/p>","title":"WASTING MY GRAMMAR","subtitle":"GASPILLER MA GRAMMAIRE","artistIds":[2292],"referenceItemIds":[3622],"data":{"book":{},"publication":{},"media":{"mediaId":1082,"artworkDate":"2021-10-16","artworkDateToDisplay":"le samedi 16 octobre 2021."}},"publicationDate":"2023-07-28"},{"id":2723,"type":9,"occurences":[{"startDate":"2005-09-30","endDate":"2005-10-01","startTime":null,"endTime":null}],"title":"Web & Po\u00e9sie","artistIds":[1591,1587,1582,1004,1585,1069,1588,1580,1583,1584,1102,1581,585,756,307,1552,1586,35,270,1301],"imageIds":[1379],"publicationDate":"2023-02-23"},{"id":3975,"type":8,"title":"Web & Po\u00e9sie","artistIds":[1591,1582,1069,1588,1580,1583,1584,1102,1581,585,756,307,1552,1586,270,1301,1587,1004,1585,35,364],"imageIds":[2760,1271],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"2005-09-01","issn":"1148-652 X"},"publication":{"price":3,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":3259,"type":2,"occurences":[{"startDate":"2014-06-07","endDate":null,"startTime":"18:30:00","endTime":null}],"title":"What's up? Femmes de la Beat Generation","artistIds":[2081,675,2159],"imageIds":[1897],"publicationDate":"2023-02-23"},{"id":3258,"type":1,"occurences":[{"startDate":"2014-06-06","endDate":"2014-06-28","startTime":null,"endTime":null}],"title":"William Burroughs","subtitle":"Traces Optiques","artistIds":[946,880,1372,2081,675,2159,1715],"imageIds":[1896],"publicationDate":"2023-02-23"},{"id":2652,"type":9,"occurences":[{"startDate":"2001-03-30","endDate":"2001-03-31","startTime":null,"endTime":null}],"title":"Wittgenstein \u00e0 la lettre","artistIds":[835,696,611,898,597,613,348,1220],"imageIds":[1339],"publicationDate":"2023-02-23"},{"id":3808,"type":8,"title":"Wittgenstein \u00e0 la lettre","artistIds":[835,696,611,898,597,613,348,1220],"referenceItemIds":[3750],"data":{"book":{"publicationDate":"2001-05-01","issn":"1148-652 X"},"publication":{"price":3,"collectionIds":[5]}},"publicationDate":"2023-02-23"},{"id":5126,"type":7,"artistIds":[2768],"imageIds":[3864],"referenceItemIds":[5023,5076],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2025-05-06"},{"id":478,"type":14,"title":"Word (extrait)","artistIds":[214],"referenceItemIds":[3028,3028,3970],"data":{"media":{"mediaId":478,"artworkDate":"1990-09-21"}},"publicationDate":"2023-02-23"},{"id":3659,"type":3,"occurences":[{"startDate":"2022-03-17","endDate":null,"startTime":"10:00:00","endTime":"17:00:00"}],"title":"WORKSHOP \/ SUSAN BEE, CHARLES BERNSTEIN","artistIds":[2462,2467],"imageIds":[2461],"publicationDate":"2023-02-23"},{"id":4345,"type":14,"extraText1":"

Texte re\u00e7u de l'auteur le 23 f\u00e9vrier 2023<\/p>

en pr\u00e9vision de l'Exploration \u00e9ditions la Boucherie litt\u00e9raire<\/i><\/a><\/p>","title":"Wormiens","artistIds":[2389],"data":{"book":{},"publication":{},"media":{"mediaId":924,"artworkDate":"2023-02-23"}},"publicationDate":"2023-03-23"},{"id":2681,"type":5,"occurences":[{"startDate":"2001-10-01","endDate":"2002-06-01","startTime":null,"endTime":null}],"title":"www.cipmarseille.fr\/atelieradultes","artistIds":[1004,190],"publicationDate":"2023-02-23"},{"id":2483,"type":2,"occurences":[{"startDate":"2002-06-08","endDate":null,"startTime":"18:00:00","endTime":null}],"title":"www.cipmarseille.fr\/atelieradultes","artistIds":[1004],"publicationDate":"2023-02-23"},{"id":590,"type":14,"title":"X parle d'avoir \u00e9t\u00e9 r\u00e9veill\u00e9 au milieu de la nuit... 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Colloque organis\u00e9 par Sally Bonn, Vincent Broqua, Pierre Eug\u00e8ne et Philippe Fauvel.<\/p>

 <\/p>

En partenariat avec : le FID, Cahiers du cin\u00e9ma, Centre Pompidou, Festival International du film d'Amiens, Librairie EXC, Maison de la po\u00e9sie, Mus\u00e9e de Picardie, Universit\u00e9 de Picardie Jules-Verne, Universit\u00e9 Paris 8 Vincennes Saint-Denis.<\/p>

 <\/p>

Avec le concours du cin\u00e9ma La Baleine (Marseille).<\/p>

 <\/p>","extraText2":"

Le site du colloque.<\/a><\/p>

 <\/p>

 <\/p>","occurences":[{"startDate":"2024-03-28","startTime":null,"endDate":"2024-03-30","endTime":null}],"title":"Zigzaguer \/ po\u00e9sie & cin\u00e9ma","subtitle":"Traverser les fronti\u00e8res","artistIds":[1193,2147,2678,2679,397,96,2150,1080,2680,2681,1299,431,2682],"imageIds":[3478],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-01-31"},{"id":1931,"type":7,"artistIds":[2073],"publicationDate":"2023-02-23"},{"id":3778,"type":8,"title":"Zrabatirges","artistIds":[9],"imageIds":[2596],"referenceItemIds":[3743],"data":{"book":{"publicationDate":"1994-01-01","isbn10":"2-909097-16-1"},"publication":{"price":9.15,"collectionIds":[2]}},"publicationDate":"2023-02-23"},{"id":1502,"type":7,"artistIds":[1347],"imageIds":[518],"publicationDate":"2023-02-23"},{"id":1501,"type":7,"artistIds":[1346],"imageIds":[517],"publicationDate":"2023-02-23"},{"id":1755,"type":7,"artistIds":[1847],"imageIds":[696],"publicationDate":"2023-02-23"},{"id":4910,"type":7,"artistIds":[2714],"imageIds":[3639],"data":{"book":{},"publication":{},"media":{}},"publicationDate":"2024-09-10"},{"id":4431,"type":13,"title":"\u03a4\u0395\u03a6\u039b\u039f\u039d","subtitle":"N\u00b0R 3","data":{"book":{},"publication":{},"media":{}},"publicationDate":"2023-05-03"}],"itemSubTypes":[{"id":21,"name":"[autres...]","description":"

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\u00ab Lire s\u2019\u00e9crit \u00bb est un cycle de conf\u00e9rences mis en place en partenariat avec la Biblioth\u00e8que de l\u2019Alcazar. Une carte blanche d\u2019une heure offerte \u00e0 un auteur, \u00e0 une autrice, pour une travers\u00e9e singuli\u00e8re et personnelle d\u2019un sujet de pr\u00e9dilection ; un sujet de r\u00e9flexion et d\u2019\u00e9tude, d\u00e9pli\u00e9 en un ensemble de pr\u00e9occupations, d\u2019analyses, de r\u00e9cits, de d\u00e9couvertes, de documents \u2014 \u00e0 transmettre, \u00e0 partager. Questions de lecture, d\u2019\u00e9criture, de traduction, de composition, d\u2019\u00e9dition ; focus sur une \u0153uvre, une \u00e9poque, une pratique, un objet. Il s\u2019agira \u00e0 chaque fois d\u2019aventures entre lecture et \u00e9criture, entre \u00e9criture et lecture, souvent autour de la po\u00e9sie mais pas seulement. Il s\u2019agira aussi, bien s\u00fbr, de dire \u2014 et de dialoguer, d\u2019\u00e9changer. Huit conf\u00e9rences sont programm\u00e9es en 2026, toujours le samedi matin \u00e0 11 h 30, le plus souvent \u00e0 la Biblioth\u00e8que de l\u2019Alcazar, parfois au Cipm. Remerciements \u00e0 Charlie-Camille Flores et \u00e0 Guillaume Fayard pour cette nouvelle coproduction avec la Biblioth\u00e8que de l\u2019Alcazar et la Ville de Marseille.<\/p>","type":2,"menuName":"Cycle de conf\u00e9rences \u00ab Lire s\u2019\u00e9crit \u00bb"},{"id":36,"name":"d'\u00e9criture","type":6},{"id":2,"name":"d\u2019\u00e9criture \/ de lecture","type":6,"menuName":"d\u2019\u00e9criture\/de lecture"},{"id":26,"name":"de lecture","description":"

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Depuis l\u2019an 2000, le Cipm produit sous le titre Import\/Export une s\u00e9rie \u00ab d\u2019\u00e9changes de po\u00e9sie contemporaine \u00bb : trois po\u00e8tes fran\u00e7ais et trois po\u00e8tes d\u2019un pays \u00e9tranger se rencontrent d\u2019une part \u00e0 Marseille et d\u2019autre part dans une ville du pays concern\u00e9 afin de traduire et d\u2019\u00eatre traduits collectivement. Ce travail de traduction collective donne lieu \u00e0 une rencontre\/lecture (ou plusieurs) dans chacun des pays \u00e0 la suite des ateliers de traduction ainsi qu\u2019\u00e0 une publication bilingue des textes en langue originale et en traduction.<\/p>


Les \u00e9changes se d\u00e9roulent en deux temps : une r\u00e9sidence d\u2019une semaine lors de laquelle les po\u00e8tes fran\u00e7ais sont accueillis dans un pays \u00e9tranger et traduits collectivement par les po\u00e8tes \u00e9trangers avec l\u2019aide d\u2019un ou deux techniciens de la langue ayant l\u2019exp\u00e9rience de la traduction de po\u00e9sie ; une r\u00e9sidence d\u2019une semaine lors de laquelle les po\u00e8tes \u00e9trangers sont accueillis \u00e0 Marseille au Cipm et traduits collectivement par les po\u00e8tes fran\u00e7ais dans les m\u00eames conditions.<\/p>


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 <\/p>

Le principe des Import\/Export peut \u00eatre adapt\u00e9 \u00e0 d\u2019autres contextes et donner forme \u00e0 d\u2019autres  exp\u00e9riences et pratiques de la traduction collective de po\u00e9sie.<\/p>","type":6,"menuName":"de traduction"},{"id":31,"name":"diagonale du catalogue","description":"

R\u00e9alis\u00e9es \u00e0 partir des fonds conserv\u00e9s \u00e0 la biblioth\u00e8que du Cipm, les expositions de la s\u00e9rie Les diagonales du catalogue<\/i> ont pour objectif de documenter un aspect de l\u2019histoire de la po\u00e9sie contemporaine ou de promouvoir le regard d\u2019un auteur sur les collections du Centre.<\/p>","type":1},{"id":25,"name":"duo","type":2},{"id":40,"name":"\u00c9cole sup\u00e9rieure d'art d'Avignon (ESSA)","type":3},{"id":18,"name":"\u00c9cole(s) du Sud","type":3,"menuName":"\u00c9cole(s) du Sud"},{"id":32,"name":"en biblioth\u00e8que","type":5},{"id":10,"name":"exploration","description":"

Les \u00ab Explorations du domaine de la po\u00e9sie \u00bb sont des invitations collectives faites sur la base des rep\u00e9rages du Cipm et des propositions qui lui sont adress\u00e9es par les acteurs du champ de la po\u00e9sie contemporaine. Il peut s\u2019agir d\u2019une rencontre autour d\u2019une maison d\u2019\u00e9dition ou d\u2019une revue, d\u2019un entretien ou d\u2019une discussion \u00e0 partir d'un th\u00e8me ou d\u2019une question, d\u2019une journ\u00e9e d\u2019\u00e9tude ou d\u2019autres formes plus in\u00e9dites. Ces rendez-vous entendent t\u00e9moigner du fait que, loin de se r\u00e9sumer \u00e0 l'addition des \u0153uvres qui la composent, la po\u00e9sie est li\u00e9e aux autres domaines de la pens\u00e9e et de la cr\u00e9ation, travers\u00e9e de courants contraires et d\u2019autres convergents, anim\u00e9e d\u2019enjeux esth\u00e9tiques et intellectuels qui font l'intensit\u00e9 de sa vie cr\u00e9ative et critique.<\/p>","type":2,"menuName":"\u00ab exploration du domaine de la po\u00e9sie \u00bb"},{"id":47,"name":"formation \u00e0 la recherche","type":3},{"id":41,"name":"formation professionnelle","type":3},{"id":6,"name":"Forum de la po\u00e9sie","type":4,"menuName":"\u00ab forum de la po\u00e9sie \u00bb"},{"id":42,"name":"hors les murs","type":2,"menuName":"hors les murs"},{"id":45,"name":"journ\u00e9e","type":9},{"id":20,"name":"journ\u00e9e d'\u00e9tude","type":9,"menuName":"journ\u00e9e d'\u00e9tude"},{"id":57,"name":"l\u2019exp\u00e9rience de la lecture","description":"

Inscrit dans le cycle \u00ab L\u2019exp\u00e9rience de la lecture \u00bb, ce workshop est con\u00e7u et coproduit en partenariat avec l\u2019\u00e9cole des Beaux-Arts de Marseille et l'Atelier de recherche et de cr\u00e9ation (ARC) \u00ab Textes et Voix \u00bb. Il est coordonn\u00e9 par C\u00e9cile Marie-Castanet, professeure aux Beaux-Arts de Marseille. Ce workshop a lieu une fois par an ; \u00e0 partir d\u2019un choix de livres, il propose une semaine d\u2019exp\u00e9rience de lecture avec un\u00b7e \u00e9crivain\u00b7e en lien avec la biblioth\u00e8que du Cipm , des \u00e9changes bibliographiques et des sessions d\u2019\u00e9criture.<\/p>","type":3,"menuName":"L'Exp\u00e9rience de la lecture"},{"id":4,"name":"La voix-de-l\u2019\u00e9crit","type":3,"menuName":"\u00ab La voix-de-l\u2019\u00e9crit \u00bb"},{"id":1,"name":"les in\u00e9dits","type":2,"menuName":"\u00ab les in\u00e9dits \u00bb"},{"id":11,"name":"les jeudis du Cipm","type":2,"menuName":"\u00ab les jeudis du Cipm \u00bb"},{"id":55,"name":"Lire s\u2019\u00e9crit","type":9,"menuName":"Lire s\u2019\u00e9crit"},{"id":14,"name":"march\u00e9 de la po\u00e9sie","type":2,"menuName":"participation au March\u00e9 de la po\u00e9sie"},{"id":30,"name":"Masterclasse AMU","type":3},{"id":58,"name":"monographie","type":1},{"id":16,"name":"monographie de cr\u00e9ation","type":1,"menuName":"monographie de cr\u00e9ation"},{"id":15,"name":"monographie documentaire","type":1,"menuName":"monographie documentaire"},{"id":24,"name":"num\u00e9ro de revue","type":8},{"id":13,"name":"partenariat","type":1,"menuName":"\u00e0 titre de partenaire"},{"id":53,"name":"performance","type":2},{"id":22,"name":"projection","type":10},{"id":50,"name":"Prolongement de l'exposition Liliane Giraudon madame himself & l'humour po\u00e9tasse ","type":1},{"id":7,"name":"propager le po\u00e8me","description":"

Propager le po\u00e8me<\/i>. Outre sa beaut\u00e9, la formule exprime l'une des missions du Cipm : propager, c\u2019est aussi aller ailleurs, sortir de chez soi, tisser des liens, tracer des chemins au-del\u00e0 des murs. Propager cette \u00e9vidence, indiscutable bien que r\u00e9guli\u00e8rement remise en question : la po\u00e9sie existe, elle est vivante et pertinente, vivace et cr\u00e9ative, aujourd\u2019hui comme par le pass\u00e9 ; ici en France comme ailleurs dans le monde. La po\u00e9sie est contemporaine. De la page \u00e0 la sc\u00e8ne, elle articule le pr\u00e9sent des mondes et des \u00eatres \u00e0 celui des langages en r\u00e9inventant constamment les formes du po\u00e8me. Favoriser la rencontre des multiples aspects de cette contemporan\u00e9it\u00e9 de la po\u00e9sie, c\u2019est ce que fait le Cipm en invitant tout au long de l\u2019ann\u00e9e, \u00e0 Marseille comme ailleurs, les auteurs les autrices et les \u0153uvres qui, ind\u00e9pendamment de leur notori\u00e9t\u00e9 publique, sont au c\u0153ur de cette pratique essentielle \u00e0 la vie artistique et intellectuelle.<\/p>","type":2,"menuName":"\u00ab propager le po\u00e8me \u00bb"},{"id":39,"name":"publication","type":8},{"id":29,"name":"publication en ligne","type":10},{"id":46,"name":"r\u00e9sidence","type":6},{"id":34,"name":"r\u00e9sidence","type":6},{"id":35,"name":"r\u00e9sidence","type":6},{"id":48,"name":"r\u00e9sidence de traduction","type":6},{"id":12,"name":"salon","type":2,"menuName":"\u00ab salon \u00bb"},{"id":9,"name":"solo","description":"

L\u2019enjeu des \u00ab  Solos \u00bb est de promouvoir une \u0153uvre contemporaine en invitant son auteur\u2e31e \u00e0 produire un parcours r\u00e9trospectif et r\u00e9flexif \u00e0 travers ses livres \u2013 ou, plus g\u00e9n\u00e9ralement, \u00e0 travers ses pratiques po\u00e9tiques \u2013, articulant temps de lecture, commentaires, \u00e9changes avec le public. Ils peuvent prendre diverses formes \u2014 de la lecture \u00e0 la performance, de la conf\u00e9rence \u00e0 la discussion, en fonction de la sp\u00e9cificit\u00e9 du travail et des aspirations des invit\u00e9\u2e31e\u2e31s. Enregistr\u00e9s et film\u00e9s, depuis leur cr\u00e9ation en 2019, progressivement \u00e9ditorialis\u00e9s et mis en ligne, les Solos constituent une s\u00e9rie tr\u00e8s originales et une collection d\u2019archives de grande valeur au sujet des pratiques actuelles de la po\u00e9sie. Depuis 2023, ce protocole peut \u00eatre augment\u00e9 jusqu'\u00e0 prendre la forme d'une micro-r\u00e9sidence au cours de laquelle ont lieu, en plus du Solo \u00ab classique \u00bb,  un temps p\u00e9dagogique et un temps de travail \u00e0 la biblioth\u00e8que du Cipm aboutissant \u00e0 une cr\u00e9ation originale destin\u00e9e \u00e0 \u00eatre publi\u00e9e en ligne.<\/p>","type":2,"menuName":"\u00ab solo \u00bb"},{"id":23,"name":"sortie de r\u00e9sidence","type":2},{"id":5,"name":"stage de formation \u00e0 destination des enseignants et professeurs documentalistes de la r\u00e9gion SUD","type":12,"menuName":"stage de formation pour les enseignants et documentalistes"},{"id":37,"name":"table ronde","type":9},{"id":19,"name":"vernissage","type":2,"menuName":"vernissage"},{"id":44,"name":"visite","type":2},{"id":51,"name":"visite hors les murs ","type":2}],"languages":[{"id":5,"name":"allemand","menuName":"l'allemand"},{"id":1,"name":"anglais","menuName":"l'anglais"},{"id":17,"name":"arabe alg\u00e9rien","menuName":"l'arabe alg\u00e9rien"},{"id":15,"name":"arabe levantin","menuName":"l'arabe levantin"},{"id":16,"name":"arabe m\u00e9sopotamien","menuName":"l'arabe m\u00e9sopotamien"},{"id":2,"name":"castillan","menuName":"l'espagnol (castillan)"},{"id":14,"name":"cor\u00e9en","menuName":"le cor\u00e9en"},{"id":18,"name":"Dari","menuName":"le dari"},{"id":20,"name":"\u00c9tats-Unis","menuName":"USA"},{"id":3,"name":"fran\u00e7ais","menuName":"le fran\u00e7ais en plus d'une autre langue"},{"id":4,"name":"grec","menuName":"le grec"},{"id":10,"name":"h\u00e9breux","menuName":"en h\u00e9breux"},{"id":13,"name":"hongrois","menuName":"le hongrois"},{"id":6,"name":"italien","menuName":"l'italien"},{"id":9,"name":"lituanien","menuName":"en lituanien"},{"id":7,"name":"persan","menuName":"le persan"},{"id":8,"name":"portugais br\u00e9silien","menuName":"le portugais br\u00e9silien"},{"id":11,"name":"russe","menuName":"en russe"},{"id":19,"name":"su\u00e9dois"},{"id":12,"name":"ukrainien","menuName":"en ukrainien"}],"medias":[{"id":2699,"type":4,"fileUrl":"\/resources\/files\/file_6878fb905b61b.mp3","label":"

Lybo<\/p>","duration":46},{"id":1991,"type":2,"content":"

 <\/p>

Tu ferais mieux d\u2019aider les autres.<\/p>

Tu ferais mieux d\u2019\u00eatre g\u00e9n\u00e9reux.<\/p>

Tu veux \u00eatre sympathique.<\/p>

Tu veux \u00eatre bienveillant,<\/p>

alors soit bon de bonne volont\u00e9,<\/p>

bonifie, apporte le bonheur,<\/p>

soit bon, bon, bon, de bonne volont\u00e9,<\/p>

soit bien et veillant, g\u00e9n\u00e9reux et optimiste.<\/p>

 <\/p>","label":"

Tu ferais mieux, Thibault<\/p>"},{"id":1992,"type":2,"content":"

 <\/p>

Injure, propos vulgaire qui peut blesser<\/p>

S\u2019\u00e9triper, attraper quelque chose ou quelqu\u2019un<\/p>

Insolence ne pas respecter ses proches ou ses a\u00een\u00e9s<\/p>

N\u00e9faste, un virus qui nuit aux autres<\/p>

Transcendant, qui fait peur ou qui choque<\/p>

Qu\u00e9mander, demander abusivement de l\u2019argent<\/p>

J\u2019emb\u00eate une personne qui ne m\u2019a rien fait<\/p>

F\u00eatard gens qui font la f\u00eate souvent<\/p>

Fant\u00f4me personnage imaginaire qui fait sursauter<\/p>

Terreur \u00eatre vivant est terrifiant<\/p>

Enterrer, rendre hommage \u00e0 une personne d\u00e9c\u00e9d\u00e9e<\/p>

Dernier, personne qui s\u2019est fait doubler \u00e0 la fin.<\/p>

 <\/p>","label":"

propos vulgaire, Axel<\/p>"},{"id":1993,"type":2,"content":"

 <\/p>

Tu es un poids lourd de boxe gr\u00e2ce \u00e0 un entra\u00eenement intense, gr\u00e2ce \u00e0 ta d\u00e9termination \u00e0 dire stop aux mensonges du muscle et aux hamburgers de Macdo, mais tu es en manque d\u2019amour \u00e0 cause de ta blessure au coude, ta force t\u2019arme et t\u2019emp\u00eache de faire des sc\u00e8nes.<\/p>

 <\/p>","label":"

Tu es un poids lourd, Noha<\/p>"},{"id":1994,"type":2,"content":"

 <\/p>

Tu es quelqu\u2019un qui a beaucoup de force physique parce que tu fais de la musculation tous les jours.Tu as besoin d\u2019entra\u00eenements pour utiliser ton arme de fonction pour participer \u00e0 ta prochaine mission en Oc\u00e9anie. Tu te fais attaquer par un zombie lorsque tu cherches de la nourriture dans une zone interdite. Tu commences \u00e0 courir pour fuir le zombie mais tu tombes dans un trou.<\/p>

 <\/p>","label":"

dans un trou, Daroussi<\/p>"},{"id":1995,"type":2,"content":"

 <\/p>

Tu ferais mieux de faire des pompes<\/p>

Tu ferais mieux de faire des tractions<\/p>

Tu veux \u00eatre \u00e9norme, tu veux \u00eatre sec<\/p>

Alors tu soul\u00e8ves, soul\u00e8ves, soul\u00e8ves<\/p>

L\u00e8ves, tu te l\u00e8ves<\/p>

Alors tu cours, cours, cours, courage, courage, rage, rage rage<\/p>

Hydrate toi, alimente toi<\/p>

 <\/p>","label":"

soul\u00e8ves, Alain<\/p>"},{"id":1996,"type":2,"content":"

 <\/p>

Tu me d\u00e9go\u00fbtes comme la ratatouille<\/p>

Je te hais comme le cours du jeudi<\/p>

Tu m\u2019angoisses comme le ciel gris et la pluie<\/p>

Je te hais comme l\u2019histoire g\u00e9ographie<\/p>

 <\/p>

Il nourrit des oiseaux<\/p>

Il mange du pain<\/p>

Il lit un livre<\/p>

Il aime s\u2019asseoir sur des bancs<\/p>

Il est \u00e9nerv\u00e9 contre toi<\/p>

Il est habill\u00e9 bizarrement<\/p>

 <\/p>

Il s\u2019est perdu<\/p>

Il a oubli\u00e9 l\u2019argent<\/p>

Il a tant fum\u00e9 qu\u2019il s\u2019est endormi<\/p>

Il est tomb\u00e9 en panne<\/p>

Il est en week-end<\/p>

Il est assis \u00e0 c\u00f4t\u00e9 de la banque \u00e0 proximit\u00e9 du distributeur<\/p>

Il s\u2019est fait vir\u00e9 de son poste de la banque<\/p>

Il a oubli\u00e9 sa carte<\/p>

 <\/p>","label":"

Tu me d\u00e9go\u00fbtes, Kilian<\/p>"},{"id":1997,"type":2,"content":"

 <\/p>

Tu m\u2019agaces comme un petit cousin de 5 ans qui te demande des jeux sur ton t\u00e9l\u00e9phone.<\/p>

Tu m\u2019ennuies comme la philosophie m\u00eame si j\u2019en ai jamais appris.<\/p>

Tu m\u2019\u00e9nerves comme les personnes qui disent chocolatine et pas pain au chocolat.<\/p>

Tu m\u2019exasp\u00e8res comme les gens qui corrigent mes textes.<\/p>

Tu me stresses comme quand ma m\u00e8re me laisse seule \u00e0 la caisse sans argent car elle a oubli\u00e9 un truc.<\/p>

Tu m\u2019as trahi comme des fins d\u2019\u00e9pisodes int\u00e9ressants puis \u00ab la r\u00e9ponse du prochain \u00e9pisode \u00bb.<\/p>

Tu me fais peur comme en ce moment car je passe \u00e0 l\u2019oral.<\/p>

 <\/p>

A 10h avec Lisa, la sonnerie fait son r\u00f4le, Th\u00e9o un grand type avec des muscles, la star du coll\u00e8ge va voir Lucas tout aussi muscl\u00e9, tout aussi star, Th\u00e9o dit \u00e0 Lucas que la masse de ses muscles est sup\u00e9rieure \u00e0 la masse de son cerveau, il lui r\u00e9pond qu\u2019il ne sert \u00e0 rien sur cette plan\u00e8te \u00e0 part d\u00e9corer la salle de sport. Un attroupement humain se rassemble devant les starlettes.<\/p>

\u00c7a se pousse, se frappe. \u00c7a se fait s\u00e9parer, se fait applaudir, \u00e7a s\u2019insulte de deux lettres cons\u00e9cutives, de -ard, \u00e0 la fin, Th\u00e9o traite les parents de Lucas de femme \u00e0 la rue.<\/p>

 <\/p>","label":"

Tu m\u2019exasp\u00e8res, Lina<\/p>"},{"id":1998,"type":2,"content":"

 <\/p>

Un climat d\u2019ins\u00e9curit\u00e9 physique et \u00e9motionnelle<\/span><\/p>

Pas tr\u00e8s coulants<\/strong><\/span><\/p>

gros mots sur Facebook<\/strong><\/span><\/p>

conduit au commissariat<\/p>

DE LA VIOLENCE<\/span><\/p>

fusillade dans des bars \u00e0 chicha \u00e0 Hanau<\/p>

joue sur la peur<\/span><\/p>

tu\u00e9e dans l\u2019oeuf<\/strong><\/p>

SACHEZ TOUT AVANT <\/strong>TOUT LE MONDE !<\/strong><\/span><\/p>

 <\/p>","label":"

Un climat d\u2019ins\u00e9curit\u00e9, Silvio<\/p>"},{"id":1999,"type":2,"content":"

 <\/p>

Violence, les coups de poing et de pied dans le ventre, forts et inattendus<\/p>

Tendu et prudent pour l\u2019\u00e9viter chaque journ\u00e9e<\/p>

Nez en sang, au sol, tout seul, perdu<\/p>

Du lundi au dimanche vraiment tout le temps<\/p>

Emmitoufl\u00e9 derri\u00e8re un buisson ou un mur \u00e0 attendre sa prochaine proie<\/p>

Roi ou pauvre, personne n\u2019y \u00e9chappe<\/p>

Peu de temps apr\u00e8s on y pleure<\/p>

L\u2019heure est venue, c\u2019est \u00e0 mon tour de recevoir<\/p>

Voir est choquant \u00e0 vie<\/p>

Vient c\u2019est \u00e0 ton tour, courage<\/p>

Rage d\u00e9sespoir tous les \u00e9l\u00e9ments qu\u2019il lui faut<\/p>

Faut-il toujours \u00eatre la victime de l\u2019agresseur ?<\/p>

Dresseur de lion, la violence est toujours l\u00e0, partout.<\/p>

 <\/p>

Je voulais \u00e9couter, j\u2019ai pens\u00e9 apprendre, j\u2019ai dit bavarder<\/p>

Je voulais prendre, j\u2019ai pens\u00e9 co\u00fbter, j\u2019ai \u00e9t\u00e9 avare<\/p>

Je voulais pendre, j\u2019ai pens\u00e9 taper, j\u2019ai fui<\/p>

Je voulais me cacher, j\u2019ai pens\u00e9 appeler mes parents, j\u2019ai encore couru<\/p>

Je voulais m\u2019arr\u00eater, j\u2019ai pens\u00e9 me battre j\u2019ai pris la voiture<\/p>

je voulais refaire ma vie, j\u2019ai pens\u00e9 les \u00e9craser, j\u2019ai \u00e9conomis\u00e9<\/p>

 <\/p>","label":"

Tendu et prudent pour l\u2019\u00e9viter, Sola<\/p>"},{"id":2465,"type":1,"imageIds":[3831]},{"id":71,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/101_20051122181626.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 141a : Biennale Internationale de Po\u00e8tes en Val de Marne 2005"},{"id":73,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/103_20051122182413.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 141b : lecture\/rencontre avec Rifa't Sallam - lecture\/rencontre avec le r\u00e9sident du cipM<\/i>"},{"id":72,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/102_20051122182132.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 141c : Les Belles \u00c9trang\u00e8res : Roumanie"},{"id":781,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/888_20120914142235.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 197 (Claude Royet-Journoud)"},{"id":584,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/684_20110205175800.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 198 - erratum"},{"id":514,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/613_20100604171007.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 2"},{"id":782,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/889_20120915164429.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 203 (Emmanuel Hocquard)"},{"id":550,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/649_20100907171702.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 3"},{"id":515,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/614_20100611170934.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 4"},{"id":516,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/615_20100624144410.pdf","label":"' ' ' Le Cahier du Refuge ' ' ' 5"},{"id":862,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/974_20160322161816.mp3","label":"'j - Caroline Sagot Duvauroux lit un extrait de son livre 'j<\/i> (paru aux \u00e9ditions Unes en 2015), lors du vernissage de l'exposition \u00ab C\u0153ur gros \u00bb.","duration":150},{"id":460,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/558_20100407181754.mp3","label":"'le grand incendie de londres' (introduction)","duration":225},{"id":409,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/506_20091119162505.mp3","label":"\"La pudeur comme trouble profond qui peut \u00e9maner de sa po\u00e9sie\" - \u00e0 propos de Jean-Luc Sarr\u00e9","duration":321},{"id":408,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/505_20091119162012.mp3","label":"\"La saillie\" - \u00e0 propos de Jean-Luc Sarr\u00e9","duration":98},{"id":673,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/775_20111210154629.pdf","label":"\"Nous Recherchons\""},{"id":2406,"type":4,"fileUrl":"\/resources\/files\/file_67d9721d23273.wav","label":"

\"Petites e\u0301pigraphes\"  Extrait du Jadis, Po\u00efena (une po\u00e8me)<\/i>, Flammarion, 2025.<\/p>","duration":95},{"id":376,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/472_20090828183953.pdf","label":"\"Une clart\u00e9 impensable\" - Po\u00e9sie au lyc\u00e9e"},{"id":212,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/274_20071120134136.pdf","label":"\u00ab 1750 signatures pour le cipM \u00bb - Marseille-Hebdo - La r\u00e9daction."},{"id":1120,"type":2,"content":"

 <\/p>

[\u2026] 

IV. 

Ne disposant que de sa t\u00eate 
en qualit\u00e9 de pioche, 
travailler lentement 
c'est une besogne dure 
les Scarab\u00e9es se rel\u00e8veront 

l'autre se repose 
les pattes courbatur\u00e9es 
\u00e9tendues 
la t\u00eate appuy\u00e9e sur 
le flanc du cadavre 
la patience et la pers\u00e9v\u00e9rance 
sur tous les obstacles 
peu \u00e0 peu 
tandis que la tombe s'agrandit 
satisfaits 
de la profondeur obtenue. 

[\u2026]<\/p>

 <\/p>"},{"id":223,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/287_20071205162647.pdf","label":"\u00ab Centre international de po\u00e9sie Marseille cherche abri. Faire offre. \u00bb - L'Humanit\u00e9 - Gerhard K. Jacquet"},{"id":211,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/273_20071120141311.pdf","label":"\u00ab Dans la presse : Le Centre de po\u00e9sie d\u00e9log\u00e9 inqui\u00e8te Lib\u00e9 \u00bb - Marseille-Hebdo - La r\u00e9daction."},{"id":207,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/269_20071116143724.pdf","label":"\u00ab Inqui\u00e9tude pour la po\u00e9sie \u00e0 Marseille \u00bb - Le Monde - M. Samson - Le Monde \u2013 le 9 novembre 2007"},{"id":224,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/288_20071205163023.pdf","label":"\u00ab La Charit\u00e9, svp ! \u00bb - la Provence - C. Darras"},{"id":210,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/272_20071116145049.pdf","label":"\u00ab La po\u00e9sie pri\u00e9e de d\u00e9m\u00e9nager \u00bb - Marseille-Hebdo - V. Simonet - Journal Marseille-Hebdo"},{"id":213,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/275_20071120134426.pdf","label":"\u00ab Le centre de po\u00e9sie cherche d\u00e9sesp\u00e9rement un autre abri \u00bb - La Provence - A.Cefai"},{"id":209,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/271_20071116151929.pdf","label":"\u00ab Le cercle des po\u00e8tes disparus \u00bb - Ventilo - F. Jouve - journal Ventilo"},{"id":222,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/286_20071205162025.pdf","label":"\u00ab Marseille, capitale europ\u00e9enne de la culture ou cit\u00e9 des po\u00e8tes expuls\u00e9s \u00bb - L'Humanit\u00e9 - Gerhard K. Jacquet"},{"id":214,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/276_20071120154013.pdf","label":"\u00ab On vire m\u00eame les po\u00e8tes \u00bb - La Marseillaise - A.Schaller"},{"id":2516,"type":3,"videoId":"1081811125","label":"

Operator<\/i>, extrait d\u2019une performance multim\u00e9dia, concept, texte, images, et son par Oana Avasilichioaei, effets visuels et montage vid\u00e9o par Jessie Altura.<\/p>

2019 | extrait 2'43'' | performance 18'

\u00ab Operator \u00bb explore les positions des op\u00e9rateurs et des op\u00e9ratrices de drones militaires engag\u00e9s dans l\u2019acte de suivi, d\u2019identification et finalement de destruction.<\/p>","duration":163},{"id":208,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/270_20071120134858.pdf","label":"\u00ab Quand po\u00e9sie rime avec sans abri \u00bb - Lib\u00e9ration - F. Roussel - Article Lib\u00e9ration"},{"id":2407,"type":4,"fileUrl":"\/resources\/files\/file_67d9797420dad.wav","label":"

H\u00e9l\u00e8ne Sanguinetti<\/p>

\u00abSCE\u0300NE 1\u00bb Extrait du Jadis, Po\u00efena <\/i>(une po\u00e8me<\/i>), Flammarion, 2025.<\/p>","duration":317},{"id":36,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/60_20050923174703.pdf","label":"(PO\u00c8ME) 123456, extrait<\/sub>"},{"id":170,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/226_20070802165847.mp3","label":"[...] et vous profitez du coup d'oeil ainsi offert [...]","duration":213},{"id":167,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/223_20070802160630.mp3","label":"[...] si bien que certains mots [...]","duration":177},{"id":579,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/679_20110104182658.mp3","label":"В больнице \/ \u00e0 l'H\u00f4pital - Extrait diffus\u00e9 lors de la conf\u00e9rence.","duration":171},{"id":576,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/676_20110104181532.mp3","label":"Одной поетессе \/ Un po\u00e8te - Extrait diffus\u00e9 lors de la conf\u00e9rence.","duration":254},{"id":575,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/675_20110104181205.mp3","label":"Полночные Стихи \/ Versets de minuit - Extrait diffus\u00e9 lors de la conf\u00e9rence.","duration":383},{"id":269,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/355_20081216161633.mp3","label":"Постмодернизмът \/ Postmodernisme - Traduction fran\u00e7aise lue par St\u00e9phane Baquey<\/a>.","duration":127},{"id":578,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/678_20110104182408.mp3","label":"Свадьба \/ Mariage - Extrait diffus\u00e9 lors de la conf\u00e9rence.","duration":138},{"id":574,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/674_20110104180538.mp3","label":"Стихи Из Трагедии \/ Les versets de la trag\u00e9die - Extrait diffus\u00e9 lors de la conf\u00e9rence.","duration":219},{"id":577,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/677_20110104181825.mp3","label":"Ты поскачешь во мраке \/ Vous sautez dans l'obscurit\u00e9 - Extrait diffus\u00e9 lors de la conf\u00e9rence","duration":244},{"id":797,"type":1,"label":"Le \u00ab Colloque de Tanger \u00bb<\/b>\r\nqui s\u2019est tenu \u00e0 Gen\u00e8ve du 24 au 28 septembre 1975 \u00e0 l\u2019initiative de G\u00e9rard Georges Lemaire avec l\u2019aide de Fran\u00e7ois Lagarde, n\u2019avait pas choisi pour th\u00e8mes les recherches de William S. Burroughs et de Brion Gysin pour r\u00e9p\u00e9ter les formes acad\u00e9miques et scl\u00e9ros\u00e9es de ce genre de manifestations, qui se nomment pr\u00e9cis\u00e9ment \u00ab colloques \u00bb, bien peu \u00e0 la mesure de la subversion du langage, et donc de notre \u00e9conomie et de notre politique, ici en jeu.\r\nG\u00e9rard Georges Lemaire<\/i>\r\n\r\nLe \u00ab Colloque \u00c0 Tanger \u00bb<\/b>\r\nqui se tiendra \u00e0 Tanger du 4 au 7 avril en premi\u00e8re partie du Salon du livre et des arts de Tanger puis \u00e0 Marseille du 10 au 13 avril \u00e0 l\u2019occasion de Marseille-Provence 2013, Capitale europ\u00e9enne de la culture a l\u2019ambition d\u2019en prolonger la l\u00e9gende.\r\n\r\n

\u2022\r\n\r\n"},{"id":134,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/179_20061128190252.mp3","label":"A moi, singe, partout<\/i>","duration":244},{"id":12,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/19_20061020144932.mp3","label":"C'est ce que tu veux voir, \u00e7a...<\/i> - Expo Nicole Benkemoun. Les chroniques d'Anna<\/i>\r\nF\u00e9vrier 1992 \/ cipM<\/i>","duration":394},{"id":799,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/907_20130306173645.mp3","label":"Entre<\/i> ou L'autre proximit\u00e9<\/i> (extrait)","duration":192},{"id":17,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/24_20061020145526.mp3","label":"Et nous savons que le r\u00eave...<\/i> - Lecture - Performance\r\nSeptembre 1993 \/ cipM<\/i>","duration":507},{"id":853,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/965_20150220151242.mp3","label":"Itin\u00e9raire \u00e0 tu et \u00e0 toi<\/i><\/br>De nom de commune en nom de commune - Vernissage de l'exposition \u00ab Alpha, beta, carta \u00bb, le 06\/02\/2015.","duration":104},{"id":15,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/22_20061020145207.mp3","label":"Quand ils ont d\u00e9couvert le feu...<\/i> - Expo Nicole Benkemoun. Les chroniques d'Anna<\/i>\r\nF\u00e9vrier 1992 \/ cipM<\/i>\r\nin Les machines \u00e0 voir<\/i>, \u00c9d. de la Diff\u00e9rence \/ \u00c9cole d'art de Marseille, 1993","duration":397},{"id":2533,"type":5,"fileUrl":"\/resources\/files\/file_682f4e3477b7e.pdf"},{"id":85,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/115_20060131153111.mp3","label":"12 days of blue sky - 12 jours de ciel bleu - extrait de 100 sentenses \/ 100 phrases<\/i>, Robert Grenier, L'Attente, 2005 (Traduction de Martin Richet).","duration":79},{"id":722,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/824_20120421151415.mp3","label":"17 juin 2011, matin de pluie - Lecture de la traduction par Claude Mouchard.","duration":441},{"id":1096,"type":3,"videoId":"866416953","label":"

Cipm\/Biennale internationale des po\u00e8tes en Val-de-Marne 2,<\/p>

Pierre Alferi lit Kub Or<\/i><\/p>

samedi 27 novembre 1993<\/p>","duration":707},{"id":698,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/800_20120214173016.mp3","label":"2 + 11 + 11 + 2 \/ P P P (Ab\u00e9c\u00e9daire palindromique)","duration":212},{"id":2534,"type":5,"fileUrl":"\/resources\/files\/file_682f4e64ab457.pdf"},{"id":569,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/669_20101119163147.mp3","label":"2 m\u00e9dailles du revers","duration":127},{"id":1097,"type":3,"videoId":"866381612","label":"

Cipm\/Revue If  \u00ab La phrase image \u00bb<\/p>

Pierre Alferi lit Intime<\/i><\/p>

9 avril 2004<\/p>","duration":518},{"id":997,"type":8,"duration":3052,"soundId":"1148175610"},{"id":911,"type":2,"content":"

Jeudi au vendredi : ai trouv\u00e9 la solution formelle de mon texte pour le Cipm en lisant <\/i>Les unit\u00e9s perdues d\u2019Henri Lefebvre et dans un livre de St\u00e9phane Bouquet que je ne connaissais pas<\/i><\/span><\/p>

 <\/span><\/p>

33 PHRASES \u00c0 LIRE<\/span><\/p>

 <\/span><\/p>

33 PHRASES \u00c0 FAIRE PLEUVOIR<\/span><\/p>

 <\/span><\/p>

33 PHRASES PERDUES ET RETROUV\u00c9ES<\/span><\/p>

 <\/span><\/p>

NEUF ET NEUF :  DIX HUIT PHRASES PROMISES<\/strong><\/span><\/p>

 <\/span><\/p>

I.<\/i><\/span><\/p>

Si seulement on pouvait m\u2019indiquer la direction pense-t-elle (alors qu\u2019elle est \u00e9gar\u00e9e dans une ville sans signe distinctif)<\/i> [S. Bouquet] est la premi\u00e8re<\/strong> phrase que j\u2019ai lue en arrivant \u00e0 la biblioth\u00e8que.<\/span><\/p>

(au tout d\u00e9but d\u2019un livre pos\u00e9 sur la petite table de pr\u00e9sentation juste \u00e0 l\u2019entr\u00e9e. Et j\u2019ai aussit\u00f4t pens\u00e9 qu\u2019\u00e0 la place de ville je pouvais mettre biblioth\u00e8que. Tu es si belle qu\u2019il s\u2019est mis \u00e0 pleuvoir <\/i>est la deuxi\u00e8me<\/strong> phrase que j\u2019ai lue. Je la restitue sans l\u2019avoir not\u00e9e nulle part, de m\u00e9moire comme on dit, et je prends le risque de me tromper sur la conjugaison de son deuxi\u00e8me verbe : (si belle) qu\u2019il s\u2019est \u00e0 pleuvoir ou qu\u2019il se met \u00e0 pleuvoir ? Que l\u2019imagination ail\u00e9e te trouve donc une ma\u00eetresse pour ton esprit <\/i>[J.K] est la troisi\u00e8me<\/strong> phrase. Elle est extraite d\u2019un po\u00e8me de Keats qui s\u2019intitule \u00ab Imagination \u00bb, mot que Vincent Broqua cite volontiers ces derniers temps, et qu\u2019il a (m\u00eame) mis en exergue de son livre comme pour le r\u00e9habiliter, en restaurer l\u2019importance, l\u2019aura perdue. Phrases froides pour s\u2019embrasser <\/i>[F.P] est la quatri\u00e8me<\/strong> phrase, sans verbe certes, nominales les appelle-t-on, que j\u2019ai lue, et je me suis dit aussit\u00f4t que \u00e7a ferait un tr\u00e8s beau titre pour un livre de St\u00e9phane Bouquet, et aussi qu\u2019\u00e0 l\u2019occasion je le lui dirai. Pendant que vous lirez ces lignes<\/i>, sucez je vous prie, le jus d\u2019une cerise <\/i>[F.P], est la cinqui\u00e8me<\/strong> phrase que j\u2019ai lue, ou plut\u00f4t mal lue, car au d\u00e9part j\u2019avais cru que c\u2019\u00e9tait le jus de plusieurs cerises, soit du jus de cerise, dont il \u00e9tait question, ou bien alors qu\u2019il s\u2019agissait juste de sucer une cerise toute enti\u00e8re. Vous avez honte de ne pas faire ce que vous \u00eates cens\u00e9 faire dans la vie, qui est \u00e9crire <\/i>[D.F], est la sixi\u00e8me<\/strong> phrase que j\u2019ai lue, et que j\u2019ai du relire plusieurs fois pour la comprendre, n\u2019\u00e9tant pas s\u00fbre de ce que voulait dire \u00ab qui est \u00e9crire \u00bb (plac\u00e9 comme \u00e7a en bout de phrase) : l\u2019auteur (disait-il qu\u2019) avait-il honte d\u2019\u00e9crire, ou honte de ne pas ? Plein d\u2019un m\u00e9lange d\u2019\u00e9l\u00e9phant et d\u2019anges <\/i>[A.C] <\/i>est la septi\u00e8me<\/strong> phrase que j\u2019ai lue, et que j\u2019ai presque eu envie de mettre en exergue de l\u2019autre livre que je suis en train d\u2019\u00e9crire, lequel n\u2019est pourtant pas un livre de po\u00e9sie. Les fraises allaient m\u00fbrir dans le vert voyou des pr\u00e8s <\/i>[A.C] est la huiti\u00e8me<\/strong> phrase que j\u2019ai lue, et que j\u2019ai commenc\u00e9 \u00e0 lire par la fin du fait de la mise en page du texte. J\u2019ai fini par la lire indistinctement dans le m\u00eame vert voyou des pr\u00e9s, dont j\u2019ai vu le voyou avant de voir le vert. L\u2019\u00e9crivain dira toujours, je dirai toujours : \u00ab allons ailleurs <\/i>\u00bb est la neuvi\u00e8me<\/strong> phrase que j\u2019ai lue, et la relisant je ne peux m\u2019emp\u00eacher de penser qu\u2019elle parle de phrases. De phrases qui vont ailleurs que l\u00e0 o\u00f9 l\u2019on avait pr\u00e9vu (qu\u2019elles aillent). De phrases qui font aller ailleurs avec elles.<\/span><\/p>

 <\/span><\/p>

II.<\/i><\/span><\/p>

Quand tu \u00e9cris jardin, est-ce que tu penses \u00e0 un jardin en particulier ? <\/i>est la dixi\u00e8me<\/strong> phrase que j\u2019ai lue, et \u00e0 laquelle je ne r\u00e9ponds pas parce que j\u2019ai d\u00e9j\u00e0 r\u00e9pondu \u00e0 cette question en \u00e9crivant au d\u00e9but d\u2019un po\u00e8me en prose : \u00ab il faudrait imaginer qu\u2019il ne neige rien en particulier <\/i>\u00bb.<\/span><\/p>

Les images \u00e9taient de vraies images <\/i>est la onzi\u00e8me<\/strong> phrase que l\u2019ai lue, et que j\u2019ai aussit\u00f4t pens\u00e9 changer en \u00ab les phrases \u00e9taient de vraies phrases <\/i>\u00bb, ce qui ne veut rien dire dit comme \u00e7a, mais qui du point de vue de la v\u00e9rit\u00e9 donne presque un sentiment de mat\u00e9rialit\u00e9, de solidit\u00e9 plus grand.<\/span><\/p>

Comment commence-t-on \u00e0 dire ceci ou cela ? <\/i>est la douzi\u00e8me<\/strong> phrase que j\u2019ai lue, \u00e0 laquelle je r\u00e9ponds qu\u2019en effet, dire est peut-\u00eatre une affaire de commencement plus que de contenu.<\/span><\/p>

J\u2019aimerais penser que l\u2019art n\u2019est pas une affaire d\u2019objets, mais de regard,<\/i> est la treizi\u00e8me<\/strong> phrase que j\u2019ai lue, et que j\u2019aimerais aussit\u00f4t transposer en \u00ab la po\u00e9sie n\u2019est pas une affaire de phrases mais d\u2019\u00e9coute <\/i>\u00bb, ce en quoi je me tromperais, sous-estimant le pouvoir des phrases \u00e0 \u00eatre \u00e0 la fois ce qui permet l\u2019\u00e9coute et ce qui est \u00e0 \u00e9couter.<\/span><\/p>

L\u2019amour ne commence pas, dites plut\u00f4t qu\u2019il finit d\u00e8s que vous rencontrez l\u2019homme aux jolis yeux, l\u2019homme dont le cerveau refl\u00e8te un peu de ciel <\/i>est la quatorzi\u00e8me<\/strong> phrase que j\u2019ai lue, tout en me demandant si j\u2019avais connu de tels hommes (les yeux d\u2019accord, mais le bout de ciel ?) encore qu\u2019en y pensant, je me dis sans doute que oui, et que la po\u00e9sie a ce pouvoir de r\u00e9v\u00e9ler des choses qui pourraient rester \u00e0 tout jamais\/\u00e9ternellement non-r\u00e9v\u00e9l\u00e9es. Et que quelque chose brille de cette possibilit\u00e9 d\u2019\u00e9ternit\u00e9 \u00e0 l\u2019envers (ou en n\u00e9gatif) dans toute chose qu\u2019elle dit.<\/span><\/p>

 <\/span><\/p>

Xxxxxxxxxxxxxxxxxxxxx<\/i> est la quinzi\u00e8me<\/strong> phrase que j\u2019ai lue et \u00e0 la transcription de laquelle j\u2019ai compris un peu plus clairement ce que je faisais, autour de quoi je t\u00e2tonnais : recopier une phrase pour qu\u2019elle s\u2019agglom\u00e8re \u00e0 la mienne, ou la<\/span><\/p>

 <\/span><\/p>

qui fait peut-\u00eatre comprendre maintenant \/ manifeste clairement<\/i> qu\u2019elle s\u2019agglom\u00e8re \u00e0 la mienne pour ne plus faire qu\u2019une avec elle<\/span><\/p>

 <\/span><\/p>

J\u2019appelle \u00ab phrases que j\u2019ai lues \u00bb, des phrases que j\u2019ai (pris en pleine\/m\u2019ont saut\u00e9 aux yeux) reconnues comme lues,<\/span><\/p>

 <\/span><\/p>

gain\u00e9es dans leur forme autant que dans leurs signes<\/span><\/p>

 <\/span><\/p>

soit comme imm\u00e9diatement aim\u00e9es,<\/span><\/p>

 <\/span><\/p>

en les lisant au gr\u00e9 des rayons de la biblioth\u00e8que, <\/span><\/p>

 <\/span><\/p>

au gr\u00e9 d\u2019encha\u00eenement d\u2019id\u00e9es, <\/span><\/p>

 <\/span><\/p>

d\u2019envies <\/span><\/p>

 <\/span><\/p>

et de programmations plus ou moins tenues.<\/span><\/p>

 <\/span><\/p>

D\u00e9couvertes. Plus ou moins voulues<\/span><\/p>

 <\/span><\/p>

**************************<\/span><\/p>

notes (1\u00e8re<\/sup> s\u00e9quence)<\/span><\/p>

 <\/span><\/p>

xxxxxxxxxxxx<\/i> Elle n\u2019est pas de moi, mais j\u2019y ai mis beaucoup de moi<\/span><\/p>

 <\/span><\/p>

Phrase DF sur t\u00e2tonnement D.F,<\/i> est la \u2026\u00e8me<\/sup> phrase que j\u2019ai lue<\/span><\/p>

Et je me dis maintenant que c\u2019est exactement ce que je suis en train de faire pour de mettre en \u0153uvre ce texte (t\u00e2tonner).<\/span><\/p>

 <\/span><\/p>

Pour le type d\u2019\u00e9laboration textuelle que j\u2019entreprends<\/span><\/p>

 <\/span><\/p>

Est<\/span><\/p>

 <\/span><\/p>

FIN<\/i><\/span><\/p>

On ne sait pas ce qu\u2019est devenu Saint Charles administrant la communion \u00e0 des malades, tableau peint par Pierre Mignard, pour le ma\u00eetre-autel de San Carlo de Catenari<\/i> [H.L] est la \u00e9ni\u00e8me<\/strong> phrase d\u2019Henry Lefebvre que j\u2019ai lue dans son livre Les unit\u00e9s perdues<\/i> qui les multiplie en une m\u00e9lop\u00e9e incantatoire. C\u2019est elle qui m\u2019a donn\u00e9 l\u2019id\u00e9e d\u2019abord formelle de ce texte.<\/span><\/p>

 <\/span><\/p>","label":"

Texte remis en l'\u00e9tat par C\u00e9cile Mainardi \u00e0 l'issue de sa R\u00e9sidence de lecture \u00e0 la Biblioth\u00e8que de po\u00e9sie contemporaine du Cipm en d\u00e9cembre 2021<\/p>"},{"id":991,"type":8,"duration":3532,"soundId":"1239332557"},{"id":992,"type":8,"duration":5009,"soundId":"1246692376"},{"id":993,"type":3,"videoId":"792679687","duration":2964},{"id":998,"type":3,"videoId":"777043320","duration":2188},{"id":994,"type":3,"videoId":"790446235","duration":4115},{"id":995,"type":3,"videoId":"792643881","duration":2483},{"id":996,"type":8,"duration":2595,"soundId":"1279133191"},{"id":999,"type":3,"videoId":"766818705","duration":4300},{"id":1000,"type":3,"videoId":"779551077","duration":3325},{"id":931,"type":2,"content":"

Amazones<\/i><\/p>

 <\/p>

Elles furent<\/p>

Femmes samoura\u00efs<\/p>

Nakano Takeko, Hangaku, Dame Tomoe <\/p>

form\u00e9es \u00e0 la calligraphie, \u00e0 la po\u00e9sie et au combat<\/p>

Rien d\u2019\u00e9tonnant alors<\/p>

le pinceau et la naginata<\/p>

parfaite \u00e9ducation f\u00e9minine<\/p>

 <\/p>

Elles chevauchaient \u00e0 la t\u00eate<\/p>

de milliers de soldats<\/p>

Elles dirigeaient, diligentes<\/p>

des bataillons de femmes<\/p>

Elles guerroyaient, victorieuses<\/p>

devant des arm\u00e9es nombreuses<\/p>

 <\/p>

\u00c0 l\u2019autre extr\u00e9mit\u00e9 de la plan\u00e8te<\/p>

Madeleine de Miraumont, Pauline L\u00e9on, Magnette Dupont<\/p>

Nobles guerri\u00e8res, Soldates et Seigneures<\/p>

des f\u00e9minins aux oubliettes<\/p>

des exclusions qu\u2019aucune r\u00e8gle inclusive<\/p>

ne pourra jamais combler<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/i><\/p>

 <\/i><\/p>

D\u00e9tonateur<\/i><\/p>

 <\/p>

S\u2019il fait un geste, une allusion<\/p>

je lui brise le plexus<\/p>

je lui cr\u00e8ve les yeux<\/p>

et je tremble et j\u2019ai peur et cette incessante agitation<\/p>

autour des phrases des mots<\/p>

et je tremble et j\u2019ai faim et cette incessante punition<\/p>

aupr\u00e8s des gestes des retenues<\/p>

 <\/p>

Mots noirs taurillons<\/p>

aux cornes emball\u00e9es<\/p>

apocalypse morose<\/p>

mesurer ses charges<\/p>

poussi\u00e8re, tourbillons<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/i><\/p>

 <\/i><\/p>

Mutines<\/i><\/p>

 <\/p>

Nous font frotter le sol frotter le sol
fille-frotte, fille-frotte
nous font ravauder le drap ravauder le drap
fille-fil, fille-fil
nous font laver le linge, laver le linge
fille-sale, fille-sale<\/p>

 <\/p>

Ma force ma force de fille<\/p>

je ne vais pas la laisser l\u00e0 sur le sol dans le seau les draps sales<\/p>

ma force je ne vais pas te la laisser<\/p>

ma force de fille<\/p>

je vais m'en servir en user <\/p>

pour abattre tous les murs<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/i><\/p>

 <\/i><\/p>

Volens nolens<\/i><\/p>

 <\/i><\/p>

Seule et avec les autres femmes<\/p>

Empruntant le contre-sens<\/p>

Le chemin<\/p>

Hors des murs<\/p>

hordes<\/p>

Hors de nous <\/p>

Allons-nous<\/p>

fortes t\u00eates \u2013 t\u00eates dures \u2013 coups de t\u00eate \u2013 t\u00eate \u00e0 claques \u2013 corps \u00e0 corps<\/p>

Continent sous-estim\u00e9<\/p>

J\u2019autonomise \u2013 d\u00e9colonise<\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>","label":"

d'un travail en cours re\u00e7us le 22 mars 2023 de Perrine Le Querrec<\/p>"},{"id":1001,"type":2,"content":"

 <\/p>

Dans la biblioth\u00e8que il y a des guides elles m\u2019emm\u00e8nent<\/p>

entre les all\u00e9es les futaies les remparts<\/p>

for\u00eat calme<\/p>

 <\/p>

QUIET<\/p>

 <\/p>

Nous nous arr\u00eatons ici<\/p>

sur les lignes du Fonds Anne-Marie Albiach<\/p>

les livres de sa biblioth\u00e8que<\/p>

ont pris racine dans une nouvelle terre<\/p>

 <\/p>

Elles m\u2019expliquent, elles m\u2019expliquent le don, les mati\u00e8res, les formes, et les traces.<\/p>

 <\/p>

Je reste seule devant les livres, sur des m\u00e8tres mon \u0153il survole mon \u0153il s\u2019envole, ma main tire un volume, un autre, je cherche A.-M. A., je tente la rencontre, je d\u00e9couvre ses attirances.<\/p>

 <\/p>

Ainsi na\u00eet Pr\u00e9l\u00e8vements<\/i>, une lettre, une autrice, un auteur, un livre, des cornes, des mots extraits de la page, dans les marques d\u2019Anne-Marie Albiach.<\/p>

 <\/span><\/p>

 <\/p>

la t\u00eate baiss\u00e9e * une peur collective * elle h\u00e9site * avec ses pieds avance * plus rien avoir dans la main * le triangle rouge des politiques * foutus, moins que rien, \u00e9cras\u00e9s * Tous se figent alors * \u00e0 la base et au sommet * Un corps par m\u00e8tre carr\u00e9 * mais d\u2019une mort si graduelle * Un moment de fraternit\u00e9 * tandis que le retour au sol * ou debout contre la mer * que dire des autres * Tout cela \u00e9videmment dans un mouvement si lent * sans parler de ses liquides et paupi\u00e8res * Le spectacle est curieux * Ainsi de suite \u00e0 l\u2019infini * Retranche \/ ta mort * = m\u00eame variante * \u00ab Je parerais mon corps de guirlandes embaum\u00e9es \u00bb * \u00ab or, moi, je suis un vivant \u00bb * mais je crois qu\u2019il vaut mieux pour l\u2019instant s\u2019exprimer sur ces points de la fa\u00e7on la moins stricte possible * l\u2019exp\u00e9rience v\u00e9cue m\u00eame d\u00e9plaisante * la mati\u00e8re inanim\u00e9e a pris vie * Dans l\u2019obscurit\u00e9 pr\u00e9sente * tel l\u2019essaim rassasi\u00e9 de lucioles * et le moindre d\u00e9sordre r\u00e9el ou redout\u00e9 * d\u2019une pi\u00e8ce aux murs couverts de livres * vous m\u2019appreniez \/ l\u2019\u00e2me \u00e9tincelle \/ cri et floraison * pleuvent aussi sur toi \/ les chutes \/ et les r\u00e9surrections * \u00e0 la pointe \/ de l\u2019insomnie * un horizon * On ne saurait attendre beaucoup d\u2019autrui * esp\u00e8ces de garces * des fl\u00e2neurs, des oisifs * Elle r\u00e9pond \u00ab oui \u00bb * elle se sent des forces de g\u00e9ant<\/p>

 <\/p>

 <\/p>

 <\/p>

A \u2013 Robert Antelme, L\u2019Esp\u00e8ce humaine<\/i>, Tel, Gallimard ; pp.31, 53, 65, 74, 90, 132, 152.<\/span><\/p>

B \u2013 Samuel Beckett, Le D\u00e9peupleur<\/i>, Les \u00c9ditions de Minuit ; pp.8, 10, 12, 16, 19, 24, 25, 29,3 5, 46, 47, 53.<\/span><\/p>

C \u2013 Marie-Louise Chapelle, mettre<\/i>, Th\u00e9\u00e2tre Typographique ; pp.43, 91.<\/span><\/p>

D \u2013 Bernard Marcad\u00e9, Isidore Ducasse<\/i>, Seghers ; pp.74, 77.<\/span><\/p>

F \u2013 Sigmund Freud, Essais de psychanalyse<\/i>, Payot ; pp. 68, 78, 89, 101.<\/span><\/p>

L \u2013 H. P. Lovecraft, La Couleur tomb\u00e9e du ciel<\/i>, Folio SF ; pp.51, 73, 105.<\/span><\/p>

M \u2013 Ossip Mandelstam, Le Sceau \u00e9gyptien<\/i>, L\u2019\u00c2ge d\u2019homme ; pp.15, 17, 24, 28, 29.<\/span><\/p>

N \u2013 Novalis, Semences<\/i>, Allia ; pp.122, 193.<\/span><\/p>

T \u2013 Esther Tellermann, Contre l\u2019\u00e9pisode<\/i>, Flammarion ; pp.51, 84, 93, 189.<\/span><\/p>

W \u2013 Robert Walser, Le Territoire du crayon. Microgrammes<\/i>, Zo\u00e9 ; pp.18, 72, 86.<\/span><\/p>

Z \u2013 Unica Z\u00fcrn, L\u2019homme-jasmin<\/i>, L\u2019Imaginaire Gallimard ; pp.41, 119.<\/span><\/p>

 <\/p>","label":"

Compos\u00e9 par Perrine Le Querrec entre le 20 et le 22 avril 2023, dans le cadre de son invitation \u00ab Solo \u00bb.<\/p>"},{"id":924,"type":2,"content":"

 <\/p>

vanit\u00e9 cr\u00e2ne les mots embo\u00eet\u00e9s dans leur<\/p>

repr\u00e9sentation \u00e0 grands traits point\u00e9s<\/p>

soumis \u00e0 la chute verticale alors que<\/p>

le front s\u2019ouvre vers le haut l\u2019esprit<\/p>

frontal et temporal ce que la peau<\/p>

recouvre ne peut masquer tandis<\/p>

que noir le trait inscrit sa marque signe<\/p>

en surface pense-t-on immobile coule<\/p>

alors que la lumi\u00e8re vacille s\u2019inscrit<\/p>

pari\u00e9tale \u00e0 parts \u00e9gales au sommet<\/p>

 <\/p>

\u2022<\/p>

 <\/p>

ce que \u00e7a dit de nous comme de tout \u00eatre<\/p>

humain notre identit\u00e9 indissociable de nos<\/p>

traits communs les invariants et les particularit\u00e9s<\/p>

chiromanciennes c\u2019est \u00e9crit se perp\u00e9tue<\/p>

\u00e0 livre ouvert et g\u00e9n\u00e9alogique depuis la<\/p>

nuit des temps les invariants et les particularit\u00e9s<\/p>

qui font notre insignifiance on en fait des \u00e9tats<\/p>

escarres et sutures aux points une \u00e0 une<\/p>

constituer et reconstituer les tissus familial<\/p>

et topographique nos d\u00e9terminismes cern\u00e9s<\/p>

 <\/p>"},{"id":909,"type":2,"content":"

L\u2019horizontale<\/strong><\/p>

 <\/strong><\/p>

 <\/p>

Elle apprend la nouvelle et elle s\u2019allonge. C\u2019est comme un s\u00e9isme dans le corps. Elle s\u2019allonge et ne se rel\u00e8ve plus. Des champignons lui poussent dessus. Ses dents s\u2019infectent et des plantes se d\u00e9plient dans les art\u00e8res de son c\u0153ur. Elle est horizontale.<\/p>

 <\/p>

Quelqu\u2019un qui voudrait la raconter pourrait dire : c\u2019est l\u2019histoire d\u2019une femme qui s\u2019allonge. La femme s\u2019allonge et c\u2019est \u00e0 partir de cette horizontalit\u00e9 qu\u2019elle saisit sa condition. Ce serait un synopsis sans film, fait de chutes seulement.<\/p>

 <\/p>

Si on s\u2019allonge assez longtemps on peut sentir tout ce qu\u2019il y a de mou dans le corps. Organes, graisses, muqueuses. Puis il y a autre chose, comme l\u2019\u00e9cho d\u2019une lumi\u00e8re min\u00e9rale. On d\u00e9passe le corps plein de pierres, les os coinc\u00e9s en dedans. On vibre, les muscles fondus au matelas, les nerfs se reposent comme des rivi\u00e8res \u00e9vapor\u00e9es, les bact\u00e9ries fr\u00e9missent. Elles ne nous appartiennent pas, pas plus que nous leur appartenons. C\u2019est un corps qui pr\u00e9c\u00e8de le corps. Alors on ne revient jamais nulle part. <\/p>

 <\/p>

La femme allong\u00e9e communique avec la poussi\u00e8re. Elle interroge l\u2019agr\u00e9gat. Ses cellules mortes se dispersent, puis s\u2019accumulent, s\u2019\u00e9rigent en monticules improbables.<\/p>

 <\/p>

Les d\u00e9chets les plus r\u00e9pugnants sont ceux qui gardent une trace de ce \u00e0 quoi on a cru qu\u2019ils appartenaient : le poil, la rognure d\u2019ongle sur le carrelage, le crachat, le fruit moisi. Ils nous disent ce que nous pressentions d\u00e9j\u00e0. Les poils d\u00e9tach\u00e9s du corps sugg\u00e8rent la d\u00e9composition qui germait d\u00e9j\u00e0 sous la peau. Ils nous chuchotent que le lieu d\u2019o\u00f9 on parle est un sursis dans une perp\u00e9tuelle disparition, que l\u2019id\u00e9e du corps est une interruption toujours rat\u00e9e, une sorte d\u2019\u00e9tat d\u2019arrestation. Quelque chose qui se voudrait ind\u00e9composable. Quelque chose de propre.<\/p>

 <\/p>

Ce n\u2019est pas la taille de la particule qui d\u00e9termine la poussi\u00e8re, mais son temps de flottement. Les humains ne flottent pas, c\u2019est sans doute le prix \u00e0 payer pour appartenir \u00e0 la mati\u00e8re. Si nous nous d\u00e9faisions de notre humanit\u00e9, nous pourrions apprendre \u00e0 flotter.<\/p>

 <\/p>

*<\/p>

 <\/p>

Il y a toujours quelqu\u2019un dans la pi\u00e8ce d\u2019\u00e0 c\u00f4t\u00e9. Il y a toujours une pi\u00e8ce, \u00e0 c\u00f4t\u00e9. Parfois elle imagine d\u2019autres regards, mais ils ne sont pas dans la pi\u00e8ce d\u2019\u00e0 c\u00f4t\u00e9. Ce sont des yeux qu\u2019elle a mang\u00e9s plus t\u00f4t, des yeux qui la voulaient captive. Alors ils voient encore en elle, et souvent elle ne sait plus \u00e0 qui appartient son regard.<\/p>

 <\/p>

Elle sait que tous les corps sont li\u00e9s entre eux, et que rien ne revient jamais vraiment. Elle sait que l\u2019accident n\u2019est jamais un accident, c\u2019est une chose qui attendait. Les choses arrivent comme les mar\u00e9es, engorg\u00e9es, ind\u00e9chiffrables. Elles nous attendent avec amour, m\u00eame si c\u2019est pour nous tuer.<\/p>

 <\/p>

*<\/p>

 <\/p>

Plusieurs femmes sont allong\u00e9es \u00e0 l\u2019int\u00e9rieur d\u2019elle et elle ne laisse pas de trace l\u00e0 o\u00f9 elle s\u2019\u00e9tend. Son horizontalit\u00e9 est le contraire de la marque, le contraire du dessin.<\/p>

 <\/p>

Dans la poubelle des larves meurent et renaissent mille fois. Leur urgence grouille sous notre peau. On aimerait qu\u2019elles nous disent il est temps de porter ta maison vers l\u00e0-bas<\/i>. Mais elles ne nous disent rien, et c\u2019est la v\u00e9rit\u00e9.<\/p>

 <\/p>

*<\/p>

 <\/p>

C\u2019est la fin, maintenant, elle le sait. On voudrait un tribunal silencieux, o\u00f9 tous les animaux morts nous regardent. On voudrait une sorte de r\u00e9solution. On voudrait du repos. Ils disent que les animaux ne produisent pas de poussi\u00e8re, que c\u2019est ainsi qu\u2019on les distingue des objets. Mais le canari dans la mine ne chante pas, il tombe.<\/p>

 <\/p>

*<\/p>

 <\/p>

Elle s\u2019allonge comme on d\u00e9vale des escaliers de secours, pour descendre jusqu\u2019\u00e0 sa voix, jusqu\u2019\u00e0 cette d\u00e9figuration qu\u2019elle porte \u00e0 jamais malgr\u00e9 elle, et qu\u2019elle ne nommera plus jamais amour.<\/p>

 <\/p>

Elle va rester l\u00e0 jusqu\u2019\u00e0 toucher l\u2019os anonyme. Jusqu\u2019\u00e0 donner naissance \u00e0 son cadavre. Elle va descendre seule, non pas dans l\u2019id\u00e9e de la descente, elle va quitter la page et le corps et l\u2019\u00e9cran, elle n\u2019aura plus besoin de bouger. Elle va descendre sans bouger, descendre comme tout descend, vers la mati\u00e8re m\u00eal\u00e9e, et avant elle l\u2019amollissement. Pour l\u2019instant les choses remontent encore \u00e0 la surface, c\u2019est parce qu\u2019elle vieillit, qu\u2019elle ne peut plus se replier dans l\u2019image. Elle est confront\u00e9e \u00e0 la pens\u00e9e seule, sa pens\u00e9e endommag\u00e9e par sa survivance. Ce n\u2019est pas un scandale, ni m\u00eame un fait divers. Bient\u00f4t tout s\u2019allongera avec elle.<\/p>","label":"

Olivia Tapiero, travail en cours<\/p>"},{"id":913,"type":2,"content":"

Le ch\u0153ur enqu\u00eate.<\/strong><\/p>

 <\/strong><\/p>

chant 1 : autopsie<\/strong><\/p>

 <\/p>

 <\/p>

les organes sont neutres<\/p>

le squelette est neutre<\/p>

l\u2019\u0153sophage<\/p>

le sang est neutre<\/p>

le visage est neutre<\/p>

 <\/p>

nous proc\u00e9dons aux constatations<\/p>

avant que les preuves ne d\u00e9p\u00e9rissent<\/p>

car les traces sont fragiles<\/p>

 <\/p>

il faut geler les lieux<\/p>

avant de toucher au corps<\/p>

ralentir le chant des oiseaux<\/p>

dans le temps dilat\u00e9 donner un refuge<\/p>

\u00e0 ce qui a disparu d\u00e9j\u00e0<\/p>

 <\/p>

il faut interroger les conditions de la d\u00e9couverte<\/p>

d\u00e9limiter un itin\u00e9raire<\/p>

examiner ce qui est visible<\/p>

supposer des liens entre le corps les blessures et l\u2019environnement<\/p>

 <\/p>

nous sommes les techniciennes d\u2019une sc\u00e8ne de crime<\/p>

 <\/p>

nous emballons les mains dans des sachets de papier<\/p>

nous pr\u00e9levons des tissus, des fragments d\u2019organes<\/p>

nous conservons le c\u0153ur entier<\/p>

 <\/p>

nous abandonnons l\u2019aveu au profit de la preuve<\/p>

nous savons qu\u2019il n\u2019y aura pas d\u2019autre proc\u00e8s que le po\u00e8me<\/p>

 <\/p>

nous creusons nous trouvons ce qui vibre dans la terre<\/p>

pour l\u2019instant silence le cr\u00e2ne plein de boue et rien d\u2019aiguis\u00e9<\/p>

nos paroles nous pr\u00e9c\u00e8dent et notre pens\u00e9e n\u2019est rien<\/p>

qu\u2019une chair \u00e9lectrique al\u00e9atoire<\/p>

impossible de s\u2019y rejoindre<\/p>

 <\/p>

nous sommes nombreuses mais l\u2019enqu\u00eate est solitaire<\/p>

le cas n\u2019int\u00e9resse personne<\/p>

c\u2019est un dossier en dormance<\/p>

une promenade dans les d\u00e9potoirs ontologiques<\/p>

mais ce n\u2019est pas l\u2019\u00eatre que nous cherchons<\/p>

 <\/p>

on ne peut pas savoir quel corps on fouille<\/p>

on ne peut pas lire l\u2019int\u00e9rieur du corps<\/p>

c\u2019est \u00e7a l\u2019occident<\/p>

il n\u2019y a pas d\u2019humains<\/p>

il n\u2019y a pas de sujets<\/p>

il n\u2019y a pas d\u2019objets<\/p>

il y a des choses humanis\u00e9es<\/p>

et des choses d\u00e9shumanis\u00e9es<\/p>

il y a les choses et la poussi\u00e8re des choses<\/p>

 <\/p>

aujourd\u2019hui le centre<\/p>

de la terre a cess\u00e9<\/p>

de tourner<\/p>

et \u00e7a ne change rien<\/p>

 <\/p>

les \u00e9l\u00e9ments ne s\u2019additionnent pas<\/p>

nous ouvrons les carcasses comme des livres<\/p>

nous vivons sur un tas de morts<\/p>

c\u2019est un relief visible \u00e0 main nue<\/p>

 <\/p>

nous \u00e9coutons du rap au soleil<\/p>

et parfois des hommes nous demandent<\/p>

si nous aimons leur p\u00e9nis<\/p>

c\u2019est aussi \u00e7a l\u2019occident le monoth\u00e9isme<\/p>

\u00e7a fait partie de l\u2019enqu\u00eate<\/p>

les structures se r\u00e9v\u00e8lent quand elles s\u2019effondrent<\/p>

mais la t\u00e2che pr\u00e9c\u00e8de le contexte<\/p>

et le liant connait la mati\u00e8re<\/p>

mieux que la mati\u00e8re<\/p>

 <\/p>

nous restons sur place alors<\/p>

nous finirons par savoir<\/p>"},{"id":905,"type":2,"content":"

         quintina                                                                (8 octobre 2022)<\/i><\/p>

          <\/i><\/p>

 <\/p>

         <\/i>                      pour soulever le li\u00e8vre<\/p>

 <\/p>

        <\/i>         <\/i>(car cy g\u00eet le <\/p>

                 <\/i>                    <\/i>li\u00e8vre <\/p>

                       <\/i>          <\/i>car cy <\/p>

                     <\/i>         <\/i>g\u00eet le loup ?)<\/p>

 <\/p>

 <\/p>

                <\/i>         <\/i>proc\u00e9der par <\/p>

        <\/i>         <\/i>le chant expressif         <\/i>la version expressive <\/p>

  <\/i>         <\/i>du chant de la m\u00e9sange         <\/i>celle qui s\u2019interpr\u00e8te <\/p>

                                                                                <\/i>ainsi <\/p>

           <\/i>              <\/i>la m\u00e9sange contente <\/p>

   <\/i>         <\/i>quand le soluble rejoint le soluble <\/p>

            <\/i>             <\/i>et que le soleil la r\u00e9jouit <\/p>

 <\/i>         <\/i>\u00e9merveillable         <\/i>pour toujours <\/p>

 <\/p>

 <\/p>

 <\/p>

         <\/i>\u2013 on circule         <\/i>dans le tunnel        <\/i> nous avan\u00e7ons <\/p>

         <\/i>                            <\/i>et la lanterne est sourde <\/p>

   <\/i>         <\/i>nous avan\u00e7ons <\/p>

       <\/i>          <\/i>et la lecture est sourde <\/p>

                <\/i>         <\/i>Tuja plicata Thuya g\u00e9ant <\/p>

                <\/i>         <\/i>terre sableuse de sept lieues \u2013 <\/p>

 <\/p>

 <\/p>

 <\/p>

                         <\/i>                                        <\/i>\u00ab franc , j\u2019esp\u00e8re <\/p>

                                  <\/i>                                   <\/i>tireur , je ne sais pas \u00bb <\/p>

 <\/p>

                <\/i>                         <\/i>une sonnerie de corne ouvre le monde <\/p>

 <\/p>

                                                     <\/i>                    <\/i>avant la lune <\/p>

                                                      <\/i>                           <\/i>et la bu\u00e9e<\/p>

                                                       <\/i>                                  <\/i>avant la bu\u00e9e <\/p>

                                                       <\/i>                          <\/i>et la lune <\/p>

 <\/p>

                                                           <\/i>                              <\/i>avant cette berce\u2026<\/p>","label":"

Pierre Drogi<\/p>"},{"id":907,"type":2,"content":"

Jean-Michel Espitallier<\/p>

La Guerre<\/strong><\/span><\/p>

(travail en cours)<\/span><\/p>

 <\/p>

Anonyme, marine, Vietnam<\/i><\/span><\/p>

 <\/p>

J\u2019ai vu<\/span><\/p>

Le napalm,<\/span><\/p>

Qui est une chose<\/span><\/p>

Horrible,<\/span><\/p>

J\u2019ai vu<\/span><\/p>

Les bombes au phosphore,<\/span><\/p>

Qui est encore plus<\/span><\/p>

Horrible,<\/span><\/p>

J\u2019ai vu<\/span><\/p>

Les produits toxiques,<\/span><\/p>

L\u2019agent orange.<\/span><\/p>

On ne sait pas,<\/span><\/p>

Il aurait fallu faire<\/span><\/p>

Des travaux<\/span><\/p>

Quand nous \u00e9tions l\u00e0-bas,<\/span><\/p>

Ces enfants qui naissaient<\/span><\/p>

Avec deux t\u00eates, que<\/span><\/p>

J\u2019ai vus,<\/span><\/p>

Moi.<\/span><\/p>

J\u2019ai vu<\/span><\/p>

Les bless\u00e9s avec<\/span><\/p>

Les bombes \u00e0 billes,<\/span><\/p>

Qui est<\/span><\/p>

Une chose<\/span><\/p>

Horrible,<\/span><\/p>

D\u00e9chiquet\u00e9s,<\/span><\/p>

Compl\u00e8tement<\/span><\/p>

D\u00e9chiquet\u00e9s.<\/span><\/p>

Et vous arrivez<\/span><\/p>

Devant quelque chose<\/span><\/p>

Qui parle,<\/span><\/p>

Mais<\/span><\/p>

Vous ne voyez plus<\/span><\/p>

Le corps.<\/span><\/p>"},{"id":914,"type":2,"content":"

B\u00e9n\u00e9dicte Vilgrain<\/span><\/p>

De l\u2019incidence du genre des lettres sur le temps des verbes<\/i><\/span><\/p>

 <\/p>

 <\/p>

quel que soit l\u2019acte\u2026 s\u2019il a<\/p>

un auteur \u2013 o\u00f9 qu\u2019il s\u2019adresse,<\/p>

n\u2019\u00e9tait la force du lien<\/p>

entre deux \u2013 un \u00ab je \u00bb n\u2019est ni<\/p>

la cible ni le proc\u00e8s.<\/p>

ce pour quoi, de l\u2019auteur \u00e0<\/p>

l\u2019autre, \u00e0 d\u00e9faut d\u2019un lien<\/p>

qui perdure, si un proc\u00e8s<\/p>

s\u2019ach\u00e8ve : les verbes seront<\/p>

au parfait. Au futur s\u2019il<\/p>

est imminent, au pr\u00e9sent<\/p>

s\u2019il est en train. Division<\/p>

en trois temps. Conjoints aux verbes<\/p>

des sons traduisent les temps.<\/p>

Contagion de la cible<\/p>

par l\u2019acteur, sans divisions<\/p>

le neutre du pr\u00e9sent. Penche<\/p>

vers le patient le \u00ab p \u00bb du<\/p>

pr\u00e9t\u00e9rit. Appartenant<\/p>

au sujet, le f\u00e9minin<\/p>

du futur(1<\/span><\/a>). Certainement<\/p>

masculin le pr\u00e9fixe \u2013 \u00ab p\u2019a<\/u>- \u00bb<\/p>

de \u00ab parachev\u00e9 \u00bb. Un dieu<\/p>

\u00e0 propitier. un acte \u00e0<\/p>

poser rel\u00e8vent du \u00ab pa \u00bb<\/p>

des patients. Neutralit\u00e9<\/p>

du \u00ab k\u2019a<\/u> \u00bb de \u00ab couper \u00bb, du \u00ab t\u2019r<\/i>a<\/u> \u00bb<\/p>

de \u00ab triturer \u00bb : b\u00fbcheron<\/p>

et fileuse, bois et retors,<\/p>

hache et rouet, objectifs<\/p>

et objets ressortissent \u00e0<\/p>

un seul genre : c\u2019est le neutre<\/p>

du proc\u00e8s. \u00ab \u00e0 \u00bb pr\u00e9fixe<\/p>

f\u00e9minin : \u00ab \u00e0 bout de souffle \u00bb \u2013<\/p>

anglais \u00ab a rambler \u00bb \u2013 le \u00ab a \u00bb<\/p>

ouvert pour att\u00e9nuer<\/p>

la notion d\u2019auteur : \u00ab marcher \u00bb<\/p>

n\u2019est pas qu\u2019un verbe neutre. \u00ab ma \u00bb<\/p>

pr\u00e9fixe tr\u00e8s f\u00e9minin <\/p>

a pour particularit\u00e9<\/p>

de se pr\u00eater \u00e0 tous les<\/p>

temps, \u00e0 tous les modes. Ce que<\/p>

fait \u00ab faire \u00bb, \u00e0 l\u2019honorifique,<\/p>

tandis que sa forme ordinaire,<\/p>

\u00ab faire \u00bb, ne le fait pas. \u00ab Voir \u00bb, au<\/p>

contraire, admet un pr\u00e9fixe<\/p>

tr\u00e8s f\u00e9minin dans sa forme<\/p>

commune. Idem pour \u00ab confession \u00bb :<\/p>

le \u00ab me \u00bb muet des paumes jointes<\/p>

pr\u00e9c\u00e8de bien la confession.<\/p>

 <\/p>

 <\/p>

\u00ab ma biographie \u00bb <\/i>(extraits de : Wilhelm von Humboldt, \u00ab De la diff\u00e9rence des sexes \/ des genres et de leur incidence sur la nature organique \u00bb, 1795-1797, ma traduction).<\/p>

\u00e9tonn\u00e9e par l\u2019action quasi magique d\u2019innombrables forces, je d\u00e9sesp\u00e8re de jamais y rentrer : leur obscurit\u00e9 me tient en respect.<\/p>

Quand on poursuit une \u00e9nergie, il faut ne repousser aucune de ses \u00e9piphanies.<\/p>

Le dehors des objets me tend un miroir. Si je le tiens \u00e0 la main, mon \u0153il croit reconna\u00eetre de quoi ils se constituent.<\/p>

Quelque vuln\u00e9rables soient les individus, la nature a soin que les genres se perp\u00e9tuent. C\u2019est le premier des ph\u00e9nom\u00e8nes qu\u2019on aper\u00e7oit.<\/p>

Toute procr\u00e9ation engendre quelque chose qui n\u2019\u00e9tait pas d\u00e9j\u00e0 l\u00e0. Mais il faut qu\u2019une mati\u00e8re ait pr\u00e9c\u00e9d\u00e9 le nouveau-n\u00e9. Ceci pos\u00e9, nous h\u00e9ritons d\u2019une force de vie que nos procr\u00e9ateur.rices sont loin d\u2019avoir pu causer.<\/p>

 <\/p>

(1<\/span>) quand on r\u00e8gle son clavier sur le tib\u00e9tain \u00ab qwerty \u00bb, la touche \u00ab f \u00bb devient muette. Et pour cause, le tib\u00e9tain ne forme pas le f.  <\/span><\/p>

 <\/p>"},{"id":912,"type":2,"content":"

 <\/p>

Lu le 3 mars 2023 \u00e0 la biblioth\u00e8que du Centre international de la po\u00e9sie Marseille : la page 1, la page 10, la page 100, la page 1000, la page 10000, la page 100000, la page 1000000, la page 10000000, la page 100000000, la page 11, la page 111, la page 1111, la page 11111, la page 111111, la page 1111111, la page 11111111, la page 111111111, la page 101, la page 1001, la page 10001, la page 100001, la page 1000001, la page 10000001, la page 100000001, la page 12, la page 123, la page 1234, la page 12345, la page 123456, la page 1234567, la page 12345678, la page 123456789, la page 21, la page 321, la page 4321, la page 54321, la page 654321, la page 7654321, la page 87654321, la page 987654321, la page 121, la page 1212, la page 12121, la page 121212, la page 1212121, la page 12121212, la page 121212121, la page 1212121212, la page 69, la page 96, la page 6699, la page 9966, la page 666999, la page 999666, la page 66669999, la page 99996666, la page 6666699999, la page 9999966666, la page 83, la page 883, la page 8883, la page 88883, la page 888883, la page 8888883, la page 88888883, la page 888888883, la page 888888833, la page 888888333, la page 888883333, la page 888833333, la page 888333333, la page 883333333, la page 833333333, la page 83333333, la page 8333333, la page 833333, la page 83333, la page 8333, la page 833, la page 808, la page 80808, la page 8080808, la page 808080808, la page 8008, la page 8008008, la page 8008008008, la page 80008, la page 800080008, la page 88088, la page 8880888, la page 888808888, la page 880088, la page 888000888, la page 22, la page 333, la page 4444, la page 55555, la page 666666, la page 7777777, la page 88888888, la page 999999999.<\/span><\/p>

 <\/p>"},{"id":499,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/598_20100518175216.mp3","label":"27.04.96","duration":100},{"id":2535,"type":5,"fileUrl":"\/resources\/files\/file_682f4e90d41f7.pdf"},{"id":694,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/796_20120214170733.mp3","label":"3 po\u00e8mes repli\u00e9s [Charles Baudelaire]","duration":157},{"id":687,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/789_20120211171757.mp3","label":"35 variations sur le th\u00e8me de Marcel Proust (extrait)","duration":190},{"id":2536,"type":5,"fileUrl":"\/resources\/files\/file_682f4ec148333.pdf"},{"id":2537,"type":5,"fileUrl":"\/resources\/files\/file_682f4f08008ed.pdf"},{"id":699,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/801_20120214173229.mp3","label":"4004 avant J\u00e9sus-Christ","duration":233},{"id":766,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/873_20120707152537.mp3","label":"478 jours naturels (extrait)","duration":226},{"id":2538,"type":5,"fileUrl":"\/resources\/files\/file_682f4f30646a2.pdf"},{"id":2912,"type":3,"videoId":"1181860048","duration":8397},{"id":91,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/128_20060208124556.mp3","label":"54 - extrait de 54<\/i>, Actes Sud","duration":168},{"id":2539,"type":5,"fileUrl":"\/resources\/files\/file_682f4f5328bc5.pdf"},{"id":2540,"type":5,"fileUrl":"\/resources\/files\/file_682f4f7785ace.pdf"},{"id":310,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/396_20090422130835.mp3","label":"8 ao\u00fbt","duration":161},{"id":2541,"type":5,"fileUrl":"\/resources\/files\/file_682f4f9ebb55b.pdf"},{"id":2542,"type":5,"fileUrl":"\/resources\/files\/file_682f4fbf9a4e4.pdf"},{"id":714,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/816_20120309183629.mp3","label":"99 notes pr\u00e9paratoires \u00e0 la future destruction de Lisbonne (extrait)","duration":404},{"id":163,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/219_20070712163445.mp3","label":"A bord du b\u00e2teau Marseille","duration":320},{"id":165,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/221_20070712173812.mp3","label":"A cet instant m'incite \u00e0 vous avertir","duration":339},{"id":2475,"type":3,"videoId":"1078274123","label":"

A clear cut (we are unmade)<\/i><\/a>, vid\u00e9o de Taylor Alaina Liebenstein Smith & Christopher Alexander (in-situ performance, tournage et montage de Taylor; po\u00e8me \u00e9crit et lu par Christopher). <\/p>

2022 | 6' 55''<\/p>

 <\/p>","duration":415},{"id":626,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/728_20110830141608.mp3","label":"A comme Agonie","duration":185},{"id":542,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/641_20100730171115.mp3","label":"A la fa\u00e7on de ces phrases emprunt\u00e9es du r\u00e9pondeur \u2026 et autres po\u00e8mes","duration":180},{"id":554,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/653_20100909154116.mp3","label":"A la ressemblance des b\u00eates...","duration":180},{"id":603,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/704_20110415165454.mp3","label":"A Long Slow Screw (extrait) - Eugene Robinson est accompagn\u00e9 \u00e0 la basse par Samuel Rochery","duration":1494},{"id":338,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/434_20090520185113.mp3","label":"\u00c0 ma davani - Lecture de la traduction en fran\u00e7ais par Fran\u00e7ois Lespiau","duration":398},{"id":2855,"type":2,"content":"

Nous nous sommes connus en 1975 \u00e0 Marseille o\u00f9 lui et moi avions un travail. Je m'\u00e9tais rendu \u00e0 la librairie La Touriale o\u00f9 Jean-Luc travaillait et tr\u00e8s vite le creuset o\u00f9 chacun de nous cherchait avec la po\u00e9sie sa source, s'est approfondi avec nos incertitudes, rassembl\u00e9e par une solide amiti\u00e9.<\/p>

Si l'on me demandait ce qui a fait que d'embl\u00e9e ses po\u00e8mes m'ont touch\u00e9, je dirai que c'est peut-\u00eatre ce pressentiment au croisement de deux inqui\u00e9tudes, comme un fr\u00eale battement de lumi\u00e8re, qui difficile \u00e0 distinguer, continue encore.<\/p>

Je me suis rapidement rendu compte que l'homme jeune qui avait l'habitude de toujours se tenir droit face \u00e0 son interlocuteur et debout face au monde, avait au fond de lui tr\u00e8s t\u00f4t senti les certitudes, les assises, les interstices o\u00f9 vient s'immiscer le bonheur, vaciller puis toujours rong\u00e9s s'effondrer, laissant comme sur la mer que son histoire l'avait oblig\u00e9 \u00e0 traverser sans retour ; une tra\u00een\u00e9e obscure et douloureuse. C'est peut-\u00eatre pour cette raison qu'en m\u00eame temps que ses \u00e9crits po\u00e9tiques figurent aussi ces notes, ces carnets o\u00f9 son regard d'une acuit\u00e9 sans faille, traversent lucides le monde avec des annotations qui non d\u00e9sabus\u00e9es pourtant, nous restituent le d\u00e9risoire, la dr\u00f4lerie, la b\u00eatise ou la pr\u00e9tention de ceux qui nous entourent jusqu'\u00e0 l'absurdit\u00e9 qu'agite au bout du hasard la courte ficelle de vivre.<\/p>

Mon attention toute admirative se portera ce soir sur quelques po\u00e8mes que je vous lirai, apr\u00e8s avoir tent\u00e9 de suivre le fil qui r\u00e9v\u00e8le leur beaut\u00e9, le rythme balanc\u00e9 du vers entre pr\u00e9sence et anamn\u00e8se, la pr\u00e9cision des mots jusqu'\u00e0 l'instant o\u00f9 ils se perdent, mais n\u00e9anmoins vont toujours.<\/p>","label":"

A mon ami Jean-Luc, <\/i>texte in\u00e9dit re\u00e7u de Nicolas Cendo le 7 f\u00e9vrier en amont de la rencontre Autour de Jean-Luc Sarr\u00e9 avec la revue Europe<\/a>, le 4 avril 2026.<\/p>"},{"id":413,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/510_20091203151347.mp3","label":"\u00c0 propos de Brice Matthieussent et de Vengeance du traducteur<\/i>","duration":302},{"id":216,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/278_20071130160328.mp3","label":"A propos de E. E. Cummings + extraits","duration":312},{"id":748,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/855_20120619183353.mp3","label":"\u00c0 propos de Watteau - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":255},{"id":485,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/583_20100430174824.mp3","label":"\u00c0 ton retour d'\u00c9gypte en bateau","duration":150},{"id":1282,"type":4,"fileUrl":"\/resources\/files\/file_65aa9509c811e.mp3","label":"

Alice Notley \u2014 A Woman Comes Into the Room<\/i> from  The World Record<\/i>, readings at the St. Mark's Poetry Project, 1969-1980, recorded February 21, 1979<\/p>

Dur\u00e9e : 01'06\" <\/p>","duration":67},{"id":2478,"type":1,"imageIds":[3845]},{"id":1083,"type":3,"videoId":"849421962","label":"

Cia Rinne<\/p>

AB\u00c9C\u00c9ZAROUM<\/i>
vid\u00e9o, 0\u201915min, 2022

ARCHAEOLOGICS
LANGAGEMENT
LANGUANCES
LINGUAPORIE
MEANIMALISM
MOTS D\u2019ERNIT\u00c9
PARADOXIDENT
PUNLINGUALISM
REDUCERERERE<\/p>","duration":15},{"id":448,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/545_20100205153042.mp3","label":"Abribus \/ G\u00e9ographie - Lecture de la traduction fran\u00e7aise par Noun\u00e9e Abrahamian.","duration":105},{"id":2462,"type":2,"content":"

 <\/p>

Ils ne t\u2019ont laiss\u00e9 qu\u2019un demi-visage<\/p>

et t\u2019ont tendu un miroir<\/p>

pour que tu pleures avec l\u2019\u0153il arrach\u00e9<\/p>

sur l\u2019\u0153il restant<\/p>

pour que tu d\u00e9plores la l\u00e8vre amput\u00e9e<\/p>

avec la l\u00e8vre existante<\/p>

 <\/p>

Nous qui nous absenterons d\u2019ici peu<\/p>

nous avons appris de nos pr\u00e9d\u00e9cesseurs<\/p>

\u00e0 ne pas laisser de trace<\/p>

\u00c0 nos successeurs, nous apprendrons<\/p>

\u00e0 ne pas venir<\/p>

 <\/p>","label":"

Raed Wahesh, Absence<\/i><\/p>"},{"id":636,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/738_20110830154738.mp3","label":"Absolument","duration":217},{"id":197,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/257_20070828170621.mp3","label":"Aby \u00e0 Hambourg","duration":188},{"id":355,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/451_20090707142636.pdf","label":"Accoules Po\u00e9sie - Po\u00e8mes \u00e9crits par les \u00e9l\u00e8ves de Monsieur Jean-Jacques Gaubert (CM2), \u00e9cole publique d'application des Accoules. \r\nIls ont \u00e9t\u00e9 compos\u00e9s lors d'un atelier de d\u00e9couverte et de cr\u00e9ation de po\u00e9sie contemporaine anim\u00e9 par Florence Pazzottu et par l'enseignant au printemps 2007."},{"id":2844,"type":1,"imageIds":[4027]},{"id":2401,"type":5,"fileUrl":"\/resources\/files\/file_67cb06cd549eb.pdf"},{"id":2400,"type":5,"fileUrl":"\/resources\/files\/file_67cb0691cc72c.pdf"},{"id":2408,"type":5,"fileUrl":"\/resources\/files\/file_698e0c8d30856.pdf"},{"id":2847,"type":5,"fileUrl":"\/resources\/files\/file_698eeeb2b3b4e.pdf"},{"id":2403,"type":5,"fileUrl":"\/resources\/files\/file_67d16b397707d.pdf"},{"id":2402,"type":5,"fileUrl":"\/resources\/files\/file_67cb33471bf6f.pdf"},{"id":2397,"type":1,"imageIds":[3746]},{"id":2503,"type":1,"imageIds":[3855]},{"id":1101,"type":5,"content":"

Alexandre Battaglia<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Transcription de l\u2019intervention d\u2019ouverture.<\/span><\/p>

 <\/p>

\u2014 Table ronde 1 \u2014<\/span><\/p>

\u00ab \u00c9crire \u00e0 poings ferm\u00e9s \u00bb : le po\u00e8me de C\u00e9dric Demangeot.<\/span><\/p>

 <\/strong><\/span><\/p>

 <\/span><\/p>

Puisqu\u2019il s\u2019agit dans ce premier moment de la journ\u00e9e de pr\u00e9senter le travail de C\u00e9dric, sans doute puis-je commencer par signaler une relative singularit\u00e9 de son \u0153uvre : c\u2019est que de celle-ci C\u00e9dric a peut-\u00eatre \u00e9t\u00e9 le premier et le meilleur lecteur, en ce sens qu\u2019il s\u2019agit d\u2019un po\u00e8te qui a largement document\u00e9 les enjeux de son propre travail, et qui n\u2019a cess\u00e9 de pr\u00e9ciser le \u00ab sens en sang \u00bb qui le motive. Certes nombreux sont les po\u00e8tes qui nouent l\u2019exp\u00e9rience po\u00e9tique et la r\u00e9flexivit\u00e9, et qui savent \u00e0 peu pr\u00e8s ce qu\u2019ils font ; mais rares sont ceux qui t\u00e9moignent sur ce plan de la clart\u00e9 intens\u00e9ment ferme, voulue la moins \u00e9quivoque et la plus objective possible, de C\u00e9dric. Cristalliser, sous la pluralit\u00e9 de ses formes et de ses possibles, une <\/i>intention de langue qui lib\u00e8re la n\u00e9cessit\u00e9 po\u00e9tique de tout ce qui n\u2019est pas elle, a \u00e9t\u00e9 un objet constant de son effort : en tant que po\u00e8te aussi bien que comme \u00e9diteur (les lignes qui suivent concernent fissile[1]<\/sup>), C\u00e9dric a voulu d\u00e9fendre certains \u00ab po\u00e8tes contemporains tous acharn\u00e9s, dans un monde au bord de l'asphyxie, \u00e0 l'invention d'une langue obstin\u00e9ment vivante. Ces po\u00e8tes n'ont heureusement pas de programme, pas d'esth\u00e9tique commune. Mais une obstination. Une solitude \u2013 en partage. Et un souci <\/i>de r\u00e9sistance. La mani\u00e8re<\/i>, elle, d\u00e9pend de la main, qui d\u00e9pend de l'homme : \u00e0 chacun donc la sienne. Mais le souci<\/i> est le m\u00eame. \u00bb Les resserrements sur ce \u00ab souci de r\u00e9sistance \u00bb donn\u00e9 \u00ab en partage \u00bb sont innombrables dans les livres de C\u00e9dric, \u00e9nonc\u00e9s avec un parfait sens de la formule. Pour n\u2019en citer qu\u2019un, dans Une inqui\u00e9tude <\/i>: \u00ab La po\u00e9sie doit se m\u00ealer du r\u00e9el \u2013 faire en sorte qu\u2019il n\u2019aille plus de soi. \/\/ La po\u00e9sie doit concerner le r\u00e9el \u2013 de l\u2019int\u00e9rieur. \/\/ La po\u00e9sie doit saboter le r\u00e9el et le rendre au vivant<\/i>. \u00bb On l\u2019entend dans ces lignes, la recherche d\u2019un d\u00e9nominateur commun o\u00f9 puisse se discriminer le besoin du po\u00e8me ne signifie en rien la r\u00e9duction de \u00ab l\u2019un seul \u00bb et de la solitude qui forment au contraire ses conditions de possibilit\u00e9.<\/span><\/p>

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Le d\u00e9gagement au plus nu de \u00ab ce souci de r\u00e9sistance \u00bb d\u00e9finirait assez bien l\u2019\u00e9volution du travail de C\u00e9dric. R\u00e9sistance explosive de la langue \u00e0 sa paresse et \u00e0 son confort, comme on dit d\u2019un mat\u00e9riau qu\u2019il r\u00e9siste ; r\u00e9sistance humaine des consciences et des corps aux processus d\u2019\u00ab asphyxie \u00bb qui les vident. Ce souci se fait toujours plus pr\u00e9cis au fur et \u00e0 mesure des publications. On le voit se stabiliser en quelque sorte dans des notions-forces qui articulent sans r\u00e9pit la scission entre la vie et le monde, l\u2019acception vitale de \u00ab la mort-dans-la-vie \u00bb oppos\u00e9e au nihilisme mortif\u00e8re \u00e0 l\u2019\u0153uvre dans l\u2019esp\u00e8ce, etc. Il est difficile aujourd\u2019hui de lire C\u00e9dric sans avoir ces notions \u00e0 l\u2019esprit. Mais elles ne sont pas chez lui un point de d\u00e9part programmatique, et ses livres frappent autant par leur coh\u00e9rence, extr\u00eamement urgente et tendue, que par une multiplicit\u00e9 de tons \u00e9tonnante, plut\u00f4t rare dans la po\u00e9sie actuelle : sur le plan des registres, des genres, du renouvellement dans les p\u00e9riodes d\u2019\u00e9criture\u2026 Je me souviens l\u2019avoir d\u00e9couvert par & Cargaisons <\/i>et Malusine<\/i>, des livres \u00e0 l\u2019\u00e9criture abondamment imag\u00e9e, m\u00e9andreuse et brutale ; et avoir \u00e9t\u00e9 surpris par la parole directe, presque orale et d\u00e9barrass\u00e9e de m\u00e9taphores, des \u00ab vies en vers \u00bb qui suivent, ou au contraire par la hauteur quasi solennelle, beaucoup moins ironique qui domine encore dans D\u00e9sert natal<\/i>. C\u00e9dric est attachant pour ses lecteurs parce qu\u2019il n\u2019a pas toujours \u00e9crit le m\u00eame livre et s\u2019est beaucoup r\u00e9invent\u00e9, parce que la chronologie chez lui est significative. <\/i>C\u2019est depuis cette libert\u00e9 et cette inventivit\u00e9 de son \u00e9criture qu\u2019on le sent autoris\u00e9 \u00ab finalement \u00bb \u00e0 revendiquer la vie et la langue \u00ab obstin\u00e9ment vivante(s) \u00bb.<\/span><\/p>

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L\u2019insistance toujours accrue sur la circonstance historique du po\u00e8me, sur notre situation historique tout court, est ce qui frappe le plus lorsqu\u2019on consid\u00e8re sa trajectoire po\u00e9tique. Impr\u00e9cise dans D\u00e9sert natal<\/i>, cette dimension prend de plus en plus de place et de relief dans Ravachol<\/i>, Une inqui\u00e9tude <\/i>ou Sale temps<\/i>. <\/i>Brice Petit disait dans un entretien \u00e0 propos de Moriturus <\/i>: \u00ab nous avons conscience d\u2019\u00eatre historiques, d\u2019appartenir \u00e0 l\u2019histoire. \u00bb Cette conscience qualifie en profondeur le geste artistique de C\u00e9dric, la nature de son tragique, sa noirceur et son d\u00e9go\u00fbt des impostures litt\u00e9raires, ses prises de position tranch\u00e9es. De quelle histoire s\u2019agit-il ? L\u2019histoire contemporaine o\u00f9 domine un processus qu\u2019il a appel\u00e9 la \u00ab mondialisation du non-monde \u00bb. Et, beaucoup, le bilan du XXe<\/sup> si\u00e8cle : les camps, les totalitarismes, les deux guerres mondiales, la faillite des id\u00e9ologies de tous bords et la ruine de la conscience europ\u00e9enne. La radicalit\u00e9 de Demangeot \u2013 qui commence \u00e0 publier en 1998, avec la totalit\u00e9 du si\u00e8cle derri\u00e8re lui \u2013 n\u2019est pas gratuite, et para\u00eet plut\u00f4t si on la consid\u00e8re sous cet angle \u00e0 la hauteur de ce qu\u2019elle combat ; elle est directement h\u00e9riti\u00e8re de ce XXe<\/sup> si\u00e8cle, et de bien des \u00e9crivains qui en ont t\u00e9moign\u00e9 directement et indirectement. Kafka ou L\u2019esp\u00e8ce humaine <\/i>d\u2019Antelme, plus tard la litt\u00e9rature d\u2019Europe centrale, sont ainsi parmi ses r\u00e9f\u00e9rences majeures. Bien des traits caract\u00e9ristiques d\u2019une certaine \u00e9criture moderne \u2013 l\u2019attrait pour le corps, pour le non-savoir, pour la profondeur et l\u2019obscurit\u00e9, pour le silence et le muet, pour le cabrement syntaxique, la c\u00e9sure et la coupe, dont Demangeot fait un usage particuli\u00e8rement inventif \u2013 sont r\u00e9interpr\u00e9t\u00e9s chez lui \u00e0 cette aune, comme quelques instruments de protestation, ici et maintenant, dont disposent les sujets offens\u00e9s pour affirmer leur dignit\u00e9 et leur voix propre dans la violence aveugle de l\u2019histoire. L\u2019attention aux brutalit\u00e9s collectives de l\u2019histoire, au sens le plus fort de ce mot \u00ab attention \u00bb qui implique de s\u2019\u00e9prouver responsable et de souffrir avec, explique en partie la radicalit\u00e9 bless\u00e9e et\/ou accusatrice vers laquelle C\u00e9dric s\u2019est peu \u00e0 peu achemin\u00e9, et le v\u0153u qu\u2019il a form\u00e9 d\u2019une \u00e9criture qui pourrait \u00eatre \u00ab assez vitale \u2013 pour vider le n\u00e9ant \u00bb. Cette attention le pousse \u00e0 prendre en charge dans sa parole les muets, les morts, les idiots\u2026 et le pire, qu\u2019embl\u00e9matisent sans le r\u00e9sumer les bourreaux ou la r\u00e9pression polici\u00e8re. \u00c9tonnamment ou logiquement ce po\u00e8te qui aura tant \u00e9prouv\u00e9 l\u2019incompatibilit\u00e9 du monde et de la vie aura \u00e9t\u00e9 un de ceux qui sont all\u00e9s le plus contin\u00fbment aux r\u00e9alit\u00e9s de notre monde. Un po\u00e8me repr\u00e9sentatif \u00e0 ce titre serait \u00ab Prosopop\u00e9e \u00bb, o\u00f9 C\u00e9dric imagine \u00ab la langue coinc\u00e9e dans un corps policier \u00bb, c\u2019est-\u00e0-dire met en pr\u00e9sence ce qui lui importe le plus et ce qui lui r\u00e9pugne le plus. C\u2019est peut-\u00eatre dans cette mise en pr\u00e9sence du meilleur et du pire et dans leur requalification r\u00e9ciproque que consiste la \u00ab morale \u00bb mise par C\u00e9dric dans le geste d\u2019\u00e9criture, et le tragique bouleversant auquel il est capable de toucher.<\/span><\/p>

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Ce trajet vers le dehors est d\u2019autant plus pouss\u00e9 qu\u2019il se redouble de l\u2019int\u00e9riorisation d\u2019une seconde histoire, elle aussi de plus en plus pr\u00e9sente de livre en livre : l\u2019histoire de la po\u00e9sie, de la langue. C\u00e9dric parle dans Un enfer <\/i>de \u00ab la longue phrase effondr\u00e9e de l\u2019esp\u00e8ce \u00bb : cette longue phrase d\u00e9signe par m\u00e9taphore l\u2019histoire humaine, mais aussi l\u2019histoire de son langage et de ses repr\u00e9sentations \u2013 que sans doute un po\u00e8te apparu au soir du XXe<\/sup> si\u00e8cle est en droit de sentir \u00ab effondr\u00e9e \u00bb. De fait C\u00e9dric a \u00e9t\u00e9, autant qu\u2019un cr\u00e9ateur, un admirable critique. Critique dans un sens purement n\u00e9gatif car il porte la langue puis la po\u00e9sie \u00e0 des points de crise, parce qu\u2019il les heurte \u00e0 des limites : en d\u00e9non\u00e7ant par exemple beaucoup leur insuffisance de justesse et de profondeur, leur propension au mensonge, leur manque de r\u00e9alit\u00e9 du point de vue de la vie et de celui du monde. Et critique dans le sens positif d\u2019une intelligence de ce qui demeure tout de m\u00eame aimable dans l\u2019art et la po\u00e9sie, intelligence ici encore remarquablement attentive<\/i> aux autres : aux autres artistes et po\u00e8tes. Le sens de l\u2019amiti\u00e9 qu\u2019il pla\u00e7ait tr\u00e8s haut vaut pour certains contemporains (Guy Viarre, Moriturus<\/i>) <\/i>et pour son rapport aux po\u00e8tes ant\u00e9rieurs, auxquels il puise constamment (cf. Baudelaire et la section \u00ab Amiti\u00e9 des morts \u00bb d\u2019Une inqui\u00e9tude<\/i>). \u00c0 nouveau ici c\u2019est la coh\u00e9rence du regard autant que la diversit\u00e9 de ses lectures qui frappe, de Dupin \u00e0 la po\u00e9sie baroque, de Shakespeare \u00e0 Walser, de Rodanski \u00e0 Sade ou Bernhard (diversit\u00e9 d\u2019esth\u00e9tiques, d\u2019\u00e9poques, de langues\u2026). Je souligne ce point car la durabilit\u00e9 de l\u2019attachement qu\u2019on peut ressentir pour son travail vient aussi de l\u00e0, de tous les auteurs qu\u2019il prolonge, fait d\u00e9couvrir (on lui doit l\u2019\u00e9dition quasi compl\u00e8te de Viarre et Panero) ou relire autrement. L\u2019attestent les \u00e9ditions fissile, qui proposent un des meilleurs catalogues de po\u00e9sie de la s\u00e9quence 2000-2020. Et ses livres qui ont su se nourrir abondamment des autres, ainsi Une inqui\u00e9tude <\/i>ou & ferrailleurs<\/i>, derni\u00e8rement Pouchkine. Maint po\u00e8me o\u00f9 domine la r\u00e9traction <\/i>la plus exclusive proc\u00e8de en r\u00e9alit\u00e9 par rebond sur toute une subjectivit\u00e9 po\u00e9tique qui lui pr\u00e9existe, et qu\u2019il relance et m\u00e9dite \u00e0 rebours : ainsi Philoct\u00e8te<\/i>, monologue du bannissement et de la solitude, qui dans sa conclusion s\u2019av\u00e8re une lecture en vers de Cervant\u00e8s, Antelme et Viarre. L\u2019\u0153uvre de C\u00e9dric tire sa force, autant que de sa nettet\u00e9 implacable, des objections \u00e0 soi et des contradictions qui la traversent. La condamnation du nihilisme et de son extension dans l\u2019esp\u00e8ce n\u2019a pas abouti pour lui au seul dualisme du monde et de la vie : elle est affin\u00e9e par le souvenir qu\u2019il existe un \u00ab monde vid\u00e9 du non-monde \u00bb (Psilocybe<\/i>), une autre modalit\u00e9 du monde accueillante au surgissement de la vie. De m\u00eame la suspicion extr\u00eame jet\u00e9e sur la langue, la litt\u00e9rature et la po\u00e9sie, en tant que celles-ci ne sont pas indemnes du nihilisme voire peuvent y contribuer activement, ne se r\u00e9sout pas en un dogmatisme unilat\u00e9ral. Cette suspicion se sait pr\u00e9c\u00e9d\u00e9e, justifi\u00e9e et parfois surmont\u00e9e en conscience par une histoire po\u00e9tique \u00e0 laquelle C\u00e9dric a donn\u00e9 toujours plus de place au fil des ann\u00e9es. Son travail aura \u00e9t\u00e9 une illustration extraordinairement avertie de ce que peut la langue lorsqu\u2019elle tient le pas gagn\u00e9 sur ses usages ali\u00e9nants, \u00ab la langue revenant \u00e0 soi et se d\u00e9couvrant coinc\u00e9e dans un corps policier \u2013 soubresaut pour tenter de se dire. \u00bb<\/span><\/p>

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\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>

[1]<\/sup> Maison d\u2019\u00e9ditions cr\u00e9\u00e9e en 2021 par C\u00e9dric Demangeot \u2014 v. <\/span>fissile<\/span><\/a>. (NDLR)<\/span><\/p>

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\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>

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Victor Martinez<\/strong><\/span><\/p>

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Po\u00e9sie, traduction et peinture : situation de C\u00e9dric Demangeot<\/i><\/span><\/p>

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\u2014 Table ronde 2 \u2014<\/span><\/p>

Le po\u00e8me et ses autres : traduire et peindre.<\/span><\/p>

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Ce texte est la transcription d'un propos de circonstance prononc\u00e9 lors de la journ\u00e9e d'\u00e9tude<\/span><\/p>

au Cipm le 20 mai 2023 \u00e0 Marseille. Il ne saurait valoir pour une \u00e9tude compl\u00e8te de la question.<\/span><\/p>

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La th\u00e8se de ce bref propos serait que le po\u00e8me a besoin d\u2019un dehors, un lieu actif qui en soit l\u2019antidote et construise un rapport tensionnel avec une alt\u00e9rit\u00e9. Peinture et traduction proposeraient cette alt\u00e9rit\u00e9 et agiraient comme une contre-effectuation du langage dans le langage. S'il s'agit d'aborder simultan\u00e9ment la question de la peinture et de la traduction dans le rapport au po\u00e8me, nous \u00e9mettrions l'hypoth\u00e8se suivante : au centre de la relation entre po\u00e9sie, peinture et traduction se trouverait ce dehors que Demangeot nomme parfois \u00ab muet \u00bb[1]<\/sup>.<\/span><\/p>

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Le muet \u2013 mot qui fait retour par les \u0153uvres de Jacques Dupin et Andr\u00e9 du Bouchet[2]<\/sup> \u2013 est \u00e0 la fois le d\u00e9faut de langage et la tensionnalit\u00e9 qui permet au langage d'avoir un sens : pas de langue sans un dehors qui soit l'\u00e9preuve et la r\u00e9futation. Le muet aurait sa propre langue, son emportement ou sa loquacit\u00e9, sinon sa d\u00e9mence, qui \u00e9chapperait au langage. Il permettrait la consid\u00e9ration hors des mots, hors de soi, en d\u00e9sappropriant le propre, c\u2019est-\u00e0-dire la langue. Il ouvrirait \u00e0 l'irruption de ce qui sort de la compr\u00e9hension, mais aimante et attache, de la m\u00eame fa\u00e7on qu'on quitte momentan\u00e9ment \u00ab l'impasse de l'homme \u00bb[3]<\/sup> qui est d'abord, historiquement parlant, un soi en tant que \u00ab po\u00e8te fran\u00e7ais \u00bb dans un pays avec qui \u00ab on ne sera jamais en paix \u00bb[4]<\/sup>.<\/span><\/p>

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\u00c0 propos de Rodrigue Marques de Souza, peintre et po\u00e8te ami, Demangeot note que \u00ab peinture et \u00e9criture sont deux ins\u00e9parables qui n'en finissent pas de se tourner le dos \u00bb[5]<\/sup>. Peinture et traduction rappelleraient le po\u00e8me \u00e0 une triple injonction retenant le bavardage de la langue : le muet, l'alt\u00e9rit\u00e9 et le rien, trois murs infranchissables pour le langage toujours suspect de contamination par \u00ab l\u2019ennemi \u00bb[6]<\/sup>. Il y aurait au sein d\u2019une po\u00e9tique une \u00e9thique et une politique.<\/span><\/p>

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Enfin ce d\u00e9placement hors de la compr\u00e9hension, mais dans l'aimantation, que sont la traduction et la peinture, serait aussi li\u00e9 \u00e0 l'\u00e9merveillement enfantin propre \u00e0 l'auteur, in-fans <\/i>signifiant sans-parole, de cette enfance qui sait \u00eatre cruelle, vraie, belle, touchante ou brutale \u2013 le travail plastique de Demangeot \u00e9tant proche de l'art brut comme le sont peut-\u00eatre ses traductions et sa po\u00e9sie. Dans ce cas peinture et traduction seraient \u00e9galement l\u00e0 pour offrir une alt\u00e9rit\u00e9 \u00e0 la triste affaire humaine d'\u00eatre soi, peut-\u00eatre au nom de la fusion, de la f\u00eate ou du jeu[7]<\/sup> \u2013 dans un d\u00e9mant\u00e8lement heureux de l'identique et du propre.<\/span><\/p>

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I. Peinture, dessins, collages<\/strong><\/span><\/p>

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Dessins, peintures et collages ne se veulent pas pratiqu\u00e9s depuis l'art. \u00ab Il ne faut pas que ce soit trop bien fait \u00bb, disait le po\u00e8te. Ils sont autant une expression que, par del\u00e0 l'expression personnelle, le rappel d'une pulsion de vie et de d\u00e9sastre communs, avec le n\u00e9cessaire non-s\u00e9rieux, rire et jeu qui vont avec ce d\u00e9sastre. S'ils sont de l'art c'est en tant que rapport au non-art. Ces formes sont le lieu d'une inventivit\u00e9 dont l'exposition d'avril 2022 \u00e0 la fondation Michalski a donn\u00e9 la mesure[8]<\/sup>. C\u00e9dric pouvait dessiner ou faire des collages sur tout, une enveloppe, un colis postal, un emballage, ou sur ses cahiers, ses manuscrits ou tapuscrits, ce n'\u00e9tait pas syst\u00e9matique mais c'\u00e9tait fr\u00e9quent, et le dessin avait un rapport de grande pr\u00e9cision avec la situation, il en \u00e9tait autant la synth\u00e8se que l'\u00e9chapp\u00e9e humaine, il \u00e9tait teint\u00e9 d'humour et de trag\u00e9die, d'une sorte de rire shakespearien tremp\u00e9 d'art moderne, d'Ensor \u00e0 Egon Schiele.<\/span><\/p>

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Les collaborations avec les peintres sont nombreuses, les po\u00e8mes d\u00e9di\u00e9s aux peintres aussi, po\u00e8mes pour Paul Rebeyrolle, Jean-Paul H\u00e9raud (par exemple en ouverture de Promenade & guerre<\/i>), Thomas Pesle, Yves Guitton, Magali Latil ; des livres sont faits avec Ena Lindenbaur, St\u00e9phanie Ferrat, Michel Julliard, Delphine Cador\u00e9, etc... En tant qu'\u00e9diteur Demangeot publie Sans mots<\/i>, un livre de peintures de Prune Mateo litt\u00e9ralement sans mots[9]<\/sup>. Il existe, fabriqu\u00e9s \u00e0 un ou \u00e0 quelques exemplaires, de nombreux livres artisanaux toujours accompagn\u00e9s d'\u0153uvres dessin\u00e9es, peintes, avec collages[10]<\/sup>. Ces petits livres sont fabriqu\u00e9s tr\u00e8s t\u00f4t, on ne saurait dire exactement quand le jeune homme qu'il a \u00e9t\u00e9 a commenc\u00e9 ce travail comme naturellement, comme si le mot \u00e9tait trop peu ou ne vivait que dans le rapport \u00e0 un dehors qu'il compl\u00e9mentait, ou qui le soustrayait \u2013 le sauvait \u2013 du langage.<\/span><\/p>

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Avec la peinture, les pratiques \u00e9taient plus commun\u00e9ment celles du dessin et du collage par lesquels passait la force expressive, expressionniste m\u00eame, de l'art brut.<\/span><\/p>

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Des ouvrages comportent nombre de notes concernant la peinture. Dans Une inqui\u00e9tude <\/i>:<\/span><\/p>

 <\/p>

\u00ab<\/i> Turner is the master<\/i>. Entre 1810 et 1830, Turner a d\u00e9j\u00e0 r\u00e9gl\u00e9 son compte, ou peu s\u2019en faut, \u00e0 l\u2019essentiel de la peinture des deux si\u00e8cles \u00e0 venir. Il renvoie d\u2019avance tous les Impressionnistes \u00e0 l\u2019\u00e9cole. Son \u0153uvre, d\u2019une vari\u00e9t\u00e9 et d\u2019une libert\u00e9 inou\u00efes, porte en germe le meilleur de Corot et de Courbet, de Moreau et de Redon, de Degas et de Lautrec, de Bonnard et de Vuillard, de C\u00e9zanne et de Matisse, de Sima et de Rothko. Je peux en t\u00e9moigner ! \u2013 je l\u2019ai vu de mes yeux \u00bb.<\/i><\/span><\/p>

 <\/p>

Une inqui\u00e9tude<\/i>, 2013, p. 75<\/span><\/p>

 <\/p>

Ce \u00ab je l'ai vu de mes yeux \u00bb est autant une note d'humour que l'affirmation d'une affaire strictement personnelle. L'auteur peut ainsi consigner sa \u00ab d\u00e9testation d\u2019\u00e0 peu pr\u00e8s toute la peinture fran\u00e7aise avant G\u00e9ricault. \u00c0 de rares exceptions pr\u00e8s. \u00bb[11]<\/sup>. Ces exceptions sont bien s\u00fbr le nerf de la guerre.<\/span><\/p>

 <\/p>

Ou encore : \u00ab En peinture les premiers Allemands me ravissent et me ravagent \u00bb[12]<\/sup>.<\/span><\/p>

Le texte \u00ab Observation II \u00bb dans Une inqui\u00e9tude<\/i> est une r\u00e9flexion sur l'image \u00e0 partir de dessins de David Massabuau publi\u00e9s dans Moriturus<\/i> n\u00b05, il finit par cette page importante :<\/span><\/p>

 <\/p>

\u00ab Je n\u2019\u00e9cris jamais \u00e0 propos d\u2019une image de peintre. On m\u2019y invite quelquefois : je m\u2019y refuse. Quoique sans me l\u2019interdire : il n\u2019y a rien en moi de plus accompagn\u00e9 que ce refus.<\/span><\/p>

Parler de peinture est m\u00eame contraire \u00e0 la seule id\u00e9e que je consente \u00e0 me faire de cet art \u2013 \u00e0 savoir qu\u2019il est \u2013 et doit rester sans id\u00e9es \u2013 qu\u2019il appelle un se taire dont il proc\u00e8de [comme de source] et dont l\u2019abandon ne saurait jamais que le trahir [tarir].<\/span><\/p>

L\u2019image qui me rend \u00e0 ce point bavard ne saurait [donc] \u00eatre d\u2019un peintre.<\/span><\/p>

Ce qui fait le bavardage autour d\u2019une image de peintre, c\u2019est le plus souvent, d\u00fbment conceptualis\u00e9e, la dite d\u00e9marche qui, comme si clous et fibre de lin n\u2019y suffisaient plus, la sous-tend [voire la soutient \u2013 b\u00e9quille bricolable].<\/span><\/p>

Ici l\u2019enclenchement du mot \u00e0 la suite de l\u2019image est d\u2019un tout autre ordre \u2013 autrement visc\u00e9ral \u2013 instinctif ou tout comme \u2013 et d\u2019embl\u00e9e non con\u00e7u, d\u00e9raisonnable : un long geste silencieux \u2013 du bonhomme aboli vers ce point fascinant \u2013 d\u2019un rien terrible en train \u2013 sans un mot de se dire. \u00bb<\/span><\/p>

 <\/p>

Une inqui\u00e9tude<\/i>, 2013, p. 238<\/span><\/p>

 <\/p>

Soulignons ces derni\u00e8res formules : \u00ab l'enclenchement du mot \u00e0 la suite de l'image \u00bb est tout autre que du langage, \u00ab visc\u00e9ral \u00bb, \u00ab instinctif ou tout comme \u00bb, \u00ab un long geste silencieux \u00bb.<\/span><\/p>

 <\/p>

 <\/p>

II. Traduction et po\u00e9sie<\/strong><\/span><\/p>

 <\/p>

C'est au regard de cette attention \u00e0 la peinture que l'on peut penser la pratique de la traduction chez Demangeot. Comme nous disions en d\u00e9but de propos, peinture et traduction sont des dehors de la langue propre. Traduire et peindre sont deux d\u00e9marches qu'on peut comparer entre elles parce qu'elles sortent de la \u00ab triste affaire personnelle \u00bb et ouvrent \u00e0 l'amiti\u00e9, au travail, au rire, \u00e0 l'humour, \u00e0 la mort enfin regardable, enfin ridiculis\u00e9e, enfin \u00e9minente, enfin amicale et porteuse d'un enseignement.<\/span><\/p>

 <\/p>

On conna\u00eet le cas de l'\u00e9tudiant en langues Wolfson, cas de schizophr\u00e9nie comment\u00e9 notamment par Deleuze. Wolfson, pour \u00e9chapper \u00e0 la langue maternelle qu'il ne supportait plus, qui \u00e9tait \u00e0 la fois langue de la m\u00e8re biologique et langue natale, convertissait les phon\u00e8mes de sa langue en phon\u00e8mes de la langue \u00e9trang\u00e8re, il passait par les phon\u00e8mes de la langue \u00e9trang\u00e8re pour acc\u00e9der \u00e0 la communication, c'\u00e9tait pour lui la condition de la parole dans le cadre d'une langue dont il ne voulait pas. Demangeot commente :<\/span><\/p>

 <\/p>

\u00ab Ce massacre affol\u00e9, quoique m\u00e9thodique de la langue maternelle auquel se livre syst\u00e9matiquement, chaque fois qu\u2019il y est confront\u00e9, \u00ab l\u2019\u00e9tudiant en langues schizophr\u00e9nique \u00bb Louis Wolfson \u2013 en traduisant mentalement le moindre mot de ce qu\u2019il ne peut \u00e9viter de lire ou d\u2019entendre, sans le moindre souci d\u2019exactitude lexicale ou de syntaxe, en le neutralisant seulement au moyen d\u2019analogies (morphologiques et\/ou sonores et\/ou s\u00e9mantiques) et d\u2019extravagants n\u00e9ologismes m\u00e9tiss\u00e9s (...) \u2013 ce massacre, donc, n\u2019a-t-il pas quelque ressemblance avec celui, non moins obsessionnel, non moins m\u00e9ticuleux, non moins violemment acharn\u00e9 que met en \u0153uvre, au risque de n\u2019\u00eatre plus entendu que de lui seul, le po\u00e8te. \u00bb<\/span><\/p>

 <\/p>

Une inqui\u00e9tude<\/i>, Flammarion, p. 133<\/span><\/p>

                                                           <\/span><\/p>

Traduire pour d\u00e9naturaliser le rapport au signifiant est assimil\u00e9, dans ce tr\u00e8s intelligent passage, \u00e0 l'acte m\u00eame de la po\u00e9sie. Dans l'analogie qui est faite, l'\u00e9criture du po\u00e8me est compar\u00e9e \u00e0 ce que fait Wolfson de la langue : il la d\u00e9sapparie d'un contexte oppressif, occlusif, la transforme en langue \u00e0 la fois propre, langue de l'idiot \u2013 l'idiot \u00e9tant celui qui ne parle que sa propre langue, donc le seul peut-\u00eatre \u00e0 penser par lui-m\u00eame. Dans cette analogie appara\u00eet la figure de la traduction comme n\u00e9cessaire d\u00e9tachement, non seulement des significations, mais des racines m\u00eames, des syst\u00e8mes signifiants, de la phon\u00e9tique.<\/span><\/p>

 <\/p>

Le travail de traduction de Demangeot n'a pas encore \u00e9t\u00e9 abord\u00e9 dans son ensemble. Il y a le cas du tch\u00e8que, langue o\u00f9, m'expliquait-il, le mot \u00ab no \u00bb peut signifier l'assentiment, c'est-\u00e0-dire \u00ab oui \u00bb. Voil\u00e0 du Wolfson. Il y a les cas moins \u00e9loign\u00e9s de l'espagnol et de l'anglais. Il y a encore, moins connu, les cas du bengali traduit avec l'auteur indien Lokenath Bhattacharya. Il semble bien qu'en passer par la langue \u00e9trang\u00e8re soit un exercice de d\u00e9tachement indispensable \u00e0 la fois de nettoyage des repr\u00e9sentations (puisque chaque langue d\u00e9coupe le monde diff\u00e9remment) mais aussi du phon\u00e9tique o\u00f9 se loge le signifiant. De cette s\u00e9paration du signifiant linguistique fran\u00e7ais\/latin ou anglais en t\u00e9moigne le po\u00e8me \u00e9crit directement en tch\u00e8que, Fragments de la fourrure de Blanche-Neige<\/i>[13]<\/sup>.<\/span><\/p>

 <\/p>

On peut noter aussi qu'il s'agit, dans la traduction, d'identifier des situations, po\u00e9tiques bien s\u00fbr, mais aussi politiques, \u00e9thiques, linguistiques. Les auteurs contemporains choisis sont des dissidents, des \u00e9trangers dans leur propre langue. En septembre 2013 Demangeot \u00e9crit une lettre au po\u00e8te Leopoldo Mar\u00eda<\/span><\/p>

 <\/p>

Panero dont il veut publier l'\u0153uvre et qu'il envisage d'aller visiter dans son h\u00f4pital psychiatrique des \u00celes Canaries, je lis un extrait de cette lettre :<\/span><\/p>

 <\/p>

\u00ab Cher Leopoldo Mar\u00eda Panero,<\/span><\/p>

 <\/p>

J\u2019ai d\u00e9couvert l\u2019an dernier votre po\u00e9sie, gr\u00e2ce \u00e0 une anthologie parue aux \u00e9ditions de l\u2019Oreille du Loup. Cette rencontre a fait d\u2019embl\u00e9e ma joie et ma stupeur. Depuis ce jour, je me r\u00e9jouis de savoir que vous existez, et me demande souvent comment j\u2019ai pu ignorer si longtemps (comment la France peut ignorer) une \u0153uvre comme la v\u00f4tre.<\/span><\/p>

J\u2019ai imm\u00e9diatement ressenti pour votre po\u00e9sie une sorte de fraternit\u00e9 profonde, r\u00e9elle, inali\u00e9nable : la fraternit\u00e9 des irr\u00e9conciliables. Et je sais que nous sommes un certain nombre en France (po\u00e8tes, lecteurs, anars et autres exil\u00e9s de la vie) \u00e0 avoir besoin, aujourd\u2019hui, d\u2019une voix comme la v\u00f4tre. Qu\u2019elle nous serait non seulement une nourriture, une consolation, \u2013 mais aussi une arme.<\/span><\/p>

Je ne me suis pas pr\u00e9sent\u00e9. J\u2019ai 37 ans, je suis un Fran\u00e7ais n\u00e9 en France, un pays avec lequel je ne serai jamais en paix. Et je suis faute d\u2019autre mot un \u00ab po\u00e8te \u00bb dans ma langue, c\u2019est-\u00e0-dire que je n\u2019ai rien d\u2019autre que ma langue pour inventer un espace de vie possible dans un monde mortellement carenc\u00e9 de corps et de sens, \u2013 ce monde bouch\u00e9 de vide o\u00f9 nous sommes enferm\u00e9s, et qui n\u2019en finit pas de nous refuser. Enfin je n\u2019ai, comme vous, pour faire face \u00e0 l\u2019Ennemi, rien d\u2019autre que la langue qu\u2019il m\u2019a donn\u00e9e. \u00bb<\/span><\/p>

 <\/p>

Lettre cit\u00e9e dans L'\u00e2ge d'or<\/i>, n\u00b0 7, 2014.<\/span><\/p>

 <\/p>

Je souligne : \u00ab J'ai 37 ans, je suis un Fran\u00e7ais n\u00e9 en France, un pays avec lequel je ne serai jamais en paix \u00bb.<\/span><\/p>

 <\/p>

Il y a, dans les questions strictement po\u00e9tiques, linguistiques, formelles, la conscience d'une situation, au sens sartrien du terme. La situation \u00e9thico-politique est engag\u00e9e dans le corps comme dans la langue, elle est explicite ou implicite, elle a de tr\u00e8s larges et parfois infimes niveaux de r\u00e9percussion, elle atteint la d\u00e9marche de l'\u00e9criture comme celle de la traduction, mais elle s'interpose de mani\u00e8re intelligente et fertile dans la mani\u00e8re dont un auteur r\u00e9\u00e9labore la langue-propre. C'est pourquoi, \u00e9crit ailleurs Demangeot, \u00ab traduire c'est assumer la traduction de l'original \u00bb[14]<\/sup>, comme \u00e9crire donc, et peut-\u00eatre peindre, sont aussi une mani\u00e8re de choisir la pr\u00e9sentation contre la repr\u00e9sentation. C'est aussi pourquoi Demangeot va chercher la langue de certains baroques dans laquelle il d\u00e9couvre un agencement autre, une libert\u00e9 de mati\u00e8re, une audace, quasiment un mat\u00e9rialisme pur, \u00e0 propos de mort, de sexe, de vie, digne de nos plus avanc\u00e9s modernes.<\/span><\/p>

 <\/p>

 <\/p>

III. Cr\u00e9er : faire circuler les dehors (pour conclure)<\/strong><\/span><\/p>

 <\/p>

Je lis pour finir ce tr\u00e8s sch\u00e9matique propos : deux po\u00e8mes dans lesquels la traduction du po\u00e8te \u00ab fr\u00e8re \u00bb (Panero pour Demangeot) entre dans la cr\u00e9ation po\u00e9tique propre. Traduire c'est donner la main, hors des mots, \u00e0 une fraternit\u00e9 qui se passe de mots et qui en retour serait \u00e0 m\u00eame de qualifier les mots.<\/span><\/p>

 <\/p>

De LM Panero :<\/span><\/p>

 <\/i><\/span><\/p>

Quatre gardiens me d\u00e9shabillent<\/i><\/span><\/p>

et me ligotent au poteau, Lulu, de lu<\/i><\/span><\/p>

mi\u00e8re, \u00f4 toi qui n\u2019aimes que la mort.<\/i><\/span><\/p>

 <\/p>

J\u2019ai honte de vivre,<\/span><\/p>

et peur de me voir nu<\/span><\/p>

d\u00e9j\u00e0 moins qu\u2019un homme et moins que moi<\/span><\/p>

qui ne suis que le souvenir de moi<\/span><\/p>

quand dans ma m\u00e9moire les souvenirs<\/span><\/p>

pleurent, et tremble la m\u00e9moire<\/span><\/p>

et la vie obscure, peut-\u00eatre, se<\/span><\/p>

souvient de moi, et tremble pour moi le souvenir<\/span><\/p>

que je fus un homme, une vie<\/span><\/p>

au bord du souvenir, du souvenir<\/span><\/p>

que je fus homme un jour, sans l\u2019effroi<\/span><\/p>

de vivre encore demain, de<\/span><\/p>

me trouver face \u00e0 moi-m\u00eame, autre unique<\/span><\/p>

qui me tranche la main, me noie<\/span><\/p>

dans une bouteille d\u2019eau bleut\u00e9e<\/span><\/p>

et dites-le donc aux hommes, la vie<\/span><\/p>

n\u2019est qu'alcool, et le po\u00e8me<\/span><\/p>

crachat<\/span><\/p>

dont la vie, les souvenirs<\/span><\/p>

se rient.<\/span><\/p>

 <\/p>

(Bonne nouvelle du d\u00e9sastre<\/i>, Fissile, 2013, p. 157)<\/span><\/p>

 <\/p>

De C\u00e9dric Demangeot :<\/span><\/p>

 <\/p>

Il est temps d\u2019\u00eatre nu \u2013 c\u2019est Leopoldo mort<\/span><\/p>

qui me l\u2019a dit \u2013 dans un hoquet<\/span><\/p>

de terreur \u2013 \u00e0 la lumi\u00e8re de Lulu<\/span><\/p>

qu\u2019on ligote au poteau \u2013 dans la langue \u00e9trange<\/span><\/p>

du po\u00e8te singeant personne : J\u2019ai les mains<\/span><\/p>

vides \u2013 aimez-moi comme, tas de brutes, vous avez<\/span><\/p>

aim\u00e9 Rilke ou Marylin, sauvez-moi, n\u2019oubliez pas<\/span><\/p>

je suis nu comme un ver entre vos mains, je<\/span><\/p>

ne suis qu\u2019un enfant : le v\u00f4tre.<\/span><\/p>

 <\/p>

Un enfer<\/i>, Flammarion, 2021, p. 27<\/span><\/p>

 <\/p>


 \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>

[1]<\/sup> \u00ab Attente, \u00e9pouse les s\u00e9ismes du muet \u00bb, Le poudroiement des conclusions<\/i>, L'atelier contemporain, 2019, p. 145,<\/span><\/p>

[2]<\/sup> Cf. L'emportement du muet <\/i>d'Andr\u00e9 du Bouchet ou Gr\u00e9sil<\/i> de Jacques Dupin.<\/span><\/p>

[3]<\/sup> Pornographie<\/i>, L'atelier contemporain, 2023, p. 247.<\/span><\/p>

[4]<\/sup> Formule que l'on trouve dans la lettre de C\u00e9dric Demangeot \u00e0 Leopoldo Mar\u00eda Panero de septembre 2013, cit\u00e9e dans V. Martinez, \u00ab La r\u00e9ception de l'oeuvre de Leopoldo Mar\u00eda Panero dans la po\u00e9sie fran\u00e7aise contemporaine \u00bb, revue L'\u00e2ge d'or,<\/i> n\u00b0 7, Universit\u00e9 de Paris Marne-la-Vall\u00e9e, 2014.<\/span><\/p>

[5]<\/sup> Le poudroiement des conclusions<\/i>, L\u2019atelier contemporain, 2020, p. 32.<\/span><\/p>

[6]<\/sup> Lettre \u00e0 L. M. Panero, op. cit<\/i>.<\/span><\/p>

[7]<\/sup> Jeu au sens de l'enfance ou de la f\u00eate, non du combinatoire.<\/span><\/p>

[8]<\/sup> \u00ab \u0152uvres et collages de C\u00e9dric Demangeot \u00bb, Fondation Jan Michalski, Montricher (Suisse), du 02 au 18 avril 2022.<\/span><\/p>

[9]<\/sup> Prune Mateo, Peinture<\/i>, Fissile, 2013.<\/span><\/p>

[10]<\/sup> Cf. <\/i>la bibliographie de l'auteur dans Cons\u00e9quence<\/i> n\u00b0 4, avril 2023.<\/span><\/p>

[11]<\/sup> Une inqui\u00e9tude<\/i>, Flammarion, 2013, p. 86.<\/span><\/p>

[12]<\/sup> Ibidem<\/i>.<\/span><\/p>

[13]<\/sup> Paru dans Cons\u00e9quence<\/i> n\u00b0 4, avril 2023.<\/span><\/p>

[14]<\/sup> Le poudroiement des conclusions<\/i>, op. cit.<\/i>, p. 37.<\/span><\/p>

 <\/p>","fileUrl":"\/resources\/files\/file_6526771e01c54.pdf"},{"id":2326,"type":2,"content":"

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\u2022 Revue Nioques 1.3, 1997.
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\u2022 Philippe Beck, Chambre \u00e0 roman fusible<\/i>, 1997.
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\u2022 Revue Nioques 1.4, 1997.
\u2022 Jean-Pierre Faye, Guerre trouv\u00e9e<\/i>, 1997.
\u2022 Julien Blaine, L\u2019arc c\u2019est la lyre<\/i>, 1998.
\u2022 Christophe Tarkos, Le b\u00e2ton<\/i>, 1998.
\u2022 Christophe Hanna, Petits po\u00ebmes en prose<\/i>, 1998.
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\u2022 V\u00e9ronique Pittolo, H\u00e9ros<\/i>, 1998.
\u2022 Jean-Marie Gleize, Franck Fontaine, Na\u00eetre encore<\/i>, 1998.
\u2022 Jos\u00e9e Lapeyr\u00e8re, \u00c9loge du coureur<\/i>, 1998.
\u2022 Thibaud Baldacci, Le Sacrifice transformateur<\/i>, 1998.
\u2022 Jacques-Henri Michot, Un ABC de la barbarie<\/i>, 1998.
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\u2022 Philippe Beck, Verre de l\u2019\u00e9poque sur Eddy<\/i>, 1998.
\u2022 Faraj Bayrakdar, Ni vivant ni mort<\/i>, 1998.
\u2022 Jos\u00e9e Lapeyr\u00e8re, Jean-Jacques Cecarelli, Les Nappes<\/i>, 1998.
\u2022 Collectif, L\u2019art d\u00e9g\u00e9n\u00e9r\u00e9<\/i>, 1998.
\u2022 Julien Blaine, Gloria Mundi<\/i>, 1998.
\u2022 Julien Blaine, Pagure<\/i>, 1998.
\u2022 Collectif, Ouvriers vivants<\/i>, 1999.
\u2022 Revue Nioques 1.5, 1999.
\u2022 Christophe Tarkos, L\u2019argent<\/i>, 1999.
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\u2022 Jacques Sivan, Grio \/ village double<\/i>, 1999.
\u2022 Julien Blaine, La Fin de la chasse<\/i>, 1999.
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\u2022 Paul-Armand Gette, La vulve et les menstrues de la d\u00e9esse. La libert\u00e9 du mod\u00e8le<\/i>, 1999.
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\u2022 Charles Pennequin, Dedans<\/i>, 1999.
\u2022 Jos\u00e9e Lapeyr\u00e8re, Thierry Cauwet, Entre le 2 et le 3<\/i>, 1999.
\u2022 Daniel Foucard, Peuplements<\/i>, 1999.
\u2022 Revue Nioques 1.6, 1999.
\u2022 Bernard Heidsieck, Respirations et br\u00e8ves rencontres,<\/i> 1999.
\u2022 Patrice Harmel, R\u00e9pliques<\/i>, 1999.
\u2022 Marie-Laure Dagoit, On me baise longtemps<\/i>, 2000.
\u2022 Philippe Beck, Le Ferm\u00e9 de l\u2019\u00e9poque<\/i>, 2000.
\u2022 Pierre Courtaud, Gertrude Stein<\/i>, 2000.
\u2022 Christophe Tarkos, Ma langue<\/i>, 2000.
\u2022 Jean-Pierre Faye, Henri Macheroni, Dialogue et court trait\u00e9 sur le transformat<\/i>, 2000.
\u2022 Marie Sester, Jean-Marie Gleize, Quelque chose contraint quelqu\u2019un<\/i>, 2000.
\u2022 Emmanuel Loi, D\u2019ordinaire. Lettres et journal de prison 1976-81<\/i>, 2000.
\u2022 Thierry Agullo, Tracts h\u00e9t\u00e9roclites<\/i>, 2000.
\u2022 Patrick Beurard-Valdoye, Diaire<\/i>, 2000.
\u2022 Marie-Laure Dagoit, De toute fa\u00e7on je n\u2019ai rien \u00e0 me mettre<\/i>, 2000.
\u2022 Thierry Agullo, Robinet d\u2019amour<\/i>, 2000.
\u2022 Isidore Isou, R\u00e9flexions sur Andr\u00e9 Breton<\/i>, 2000.
\u2022 Isidore Isou, Mes d\u00e9finitions de l\u2019\u0153uvre de Jean Cocteau<\/i>, 2000.
\u2022 Manuel Joseph, Jean-Luc Moul\u00e8ne, \u00c7a m\u2019a m\u00eame pas fait mal<\/i>, 2000.
\u2022 Christophe Fiat, Ladies in the Dark<\/i>, 2001.
\u2022 Revue Nioques 1.7, 2001.
\u2022 Marie-Laure Dagoit, La machine \u00e0 \u00e9crire n\u2019ob\u00e9it plus<\/i>, 2001.
\u2022 Bernard Heidsieck, Canal Street<\/i>, 2001.
\u2022 Bernard Heidsieck, Le Carrefour de la Chauss\u00e9e d\u2019Antin<\/i>, 2001.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille no<\/sup> 1<\/i>, 2001.
\u2022 Julien Blaine, Comment sortir la phrase de sa gangue ?<\/i>, 2001.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, K Requiem<\/i>, 2001.
\u2022 Isidore Isou, Musiques lettristes<\/i>, 2001.
\u2022 Orlan, Le plan du film<\/i>, 2001.
\u2022 Christian Prigent, Le Professeur<\/i>, 2001.
\u2022 Julien Blaine, Je ne suis pas am\u00e9ricain \u00ae...<\/i>, 2001.
\u2022 Anne-James Chaton, \u00c9v\u00e9nements 99<\/i>, 2001.
\u2022 Bernard Heidsieck, Notes convergentes<\/i>, 2001.
\u2022 Revue Nioques 1.8, 2001.
\u2022 Charles Pennequin, Lettre \u00e0 J.S.<\/i>, 2001.
\u2022 Revue OU, 5e<\/sup> saison, 2002.
\u2022 Harmony Korine, Craques, coupes et meutes raciales<\/i>, 2002.
\u2022 Montserrat Prudon (dir.), Les polyphonies du texte<\/i>, 2002.
\u2022 Christophe Fiat, New York 2001<\/i>, 2002.
\u2022 Serge Gavronsky, Une tout autre histoire<\/i>, 2002.
\u2022 Laure Limongi, \u00e9ros peccadille<\/i>, 2002.
\u2022 J\u00e9r\u00f4me Gontier, (ergo sum)<\/i>, 2002.
\u2022 Vannina Maestri, Vie et aventures de Norton<\/i>, 2002.
\u2022 Jacques-Henri Michot, la vingt-trois mille deux cent vingt-septi\u00e8me nuit<\/i>, 2002.
\u2022 Claude Royet-Journoud, L\u2019in-plano<\/i>, 2002.
\u2022 Augusto de Campos, dir. Jacques Donguy, Anthologie despoesia<\/i>, 2002.
\u2022 Philippe Castellin, Doc(k)s mode d\u2019emploi<\/i>, 2002.
\u2022 St\u00e9phane B\u00e9rard, Le Probl\u00e8me martien, roman<\/i>, 2002.
\u2022 Revue Le Bout des Bordes, no<\/sup> 7\/8, 2002.
\u2022 Ma Desheng, Kiwi<\/i>, 2002.
\u2022 Jean-Fran\u00e7ois Bory, Anthologie Provisoire<\/i>, 2002.
\u2022 Jacques Donguy, collectif, Terminal Zone<\/i>, 2002.
\u2022 \u00c9ric Arlix, Mise \u00e0 jour<\/i>, 2002.
\u2022 Thomas L\u00e9lu, Manuel de la photo rat\u00e9e<\/i>, 2002.
\u2022 Patrick Beurard-Valdoye, Mossa<\/i>, 2002.
\u2022 St\u00e9phane B\u00e9rard, Nathalie Quintane, Progressistes<\/i>, 2003.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille, no<\/sup> 2, 2003.
\u2022 \u00c9tienne Brunet, White light<\/i>, 2003.
\u2022 Bernard Heidsieck, La poin\u00e7onneuse<\/i>, 2003.
\u2022 Daniel Foucard, Novo<\/i>, 2003.
\u2022 Christophe Hanna, Po\u00e9sie action directe<\/i>, 2003.
\u2022 Jean-Pierre Bobillot, Trois essais sur la po\u00e9sie litt\u00e9rale<\/i>, 2003.
\u2022 Jean-Fran\u00e7ois Bory, Roussel S.A.R.L.<\/i>, 2003.
\u2022 Raymond Federman, Amer Eldorado<\/i>, 2003.
\u2022 Manuel Joseph, De la sculpture consid\u00e9r\u00e9e comme une tauromachie<\/i>, 2003.
\u2022 Paul-Armand Gette, B\u00e9atrice Cussol, Diane ?<\/i>, 2003.
\u2022 Jo\u00ebl Hubaut, Lissez les couleurs ! \u00e0 ras l\u2019fanion<\/i>, 2003.
\u2022 Anne-James Chaton, autoportraits<\/i>, 2003.
\u2022 Ra\u00fal Rivero, Mandat de perquisition<\/i>, 2003.
\u2022 Revue Nioques 1.9 \/ 2.0, 2003.
\u2022 Jacques-Henri Michot, God bless america<\/i>, 2003.
\u2022 John Giorno, Il faut br\u00fbler pour briller<\/i>, 2003.
\u2022 Raymond Federman, La fourrure de ma tante Rachel<\/i>, 2003.
\u2022 Isabella Santacroce, Destroy<\/i>, 2003.
\u2022 Mathieu B\u00e9n\u00e9zet, Biographies<\/i>, 2003.
\u2022 \u00c9ric Arlix, Et Hop<\/i>, 2003.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille, no<\/sup> 3<\/i>, 2003.
\u2022 Iisidore Isou, La Cr\u00e9atique ou la Novatique<\/i>, 2003.
\u2022 Bernard Heidsieck, Lettre \u00e0 Brion Gysin<\/i>, 2004.
\u2022 Isidore Isou, Symphonie, no<\/sup> 4 : Juv\u00e9nal<\/i>, 2004.
\u2022 Charles Pennequin, Pascal Doury, Je me jette<\/i>, 2004.
\u2022 Raymond Roussel, Nouvelles Impressions d\u2019Afrique<\/i>, 2004.
\u2022 Raymond Federman, Mon corps en neuf parties<\/i>, 2004.
\u2022 Bernard Heidsieck, Derviche \/ Le Robert<\/i>, 2004.
\u2022 Patrick Beurard-Valdoye, La Fugue inachev\u00e9e<\/i>, 2004.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille, no<\/sup> 4<\/i>, 2004.
\u2022 Laurence Denimal, JOUBOR & XCAT04<\/i>, 2004.
\u2022 John Giorno, Suicide S\u00fbtra<\/i>, 2004.
\u2022 Raymond Federman, Quitte ou double<\/i>, 2004.
\u2022 Bernard Heidsieck, d\u00e9mocratie II<\/i>, 2004.
\u2022 V\u00e9ronique Pittolo, Gary Cooper ne lisait pas de livres<\/i>, 2004.
\u2022 G\u00e9rard-Georges Lemaire, Beat Generation. Une anthologie<\/i>, 2004.
\u2022 Raymond Ferderman, Moinous & Sucette<\/i>, 2004.
\u2022 Laure Limongi, Je ne sais rien d\u2019un homme quand je sais qu\u2019il s\u2019appelle Jacques<\/i>, 2004.
\u2022 Isidore Isou, Les Manifestes du Soul\u00e8vement de la Jeunesse (1950-1966)<\/i>, 2004.
\u2022 Arnaud Labelle-Rojoux, L\u2019Acte pour l\u2019art<\/i>, 2004.
\u2022 Arnaud Labelle-Rojoux, R\u00e9cits de la vie de Michelangelo Merisi, dit Le Caravage<\/i>, 2004.
\u2022 Marc Partouche, La Ligne oubli\u00e9e<\/i>, 2004.
\u2022 Jean-Fran\u00e7ois Bory, Japon, le retour. Calligrammes et fragments de journal intime<\/i>, 2004.
\u2022 Marie-Laure Dagoit, rendez-vous sur ma langue<\/i>, 2004.
\u2022 Christophe Fiat, \u00e9pop\u00e9e, une aventure de batman<\/i>, 2004.
\u2022 Serge III, La vie est toujours plus forte<\/i>, 2004.
\u2022 Anne-James Chaton, the ex, In the Event : \u00c9v\u00e9nement no<\/sup> 19<\/i>, 2005.
\u2022 Yves Buraud, Petit Atlas urbain illustr\u00e9<\/i>, 2005.
\u2022 Julien D\u2019Abrigeon, Pas Billy the Kid<\/i>, 2005.
\u2022 Bernard Heidsieck, Couper n\u2019est pas jouer : Biopsie no<\/sup> 10<\/i>, 2005.
\u2022 Cyril Morvan, banliwood<\/i>, 2005.
\u2022 V\u00e9ronique Pittolo, Op\u00e9ra isotherme<\/i>, 2005.
\u2022 Pascal Doury, Revue Patate, no<\/sup> 1, 2005.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille no <\/sup>5<\/i>, 2005.
\u2022 Jean-Luc Moul\u00e8ne, Le Tunnel<\/i>, 2005.
\u2022 Serge Klarsfeld, Marcello Pezzetti, Sabine Zeitoun, L\u2019Album d\u2019Auschwitz<\/i>, 2005.
\u2022 Paul-Armand Gette, D\u00e9couverte du mod\u00e8le<\/i>, 2005.
\u2022 Marc Touitou, La Femme au sourire<\/i>, 2005.
\u2022 Alphonse Allais, Album primo-avrilesque<\/i>, 2005.
\u2022 Philippe Beck, D\u00e9ductions<\/i>, 2005.
\u2022 Nanni Balestrini, \u00c9lectre<\/i>, 2005.
\u2022 Margret Kreidl, Le bonheur sur la colline<\/i>, 2005.
\u2022 Adilia Lopes, Au pain et \u00e0 l\u2019eau de Cologne<\/i>, 2005.
\u2022 Raymond Federman, Retour au fumier<\/i>, 2005.
\u2022 Alain Frontier, Portrait d\u2019une dame<\/i>, 2005.
\u2022 Manuela Morgaine, William de Carvalho, Wpych\u00e9. Id\u00e9es noires et angles morts<\/i>, 2005.
\u2022 Christophe Fiat, H\u00e9ro\u00efnes<\/i>, 2005.
\u2022 Vannina Maestri, Mobiles<\/i>, 2005.
\u2022 Pascal Doury, Revue Patate, no<\/sup> 2, 2005.
\u2022 Jean-Luc Parant, Le Bout des Bordes, no<\/sup> 9\/10, 2005.
\u2022 Serge Gavronsky, Apr\u00e8s Flaubert. Hip Hop Po\u00e8mes<\/i>, 2005.
\u2022 Marc Partouche, Marcel Duchamp : sa vie, m\u00eame<\/i>, 2005.
\u2022 Jean-Luc Parant, Mes yeux se sont ouverts devant toi<\/i>, 2005.
\u2022 Haroldo de Campos, Une anthologie<\/i>, 2005.
\u2022 Gertrude Stein, Strophes en m\u00e9ditation<\/i>, 2005.
\u2022 John Giorno, La sagesse des sorci\u00e8res<\/i>, 2005.
\u2022 St\u00e9phane B\u00e9rard, Erik \u00e7a tue \/ Tour de chant<\/i>, 2006.
\u2022 Ronald Sukenick, Up<\/i>, 2006.
\u2022 J\u00e9r\u00f4me Bertin, Round 99<\/i>, 2006.
\u2022 Fran\u00e7oise Janicot, L\u2019\u0153il, la main<\/i>, 2006.
\u2022 Anne-Marie Albiach, Figure vocative<\/i>, 2006.
\u2022 Anne-Marie Albiach, Anawratha<\/i>, 2006.
\u2022 Patrick Beurard-Valdoye, L\u2019Europe en capsaille<\/i>, 2006.
\u2022 Gwena\u00eblle Stubbe, Salut, salut Marxus<\/i>, 2006.
\u2022 Rapha\u00eblle Pauper-Borne, Qu\u2019il ferait bon vivre l\u00e0-dedans<\/i>, 2006.
\u2022 Olivier Mosset, Mosset \/ Clarac,<\/i> 2006.
\u2022 Patricia Brignone, Marie-Th\u00e9r\u00e8se Allier, M\u00e9nagerie de verre. Nouvelles pratiques du corps sc\u00e9nique<\/i>, 2006.
\u2022 Christophe Fiat, La reconstitution historique : une aventure de Louise Moore<\/i>, 2006.
\u2022 Jean-Marie Espitallier, Tractatus logo mecanicus<\/i>, 2006.
\u2022 Julien Blaine, Bye-bye la perf<\/i>, 2006.
\u2022 Jacques Sivan, Le bazar de l\u2019h\u00f4tel de ville<\/i>, 2006.
\u2022 Dante Alihieri, L\u2019Enfer<\/i>, traduction de St\u00e9phane B\u00e9rard, 2006.
\u2022 Jean-Fran\u00e7ois Bory, Les nourritures typographiques<\/i>, 2006.
\u2022 Nelly Maurel, Un verbe en commun : sc\u00e8nes conjugales<\/i>, 2006.
\u2022 Nelly Maurel, 80 vues de l\u2019esprit<\/i>, 2006.
\u2022 Raymond Federman, \u00c0 qui de droit<\/i>, 2006.
\u2022 Raymond Federman, Le livre de Sam<\/i>, 2006.
\u2022 Bruno Lemoine, Matachine<\/i>, 2006.
\u2022 Jos\u00e9e Lapeyr\u00e8re, \u00c9loge du coureur. Comment faire le Tour\u2009?<\/i>, 2006.
\u2022 Catherine Mas, Premi\u00e8res phrases<\/i>, 2006.
\u2022 Marie-Laure Dagoit, Bouche b\u00e9e<\/i>, 2006.
\u2022 Nelly Maurel, Pascale Murtin, (d\u00e9)bris\/(d\u00e9)collages<\/i>, 2007.
\u2022 Jean-Luc Parant, Manifeste pour une \u0153uvre authentique<\/i>, 2007.
\u2022 Franck Leibovici, Des documents po\u00e9tiques<\/i>, 2007.
\u2022 Olivier Quintyn, Dispositifs \/ dislocations<\/i>, 2007.
\u2022 Julien Blaine, Po\u00ebmes vulgos<\/i>, 2007.
\u2022 Bernard Heidsieck, Vaduz<\/i>, 2007.
\u2022 La r\u00e9daction, Nos visages flash ultime<\/i>, 2007.
\u2022 Franck Leibovici, Portraits chinois<\/i>, 2007.
\u2022 Patrick Beurard-Valdoye, Le narr\u00e9 des \u00eeles Schwitters<\/i>, 2007.
\u2022 Raoul Haussmann, Une anthologie po\u00e9tique<\/i>, 2007.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, X,4,3.<\/i>, 2008.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, Exercice spirituel<\/i>, 2008.
\u2022 Fr\u00e9d\u00e9ric Acquaviva. \u00c9tudes animales<\/i>, 2008.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, Musique acataleptique<\/i>, 2008.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, Notes pour une musique sans note<\/i>, 2008.
\u2022 Anne-James Chaton, Question de Dido<\/i>, 2008.
\u2022 Charles Pennequin, Pas de tombeau pour Mesrine<\/i>, 2008.
\u2022 J\u00e9r\u00f4me Game, \u00c7a tire<\/i>, 2008.
\u2022 Julien Blaine, Bernard Heidsieck, Jean-Jacques Lebel, Catalogue d\u2019exposition, 2008.
\u2022 Yves Buraud, Agonie-sous-bois<\/i>, 2008.
\u2022 Jean-Luc Parant, 176 hi\u00e9roglyphes d\u00e9chiffr\u00e9s sur les vo\u00fbtes \u00e9toil\u00e9es du ciel<\/i>, 2008.
\u2022 V\u00e9ronique Pittolo, H\u00e9l\u00e8ne, mode d\u2019emploi<\/i>, 2008.
\u2022 Jacques-Henri Michot, La vie, l\u2019amour, la mort<\/i>, 2008.
\u2022 Sylvain Courtoux, Nihil, Inc.<\/i>, 2008.
\u2022 La r\u00e9daction, Val\u00e9rie par Val\u00e9rie<\/i>, 2008.
\u2022 Cyrille Martinez, Bibliographies : 5e<\/sup> r\u00e9publique<\/i>, 2008.
\u2022 Bruno Lemoine, L\u2019apr\u00e8s-journal Nijinski<\/i>, 2008.
\u2022 Jo\u00ebl Hubaut, Clom en stock<\/i>, 2008.
\u2022 St\u00e9phane B\u00e9rard, Ce que je fiche II<\/i>, 2008.
\u2022 Jean-Michel Espitallier, Army<\/i>, 2008.
\u2022 Julien Blaine, Les Cahiers de la 5e<\/sup> feuille, no<\/sup> 6 et 7<\/i>, 2008.
\u2022 St\u00e9phane B\u00e9rard, L\u2019Enfer<\/i>, 2008.
\u2022 Jacques Sivan, Similijake<\/i>, 2008.
\u2022 Laurence Denimal, Projet_Gasmol,<\/i> 2008.
\u2022 Pierre Courtaud, De naissance et de petites coupures<\/i>, 2008.
\u2022 Antoine Will, Il ne s\u2019est rien pass\u00e9 \u00e0 Artolsheim<\/i>, 2008.
\u2022 Ivan Messac, Ivan Messac<\/i>, 2009.
\u2022 Julien Blaine, Romain Ricciotti, Le pont du diable<\/i>, 2009.
\u2022 Simone Forti, Oh, tongue !<\/i>, 2009.
\u2022 Julien Blaine, Blaine au mac. Un tri<\/i>, 2009.
\u2022 Bernard Heidsieck, Po\u00e8mes-patitions<\/i>, 2009.
\u2022 Bernard Heidsieck, Passe-partout<\/i>, 2009.
\u2022 Bernard Heidsieck, Biopsies<\/i>, 2009.
\u2022 Jacques-Henri Michot, Comme un fracas<\/i>, 2009.
\u2022 V\u00e9ronique Pittolo, La r\u00e9volution dans la poche<\/i>, 2009.
\u2022 Rudy Ricciotti, HQE<\/i>, 2009.
\u2022 Claude Closky, Les miens<\/i>, 2009.
\u2022 Eduardo Kac, Histoire naturelle de l\u2019\u00e9nigme<\/i>, 2009.
\u2022 Fran\u00e7ois Deslaugiers, Nathalie Quintane, Le viaduc Le Corbusier<\/i>, 2009.
\u2022 Christophe Tarkos, Le baroque<\/i>, 2009.
\u2022 Jean-Paul Curnier, Thierry Van de Wyngaert, Le phare des eaux de la terre<\/i>, 2010.
\u2022 John Ashbery, Trois po\u00e8mes<\/i>, 2010.
\u2022 Revue Contre-attaques #1, Michel Surya, 2010.
\u2022 Sylvain Courtoux, Vie et mort d\u2019un po\u00e8te de merde<\/i>, 2010.
\u2022 David Sillanoli, Vandales<\/i>, 2010.
\u2022 Henri-Pierre Jeudy, Maria Claudia Galera, Petit trait\u00e9 de scissiparit\u00e9<\/i>, 2010.
\u2022 Anthologie, Calligrammes & cie, etc.<\/i>, 2010.
\u2022 Clara Elliot, Strangulation blues<\/i>, traduction par Sylvain Courtoux, 2010.
\u2022 Michel Surya, L\u2019impasse<\/i>, 2010.
\u2022 Myriam Boisaubert, Les mordicantes<\/i>, 2010.
\u2022 Revue L\u2019arm\u00e9e noire, tome 1, 2010.
\u2022 Laurent Prexl, Po\u00e9sure & sculptrie<\/i>, 2010.
\u2022 Ma Desheng, Le portrait de Ma<\/i>, 2010.
\u2022 Philippe Perrin, Always the sun\u2026<\/i>, 2010.
\u2022 Joumana Haddad, Miroirs des passantes dans le songe<\/i>, 2010.
\u2022 Cyrille Martinez, Chansons de France<\/i>, 2010.
\u2022 \u00c9dith Azam, Jacques Guyomar, serres \/ le mot il est sorti<\/i>, 2010.
\u2022 Jean-Fran\u00e7ois Bory, Sgowefygtom\u2009! Sgowefygtom\u2009!<\/i>, 2010.
\u2022 Vannina Maestri, Mobiles 2<\/i>, 2010.
\u2022 Michel Robic, Voyage \u00e0 la page<\/i>, 2010.
\u2022 Julien Blaine, Cours minimal sur la po\u00e9sie contemporaine<\/i>, 2010.
\u2022 Beno\u00eet Ritt, Nation<\/i>, 2010.
\u2022 Natacha Michel, Le mus\u00e9e Cocteau<\/i>, 2011.
\u2022 Christine Desmoulin, Hugo Miserey, Le maire, l\u2019architecte et la biblioth\u00e8que<\/i>, 2011.
\u2022 Emmanuel Loi, Sous presse<\/i>, 2011.
\u2022 Jean-Paul Curnier, Vingt et un tours de la question<\/i>, 2011.
\u2022 Charles Dreyfus, Fallacia accidentis<\/i>, 2011.
\u2022 Pierre Linguanotto, L\u2019aventure est un secret<\/i>, 2011.
\u2022 Jean-Michel Espitallier, 148 propositions sur la vie et la mort<\/i>, 2011.
\u2022 Julien Blaine, Bimot<\/i>, 2011.
\u2022 Anne-James Chaton, Vies d\u2019hommes illustres<\/i>, 2011.
\u2022 Jacques Sivan, OM_anaksial<\/i>, 2011.
\u2022 Revue Contre-attaques #2, Jean-Marc Rouillan, 2011.
\u2022 Sylvain Courtoux, Still nox<\/i>, 2011.
\u2022 Julien Blaine, Mes \u00e2neries dans le Berry<\/i>, 2011.
\u2022 Rudy Ricciotti, Florence Accorsi, Philippe Ruault, La maison de l\u2019emploi de Saint-\u00c9tienne<\/i>, 2011.
\u2022 Bastien Bachey, Jean-Michel Battesti, L\u2019\u00e9cole internationale de Manosque<\/i>, 2011.
\u2022 J\u00e9r\u00f4me Bertin, B\u00e2tard du vide<\/i>, 2011.
\u2022 David Sillanoli, Le jus de la nuit<\/i>, 2011.
\u2022 Vannina Maestri, D. Villa, J.M.Battesti, A Stazzona<\/i>, 2011.
\u2022 Claire Renier, La Rampe<\/i>, 2011.
\u2022 Jean-Paul Curnier, Le pavillon blanc<\/i>, 2011.
\u2022 Maria Bonnafous-Boucher, Rapha\u00ebl Cuir, Marc Partouche, Le nouveau \u00e0 l\u2019\u00e9preuve du march\u00e9<\/i>, 2011.
\u2022 \u00c9dith Azam, Mercure<\/i>, 2011.
\u2022 Orlan, Ceci est mon corps... ceci est mon logiciel<\/i>, 2011.
\u2022 Suzanne Strassmann, Art people or employees<\/i>, 2011.
\u2022 Christian Prigent, Le professeur<\/i>, 2011.
\u2022 Henri Deluy, Manger la mer<\/i>, 2011.
\u2022 Mustapha Benfodil, Arch\u00e9ologie du chaos amoureux<\/i>, 2011.
\u2022 Julien Blaine, Fabrikdelabeslot<\/i>, 2012.
\u2022 Jean-Michel Espitallier, Christophe Gulizzi, Z5<\/i>, 2012.
\u2022 Michel Robic, Gu\u00e8re \u00e9pais<\/i>, 2012.
\u2022 Jean-Marc Rouillan, Autopsie du dehors<\/i>, 2012.
\u2022 Revue Attaques #1, 2012.
\u2022 Jacques Sivan, Des vies sur deuil polaire<\/i>, 2012.
\u2022 Oscarine Bosquet, Mum is down<\/i>, 2012.
\u2022 Rudy Ricciotti, Bernard Plossu, Impair & passe<\/i>, 2012.
\u2022 Jean-Fran\u00e7ois Bory, L\u2019humidit\u00e9<\/i>, 2012.
\u2022 Faraj Bayrakdar, Ni vivant ni mort<\/i>, 2012.
\u2022 Bernard Desportes, L\u2019\u00e9ternit\u00e9<\/i>, 2012.
\u2022 J\u00e9r\u00f4me Bertin, Le patient<\/i>, 2012.
\u2022 Pierre-Michel Menger, \u00catre artiste : \u0153uvrer dans l\u2019incertitude<\/i>, 2012.
\u2022 Michel Aubry, David Apn\u00e9 Legrand, La visite des \u00e9coles d\u2019art<\/i>, 2012.
\u2022 Revue Invece, no<\/sup> 0, 2012.
\u2022 Ilse et Pierre Garnier, Po\u00e9sie spatiale : une anthologie<\/i>, 2012.
\u2022 Julien Blaine, Carnets de voyages (album) tome VII<\/i>, 2012.
\u2022 Collectif, Georges-Ibrahim Abdallah<\/i>, 2013.
\u2022 Xavier Serrano, Blackbox<\/i>, 2013.
\u2022 J\u00e9r\u00f4me Bertin, Pute<\/i>, 2013.
\u2022 Jean-Michel Espitallier, L\u2019Invention de la course \u00e0 pied (et autres trucs)<\/i>, 2013.
\u2022 St\u00e9phane Nowak Papantoniou, Tentaculeux & tuberculaires<\/i>, 2013.
\u2022 Sylvain Lazarus, L\u2019intelligence de la politique<\/i>, 2013.
\u2022 Hazem El Moukaddem, Panorama des groupes re\u0301volutionnaires arme\u0301s franc\u0327ais de 1968 a\u0300 2000<\/i>, 2013.
\u2022 Frank Smith, Gaza, d\u2019ici-l\u00e0<\/i>, 2013.
\u2022 Jean-Marc Rouillan, Le tricard<\/i>, 2013.
\u2022 Anne-James Chaton, Portraits<\/i>, 2013.
\u2022 V\u00e9ronique Bergen, Edie. La danse d\u2019Icare<\/i>, 2013.
\u2022 Mustapha Benfodil, Le point de vue de la mort,<\/i> 2013.
\u2022 Revue Inferno 01, 2013.
\u2022 Edith Azam, Roland Carta, Salle de spectacle du silo d\u2019Arenc<\/i>, 2013.
\u2022 Revue Invece, no<\/sup> 1, 2013.
\u2022 St\u00e9phane Nowak Papantoniou, R\u00e9my Marciano, La plaine des sports<\/i>, 2013.
\u2022 Charles Pennequin, Georges Heintz, Anne-Sophie Kehr, \u00c9cluse de Kembs\/Niffer<\/i>, 2013.
\u2022 J\u00e9r\u00f4me Bertin, Premi\u00e8re ligne<\/i>, 2013.
\u2022 \u00c9ric Toussaint, Proc\u00e8s d\u2019un homme exemplaire<\/i>, 2013.
\u2022 Vil\u00e9m Flusser, Les gestes<\/i>, 2014.
\u2022 Jean-Marc Rouillan, Le rat empoisonn\u00e9<\/i>, 2014.
\u2022 Yannick Torlini, Nous avons march\u00e9<\/i>, 2014.
\u2022 J\u00e9r\u00f4me Bertin, Le projet Wolfli<\/i>, 2014.
\u2022 Henri Deluy, Action cuisine<\/i>, 2014.
\u2022 Revue Inferno 02, 2014.
\u2022 Sylavin Courtoux, Consume rouge, post-po\u00e8mes de combat<\/i>, 2014.
\u2022 St\u00e9phane Nowak Papantoniou, Gl\u00f4\u00f4sse<\/i>, 2014.
\u2022 Anthologie, Doc(k)s morceaux choisis \u2013 1976-1989<\/i>, 2014.
\u2022 Jacques Sivan et Charles Pennequin, Alias Jacques Bonhomme<\/i>, 2014.
\u2022 Skalpel, Du bitume avec une plume<\/i>, 2014.
\u2022 Ossip Mandelstam, Voronej<\/i>, 2014.
\u2022 Serge Pey, Agenda rouge de la r\u00e9sistance chilienne<\/i>, 2014.
\u2022 Collectif, avava ovava<\/i>, 2014.
\u2022 Antoine Dufeu, Sic<\/i>, 2014.
\u2022 Revue Inferno 03, 2014.
\u2022 V\u00e9ronique Bergen, Marilyn, naissance ann\u00e9e z\u00e9ro<\/i>, 2014.
\u2022 Collectif (dir. Fran\u00e7ois Dominique et Bruno Lemoine), \u00ab L\u2019Homme approximatif \u00bb<\/i>, 2014.
\u2022 J\u00e9r\u00f4me Bertin, La peau sur la table [suivi de] Autoportrait<\/i>, 2014.
\u2022 \u00c9ric Madeleine, je suis le cerveau du d\u00e9lib\u00e9r\u00e9, encellul\u00e9 au-dessus des incisives<\/i>, 2014.
\u2022 Paul-Emmanuel Odin, L\u2019inversion temporelle du cin\u00e9ma<\/i>, 2014.
\u2022 Till Roeskens, \u00c0 propos de quelques points dans l\u2019espace<\/i>, 2014.
\u2022 Suzanne Strassmann, Suzanne Strassmann<\/i>, 2014.
\u2022 Rudolf Di Stefano, Vive le cin\u00e9matographe\u2009!<\/i>, 2014.
\u2022 Jean-Philippe Cazier, Ce texte et autres textes<\/i>, 2015.
\u2022 Amandine Andr\u00e9, Quelque chose<\/i>, 2015.
\u2022 Tawa Kouam, Colliers de perle<\/i>, 2015.
\u2022 Yannick Torlini, Rien(s)<\/i>, 2015.
\u2022 Revue Invece, no<\/sup> 2, 2015.
\u2022 Florence Pazzottu, Hymne \u00e0 l\u2019Europe universelle (sic)<\/i>, 2015.
\u2022 V\u00e9ronique Bergen, Le cri de la poup\u00e9e<\/i>, 2015.
\u2022 David Sillanoli, Courir apr\u00e8s Ouma Kapal<\/i>, 2015.
\u2022 A.C. Hello, Naissance de la gueule<\/i>, 2015.
\u2022 \u00c9ric Pessan, En voie de disparition<\/i>, 2015.
\u2022 Jacques Sivan, Pendant Smara (suivi de) Pissarro & co<\/i>, 2015.
\u2022 Revue Invece, no<\/sup> 3, 2015.
\u2022 Revue Invece, no<\/sup> 4, Bye bye Mail-Art, 2016.
\u2022 Pascale Weber, L\u2019Attachement<\/i>, 2016.
\u2022 J\u00e9r\u00f4me Bertin, Retour de b\u00e2tard<\/i>, 2016.
\u2022 Amandine Andr\u00e9, De la destruction<\/i>, 2016.
\u2022 Herman Gorter, Ce que tu es<\/i>, 2016.
\u2022 Florence Pazzottu, Fr\u00e8res numains (discours aux classes interm\u00e9diaires)<\/i>, 2016.
\u2022 Dominique Lesbeguerris, Christine Raynier, Les mots construisent l\u2019architecture<\/i>, 2016.
\u2022 Rada Ivekovi, R\u00e9fugi\u00e9-e-s : les jetables<\/i>, 2016.
\u2022 Anne Kawala, Le d\u00e9ficit indispensable (screwball)<\/i>, 2016.
\u2022 Julien Blaine, Lecture de 5 faits d\u2019actualit\u00e9 par un septuag\u00e9naire bien sonn\u00e9<\/i>, 2016.
\u2022 Michel Surya, Le Mort-n\u00e9 [suivi de] Eux<\/i>, 2016.
\u2022 V\u00e9ronique Bergen, Janis Joplin, voix noire sur fond blanc<\/i>, 2016.
\u2022 Justin Delareux, Extrait des nasses<\/i>, 2016.
\u2022 Jean-Philippe Cazier, L\u2019la phrase<\/i>, 2017.
\u2022 J\u00e9r\u00f4me Bertin, Goulag sous les \u00e9toiles<\/i>, 2017.
\u2022 Nad\u00e8ge Prugnard, M.A.M.A.E. (MEURTRE ARTISTIQUE MUNITIONS ACTION EXPLOSION)<\/i>, 2017.
\u2022 Collectif, La po\u00e9sie motl\u00e9culaire de Jacques Sivan<\/i>, 2017.
\u2022 V\u00e9ronique Bergen, Sadie Von Paris, Gang blues ecchymoses<\/i>, 2017.
\u2022 Jalal El Hakmaoui, Ce que je n\u2019ai pas dit \u00e0 Bob Dylan<\/i>, 2018.
\u2022 \u00c9ric Arlix, Terreur, Saison 1<\/i>, 2018.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, The 120 Days of Musica<\/i>, 2018.
\u2022 Mich\u00e8le M\u00e9tail, Le cours du Danube \u2013 en 2888 kilom\u00e8tres\/vers\u2026 l\u2019infini<\/i>, 2018.
\u2022 Fr\u00e9d\u00e9ric Valabr\u00e8gue, George Brecht, histoire d\u2019un effacement<\/i>, 2018.
\u2022 Guillaume Apollinaire, Po\u00e8mes en guerre \u2013 31 juillet 1914 - 9 novembre 1918<\/i>, 2018.
\u2022 Julien Blaine, 2017<\/i>, 2018.
\u2022 Claude Favre, Crever les toits, etc. \u2013 suivi de D\u00e9placements<\/i>, 2018.
\u2022 Fran\u00e7ois Bizet, Dans le mirador<\/i>, 2018.
\u2022 Jos\u00e9 Vicente Anaya, H\u00edkuri - Pour un art d\u2019une vitalit\u00e9 sans limite<\/i>, 2018.
\u2022 Mich\u00e8le M\u00e9tail, La po\u00e9sie en trois dimensions<\/i>, 2019.
\u2022 Revue 591, no<\/sup> 4, 2019.
\u2022 Christian Prigent, Po\u00e9sie sur place<\/i> (+ CD), 2019.
\u2022 St\u00e9phane Nowak Papantoniou, Nos secrets sont po\u00e9tiques<\/i>, 2019.
\u2022 Ang\u00e9line Neveu, Synth\u00e8se \/ d\u00e9sir<\/i>, 2019.
\u2022 Mich\u00e8le M\u00e9tail, Portraits-robots<\/i>, 2019.
\u2022 Revue Attaques #2, 2019.
\u2022 Clemente Pad\u00edn, De la repr\u00e9sentation \u00e0 l\u2019action<\/i>, 2019.
\u2022 Ang\u00e9line Neveu, Enrag\u00e9e de Nanterre<\/i>, 2019.
\u2022 Julien Blaine, Le livre<\/i>, 2019.
\u2022 Audrey Muratet, Fran\u00e7ois Chiron, Myr Muratet, Manuel d\u2019\u00e9cologie urbaine<\/i>, 2019.
\u2022 Louis Roquin, Journaux de sons<\/i>, 2019.
\u2022 Jacques Sivan, Notre mission<\/i>, 2019.
\u2022 Carmen Diez Salvatierra, 28 formes d\u00e9coup\u00e9es<\/i>, 2019.
\u2022 Sylvain Courtoux, L\u2019Avant-garde, T\u00eate br\u00fbl\u00e9e, Pavillon noir \u2013 Post-po\u00e8me \u00e9pique <\/i>(+ CD), 2019.
\u2022 Daniel Pozner, D\u00e9fense, illustration, impatience et \u00e9pluchures de la langue fran\u00e7aise<\/i>, 2019.
\u2022 Julien Ladegaillerie, Lacrymogen\u00e8se,<\/i> 2019.
\u2022 Andr\u00e9a-Fatima Touam, Encyclop\u00e9die de la domination masculine<\/i>, 2020.
\u2022 Clemente Pad\u00edn, Horizons ouverts & autres po\u00e8mes<\/i>, 2020.
\u2022 Julien Blaine, Le grand d\u00e9potoir<\/i>, 2020.
\u2022 Jean-Luc Parant, Soleil absent<\/i>, 2020.
\u2022 Arnaud Labelle-Rojoux, R\u00e9cits de la vie de Michelangelo Merisi, dit \u00ab Le Caravage \u00bb<\/i>, 2020.
\u2022 Po\u00e9siue<\/i>, 2020.
\u2022 Julien Blaine, Introd\u24d0ction \u00e0 la performance<\/i>, 2020.
\u2022 Isidore Isou, Antonin Artaud tortur\u00e9 par les psychiatres<\/i>, 2020.
\u2022 Seloua Luste Boulbina, Le singe de Kafka & autres propos sur la colonie<\/i>, 2020.
\u2022 Dominique Cerf, Il y a quelqu\u2019un l\u00e0-dedans<\/i>, 2020.
\u2022 Liliane Giraudon, Sade \u00e9pouse Sade<\/i>, 2020.
\u2022 Alain Frontier, Du mauvais p\u00e8re<\/i>, 2020.
\u2022 Mich\u00e8le M\u00e9tail, Mono-multi-logues<\/i>, 2020.
\u2022 Sarah K\u00e9ryna, Le reste c\u2019est la suite<\/i>, 2020.
\u2022 Ma Desheng, \u00ab\u202fHandicap\u00e9, Bien ?!?!?! \u2013 \u00c9pisode 1\u202f\u00bb<\/i>, 2020.
\u2022 Ma Desheng, \u00ab\u202fHandicap\u00e9, Bien ?!?!?! \u2013 \u00c9pisode 2\u202f\u00bb<\/i>, 2020.
\u2022 Marco Boubille, Ordre al\u00e9atoire des images<\/i>, 2020.
\u2022 Julien Blaine, 2019<\/i>, 2020.
\u2022 Julien Blaine, La cinqui\u00e8me feuille \u2013 Aux sources de l\u2019\u00e9crire et du dire<\/i>, 2020.
\u2022 Paul-Armand Gette, Dessins suspendus<\/i>, 2021.
\u2022 Fabienne L\u00e9tang, Amandine Andr\u00e9, A.C. Hello, Liliane Giraudon, Chambre froide<\/i>, 2021.
\u2022 Amandine Andr\u00e9, Anatomique comme<\/i>, 2021.
\u2022 Marius Loris Rodionoff, Proc\u00e8s-verbaux<\/i>, 2021.
\u2022 A.C. Hello, Koma Kapital<\/i>, 2021.
\u2022 Gabriele Belletti, Objet et sujet dans les miroirs de la po\u00e9sie<\/i>, 2021.
\u2022 Revue Attaques #3, 2021.
\u2022 Saleh Zamanan, Br\u00e8ve mythologie de l\u2019effroi<\/i>, 2021.
\u2022 Ahmed Almulla, Intranquillit\u00e9 des dunes<\/i>, 2021.
\u2022 Ghassan Alkhunaizi, Nuages dans les nuages<\/i>, 2021.
\u2022 Mohammed Al Hers, Semences pour les moissons d\u2019absence<\/i>, 2021.
\u2022 Abdullah Alsafar, Anthologie internationale de po\u00e9sie contemporaine \u2013 1. Arabie saoudite<\/i>, 2021.
\u2022 Marie Bauthias, G\u00e9n\u00e9a\/logi(qu)e(s) illusoire(s)<\/i>, 2021.
\u2022 Jean-Luc Parant, Soleil des autres<\/i>, 2021.
\u2022 Vincent Lafaille, Il a fallu apprendre \u00e0 lire dans le noir<\/i>, 2021.
\u2022 Emmanu\u00e8le Jawad, Interf\u00e9rences<\/i>, 2021.
\u2022 Laurent Marissal, Brecht & Brecht<\/i>, 2021.
\u2022 Michel Surya, Principes pour une litt\u00e9rature qui empeste \u2013 Mat\u00e9riologies V<\/i>, 2021.
\u2022 Yoann Sarrat, Phonosophie et corporalit\u00e9 compositionnelle \u2013 L\u2019art sonore de Fr\u00e9d\u00e9ric Acquaviva<\/i>, 2021.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, Musique cabalistique<\/i>, 2022.
\u2022 Revue Attaques #4, 2022.
\u2022 Jacques-Henri Michot, Un ABC de la barbarie<\/i>, 2022.
\u2022 Jean Kempf, Les conqu\u00e9rants de l\u2019inutile \u2013 Photographes de conflits am\u00e9ricains au tournant du XXIe<\/sup> si\u00e8cle<\/i>, 2022.
\u2022 Jalil Bennani, Des Djinns \u00e0 la psychanalyse \u2013 Nouvelle approche des pratiques traditionnelles et contemporaines<\/i>, 2022.
\u2022 Julien Blaine, 2021<\/i>, 2022.
\u2022 Jean-Luc Parant, Soleil la nuit<\/i>, 2022.
\u2022 Mo\u00ebz Majed, Libellule<\/i>, 2022.
\u2022 Benjamin Fouch\u00e9, Du concept de f\u00e9\u00e9rie<\/i>, 2022.
\u2022 Paul-Armand Gette, Art\u00e9mis & Paul-Armand Gette \u2013 50 ans de rencontres & conversations<\/i>, 2022.
\u2022 Julien Blaine, Julien Blaine pr\u00e9sente quelques-uns de ses amis Animaux-&-artistes<\/i>, 2022.
\u2022 Fr\u00e9d\u00e9ric Acquaviva, Enqu\u00eate de flagrance pour musique l\u00e9tale<\/i>, 2022.
\u2022 F.J. Ossang, G\u00e9n\u00e9ration N\u00e9ant<\/i>, 2022.
\u2022 Jean-Marie Gleize, Dans le style de l\u2019attente<\/i>, 2022.
\u2022 In\u00e8s Os\u00e9ki-Depr\u00e9, Anthologie internationale de po\u00e9sie contemporaine \u2013 2. Br\u00e9sil \u2013 Po\u00e9sie intraitable<\/i>, 2022.
\u2022 Henri Lefebvre, Malo suivie<\/i>, 2022.
\u2022 Seloua Luste Boulbina, Alger-Tokyo \u2013 Des \u00e9missaires de l\u2019anticolonialisme en Asie<\/i>, 2022.
\u2022 Ahmed Slama, Marche-fronti\u00e8re<\/i>, 2023.
\u2022 Norbert Bugeja, Oublie qu\u2019elle n\u2019est pas l\u00e0<\/i>, 2023.
\u2022 Julien Blaine, Le motier<\/i>, 2023.<\/p>

\u2022 Patr\u00edcia Lavelle, Bye bye Babel<\/i>, 2023.
\u2022 Julien Ladegaillerie, Effracte<\/i>, 2023.
\u2022 Ang\u00e9lica Freitas, Rilke Shake<\/i>, 2023.
\u2022 Jos\u00e9 Vicente Anaya, P\u00e8lerin<\/i>, 2023.
\u2022 Jos\u00e9 Vicente Anaya, Paria<\/i>, 2023.
\u2022 Adriano Spatola, Vers une po\u00e9sie totale<\/i>, 2023.
\u2022 Liliane Giraudon, Une femme morte n\u2019\u00e9crit pas<\/i>, 2023.
\u2022 D\u00e9mosth\u00e8ne Agrafiotis, Prol\u00e9gom\u00e8nes \u00e0 une histoire de la performance en Gr\u00e8ce<\/i>, 2023.
\u2022 Jean-Luc Parant, Soleil explosion<\/i>, 2023.
\u2022 Jacques-Henri Michot, Au jour dit \u2013 Le 24 avril en France (1935-2022)<\/i>, 2023.
\u2022 Claude Favre, Alep \u2013 Quinze heures du matin<\/i>, 2023.
\u2022 Vincent Broqua, La langue du gar\u00e7on<\/i>, 2023.
\u2022 Revue Attaques #5, 2023.
\u2022 F.J. Ossang, Les guerres polaires, <\/i>suivi de Les Chauffes de sang<\/i>, 2023.
\u2022 Virginie Lalucq, Liste des pages<\/i>, 2023.
\u2022 Paul-Armand Gette, L\u2019odyss\u00e9e du 0 m.<\/i>, 2023.
\u2022 Arnaud Labelle-Rojoux, LCDB (Le Culte Des Banni.e.s)<\/i>, 2023.
\u2022 Jean-Marie Gleize, Je deviens (s\u00e9ances)<\/i>, 2024.
\u2022 Benjamin Fouch\u00e9, Merveilles du monde<\/i>, 2024.
\u2022 Robert Cantarella, Les Carrossiers<\/i>, 2024.
\u2022 Cyrille Bret, Cynanthropie<\/i>, 2024.
\u2022 Julien Blaine, 2023<\/i>, 2024.
\u2022 Amandine Andr\u00e9 et Fr\u00e9d\u00e9ric Neyrat, Impossessions primitives \/ L\u2019Anti-Terre<\/i>, 2024.
\u2022 Laurent Marissal, Portrait d\u2019un terroriste en amateur d\u2019art<\/i>, 2024.
\u2022 Charles Pennequin, Dedans<\/i>, 2024.<\/p>"},{"id":2324,"type":1,"imageIds":[3676]},{"id":869,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/981_20160322174354.mp3","label":"Adonis - Adonis r\u00e9cite un po\u00e8me en langue arabe.","duration":62},{"id":1203,"type":1,"imageIds":[3378]},{"id":1208,"type":1,"imageIds":[3379]},{"id":2021,"type":1,"imageIds":[3520]},{"id":2521,"type":5,"imageIds":[3881],"fileUrl":"\/resources\/files\/file_682340942fa5f.pdf"},{"id":2404,"type":5,"fileUrl":"\/resources\/files\/file_67d95d88b7ec4.pdf","label":"

\u00a9 Cipm<\/p>"},{"id":2845,"type":5,"fileUrl":"\/resources\/files\/file_69820723d63bb.pdf"},{"id":2391,"type":5,"fileUrl":"\/resources\/files\/file_6787b8116a4f0.pdf"},{"id":1084,"type":1,"imageIds":[3288]},{"id":2613,"type":5,"imageIds":[3899],"fileUrl":"\/resources\/files\/file_685ebf6beb6a6.pdf","label":"

Vincent Tholom\u00e9, Marseille mati\u00e8re<\/i>, 2025.<\/p>"},{"id":2887,"type":5,"fileUrl":"\/resources\/files\/file_69bec2199cee3.pdf"},{"id":2889,"type":1,"imageIds":[4070]},{"id":2802,"type":5,"fileUrl":"\/resources\/files\/file_68d53ccb2018f.pdf"},{"id":2826,"type":1,"imageIds":[4017]},{"id":2834,"type":5,"fileUrl":"\/resources\/files\/file_696901f208b29.pdf"},{"id":2800,"type":1,"imageIds":[3959]},{"id":2482,"type":1,"imageIds":[3847]},{"id":349,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/445_20090612154623.mp3","label":"Aforismos","duration":94},{"id":1077,"type":2,"content":"

Ainsi ces cris<\/strong><\/p>

 <\/strong><\/i><\/p>

j'ai souffert autant<\/strong><\/i><\/p>

qu'on peut souffrir au monde<\/strong><\/i><\/p>

mais j'ai connu la joie<\/strong><\/i><\/p>

atroce de r\u00eaver<\/strong><\/i><\/p>

 <\/p>

ainsi<\/p>

 <\/p>

s'\u00e9crit<\/p>

 <\/p>

Jacques<\/p>

Prevel<\/p>

 <\/p>

je me rappelle de<\/p>

ces nuits \u00e0 regarder<\/p>

la lumi\u00e8re des<\/p>

phares au plafond<\/p>

 <\/p>

quand une voix me commandait<\/p>

de m'arracher une<\/p>

dent<\/p>

 <\/p>

les murs se<\/p>

resserraient<\/p>

j'\u00e9crivais<\/p>

comme<\/p>

on cogne<\/p>

pour les faire<\/p>

reculer<\/p>

 <\/p>

gare<\/p>

 <\/p>

quand on s'\u00e9loigne<\/p>

trop du bord<\/p>

on ne peut<\/p>

plus revenir et<\/p>

on se noie<\/p>

 <\/p>

mon amour<\/p>

pour la po\u00e9sie<\/p>

fut tardif<\/p>

 <\/p>

pour les miens<\/p>

l'\u00e9criture<\/p>

\u00e9tait un sport<\/p>

de tafiole<\/p>

 <\/p>

l'oncle Daniel<\/p>

m'a demand\u00e9 si<\/p>

je les reniflais<\/p>

les filles \u00e0<\/p>

l'\u00e9cole<\/p>

 <\/p>

c'est une prof de<\/p>

philo que j'ai<\/p>

d\u00e9sir\u00e9e<\/p>

f\u00e9rocement<\/p>

 <\/p>

habill\u00e9e<\/p>

comme une fille<\/p>

qui m'a fait voir des livres<\/p>

avec des vies<\/p>

dedans des vies<\/p>

qui me parlaient<\/p>

 <\/p>

les premiers po\u00e8tes<\/p>

que je croisais<\/p>

avaient pour<\/p>

nom<\/p>

Antonin<\/p>

Artaud et Ren\u00e9<\/p>

Char<\/p>

 <\/p>

L'Ombilic des<\/i><\/p>

limbes<\/i><\/p>

comme une balle<\/p>

entre les<\/p>

deux yeux<\/p>

 <\/p>

je ne con\u00e7ois pas d'<\/strong><\/i><\/p>

\u0153uvre comme<\/strong><\/i><\/p>

d\u00e9tach\u00e9e de la vie<\/strong><\/i><\/p>

 <\/p>

son corps<\/p>

oui le corps<\/p>

du triste<\/p>

 <\/p>

ceci est<\/p>

ma langue<\/p>

arrach\u00e9e et bouillie<\/p>

pour vous<\/p>

 <\/p>

Artaud donnera<\/p>

ses yeux ses dents<\/p>

sa raison sa vie pour<\/p>

sa litt\u00e9rarure<\/p>

 <\/p>

le po\u00e8te marseillais porte<\/p>

la nuit sur ses<\/p>

\u00e9paules<\/p>

 <\/p>

il se<\/p>

dandine sous<\/p>

laudanum<\/p>

 <\/p>

Artaud \u00e9crit une lettre<\/p>

au f\u00fcrher depuis sa<\/p>

chambre pour<\/p>

les fous<\/p>

 <\/p>

la folie est<\/p>

un clou<\/p>

plant\u00e9<\/p>

dans mon cou<\/p>

de mauviette<\/p>

 <\/p>

c'est le cr\u00e9puscule qui mort vous<\/p>

d\u00e9vore comme<\/p>

un chien<\/p>

 <\/strong><\/p>

Ren\u00e9 Char<\/p>

lui<\/p>

habille sa po\u00e9sie<\/p>

avec des<\/p>

robes d'arbres<\/p>

des jupes<\/p>

de vent<\/p>

des tuniques de<\/p>

lunes<\/p>

 <\/p>

dans les Feuillets d'Hypnos<\/i> le po\u00e8te \u00e9crit<\/p>

 <\/p>

L\u00e9on affirme que les chiens<\/strong><\/i><\/p>

enrag\u00e9s sont beaux.<\/strong><\/i><\/p>

Je le crois<\/strong><\/i><\/p>

 <\/p>

Artaud<\/p>

\u00e9crit sa folie<\/p>

belle et<\/p>

affreuse<\/p>

 <\/p>

et qui n'<\/p>

est belle<\/p>

que parce qu'<\/p>

elle est<\/p>

affreuse<\/p>

 <\/p>

Artaud le<\/p>

r\u00e9volt\u00e9<\/p>

Char le<\/p>

r\u00e9sistant<\/p>

 <\/p>

un autre<\/p>

r\u00e9sistant<\/p>

 <\/p>

Jacques<\/p>

Pr\u00e9vert<\/p>

 <\/p>

racontent ses histoires<\/p>

telle une<\/p>

m\u00e8re au chevet<\/p>

de l'homme<\/p>

 <\/p>

ces histoires de lion<\/p>

du zoo<\/p>

que le soleil refuse<\/p>

de r\u00e9veiller<\/p>

 <\/p>

ces histoires de tasse<\/p>

de tasse \u00e0<\/p>

caf\u00e9<\/p>

 <\/p>

ces histoires de guerre<\/p>

de faim d'<\/p>

autodaf\u00e9s<\/p>

 <\/p>

dans ce petit<\/p>

chef d'\u0153uvre<\/p>

qu'est le<\/p>

po\u00e8me<\/p>

 <\/p>

Encore une fois sur le fleuve<\/i><\/p>

 <\/p>

Pr\u00e9vert note<\/p>

 <\/p>

J'\u00e9tais l\u00e0 quand la chose s'est<\/strong><\/i><\/p>

pass\u00e9e<\/strong><\/i><\/p>

et c'est moi qui l'ai<\/strong><\/i><\/p>

pouss\u00e9e<\/strong><\/i><\/p>

il n'y avait rien d'autre \u00e0<\/strong><\/i><\/p>

faire je suis<\/strong><\/i><\/p>

la mis\u00e8re<\/strong><\/i><\/p>

j'ai fait mon m\u00e9tier<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

c'est cette m\u00eame<\/p>

mis\u00e8re coupable<\/p>

et am\u00e8re<\/p>

 <\/p>

qui sourit<\/p>

comme un criminel qui refuse<\/p>

de se repentir<\/p>

 <\/p>

cette mis\u00e8re<\/p>

qui enferme dans des<\/p>

prisons les<\/p>

voleurs de pain<\/p>

quand les<\/p>

voleurs<\/p>

de vie<\/p>

m\u00eanent eux<\/p>

grand train<\/p>

 <\/p>

la mis\u00e8re qui<\/p>

emporte Trakl \u00e0<\/p>

seulement<\/p>

27 ans<\/p>

 <\/p>

SEULEMENT \/<\/p>

 <\/p>

ce mot<\/p>

maudit<\/p>

 <\/p>

ce mot<\/p>

dit vrai<\/p>

 <\/p>

Goerges Trakl<\/p>

 <\/p>

qui engrosse<\/p>

sa s\u0153ur<\/p>

 <\/p>

\u00e8re dans les<\/p>

limbes cuites de<\/p>

la came<\/p>

 <\/p>

\u00f4 comme notre race est vieille<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

remarque l'auteur de<\/p>

S\u00e9bastien<\/p>

en r\u00eaves<\/p>

 <\/p>

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r\u00e9el est partout et<\/p>

qu'il devient<\/p>

insupportable<\/p>

 <\/p>

quand on a que<\/p>

d\u00e9go\u00fbt<\/p>

pour tout ce qui<\/p>

se trouve sur la<\/p>

table<\/p>

 <\/p>

on se pend<\/p>

\u00e0 la lune<\/p>

comme l'a fait<\/p>

Nerval<\/p>

 <\/p>

quand j'ai<\/p>

\u00e9t\u00e9 attir\u00e9<\/p>

par<\/p>

les traits<\/p>

durs de<\/p>

la trogne<\/p>

de<\/p>

Bukowski<\/p>

 <\/p>

selon qui<\/p>

 <\/p>

tu dois baiser le<\/strong><\/i><\/p>

maximum de femmes<\/strong><\/i><\/p>

de belles femmes<\/strong><\/i><\/p>

et \u00e9crire le minimum de<\/strong><\/i><\/p>

po\u00e8mes d'amour courtois<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

je vais<\/p>

suivre le chemin<\/p>

indiqu\u00e9<\/p>

 <\/p>

il y<\/p>

aura Fany<\/p>

Mouton<\/p>

Nanette et<\/p>

Cami<\/p>

 <\/p>

toutes plus jolies<\/p>

 <\/p>

mais assoiff\u00e9e<\/p>

de ciel<\/p>

et le mien<\/p>

est cass\u00e9<\/p>

 <\/p>

et puis il y a eu<\/p>

l'alcool la came<\/p>

les bouges<\/p>

 <\/p>

je cherche<\/p>

les vers dans les bars<\/p>

 <\/p>

les rimes dans<\/p>

les verres<\/p>

 <\/p>

je lis le futur<\/p>

dans les regards<\/p>

des indigents<\/p>

des clochards<\/p>

des toxs<\/p>

des lascars<\/p>

 <\/p>

puis<\/p>

je me<\/p>

gave de<\/p>

produit et<\/p>

 <\/p>

j'\u00e9cris<\/p>

ce que<\/p>

j'ai vu<\/p>

 <\/p>

Dan Fante<\/p>

r\u00e9pond \u00e0 un type<\/p>

en manque<\/p>

d'inspiration<\/p>

 <\/p>

les \u00e9crivains qui n'\u00e9crivent pas<\/strong><\/i><\/p>

c'est comme les putes qui ne sucent pas<\/strong><\/i><\/p>

ils devraient changer de m\u00e9tier<\/strong><\/i><\/p>

faire cuistot chez Mc Do<\/strong><\/i><\/p>

ou postier en Italie<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

j'\u00e9cris quatre<\/p>

heures par jour<\/p>

install\u00e9 en tailleur<\/p>

sur la couche de<\/p>

mon bunker<\/p>

 <\/p>

j'\u00e9cris pour rester<\/p>

\u00e0 la surface<\/p>

j'\u00e9cris parce que<\/p>

je ne sais<\/p>

pas parler<\/p>

 <\/p>

un de mes yeux est foi<\/strong><\/i><\/p>

mais l'autre<\/strong><\/i><\/p>

est d\u00e9sespoir<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

\u00e9crit Victor Hugo<\/p>

 <\/p>

on dit<\/p>

bipolaire<\/p>

tar\u00e9<\/p>

d\u00e9bile<\/p>

gogol<\/p>

idiot<\/p>

 <\/p>

j'ai fait<\/p>

neuf s\u00e9jours<\/p>

en HP<\/p>

 <\/p>

\u00e0 attendre<\/p>

apr\u00e8s<\/p>

la cantine et<\/p>

l'atelier<\/p>

th\u00e9atre<\/p>

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Mireille dire que<\/p>

sa t\u00eate allait<\/p>

se s\u00e9parer de<\/p>

son corps<\/p>

si l'amant ne<\/p>

revenait pas<\/p>

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\u00e0 regarder<\/p>

H\u00e9l\u00e8ne<\/p>

se pr\u00e9cipiter la<\/p>

t\u00eate la premi\u00e8re<\/p>

dans la vitre<\/p>

de verre<\/p>

qui fermait<\/p>

toujours<\/p>

trop t\u00f4t<\/p>

 <\/p>

j'ai scarifi\u00e9<\/p>

mon corps<\/p>

j'ai dit bonjour<\/p>

aux morts<\/p>

 <\/p>

mais je ne suis pas rest\u00e9<\/p>

 <\/p>

il arrive<\/p>

que mon \u0153il<\/p>

passe du bleu au<\/p>

noir<\/p>

 <\/p>

puis du<\/p>

noir au bleu<\/p>

quand le chat<\/p>

marche sur le tapis<\/p>

quand elle retire<\/p>

ses dessous<\/p>

quand avril<\/p>

rallume le<\/p>

soleil<\/p>

 <\/p>

dans le<\/p>

po\u00e8me<\/p>

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Les fontaines de sang<\/i><\/p>

 <\/p>

Baudelaire \u00e9crit<\/p>

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J'ai cherch\u00e9 dans<\/strong><\/i><\/p>

l'amour un sommeil oublieux<\/strong><\/i><\/p>

mais l'amour n'est pour moi qu'un matelas d'aiguilles<\/strong><\/i><\/p>

fait pour donner \u00e0 boire<\/strong><\/i><\/p>

\u00e0 ces cruelles filles<\/strong><\/i><\/p>

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je suis malade d'amour<\/p>

c'est-\u00e0-dire<\/p>

que<\/p>

je ne sais<\/p>

pas aimer<\/p>

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l'amour<\/p>

quand il vient<\/p>

me d\u00e9chire en<\/p>

morceaux<\/p>

 <\/p>

et je deviens<\/p>

fragile<\/p>

vuln\u00e9rable<\/p>

friable<\/p>

idiot<\/p>

 <\/p>

mon c\u0153ur a bondi quelques fois<\/p>

 <\/p>

comme bondissent<\/p>

barbares et cobras<\/p>

 <\/p>

mon amour m'a creus\u00e9 les bras<\/p>

moi j'ai creus\u00e9 ma propre tombe<\/p>

 <\/p>

dans la terre<\/p>

lourde<\/p>

du d\u00e9sir<\/p>

 <\/p>

et<\/p>

 <\/p>

je vois mes rapides ann\u00e9es<\/strong><\/i><\/p>

s'accumuler derri\u00e8re moi<\/strong><\/i><\/p>

comme le ch\u00eane autour de soi<\/strong><\/i><\/p>

voit tomber ses feuilles fan\u00e9es<\/strong><\/i><\/p>

 <\/p>

lance Lamartine<\/p>

 <\/p>

corps c\u0153ur las<\/p>

lac\u00e9r\u00e9<\/p>

 <\/p>

les cicatrices<\/p>

sur les bras<\/p>

\u00e0 l\u2019int\u00e9rieur des<\/p>

cuisses<\/p>

l\u00e0 o\u00f9<\/p>

les autres s'<\/p>

aiment<\/p>

je saigne \/<\/p>

j'ai saign\u00e9<\/p>

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mon dos vo\u00fbt\u00e9<\/p>

et mes bras<\/p>

maigres<\/p>

la salet\u00e9 les jeux<\/p>

d'\u00e9gout<\/p>

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la vie passe<\/p>

le bambin est<\/p>

devenu<\/p>

un vieillard en couches<\/p>

il tremble<\/p>

comme une feuille<\/p>

l'\u00e9cume<\/p>

\u00e0 la bouche<\/p>

 <\/p>

on attend on<\/p>

attend on<\/p>

attend encore<\/p>

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personne ne vient<\/p>

rien ne vient<\/p>

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l'attente devient<\/p>

son propre but<\/p>

 <\/p>

toutes mes bouches<\/p>

hurlent<\/p>

celle qui vomit<\/p>

celle qui insulte<\/p>

celle qui g\u00e9mit<\/p>

 <\/p>

mon cri devient<\/p>

affreux<\/p>

en arrivant aux<\/p>

oreilles des<\/p>

banquiers<\/p>

des garagistes<\/p>

des trous<\/p>

de balle<\/p>

des bourgeois<\/p>

des cocus de la<\/p>

nation<\/p>

 <\/p>

ainsi s'indignent les repus<\/strong><\/i><\/p>

ainsi les ventres se tourmentent<\/strong><\/i><\/p>

car la mangeoire est renvers\u00e9e<\/strong><\/i><\/p>

dans leur \u00e9table corrompue<\/strong><\/i><\/p>

 <\/p>

remarque<\/p>

Alexandre<\/p>

Blok<\/p>

 <\/p>

dans son po\u00e8me<\/p>

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La ville<\/i><\/p>

 <\/p>

tandis que<\/p>

peu \u00e0 peu<\/p>

le soleil<\/p>

dispara\u00eet dans<\/p>

les poches<\/p>

des patrons<\/p>

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j'avale<\/p>

un cailloux<\/p>

ou bien<\/p>

ma dignit\u00e9<\/p>

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n\u00e9 dans \u00e7a<\/p>

dans ce<\/p>

tourbillon de<\/p>

crasse<\/p>

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dans cet enclos<\/p>

aride<\/p>

sans musique<\/p>

ni livre<\/p>

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les ongles<\/p>

noirs<\/p>

des oncles<\/p>

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la crasse<\/p>

l'ab\u00eeme<\/p>

les furoncles<\/p>

 <\/p>

de Limoges \u00e0<\/p>

Lille et de Lille<\/p>

\u00e0 Marseille<\/p>

 <\/p>

toujours<\/p>

accoud\u00e9<\/p>

au comptoir<\/p>

 <\/p>

me voici<\/p>

compt\u00e9 jusqu'<\/p>

\u00e0 dix<\/p>

fini<\/p>

KO<\/p>

radi\u00e9<\/p>

bonsoir<\/p>

 <\/p>

j'ai dessin\u00e9<\/p>

le chemin de<\/p>

la mis\u00e8re<\/p>

sur mes bras<\/p>

vides<\/p>

 <\/p>

pas de sous pas<\/p>

d'amour<\/p>

une t\u00e9l\u00e9<\/p>

une paillasse<\/p>

et un four<\/p>

vide<\/p>

 <\/p>

avec<\/p>

Tsveta\u00efeva<\/p>

je demande<\/p>

 <\/p>

mon ami<\/strong><\/i><\/p>

ne me reproche pas<\/strong><\/i><\/p>

ce regard affair\u00e9 et blafard<\/strong><\/i><\/p>

 <\/p>

car<\/p>

je suis comme<\/p>

les chats<\/p>

je vois mieux<\/p>

dans le noir<\/p>

 <\/p>

mes<\/p>

heures comptent<\/p>

triple<\/p>

 <\/p>

l'amour<\/p>

un jeu<\/p>

de tripes<\/p>

 <\/p>

la peine<\/p>

tombe<\/p>

 <\/p>

toute une<\/p>

vie sur<\/p>

des clous<\/p>

 <\/p>

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d'une<\/p>

ombre<\/p>

 <\/p>

dans le<\/p>

trou<\/p>

d'un trou<\/p>

 <\/p>

je suis cari\u00e9<\/p>

cass\u00e9<\/p>

f\u00eal\u00e9<\/p>

 <\/p>

ce ne sont<\/p>

que des bouts<\/p>

de moi<\/p>

qu'on entend<\/p>

sur la bande<\/p>

 <\/p>

les chiens<\/strong><\/i><\/p>

se l\u00e8chent le cul<\/strong><\/i><\/p>

se roulent dans des charognes<\/strong><\/i><\/p>

et sentent la sardine de<\/strong><\/i><\/p>

la gueule<\/strong><\/i><\/p>

et pourtant il faut bien se rendre \u00e0 l'\u00e9vidence<\/strong><\/i><\/p>

et constater qu'en mati\u00e8re de crasse<\/strong><\/i><\/p>

nous restons loin devant<\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

en lisant<\/p>

 <\/p>

La souillure<\/i><\/p>

 <\/p>

de Thomas<\/p>

Vinaud<\/p>

 <\/p>

je repense \u00e0<\/p>

Bukowski<\/p>

expliquant<\/p>

sans ambages<\/p>

que si le<\/p>

communisme<\/p>

est bon<\/p>

 <\/p>

la nature<\/p>

de l'<\/p>

homme<\/p>

 <\/p>

elle<\/p>

 <\/p>

l'est beaucoup<\/p>

moins<\/p>

 <\/p>

l'homme<\/p>

est lourd et \u00e9pais<\/p>

s'exclamait<\/p>

C\u00e9line<\/p>

 <\/p>

l'animal seul<\/p>

qui se roule dans<\/p>

sa fange<\/p>

 <\/p>

le sang<\/p>

du vers est noir<\/p>

comme les joues du<\/p>

tourneur<\/p>

comme les mains du<\/p>

m\u00e9cano<\/p>

 <\/p>

j'ai la<\/p>

fin plant\u00e9e<\/p>

profond dans<\/p>

la chair<\/p>

 <\/p>

la fin<\/p>

qui rendra<\/p>

enfin<\/p>

 <\/p>

le vide<\/p>

au vide<\/p>

 <\/p>

la fin<\/p>

 <\/p>

enfin<\/p>

 <\/p>

la fin<\/p>

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Allen Ginsberg \u2014 Big Table Chicago Reading, 1959, America <\/p>

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\r\n\r\n\u00e9couter l'\u00e9mission sur www.grenouille888.org<\/b><\/a>","duration":73},{"id":790,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/897_20121016165852.mp3","label":"Amelia was just fourteen...","duration":79},{"id":703,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/805_20120221174331.mp3","label":"Amers comme les fruits ... \/ 30 ans de muraille - Traduction du portugais par Annick Moreau, lue par Sophie Gouttebaron","duration":217},{"id":1291,"type":1,"imageIds":[3426]},{"id":453,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/551_20100302171400.mp3","label":"Amn\u00e9st\u00e9sie","duration":140},{"id":22,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/32_20061020135044.mp3","label":"An Aparatus - Lecture lors de l'inauguration de l'exposition d'Anne Slacik, Livres manuscrits peints 1989-1998<\/i>, le 16 octobre 1998.\r\nExtrait paru dans la revue Caliban<\/i> (U.S.A.).","duration":266},{"id":558,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/657_20101015183751.mp3","label":"Andy Warhol","duration":58},{"id":495,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/593_20100504162159.mp3","label":"Andy Warhol Movie Sleep","duration":77},{"id":1247,"type":4,"fileUrl":"\/resources\/files\/file_65a94d9e5a94b.bin","label":"

Louis Zukofsky \u2014 Anew<\/i> 22 (Catullus VIII), Reading on KPFA Radio, Berkeley, August 6, 1954<\/p>

Dur\u00e9e : 01'11\" <\/p>","duration":71},{"id":452,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/550_20100302170640.mp3","label":"Animal locomotion (extrait)","duration":177},{"id":880,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/992_20160323141550.mp3","label":"Anne Vegter - (N\u00e9erlandais)","duration":104},{"id":1285,"type":1,"imageIds":[3423]},{"id":446,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/543_20100204144119.mp3","label":"Antidictionnaire (extrait) - Montage de Pierre Mabille.","duration":104},{"id":239,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/315_20080402145117.mp3","label":"Antonia Rigaud sur John Cage","duration":86},{"id":2288,"type":1,"imageIds":[3584],"fileUrl":"\/resources\/files\/file_66912e6043ce4.pdf"},{"id":2480,"type":2,"imageIds":[3846],"content":"

Appel \u00e0 candidatures pour la premi\u00e8re Journ\u00e9e de formation doctorale du Cipm.<\/span><\/p>"},{"id":470,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/568_20100427162635.mp3","label":"Appelons-moi Isma\u00ebl \/ En retard - Traduction fran\u00e7aise lue par \u00c9ric Pesty.","duration":229},{"id":331,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/427_20090514143129.mp3","label":"Apr\u00e8s l'accident (extrait) - G\u00e9ologia, 2\u00e8me<\/sup> partie, 2\u00e8me<\/sup> section","duration":185},{"id":451,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/549_20100225172232.pdf","label":"Apr\u00e8s la campagne, la campagne se poursuit ! [4 pages]"},{"id":2424,"type":1,"imageIds":[3776]},{"id":2065,"type":5,"fileUrl":"\/resources\/files\/file_664e17e7afff4.pdf","label":"

Blanche Coquerel, Dessin<\/i>, d\u00e9tail.<\/p>"},{"id":23,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/33_20061020150817.mp3","label":"Artaud Rimbur - Septembre 1996 \/ cipM<\/i>\r\nCentenaire de la naissance d'Antonin Artaud\r\nin Artaud Rimbur<\/i>, \u00c9d. de la Diff\u00e9rence, 1990","duration":328},{"id":842,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/952_20131211185020.pdf","label":"Article de presse Averro\u00e8s 2013"},{"id":2911,"type":5,"fileUrl":"\/resources\/files\/file_69d645f6db9a9.pdf","label":"

Parue le 2 avril 2026 sur DIACRITIK<\/a>, Jean-Philippe Cazier, Entretiens, Jean-Michel Espitallier, Livres.<\/p>"},{"id":2294,"type":2,"content":"


Le Centre international de po\u00e9sie Marseille (Cipm) propose jusqu'au 28 septembre une exposition r\u00e9trospective autour de l'oeuvre embl\u00e9matique du po\u00e8te Patrick Beurard- Valdoye Le cycle des exils (1982-2024) <\/i>qui rassemble huit volumes dans une h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 des formes et des exp\u00e9rimentations po\u00e9tiques, multipliant les perspectives \u00e0 la fois litt\u00e9raire, artistique, historique et documentaire, dans une travers\u00e9e europ\u00e9enne.<\/p>


Dans un espace cr\u00e9\u00e9 pour documenter le travail du po\u00e8te, l\u2019exposition se d\u00e9ploie  autour des sources et des diff\u00e9rents supports de cr\u00e9ation qui r\u00e9unissent les recherches, les m\u00e9thodes, et les composantes en oeuvre dans Le cycle des exils<\/i>. Donnant aux arts po\u00e9tiques, selon le terme choisi par l\u2019auteur, une dimension \u00e9minemment politique, les m\u00e9thodes, dans le travail d\u2019\u00e9criture, mettent au centre documents et archives, associant, avec l\u2019engagement physique du po\u00e8te sur le terrain, recherches et enqu\u00eates, durant la quarantaine d\u2019ann\u00e9es que recouvre l\u2019\u00e9criture du Cycle des exils<\/i>.\u2028 Le po\u00e8te pr\u00e9cise de cette fa\u00e7on l\u2019\u00e9volution des m\u00e9thodes mises en place au cours du cycle : \u00ab La th\u00e9orie des ligatures est \u00e0 l\u2019oeuvre. Au d\u00e9but l\u2019archive, prioritaire, permettait aussi la v\u00e9rification scientifique. Peu \u00e0 peu le vivant a pris le dessus, la rencontre, l\u2019\u00e9motion du t\u00e9moignage.  L\u2019archive est alors un instrument de v\u00e9rification ou d\u2019\u00e9largissement. \u00bb (poezibao, entretien avec F.Trocm\u00e9)<\/p>

 <\/p>

Introduit par Allemandes<\/i> (1985) qui associe histoire et arts po\u00e9tiques, questionnant l\u2019\u00e9pop\u00e9e, dans l\u2019\u00e9vocation des Huguenots, le cycle d\u2019\u00e9criture se cl\u00f4ture par Lamenta des murs<\/i> (Po\u00e9sie \/ Flammarion, 2024), entre la Flandre actuelle des exil\u00e9s et l\u2019Irlande d\u2019Antonin Artaud. Pour Patrick Beurard-Valdoye, \u00ab la po\u00e9sie serait la m\u00e9moire insomniaque des pages blanches de l\u2019histoire. \u00bb<\/p>


Au cours des huit volumes du Cycle des exils<\/i>, les parcours textuels se d\u00e9ploient autour de communaut\u00e9s minoritaires et de figures litt\u00e9raires et artistiques, dans l\u2019exploration d\u2019une diversit\u00e9 de zones g\u00e9ographiques europ\u00e9ennes et de paysages historiques. Ainsi l\u2019Allemagne, le pays souabe et le Neckar, la For\u00eat noire, dans La Fugue inachev\u00e9e<\/i> autour des prisonniers de la guerre 1914-18, le cours de la Meuse dans Mossa<\/i> autour des figures de Rimbaud, Joseph Beuys, ou au-dessus du lac Majeur, la colline du Monte Verit\u00e0, dans Godjo-Migrandt<\/i>, la figure de Mahler et autour des communaut\u00e9s Tsiganes, ou encore, de la Norv\u00e8ge \u00e0 l\u2019Angleterre, dans Le Narr\u00e9 des \u00eeles Schwitters<\/i>, autour de la figure de Kurt Schwitters, dans Gadjo-Migrandt<\/i>, les figures de Freud, Gherasim Luca, Joyce, la r\u00e9gion de Dunkerque dans Lamenta des murs<\/i>, l'Irlande qui ouvre et cl\u00f4ture Le cycle des exils <\/i> avec le voyage d'Artaud et Joseph Beuys\u2026<\/p>

 <\/p>

L\u2019exposition du Centre international de po\u00e9sie Marseille (Cipm) pr\u00e9sente 33 carnets de Patrick Beurard-Valdoye ouverts, pour la premi\u00e8re fois, sur une s\u00e9lection de doubles-pages qui \u00e9voquent le chantier litt\u00e9raire mis en oeuvre pour Le cycle des exils<\/i>, en particulier ses mat\u00e9riaux documentaires, permettant ainsi, dans une vari\u00e9t\u00e9 de s\u00e9quences rang\u00e9es chronologiquement, une exploration du travail dans l\u2019\u00e9mergence des textes po\u00e9tiques.<\/p>

 <\/p>

Les carnets expos\u00e9s s\u2019apparentent \u00e0 des journaux de travail laissant para\u00eetre une h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 de formes : notes, croquis, cartes g\u00e9ographiques ins\u00e9r\u00e9es, plans d\u00e9coup\u00e9s, pr\u00e9lev\u00e9s, lettres, \u00e9changes de mails autour du travail de cr\u00e9ation avec des amis po\u00e8tes, r\u00e9flexions sur le travail en cours. Ainsi, les notes sur la culture Rromani par exemple, dans des recherches effectu\u00e9es autour des communaut\u00e9s Tsiganes pour le volume Gadjo-Migrandt<\/i> et deux lexiques (slovaque-fran\u00e7ais et rromani-fran\u00e7ais) pr\u00e9parant certains po\u00e8mes du m\u00eame volume. Cet ensemble qui est contextualis\u00e9 \u00e0 l\u2019aide des nombreux cartels mis en place par le po\u00e8te constitue une formidable r\u00e9serve d\u2019informations pour appr\u00e9hender Le cycle des exils<\/i> et approfondir sa lecture par le laboratoire de ses sources et la fabrique du travail cr\u00e9atif.<\/p>

 <\/p>

Plusieurs oeuvres plastiques, sous forme de collages ou \u00ab r\u00e9citclages \u00bb, selon le terme de l\u2019auteur, r\u00e9alis\u00e9s \u00e0 partir des archives et documents utilis\u00e9s dans la construction de chacun des volumes, investissent les murs de l\u2019exposition, autour d\u2019une installation de Patrick Beurard-Valdoye r\u00e9alis\u00e9e par assemblage intitul\u00e9e La Schlitte du narr\u00e9<\/i> (\u00e0 partir du mot \u00ab luge \u00bb en allemand et de la notion de \u00ab narr\u00e9 \u00bb introduite par le po\u00e8te autour d\u2019une \u00e9criture-m\u00e9moire prot\u00e9iforme), en all\u00e9gorie de son travail. L\u2019oeuvre plastique hybride fait \u00e9cho \u00e0 certains \u00e9l\u00e9ments constitutifs du Cycle des exils<\/i>: cartes g\u00e9ographiques, exemplaires du volume initial du cycle (Allemandes<\/i>), une enseigne en r\u00e9f\u00e9rence au titre traduit \u00ab luge \u00bb, l\u2019ensemble des manuscrits du cycle class\u00e9s, la canne de Saint Patrick que l\u2019on retrouve dans les volumes, un ancien appareil radiophonique familial\u2026<\/p>

 <\/p>

Dans une approche des arts po\u00e9tiques port\u00e9s par les dimensions sonores de la langue et l\u2019oralit\u00e9, les pratiques performatives de Patrick Beurard-Valdoye se d\u00e9ploient dans l\u2019exposition sous la forme de plusieurs enregistrements de lectures - performances du po\u00e8te. Utilisant tout d\u2019abord le terme de \u00ab publications orales \u00bb puis de \u00ab r\u00e9citals \u00bb, celui de \u00ab performances \u00bb est ensuite privil\u00e9gi\u00e9. Les quatre films vid\u00e9os pr\u00e9sents dans l\u2019exposition sont accompagn\u00e9s de documents de travail, de textes manuscrits et de tapuscrits, dans leurs diff\u00e9rents \u00e9tats au cours de l\u2019\u00e9laboration du chantier po\u00e9tique.<\/p>

 <\/p>

D\u2019autres espaces sont consacr\u00e9s aux revues - laboratoires du travail de cr\u00e9ation \u2013 ayant accueilli des extraits du travail en cours, aux c\u00f4t\u00e9s des micro-\u00e9ditions, des livres d\u2019artistes et d\u2019une s\u00e9lection de livres issus de la biblioth\u00e8que du Cipm qui sont autant de r\u00e9f\u00e9rences intellectuelles du po\u00e8te. Les sources du Cycle des exils<\/i> se rapportent aussi aux livres choisis, embl\u00e9matiques, ouverts ou ferm\u00e9s sur des couvertures dessin\u00e9es par Isabelle Vorle qui montre par ailleurs dans l\u2019exposition, aux c\u00f4t\u00e9s de plusieurs enregistrements des lectures-performances du po\u00e8te, un film de po\u00e9sie (Berliner Trio pour stations et travers\u00e9es<\/i>) r\u00e9alis\u00e9 \u00e0 partir de son travail. L\u2019exposition pr\u00e9sente l\u2019oeuvre de Patrick Beurard-Valdoye dans la porosit\u00e9 des domaines artistiques qui la constitue et la remarquable multiplicit\u00e9 des supports de cr\u00e9ation \u00e9labor\u00e9s \u00e0 partir du  Cycle des exils.<\/i><\/p>

 <\/p>

Emmanu\u00e8le Jawad<\/p>

 <\/p>"},{"id":2307,"type":2,"content":"

 <\/p>

Dans son \u00ab havre \u00bb d\u2019exposition adoss\u00e9 \u00e0 sa bab\u00e9lienne biblioth\u00e8que de po\u00e9sie, le CIP-Marseille accueille jusqu\u2019au vingt-huit septembre prochain l\u2019ample mat\u00e9rialit\u00e9<\/i> du \u00ab Cycle des exils \u00bb, l\u2019\u0153uvre au long cours (1982-2024) de Patrick Beurard-Valdoye.
D\u2019entr\u00e9e de jeu, on se trouve confront\u00e9 \u00e0 un \u00e9trange dispositif\u2026 Une installation<\/i> non moins \u00e9trangement d\u00e9nomm\u00e9e \u00ab La Schlitte du narr\u00e9 \u00bb et dont une luge en bois constitue la pi\u00e8ce ma\u00eetresse : un mod\u00e8le quasi identique au \u00ab Rosebud \u00bb d\u2019Orson Welles, le fameux tra\u00eeneau (et dernier mot) de son \u00ab Citizen Kane \u00bb. Comme dans le film, en effet, ce pr\u00e9cieux f\u00e9tiche renvoie \u00e0 l\u2019enfance : \u00e0 ses myst\u00e8res, ses folles \u00e9nergies, sa cr\u00e9ativit\u00e9 d\u00e9brid\u00e9e. Et c\u2019est dans les vitrines th\u00e9matiques formant la suite du parcours que le visiteur d\u00e9couvrira l\u2019impact, sur la litt\u00e9rature, d\u2019une telle cr\u00e9ativit\u00e9 (d\u2019enfant sauvage, donc, voire d\u2019\u00bb Orlando furioso \u00bb) : l\u2019av\u00e8nement d\u2019une \u0153uvre baroque, prot\u00e9iforme, qui tr\u00e8s vite annon\u00e7a \u00e0 grands cris \u2013 et force idiolectes \u2013 l\u2019ardeur que mettrait un jour l\u2019auteur \u00e0 d\u00e9clamer ses textes en public, rejoignant ainsi, en ennemi de la \u00ab police secr\u00e8te de la langue \u00bb, en \u00ab Gadjo Migrandt \u00bb, la tr\u00e8s cosmopolite tribu des po\u00e8tes sonores \u2013 dont Kurt Schwitters et Gh\u00e9rasim Luca, des mentors aim\u00e9s comme des fr\u00e8res.
C\u00f4t\u00e9 Edition, cela repr\u00e9sente (mi-Al Dante, mi-Flammarion) un ensemble de huit forts volumes.
C\u00f4t\u00e9 Exposition, un cycle dont l\u2019h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 est attest\u00e9e par la diversit\u00e9 des pi\u00e8ces pr\u00e9sent\u00e9es. On peine \u00e0 croire que l\u2019atelier d\u2019un seul auteur puisse rec\u00e9ler autant de \u00ab mat\u00e9riau \u00bb, sauf \u00e0 se dire que Patrick Beurard-Valdoye a vraiment \u00ab tout donn\u00e9 \u00bb (pour parler comme un athl\u00e8te arriv\u00e9 au terme de ses exploits sur le terrain).
Tout<\/i>, oui : ses innombrables carnets de travail (ouverts aux pages les plus r\u00e9v\u00e9latrices), ses \u00ab bleus \u00bb d\u2019\u00e9crivain (les dossiers contenant l\u2019int\u00e9gralit\u00e9 de ses jeux d\u2019\u00e9preuves, tous de cette couleur), ou encore les livres d\u2019artiste par lesquels diff\u00e9rents plasticiens se sont associ\u00e9s \u00e0 son work in progress<\/i>, ou encore les quatre signes kabbalistiques imagin\u00e9s avec Clara Debailly pour \u00e9largir le champ d\u2019action de la ponctuation, sans oublier \u00ab R\u00e9citclage \u00bb, son grand collage de \u00ab Fin de partie \u00bb, sans oublier non plus, projet\u00e9es en boucle sur les murs s\u00e9culaires de la \u00ab Vielle Charit\u00e9 \u00bb, les reconnaissances en images par Isabelle Vorle \u2013 peintre de champs color\u00e9s <\/i>mais \u00e9galement r\u00e9alisatrice de films exp\u00e9rimentaux \u2013 du grand \u0153uvre d\u00e9sormais achev\u00e9.

\u2026

Mais revenons un peu en arri\u00e8re, c\u00f4t\u00e9 vitrines, et penchons-nous sur les livres-sources du \u00ab Cycle des exils \u00bb : ceux dits \u00ab ferm\u00e9s \u00bb (dont Finnegans Wake<\/i>, Jonas<\/i>, Exil<\/i>) et ceux dits \u00ab ouverts \u00bb (dont Les Tarahumaras<\/i>, Le chant de la carpe<\/i>, La mise en mots<\/i>). Ouvrages avec ou sans jaquette originale de Vorle, et que viennent compl\u00e9ter diff\u00e9rents emprunts effectu\u00e9s dans la biblioth\u00e8que de l\u2019auteur, en particulier les \u00ab Cantos \u00bb d\u2019Ezra Pound \u2013 que l\u2019on nous pr\u00e9sente \u00ab ferm\u00e9s \u00bb mais que le visiteur s\u2019empressera d\u2019ouvrir pour y trouver ceci :

Et puis avons descendu au navire,<\/i>
Mis la quille aux brisants, droit sur la mer divine, et<\/i>
Nous avons dress\u00e9 m\u00e2t et voile sur cette nef noire,<\/i>

Trois vers dont semble d\u00e9couler (en mode miroir) l\u2019incipit de \u00ab Flache d\u2019Europe aimants garde-fous \u00bb, l\u2019avant-dernier volume du Cycle :

                            PUIS cendus de nave barge d\u00e9voil\u00e9e nous<\/i>

       avons travers\u00e9 ,<\/strong> l\u00e0<\/i>

       via la Leu riv\u00e9e de traviole F\u00c4HRE F\u00c4\u00c4HRI fauve ph\u00e9rie<\/i>

C\u2019est le m\u00e9rite d\u2019une telle exposition, en effet, que de nous inciter \u00e0 rouvrir<\/i> les livres dont nous pensions nous \u00eatre \u00e9loign\u00e9s \u00e0 jamais\u2026 Preuve qu\u2019en po\u00e9sie, ce n\u2019est pas comme en librairie : rien ne se perd, tout r\u00e9sonne<\/i> !
De ces \u00e9chos salvateurs, le \u00ab Cycle des exils \u00bb est le r\u00e9ceptacle par excellence : un \u00ab th\u00e9\u00e2tre reth\u00e9\u00e2tralis\u00e9 \u00bb de la langue, un \u00ab Globe \u00bb quasi shakespearien tant l\u2019auteur s\u2019y universalise, \u00e0 remettre en jeu l\u2019art po\u00e9tique de multiples pr\u00e9d\u00e9cesseurs \u2013 lui \u00e0 qui la \u00ab Schlitte du narr\u00e9 \u00bb a donn\u00e9, d\u00e8s le d\u00e9part, \u00ab La rage de l\u2019expression \u00bb.
Et puisque le focus est mis, \u00e0 pr\u00e9sent, sur les incipits, voyons, apr\u00e8s \u00ab Les Cantos \u00bb et \u00ab Flache d\u2019Europe \u00bb, ce qu\u2019il en est des premi\u00e8res lignes de \u00ab Lamenta des murs \u00bb (le huiti\u00e8me et dernier volume du Cycle) :

             J\u2019AI NAG\u00c9 en juin mes<\/i>
             fringues tra\u00eenant sur la plage<\/i>
             mon p\u00e8re bizarrement est entr\u00e9<\/i>
             dans l\u2019eau tout habill\u00e9<\/i>
             d\u2019une lenteur annexant l\u2019\u00e9tendue<\/i>

Des vers d\u2019une simplicit\u00e9 sans \u00e9gale. Et d\u2019une fluidit\u00e9 qui \u00ab annexe l\u2019\u00e9tendue \u00bb, en effet. Un peu comme si Patrick Beurard-Valdoye avait souhait\u00e9 que l\u2019on entr\u00e2t par l\u00e0 dans son opus magnum<\/i> : par l\u2019ouverture la plus large (la plus accessible) qui soit. Ainsi est-ce toute la \u00ab Lucienne \u00e9pop\u00e9e \u00bb (premier chant de la \u00ab D\u00e9cantate \u00e0 Dunkerque \u00bb) qui constitue l\u2019incipit de \u00ab Lamenta \u00bb, et non uniquement les lignes initiales du po\u00e8me.

             <\/i>un incipit large<\/i>, en somme
             <\/i>voire grand large<\/i>
   \u2026

Pr\u00e9cisons que \u00ab Lucienne \u00bb d\u00e9rive de Lucien, le combattant au \u00ab souffle coup\u00e9 \u00bb, au \u00ab langage trou\u00e9 de t\u00e9l\u00e9graphiste \u00bb : rien moins que le p\u00e8re de l\u2019auteur, pris au pi\u00e8ge de l\u2019enfer dunkerquois et tentant de rejoindre l\u2019Angleterre sous \u00ab l\u2019horripilon des obus \u00bb, le \u00ab tintamarre des Stukas \u00bb\u2026
Nous sommes en 1940, ann\u00e9e o\u00f9 le joli moi de mai finit en d\u00e9sastre pour les alli\u00e9s et o\u00f9 tout ce qu\u2019a endur\u00e9 Lucien, dans sa fuite \u00e9perdue, se communique \u00e0 Patrick comme pour lui permettre de devenir un \u00ab compagnon de nage \u00bb.
L\u2019osmose est telle, entre les souvenirs du p\u00e8re et le narr\u00e9<\/i> du fils, que les silhouettes de l\u2019un et de l\u2019autre, par moments, se confondent.
Pris dans le mouvement, avalant autant d\u2019eau qu\u2019il en faut pour emp\u00eacher que soit \u00ab r\u00e9duit en cendres le plein de mots \u00bb, on perd la notion des choses : on ne sait plus si c\u2019est \u00e0 bord d\u2019un destroyer<\/i> que l\u2019on est cens\u00e9 se hisser, ou bien d\u2019un nave barge<\/i>.
   \u2026

Pound, \u00e0 nouveau : \u00ab Une \u00e9pop\u00e9e, c\u2019est un po\u00e8me qui inclut l\u2019Histoire \u00bb. L\u2019Op\u00e9ration Dynamo<\/i>, en l\u2019occurrence. Mais peut-\u00eatre vaudrait-il mieux se tourner vers Bachelard, \u00e0 pr\u00e9sent\u2026 Certes, l\u2019\u00e9minent philosophe n\u2019est pas partie prenante de l\u2019aventure, mais \u00ab L\u2019eau et les r\u00eaves \u00bb s\u2019impose comme le sous-titre subliminal de \u00ab Lamenta des murs \u00bb. Une fois lanc\u00e9, en effet, on ne revient pas sur la terre ferme, le courant vous entra\u00eene au large, irr\u00e9sistiblement. Et c\u2019est l\u00e0 qu\u2019un autre nom magique pointe \u00e0 l\u2019horizon : une autre silhouette avec laquelle se confondre, qui sait, \u00e0 un moment ou \u00e0 un autre du parcours\u2026 Car si Cholodenko a pu parler un jour de \u00ab La tentation du trajet Rimbaud \u00bb, Beurard-Valdoye, lui, semble mu par \u00ab La passion du trajet Artaud \u00bb. Il en a la folle d\u00e9rive dans le sang. Et il fait preuve, dans sa reconstitution du p\u00e9riple pass\u00e9, d\u2019une minutie de d\u00e9tective holm\u00e9sien, d\u2019une sollicitude d\u2019accoucheur (de t\u00e9moins).
Cette ma\u00efeutique intimement<\/i> litt\u00e9raire, elle nous m\u00e8ne jusqu\u2019aux \u00eeles d\u2019Aran, dans le \u00ab purgatoire irland\u00e9 \u00bb du \u00ab suicid\u00e9 de la soci\u00e9t\u00e9 \u00bb.
   \u2026

En Irlande, on le sait, coule la Liffey : c\u2019est l\u2019Anna Livia de Joyce, la femme qui \u00ab tient le discours d\u2019une rivi\u00e8re \u00bb, tant il se m\u00eale de langues dans sa bouche prodigue\u2026
Cette \u00ab Anna Livia Plurabella \u00bb devenue Anna Liffey, il faut voir (entendre, surtout) comme P. B-V. y fait rouler le nom de son cher \u00ab AA \u00bb :

            Antoine<\/i>
            Antoneo<\/i>
            Antonin<\/i>
            Antonyme<\/i>

Ou encore (autre d\u00e9clinaison possible, dans le torrent de mots) :

            A. Arland<\/i>
            Ant. Arland<\/i>
            Antoneo Arland<\/i>
            Antoneo Arlanapulos<\/i>
            Antoine Artaud<\/i>
            Antonin Artaud<\/i>

Ou encore

            Mom\u00f4 le hiatus<\/i>
            entre m\u00f4me<\/i>
            et momie<\/i>

            <\/i>(alias Nalpas<\/i> !)

Et enfin, comme pour annoncer le moment o\u00f9 les silhouettes vont se confondre<\/i>, \u00e0 nouveau\u2026 

                Mr Artaud alias saint Patrick<\/i> (avec canne \u00e9ponyme)

Une \u00ab confusion \u00bb qui n\u2019a rien d\u2019improbable ! Apr\u00e8s tout, \u00ab Mister Artaud \u00bb \u00e9tait n\u00e9 \u00e0 Marseille, le port (\u00ab les Docks \u00bb) o\u00f9 Patrick Beurard-Valdoye a donn\u00e9 sa premi\u00e8re performance po\u00e9tique\u2026
Et puis, c\u2019est dans le site phoc\u00e9en que le (sic) \u00ab valdoyen \u00bb met un \u00ab m\u00e9ta-point final \u00bb \u00e0 son \u00ab Cycle \u00bb, \u00e9tendant le principe du \u00ab R\u00e9citclage \u00bb \u00e0 l\u2019exposition toute enti\u00e8re\u2026
De sorte que le visiteur pourrait bien se laisser tenter par l\u2019enjeu premier d\u2019une aussi vaste r\u00e9trospective : relancer le cycle du vivant \u2013 c\u2019est-\u00e0-dire le cycle du po\u00e8me \u2013 c\u2019est-\u00e0-dire le Cycle des exils \u2013 en confondant sa silhouette de voyageur avec celle d\u2019un lecteur<\/i>.

            <\/i>bref, monter \u00e0 bord du nave barge<\/i>
            <\/i>(de la nef noire, de la Nef des fous)
            <\/i>et, filant \u00ab droit sur la mer divine \u00bb
            <\/i>annexer l\u2019\u00e9tendue\u2026<\/p>

 <\/p>

\u00c9ric Villeneuve<\/span><\/p>"},{"id":1299,"type":4,"fileUrl":"\/resources\/files\/file_65aaaf076c8fe.mp3","label":"

Susan Howe \u2014 reads the entirety of Articulation of Sound Forms in Time, <\/i>Segue Series Reading at The Ear Inn, April 12, 1986<\/p>

Dur\u00e9e :  33'17\"<\/p>","duration":1997},{"id":630,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/732_20110830143621.mp3","label":"Asseyez-vous. Prenez votre texte \u00e0 la page...","duration":182},{"id":345,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/441_20090609161024.pdf","label":"Atelier \u00e0 La M\u00e9diath\u00e8que Albert Camus - Carnoux en Provence (2)"},{"id":527,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/626_20100708170106.pdf","label":"Atelier \u00e0 la M\u00e9diath\u00e8que Albert Camus (textes) - Textes - r\u00e9sultat de l'atelier men\u00e9 \u00e0 la m\u00e9daaith\u00e8que Albert Camus de Carnoux-en-Provence en mai 2010 par Fabienne Yvert."},{"id":2592,"type":2,"content":"

 <\/p>

de longues bandes blanches espac\u00e9es \u00e0 intervalles r\u00e9guliers avec un num\u00e9ro de salle entre elles comme des places de voiture,<\/span><\/p>

des arbres morts, des pins, des poteaux orange fluo, des nuages gris ou blancs,<\/span><\/p>","label":"

A l\u2019ext\u00e9rieur<\/i>, Mehdi et Charlotte<\/p>"},{"id":2601,"type":2,"content":"

 <\/p>

J\u2019ai mang\u00e9 un tacos trois viandes sauce alg\u00e9rienne suppl\u00e9ment sauce du chef<\/span><\/p>

 <\/p>","label":"

Nos souvenirs<\/i>, Th\u00e9ophile<\/p>"},{"id":2602,"type":2,"content":"

 <\/p>

J\u2019ai mang\u00e9 des frites avec de la sauce burger, et des bricks remplis d\u2019agneau hach\u00e9 avec du fromage et une soupe avec des carottes, de la patate douce, du persil, de l\u2019ail, du pain, sur une grande table noire avec une nappe noire, une t\u00e9l\u00e9 noire, des chaises noires et un canap\u00e9 noir<\/span><\/p>","label":"

Nos souvenirs<\/i>, Mehdi<\/p>"},{"id":2603,"type":2,"content":"

 <\/p>

Papa m\u2019a parl\u00e9 du r\u00e9chauffement climatique qui augmentait de plus en plus, dans la salle \u00e0 manger.<\/span><\/p>

On a quill\u00e9 la Barbie de ma s\u0153ur au-dessus du haut grillage vert  dans le jardin de ma voisine, on ne l\u2019a jamais r\u00e9cup\u00e9r\u00e9e.<\/span><\/p>

 <\/p>","label":"

Nos souvenirs<\/i>, Aaron (texte de Lahna,)<\/p>"},{"id":2604,"type":2,"content":"

 <\/p>

Ma grande trousse n\u2019est pas une machine \u00e0 laver<\/span><\/p>

Ma grande trousse ne lave pas d\u2019habits<\/span><\/p>

Elle ne tourne pas en rond ma grande trousse<\/span><\/p>

Elle ne contient ni savon ni eau ma grande trousse<\/span><\/p>

Mais ma grande trousse, elle est trou\u00e9e<\/strong><\/span><\/p>

Ma grande trousse a une immense grandeur<\/strong><\/span><\/p>

Elle contient beaucoup de stylos<\/span><\/p>

Ma grande trousse ne bouge pas<\/span><\/p>

Ma grande trousse est heureuse<\/span><\/p>

Elle ne mange pas<\/span><\/p>

Je n\u2019ai pas qu\u2019une grande trousse<\/span><\/p>

J\u2019ai deux<\/strong> grandes trousses<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Giovanni<\/p>"},{"id":2605,"type":2,"content":"

 <\/p>

L\u2019affiche rouge n\u2019est pas un chat<\/span><\/p>

Je ne lui donne pas de croquette c\u2019est une affiche rouge<\/span><\/p>

L\u2019affiche ne miaule pas<\/span><\/p>

L\u2019affiche n\u2019est pas rousse<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Adam<\/p>"},{"id":2606,"type":2,"content":"

 <\/p>

J\u2019ai mang\u00e9 un macaron au chocolat<\/span><\/p>

Dans le marron au chocolat il y a de la cr\u00e8me<\/span><\/p>

Le macaron, c\u2019est de la cr\u00e8me<\/span><\/p>

Il y a beaucoup de cr\u00e8me dans le macaron au chocolat.<\/span><\/p>

Mon macaron n\u2019est pas un macho, il n\u2019est pas un cola<\/span><\/p>

Dans mon macaron, il y a de la cr\u00e8me marron, pas rouge<\/span><\/p>

Mon macaron est gros, est macro<\/span><\/p>

Il fait 1m\u00e8tre 10 de longueur et de largeur<\/span><\/p>

Il y a de la cr\u00e8me, et ce n\u2019est pas au citron<\/span><\/p>

Le macaron est un peu g\u00e9latineux<\/span><\/p>

En haut de la cr\u00e8me du macaron au chocolat<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Lina<\/p>"},{"id":2607,"type":2,"content":"

 <\/p>

Le vase en verre pos\u00e9 sur la table, est inutile \u00e0 tous.<\/span><\/p>

Le vase en verre est rempli de vent.<\/span><\/p>

On y mange le hareng dedans.<\/span><\/p>

Avant, \u00e7a n\u2019\u00e9tait que du sable de plage.<\/span><\/p>

Parfois, le vase en verre jette une chose bizarre dans son trou.<\/span><\/p>

Le vase en verre s\u2019ach\u00e8te souvent dans le Var.<\/span><\/p>

Le vase en verre peut avoir plusieurs couleurs.<\/span><\/p>

Comme le vert canard ou le violet.<\/span><\/p>

Mon vase en verre n\u2019est pas un animal domestique.<\/span><\/p>

Je le pr\u00e9f\u00e8re.<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Lana<\/p>"},{"id":2608,"type":2,"content":"

 <\/p>

Ma montre rose est n\u00e9e sur le mont Olympe<\/span><\/p>

Elle aime le thon<\/span><\/p>

Ma montre n\u2019aime pas la mort mais elle aime Tom<\/span><\/p>

Ma montre rose est rose<\/span><\/p>

Elle dit Hello<\/i> ou elle dit Bye<\/i><\/span><\/p>

J\u2019aime ma montre autant que Pos\u00e9idon<\/span><\/p>

Zeus aime ma montre rose car elle est rose<\/span><\/p>

A l\u2019int\u00e9rieur de ma montre, il y a du rouge, du vert et du bleu<\/span><\/p>

J\u2019ai trouv\u00e9 ma montre rose sur un pont de couleur rose<\/span><\/p>

Ma montre rose n\u2019aboie pas mais fait Zip Zip<\/i><\/span><\/p>

Elle ne mange pas de croquettes, elle mange du thon<\/span><\/p>

Tom est parti avec ma montre chez son p\u00e8re<\/span><\/p>

Mon p\u00e8re est mort en m\u00eame temps que ma montre rose<\/span><\/p>

Ma montre rose me manque beaucoup<\/span><\/p>

Ma montre rose n\u2019est pas morte, elle m\u2019a fait une blague<\/span><\/p>

J\u2019ai jet\u00e9 un sort \u00e0 ma montre rose<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Ana<\/p>"},{"id":2609,"type":2,"content":"

 <\/p>

mon ordinateur noir n\u2019a pas de dard<\/span><\/p>

il est rare, mon ordinateur noir<\/span><\/p>

Mon ordinateur noir n\u2019est pas un tonneau<\/span><\/p>

Il est petit, pliable, et agr\u00e9able<\/span><\/p>

\/\/\/                                       On peut dire au revoir \u00e0 l\u2019ordinateur noir<\/span><\/p>

 <\/p>","label":"

Nos objets<\/i>, Florent<\/p>"},{"id":2610,"type":2,"content":"

 <\/p>

La vie de la salle de classe<\/span><\/p>

L\u2019ambiance de la vie de la salle de classe<\/span><\/p>

La qualit\u00e9 de l\u2019ambiance de la vie de la salle de classe<\/span><\/p>

Les ondes d\u2019un d\u00e9tail de la qualit\u00e9 de l\u2019ambiance de la vie<\/span><\/p>

Un excr\u00e9ment des ondes d\u2019un d\u00e9tail de la qualit\u00e9 de l\u2019ambiance de la vie<\/span><\/p>

Un petit bout d\u2019un excr\u00e9ment des ondes d\u2019un d\u00e9tail de la qualit\u00e9<\/span><\/p>

Un micro-organisme d\u2019un petit bout d\u2019un excr\u00e9ment <\/span><\/p>

Une miette d\u2019un micro-organisme d\u2019un petit bout<\/span><\/p>

Une poussi\u00e8re d\u2019une miette d\u2019un micro-organisme<\/span><\/p>

L\u2019air d\u2019une poussi\u00e8re d\u2019une miette<\/span><\/p>

 <\/p>","label":"

La salle de classe<\/i><\/p>"},{"id":2593,"type":2,"content":"

1 A l\u2019ext\u00e9rieur
Il y a des panneaux de basket, du gazon, des b\u00e2timents blancs aux toits oranges, des tables de ping-pong, un grillage vert, cinq grands plots reli\u00e9s par des chaines,
des pigeons qui viennent manger les restes de bouts de pain,<\/p>","label":"

A l\u2019ext\u00e9rieur<\/i><\/p>"},{"id":2611,"type":2,"content":"

 <\/p>

L\u2019air d\u2019une poussi\u00e8re d\u2019une miette de pain<\/span><\/p>

L\u2019air d\u2019une poussi\u00e8re d\u2019une miette de pain de mie<\/span><\/p>

une poussi\u00e8re d\u2019une miette de pain de mie de la cantine<\/span><\/p>

une miette de pain de mie de la cantine du coll\u00e8ge de Marseille<\/span><\/p>

Le pain de mie de la cantine du coll\u00e8ge de la ville de Marseille<\/span><\/p>

Le coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne de France<\/span><\/p>

Le coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne de France de la plan\u00e8te terre<\/span><\/p>

Le coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne de France de la plan\u00e8te terre de l\u2019univers<\/span><\/p>

La cour du coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne de France de la plan\u00e8te terre de l\u2019univers<\/span><\/p>

La cour du coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne de France de la plan\u00e8te terre<\/span><\/p>

La cour du coll\u00e8ge de la ville de Marseille des Bouches du Rh\u00f4ne<\/span><\/p>

La cour du coll\u00e8ge de la ville de Marseille<\/span><\/p>

La cour du coll\u00e8ge ?<\/span><\/p>

 <\/p>","label":"

dans la cour<\/i><\/p>"},{"id":2612,"type":2,"content":"

 <\/p>

Les feuilles de l\u2019arbre de la cour du coll\u00e8ge<\/span><\/p>

 <\/span><\/p>

Le corbeau pos\u00e9 dans la cour du coll\u00e8ge Andr\u00e9 Malraux<\/span><\/p>

Les bancs gris, les casiers et les cartables de la cour du coll\u00e8ge<\/span><\/p>

Les cris, les escaliers, les arbres, les murs bleus de la cour du coll\u00e8ge<\/span><\/p>

 <\/p>","label":"

Giovanni<\/p>"},{"id":2594,"type":2,"content":"

 <\/p>

un petit soleil, des crayons, des taille-crayons, des bouches d\u2019\u00e9gout, des escaliers qui m\u00e8nent au grand terrain de basket, un mur tagu\u00e9, des casiers bleus verts jaunes gris rouges, des piliers oranges et blancs, une maison abandonn\u00e9e,<\/span><\/p>

des \u00e9l\u00e8ves parlent, jouent au ping-pong, au foot, \u00e0 s\u2019attraper, \u00e0 touche-touche<\/span><\/p>

 <\/p>","label":"

A l\u2019ext\u00e9rieur<\/i>, Baptiste et Hichma<\/p>

 <\/p>"},{"id":2595,"type":2,"content":"

 <\/p>

Il y a des cartables par terre, des tables et des chaises jaunes, des morceaux de scotch, des photos de classe, des posters OH LES BEAUX JOURS, de La Marseillaise<\/i>, DISCRETS ASKIP, Art\u00e9mis, un tableau blanc, des coins de couleur noire,<\/span><\/p>

quatre fen\u00eatres au contour gris,<\/span><\/p>

 <\/p>","label":"

A l\u2019int\u00e9rieur, <\/i>Lahna et Lina<\/p>"},{"id":2596,"type":2,"content":"

 <\/p>

une affiche d\u2019une fille avec une robe rose et un parapluie,<\/span><\/p>

au plafond, des carreaux blancs s\u00e9par\u00e9s par une bande blanche,<\/span><\/p>

et au sol une couleur entre l\u2019orange et le marron,<\/span><\/p>

des choses beiges coll\u00e9es au plafond : je ne sais pas comment \u00e7a s\u2019appelle<\/span><\/p>

 <\/i><\/span><\/p>

des chaises, un dictionnaire Larousse, des enceintes sur le bureau,<\/span><\/p>

deux grands chauffages, des cahiers et des trousses,<\/span><\/p>

ce qui \u00e9claire la classe, c\u2019est la  lumi\u00e8re ext\u00e9rieure<\/span><\/p>

un bureau, et un autre \u00e0 droite, des publicit\u00e9s pour le th\u00e9\u00e2tre, un vid\u00e9oprojecteur blanc, des affiches de ch\u00eanes verts, des interrupteurs, des doubles tables et des simples tables, des c\u00e2bles, des prises, du gel hydroalcoolique, un paquet de cartes , cette salle n\u00b0 101 ?<\/span><\/p>","label":"

A l\u2019int\u00e9rieur<\/i>, Lina<\/p>"},{"id":2597,"type":2,"content":"

 <\/p>

J\u2019ai mang\u00e9, avec les mains, du poulet yassa avec des oignons revenus \u00e0 la po\u00eale, du persil, avec un lit de riz dessous.<\/span><\/p>

Je me suis cach\u00e9 dix minutes dans les toilettes, \u00e0 l\u2019heure de la cantine pour que personne ne me parle.<\/span><\/p>

J\u2019ai regard\u00e9 des photos de classe de mon ancienne classe primaire.<\/span><\/p>

Aujourd\u2019hui je suis en train de faire une po\u00e9sie dans le m\u00eame concept que Charles Pennequin.<\/span><\/p>

 <\/p>","label":"

Nos souvenirs<\/i>, Adam<\/p>"},{"id":2598,"type":2,"content":"

 <\/p>

Ma m\u00e8re m\u2019a dit que mes tresses lui rappelaient les cordes de la voiture pour fermer le coffre, et on a achet\u00e9 un boucleur<\/span><\/p>

J\u2019ai r\u00eav\u00e9 que la porte de l\u2019ascenseur ne se fermait pas alors que j\u2019\u00e9tais poursuivi par un homme au pas de g\u00e9ant<\/span><\/p>","label":"

Nos souvenirs<\/i>, Hichma<\/p>"},{"id":2599,"type":2,"content":"

 <\/p>

J\u2019ai ray\u00e9 une voiture avec mon skateboard et mon cousin.<\/span><\/p>

 <\/p>","label":"

Nos souvenirs<\/i>, Nolan<\/p>"},{"id":2600,"type":2,"content":"

 <\/p>

J\u2019ai eu une angine bact\u00e9rienne en allant me promener,<\/span><\/p>

j\u2019ai \u00e9t\u00e9 malade et j\u2019ai bu une orangeade<\/span><\/p>

Je ferai un m\u00e9tier incroyable : je serai autrice et j\u2019aiderai les pauvres<\/span><\/p>

 <\/p>","label":"

Nos souvenirs<\/i>, Ana<\/p>"},{"id":856,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/968_20150421140315.mp3","label":"Atelier d'\u00e9criture au Lyc\u00e9e Charles Montgrand (Port de Bouc) - Atelier d'\u00e9criture avec une classe de Seconde bac proASSP.\r\nIntervenante : Emmanuelle Bentz\r\nEnseignantes : Roxane Hibon et Isabelle Ioller\r\nJanvier 2015","duration":511},{"id":526,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/625_20100708153556.mp3","label":"Atelier d'\u00e9criture au Lyc\u00e9e technologique La Cadenelle","duration":681},{"id":2643,"type":1,"imageIds":[3900]},{"id":2644,"type":5,"fileUrl":"\/resources\/files\/file_685feb5210ce0.pdf"},{"id":2737,"type":5,"fileUrl":"\/resources\/files\/file_687b90bc14fa3.pdf"},{"id":2738,"type":1,"imageIds":[3918]},{"id":2646,"type":2,"content":"

            <\/strong><\/span>
Dans quelques quartiers ou cit\u00e9s, l\u2019ambiance est toujours froide et nonchalante.<\/span><\/p>

Dans d\u2019autres, l\u2019ambiance est chaleureuse et accueillante.<\/span><\/p>

Malgr\u00e9 \u00e7a nous sommes toujours dans une ins\u00e9curit\u00e9, c\u2019est \u00e7a d\u2019habiter dans une grande ville.<\/span><\/p>

Il y a toujours des embrouilles \u00e0 cause de certaines personnes qui sont des poucaves<\/i>, ou des insultes qui d\u00e9rivent en bagarres et qui finissent en sang \u00e0 l\u2019h\u00f4pital, \u00e7a les fera gamberger<\/i> pour la prochaine fois, ces fatigu\u00e9s<\/i>.<\/span><\/p>

Ici, degun<\/i> n\u2019est calme, on est tous impulsifs, sinon \u00e7a veut dire ti\u00e9<\/i> pas d\u2019ici.<\/span><\/p>

Dans cette ville, il y a toujours les cond\u00e9s<\/i> de partout, qui arrivent quelque part, et repartent en m\u00eame pas 2 minutes, on exag\u00e8re toujours tarpin<\/i> les choses ici (c\u2019est normal).<\/span><\/p>

Selon o\u00f9 nous sommes nous entendons des cris, bref de tout.<\/span><\/p>

Notre amour int\u00e9rieur se d\u00e9tache des fois de cette ville, mais elle laisse toujours quelque chose en nous.<\/span><\/p>

C\u2019est pas la capitale, c\u2019est la ville que tout le monde redoute, celle o\u00f9 tout le monde va en vacances, celle avec le meilleur \u00e9tat d\u2019esprit.<\/span><\/p>

Cette ville, c\u2019est notre ville, Marseille.<\/span><\/p>

 <\/span><\/p>","label":"

Marseille<\/i>, Ava<\/p>"},{"id":2655,"type":2,"content":"

 <\/p>

Danse petite peut-\u00eatre que quelque chose t\u2019attend<\/p>

Danse je te promets que tu seras pas \u00e9tonn\u00e9e<\/p>

Danse tu verras des lapins<\/p>

 <\/p>

Danse un jour tu aimeras danser<\/p>

 <\/p>

Danse tu vas recevoir de l\u2019amour<\/p>

Danse au bord de la mer<\/p>

Danse sur la plage<\/p>

 <\/p>

Danse mon enfant tu verras bien\u2026<\/p>

 <\/p>","label":"

Danse<\/i>, Ma\u00eblys<\/p>"},{"id":2656,"type":2,"content":"

     <\/strong><\/p>

Peut-\u00eatre qu\u2019une phrase sujet, verbe, compl\u00e9ment, peut exprimer mon \u00e9tonnement,<\/p>

Que j\u2019ai envers l\u2019\u00e2me de cet enfant qui sommeille en lui,<\/p>

Je vais le prot\u00e9ger et faire une po\u00e9sie pour lui.<\/p>

Tout \u00e0 l\u2019heure je lui donnerai et,<\/p>

J\u2019esp\u00e8re qu\u2019il sera heureux.<\/p>

 <\/p>","label":"

D\u00e9dicace \u00e0 l\u2019enfant<\/i>, Pablo<\/p>"},{"id":2657,"type":2,"content":"

 <\/strong><\/span><\/p>

Sous le vieux ch\u00eane, au bord du champ,
Le vent l\u00e9ger chante doucement.
Les feuilles dansent, les fleurs s\u2019endorment,
La nature parle, douce et sans forme.<\/p>

Un oiseau passe, le ciel est bleu,
Je r\u00eave en paix, les yeux vers les cieux     
Le ruisseau court, brillant et clair,
Comme le reflet de la mer<\/p>

Je pense alors, le c\u0153ur tout calme,
\u00c0 ces instants remplis de charme.
Pas de devoirs, pas de chagrin,
Juste le monde qui demain sera tien<\/p>

 <\/strong><\/p>","label":"

Sous le vieux ch\u00eane<\/i>, Gabriel<\/p>"},{"id":2658,"type":2,"content":"

 <\/p>

Je t\u2019appelle par le c\u0153ur depuis un lieu commun dit-il en pensant au nuage arrivant du chemin.<\/i><\/span><\/p>

Je t\u2019appelle depuis la nuit sans voix par l\u2019angle des neiges partant du m\u00eame chemin.<\/i><\/span><\/p>

Je t\u2019appelle depuis l\u2019ombre du chemin<\/i> qui tombe comme la pluie du destin.<\/span><\/p>

Je t\u2019appelle sans bient\u00f4t plus de c\u00e9dille \u00e0 neige.<\/span><\/p>

Je t\u2019appelle et attends le droit du chemin<\/i> par le c\u0153ur d\u2019une fl\u00e8che qui murmure la pluie par l\u2019ombre de la lune sous les flocons du ciel d\u2019o\u00f9 le c\u0153ur l\u2019envoie depuis les nuages.<\/span><\/p>

Cette voix du ciel que j\u2019entends entra\u00eene le r\u00eave de l\u2019appel du chemin.<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Chemin<\/i>, Kim<\/p>"},{"id":2659,"type":2,"content":"

 <\/p>

J\u2019aimerais pouvoir t\u2019appeler toutes les nuits mais avant je pense \u00e0 tes pieds gel\u00e9s par la neige mais d\u2019abord je viendrai toucher tes orteils avec tes ongles longs mais avant \u00e7a le chemin est long comme le couloir d\u2019un h\u00f4pital rempli d\u2019infirmi\u00e8res et chaque porte ouverte on voit des gens nus puis des fl\u00e8ches pour montrer la sortie, apr\u00e8s ce couloir j\u2019irai prendre le train en entendant la pluie tomber, je ferai tout pour toi sans exception, je ne dors plus la nuit pour te trouver, j\u2019ai la certitude de te r\u00e9cup\u00e9rer bient\u00f4t dans l\u2019ombre je verrai ton visage doux et on ira danser dans le triangle des Bermudes puis on coulera comme Jack on fond de l\u2019eau reposer en paix tous les deux.  <\/span><\/p>

 <\/p>","label":"

Joyce<\/p>"},{"id":2660,"type":2,"content":"

 <\/p>

Est-ce que tu t\u2019attends \u00e0 recevoir des \u00e9loges<\/span><\/p>

Pourtant tu rames toujours avec des arcs.<\/p>

En marchant dans la rue, tu tombes sur une brique<\/p>

J\u2019aurais toujours un ami, c\u2019est une certitude<\/p>

Si tu en as besoin, il t\u2019apportera une baguette<\/p>

Il sera toujours dans l\u2019abus<\/p>

Mais personne ne le dira jamais<\/p>

 <\/p>","label":"

Logan<\/p>"},{"id":2661,"type":2,"content":"

 <\/p>

Petite j\u2019\u00e9tais heureuse<\/span><\/p>

Petite j\u2019\u00e9tais amoureuse<\/span><\/p>

Petite j\u2019\u00e9tais na\u00efve<\/span><\/p>

Petite j\u2019\u00e9tais motiv\u00e9e<\/span><\/p>

Petite j\u2019\u00e9tais insomniaque<\/span><\/p>

Petite j\u2019\u00e9tais ob\u00e9issante<\/span><\/p>

 <\/span><\/p>

Maintenant grande je suis<\/span><\/p>

Grande je suis heureuse<\/span><\/p>

Grande je suis amoureuse<\/span><\/p>

Grande je suis mature<\/span><\/p>

Grande je suis lasse<\/span><\/p>

Grande je suis dormeuse<\/span><\/p>

Grande je suis t\u00eatue<\/span><\/p>

 <\/span><\/p>

Petite je voulais \u00eatre comme maman<\/span><\/p>

Grande je veux \u00eatre comme papa<\/span><\/p>

Maman brise, papa r\u00e9pare<\/span><\/p>

Papa prot\u00e8ge, maman aussi mais pas autant <\/span><\/p>

Maman blesse, papa m\u2019am\u00e8ne  <\/span><\/p>

Fille \u00e0 papa je suis, donc dure est la vie<\/span><\/p>

 <\/span><\/p>","label":"

Balkiss<\/p>"},{"id":2662,"type":2,"content":"

 <\/p>

j\u2019attendais dans la nuit<\/p>

le c\u0153ur \u00e0 la main<\/p>

c\u2019est alors que je la vis<\/p>

son visage, ses bras, ses jambes, ses pieds<\/p>

je me suis r\u00e9veill\u00e9<\/p>

je suis all\u00e9 attendre sur le vieux port<\/p>

et c\u2019est l\u00e0 que je l\u2019ai vue<\/p>

son beau visage m\u2019\u00e9blouissait<\/p>

j\u2019allais la voir et lui demandai<\/p>

\u00ab bonjour gente demoiselle auriez-vous du temps pour discuter ? \u00bb<\/p>

mais celle-ci partit dans la foule et je ne l\u2019ai jamais revue.<\/p>

 <\/p>","label":"

Mauvaise<\/i> rencontre<\/i>, Lino<\/p>"},{"id":2663,"type":2,"content":"

 <\/p>

Je mange des framboises en faisant des playbacks mais des troubadours me surveillent en soufflant de la poussi\u00e8re en verre.<\/span><\/p>

Mon visage est froid, des pliures de vieillesse avec la peau de Blanche-Neige et un peu de rouge sur les joues. Je n\u2019ai plus de v\u00eatements \u00e0 cause de toi. Tu es le troubadour du play-back, derri\u00e8re mon t\u00e9l\u00e9phone je te vois mais personne ne me croit quand je dis que je vois un immense homme avec de l\u2019or dans les yeux. J\u2019en ai assez que tu me regardes quand je chante mais le vide que je ressens quand j\u2019arr\u00eate les playbacks et que je me mets \u00e0 faire des Franuis. Je t\u2019aime petit troubadour.<\/span><\/p>

 <\/span><\/p>","label":"

Joyce<\/p>"},{"id":2664,"type":2,"content":"

 <\/p>

Les couleurs du soleil me rappellent l\u2019\u00e9t\u00e9<\/p>

Les papillons pleins de couleurs sortent d\u2019un placard<\/p>

Les grenouilles chantent, dansent et rigolent<\/p>

La piscine bleue et la plage attendent le soleil<\/p>

L\u2019eau de la mer froide comme la neige nous rafra\u00eech\u00eet<\/p>

L\u2019envie de la mer froide importe<\/p>

Mais quand les papillons viendront, l\u2019\u00e9t\u00e9 commencera<\/p>

 <\/p>","label":"

L\u2019\u00e9t\u00e9<\/i>, Ma\u00eblys<\/p>"},{"id":2647,"type":2,"content":"

 <\/p>

\u00e0 tout \u00e0 l\u2019heure, \u00e0 toujours, \u00e0 tout jamais.<\/span><\/p>

Pourquoi \u00eatre autrui ?<\/span><\/p>

Je ne suis pas l\u2019autre. Je suis moi, ici.<\/span><\/p>

Enfant pr\u00e9cis qui se penche pour d\u00e9rober le monde.<\/span><\/p>

\u00c9tonnement r\u00e9duit au sommeil.<\/span><\/p>

Petite \u00e9treinte pour me prot\u00e9ger.<\/span><\/p>

Prot\u00e9ger de quoi ? De qui ? De lui ? De moi ? De l\u2019autre ? Je ne sais pas ? Oui, moi, non.<\/span><\/p>

Je ne sais pas. Je ne sais plus. Je ne saurai jamais.<\/span><\/p>

 <\/span><\/p>","label":"

Pourquoi \u00eatre quand recommencer encore<\/i>, L\u00e9na L.<\/p>"},{"id":2665,"type":2,"content":"

 <\/strong><\/span><\/p>

Dans un champ de bl\u00e9 se situait une pomme dor\u00e9e<\/span><\/p>

Semblable \u00e0 une aiguille dans une botte de paille.<\/span><\/p>

Un jour une arm\u00e9e de petits hommes verts ne d\u00e9passant gu\u00e8re les 1m30 la d\u00e9vor\u00e8rent.<\/span><\/p>

Ils devinrent ainsi les esclaves d\u2019un axolotl qui n\u2019\u00e9tait pas leur pote !<\/span><\/p>

Ils furent maltrait\u00e9s \u00e0 longueur de journ\u00e9e<\/span>
L\u2019axolotl enrag\u00e9 voulut r\u00e9cup\u00e9rer sa pomme dor\u00e9e,<\/span><\/p>

Les petits bonhommes verts ont fini par succomber.<\/span><\/p>

 <\/span><\/p>","label":"

La pomme dor\u00e9e<\/i>, Samuel<\/p>"},{"id":2666,"type":2,"content":"

 <\/p>

Ces deux \u00eatres qui \u00e9taient tout le temps ensemble, heureux,<\/p>

prot\u00e9g\u00e9s du mauvais \u0153il des autres<\/p>

Je me rends compte qu\u2019ils ne revivront probablement plus jamais cette amour ouf,<\/p>

ces moments doux et joyeux ensemble.<\/p>

Tout cela devient de la nostalgie<\/p>

Mais pouvons-nous oublier cette nostalgie si pr\u00e9cieuse ?<\/p>

Oui s\u00fbrement, mais eux deux ne veulent pas.<\/p>

Ces deux personnes se manquent mutuellement mais malheureusement ce sont deux vitres teint\u00e9es,<\/p>

z\u00e9ro sentiment, aucune \u00e9motion donc,<\/p>

les deux sombrent en pensant que l\u2019autre ne l\u2019aime pas en retour.<\/p>

 <\/p>","label":"

Deux vitres teint\u00e9es<\/i>, Victoria<\/p>"},{"id":2667,"type":2,"content":"

 <\/p>

J\u2019attends que le temps passe avec l\u2019espoir qu\u2019un jour,<\/p>

On m\u2019apprenne cette bonne nouvelle que je d\u00e9sire patiemment.<\/p>

Tous les jours je me pose la m\u00eame question.<\/p>

Malheureusement, c\u2019est le pire qui arrive,<\/p>

Tous les jours mon c\u0153ur se brise petits morceaux par petits morceaux,<\/p>

J\u2019attends encore et encore.<\/p>

 <\/p>","label":"

Attente<\/i>, Sharleen<\/p>"},{"id":2668,"type":2,"content":"

 <\/p>

Elle, la framboise se baignait nue dans un lac ti\u00e8de argent\u00e9, chantant en play-back avec les rouges-gorges et les perruches.<\/span><\/p>

Elle, la framboise \u00e0 la robe rouge orn\u00e9e de plis blancs avec des talons aiguilles sortant dans la rue et attirant tous les damoiseaux, soif d\u2019une seconde vie.<\/span><\/p>

Elle, la framboise qui s\u2019efforce d\u2019\u00eatre belle malgr\u00e9 les insultes<\/span><\/p>

Elle, la framboise, malgr\u00e9 elle, je l\u2019aime.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Elle<\/i>, Enzo<\/p>"},{"id":2669,"type":2,"content":"

 <\/strong><\/span><\/p>

Petit nuage tu es amoureux tu es tout blanc<\/span><\/p>

Petit nuage tu es en col\u00e8re c\u2019est l\u2019orage<\/span><\/p>

Petit nuage tu es triste il pleut<\/span><\/p>

 <\/span><\/p>","label":"

Petit nuage tu as chaud tu t\u2019\u00e9vapores<\/i>, Enzo<\/p>"},{"id":2670,"type":2,"content":"

 <\/p>

Un marteau isol\u00e9 forma un crat\u00e8re<\/p>

On entendit une explosion<\/p>

Arriv\u00e8rent des avions<\/p>

Et je pris des sabres lasers.<\/p>

Je vis un homme d\u2019une trentaine d\u2019ann\u00e9es<\/p>

revenir avec du lait<\/p>

Je pensais qu\u2019il me disait de trouver des enfants dans l\u2019\u00e9glise<\/p>

 <\/p>","label":"

Multivers<\/i>, Logan<\/p>"},{"id":2671,"type":2,"content":"

 <\/p>

La premi\u00e8re fois o\u00f9 je t\u2019ai vu, quand tu as franchi cette fameuse porte,<\/span><\/p>

Le monde s\u2019est arr\u00eat\u00e9, plus personne n\u2019existait<\/span><\/p>

Il ne restait plus que toi et moi.<\/span><\/p>

 <\/span><\/p>

Dans tes yeux, j\u2019ai vu ta beaut\u00e9 mais pas que ta beaut\u00e9 ext\u00e9rieure,<\/span><\/p>

J\u2019ai vu ta beaut\u00e9 int\u00e9rieure, \u00e0 travers tes yeux,<\/span><\/p>

J\u2019ai vu que je pouvais te faire confiance, que je pouvais tout te confier, et<\/span><\/p>

\u00c7a c\u2019est ce que j\u2019aime chez toi.<\/span><\/p>

 <\/span><\/p>

Avec toi, on peut parler de tout en soi tu es mon journal intime,<\/span><\/p>

Mon confident.<\/span><\/p>

Depuis ce jour je n\u2019ai d\u2019yeux que pour toi.<\/span><\/p>

Je te aime<\/p>

 <\/p>","label":"

Aimer<\/i>, Sharleen<\/p>"},{"id":2672,"type":2,"content":"

 <\/p>

Toi, toi qui me ber\u00e7ais, toi \u00e0 qui je pense en me r\u00e9veillant. Pourquoi ne me vois-tu pas comme moi je te vois\u2026<\/span><\/p>

Toi qui es heureux l\u00e0 ou tu es, toi qui t\u2019es \u00e9teint il y a bien longtemps maintenant. Toi qui ne me jugeais pas, toi qui m\u2019amenais \u00e0 la plage. Toi qui avais d\u00e9rob\u00e9 mon monde. Toi qui m\u2019aimais. Ici, moi toujours l\u00e0 \u00e0 penser \u00e0 toi. Quand je pense \u00e0 toi, mon c\u0153ur se brise comme dans un naufrage.Vers toi je me dirigeais, vers toi je ne peux plus me diriger. Tu me manques mais je ne peux rien y faire. Tu ne penses plus, ton c\u0153ur ne bat plus aujourd\u2019hui le seul c\u0153ur qui se souvient de toi est le mien\u2026 A bient\u00f4t dans un autre univers.<\/span><\/p>

 <\/strong><\/p>","label":"

Toi<\/i>, Ma\u00e9<\/p>"},{"id":2673,"type":2,"content":"

 <\/p>

Le monde est \u00e0 toi, \u00e0 nous,<\/span><\/p>

Je n\u2019\u00e9tais qu\u2019un troubadour avant de te rencontrer,<\/span><\/p>

Ton visage clair, tes joues rouges, tu portais ce jour-l\u00e0 une robe jaune comme l\u2019or.<\/span><\/p>

Le monde est \u00e0 toi, \u00e0 nous,<\/span><\/p>

Je gravirai des montagnes, avancerai dans la poussi\u00e8re aveuglante sans aucune souffrance car je penserai \u00e0 toi.<\/span><\/p>

Lorsque je rentrerai dans ta maison, je serai malheureuse.<\/span><\/p>

Le monde n\u2019est qu\u2019\u00e0 toi,<\/span><\/p>

Tu ne m\u2019as pas attendue, c\u2019est ainsi que mon c\u0153ur devint froid.<\/span><\/p>

Le chagrin m\u2019emplit, ton souvenir immense gard\u00e9 dans une boite dans un coin de ma t\u00eate.<\/span><\/p>

Le monde est \u00e0 toi.<\/span><\/p>

 <\/span><\/p>","label":"

Axelle<\/p>"},{"id":2648,"type":2,"content":"

 <\/p>

Laisse-les dire chaque vers comme si leur vie en d\u00e9pendait. Tu n\u2019es pas eux, dis ce que tu veux, \u00e0 l\u2019endroit comme \u00e0 l\u2019envers. Ne te contente pas de chanter ce que les autres composent mais \u00e9cris ce qu\u2019il te pla\u00eet et chante-le \u00e0 ta mani\u00e8re. Ne sois pas \u00e9tonn\u00e9 si les autres te regardent c\u2019est qu\u2019ils aiment ce que tu aimes composer.<\/p>

Le regard des autres est important mais ils doivent t\u2019accepter comme tu es, ne change pas pour eux, crois en tes r\u00eaves et poursuis-les. Ce que tu fais doit te convaincre et si \u00e7a ne leur convient pas, d\u00e9tache-toi d\u2019eux, tu m\u00e9rites mieux. Le monde rentre dans des cases, toi sors des cases si tu en as envie ne fais pas comme tout le monde, amuse-toi, confie-toi, ne laisse jamais les autres te dire ce que tu dois faire. C\u2019est ta vie, \u00e0 toi de la guider comme il te pla\u00eet.<\/p>

 <\/strong><\/p>","label":"

Ma\u00e9<\/p>"},{"id":2674,"type":2,"content":"

 <\/p>

Mon coeur est port\u00e9 sur un bateau au bord de la mer qui peut faire naufrage lorsque qu\u2019un poids est  trop lourd<\/p>

mes \u00e9motions sont un poids de plus sur moi qui me coule dans les fonds de l\u2019oc\u00e9an et le seul moyen de remonter \u00e0 la surface est de les laisser tomber<\/p>

les guerres entre mes pens\u00e9es et mon c\u0153ur sont aussi nombreuses que les gouttes qui tombent dans la mer<\/p>

et lorsque que je suis au plus bas, j\u2019ai cette petite bou\u00e9e qui m\u2019aide \u00e0 sortir la t\u00eate de l\u2019eau <\/p>

 <\/p>","label":"

Lina<\/p>"},{"id":2675,"type":2,"content":"

 <\/p>

Je t\u2019appelle dans la nuit de ce train<\/span><\/p>

martel\u00e9 par la gr\u00eale et la pluie<\/span><\/p>

quand soudain le train s\u2019arr\u00eate nu dans<\/span><\/p>

la neige blanche comme la soie du coussin<\/span><\/p>

triangulaire sur ton canap\u00e9.<\/span><\/p>

 <\/span><\/p>","label":"

Dans le train<\/i>, Lohann<\/p>"},{"id":2676,"type":2,"content":"

            <\/strong><\/p>

 Fleur<\/span><\/p>

ton sourire m\u2019\u00e9blouit<\/span><\/p>

Fleur<\/span><\/p>

tes yeux verts m\u2019illuminent<\/span><\/p>

Fleur<\/span><\/p>

ta beaut\u00e9 vaut toutes les \u00e9toiles de la galaxie<\/span><\/p>

Fleur<\/span><\/p>

oh ma Fleur<\/span><\/p>

pour moi tu es tout<\/span><\/p>

pour toi je suis rien<\/span><\/p>

Fleur<\/span><\/p>

ma vie sans toi n\u2019a plus aucun go\u00fbt<\/span><\/p>

Fleur<\/span><\/p>

tu es comme une motivation<\/span><\/p>

Fleur<\/span><\/p>

gr\u00e2ce \u00e0 toi mon monde retrouve de ses couleurs<\/span><\/p>

oh Fleur<\/span><\/p>

 <\/span><\/p>","label":"

Fleur<\/i>, Lino<\/p>"},{"id":2677,"type":2,"content":"

 <\/p>

Ant\u00e9rieurement \u00e0 ta framboise, je me d\u00e9tache de l\u2019immeuble de l\u2019autre jusqu\u2019\u00e0 tomber dans la pile de v\u00eatements je rebondis dessus pour arriver dans la maison d\u2019or mais elle ne me convient pas alors je vole jusqu\u2019\u00e0 la maison de verre avec sa lumi\u00e8re d\u2019argent, moche elle \u00e9tait, pas \u00e0 mon go\u00fbt elle semblait, envie de partir elle me donnait, du coup je suis parti pour aller \u00e0 l\u2019int\u00e9rieur de l\u2019armoire, jolie elle \u00e9tait, \u00e0 mon go\u00fbt elle semblait, envie de rester elle me donnait, du coup je suis parti. En sortant de l\u2019armoire un troubadour me fit sursauter, j\u2019eus un arr\u00eat cardiaque et je suis mort, kapout\u2026<\/p>

 <\/p>","label":"

Maxence<\/p>"},{"id":2678,"type":2,"content":"

 <\/p>

Je n\u2019arrive pas \u00e0 contr\u00f4ler mes \u00e9motions<\/p>

Je ressens les \u00e9motions fois double<\/i><\/p>

Si je suis joyeuse, je serai souriante toute la journ\u00e9e<\/p>

Si je suis triste, je vais pleurer longtemps<\/p>

Lorsque je regarde une s\u00e9rie o\u00f9 quelqu\u2019un meurt, je verse toutes les larmes de mon corps<\/p>

Je m\u2019\u00e9nerve pas souvent, mais quand je suis \u00e9nerv\u00e9e le mieux c\u2019est de me laisser seule<\/p>

Ma col\u00e8re finit toujours par des pleurs<\/p>

Je stresse facilement pour un tout et un rien<\/p>

Mais il y a un endroit qui me rend heureuse tout le temps<\/p>

Un endroit o\u00f9 je l\u00e2che prise o\u00f9 mes \u00e9motions s\u2019envolent<\/p>

C\u2019est la mer, la mer bleu fonc\u00e9, mais \u00e9galement turquoise<\/p>

C\u2019est lorsque je m\u2019assoie sur le sable et que mes pieds touchent l\u2019eau que je me retrouve seule<\/p>

Le monde n\u2019existe plus<\/p>

Ce qui reste, c\u2019est moi, la plage et le bruit des vagues<\/p>

 <\/strong><\/p>","label":"

Marie<\/p>"},{"id":2679,"type":2,"content":"

 <\/p>

Je t\u2019appelle entre chambre et couloir                                                                                         <\/span><\/p>

Vite tu arrives apeur\u00e9                                                                                                             <\/span><\/p>

La t\u00eate dans les nuages<\/span><\/p>

 <\/span><\/p>

Sans d\u00e9fense tu es<\/span><\/p>

Ta peau aussi douce que de la soie<\/span><\/p>

Est froide comme la neige<\/span><\/p>

 <\/span><\/p>

Le nombre de voix dans ton corps augmente<\/span><\/p>

Comme si nous \u00e9tions dans un lieu commun<\/span><\/p>

Bient\u00f4t ton visage sans vie sur le coussin<\/span><\/p>

 <\/span><\/p>

Est-ce que le chemin de ta vie est fini ?<\/span><\/p>

Est-ce que je te rejoindrai un jour ? <\/span><\/p>

Est-ce que tu m\u2019attendras ?<\/span><\/p>

 <\/span><\/p>

Tant de questions sans r\u00e9ponse m\u2019envahissent<\/span><\/p>

Le c\u0153ur lourd de tristesse    <\/span><\/p>

J\u2019attends j\u2019attends le regard vide<\/span><\/p>

 <\/span><\/p>

Je pense \u00e0 nos souvenirs<\/span><\/p>

Envahie de tristesse, col\u00e8re et culpabilit\u00e9 <\/span><\/p>

Je me laisse tomber, tomber<\/span><\/p>

 <\/span><\/p>

O\u00f9 ? Je ne sais pas <\/span><\/p>

Dans un vide ? Possible <\/span><\/p>

Un possible vide enfoui en moi<\/span><\/p>

 <\/span><\/p>

Je commence \u00e0 reprendre mes esprits<\/span><\/p>

Quand j\u2019entends ta voix<\/span><\/p>

Tu t\u2019es r\u00e9veill\u00e9 la nuit est tomb\u00e9e<\/span><\/p>

 <\/span><\/p>

Enfin mon corps se rel\u00e2che<\/span><\/p>

Et une certitude m\u2019envahit<\/span><\/p>

Je t\u2019aime<\/i><\/span><\/p>

 <\/span><\/p>","label":"

Balkiss<\/p>"},{"id":2680,"type":2,"content":"

 <\/p>

Pourquoi suis-je heureuse ?<\/span><\/p>

Je ne sais pas pourquoi je me sens bien,<\/span><\/p>

Tous les souvenirs sombres, les blessures me font perdre la t\u00eate.<\/span><\/p>

Le bruit des vagues, la solitude, la mer \u00e0 perte de vue, voil\u00e0 pourquoi je suis heureuse, du moins apais\u00e9e.<\/span><\/p>

Pourtant derri\u00e8re moi, le monde ne cesse de fonctionner: le mal.<\/span><\/p>

Enfant, la confiance aveuglante que je poss\u00e9dais m\u2019a rendue faible.<\/span><\/p>

Seul le bruit de la mer endort mes souvenirs.<\/span><\/p>

Cela m\u2019a rendue telle que je suis, \u00e9go\u00efste, t\u00eatue.<\/span><\/p>

\u00e0 chaque conflit, c\u2019est ici que je m\u2019enfuis.<\/span><\/p>

 <\/span><\/p>","label":"

Axelle<\/p>"},{"id":2681,"type":2,"content":"

 <\/p>

Toi, moi, nous<\/span><\/p>

Les autres on s\u2019en fout<\/span><\/p>

Toi, moi, nous<\/span><\/p>

Les autres on s\u2019en fout<\/span><\/p>

 <\/span><\/p>

C\u2019est ce que je me r\u00e9p\u00e8te jour apr\u00e8s jour<\/span><\/p>

Mon amour pour toi n\u2019est que passion<\/span><\/p>

Une passion que j\u2019enfouis dans une boite<\/span><\/p>

 <\/span><\/p>

D\u00e9tachement je cr\u00e9e pour ne pas me blesser<\/span><\/p>

Loin je vois avec toi, toi je ne sais pas<\/span><\/p>

Je sais que tu m\u2019aimes tu me l\u2019as dit mais je ne sais pas<\/span><\/p>

 <\/span><\/p>

Je m\u2019efforce d\u2019y croire<\/span><\/p>

J\u2019\u00e9coute des chansons<\/span><\/p>

Je chante ces chansons<\/span><\/p>

Playback je vise sur toi<\/span><\/p>

 <\/span><\/p>

Toi, moi, nous existera<\/span><\/p>

J\u2019y crois<\/span><\/p>

Chaque jour ma passion augmente tellement<\/span><\/p>

Que la boite commence \u00e0 s\u2019ouvrir<\/span><\/p>

Tout \u00e7a pour te dire<\/span><\/p>

Je t\u2019aime<\/i> <\/span><\/p>

 <\/span><\/p>","label":"

Balkiss<\/p>"},{"id":2682,"type":2,"content":"

 <\/p>

il \u00e9tait tard et je n\u2019arrivais pas \u00e0 dormir<\/span><\/p>

je d\u00e9cide de faire une sortie nocturne<\/span><\/p>

en sortant dans le but de me rafra\u00eechir<\/span><\/p>

je vais vers un distributeur et prends une bi\u00e8re<\/span><\/p>

soudainement un fille avec une robe blanche surgit<\/span><\/p>

et me demande<\/span><\/p>

\u00ab t\u2019as une clope ? \u00bb<\/span><\/p>

pris de panique je lui donne une cigarette et un briquet<\/span><\/p>

et elle r\u00e9pond<\/span><\/p>

\u00ab passe ta bi\u00e8re mon chou\u00bb<\/span><\/p>

je lui dis non de la t\u00eate<\/span><\/p>

et elle sort un couteau de cuisine et dit<\/span><\/p>

\u00ab ah ouais ben dis au-revoir \u00e0 ta vie \u00bb<\/span><\/p>

elle me course et pris de panique je sors un taser<\/span><\/p>

elle est par terre criant de douleur<\/span><\/p>

je rentre chez moi je me mets dans mon lit et pleure<\/span><\/p>

\u00e0 cause de ce qui vient d\u2019arriver<\/span><\/p>

 <\/span><\/p>","label":"

La nuit<\/i>, Lino<\/p>"},{"id":2683,"type":2,"content":"

 <\/p>

Ton rire illumine mes journ\u00e9es.<\/span><\/p>

Quand je te vois le matin j\u2019attends que tu me dises bonjour.<\/span><\/p>

Toi mon fr\u00e8re qui es toujours l\u00e0 pour moi, qui m\u2019accompagnes dans les bons comme dans les mauvais moments. Un jour tu partiras mais ce jour-l\u00e0, tu ne le sais pas mais je viendrai te voir du premier jour jusqu\u2019au dernier.<\/span><\/p>

Tu viens me chercher m\u00eame s\u2019il te faut deux heures.<\/span><\/p>

Tu viendras me chercher le jour o\u00f9 il ne te faudra plus qu\u2019un quart d\u2019heure.<\/span><\/p>

Tu veux regarder des films, je te dis non, mais c\u2019est pour t\u2019emb\u00eater.<\/span><\/p>

Toi mon fr\u00e8re je t\u2019aime.<\/span><\/p>

 <\/span><\/p>","label":"

Mon fr\u00e8re<\/i>, Ma\u00e9<\/p>"},{"id":2649,"type":2,"content":"

 <\/p>

Dans les nuages blancs comme la neige je me sens<\/span><\/p>

comme un coussin en forme de triangle<\/span><\/p>

est-ce que c\u2019est une hallucination ou un jour<\/span><\/p>

je descendrai sur une nacelle<\/span><\/p>

 <\/span><\/p>

j\u2019aimerais pouvoir cueillir des cerises<\/span><\/p>

je me sens nu comme un c sans c\u00e9dille<\/span><\/p>

j\u2019ai la certitude qu\u2019un jour je redescendrai sur terre<\/span><\/p>

un homme marchant sur des graviers<\/span><\/p>

me dit s\u2019appeler papa tout en \u00e9tant mort<\/span><\/p>

 <\/span><\/p>","label":"

Le ciel<\/i>, Tim\u00e9o<\/p>"},{"id":2684,"type":2,"content":"

 <\/p>

La poussi\u00e8re d\u2019un \u00eatre \u00e9tonn\u00e9 arrive<\/p>

Comme un troubadour argent\u00e9<\/p>

Qui marche \u00e0 l\u2019envers.<\/p>

Chaque framboise rouge \u00e9claire<\/p>

L\u2019int\u00e9rieur du cr\u00e2ne<\/p>

Du troubadour vide et poussi\u00e9reux.<\/p>

Est-ce qu\u2019une personne froide raconte<\/p>

des rimes \u00e0 un troubadour,<\/p>

Dans un endroit lointain ? <\/p>

 <\/p>","label":"

Dylan<\/p>"},{"id":2685,"type":2,"content":"

 <\/p>

Je t\u2019appelle,<\/span><\/p>

Dans le couloir du train.<\/span><\/p>

Est-ce que tu dors sur un nuage,<\/span><\/p>

O\u00f9 tu attends le chemin qui arrive vers toi,<\/span><\/p>

Qui te fera tomber entre la vie et la mort.<\/span><\/p>

Je veux arriver au centre de ton c\u0153ur,<\/span><\/p>

Pour entendre ta voix, sous le torrent des fl\u00e8ches qui tombent.<\/span><\/p>

Je suis prot\u00e9g\u00e9, sous un coussin, mais la neige arrive vite,<\/span><\/p>

Me gla\u00e7ant les orteils,<\/span><\/p>

Mais soudain je vois ton ombre, sur le lieu commun.<\/span><\/p>

C\u2019est bon, je te rejoins.<\/span><\/p>

 <\/span><\/p>","label":"

Vincent<\/p>"},{"id":2686,"type":2,"content":"

 <\/p>

Je me tiens l\u00e0 dans le couloir de l\u2019h\u00f4pital alors que j\u2019attends de tes nouvelles<\/span><\/p>

Toi le soleil de mes cauchemars, la lumi\u00e8re de mes t\u00e9n\u00e8bres<\/span><\/p>

La chaleur qui vient me r\u00e9chauffer dans ce froid<\/span><\/p>

J\u2019attends j\u2019attends encore et encore <\/span><\/p>

Je me rem\u00e9more tous nos beaux souvenirs en mangeant des framboises<\/span><\/p>

Ton fruit pr\u00e9f\u00e9r\u00e9, il repr\u00e9sente mon esp\u00e9rance : celle de te voir r\u00e9veill\u00e9 encore une fois<\/span><\/p>

Nous nous installerons dans la maison d\u2019or l\u00e0 o\u00f9 tous les matins la campagne blanchit<\/span><\/p>

Au bord de l\u2019eau, berc\u00e9 par les troubadours, je t\u2019aiderai<\/span><\/p>

Toi le soleil de mes jours<\/span><\/p>

 <\/span><\/p>","label":"

Mon soleil<\/i>, Lohann<\/p>"},{"id":2687,"type":2,"content":"

 <\/p>

Lorsque j\u2019entends cette chanson,<\/span><\/p>

je repense \u00e0 ce vendredi o\u00f9 je t\u2019ai vu pour la derni\u00e8re fois de ma vie.<\/span><\/p>

Cet \u00e9lastique c\u2019est tout ce que je peux avoir pour te garder avec moi.<\/span><\/p>

Je me sens coupable de ne pas \u00eatre venue plus souvent.<\/span><\/p>

Je vois toutes ces personnes autour de toi comme elles ne l\u2019ont jamais \u00e9t\u00e9.<\/span><\/p>

Maintenant, tu es dans ta maison d\u2019or ;<\/span><\/p>

Ton armoire de v\u00eatements est vide, \u00e7a y est, tu es parti.<\/span><\/p>

 <\/span><\/p>","label":"

Papi<\/i>, L\u00e9na K.<\/p>"},{"id":2688,"type":2,"content":"

 <\/p>

Je t\u2019appelle du haut des nuages,<\/p>

Je te tire des fl\u00e8ches pour t\u2019appeler,<\/p>

J\u2019attrape ton ombre pour t\u2019interpeller.<\/p>

Mais tu pars et me laisse tomber,<\/p>

Je ne dors plus mais je pense \u00e0 toi.<\/p>

Une amiti\u00e9 bris\u00e9e, tout \u00e7a pour un cousin de soie.<\/p>

Ton \u00e9nervement touche ton c\u0153ur si \u00e9nerv\u00e9 que tu n\u2019entends plus ma voix.<\/p>

Je t\u2019appelle mais tu ne r\u00e9ponds plus,<\/p>

Tu m\u2019as dit que tu reviendrais bient\u00f4t,<\/p>

Mais tu n\u2019es pas revenu.<\/p>

 <\/p>","label":"

Augustin<\/p>"},{"id":2689,"type":2,"content":"

 <\/p>

Un enfant victime d\u2019un naufrage,<\/span><\/p>

Est seul sur la mer.<\/span><\/p>

Il souffre d\u2019une blessure mentale,<\/span><\/p>

Car il a perdu ses fr\u00e8res.<\/span><\/p>

Il arrive sur une plage,<\/span><\/p>

En \u00e9tant seul au monde.<\/span><\/p>

Il est \u00e9nerv\u00e9 et triste de ne pas avoir une vie heureuse,<\/span><\/p>

Car la sienne se trouve au fond la mer.<\/span><\/p>

Il \u00e9touffe de son \u00e9treinte son petit lapin,<\/span><\/p>

Qui est le dernier membre de sa famille.<\/span><\/p>

 <\/span><\/p>","label":"

aufrage<\/i>, Vincent<\/p>"},{"id":2690,"type":2,"content":"

 <\/p>

Je suis dans le couloir de la nuit.<\/span><\/p>

Je marche sur des fl\u00e8ches mouill\u00e9es dans l\u2019ombre des galets.<\/span>
J\u2019avance dans ce lieu commun sans savoir quand le train m\u2019attend.<\/span><\/p>

J\u2019arrive au bout du chemin sans penser aux nuages qui me recouvrent.<\/span><\/p>

Je finis ma visite sans exception dans une vieille nacelle dont l\u2019odeur est irrespirable.<\/span><\/p>

 <\/p>","label":"

Lenny<\/p>"},{"id":2691,"type":2,"content":"

 <\/p>

Le soleil de vos rires,<\/span><\/p>

Cheveux dans le vent.<\/span><\/p>

D\u2019une pr\u00e9sence \u00e9th\u00e9r\u00e9e, je souris.<\/span><\/p>

Celui bleu et taches blanches, le souvenir de la vue de vous.<\/span><\/p>

 <\/span><\/p>","label":"

L\u00e9na L.<\/p>"},{"id":2692,"type":2,"content":"

 <\/p>

j\u2018ai envie de tes beaux orteils, je pense toute la nuit aux beaux poils que tu as sur les jambes, je t\u2019appelle tous les jours et quand tu me r\u00e9ponds pas, je suis vraiment pas bien,<\/span><\/p>

un peu de el morjen<\/i> pour te confier ma g\u00eane.<\/span><\/p>

 <\/p>","label":"

Lui<\/i>, L\u00e9o<\/p>"},{"id":2693,"type":2,"content":"

 <\/p>

Armoire rouge et froide,<\/span><\/p>

Nous sommes messagers de l\u2019amour,<\/span><\/p>

Comme ces troubadours.<\/span><\/p>

\u00c9clairez-moi de votre robe de velours blanc<\/span><\/p>

Serez-vous assez belle ?<\/span><\/p>

Oui, s\u00fbrement !<\/span><\/p>

Eux ne le pensent pas, moi je vous pense, \u00e9videmment<\/span><\/p>

Mademoiselle, laissez-moi vous s\u00e9duire<\/span><\/p>

J\u2019voudrais tellement surfer sur les vagues de vos rires<\/span><\/p>

Ah bon je peux tutoyer ?<\/span><\/p>

Tr\u00e8s bien \u00e7a m\u2019arrange<\/span><\/p>

Alors je range ce lexique d\u2019un cahier<\/span><\/p>

Ton c\u0153ur a l\u2019air ferm\u00e9, mais ma voix fait l\u2019effet d\u2019un pav\u00e9<\/span><\/p>

J\u2019m\u2019occuperai de toi<\/span><\/p>

comme un Dragon qui vient de retrouver sa petite prot\u00e9g\u00e9e<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Elle<\/i>, Baptiste<\/p>"},{"id":2650,"type":2,"content":"

 <\/p>

Peut-\u00eatre que l\u2019id\u00e9e d\u2019aller me promener \u00e0 la Capelette comme \u00e0 la Joliette ou Cassis me faisait gingembrer et passant par les pieds bien lim\u00e9s \u00e0 la fois fa\u00e7onn\u00e9s me faisait penser \u00e0 la beaut\u00e9<\/span><\/p>

dans l\u2019arbre vert comme la glace \u00e0 la pistache<\/span><\/p>

me fait me sentir comme dans l\u2019arche de ton p\u00e8re<\/span><\/p>

pendant la pri\u00e8re tu m\u2019\u00e9voques Moli\u00e8re<\/span><\/p>

corps de texte un t-rex au grand Rex ou bien en italique comme tu le sens<\/span><\/p>

les donn\u00e9es qu\u2019ils t\u2019ont donn\u00e9es \u00e0 la piscine ou peux-tu enlever ton bras<\/span><\/p>

comme un juif \u00e0 la synagogue<\/span><\/p>

comme un chr\u00e9tien \u00e0 l\u2019\u00e9glise<\/span><\/p>

comme un musulman \u00e0 la mosqu\u00e9e<\/span><\/p>

il faut l\u2019\u00e9galit\u00e9 comme la dit un grand homme<\/span><\/p>

chr\u00e9tien musulman ou que tie la kippa<\/span><\/p>

vive le week-end mais pas the week-end<\/i> il fait chauffer en musique<\/span><\/p>

surtout quand on doit le chanter c\u2019est mieux de le chuchoter<\/span><\/p>

sa grosse m\u00e2choire carr\u00e9e<\/span><\/p>

mais le meilleur reste le tourniquet surtout in england<\/i><\/span><\/p>

 <\/span><\/p>","label":"

Le pouvoir de l\u2019al\u00e9atoire<\/i>, James<\/p>"},{"id":2694,"type":2,"content":"

 <\/p>

Nous qui avons \u00e9clair\u00e9 ta vie, personne n\u2019aurait fait ce que j\u2019ai fait pour toi, tu avais des v\u00eatements qui sortaient de la poubelle de chez L\u2026, je te aime et tu peux me dire merci pour tout ce que j\u2019ai fait pour toi.<\/span><\/p>

 <\/span><\/p>","label":"

La framboise<\/i>, L\u00e9o<\/p>"},{"id":2695,"type":2,"content":"

 <\/p>

Le troubadour d\u00e9muni de noir,<\/p>

Maison d\u2019or, donc armoire,<\/p>

Des chansons sans playback,<\/p>

Des immenses bo\u00eetes en verre comme le monde,<\/p>

Personne n\u2019enl\u00e8vera tous les prix<\/p>

Je m\u2019en fiche de trouver 39 rimes<\/p>

Tes v\u00eatements ont de la poussi\u00e8re<\/p>

Serait-ce la fin ?<\/p>

Oui, je confirme.<\/p>

 <\/p>","label":"

Le troubadour<\/i>, Logan<\/p>"},{"id":2651,"type":2,"content":"

 <\/p>

Je t\u2019appelle.<\/span><\/p>

Je pense \u00e0 toi, \u00e0 nous.<\/span><\/p>

Je me demande si toi tu fais de m\u00eame.<\/span><\/p>

Sinon, je te montrerai le chemin pour y arriver.<\/span><\/p>

Je vis dans le pass\u00e9.<\/span><\/p>

Est-ce qu\u2019il y a un rem\u00e8de contre la nostalgie ?<\/span><\/p>

Je nous appelle.<\/span><\/p>

Je repense aux moments pass\u00e9s ensemble.<\/span><\/p>

J\u2019aimerais parfois avoir une discussion avec toi.<\/span><\/p>

Profonde et sinc\u00e8re, pour mettre les choses au clair.<\/span><\/p>

Je vis dans notre pass\u00e9.<\/span><\/p>

\u00c7a sera s\u00fbrement l\u2019un des rem\u00e8des.<\/span><\/p>

J\u2019appelle nos souvenirs.<\/span><\/p>

Je voudrais qu\u2019ils partent \u00e0 jamais de ma m\u00e9moire.<\/span><\/p>

J\u2019esp\u00e8re que ce sera bient\u00f4t pour que je puisse tout oublier.<\/span><\/p>

J\u2019attendrai le temps qu\u2019il faudra.<\/span><\/p>

J\u2019aurai s\u00fbrement trouv\u00e9 le rem\u00e8de.<\/span><\/p>

Je t\u2019appelle.<\/span><\/p>

Tu reviendras, s\u00fbrement.<\/span><\/p>

Ou peut-\u00eatre que ce sera moi.<\/span><\/p>

Ce sera nous deux, c\u2019est une certitude.<\/span><\/p>

Nous serons partis pour mieux nous retrouver.<\/span><\/p>

Nous nous serons manqu\u00e9s mutuellement, notre complicit\u00e9 sera encore plus inoubliable.<\/span><\/p>

Bref, j\u2019ai trouv\u00e9 mon rem\u00e8de.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Un rem\u00e8de contre la nostalgie ?<\/i>, Ava<\/p>"},{"id":2652,"type":2,"content":"

 <\/p>

Je marche sur le sable chaud de la plage,<\/span><\/p>

je marche, je marche et je marche encore.<\/span><\/p>

Ce verbe je pourrais le faire pendant des heures, des semaines, des mois, des ann\u00e9es\u2026<\/span><\/p>

Les gens se demandaient pourquoi je me sentais heureuse, en confiance sur une simple plage.<\/span><\/p>

Mais ce n\u2019est pas une simple plage, c\u2019est la mienne, et je suis une enfant, et qui voudrait g\u00e2cher le bonheur d\u2019une enfant.<\/span><\/p>

                        ***<\/span><\/p>

Je marche dans la neige en pleine nuit dans le lieu commun,<\/span><\/p>

sans arriver \u00e0 la fin.<\/span><\/p>

Je pense \u00e0 ce chemin qui ne se terminera jamais,<\/span><\/p>

la pluie tombe et les nuages me semblent haut.<\/span><\/p>

La nuit commence \u00e0 partir et le matin \u00e0 se lever.<\/span><\/p>

                        ***<\/span><\/p>

Chaque passion rime avec nous,<\/span><\/p>

laisse-les dire le contraire<\/span><\/p>

Mais chaque fois que tu play-back le monde devient \u00e0 l\u2019envers,<\/span><\/p>

et avec des v\u00eatements aux pliures rouges, le monde sera aussi \u00e9tonn\u00e9 que moi.<\/span><\/p>

 <\/span><\/p>","label":"

Emma<\/p>"},{"id":2653,"type":2,"content":"

 <\/p>

Ma framboise d\u2019int\u00e9rieure \u00e0 l\u2019envers d\u2019ant\u00e9rieure \u00e0 l\u2019endroit<\/i> rouge comme personne froide comme l\u2019hiver.<\/span><\/p>

Nous-m\u00eames \u00e9tonn\u00e9s framboise laisse-les vibrer.<\/span><\/p>

Ces vers rouges aussi rouges que toi ma framboise d\u2019int\u00e9rieur \u00e0 l\u2019envers d\u2019ant\u00e9rieure \u00e0 l\u2019endroit<\/i> conviennent \u00e0 personne cette personne c\u2019est moi.<\/span><\/p>

Rougit comme \u00e9tonn\u00e9e rayonne d\u2019or comme le soleil d\u2019or.<\/span><\/p>

Laisse-les dire que tu es froid tu es aussi rouge que personne et cette personne c\u2019est qui c\u2019est pas moi.<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Framboise<\/i>, Kim<\/p>"},{"id":2654,"type":2,"content":"

 <\/p>

Sur la plage je vois la mer et deux enfants qui nagent avec un lapin, il est bless\u00e9, on l\u2019a battu, maltrait\u00e9, injures des deux enfants, mais c\u2019est des petits donc on leur en veut pas, et tous les jours ici \u00e0 la m\u00eame heure \u00e7a recommence, moi je ris car c\u2019est magnifique de voir des enfants nager comme des requins assoiff\u00e9s de sang frais. Tout le monde aimait le lapin mais pas tous de la m\u00eame mani\u00e8re. Le sujet est sombre mais bien \u00e9videmment vous n\u2019\u00eates pas pr\u00eats pour ce d\u00e9bat. <\/span><\/p>

 <\/span><\/p>","label":"

Joyce<\/p>"},{"id":2590,"type":5,"fileUrl":"\/resources\/files\/file_685fbbc44bad6.pdf"},{"id":2355,"type":1,"imageIds":[3693]},{"id":2589,"type":5,"fileUrl":"\/resources\/files\/file_685e8eccbe16d.pdf"},{"id":2591,"type":5,"fileUrl":"\/resources\/files\/file_685ea5ec78f5d.pdf"},{"id":2697,"type":4,"fileUrl":"\/resources\/files\/file_6878fb390b8d9.mp3","label":"

J\u00e9r\u00e9mie<\/p>","duration":18},{"id":2706,"type":4,"fileUrl":"\/resources\/files\/file_6878fd68d3d81.mp3","label":"

Serena<\/p>","duration":31},{"id":2707,"type":4,"fileUrl":"\/resources\/files\/file_6878fe2b9516f.mp3","label":"

Cyrill<\/p>","duration":15},{"id":2708,"type":4,"fileUrl":"\/resources\/files\/file_6878fe509b917.mp3","label":"

H\u00e9loise<\/p>","duration":34},{"id":2709,"type":4,"fileUrl":"\/resources\/files\/file_6878ff0372a4a.mp3","label":"

Cyriane<\/p>","duration":49},{"id":2710,"type":4,"fileUrl":"\/resources\/files\/file_6878ff4458d55.mp3","label":"

Johan<\/p>","duration":10},{"id":2711,"type":4,"fileUrl":"\/resources\/files\/file_6878ff7720ed2.mp3","label":"

Evar<\/p>","duration":17},{"id":2712,"type":4,"fileUrl":"\/resources\/files\/file_6878ff9e23aa8.mp3","label":"

Ana\u00efs<\/p>","duration":40},{"id":2713,"type":4,"fileUrl":"\/resources\/files\/file_6878ffcc4488b.mp3","label":"

Samuel<\/p>","duration":13},{"id":2714,"type":4,"fileUrl":"\/resources\/files\/file_6878fff6ad34e.mp3","label":"

Maia<\/p>","duration":25},{"id":2715,"type":4,"fileUrl":"\/resources\/files\/file_6879001c3ca98.mp3","label":"

Camille<\/p>","duration":16},{"id":2698,"type":4,"fileUrl":"\/resources\/files\/file_6878fb6611503.mp3","label":"

Maia<\/p>","duration":50},{"id":2716,"type":4,"fileUrl":"\/resources\/files\/file_687900533fb3f.mp3","label":"

Chlo\u00e9<\/p>","duration":29},{"id":2717,"type":4,"fileUrl":"\/resources\/files\/file_68790099cc50a.mp3","label":"

Mayel<\/p>","duration":12},{"id":2718,"type":4,"fileUrl":"\/resources\/files\/file_68790112efc9b.mp3","label":"

Romain<\/p>","duration":97},{"id":2719,"type":4,"fileUrl":"\/resources\/files\/file_6879013ca0513.mp3","label":"

Augustine<\/p>","duration":11},{"id":2720,"type":4,"fileUrl":"\/resources\/files\/file_6879018d28698.mp3","label":"

Wissam<\/p>","duration":9},{"id":2721,"type":4,"fileUrl":"\/resources\/files\/file_687901de95d6b.mp3","label":"

Avrora<\/p>","duration":24},{"id":2722,"type":4,"fileUrl":"\/resources\/files\/file_6879022550711.mp3","label":"

Adel<\/p>","duration":31},{"id":2700,"type":4,"fileUrl":"\/resources\/files\/file_6878fbb8c4e26.mp3","label":"

Adam<\/p>","duration":26},{"id":2701,"type":4,"fileUrl":"\/resources\/files\/file_6878fc1af17e7.mp3","label":"

Zo\u00e9<\/p>","duration":48},{"id":2702,"type":4,"fileUrl":"\/resources\/files\/file_6878fc3b9ab1a.mp3","label":"

Antoine<\/p>","duration":10},{"id":2703,"type":4,"fileUrl":"\/resources\/files\/file_6878fc70f2a96.mp3","label":"

Manon<\/p>","duration":47},{"id":2704,"type":4,"fileUrl":"\/resources\/files\/file_6878fd09b10ab.mp3","label":"

Quentin<\/p>","duration":8},{"id":2705,"type":4,"fileUrl":"\/resources\/files\/file_6878fd44d2c75.mp3","label":"

Gabriel<\/p>","duration":10},{"id":2645,"type":5,"fileUrl":"\/resources\/files\/file_686393e6a43c8.pdf"},{"id":2615,"type":2,"content":"

 <\/p>

JE TE, TU ME, NOUS NOUS<\/i><\/p>

 <\/p>

 Je t' inestimable<\/p>

tu m' aurore<\/p>

nous nous livre<\/p>

Je t' oc\u00e9an<\/p>

tu me for\u00eat<\/p>

nous nous flamme<\/p>

 <\/p>

Je me danse<\/p>

je te verre<\/p>

tu te musique<\/p>

tu me note<\/p>

je te m\u00e9lodie<\/p>

tu me chanson<\/p>

 <\/p>

Je te qui\u00e9tude<\/p>

tu me cendre<\/p>

nous nous silence<\/p>

Je te lettre<\/p>

tu me phrase<\/p>

nous nous paragraphe<\/p>

 <\/p>

Je me violon<\/p>

tu te piano<\/p>

je te parole<\/p>

tu me chant<\/p>

je me mots<\/p>

tu te tempo<\/p>

 <\/p>

Nous nous lointain.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

TIGRE SAUVAGE (OBJET)<\/i><\/p>

 
 Je suis un noble animal r\u00e9duit \u00e0 l'\u00e9tat de jouet en plastique. Mon pelage blanc stri\u00e9 de noir n'est plus que reproduit avec fausset\u00e9. N\u00e9anmoins, je reste tigre, meilleur pr\u00e9dateur f\u00e9lin. Je suis jouet que l'on oublie une fois lass\u00e9 car si peu articul\u00e9 je ne sers \u00e0 rien une fois que les enfants perdent leur imagination.<\/p>

Mes yeux bleus glacent, produit st\u00e9r\u00e9otyp\u00e9 de la couleur de mon poil car mes cousins oranges ont les yeux marrons, observent sans rel\u00e2che la m\u00eame direction tant que l'on ne change pas de place.<\/p>

ON ESSAYE DE ME RENDRE ATTRAYANT AINSI FAIT DE PLASTIQUE MAIS RIEN NE POURRA JAMAIS REMPLACER MA BEAUTE SAUVAGE D'ETRE VIVANT.<\/p>

 Mes oreilles immobiles laissent le son arriver sans jamais le retranscrire car n'\u00e9tant point dot\u00e9 d'organe, je suis mort. Mes griffes, si elle n'avaient pas \u00e9t\u00e9 faites de plastique auraient pu fendre l'acier.<\/p>

 Je suis jouet, \u00eatre de plastique sans vie. Produit d'une reproduction foireuse d'\u00eatre vivant.<\/p>

 <\/p>","label":"

Capucine<\/p>"},{"id":2624,"type":2,"content":"

 <\/p>

Je suis utile \u00e0 l' illustre Sherlock Holmes pour r\u00e9soudre ses \u00e9nigmes.<\/p>

On m'utilise pour fumer<\/p>

Je suis d'une grande qualit\u00e9.<\/p>

 <\/p>

Manque le po\u00e8me<\/p>

 <\/p>","label":"

Esteban<\/p>"},{"id":2625,"type":2,"content":"

 <\/p>

Po\u00e8me<\/p>

portrait : j'ai choisi cet objet car c'est un jouet d'enfance<\/p>

 <\/p>

je permets de voler dans l'imagination<\/p>

je suis une version miniature d'un objet dans la vraie vie et je peux voler.<\/p>

 <\/p>

 <\/p>

 <\/p>

Je suis la plume<\/p>

 <\/p>

Je suis l'outil indispensable pour voler<\/p>

Je suis l'outil qui servait \u00e0 \u00e9crire \u00e0 l'\u00e9poque<\/p>

Je suis la chose que l'on trouve \u00e0 chaque fois par terre<\/p>

 <\/p>

Je ne peux pas \u00eatre mouill\u00e9e<\/p>

Je suis un fl\u00e9au pour les collectionneurs amateurs<\/p>

 <\/p>","label":"

Idriss<\/p>"},{"id":2626,"type":2,"content":"

 <\/p>

Je suis cassante je suis cassette<\/p>

On m\u2019\u00e9coute, on me pr\u00eate.<\/p>

Je suis un objet de collection et je suis attirante.<\/p>

Je suis vieille mais je suis toujours de ce temps.<\/p>

Je suis encore visionn\u00e9e mais je ne suis plus d\u2019actualit\u00e9.<\/p>

Je suis petite, je me glisse partout.<\/p>

Je suis une cassette<\/p>

 <\/p>

 <\/p>

Il manque le po\u00e8me<\/p>

 <\/p>","label":"

Roxane<\/p>"},{"id":2627,"type":2,"content":"

 <\/p>

Mon po\u00e8me:<\/p>

 <\/p>

Je suis la mati\u00e8re qui vous donne envie d'aller vous coucher le soir et de vous lever le matin.<\/p>

Je suis le seul qui garde votre odeur m\u00eame \u00e0 l'ext\u00e9rieur.<\/p>

Je vous tiens chaud m\u00eame au sommet de l\u2019Everest.<\/p>

Je vous donne l'impression d'\u00eatre dans votre lit m\u00eame au fin fond de la for\u00eat.<\/p>

Je peux changer : un jour je suis un vulgaire bout de tissu qu'on ach\u00e8te au m\u00e8tre et le lendemain je suis une merveille port\u00e9e par des c\u00e9l\u00e9brit\u00e9s, qui m'ont achet\u00e9 pour 30 millions d'euros !!<\/p>

Je suis le TISSU.<\/p>

 <\/p>

 <\/p>

Ma phrase:<\/p>

Je suis l'objet le plus important, tout le monde a besoin de moi sauf les chauves.<\/p>

 <\/p>","label":"

Zo\u00e9 M<\/p>"},{"id":2628,"type":2,"content":"

 <\/p>

Je ne suis pas papillon<\/p>

Et je me sens l\u00e9ger<\/p>

 <\/p>

Je ne suis pas for\u00eat<\/p>

Et je me sens fleur<\/p>

 <\/p>

Je ne suis pas vent<\/p>

Et je me sens libre<\/p>

 <\/p>

Je ne suis pas sommeil<\/p>

Et je me sens repos<\/p>

 <\/p>

Je ne suis pas \u00e9toile<\/p>

Et je me sens brillant<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je suis fait d'un m\u00e9tal r\u00e9sistant<\/p>

Mes couleurs sont celles de l'argent<\/p>

De mon nom je peux faire peur<\/p>

Non je ne suis pas un dictateur<\/p>

Je suis un fouet, le plus beau<\/p>

A l'origine de tous les g\u00e2teaux<\/p>

Je ne suis utile qu'en mouvement<\/p>

Et un saint pour les gourmands<\/p>

Je suis froid au toucher<\/p>

Et un objet de qualit\u00e9<\/p>

Je suis le meilleur objet<\/p>

Si t'as pas compris,<\/p>

Je suis le fouet<\/p>

 <\/p>","label":"

No\u00e9<\/p>"},{"id":2629,"type":2,"content":"

 <\/p>

Lorsque j\u2019\u00e9cris le mot danser<\/i><\/p>

 <\/p>

Lorsque j\u2019\u00e9cris le mot danser<\/p>

C\u2019est qu\u2019il se passe quelque chose entre nous<\/p>

Des vibrations partant du bout de mes doigts jusqu\u2019au fond de mon estomac,<\/p>

Se font ressentir de plus en plus fort<\/p>

Ce mot me fait vivre, sans lui je ne me sentirais pas exister.<\/p>

Il est ma source, il est ma paix.<\/p>

Gr\u00e2ce \u00e0 lui je me sens vibrer<\/p>

 <\/p>

 \u2014
 <\/p>

Je prom\u00e8ne au-dedans de moi<\/i><\/p>

 <\/p>

Je prom\u00e8ne au-dedans de moi une route follement excitante remplie d\u2019\u00e9preuves dangereuses et plus amusantes les unes que les autres.<\/p>

Ces \u00e9preuves sont pleines d\u2019\u00e9motions diff\u00e9rentes ; la joie, l\u2019amour, la tristesse, la col\u00e8re<\/p>

Il y a des hauts et des bas<\/p>

Cette route est folle pleine d\u2019explosions de sentiments<\/p>

Mais un jour le voyage s\u2019arr\u00eatera<\/p>

Et pourtant je ne le veux pas.<\/p>

 <\/p>

Il manque la phrase surlign\u00e9e<\/p>

 <\/p>","label":"

Zo\u00eb T<\/p>"},{"id":2630,"type":2,"content":"

 <\/p>

Je suis le marbre, je suis beau mais peu de personnes peuvent m'avoir car je suis cher. J'ai plusieurs<\/p>

couleurs et je suis unique. Je ne me ressemble pas, je ne suis jamais pareil. On me trouve souvent dans les salles de bains de certaines personnes ou dans les h\u00f4tels, pourtant je viens de la nature et on ne me trouve plus que dans les endroits luxueux.<\/p>

Je suis pris pour ma beaut\u00e9 en d\u00e9coration dans les cuisines.<\/p>

Si tu me vois dans un autre endroit, je serai diff\u00e9rent. Je viens de la terre pourtant j'ai une grande valeur.<\/p>

 <\/p>

Il manque la phrase surlign\u00e9e<\/p>

 <\/p>","label":"

Mila<\/p>"},{"id":2631,"type":2,"content":"

 <\/p>

Texte choisi sur la mati\u00e8re : L\u2019air<\/i><\/p>

 <\/p>

Je suis l\u2019air.<\/p>

Je suis g\u00e9n\u00e9reuse envers les gens.<\/p>

Je suis en quelque sorte l\u2019or de l\u2019univers.<\/p>

Je peux rire ou voler, je suis unique et immortelle.<\/p>

Les oiseaux m\u2019aiment pour moi-m\u00eame et les humains veulent me garder en eux-m\u00eame.<\/p>

J\u2019entoure tout dans l\u2019univers fr\u00eale mais personne ne me voit ni ne me regarde.<\/p>

Mais je scintille.<\/p>

Personne ne peut me vendre et me pendre.<\/p>

Je marche moi-m\u00eame.<\/p>

M\u00eame selon la saison je reste pr\u00e9sente malgr\u00e9 les circonstances.<\/p>

Seulement je peux changer selon le soleil car lui-m\u00eame m\u2019aime.<\/p>

Certaines personnes veulent me perdre.<\/p>

Mais je reste fid\u00e8le \u00e0 moi-m\u00eame.<\/p>

 
\u2014<\/p>

 <\/p>

Po\u00e8me sur l\u2019objet : l\u2019ampoule<\/i><\/p>

 <\/p>

Je suis une ampoule, je vous \u00e9claire de ma lumi\u00e8re.<\/p>

Gr\u00e2ce \u00e0 moi, vous pouvez vivre sans craintes, sans obscurit\u00e9.<\/p>

Mais attention !<\/p>

Si l'on me force de me couper, je me coupe et vous serez \u00e9nerv\u00e9s.<\/p>

Malheureusement, seulement en ma pr\u00e9sence.<\/p>

Mon co\u00fbt vous co\u00fbtera tr\u00e8s cher.<\/p>

Mais si vous n\u2019en faites qu'\u00e0 votre t\u00eate et qu\u2019on me force \u00e0 me changer.<\/p>

Je serai une ampoule \u00e9nerv\u00e9e et d\u00e9jant\u00e9e.<\/p>

 <\/p>","label":"

Julia<\/p>"},{"id":2632,"type":2,"content":"

 <\/p>

Phrase surlign\u00e9e :<\/p>

 <\/p>

Toute de porcelaine<\/p>

par\u00e9e de fleurs<\/p>

et de pierreries<\/p>

J'\u00e9lance la jambe<\/p>

des belles-de-jour<\/p>

et des belles-de-nuit.<\/p>

 <\/p>

 <\/p>

Po\u00e8me<\/p>

 <\/p>

Je te coup de poing<\/p>

Tu m'esquisses<\/p>

 <\/p>

Je t'\u00e9lectrique<\/p>

Tu me grilles<\/p>

 <\/p>

Je te silence<\/p>

Tu me cacophonies<\/p>

 <\/p>

Je te br\u00fble<\/p>

Tu me cendres<\/p>

 <\/p>

Je me qui\u00e9tude<\/p>

Je me silence<\/p>

Tu me vent<\/p>

Je m'\u00e9lectrique<\/p>

Nous nous bambou<\/p>

Nous nous baldaquin<\/p>

 <\/p>","label":"

Odile<\/p>"},{"id":2633,"type":2,"content":"

 <\/p>

Premier po\u00e8me :<\/p>

 <\/p>

Je suis beau et \u00e9l\u00e9gant.<\/p>

Je te refl\u00e8te physiquement.<\/p>

Je te permet de t\u2019appr\u00eater pour tes plus belles soir\u00e9es.<\/p>

Dans le temps j\u2019\u00e9tais rare,<\/p>

Maintenant je peux \u00eatre un objet de collection.<\/p>

Je permet de te repr\u00e9senter sur ce beau verre,<\/p>

Entour\u00e9 de d\u00e9tails dor\u00e9s.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Second po\u00e8me :<\/p>

 <\/p>

Je prom\u00e8ne au dedans de moi, une route trac\u00e9e avec l\u2019amour qui me guide et me rend aveugle avec l\u2019importance que je porte \u00e0 ce sentiment qui me permet d\u2019\u00eatre moi-m\u00eame. Ce sentiment rare et agr\u00e9able me dit que je n'ai pas un c\u0153ur de pierre.<\/p>

M\u00eame si cela est peut \u00eatre court, c\u2019est agr\u00e9able d\u2019avoir des papillons dans le ventre durant ce court instant.<\/p>

 <\/p>","label":"

Fantine<\/p>"},{"id":2616,"type":2,"content":"

 <\/p>

 La route<\/i><\/p>

 <\/p>

Je prom\u00e8ne au dedans de moi une route de mots, une route de voix. De glace, mon c\u0153ur me dicte, mon c\u0153ur affirme. Je ne r\u00e9fl\u00e9chis pas.<\/p>

 <\/p>

Sans peur, sans pleur et sans frayeur cette voix a toujours \u00e9tait l\u00e0. Je marche sur ce sentier, ce chemin qu\u2019elle a cr\u00e9\u00e9. Accueillant mes pas, je vais tout droit.<\/p>

 <\/p>

Du bout du tunnel, je cris \u00e0 en perdre haleine. Appelant \u00e0 qui voudra m\u2019entendre de regarder au-del\u00e0 de \u00e7a, de voir plus loin \u00e0 travers moi.<\/p>

 <\/p>

Cette voix n\u2019est rien qu\u2019\u00e0 moi, mon monde, mon imaginaire, pas seulement des r\u00eaves plein d\u2019air. Un endroit vital, fondamentale pour mon corps et mon \u00e2me.<\/p>

 <\/p>

Un monde sauveur, un monde cr\u00e9ateur. Ce qui me prot\u00e8ge c\u2019est cette voix, ce chant sans fin que repr\u00e9sente ma vie, ce chant qui restera infini.<\/p>


\u2014 <\/p>

 <\/p>

( celui-l\u00e0 n\u2019est ici que si jamais il y a d\u00e9j\u00e0 trop de personnes qui lisent la route et que cela arrangerait que je lise celui-l\u00e0. )<\/i><\/p>

 <\/p>

Lorsque j\u2019\u00e9cris le mot \u00ab fr\u00e8re \u00bb,<\/p>

le mot \u00ab fr\u00e8re \u00bb.<\/p>

C\u2019est qu\u2019il se passe quelque chose entre nous,<\/p>

une connexion choisie, mais aussi un peu de nostalgie.<\/p>

La nostalgie des adieux, des adieux non formul\u00e9s, peut-\u00eatre m\u00eame pas pens\u00e9s.<\/p>

La nostalgie d\u2019une autre vie, une vie de souvenirs.<\/p>

Des souvenirs d\u2019enfance, des souvenirs de souffrance.<\/p>

De joie aussi. Une joie de pleurer, une joie de crier une joie de te retrouver.<\/p>

La d\u00e9livrance de cette longue souffrance.<\/p>

Un mot qui m\u2019appelle, un mot qui me rappelle,<\/p>

que le bonheur est toujours l\u00e0, m\u00eame loin de moi.   <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

La phrases sur l\u2019objet :<\/i><\/p>

 <\/p>

Si on ne m\u2019avait pas fa\u00e7onn\u00e9 pour le bonheur des enfants, aujourd\u2019hui j\u2019aurais pu galoper au gr\u00e9 du vent.<\/p>

 <\/p>","label":"

Lily<\/p>"},{"id":2634,"type":2,"content":"

 <\/p>

Jean<\/i><\/p>

 <\/p>

Je suis le jean<\/p>

Je suis port\u00e9 par tout le monde<\/p>

Riche ou pauvre on me porte<\/p>

Je suis agr\u00e9able \u00e0 porter et tout le monde m'aime<\/p>

Je peux \u00eatre de toutes les couleurs.<\/p>

 <\/p>","label":"

Edesse<\/p>"},{"id":2635,"type":2,"content":"

 <\/p>

Je suis souvenirs douloureux de 1700 \u00e0 1800<\/p>

Doux mais peut-\u00eatre dur<\/p>

Avec moi on fabrique des v\u00eatements<\/p>

Ramass\u00e9 d\u00e8s l'aube par des travailleurs investis.<\/p>

 <\/strong><\/p>

Je ne suis pas chuchotement<\/p>

Et je me sens for\u00eat<\/p>

 <\/p>

Je ne suis pas zen<\/p>

Et je me sens bruit<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je te dormir<\/p>

Tu me direct<\/p>

Tu me mille morceau<\/p>

Je t'arbre<\/p>

 <\/p>","label":"

Valentino<\/p>"},{"id":2636,"type":2,"content":"

 <\/p>

Je te gomme<\/p>

Tu me compas<\/p>

Nous nous taille-crayon<\/p>

Je te cl\u00e9 USB<\/p>

Tu me ciseaux<\/p>

Nous nous scotch<\/p>

 <\/p>

Je te millefeuille<\/p>

Tu me Paris-Brest<\/p>

Nous nous baba au rhum<\/p>

 <\/p>","label":"

Julien<\/p>"},{"id":2637,"type":2,"content":"

 <\/p>

Je te flash<\/p>

Tu m'\u00e9claires<\/p>

Nous nous rougons (?)<\/p>

Tu me stylo<\/p>

Nous nous ciseaux<\/p>

Je te porte<\/p>

Tu me vitre<\/p>

Nous nous fen\u00eatre<\/p>

Je te bambou<\/p>

Nous nous buisson<\/p>

Nous nous for\u00eat<\/p>

Je me song<\/p>

Tu te bruit<\/p>

Nous nous bavardage<\/p>

Je te frite<\/p>

Tu me burger<\/p>

Nous nous ketchup<\/p>

 <\/p>","label":"

Luce<\/p>"},{"id":2638,"type":2,"content":"

 <\/p>

 Je ne suis pas inestimable<\/p>

Et je me sens pr\u00e9cieuse<\/p>

 <\/p>

Je ne suis pas sauvage<\/p>

Et je me sens<\/p>

 <\/p>

Je ne suis pas brune<\/p>

Et je me sens Victoria Secret<\/p>

 <\/p>

Je ne suis pas sorci\u00e8re<\/p>

Et je me sens Carla Moreau<\/p>

 <\/p>","label":"

C\u00e9lia<\/p>"},{"id":2639,"type":2,"content":"

 <\/p>

 Je ne suis pas graine<\/p>

Et je me sens fleur<\/p>

 <\/p>

Je ne suis pas rivi\u00e8re<\/p>

Et je me sens oc\u00e9an<\/p>

 <\/p>

Je ne suis pas cendre<\/p>

Et je me sens lointain<\/p>

 <\/p>

Je ne suis pas vide<\/p>

Et je me sens livre<\/p>

 <\/p>

Je ne suis pas pot<\/p>

Et je me sens cass\u00e9<\/p>

 <\/p>","label":"

Oc\u00e9ane<\/p>"},{"id":2640,"type":2,"content":"

 <\/p>

Je suis douce et brillante et au toucher je suis d'une grande l\u00e9g\u00e8ret\u00e9.<\/p>

On m'utilise dans les grands d\u00e9fil\u00e9s de haute couture.<\/p>

Je suis port\u00e9 par de belles femmes distingu\u00e9es qui marchent avec beaut\u00e9.<\/p>

Et je suis port\u00e9 par les cheveux textur\u00e9s pendant la nuit pour que les cheveux ne soient pas fragilis\u00e9s ou cass\u00e9s.<\/p>

On peut me porter en pyjama douillet.<\/p>

 <\/p>

Phrase surlign\u00e9e proposition<\/p>

Je suis un objet de convoitise,<\/p>

mais si je me brise, vous<\/p>

perdrez toute votre beaut\u00e9 !<\/p>

 <\/p>","label":"

Sirine<\/p>"},{"id":2641,"type":2,"content":"

 <\/p>

Phrase surlign\u00e9e<\/p>

 <\/p>

Je porte et porte encore votre poids, et pourtant vous ne me comprenez pas.<\/p>

 <\/p>

 <\/p>

Manque po\u00e8me<\/p>

 <\/p>","label":"

Th\u00e9na\u00efs<\/p>"},{"id":2642,"type":2,"content":"

 <\/p>

Po\u00e8me<\/p>

 <\/p>

Je ne suis pas cheveux<\/p>

Et je me sens brosser<\/p>

 <\/p>

Je ne suis pas bizarre<\/p>

Et je me sens folle<\/p>

 <\/p>

Je ne suis pas mamie<\/p>

Et je me sens vieille<\/p>

 <\/p>

Je ne me suis pas joie<\/p>

Et je me sens heureuse<\/p>

 <\/p>

Je ne suis pas rose<\/p>

Et je me sens rougir<\/p>

 <\/p>

Je ne suis pas vide<\/p>

et je me sens seule<\/p>

 <\/p>

Je ne suis pas cendre<\/p>

Et je me sens br\u00fbler<\/p>

 <\/p>

Je ne suis pas vase<\/p>

Et je me sens cass\u00e9e<\/p>

 <\/p>

Je ne suis pas fatigu\u00e9e<\/p>

Et je me sens dormir<\/p>

 <\/p>

Je ne suis pas soleil<\/p>

Et je me sens briller<\/p>

 <\/p>

Je ne suis pas pr\u00e9cieuse<\/p>

Et je me sens rare<\/p>

 <\/p>

Phrase surlign\u00e9e :<\/p>

Je suis indispensable \u00e0 la nature<\/p>

Je voyage beaucoup<\/p>

Je chante en \u00e9t\u00e9<\/p>

Je grimpe et vole<\/p>

Je me camoufle<\/span><\/p>

 <\/p>","label":"

Lucie<\/p>"},{"id":2617,"type":2,"content":"

 <\/p>

Nous sommes les p\u00e2tes, au pesto, \u00e0 la carbonara ou \u00e0 la bolognaise, Nous sommes d\u00e9licieuses.<\/p>

Mais nous avons mal lorsque l'on nous fait bouillir, \u00e7a nous br\u00fble !<\/p>

Nous sommes emprisonn\u00e9es dans un sachet plastique puis on nous fait ramollir dans de l'eau bouillante.<\/p>

Nous sommes ensuite aspir\u00e9es puis dissoutes dans un estomac, \u00e7a fait tr\u00e8s mal.<\/p>

Mais attention, si vous nous coupez, nous pouvons nous rebeller !<\/p>

Bref, nous sommes les p\u00e2tes.<\/p>

 <\/p>

Po\u00e8me avec phrase soulign\u00e9e<\/p>

Je suis une carte en papier, je repr\u00e9sente les villes de Montpellier, Avignon,<\/p>

Marseille et bien d'autres !<\/p>

Mon \u00e9chelle est de 1\/60 000 cm.<\/p>

J'ai \u00e9t\u00e9 pli\u00e9 en 12 pour maintenant mesurer 25\/11 centim\u00e8tres.<\/p>

J'ai \u00e9t\u00e9 cr\u00e9\u00e9 en 2001 au 46 avenue de breteuil \u00e0 Paris.<\/p>

Mon ISBN est 2-06-000113-7.<\/p>

Ma couverture est verte et je fais partie d'une s\u00e9rie de trois cartes<\/p>

Michelin: la 113 (moi), la 114 et la 115 qui sont plus petites que moi.<\/p>

J'aide beaucoup les touristes (et pas que) \u00e0 retrouver leur chemin.<\/p>

 <\/p>","label":"

Octave<\/p>"},{"id":2618,"type":2,"content":"

 <\/p>

Je te Nintendo<\/p>

Tu me Xbox<\/p>

Nous nous Playstation<\/p>

Je te Mortal Kombat<\/p>

Tu me Street Fighters<\/p>

Nous nous Marvel vs. Capcom Infinite<\/p>

Je te Marvel\u2019s Spiderman<\/p>

Tu me Midnight Sun<\/p>

Nous nous Marvel\u2019s Wolwerine<\/p>

Je te Fortnite<\/p>

Tu me Call Of Duty<\/p>

Nous nous Dragon Ball Sparking Zero<\/p>

Je te Roblox<\/p>

Tu me Minecraft<\/p>

Nous nous Portal<\/p>

Je te The Last Of Us<\/p>

Tu me Daysgone<\/p>

Nous nous Dying Light<\/p>

tu te Valorant<\/p>

Nous nous Apex Legends<\/p>

Je te Tom Clancy\u2019s Rainbow Six Siege<\/p>

Nous nous World of Warcraft<\/p>

Tu me League Of Legends<\/p>

Je me Astro Bot<\/p>

Tu te Marvel\u2019s Avengers<\/p>

Nous Riders Republic<\/p>

Tu me Mario Kart WII<\/p>

Je me Metroid Prime<\/p>

Nous nous Zelda Breath Of The Wild<\/p>

Je me Sonic X Shadow Generation<\/p>

Tu me Watchdogs<\/p>

Nous nous Gran Turismo<\/p>

Tu te Batman Arkham Night<\/p>

Je te Deadpool<\/p>

Tu me Nba2K25<\/p>

Nous nous GTA VI<\/p>

Je me Red Dead Redemption II<\/p>

Tu me Assassin\u2019s Creed Shadows<\/p>

Nous nous Far Cry 5<\/p>

Je te Elden Ring<\/p>

Tu me The Elder Scrolls V Skyrim<\/p>

Nous nous Detroit Become Human<\/p>

Je me One Piece Burning Blood<\/p>

Tu me Battlefield<\/p>

Tu te FC25<\/p>

Nous nous Horizon Zero Dawn<\/p>

Je te Fall Guys<\/p>

Tu me Rocket League<\/p>

Je me Five Night At Freddy\u2019s Security Breach<\/p>

Nous nous God Of War Ragnarok<\/p>

Je te The Witcher 3 Wild Hunt<\/p>

Tu me Hogwarts Legacy<\/p>

Nous nous Cyberpunk 2077<\/p>

Je te Animal Crossing : New Horizons<\/p>

Tu me Splatoon 3<\/p>

Je me Pokemon Ecarlate et Violet<\/p>

Tu te Crash Bandicoot: Sane Trilogy<\/p>

Nous nous Lego<\/p>

 <\/p>

 <\/p>

Po\u00e8me  phrase soulign\u00e9e<\/p>

Je suis fort et lourd<\/p>

Je bois de l\u2019essence<\/p>

J\u2019aide les paysans<\/p>

Je suis le tracteur<\/p>

 <\/p>","label":"

Lenny<\/p>"},{"id":2619,"type":2,"content":"

 <\/p>

Texte 1<\/p>

Je prom\u00e8ne au dedans de moi une route de Flash McQueen je prom\u00e8ne au dedans de moi une route de ciment je prom\u00e8ne au dedans de moi une route dure je prom\u00e8ne au dedans de moi une route verte je prom\u00e8ne au dedans de moi une route grise je prom\u00e8ne au dedans de moi une route \u00e9trange je prom\u00e8ne au dedans de moi une route de papillon je prom\u00e8ne au dedans de moi une route de cahier                                                                                                                               <\/p>

 <\/p>

 <\/p>

phrase surlign\u00e9e : je suis petit, en bois.  Je fais partie des humains.<\/p>

(Mon objet c'\u00e9tait une petite chaise en bois). <\/p>

 <\/p>","label":"

Jade<\/p>"},{"id":2620,"type":2,"content":"

 <\/p>

L\u2019objet<\/p>

Je suis long<\/p>

Je suis bleu<\/p>

Je suis un animal<\/p>

J\u2019ai des nageoires<\/p>

Je vis sous la mer<\/p>

Je suis en plastique<\/p>

J\u2019ai une grande bouche<\/p>

J\u2019ai des petits yeux<\/p>

J\u2019ai une grande langue<\/p>

Je suis le plus grand des mammif\u00e8res<\/p>

Je me fais manger par les Japonais<\/p>

Je suis une esp\u00e8ce prot\u00e9g\u00e9e<\/p>

 <\/p>

 <\/p>

Po\u00e8me sur je te tu me<\/p>

Je te brille<\/p>

Je te soleil<\/p>

Je me chaud<\/p>

Tu te \u00e9toile<\/p>

Nous nous rayons<\/p>

Tu me br\u00fble<\/p>

Nous nous couleurs jaunes et oranges<\/p>

Tu te dieu du soleil<\/p>

Tu me mets \u00e0 l\u2019eau<\/p>

Nous nous chaleur<\/p>

 <\/p>","label":"

Alexandre<\/p>"},{"id":2621,"type":2,"content":"

 <\/p>

L'Essence<\/i><\/p>

 <\/p>

Je suis l'essence<\/p>

J'aime mon odeur<\/p>

Je remplis vos v\u00e9hicules pour vous permettre de voyager.<\/p>

Je suis l'or noir, on m'extrait du p\u00e9trole.<\/p>

Je suis naturel,je viens du fond de la terre.<\/p>

 <\/p>

Sans moi, plus d'usines, plus de fabrication.<\/p>

Sans moi rien n'est possible.<\/p>

 <\/p>

Je suis l'essence,<\/p>

Quand je vous manque,<\/p>

Vous retrouvez votre force humaine.<\/p>

 <\/p>

Je suis l'essence,<\/p>

Je peux \u00eatre utile mais aussi<\/p>

Tr\u00e8s dangereux.<\/p>

 <\/p>

Je peux \u00eatre la mar\u00e9e noire,<\/p>

faites attention \u00e0 moi.<\/p>

 <\/p>

Je peux \u00eatre la cl\u00e9 de vos probl\u00e8mes<\/p>

ou m\u00eame la source de vos probl\u00e8mes.<\/p>

 <\/p>","label":"

Allan<\/p>"},{"id":2622,"type":2,"content":"

 <\/p>

objet \u00ab b\u00e9b\u00e9 \u00bb<\/p>

Je suis fragile et chiant<\/p>

Je suis horreur et terreur<\/p>

Je suis aussi contorsionniste<\/p>

 <\/p>

Texte choisi :<\/p>

Je prom\u00e8ne en dedans de moi, une route biscornue et caboss\u00e9e.<\/p>

La route est longue pleine de bouchons et il fait tr\u00e8s chaud.<\/p>

 <\/p>","label":"

Samuel<\/p>"},{"id":2623,"type":2,"content":"

 <\/p>

Lorsque j' \u00e9cris le mot coll\u00e8ge, je vois de la tristesse, des rires, des le\u00e7ons, des amis avec qui je rigole, des  notes qui me d\u00e9motivent, des amies qui remontent le moral, l'envie de progresser. Le coll\u00e8ge est un passage important dans notre scolarit\u00e9 parfois c'est dur, parfois c'est bien.  <\/p>

Je suis bon \u00e0 manger<\/p>

Mais je suis un jouet<\/p>

Et j'aime !<\/p>

Jouer !<\/p>

 <\/p>","label":"

Antoine<\/p>"},{"id":2345,"type":5,"imageIds":[3689],"fileUrl":"\/resources\/files\/file_675813fda732e.pdf","label":"

Cindy Joy<\/p>"},{"id":2346,"type":2,"content":"

 <\/p>

Il vient du ventre, caresse mes entrailles, s\u2018attarde sur mon myocarde, le secoue en un rythme qui s\u2019acc\u00e9l\u00e8re, ouvre l\u00e9g\u00e8rement ma bouche de m\u00eame qu\u2018il baisse mes paupi\u00e8res. Je dis il qui pourrait \u00eatre elle alors je scrute le chemin au f\u00e9minin d\u00e9sormais, longiligne femme aux courbes tendres, rondeurs sinueuses, juste ce qu\u2018il faut d\u2018imperfections pour accueillir ta main, paume douce, pulpe r\u00eache de doigts habitu\u00e9s \u00e0 l\u2018ouvrage dans l\u2019effort. Chemin fr\u00e9mit, sentier se cambre. Quelque chose dans un buisson attend, source naissante entre feuillages velout\u00e9es, d\u2019ardeur gonfl\u00e9es, peu importe le genre encore puisque le il s\u2019accorde ici si bien au elle qui bient\u00f4t se conjugueront \u00e0 l\u2019unisson sans distinction. M\u00e9tissage de pronoms perl\u00e9s de sueur comestible. Go\u00fbt sal\u00e9 d\u2019un parfum rare, unique, uni et r\u00e9uni au sommet de l\u2019orgasme.<\/p>

 <\/p>","label":"

Marie Pestel<\/p>"},{"id":2347,"type":2,"content":"

 <\/p>

_______________________________<\/p>

Je ne l\u2019ai pas prise <\/p>

un autre homme l\u2019a capt\u00e9e<\/p>

elle est toute petite jaunie<\/p>

avec des bords crant\u00e9s<\/p>

une colline habit\u00e9e dans la p\u00e9nombre<\/p>

r\u00e9v\u00e9l\u00e9e par des points lumineux   des feux<\/p>

des traits lumineux griffent l\u2019obscurit\u00e9<\/p>

jusqu\u2019\u00e0 saturer un coin de la surface argentique<\/p>

au dos de la photo<\/p>

Le Havre 5 septembre 1944.<\/p>

___________________________________<\/p>

 <\/p>

 <\/p>

___________________________________<\/p>

On ne doit photographier les morts<\/p>

Ils restent seulement imprim\u00e9s<\/p>

sur la r\u00e9tine de la m\u00e9moire<\/p>

__________________________________<\/p>

___________________________________<\/p>

On peut visiter la maison de l\u2019architecte<\/p>

on ne peut pas photographier l\u2019int\u00e9rieur<\/p>

il y a tout   mais c\u2019est interdit<\/p>

un autre y vit.<\/p>

___________________________________<\/p>

___________________________________<\/p>

On ne peut pas  prendre en photo<\/p>

les absents<\/p>

ils ne sont plus l\u00e0.<\/p>

__________________________________<\/p>

 <\/p>","label":"

Les photographies que je n\u2019ai pas prises<\/i>, Colas Baillieul<\/p>"},{"id":2348,"type":2,"content":"

 <\/p>

J\u2019ai travers\u00e9 la grand\u2019route<\/p>

D\u00e9pass\u00e9 la ferme<\/p>

Chemin\u00e9 sans bruit<\/p>

Buter sur des galets CRR CRR CRR<\/p>

Attention \u00e0 ne pas d\u00e9valer \u00e0 ne pas riper \u00e0 ne pas glisser<\/p>

 <\/p>

J\u2019ai suivi la pente invers\u00e9e de la draille ass\u00e9ch\u00e9e<\/p>

Dispers\u00e9 les gravillons<\/p>

\u00c9cart\u00e9 les cystes<\/p>

Je r\u00e8gne souverain sur un tas de cailloux<\/p>

 <\/p>

Calade d\u00e9cal\u00e9e<\/p>

Je serpente<\/p>

Je disparais<\/p>

Je renais<\/p>

Je me perds encore<\/p>

Je suis toujours<\/p>

Pour que tu me suives, me poursuives<\/p>

 <\/p>

\u00e0 la crois\u00e9e des chemins<\/p>

F<\/p>

a<\/p>

u<\/p>

t-il<\/p>

bifurquer ? ? ?<\/p>

 <\/p>

PAR o\u00f9 ?<\/p>

PAR o\u00f9 ?<\/p>

 PAR o\u00f9 ?<\/p>

PAR L\u00e0<\/p>

PAR L\u00e0<\/p>

NON<\/p>

PAR ici<\/p>

PAR ici<\/p>

 <\/p>

Prendre un autre chemin<\/p>

CAMIN CAMINAR<\/p>

 <\/p>

Une autre route<\/p>

TRIK TERQAAN<\/p>

 <\/p>

Une autre voie<\/p>

WAY IN WAY OUT<\/p>

 <\/p>

Rester immobile<\/p>

S\u2019arr\u00eater l\u00e0<\/p>

le bout du chemin<\/p>

NO PASARAN<\/p>

 <\/p>

Personne ne passerai plus jamais sur ces cailloux<\/p>

 <\/i><\/p>","label":"

Monologue caillass\u00e9<\/i>, Mich\u00e8le Bitton<\/p>

 <\/p>"},{"id":2349,"type":5,"imageIds":[3690],"fileUrl":"\/resources\/files\/file_675811209b121.pdf","label":"

Magali Borel<\/p>"},{"id":2350,"type":2,"content":"

 <\/p>

 A ce moment \u00e0 ce seuil pr\u00e9cis\u00e9ment le chemin auparavant paisible s\u2019ouvre sur le  chaos     la route a laiss\u00e9 sa place \u00e0 la d\u00e9vastation la balistique funeste ne laisse gu\u00e8re de pr\u00e9sage sur la passivit\u00e9 des faits parsem\u00e9e d\u2019emb\u00e2cles de d\u00e9chets anthropiques et de miasmes     il faut enjamber avec pr\u00e9caution les d\u00e9combres qu\u2019il convient d\u2019\u00e9viter  rester en vie sans d\u00e9clencher l\u2019anath\u00e8me du compte \u00e0 rebours d\u00e9finitif  se mettre en fonction abr\u00e9ger la m\u00e9canique faire taire la rumeur  d\u00e9valer la pente dans quelque sens du terrain min\u00e9 cheminer sans partir en fum\u00e9e sortir de la zone grise \u00e9viter l\u2019ab\u00eeme  abr\u00e9ger l\u2019axe m\u00eame si cet office que l\u2019on dit d\u00e9sunis   n\u2019est pas un chemin tranquille c\u2019est une question fatidique   o\u00f9 aller o\u00f9   pourquoi ne pas rester \u00e0 la place   n\u2019est pas celle du mort dans la vall\u00e9e de l\u2019incertitude<\/p>

 <\/p>","label":"

Monologue en forme de chemin tortur\u00e9<\/i>, Colas Baillieul<\/p>"},{"id":2351,"type":2,"content":"

 <\/p>

J\u2019\u00e9tais \u2026<\/p>

Veuillez m\u2019excuser de parler de moi au pass\u00e9.<\/p>

Toujours ce reste d\u2019orgueil<\/p>

Le pr\u00e9sent m\u2019a r\u00e9duite \u00e0 si peu<\/p>

...<\/p>

 <\/p>

J\u2019\u00e9tais voie<\/p>

Large, solide, accueillante, rassurante<\/p>

Voie dall\u00e9e de gr\u00e8s, voie pour les chars, les arm\u00e9es, voie pour les conqu\u00eates, les triomphes, la progression irr\u00e9pressible des civilisations.<\/p>

 <\/p>

Si vous aviez pu, \u00e0 cette \u00e9poque, poser vos sandales sur mon dos luisant, parfait, vous auriez couru, saut\u00e9, dans\u00e9. Vous n\u2019auriez pas dit \u00ab Mais o\u00f9 conduit-elle ? \u00bb Non, confiante vous auriez march\u00e9 all\u00e9grement du matin naissant au jour couchant.<\/p>

\u2026<\/p>

Vos yeux me scrutent \u2026<\/p>

Que reste-il de mon trac\u00e9 glorieux ?<\/p>

Que de d\u00e9cha\u00eenements sur ma peau min\u00e9rale<\/p>

fendue, crevass\u00e9e, recouverte par immondices du temps.<\/p>

Il reste si peu de moi<\/p>

Que cherchez-vous ?<\/p>

Vous vous baissez<\/p>

Vous \u00e9cartez les racines de l\u2019oubli<\/p>

Vous trouvez une trace, un indice, une marque.<\/p>

Vous sentez sous vos doigts fureteurs<\/p>

Que tant de vies ont march\u00e9 l\u00e0.<\/p>

\u2026<\/p>

Vous regardez autour de vous, de moi.<\/p>

Non ce n\u2019\u00e9tait pas le m\u00eame d\u00e9cor.<\/p>

La-bas une ville pieuvre blanche bruissante<\/p>

Puis les temples hautains, imposants<\/p>

Il y avait \u2026<\/p>

Mais vous, un livre d\u2019histoires \u00e0 la main, vous savez.<\/p>

\u2026<\/p>

Un oiseau t\u00eatu chante dans un pin parasol<\/p>

Cr\u00e9ature \u00e9ph\u00e9m\u00e8re, heureuse de son sort.<\/p>

Au loin, des touristes s\u2019\u00e9poumonent<\/p>

Un enfant rit pr\u00e8s du figuier onduleux.<\/p>

\u2026<\/p>

Vous restez l\u00e0, assise, pensive sur ma dalle rong\u00e9e par une mousse grise.<\/p>

Le soleil est tendre<\/p>

Je me tais.<\/p>

 <\/p>

Evelyne<\/p>","label":"

Via diTerra<\/i>, Evcelyne Willey<\/p>"},{"id":2352,"type":2,"content":"

 <\/p>

Une photo, m\u00eame toute petite, que j\u2019aurai tant aim\u00e9 voir, mais qui malheureusement ne pouvait pas avoir \u00e9t\u00e9 prise<\/i><\/p>

 <\/i><\/p>

Il tient tendrement la main de sa fille dans la sienne, elle est d\u00e9j\u00e0 grande, au moins douze treize ans, ils marchent dans la rue et se regardent en riant. Impossible, elle avait seulement huit ans lorsqu\u2019il est mort.<\/p>

 <\/p>

 <\/p>

Mes fesses nues : une grande photo aux couleurs de la jeunesse<\/i><\/p>

 <\/i><\/p>

Un bikini rouge \u00e0 pois blancs couvre \u00e0 peine son jeune corps arrogant sur la plage d\u2019Eilat. Elle monte et remonte dix fois, quinze fois sur le tobogan qui plonge dans la Mer Rouge. Elle glisse tant et tant de fois, que le slip de son maillot craque. Elle se l\u00e8ve, elle a les fesses \u00e0 l\u2019air.<\/p>

 <\/p>

 <\/p>

 <\/p>

Une chambre sans toit : une photo en noir en blanc dans une rue de la Plaine \u00e0 Marseille<\/i><\/p>

 <\/p>

Un matelas \u00e9troit pos\u00e9 dans une encoignure de vitrine, \u00e0 terre une cagette avec un livre dessus. Sur le matelas, un oreiller et une couverture pli\u00e9e. <\/p>

C\u2019est un homme, je pense, qui a \u00e9lu domicile dans cette chambre sans toit, un homme ordonn\u00e9 qui r\u00eave d\u2019un chez soi avec une biblioth\u00e8que. En attendant, il reviendra dormir dans une chambre un peu trop a\u00e9r\u00e9e, mais bien rang\u00e9e !<\/p>

 <\/p>","label":"

Des photos que je n\u2019ai pas prises<\/i>, Mich\u00e8le Bitton<\/p>"},{"id":2894,"type":1,"imageIds":[4073]},{"id":2895,"type":1,"imageIds":[4074]},{"id":2896,"type":1,"imageIds":[4075]},{"id":2897,"type":1,"imageIds":[4076]},{"id":2898,"type":1,"imageIds":[4077]},{"id":2334,"type":1,"imageIds":[3682]},{"id":1196,"type":1,"imageIds":[3371]},{"id":2306,"type":1,"imageIds":[3495]},{"id":2376,"type":2,"content":"

 <\/p>

Sur cette photo c\u2019est moi, debout sur le quai, les yeux fix\u00e9s sur le train qui s\u2019\u00e9loigne. Mon visage est fig\u00e9 entre la frustration et la d\u00e9ception d\u2019avoir rat\u00e9 mon train. Je reste l\u00e0, plant\u00e9, comprenant que je vais rater cette soir\u00e9e tant attendue. Le bruit du train qui s\u2019\u00e9loigne semble r\u00e9sonner dans ma t\u00eate, amplifiant ma d\u00e9ception. Le temps s\u2019\u00e9tire, et dans cette immobilit\u00e9, je r\u00e9fl\u00e9chis \u00e0 ce que j\u2019aurai pu faire diff\u00e9remment, mais il est trop tard. Le quai est d\u00e9sert \u00e0 pr\u00e9sent, comme un miroir de mon esprit, empli de vide.<\/p>

 <\/p>","label":"

Tom<\/p>"},{"id":2385,"type":2,"content":"

 <\/p>

Cette photo me rappelle le pass\u00e9. Sur cette plage ma jeunesse a \u00e9t\u00e9 faite ce n\u2019est pas juste une plage toute simple avec des bars tout du long et des touristes autour des bars. La longue c\u00f4te qui traverse la ville, je m\u2019y suis attach\u00e9 comme si c\u2019\u00e9tait une femme et que j\u2019\u00e9tais fou amoureux depuis ma naissance.<\/p>

J\u2019y allais enfant \u00e0 chaque vacances et depuis le divorce de mes parents en 2014 je n\u2019ai plus jamais  mis un pied l\u00e0- bas. J\u2019ai le sentiment de ne plus vivre ma vie. Quand je regarde cette plage, je me revois plus petit, souriant, avec ma joie qui d\u00e9borde.  <\/p>

 <\/p>","label":"

La plage de Kenitra<\/i>, Samy<\/p>"},{"id":2386,"type":2,"content":"

 <\/p>

Cette photo montre une promenade en bord de mer. Des lettres blanches g\u00e9antes forment le mot Pineda del Mar.<\/i>  Il s\u2019agit du nom d\u2019une ville, des palmiers se dressent le long de la promenade, le ciel est nuageux, sugg\u00e9rant un moment de la journ\u00e9e proche du coucher du soleil, en arri\u00e8re-plan on voit quelques personnes se promener. Moi j\u2019\u00e9tais avec ma m\u00e8re et ma cousine, on se dirigeait vers la plage pour admirer le coucher du soleil.<\/p>

 <\/p>","label":"

Pineda del Mar<\/i>, Sarah K<\/p>"},{"id":2387,"type":2,"content":"

 <\/p>

Un jour, alors que j\u2019habitais encore \u00e0 Brescia en Italie, j\u2019\u00e9tais chez moi et tout \u00e0 coup, je vois sur Instagram que le c\u00e9l\u00e8bre joueur de football Mario Balotelli  s\u2019entraine dans le stade de ma ville. L\u00e0 o\u00f9 il avait commenc\u00e9 sa carri\u00e8re de joueur d\u00e8s son plus jeune \u00e2ge.<\/p>

Moi, surpris et excit\u00e9 par cet \u00e9v\u00e9nement, je me rends imm\u00e9diatement au stade, pour le voir s\u2019entrainer et \u00e9videmment j\u2019esp\u00e8re pouvoir prendre une photo avec lui. Quand j\u2019arrive, il y a \u00e9norm\u00e9ment de monde. Je n\u2019\u00e9tais pas le seul \u00e0 avoir eu cette id\u00e9e. Lorsqu\u2019il termine son entrainement, je r\u00e9ussis \u00e0 m\u2019approcher de lui et il accepte de prendre une photo avec moi. Je rentre chez moi rempli de joie et d\u2019\u00e9motions.<\/p>

 <\/p>","label":"

Moatez<\/p>"},{"id":2388,"type":2,"content":"

 <\/p>

Sur cette photo, je suis sur la plage au Maroc, \u00e0 Tanger avec ma famille. On a mang\u00e9 du poisson et des fruits de mer, je me souviens avoir pass\u00e9 un tr\u00e8s bon moment, il faisait beau et chaud, on est rest\u00e9 tout l\u2019apr\u00e8s-midi, j\u2019ai beaucoup bronz\u00e9. C\u2019\u00e9tait un moment tr\u00e8s joyeux, on a beaucoup plaisant\u00e9 et rigol\u00e9. J\u2019\u00e9tais tr\u00e8s heureuse de retrouver mes cousins, mes cousines et mes tantes, car \u00e7a faisait longtemps que je ne les avais pas vus.<\/p>

 <\/p>","label":"

Asmae<\/p>"},{"id":2389,"type":2,"content":"

 <\/p>

Personne ne sait que je suis fatigu\u00e9e le matin<\/p>

Personne ne sait pourquoi je suis fatigu\u00e9e le matin<\/p>

Personne ne sait tout ce que j\u2019ai v\u00e9cu<\/p>

Personne ne sait quel est l\u2019endroit o\u00f9 je me sens bien,<\/p>

\u00e0 part toi. Toi seul.<\/p>

Personne ne sait que j\u2019adore retourner en enfance \u00e0 part toi,<\/p>

toi \u00e0 qui je raconte tout \u00e7a<\/p>

Personne ne sait que j\u2019ai perdu une partie de moi au d\u00e9c\u00e8s de ma grand-m\u00e8re.<\/p>

Personne ne sait que ma grand-m\u00e8re me manque<\/p>

mise \u00e0 part toi. Toi qui liras tout \u00e7a<\/p>

Personne ne sait que ma vie est dure<\/p>

 <\/p>","label":"

De face<\/i>, C\u00e9lia<\/p>"},{"id":2390,"type":2,"content":"

 <\/p>

Un carrelage en forme de damier<\/p>

Un tableau. Un Juke box avec de la musique<\/p>

Une caisse enregistreuse. Une enseigne avec un ours et des leds<\/p>

Des tables, des chaises vident avec des boites \u00e0 pizza et des bouteilles vides<\/p>

L\u2019endroit semble d\u00e9sert.  Personne n\u2019y est entr\u00e9 depuis des ann\u00e9es.<\/p>

L\u2019impression qu\u2019il s\u2019est pass\u00e9 des choses graves \u00e0 l\u2019int\u00e9rieur.<\/p>

Plus on s\u2019avance dans la pi\u00e8ce, plus on remarque qu\u2019il y a des taches de sang sur les murs, les plafonds, le sol.  Mais surtout, on remarque qu\u2019il y a un g\u00e2teau d\u2019anniversaire m\u00eame pas entam\u00e9, avec des assiettes tout autour de la table, environ dix assiettes, une impression de d\u00e9j\u00e0-vu nous saisit,  comme si nous \u00e9tions d\u00e9j\u00e0 venus dans ce lieu.<\/p>

 <\/p>","label":"

Jeu de r\u00f4le qui se passe dans une pizz\u00e9ria<\/i>, Ga\u00ebl<\/p>"},{"id":2377,"type":2,"content":"

 <\/p>

J\u2019\u00e9tais avec la classe \u00e0 la Foire de Marseille<\/p>

Il y a un grand stand marocain<\/p>

Il y a des couleurs partout<\/p>

Les odeurs d\u2019\u00e9pices, de savon, de muscs<\/p>

Il y a des savons de toutes tailles, des odeurs<\/p>

Les prix de la Foire sont diff\u00e9rents de ceux du bled<\/p>

Sur la photo il y a beaucoup d\u2019articles comme la poudre de Nila<\/p>

Tous types de produits culturels venant directement du Maroc<\/p>

\u00c7a me fait penser aux vacances pass\u00e9es au Maroc<\/p>

La vie du march\u00e9, les n\u00e9gociations\u2026<\/p>

 <\/p>","label":"

Alham<\/p>"},{"id":2378,"type":2,"content":"

 <\/p>

Sur cette photo, il y a moi et ma grand-m\u00e8re quand j\u2019\u00e9tais petite. C\u2019est ma photo pr\u00e9f\u00e9r\u00e9e depuis son d\u00e9c\u00e8s. Sur cette photo j\u2019\u00e9tais habill\u00e9e tout en rose et je buvais mon biberon.  Ma grand-m\u00e8re \u00e9tait habill\u00e9e en noir et elle souriait<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Sur celle-l\u00e0, il y a maman et moi j\u2019avais un tee-shirt blanc avec une bouche rouge \u00e0 paillette Ma m\u00e8re \u00e9tait blonde et moi brune. Derri\u00e8re nous, il y a la plage, nous avons chaud, mais vous ne le voyez pas. Ce jour-l\u00e0 on \u00e9tait toutes les deux souriantes et nous portions toutes les deux un short bleu<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

L\u00e0, sur cette photo il y a mon neveu. Je suis sa tante, mais \u00e9galement sa marraine. Il a eu ses premi\u00e8res dents et sur la photo il est dans les bras de son p\u00e8re, mais on ne voit pas la t\u00eate de son p\u00e8re. Il sourit et il a l\u2019air joyeux. Il a un body blanc avec des traits beiges et un ours au milieu.<\/p>

 <\/p>","label":"

C\u00e9lia<\/p>"},{"id":2379,"type":2,"content":"

 <\/p>

Mon \u00e9t\u00e9 au Maroc<\/p>

On est au Maroc. Sa\u00efdia est une ville o\u00f9 je vais habituellement en \u00e9t\u00e9.<\/p>

Ici, c\u2019est moi et ma cousine sur un Jet ski \u00e0 Sa\u00efdia sur la plage.<\/p>

C\u2019\u00e9tait amusant.<\/p>

Il faisait tr\u00e8s chaud, mais nous avons pass\u00e9 un tr\u00e8s bon moment ensemble.<\/p>

Au d\u00e9but nous avions peur, mais ensuite c\u2019\u00e9tait amusant,<\/p>

C\u2019est une activit\u00e9 que j\u2019aime beaucoup en \u00e9t\u00e9.<\/p>

On a cri\u00e9 comme des folles.<\/p>

J\u2019ai saut\u00e9 dans la mer, l\u2019eau \u00e9tait froide et sal\u00e9e.<\/p>

Quand je saute \u00e0 la mer \u00e0 ce moment-l\u00e0, j\u2019ai un peu peur<\/p>

Je remonte rapidement sur le Jet ski,<\/p>

Mais c\u2019\u00e9tait court on avait que 30min.<\/p>

 <\/p>","label":"

Fatima<\/p>"},{"id":2380,"type":2,"content":"

 <\/p>

Mon t\u00e9l\u00e9phone<\/p>

Je dors avec mon t\u00e9l\u00e9phone<\/p>

Je me r\u00e9veille avec mon t\u00e9l\u00e9phone<\/p>

Je d\u00e9jeune avec mon t\u00e9l\u00e9phone<\/p>

Je prends le bus avec mon t\u00e9l\u00e9phone<\/p>

Je rentre chez moi avec le t\u00e9l\u00e9phone<\/p>

Je joue avec mon t\u00e9l\u00e9phone<\/p>

Je mange avec mon t\u00e9l\u00e9phone<\/p>

Et si je perds mon t\u00e9l\u00e9phone,<\/p>

je ne saurais pas quoi faire.<\/p>

 <\/p>","label":"

Zacharia<\/p>"},{"id":2381,"type":2,"content":"

 <\/p>

Sur cette photo j\u2019\u00e9tais au Maroc  \u00e0 Sidi Harazem <\/p>

Avec toute la famille, on est all\u00e9 chercher de l\u2019eau de source<\/p>

pour la ramener chez nous au Maroc <\/p>

Mais avant, on est rest\u00e9 l\u00e0-bas<\/p>

on a fait un go\u00fbter avec tous mes cousins et cousines<\/p>

On a fait du chameau<\/p>

On s\u2019est balad\u00e9<\/p>

 <\/p>","label":"

Sidi Harazem<\/i>, Amel<\/p>"},{"id":2382,"type":2,"content":"

 <\/p>

 Le pont des amours. Vue sur le lac d\u2019Annecy avec plein de montagnes qui se croisent, de p\u00e9dalos multicolores et joyeux. Sur le pont des amours, je suis avec ma m\u00e8re qui est l\u2019Amour de ma vie. Ce moment-l\u00e0 est inoubliable, car nous n\u2019\u00e9tions que tous les deux, le reste de la famille \u00e9tait rest\u00e9 \u00e0 la maison. Avant de venir \u00e0 Annecy, nous avions \u00e9t\u00e9 en Suisse, \u00e0 Gen\u00e8ve puis \u00e0 Annemasse juste \u00e0 la fronti\u00e8re suisse.<\/p>

J\u2019ai aim\u00e9 cette destination, car j\u2019ai toujours voulu voir le Mont-Blanc et je l\u2019ai vu. \u00c0 ce moment-l\u00e0 je me suis dit :  waouh ! Quelle chance d\u2019avoir des yeux pour voir ces magnifiques paysages.<\/p>

 <\/p>","label":"

Pont des amours - Annecy<\/i>, Bilal<\/p>"},{"id":2383,"type":2,"content":"

 <\/p>

Cette photo, c\u2019est une histoire tr\u00e8s dr\u00f4le. Les six personnes qui sont sur la photo ont particip\u00e9 \u00e0 d\u00e9raciner l\u2019arbre. Tout a commenc\u00e9 quand une des personnes a dit :  venez on va d\u00e9raciner l\u2019arbre pour s\u2019amuser. Au d\u00e9but il l\u2019arbre \u00e0 r\u00e9sister, mais \u00e0 force d\u2019insister on a r\u00e9ussi \u00e0 le d\u00e9raciner. Pour immortaliser le moment, on a pris une photo. Puis on est tous rentr\u00e9s chez nous. Pas tr\u00e8s fier.<\/p>

 <\/p>","label":"

Nahil<\/p>"},{"id":2384,"type":2,"content":"

 <\/p>

On est \u00e0 la foire de Marseille<\/p>

Avec ma classe de premi\u00e8re<\/p>

Je suis avec mes copines et des filles de la classe<\/p>

Nos professeurs nous ont laiss\u00e9s faire un tour toutes seules<\/p>

Quand on a vu cette femme avec ce truc sur la t\u00eate,<\/p>

on a voulu faire une photo avec elle.<\/p>

D\u2019autres filles qu\u2019on ne connaissait pas sont venues faire la photo avec nous<\/p>

 <\/p>","label":"

Sara et Najhi<\/p>"},{"id":2356,"type":5,"fileUrl":"\/resources\/files\/file_6764389ac766f.pdf"},{"id":2357,"type":1,"imageIds":[3697]},{"id":2315,"type":2,"content":"

 <\/p>

La Question est ; elle est la meilleur fa\u00e7on d\u2019avouer ?<\/p>

Question n\u2019est pas qu\u00eater, mais alors pourquoi?La mort et puis apr\u00e8s ?<\/p>

Le ton fait question ?<\/p>

Le thon fait question ?<\/p>

La Question pour moi, pour toi, pour vous ?<\/p>

Est-ce que la m\u00e9moire fait-elle partie de la Question ?<\/p>

Question d\u2019\u00e9crire, pourquoi ?<\/p>

Est ce que d\u2019\u00e9crire te fais-t-il quelque chose ?<\/p>

Questions forment des affirmations ?<\/p>

Le filet attrape-t-il toutes les Questions qu\u2019il capte ?<\/p>

Questions d\u2019exils, ce n\u2019est pas que \u00e7a ?<\/p>

 <\/p>","label":"

QUESTIONS ?<\/i>, Jean MEMIN<\/p>"},{"id":2316,"type":2,"content":"

 <\/p>

J\u2019oublie ville<\/p>

dans ta maison<\/p>

perdre ses murs.<\/p>

-<\/p>

Deux rives de la mer<\/p>

retrouver ta maison<\/p>

dunes de sable<\/p>

plage et le de\u0301sert.<\/p>

Grains d\u2019exil soulevant<\/p>

entre tes deux maisons<\/p>

trouver territoire du large.<\/p>

Entre deux qu\u2019appeler<\/p>

ce lieu au sein des livres<\/p>

trouver son lieu d\u2019e\u0301criture<\/p>

aux milliers de livres qui parlent.<\/p>

-<\/p>

Plages et de\u0301sert exil<\/p>

sous le vent de grains.<\/p>

Poussie\u2000re des Sahara carrosserie<\/p>

capot d\u2019automobiles vitres<\/p>

brunes mates sous pluie.<\/p>

-<\/p>

Je lis : me\u0301moire sert a\u2000 oublier<\/p>

exode du peuple de tant<\/p>

d\u2019affinite\u0301s sortir de ce lieu commun.<\/p>

Exil de vent soufflant par vallons<\/p>

par montagnes un voyage juste<\/p>

avec lecture boussole des images.<\/p>

-<\/p>

Les images te bouchent<\/p>

la pense\u0301e imaginaire<\/p>

cine\u0301ma de lecture<\/p>

au silence dans les grains.<\/p>

 <\/p>","label":"

Jean MEMIN<\/p>"},{"id":2317,"type":2,"content":"

 <\/p>

Lieux tant aim\u00e9s<\/p>

Lieux estomp\u00e9s<\/p>

Puis gomm\u00e9s<\/p>

Puis oubli\u00e9s<\/p>

 <\/p>

Tout y \u00e9tait lumineux et ordonn\u00e9<\/p>

L\u2019espoir se tenait<\/p>

Droit et fier les bras ouvert<\/p>

Au bout du chemin.<\/p>

 <\/p>

La marche \u00e9tait ais\u00e9e<\/p>

On connaissait le nom des arbres<\/p>

Et celui des oiseaux<\/p>

On savait chanter.<\/p>

 <\/p>

La gorge s\u2019est serr\u00e9e<\/p>

R\u00e9tr\u00e9cissement insidieux<\/p>

O\u00f9 le silence s\u2019est install\u00e9<\/p>

Qui a gliss\u00e9 le n\u0153ud coulant ?<\/p>

 <\/p>

Les yeux se sont voil\u00e9s<\/p>

Ils n\u2019ont plus reconnu les paysages<\/p>

Devenus fades et ennuyeux<\/p>

Les gens les choses inconsistantes silhouettes.<\/p>

 <\/p>

Un \u00e9tranger \u00e0 l\u2019\u00e2me noire<\/p>

S\u2019est mis \u00e0 jouer notre r\u00f4le<\/p>

On s\u2019accommodait<\/p>

C\u2019\u00e9tait une perfide maladie<\/p>

Exil\u00e9 dans sa propre vie.<\/p>

 <\/p>

S\u2019accrocher vite<\/p>

A une vieille chanson<\/p>

A une odeur subtile<\/p>

Retrouver l\u2019arbre<\/p>

\u00c9craser son dos contre son tronc.<\/p>

 <\/p>

L\u00e0, enfin apais\u00e9e<\/p>

R\u00e9inventer la route de l\u2019\u00e9merveillement.<\/p>

 <\/p>","label":"

Retrouver<\/i>, Evelyne WILLEY<\/p>"},{"id":2318,"type":2,"content":"

Est-ce que tu sais ?<\/p>

Quelle heure est-il ?<\/p>

Est-ce que tu sais de quelle couleur est la maison au fond de l'all\u00e9e ?<\/p>

Est-ce que tu te souviens encore de ta poup\u00e9e aux yeux bleus ?<\/p>

Est-ce que tu te couches toujours aussi tard ?<\/p>

Est-ce que tu viens prendre le th\u00e9 \u00e0 16 heures ?<\/p>

Est-ce que tu soulignes toujours au crayon \u00e0 papier les mots dans tes livres ?<\/p>

Est-ce que tu prends toujours le train de 8h40 ?<\/p>

Est-ce que tu as d\u00e9coup\u00e9 les papiers ?<\/p>

Est-ce que tu bois toujours du caf\u00e9 noir ?<\/p>

Est-ce que tu photographies toujours les bords de mer ?<\/p>

Tu me demandes toujours la m\u00eame chose pourquoi ?<\/p>

Pourquoi m'as-tu demand\u00e9 de venir \u00e0 8 heures pr\u00e9cises ?<\/p>

Pourquoi fermes-tu la porte de ta chambre \u00e0 double tour ?<\/p>

Pourquoi tu \u00e9cris face au mur ?<\/p>

Pourquoi laisses-tu la lumi\u00e8re allum\u00e9e dans le couloir ?<\/p>

Pourquoi poses-tu des questions rh\u00e9toriques ?<\/p>

Pourquoi me regardes-tu dans les yeux ?<\/p>

 <\/p>

 <\/p>

*<\/p>

Fen\u00eatre ouverte dans la plus petite chambre<\/p>

J'ai apport\u00e9 une feuille du dehors mais je ne sais pas d'o\u00f9.<\/p>

 <\/p>

Livre ouvert<\/p>

J'ai trouv\u00e9 un ticket bleu et blanc<\/p>

il venait de loin mais je ne sais pas d'o\u00f9.<\/p>

 <\/p>

Poser un livre ouvert sur la table basse transparente.<\/p>

Capturer sa lumi\u00e8re.<\/p>

 <\/p>

Fleur pos\u00e9e dans un vase<\/p>

elle \u00e9tait violette<\/p>

Face \u00e0 la lumi\u00e8re elle s'ouvre<\/p>

Elle se fermera mais je ne sais pas quand.<\/p>

 <\/p>

D\u00e9placer le miroir fendu<\/p>

Le poser sur le meuble au fond du placard<\/p>

Lumi\u00e8re \u00e9teinte.<\/p>

 <\/p>

*<\/p>

Paul dit Cerb\u00e8re<\/p>

Anselme dit rien<\/p>

Marcel dit lumi\u00e8re<\/p>

Thibault dit demain<\/p>

Antoine dit cela<\/p>

Ignace dit vanille<\/p>

Barbara dit Nantes<\/p>

Roberto dit matin<\/p>

Paulin dit certes.<\/p>","label":"

Corinne GOTNICH<\/p>"},{"id":2319,"type":2,"content":"

Tr\u00e8s t\u00f4t dans la for\u00eat l\u00e0 o\u00f9 ma m\u00e9moire se perd j'ai suivi le chemin le plus \u00e0 droite le plus \u00e9troit le plus caillouteux le plus sinueux pour arriver l\u00e0 o\u00f9 la m\u00e9moire se perd en divergeant l\u00e0 o\u00f9 il n'y a plus d'itin\u00e9raire. On dirait que c'est la nuit, on dirait que c'est le jour on dirait que c'est tout \u00e7a \u00e0 la fois.  L\u00e0 o\u00f9 ma m\u00e9moire se perd \u00e7a s'\u00e9tire \u00e7a s'\u00e9tend sur toutes les rives \u00e0 la fois.<\/p>

Je descends encore et encore le plus bas possible en ne regardant pas o\u00f9 je descends. Poser la pointe de mon pied sur l'\u00e9lastique tendu qui rebondit \u00e0 l'infini. L'infini qu'est-ce que c'est exactement ?<\/p>

Question sur question. Un \u00e9cho ? Un bruit mat ? Un bruit sourd ? Sourd j'ai \u00e9crit sourd comme le verbe sourdre \u00e7a jaillit de partout impromptu. \u00c7a me submerge, \u00e7a me noie. La m\u00e9moire aux cases vides \u00e0 combler de ce qui n'est plus l\u00e0. Ce qui n'est plus l\u00e0 est ailleurs dans des formes pleines h\u00e9riss\u00e9es de points d'interrogation.<\/p>

Je respire cet air du large vague.<\/p>

Je regarde au loin.<\/p>

Je m'assieds au bord du bord l\u00e0 o\u00f9 il n'y a plus d'arbres r\u00e9p\u00e8re.<\/p>

Territoire sans objet vides et absences confondues tout reste \u00e0 combler.<\/p>

Tout restera en friche.<\/p>

 <\/p>

Les photos que je n'ai pas prises.<\/strong><\/p>

 <\/p>

La petite fille dans l'eau de la fontaine des quatre dauphins.<\/p>

L'horloge en porcelaine sans aiguilles.<\/p>

La salle d'attente d'une gare ferm\u00e9e au public.<\/p>

L'\u00e9cume de la vague contre les rochers rouges au soleil.<\/p>

L'escalier sous la pluie.<\/p>

Le rideau soulev\u00e9 par le vent.<\/p>

Le fuit m\u00fbr tomb\u00e9 de l'arbre.<\/p>

L'abeille dans le c\u0153ur de la rose.<\/p>

L'\u00e9clat de mousse sur le mur au soleil.<\/p>

Les chaises bleues au bord de la mer.<\/p>","label":"

Corinne GOTNICH<\/p>"},{"id":2284,"type":5,"fileUrl":"\/resources\/files\/file_66896626c9324.pdf"},{"id":368,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/464_20090820163657.mp3","label":"Au commencement chez Louis Cordesse (extrait)","duration":137},{"id":773,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/880_20120824181332.mp3","label":"Au commencement il y avait les culottes","duration":360},{"id":701,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/803_20120221173637.mp3","label":"Au del\u00e0","duration":238},{"id":93,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/132_20060216143919.mp3","label":"Au fond du verre - traduction du roumain improvis\u00e9e par l'auteur
\r\nextrait de \u201cDouze \u00e9crivains roumains, Anthologie Les Belles Etrang\u00e8res\u201d, \u00e9d. L\u2019Inventaire, 2005 (traduction Olivier Apert et Ed Pastenague)","duration":266},{"id":1146,"type":2,"content":"

FRELON 
NID PIQURE VOLE 
GU\u00caPIER HUMAIN INFIRMI\u00c8RE
melon m\u00eal\u00e9e voler 
pie piqu\u00e9 violet 
rie piqu\u00e9 paniqu\u00e9

CHAMPIGNON FOR\u00caT 
SOL PLUIE 
RAMASSER
MOUSSE HUMIDE 
Avignon fuir fard vol ramer rousse 
puit forme molle mouche passion 
folle marr\u00e9 pousse<\/p>","label":"

Aubin<\/p>"},{"id":662,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/764_20111004171438.mp3","label":"Autoportrait nu - Lecture de la traduction en fran\u00e7ais par Jean-Luc Sarr\u00e9","duration":201},{"id":2342,"type":3,"videoId":"1036985446","duration":3380},{"id":1183,"type":2,"content":"


J\u2019ai vu un arbre qui n\u2019avait pas d\u2019habits<\/p>

J\u2019en ai vu un qui \u00e9tait tout gris.<\/p>

Un arbre, j\u2019en ai vu un qui avait froid<\/p>

et puis un autre qui marchait droit.<\/p>

J\u2019ai vu un arbre qui \u00e9tait press\u00e9<\/p>

et ses amis pleuraient.<\/p>

J\u2019en ai vu un vert, j\u2019en ai vu un orange,<\/p>

J\u2019en ai vu un fr\u00eale, j\u2019en ai vu un marrant.<\/p>

Un arbre, j\u2019en ai vu un qui pleurait des feuilles<\/p>

Et puis un autre qui attendait sur le seuil<\/p>

Que son ami arrive depuis le bord de la rive.
 <\/p>","label":"

Les diff\u00e9rents arbres<\/i>, Manon<\/p>"},{"id":1184,"type":2,"content":"


J\u2019ai vu un arbre qui n\u2019avait pas d\u2019habits<\/p>

J\u2019en ai vu un qui \u00e9tait tout gris.<\/p>

Un arbre, j\u2019en ai vu un qui avait froid<\/p>

et puis un autre qui marchait droit.<\/p>

J\u2019ai vu un arbre qui \u00e9tait press\u00e9<\/p>

et ses amis pleuraient.<\/p>

J\u2019en ai vu un vert, j\u2019en ai vu un orange,<\/p>

J\u2019en ai vu un fr\u00eale, j\u2019en ai vu un marrant.<\/p>

 Un arbre, j\u2019en ai vu un qui pleurait des feuilles<\/p>

 Et puis un autre qui attendait sur le seuil<\/p>

 Que son ami arrive depuis le bord de la rive.
 <\/p>","label":"

Les diff\u00e9rents arbres, <\/i>Manon<\/p>"},{"id":1193,"type":2,"content":"


L\u2019arbre perd ces feuilles<\/p>

Elles deviennent vertes puis rouges puis jaunes,<\/p>

puis elles tombent<\/p>

L\u2019arbre est triste, il a perdu ses v\u00eatements de marques<\/p>

Il ne sait pas o\u00f9 est sa feuille Nike<\/i>,<\/p>

celle Puma <\/i>et celle Adidas<\/i><\/p>

Il se froisse, car il a tr\u00e8s froid
 <\/p>","label":"

Sergio<\/p>"},{"id":1185,"type":2,"content":"


J\u2019ai vu un arbre tout joyeux<\/p>

un autre qui avait bien verdi<\/p>

Un autre en col\u00e8re, il \u00e9tait tout rouge<\/p>

Un autre tout triste d\u2019avoir perdu ses feuilles<\/p>

Et j\u2019en ai vu un tout effray\u00e9 de ne plus avoir son beau feuillage,<\/p>

      mais il savait qu\u2019il reviendrait<\/p>

J\u2019en ai vu un qui \u00e9tait centenaire<\/p>

J\u2019en ai vu un couvert de fruits<\/p>

J\u2019en ai vu un rattraper ses feuilles au vol<\/p>

J\u2019ai vu un arbre grelotter de froid
 <\/p>","label":"

J\u2019ai vu un arbre \u00e9motif<\/i>, Loline<\/p>"},{"id":1186,"type":2,"content":"


On trouve toutes sortes de choses dans un jardin.<\/p>

Il peut y avoir des chats, des chiens, des insectes et plein d\u2019autres choses.<\/p>

On y trouve une jardini\u00e8re, un potager, des arbres, des foug\u00e8res, de la verdure.<\/p>

Ce qui donne vie au jardin ce sont ces magnifiques couleurs des fleurs et leurs merveilleux parfums.<\/p>

Il peut parfois y avoir un petit ruisseau \u00e0 l\u2019eau cristalline.<\/p>

Et un beau ciel bleu parsem\u00e9 de nuages.
 <\/p>","label":"

Le jardin merveilleux<\/i>, Loline<\/p>"},{"id":1187,"type":2,"content":"


L\u2019arbre se d\u00e9shabille.<\/p>

Il se d\u00e9tourne dit adieu aux oiseaux,<\/p>

transforme ses sentiments en de nouvelles couleurs<\/p>

Ces feuilles g\u00e9missent de joie<\/p>

de retrouver encore d\u2019autres couleurs
 <\/p>","label":"

Yoni<\/p>"},{"id":1188,"type":2,"content":"


L\u2019arbre se d\u00e9shabille.<\/p>

Les feuilles tombent au sol.<\/p>

Les oiseaux partent.<\/p>

En automne les feuilles triomphent<\/p>

Elles s\u2019envolent avec le vent.<\/p>

Les feuilles jaunissent<\/p>

passent du jaune au rouge.<\/p>

Se d\u00e9foisonnent du marron \u00e0 la chute<\/p>

de la chute au marron<\/p>

Et nous, nous sautons dans le tas de feuilles !
 <\/p>","label":"

Automne<\/i>, Matt\u00e9o et Leny<\/p>"},{"id":1189,"type":2,"content":"


J\u2019en ai vu un tout couvert d\u2019eau transparente<\/p>

J\u2019en ai vu un tout couvert de vie<\/p>

J\u2019en ai vu un tout tordu par les rafales de vent<\/p>

J\u2019en ai vu un tout couvert d\u2019habits marron<\/p>

J\u2019en ai vu un tout couvert de branchages<\/p>

J\u2019en ai vu un tout couvert de feuilles orange<\/p>

J\u2019en ai vu un tout couvert de fruits<\/p>

J\u2019en ai vu un courir en pleurant<\/p>

J\u2019en ai vu un perdre ses feuilles en courant<\/p>

J\u2019en ai vu un tomber sur un autre
 <\/p>","label":"

L\u2019arbre<\/i>, Louis<\/p>"},{"id":1190,"type":2,"content":"


C\u2019est l\u2019automne les feuilles tombent<\/p>

et les arbres se d\u00e9shabillent pour laisser place aux oiseaux migrateurs.<\/p>

En automne on peut dire qu\u2019il y a plein de couleurs<\/p>

vert, jaune, rouge, orange, marron\u2026..<\/p>

Les champignons font leur apparition.<\/p>

C\u2019est le moment de r\u00e9cup\u00e9rer les olives<\/p>

pour en faire de l\u2019huile ou les manger comme \u00e7a
 <\/p>","label":"

Lucas<\/p>"},{"id":1191,"type":2,"content":"


L\u2019arbre se d\u00e9shabille...<\/p>

Il se d\u00e9pouille.<\/p>

Il se d\u00e9feuille.<\/p>

Il se d\u00e9fait.<\/p>

Il se d\u00e9tache.<\/p>

Il se d\u00e9sole.<\/p>

L\u2019arbre se d\u00e9prime.<\/p>

Il se d\u00e9fend.<\/p>

Il se d\u00e9teste.<\/p>

L\u2019arbre se d\u00e9barrasse.
 <\/p>","label":"

Nina<\/p>"},{"id":1192,"type":2,"content":"


J\u2019en ai vu un aussi grand qu\u2019un immeuble<\/p>

J\u2019en ai vu un qui avait faim de soleil<\/p>

J\u2019en ai vu un qui marchait droit<\/p>

J\u2019en ai vu un qui jouait du piano<\/p>

J\u2019en ai vu un qui parlait \u00e0 voix haute
 <\/p>","label":"

C\u00e9lia<\/p>"},{"id":2359,"type":2,"content":"

 <\/p>

Aujourd'hui je suis une montagne\u2028<\/p>

Assise l\u00e0, sans bouger\u2028<\/p>

Observant le paysage\u2028<\/p>

Chaque jour, la m\u00eame chose<\/p>

J'esp\u00e8re juste, un jour<\/p>

pouvoir changer ma vie<\/p>

 <\/p>","label":"

Ad\u00e8le<\/p>"},{"id":2368,"type":2,"content":"

 <\/p>

Personne n'a besoin de savoir<\/p>

Que je suis triste sans toi<\/p>

Personne n'a besoin de savoir<\/p>

Que sans toi je m'ennuie<\/p>

Personne n'a besoin de savoir<\/p>

Que avec toi je rigole<\/p>

\u00c7a reste entre nous<\/p>

 <\/p>","label":"

Olivia<\/p>"},{"id":2369,"type":2,"content":"

 <\/p>

Toi mon chat qui a toujours \u00e9t\u00e9 l\u00e0 pour moi,\u2028Tu te souviens ce que je te disais quand \u00e7a n'allait pas.\u2028Tu as toujours \u00e9t\u00e9 pr\u00e9sent quand j'\u00e9tais en col\u00e8re.\u2028Tu es toujours \u00e0 mes c\u00f4t\u00e9s quand je suis heureuse.\u2028Ton ronronnement m'apaise,\u2028Ton miaulement lorsque je rentre et\u2028Ta compagnie lorsque je fais mes devoirs me comble.\u2028\u2028Tu as maintenant 17 ans et c'est \u00e0 mon tour de t'aider quand \u00e7a va mal,\u2028Je te fais des c\u00e2lins pour te r\u00e9conforter.\u2028Je prends soin de toi, mon compagnon fid\u00e8le\u2028\u2028<\/p>

 <\/p>","label":"

Mon chat Cahouet<\/i> , Manon<\/p>"},{"id":2370,"type":2,"content":"

 <\/p>

Personne n'a besoin de savoir \u00e0 part toi,<\/p>

que chaque fois que tu n'es pas l\u00e0<\/p>

j'ai peur, j'ai tellement peur<\/p>

que je suis impatiente que tu rentres.<\/p>

Et je cache mon anxi\u00e9t\u00e9 et ma peur par de l'humour.<\/p>

\u00c7a reste entre nous.<\/p>

 <\/p>","label":"

Maeva<\/p>"},{"id":2371,"type":2,"content":"

 <\/p>

personne n'a besoin de savoir<\/p>

personne \u00e0 part toi<\/p>

l'odeur des fleurs<\/p>

les balades en for\u00eat<\/p>

le bruit de l'eau qui coule<\/p>

et les oiseaux qui chantent<\/p>

\u00e7a reste entre nous<\/p>

ces odeurs, ces bruits et ces lieux<\/p>

 <\/p>","label":"

Lyana<\/p>"},{"id":2372,"type":2,"content":"

 <\/p>

Je suis une larme<\/p>

Je coule, je coule<\/p>

en faisant une danse avec<\/p>

chacune des autres larmes<\/p>

Je suis une larme de tristesse <\/p>

je coule lentement sur cette joue<\/p>

rempli de d\u00e9sespoir<\/p>

Je tombe par terre j\u2019ai fini ma danse <\/p>

Je suis une flaque a pr\u00e9sent<\/p>

je mouille le sol et le sol est froid<\/p>

Je suis s\u00e8che et maintenant<\/p>

je n\u2019existe plus.<\/p>

 <\/p>","label":"

Ilyana<\/p>"},{"id":2373,"type":2,"content":"

 <\/p>

Personne ne doit le savoir, \u00e0 par toi.<\/p>

Les vagues, le soleil couchant qui laisse passer la nuit.<\/p>

Personne sauf toi, le sable doux et chaud,<\/p>

la plong\u00e9e avec les poissons multicolores.<\/p>

Personne ne doit le savoir, \u00e0 par toi.<\/p>

Les colliers \u00e0 dents de requin et des moments partag\u00e9s.<\/p>

Mais cela reste entre nous.<\/p>

 <\/p>","label":"

Anis<\/p>"},{"id":2374,"type":2,"content":"

 <\/p>

Toi, l\u2019arbre, tu \u00e9tais l\u00e0 avant moi<\/p>

et tu le seras encore bien apr\u00e8s<\/p>

Tant d\u2019ann\u00e9es que nous nous connaissons<\/p>

Tant d\u2019ann\u00e9es que nous nous aimons<\/p>

J\u2019aimerais te dire que cela durera encore autant d\u2019ann\u00e9es<\/p>

Malheureusement, c\u2019est bient\u00f4t ma fin<\/p>

Mais toi, toi \u00d4 grand arbre immortel<\/p>

toi tu survivras et tu rencontreras une autre personne<\/p>

Puis une autre, puis une autre et encore une autre<\/p>

Et un jour, cette personne trouvera un autre arbre...<\/p>

 <\/p>","label":"

L\u2019arbre<\/i>, R .A.B.<\/p>"},{"id":2360,"type":2,"content":"

 <\/p>

Aujourd'hui je suis une Marguerite.<\/p>

\u2028Le vent souffle sur mes p\u00e9tales.\u2028<\/p>

Il en emporte quelques unes avec lui.\u2028<\/p>

Aujourd'hui je suis une Tulipe.<\/p>

\u2028Le vent souffle alors je danse,<\/p>

je danse en rythme avec la nature.\u2028<\/p>

Gr\u00e2ce \u00e0 lui, le jardin entier danse<\/p>

sur une douce m\u00e9lodie.<\/p>

 <\/p>","label":"

Maeva<\/p>"},{"id":2361,"type":2,"content":"

 <\/p>

Aujourd'hui je suis le feu\u2028<\/p>

Aujourd'hui je suis la chaleur\u2028<\/p>

Aujourd'hui je br\u00fble\u2028<\/p>

 <\/p>","label":"

Lyana<\/p>"},{"id":2362,"type":2,"content":"

 <\/p>

Je suis l'horizon\u2028<\/p>

Personne ne me voit de la m\u00eame fa\u00e7on\u2028<\/p>

Je suis un mur et les yeux ne peuvent pas me franchir\u2028<\/p>

Seul l'imagination peut le dire\u2028<\/p>

 <\/p>","label":"

Sophia<\/p>"},{"id":2363,"type":2,"content":"

 <\/p>

Aujourd'hui je suis jaune\u2028<\/p>

comme le bonheur\u2028<\/p>

comme l'importance que je lui donne\u2028<\/p>

 <\/p>","label":"

Edenn<\/p>"},{"id":2364,"type":2,"content":"

 <\/p>

aujourd'hui je suis une scie\u2028<\/p>

aujourd'hui je suis un p\u00e9tard\u2028<\/p>

aujourd'hui je suis une balle\u2028<\/p>

aujourd'hui je suis un sac de frappe\u2028<\/p>

aujourd'hui je suis Mathieu\u2028<\/p>

aujourd'hui je suis Loan\u2028\u2028<\/p>

aujourd'hui je suis une lettre<\/p>

qui traverse le monde<\/p>

sans destinataires<\/p>

 <\/p>","label":"

Jules<\/p>"},{"id":2365,"type":2,"content":"

 <\/p>

Aujourd'hui je suis un arbre dans une for\u00eat - loin<\/p>

aujourd'hui je suis une feuille qui tombe sur un arbre - loin<\/p>

aujourd'hui je suis l'automne au mois d'octobre<\/p>

je suis une saison comme les autres<\/p>

 <\/p>","label":"

Alya<\/p>"},{"id":2366,"type":2,"content":"

 <\/p>

Aujourd'hui, je suis le noir, la couleur la plus sombre.\u2028<\/p>

Aujourd'hui, je suis apeur\u00e9 mais je ne le montre pas<\/p>

et je souffre tout seul dans mon coin sans lumi\u00e8re,<\/p>

je suis assis dans l'ombre.\u2028<\/p>

Aujourd'hui, je suis effray\u00e9, traumatis\u00e9 mais par quoi ?<\/p>

Je ne cesse d'essayer de savoir<\/p>

mais aucune faille dans mon probl\u00e8me.<\/p>

Je suis l\u00e0, assis, sombrant dans le d\u00e9sespoir.<\/p>

Mais arriverai-je un jour \u00e0 sortir pour voir le jour,<\/p>

ne serait ce qu'une petite lumi\u00e8re ?<\/p>

\u2028Quelqu'un viendra me sortir de mon sommeil\u2026<\/p>

Sortirai-je un jour voir le jour?\u2028<\/p>

Je ne sais pas mais je l'esp\u00e8re.<\/p>

 <\/p>","label":"

\u2028Loan<\/p>"},{"id":2367,"type":2,"content":"

 <\/p>

Aujourd'hui je suis une vague<\/p>

gr\u00e2ce au vent je fais des belles et grandes vagues,<\/p>

des vagues qui vont emporter des gens<\/p>

des vagues qui vont amuser des gens<\/p>

comme des enfants qui sautent<\/p>

dessus ou dessous de l'eau<\/p>

et surtout d\u00e8s que je fais des belles vagues<\/p>

le monde est impressionn\u00e9<\/p>

 <\/p>","label":"

Louane<\/p>"},{"id":1040,"type":8,"duration":1032,"soundId":"1238793631"},{"id":1038,"type":8,"duration":948,"soundId":"1238806588"},{"id":1039,"type":8,"duration":1008,"soundId":"1238806570"},{"id":1037,"type":8,"duration":851,"soundId":"1238806615"},{"id":2339,"type":4},{"id":2341,"type":8,"fileUrl":"\/resources\/files\/file_675427c63cdf6.mp3","duration":5259,"soundId":"1975833395"},{"id":371,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/467_20090821161356.mp3","label":"Autour des oeuvres de Christian Garcin avec les \u00e9l\u00e8ves de l'\u00e9cole des Accoules","duration":421},{"id":709,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/811_20120309160052.mp3","label":"Autour du corps, froide, une masse de terre... (3 textes courts)","duration":243},{"id":2340,"type":4},{"id":219,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/281_20071130173957.mp3","label":"Autres et pareils (pr\u00e9sentation)","duration":370},{"id":366,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/462_20090715164616.mp3","label":"Avalois (extrait) - le mois d'avril","duration":1068},{"id":92,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/131_20060216142636.mp3","label":"Avant la guerre, apr\u00e8s la guerre - traduction du patchoune :
de Mansour Saljoqi, lue par Florence Pazzottu","duration":141},{"id":616,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/718_20110705182800.mp3","label":"Avant premi\u00e8re partie ...","duration":179},{"id":425,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/522_20100108173917.mp3","label":"Avant...","duration":196},{"id":179,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/238_20100205150614.mp3","label":"Avis de recherche \/ Les ascenseurs ne tombent jamais en panne [Hovhann\u00e8s Grigorian] - Traduction fran\u00e7aise lue par Noun\u00e9e Abrahamian.","duration":220},{"id":403,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/500_20091031161922.mp3","label":"Bande-annonce GPU - Texte de Brian Mura lu par Doroth\u00e9e Volut et Philippe Charron.","duration":117},{"id":2892,"type":1,"imageIds":[4069]},{"id":1148,"type":2,"content":"

CITERNE ENTERRER TERRE PROFOND L\u2019EAU 
lit pie 

NID ROND BOIS MARRON COCHONNET 

CITERNE EAU LIQUIDE VIE 
POMPIER FEU
citrouille citron sceau faut faucheuse 
pompe plier plonger ferme

LIBELLULE VOLE AIR HAUTEUR 
GU\u00caPIER D\u2019EUROPE OISEAU
libre livrer bille sol colle poule 
gu\u00eape guerre pierre 

SAPIN DROIT ODORANT PIQUANT \u00c9PINEUX <\/i>
CYPR\u00c9S PINS <\/i>
espin pin tintin roi fois doigt<\/i>

ROCHE CALCAIRE DURE NID DURE MIEL<\/i>

ROMARIN VIOLET ODORANT ASSAINISSEMENT 
roumain main tin tarte tatin pin 
citerne termes fermes

BROUILLARD 
VISIBLE AVEUGLANT \u00c9PAIS BRUMEUX 
NUAGE
oeuf brouill\u00e9 nuisible volant \u00e9p\u00e9e brouillon bouillon<\/p>","label":"

Baptiste, Lucas, Mathias, Tom E<\/p>"},{"id":1274,"type":1,"imageIds":[3418]},{"id":1298,"type":1,"imageIds":[3429]},{"id":733,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/836_20120505140403.mp3","label":"

Jean-Christophe Bailly, Basse continue \u2014 chant 44 <\/i>(extrait).<\/p>","duration":134},{"id":363,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/459_20090715154737.mp3","label":"Bataille","duration":143},{"id":644,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/746_20110903163913.mp3","label":"Bateau de papier et autres po\u00e8mes - Lecture de la traduction par Daniel Biga.","duration":293},{"id":950,"type":1,"imageIds":[3166]},{"id":1197,"type":1,"imageIds":[2197]},{"id":400,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/497_20091020135114.mp3","label":"Bernard Collin au travail - extrait de l'entretien avec J\u00e9r\u00f4me Mauche","duration":599},{"id":401,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/498_20091020135339.mp3","label":"Bernard Collin et le XIX\u00e8 - extrait de l'entretien avec J\u00e9r\u00f4me Mauche.","duration":482},{"id":1031,"type":3,"videoId":"548455665","duration":4074},{"id":1277,"type":4,"fileUrl":"\/resources\/files\/file_65aa85e5bfbc9.mp3","label":"

Ted Berrigan \u2014 Introduction Berrigan<\/i>, reading at Buffalo with Introduction by Robert Creeley, May 6, 1968<\/p>

Dur\u00e9e : 00'37\"<\/p>

 <\/p>

Words For Love, <\/i>reading at Buffalo with Introduction by Robert Creeley, May 6, 1968<\/p>

Dur\u00e9e : 02'08\" <\/p>","duration":165},{"id":121,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/163_20060705132815.mp3","label":"Between Cup and Lip","duration":115},{"id":519,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/618_20100701165332.mp3","label":"Bible de l'Avant-Garde; L'Ancien testament (extrait)","duration":291},{"id":2337,"type":1,"imageIds":[3356]},{"id":734,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/837_20120505141308.mp3","label":"Bibliographie - fragments","duration":150},{"id":100,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/141_20060307165337.pdf","label":"Bibliographie compl\u00e8te (1973-2005) d'Emmanuel Hocquard - une bibliograhie compl\u00e8te d'Emmanuel Hocquard par Emmanuel Ponsart"},{"id":522,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/621_20100701171956.mp3","label":"Blanc espace laiss\u00e9","duration":191},{"id":1215,"type":2,"content":"

 <\/p>

Vendredi 23 juin 2023, Biblioth\u00e8que du Cipm<\/strong><\/span><\/p>

 <\/p>

Sillonner dans une biblioth\u00e8que peut \u00eatre comme sillonner dans un jardin. Il y a des all\u00e9es, parfois des bosquets. On les parcourt ou on s\u2019y arr\u00eate apr\u00e8s avoir pass\u00e9 une entr\u00e9e plus large que ses rayons. Rayons comme all\u00e9es ; et chacun, une fois parcouru en un sens, nous invite \u00e0 rebrousser chemin pour nous aventurer plus avant, s\u2019aventurer parmi des repaires limpides comme un ciel de juin. Clart\u00e9 rendant \u00e0 \u00ab rayon \u00bb sa richesse s\u00e9mantique par cette lumi\u00e8re venant de l\u2019ext\u00e9rieur et clart\u00e9 tout simplement \u00e9manant de ce lieu, des visages attentifs, de regards \u00e9chang\u00e9s. Mais si on poursuit l\u2019analogie avec le jardin, chaque all\u00e9e contient diff\u00e9rentes plantes, diff\u00e9rentes fleurs et diff\u00e9rents fruits. De telle sorte que certaines sont, pour soi, pousses fertiles.<\/span><\/p>

Nous ne pouvons go\u00fbter toutes les baies, tous les fruits ni prendre le m\u00eame plaisir \u00e0 chaque fleur propos\u00e9e. Quoi qu\u2019il en soit, on y trouve son aise gr\u00e2ce \u00e0 la claire luminosit\u00e9 de cette douce forteresse.<\/span><\/p>

 <\/p>

J\u2019\u00e9voque les bosquets\u2026 Il en est bien un dans l\u2019espace r\u00e9serv\u00e9 au pr\u00e9cieux fonds Albiach et au fonds am\u00e9ricain. C\u2019est l\u00e0 que nous sommes invit\u00e9s \u00e0 nous assoir, \u00e0 m\u00e9diter, \u00e0 travailler.<\/span><\/p>

 <\/p>

Je m\u2019y installe tout naturellement et j\u2019ouvre devant moi le Book of Music<\/i> de Jack Spicer.<\/span><\/p>

 <\/span><\/p>

Nul hasard \u00e0 cela\u2026 Motets, Variations, Suites ou encore Fugues : importance constante accord\u00e9e \u00e0 la musique. De plus, la traduction est, pour moi, interpr\u00e9tation comme on interpr\u00e8te une pi\u00e8ce musicale, d\u2019o\u00f9 l\u2019insistance sur Joyce et sur Dante. Aussi, mon int\u00e9r\u00eat pour les Cantos<\/i> \u2013 le titre lui-m\u00eame m\u2019ayant sollicit\u00e9 jeune homme \u2013 et pour Louis Zukofsky qui th\u00e9orise la question du sound\/sens<\/i> prolongeant l\u2019approche de ses a\u00een\u00e9s.<\/span><\/p>

 <\/p>

J\u2019aurais pu aussi bien, comme Pasolini, r\u00eaver de \u00ab composer de la musique \u00bb ; Pasolini qui ajoute que c\u2019est \u00ab la seule action expressive \/ peut-\u00eatre, haute, et ind\u00e9finissable comme les actions de la r\u00e9alit\u00e9. \u00bb Il me faut, peut-\u00eatre, \u00e9voquer ici une m\u00e9lancolie \u00e9l\u00e9giaque propre \u00e0 tous les po\u00e8tes ayant \u00e9t\u00e9 habit\u00e9s par ce d\u00e9sir.<\/span><\/p>

 <\/span><\/p>

Cela \u00e9tant, j\u2019ai lu d\u2019abord Jack Spicer de fa\u00e7on plut\u00f4t distraite. Il m\u2019avait sembl\u00e9 que nous avions peu en commun, tout simplement. Cependant, le relisant r\u00e9cemment, je m\u2019arr\u00eatais \u00e0 son Book of Music<\/i> \u2013 on le comprendra \u2013 dans l\u2019\u00e9dition de My Vocabulary Did This To Me<\/i> o\u00f9 ce recueil comprend 16 po\u00e8mes. Le dernier po\u00e8me occupe une place quelque peu \u00e9tonnante, mais j\u2019en avais retenu surtout la derni\u00e8re strophe :<\/span><\/p>

 <\/span><\/p>

         <\/span><\/p>

Le barman n\u2019est pas les \u00c9tats-Unis<\/span><\/p>

Ni l\u2019intellectuel<\/span><\/p>

Ni le barman<\/span><\/p>

Il est chaque salaud qui ne pleure pas<\/span><\/p>

Quand il lit ce po\u00e8me.<\/span><\/p>

 <\/p>

 <\/span><\/p>

Pasolini encore revenait, plus violent encore : \u00ab Qui n\u2019a vers\u00e9 ces larmes est un porc \u00bb.<\/span><\/p>

 <\/span><\/p>

Je suis donc, en ce bosquet, assis devant la plaquette, parue \u00e0 San Francisco en 1969, qui forme la premi\u00e8re \u00e9dition de Book of Music<\/i>. Elle contient 14 po\u00e8mes, num\u00e9rot\u00e9s.<\/span><\/p>

 <\/p>

Je les relis et d\u00e9cide de les retraduire.<\/span><\/p>

 <\/span><\/p>

Apr\u00e8s quoi, n\u00e9cessit\u00e9 s\u2019impose de poursuivre ce travail de traduction en y ajoutant des po\u00e8mes d\u2019autres recueils qui r\u00e9sonnent en moi comme des \u00e9chos \u00e0 ce petit ensemble qui se cl\u00f4t admirablement sur lui-m\u00eame. Une courbe se liant par les cordes vibrant. Cordes vocales, cordes liant les choses et les chants d\u2019amour d\u00e9chir\u00e9s\/d\u00e9chirant.<\/span><\/p>

 <\/p>

\u00c0 mon retour, tout impr\u00e9gn\u00e9 encore de cette clart\u00e9 et d\u2019une douceur si rare, j\u2019ouvre Be Brave To Things<\/i>, 2021 \u2013 \u00e9dition rassemblant tous les po\u00e8mes et les pi\u00e8ces de th\u00e9\u00e2tre qui demeuraient in\u00e9dits. D\u2019autres po\u00e8mes s\u2019imposent\u2026<\/span><\/p>

 <\/p>

Ce nouvel ensemble de traductions devient des \u00ab p\u00e9riph\u00e9riques \u00bb.<\/span><\/p>

 <\/span><\/p>

 <\/p>

N.B. Dans la premi\u00e8re partie de ces derniers, je mets entre crochets certains \u00ab \u00e9chos \u00bb pr\u00e9cis avec renvois aux num\u00e9ros des po\u00e8mes du recueil. Dans la seconde, les titres eux-m\u00eames suffisent \u00e0 les \u00e9voquer. Surtout, les m\u00eames cordes y vibrent\u2026<\/span><\/p>

 <\/p>


\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

Jack Spicer<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Book of Music<\/strong><\/span><\/p>

Livre de musique<\/strong><\/span><\/p>

 <\/p>

 <\/p>

1<\/p>

Improvisation sur une phrase de Poe<\/strong><\/p>

 <\/p>

\u00ab L\u2019ind\u00e9fini est un \u00e9l\u00e9ment de la vraie musique. \u00bb<\/p>

La concorde de ce qui<\/p>

Ne s\u2019abaisse pas \u00e0 une d\u00e9finition. La mouette<\/p>

Seule sur la jet\u00e9e, croassant gueule ouverte<\/p>

Au-dessus du poisson, pas d\u2019autre mouette,<\/p>

Pas d\u2019oc\u00e9an. D\u00e9pourvue absolument de sens<\/p>

Comme un cor Anglais.<\/p>

Ce n\u2019est pas m\u00eame un orchestre. La concorde<\/p>

Seule sur une jet\u00e9e. La concorde de ce qui<\/p>

Ne s\u2019abaisse pas \u00e0 une d\u00e9finition. Pas de poisson.<\/p>

Pas d\u2019autre mouette, pas d\u2019oc\u00e9an. La vraie<\/p>

Musique.<\/p>

 <\/p>

 <\/p>

2<\/p>

Une Valentine<\/strong><\/p>

 <\/p>

Les Valentines inutiles<\/p>

Sont meilleures<\/p>

Que toutes les autres.<\/p>

Comme quelque chose d\u2019implicite<\/p>

Dans un po\u00e8me.<\/p>

Prenez toutes vos Valentines<\/p>

Et je prendrai la mienne.<\/p>

Ce qui reste est meilleur<\/p>

Que n\u2019importe quelle image.<\/p>


 <\/p>

3<\/p>

Cantate<\/strong><\/p>

 <\/p>

Ridicule<\/p>

Comment l\u2019espace entre trois violons<\/p>

Peut menacer toute notre po\u00e9sie.<\/p>

Nous nous groupons comme des louveteaux<\/p>

Lors d\u2019un pique-nique. C\u2019est un moment de terreur.<\/p>

\u00c9trange comme toutes nos croyances<\/p>

Disparaissent.<\/p>


 <\/p>

4<\/p>

Orph\u00e9e<\/strong><\/p>

 <\/p>

Aussi vif qu\u2019une fl\u00e8che, Orph\u00e9e<\/p>

Dirige sa musique vers le bas.<\/p>

L\u2019enfer est l\u00e0<\/p>

Comme le bas de la falaise.<\/p>

Nul salut<\/p>

Par cette musique.<\/p>

Eurydice<\/p>

Est une fr\u00e9gate ou un rocher ou une algue.<\/p>

Nul, saluez,<\/p>

L\u2019infernal<\/p>

Est un embrun glissant vers l\u2019horizon.<\/p>

L\u2019enfer est ceci :<\/p>

L\u2019absence de toute autre chose que l\u2019\u00e9ternel \u00e0 regarder.<\/p>

L\u2019\u00e9tendue de sel<\/p>

L\u2019absence de tout autre lit et sa propre musique pour dormir.<\/p>

 <\/p>

 <\/p>

5<\/p>

Chanson du prisonnier<\/strong><\/p>

 <\/p>

Rien de mon corps ne m\u2019\u00e9chappe.<\/p>

Le son de l\u2019aigle qui plonge<\/p>

Sur un oiseau noir<\/p>

Ou le chagrin d\u2019un hibou.<\/p>

Rien dans mon corps ne m\u2019\u00e9chappe.<\/p>

Chaque branche est ferm\u00e9e<\/p>

Je<\/p>

Me fais l\u2019\u00e9cho de chaque chant de sa gorge<\/p>

Je mugis chaque son.<\/p>


 <\/p>

6<\/p>

Guerre dans la jungle<\/strong><\/p>

 <\/p>

La ville n\u2019\u00e9tait pas grand-chose<\/p>

Quelques huttes de boue et un clocher d\u2019\u00e9glise.<\/p>

C\u2019\u00e9tait la m\u00eame herbe<\/p>

Et les m\u00eames oiseaux \u00e0 l\u2019or\u00e9e du bosquet.<\/p>

Nous attendions que quelqu\u2019un sorte et se rende.<\/p>

Mais ils ont fait sonner les cloches de leur \u00e9glise<\/p>

Et nous<\/p>

Nous n\u2019avons peur ni de la mort ni de toute forme de mort<\/p>

Mais les m\u00eames balles boueuses, le m\u00eame horrible<\/p>

Amour.<\/p>

 <\/p>

 <\/p>

7<\/p>

Vendredi Saint : faute d\u2019orchestre<\/strong><\/p>

 <\/p>

J\u2019ai vu une mule sans t\u00eate<\/p>

Courant sous la pluie<\/p>

Elle avait une peau d\u2019\u00e9chiquier<\/p>

Et son garrot \u00e9tait mince et sombre.<\/p>

\u00ab Dis-moi \u00bb, demandai-je<\/p>

\u00ab O\u00f9 se trouve<\/p>

Babylone ? \u00bb<\/p>

\u00ab Babylone n\u2019est que briques cuites<\/p>

Avec des symboles dessus.<\/p>

On ne peut pas les entendre. Je cours<\/p>

Jusqu\u2019au bout du monde. \u00bb<\/p>

Elle a couru<\/p>

Comme un perroquet vert et violet qui hurle<\/p>

\u00c0 travers le son.<\/p>

 <\/p>

 <\/p>

8<\/p>

Mime<\/strong><\/p>

 <\/p>

Le mot est imitation<\/p>

Du son Ma ou Mam<\/p>

Utilis\u00e9 par les infirmi\u00e8res pour amuser les enfants.<\/p>

Tout en faisant semblant<\/p>

De se cacher le visage.<\/p>

Comprendre ne suffit pas<\/p>

La vieille mouette est morte. Il y a toute une arm\u00e9e de mouettes<\/p>

Qui attendent dans les coulisses<\/p>

Toute une arm\u00e9e de mouettes.<\/p>

 <\/p>

 <\/p>

9<\/p>

Les joueurs de cartes<\/strong><\/p>

 <\/p>

La lune est attach\u00e9e \u00e0 quelques cordes.<\/p>

Ils la tiennent dans leurs mains. Les joueurs de cartes<\/p>

S\u2019assoient, raides, hi\u00e9ratiques<\/p>

Ne bougent que leurs mains pour le plaisir de<\/p>

Jouer aux cartes.<\/p>

Pas de m\u00e9taphores<\/p>

Chaque doigt est un doigt r\u00e9el<\/p>

Chaque carte est un carton r\u00e9el et pastel, chaque libert\u00e9<\/p>

Sans conscience de l\u2019attachement.<\/p>

La lune est attach\u00e9e \u00e0 quelques cordes.<\/p>

                                           Ces joueurs de cartes<\/p>

Raides, compl\u00e8tement<\/p>

Immobiles.<\/p>

 <\/p>

 <\/p>

10<\/p>

Chanson fant\u00f4me<\/strong><\/p>

 <\/p>

L\u2019in<\/p>

       capacit\u00e9 d\u2019aimer<\/p>

L\u2019incapacit\u00e9<\/p>

         D\u2019aimer<\/p>

Dans l\u2019amour<\/p>

         (Comme tous les petits animaux qui grimpent la colline<\/p>

         dans les sous-bois pour \u00e9chapper \u00e0 la ch\u00e8vre et au m\u00e9chant tigre)<\/p>

L\u2019incapacit\u00e9<\/p>

Incapacit\u00e9<\/p>

         (Dis-moi pourquoi aucune flamme blanche ne monte de la terre<\/p>

         quand l\u2019\u00e9clair frappe les rameaux et les branches des arbres)<\/p>

Dans l\u2019amour. Dans l\u2019amour. J\u2019aime l\u2019<\/p>

In<\/p>

    capacit\u00e9<\/p>

         (comme s\u2019il n\u2019y avait plus rien sur la montagne<\/p>

         que ce \u00e0 quoi personne ne veut \u00e9chapper)<\/p>


 <\/p>

11<\/p>

Plage de l\u2019arm\u00e9e avec trompettes<\/strong><\/p>

 <\/p>

Plut\u00f4t que nos corps le sable<\/p>

Proclame que nous sommes sur l\u2019ultime bord<\/p>

De quelque chose. Deux gar\u00e7ons<\/p>

Qui ne savent attraper les ballons imitaient les chevaux<\/p>

Sur le bord humide.<\/p>

Ou si la vue de la chose prenant fin<\/p>

Ne s\u2019abattait pas sur nous comme une vague<\/p>

De chaque oc\u00e9an chaud.<\/p>

Nous appelons du bord, pour chuter en gouttes<\/p>

Comme un ballon sans c\u0153ur<\/p>

Sur le bord.<\/p>

 <\/p>

 <\/p>

12<\/p>

Duo pour une chaise et une table<\/strong><\/p>

 <\/p>

Le son des mots qui s\u2019\u00e9chappent de nos bouches<\/p>

 <\/p>

Rien<\/p>

N\u2019est moins important<\/p>

Et pourtant cette chaise<\/p>

            cette table<\/p>

                         nomm\u00e9es<\/p>

Assument une identit\u00e9<\/p>

                                           prennent leur place<\/p>

Presque comme une sorte de musique<\/p>

Les mots les choses se nomment<\/p>

                                           elles-m\u00eames<\/p>

Et les tables grommellent<\/p>

                                                         Moi<\/p>

Dans la symphonie de Dieu, une table<\/p>

Qui fait chanter la chaise<\/p>

Une petite chanson sur les gens qui ne s\u2019y assi\u00e9ront jamais<\/p>

Et nous<\/p>

Qui dans la m\u00eame musique<\/p>

Sommes presque aussi facilement d\u00e9plac\u00e9s que les meubles<\/p>

Nous<\/p>

Pouvons apprendre nos noms de nos bouches<\/p>

Nommez nos noms<\/p>

Au milieu de la m\u00eame musique.<\/p>


 <\/p>

13<\/p>

Conspiration<\/strong><\/p>

 <\/p>

Un violon qui me suit<\/p>

 <\/p>

Dans combien de villes lointaines \u00e9coutent-ils<\/p>

Sa musique bouche-b\u00e9e ?<\/p>

Chacune des dix mille personnes qui en jouent.<\/p>

 <\/p>

Il me suit comme quelqu\u2019un qui me hait.<\/p>

 <\/p>

Oh, mon c\u0153ur mourrait plus vite<\/p>

D\u2019entendre sa musique bouche-b\u00e9e. D\u2019autres<\/p>

Dans ces autres villes<\/p>

Dont les c\u0153urs mourraient plus vite.<\/p>

 <\/p>

Il me suit comme quelqu\u2019un qui me hait.<\/p>

 <\/p>

Ou c\u2019est vraiment l\u2019arbre qui pousse juste derri\u00e8re ma gorge<\/p>

Que je pourrais voir si je me retournais assez vite<\/p>

Enracin\u00e9e, immuable, voisine<\/p>

Musique<\/p>

 <\/p>

 <\/p>

14<\/p>

Livre de musique<\/strong><\/p>

 <\/p>

\u00c0 la fin les amoureux<\/p>

Sont \u00e9puis\u00e9s comme deux nageurs. O\u00f9<\/p>

Cela s\u2019est-il termin\u00e9 ? On ne peut le dire. Aucun amour n\u2019est<\/p>

Comme un oc\u00e9an au cort\u00e8ge vertigineux, ou aux lointaines limites<\/p>

D\u2019o\u00f9 l\u2019on peut sortir \u00e9puis\u00e9s, ni comme de longs adieux<\/p>

Comme la mort.<\/p>

Une fin. Plut\u00f4t, dirais-je, comme une longueur<\/p>

De corde enroul\u00e9e<\/p>

Qui ne grime pas dans les premi\u00e8res boucles de sa longueur<\/p>

Sa fin.<\/p>

Mais, me direz-vous, nous avons aim\u00e9<\/p>

Et certaines parties de nous ont aim\u00e9<\/p>

Et de nous restera<\/p>

Deux personnes. Oui<\/p>

La po\u00e9sie se termine comme une corde.<\/p>

 <\/p>


\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

P\u00e9riph\u00e9ries<\/span><\/p>

 <\/p>

 My Vocabulary Did This To Me<\/strong><\/span>
 <\/p>

 <\/p>


 <\/p>

\u00ab N\u2019importe quel fou peut entrer dans un oc\u00e9an \u00bb<\/strong><\/p>

 <\/p>

N\u2019importe quel fou peut entrer dans un oc\u00e9an  <\/p>

Mais il faut une d\u00e9esse  <\/p>

Pour en sortir.<\/p>

Ce qui est vrai pour les oc\u00e9ans l\u2019est aussi, bien s\u00fbr,<\/p>

pour labyrinthes et po\u00e8mes. Quand tu commences \u00e0 nager  <\/p>

\u00c0 travers rythmes et algues de la m\u00e9taphore<\/p>

Il te faut \u00eatre un bon nageur ou une d\u00e9esse n\u00e9e<\/p>

Pour t\u2019en d\u00e9gager<\/p>

Regarde les loutres de mer flottant sauvagement<\/p>

Et sautant hors du milieu du po\u00e8me<\/p>

Elles ont l\u2019air si enthousiastes et si paisibles \u00e0 jouer ici o\u00f9 l\u2019eau<\/p>

    bouge \u00e0 peine<\/p>

Tu pourrais jaillir des vagues et des rochers<\/p>

Au milieu du po\u00e8me pour les toucher<\/p>

Mais quand tu as essay\u00e9 longtemps l\u2019eau b\u00e9nite<\/p>

Suffisamment pour tout recommencer<\/p>

C\u2019est l\u00e0 que le plaisir commence<\/p>

\u00c0 moins d\u2019\u00eatre un po\u00e8te ou une loutre ou quelque chose de surnaturel<\/p>

Tu te noieras, mon cher. Tu te noieras<\/p>

N\u2019importe quel Grec peut t\u2019introduire dans un labyrinthe.<\/p>

Mais il faut un h\u00e9ros pour en sortir<\/p>

Ce qui est vrai pour les labyrinthes l\u2019est aussi<\/p>

Pour l\u2019amour et la m\u00e9moire. Quand on commence \u00e0 se souvenir.<\/p>

 <\/p>

(1945-1950)<\/p>

 <\/p>

 <\/p>

[oc\u00e9an \u2013 1, 4, 11, 14 ; d\u00e9it\u00e9, figure mythologique \u2013 4]<\/p>


 <\/p>

Hymne de la Concorde<\/strong><\/p>

 <\/p>

Ta plaisanterie<\/p>

Est comme un lac<\/p>

Qui s\u2019\u00e9tend l\u00e0 sans aucune pens\u00e9e<\/p>

Et voit<\/p>

Des mers mortes<\/p>

Les oiseaux volent<\/p>

Autour de lui<\/p>

D\u00e9concert\u00e9s par son bleu sans une pens\u00e9e pour l\u2019eau<\/p>

Sans une pens\u00e9e<\/p>

Pour l\u2019eau.<\/p>

 <\/p>

 <\/p>

[concorde \u2013 1 ; oiseaux marins \u2013 8]<\/p>


 <\/p>

Un diamant<\/strong><\/p>

 <\/p>

Une traduction pour Robert Jones<\/i><\/p>

 <\/p>

Un diamant<\/p>

Est l\u00e0<\/p>

Au c\u0153ur de la lune ou des branches ou de ma nudit\u00e9<\/p>

Et il n\u2019y a rien dans l\u2019univers comme le diamant<\/p>

Rien dans l\u2019esprit tout entier.<\/p>

 <\/p>

Le po\u00e8me est une mouette qui se repose sur une jet\u00e9e au bout de l\u2019oc\u00e9an.<\/p>

 <\/p>

Un chien hurle \u00e0 la lune<\/p>

Un chien hurle aux branches<\/p>

Un chien hurle \u00e0 la nudit\u00e9<\/p>

Un chien hurle avec un esprit pur.<\/p>

 <\/p>

Je demande que le po\u00e8me soit aussi pur que le ventre d\u2019une mouette.<\/p>

 <\/p>

L\u2019univers se d\u00e9sagr\u00e8ge et r\u00e9v\u00e8le un diamant<\/p>

Deux mots appel\u00e9s mouette flottent paisiblement l\u00e0 o\u00f9 sont les vagues.<\/p>

Le chien est mort l\u00e0, avec la lune, avec les branches, avec ma nudit\u00e9<\/p>

Et il n\u2019y a rien dans l\u2019univers comme un diamant<\/p>

Rien dans l\u2019esprit tout entier.<\/p>

 <\/p>

(D\u2019apr\u00e8s Lorca, 1957)<\/i><\/p>

 <\/p>

 <\/p>

[Oc\u00e9an, mouettes \u2013 1, 8]<\/p>


 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

Be Brave To Things<\/strong><\/span><\/p>

 <\/p>


 <\/p>

Carmen<\/strong><\/p>

 <\/p>

Mon c\u0153ur \u00e9tait un papillon<\/p>

Aux ailes rouges sur les \u00e9paules d\u2019un autre.<\/p>

J\u2019ai pleur\u00e9 entre deux garages<\/p>

Et il a commenc\u00e9 \u00e0 aller de-ci de-l\u00e0 pour les rassembler.<\/p>

J\u2019\u00e9tais un jeu ancien<\/p>

Entre deux garages, c\u2019\u00e9tait un jeu ancien.<\/p>

Lah la lallih, lah lah la lalih.<\/p>

Mon c\u0153ur ancien est un papillon<\/p>

Un ancien papillon.<\/p>

 <\/p>

 <\/p>

Op\u00e9ra<\/strong><\/p>

 <\/p>

D\u2019abord la toile de fond peinte \u2013<\/p>

Les rues d\u2019une ville impossible<\/p>

L\u2019ouverture \u2013<\/p>

La sensation du bois dans la main<\/p>

La gorge d\u2019un violoncelle<\/p>

Puis ils chantent dans cinquante chambres \u2013<\/p>

Les arch\u00e9types amoureux :<\/p>

Rideau, rideau, rideau<\/p>

Trag\u00e9die<\/p>

Puis la toile de fond dispara\u00eet \u2013<\/p>

Il ne reste plus que<\/p>

La musique.<\/p>

 <\/p>

 <\/p>

Mazurka pour les filles qui m\u2019ont apport\u00e9 des tranquillisants<\/strong><\/p>

 <\/p>

En groupe, hors groupe<\/p>

En groupe, hors groupe<\/p>

Homme portant une barbe, un col de 4 \u00bd cm et un pyjama.<\/p>

Hors groupe, en groupe,<\/p>

Hors groupe, en groupe<\/p>

Femme portant du rouge \u00e0 l\u00e8vres, un soutien-gorge taille 36, buvant du gin et de la marmelade.<\/p>

Homme et femme uniques<\/p>

Essaient de danser. Les gens<\/p>

Disent que la danse est la mesure basique d\u2019un po\u00e8me.<\/p>


 <\/p>

\u00ab Sois courageux face aux choses aussi longtemps que \u00bb<\/strong><\/p>

 <\/p>

Sois courageux face aux choses aussi longtemps que<\/p>

Aussi longtemps que<\/p>

Aussi longtemps que l\u2019intrigue s'\u00e9paissit<\/p>

Tant que tu tiendras dans ta main un univers minuscule fait<\/p>

              d\u2019un filet d\u2019huile, de poils de chat,<\/p>

              de tabac, des restes<\/p>

De ce qui fut un vaste jour.<\/p>

Comme c\u2019\u00e9tait le cas autrefois aussi longtemps que, l\u2019intrigue s\u2019\u00e9paissit.<\/p>

              Sois courageux face aux penseurs de la nuit, aux bo\u00eetes<\/p>

              rouill\u00e9es, \u00e0 tout<\/p>

Ce qui a une dimension.<\/p>

Comme si c\u2019\u00e9tait un vaste pied<\/p>

Haut, carr\u00e9, aussi long que<\/p>

Les bo\u00eetes.<\/p>

 <\/p>

(Spider Music)<\/i><\/p>

 <\/p>"},{"id":347,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/443_20090610150542.mp3","label":"Blancs bleus - 1 - Extrait de <\/i>Des vides rapi\u00e9c\u00e9s par un fil du soleil<\/i>.\r\nTraduction fran\u00e7aise lors de l'\u00e9change \"IMPORT\/EXPORT\" Tanger \/ Marseille, lue par Emmanuel Hocquard.","duration":314},{"id":284,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/370_20090310164235.mp3","label":"Blessure - adaptation fran\u00e7aise par Catherine Weinzaepflen, lue par Jean-Jacques Vitton","duration":375},{"id":2455,"type":1,"imageIds":[3817]},{"id":2051,"type":5,"fileUrl":"\/resources\/files\/file_6623d6d4cbee1.pdf","label":"

\u00a9 Pascale Evrard<\/p>"},{"id":1130,"type":5,"fileUrl":"\/resources\/files\/file_654a55bc7625d.pdf"},{"id":1232,"type":1,"imageIds":[3397]},{"id":291,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/377_20090311132040.mp3","label":"Boire le doute - Lecture de la traduction fran\u00e7aise par Catherine Weinzaepflen","duration":185},{"id":2486,"type":2,"content":"

 <\/p>

c\u2019est un endroit dans sa t\u00eate,<\/p>

c\u2019est une bulle de confort<\/p>

c\u2019est la vie, le bonheur, la toupie, la switch, les copains\u2026<\/p>

c\u2019est difficile et \u00e0 la fois facile<\/p>

c\u2019est de la torture, la po\u00e9sie<\/p>

c\u2019est d\u00e9crire sa joie, sa col\u00e8re, sa peine, sa tristesse<\/p>

c\u2019est \u00e9crire avec ses \u00e9motions<\/p>

c\u2019est ma plan\u00e8te<\/p>

c\u2019est des phrases qu\u2019on invente<\/p>

c\u2019est des phrases avec des dessins\u2026<\/p>

c\u2019est l\u2019histoire de la vie du monde <\/p>

c\u2019est toucher avec notre c\u0153ur, inventer des histoires<\/p>

la po\u00e9sie c\u2019est bien, mais \u00e7a donne envie de dormir\u2026<\/p>

c\u2019est notre imagination qui essaye de s\u2019envoler dans notre espace priv\u00e9 et en m\u00eame temps fluide<\/p>

c\u2019est \u00eatre libre et pouvoir s\u2019exprimer comme on veut<\/p>

c\u2019est aussi l\u2019endroit unique ou personne ne peut vous refuser quoi que ce soit<\/p>

 <\/p>","label":"

La po\u00e9sie c\u2019est quoi\u2026, <\/i>Texte collectif : James, Adam A , Tancr\u00e8de, Kilian, Alicia, Adam Z, Flavio, Chirine, Ambre,Yann, Adam L, Imran, Enzo, Sylvain.<\/p>"},{"id":2495,"type":2,"content":"

 <\/p>

Dormir c\u2019est se calmer<\/p>

se calmer c\u2019est quand quelqu\u2019un t\u2019a fait du mal<\/p>

faire du mal c\u2019est quand quelqu\u2019un se moque de toi<\/p>

moquer quand tu tombes sur une pierre<\/p>

une pierre c\u2019est celle que tu lances sur l\u2019eau<\/p>

lance c\u2019est quand tu lances des balles pour jouer ou des petites balles<\/p>

balle pour jouer au fout dehors<\/p>

jouer c\u2019est quand tu joues aux jeux vid\u00e9os avec tes amis<\/p>

jeu vid\u00e9o c\u2019est quand tu t\u2019amuses avec tes amis au foot ou \u00e0 fifa<\/p>

 <\/p>","label":"

Adam L<\/p>"},{"id":2496,"type":2,"content":"

 <\/p>

L\u00e0, c\u2019est moi quand j\u2019avais 3 ans quand j\u2019ai eu mon doudou.<\/p>

L\u00e0, c\u2019est moi mais je m\u2019en rappelle plus. J\u2019avais 5ans.<\/p>

Avec mon cousin, je crois qu\u2019on regarde un livre.<\/p>

J\u2019avais les yeux brillants et on \u00e9tait sages comme des images. Je crois que c\u2019\u00e9tait rigolo quand il lisait.On \u00e9tait<\/p>

dans l\u2019avion.A des moments on jouait avec les jeux qu\u2019<\/p>

on avais pris ou on dormait avec notre doudou qui faisait \u201d<\/p>

berceuse.On mangeait des trucs incroyable on \u00e9tait en<\/p>

route pour l\u2019Asie.<\/p>

  <\/p>","label":"

James<\/p>"},{"id":2497,"type":2,"content":"

 <\/p>

Voir...<\/p>

c\u2019est regarder<\/p>

c\u2018est r\u00e9aliser<\/p>

c\u2019est comprendre<\/p>

c\u2019est se rappeler<\/p>

c\u2019est imaginer<\/p>

c\u2019est voir ses amis<\/p>

c\u2019est voir de la couleur<\/p>

c\u2019est voir en noir et blanc<\/p>

c\u2019est voir l\u2019 heure qui tourne<\/p>

c\u2018est ne pas voir ce qu\u2019on voulait voir<\/p>

c\u2018est voir le monde comme il est.<\/p>

 <\/p>","label":"

Flavio<\/p>"},{"id":2498,"type":2,"content":"

 <\/p>

Aimer c\u2019est quand tu t\u2019entends bien<\/p>

Aimer c\u2019est que tu adores la personne<\/p>

Aimer c\u2019est faire des bisous c\u00e2lin<\/p>

Aimer c\u2019est quand tu passes de bons moments<\/p>

Aimer c\u2019est manger ensemble<\/p>

Aimer ce n\u2019est pas se frapper ni se disputer.<\/p>

 <\/p>","label":"

Alicia<\/p>"},{"id":2499,"type":2,"content":"

 <\/p>

Quitter la maison<\/p>

comprendre quelque chose<\/p>

regretter une personne<\/p>

lire un discours<\/p>

\u00e9crire un mot<\/p>

partir c\u2019est aller faire l\u2019aventure<\/p>

vivre c\u2019est aimer la vie<\/p>

dire c\u2019 est vouloir quitter la maison<\/p>

 <\/p>","label":"

Ambre<\/p>"},{"id":2500,"type":2,"content":"

 <\/p>

Dire c\u2019est dire quelque chose<\/p>

Dormir c\u2019est dormir dans un jardin<\/p>

Offrir c\u2019est offrir un cadeau<\/p>

Partir c\u2019est partir quelque part<\/p>

Voir c\u2019est voir une personne que tu n\u2019as pas vu depuis tr\u00e8s longtemps<\/p>

Effacer c\u2019est effacer le tableau<\/p>

 <\/p>","label":"

Imran T<\/p>"},{"id":2501,"type":2,"content":"

 <\/p>

R\u00e9seaux<\/p>

R\u00e9seau dans la chambre<\/p>

R\u00e9seau du jeu<\/p>

R\u00e9seau 5G<\/p>

R\u00e9seau du coll\u00e8ge<\/p>

R\u00e9seau du macdo<\/p>

R\u00e9seau des toilettes<\/p>

R\u00e9seau de la maison<\/p>

R\u00e9seau de la wifi<\/p>

R\u00e9seau social<\/p>

R\u00e9seaux du t\u00e9l\u00e9phone<\/p>

C\u00e2ble de r\u00e9seau<\/p>

R\u00e9seau du monde<\/p>

R\u00e9seau de la galaxie<\/p>

R\u00e9seau de l\u2019univers<\/p>

 <\/p>","label":"

Yann<\/p>"},{"id":2502,"type":2,"content":"

 <\/p>

Manger<\/p>

manger le matin<\/p>

manger tout<\/p>

manger le soir<\/p>

manger dans son lit<\/p>

manger l\u2019apr\u00e8s-midi<\/p>

manger beaucoup<\/p>

ne pas manger beaucoup<\/p>

manger endormi<\/p>

manger chez les voisins<\/p>

manger chez moi<\/p>

manger au coll\u00e8ge<\/p>

manger un couscous<\/p>

manger en d\u00e9pression<\/p>

manger n\u2019importe quoi<\/p>

manger avec Adam.A<\/p>

manger un truc<\/p>

manger M.truc<\/p>

 <\/p>","label":"

Adam Z<\/p>"},{"id":2487,"type":2,"content":"

 <\/p>

Pour Th\u00e9o tableau horrible<\/p>

Pour Natalie tableau joli<\/p>

Pour moi tableau \u00e9motionnel<\/p>

Pour l\u2019espace tableau pour l\u2019amour<\/p>

Pour James tableau pour l\u2019amiti\u00e9<\/p>

Pour les dessins tableau \u00e0 partir de fleur en rose rouge<\/p>

Pour Mr Truc tableau de Mme Bonnier<\/p>

Pour le coll\u00e8ge tableau pour mon anniversaire<\/p>

Pour ma famille tableau des dates importantes<\/p>

Pour Anne tableau pour Aurore<\/p>

Pour apprendre tableau de ma meilleure amie Valentine<\/p>

Pour les fleurs tableau pour Candice<\/p>

Pour mon parrain tableau \u00e0 offrir<\/p>

 <\/p>","label":"

Faire un tableau pour qui ou quoi ?<\/i>, Peyton<\/p>"},{"id":2488,"type":2,"content":"

 <\/p>

Voir<\/p>

voir ce qu\u2019on ne voit pas<\/p>

ne pas voir<\/p>

voir \u00e0 travers<\/p>

voir pour voir<\/p>

voir la lumi\u00e8re<\/p>

voir des choses<\/p>

voir c voir l\u2019au-del\u00e0<\/p>

 <\/p>","label":"

 Theo<\/p>"},{"id":2489,"type":2,"content":"


Hope qui veut dire espoir.<\/p>

Hope hip hop<\/p>

Hope au lit<\/p>

Hope Hopel\u00e9<\/p>

Hope Hopela<\/p>

Hopela<\/p>

Hope Op\u00e9ration<\/p>

Hope et Hop on y va<\/p>

Hope Hop hop au lit<\/p>

Hope Happy<\/p>

Hope gispop<\/p>

Hope Yop<\/p>

Hope H\u00f4pital<\/p>

 <\/p>

A ma petite s\u0153ur Hope<\/i><\/p>

 <\/p>","label":"

Tancr\u00e8de<\/p>"},{"id":2490,"type":2,"content":"

 <\/p>

Aller en voyage.<\/p>

Aller en Afrique pour visiter le Maroc.<\/p>

Aller en France pour acheter une PS5.<\/p>

Aller au chine pour jouer.<\/p>

Aller au Canada pour dormir.<\/p>

Aller au Congo pour bien danser.<\/p>

Aller \u00e0 Tokyo pour bien manger.<\/p>

Aller en France pour voir les statues.<\/p>

 <\/p>","label":"

Aller<\/i>, Adam A<\/p>"},{"id":2491,"type":2,"content":"

 <\/p>

Dessiner en fermant les yeux<\/p>

dessiner une personne<\/p>

dessiner tout seul<\/p>

dessiner pour les autres<\/p>

dessiner une maison<\/p>

dessiner une porte<\/p>

dessiner une poign\u00e9e<\/p>

pour ouvrir une porte<\/p>

pour ouvrir une boite<\/p>

pour ouvrir un meuble<\/p>

pour ouvrir une fen\u00eatre<\/p>

pour ouvrir un placard<\/p>

pour ouvrir un livre<\/p>

pour ouvrir une bouteille<\/p>

pour ouvrir un classeur<\/p>

 <\/p>","label":"

Enzo<\/p>"},{"id":2492,"type":2,"content":"

 <\/p>

Je ne m\u2019en souviens plus de mes souvenirs parce que j\u2019ai tout perdu, mais j\u2019ai un souvenir de ma famille ador\u00e9e. C\u2019est une magnifique vid\u00e9o de moi et toute ma famille o\u00f9 on f\u00eatait mon anniversaire pour mes 6 ans. On s\u2019\u00e9tait trop bien amus\u00e9s, c\u2019\u00e9tait le meilleur anniversaire, et l\u00e0 j\u2019y pense encore, \u00e0 ces moments inoubliables.<\/p>

 <\/p>

L\u00e0 c\u2019est moi \u00e0 mes 9 ans. Je suis d\u00e9sol\u00e9e mais je n\u2019ai plus de souvenir (vid\u00e9o ou photo) de mon papa mais par contre je me souviens de lui gr\u00e2ce \u00e0 son magnifique visage. Mon papa est d\u00e9c\u00e9d\u00e9 \u00e0 cause d\u2019un grave cancer dans les poumons.<\/p>

 <\/p>","label":"

Chirine<\/p>"},{"id":2493,"type":2,"content":"

 <\/p>

L\u00e0, c\u2019est moi mon chien et mon enfant \u00e0 la plage en train de jouer devant le coucher du soleil et<\/p>

En train de manger une pizza royale.<\/p>

L\u00e0, c\u2019est moi en train de jouer au lazer game avec James et Yann \u00e0 mon anniversaire.<\/p>

L\u00e0, c\u2019est moi \u00e0 un match de hand apr\u00e9s une victoire.<\/p>

L\u00e0, c\u2019est moi avec Mbapp\u00e9 \u00e0 la coupe du monde avec mon ballon d\u00e9dicac\u00e9.<\/p>

L\u00e0, c\u2019est moi en Polyn\u00e9sie \u00e0 Tahiti en train de boire du lait de coco devant un coucher du soleil avec mon chien. Et c\u2019\u00e9tait ma best life.<\/p>

  <\/p>","label":"

Sylvain<\/p>"},{"id":2494,"type":2,"content":"

 <\/p>

Effacer le pass\u00e9<\/p>

effacer les probl\u00e8mes<\/p>

effacer la fatigue<\/p>

effacer c\u2019est effacer<\/p>

effacer la violence<\/p>

ne pas effacer les armes<\/p>

ne pas effacer les bons souvenir<\/p>

 <\/p>","label":"

Kilyan<\/p>"},{"id":442,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/539_20100204122146.mp3","label":"Bon retour","duration":192},{"id":2291,"type":2,"content":"

Le monde est monde et le propre est propre, le monde est propre et l\u2019immonde est impropre.<\/p>

De m\u00eame que rien n\u2019est absolument impropre, tout est absolument propre.<\/p>

De m\u00eame que rien n\u2019est absolument immonde, tout est absolument monde.<\/p>

Le monde est monde, et le monde est doux, et le doux est monde, et le doux est doux.<\/p>

L\u2019immonde est immonde, l\u2019immonde est amer, l\u2019amer est immonde, l\u2019amer amer.<\/p>

De m\u00eame que rien n\u2019est absolument amer, tout est absolument doux.<\/p>

L\u2019immonde est \u00e0 monder (\u00e9monder), l\u2019immonde est \u00e0 dulcifier, adoucir,<\/p>

l\u2019amer est \u00e0 monder (\u00e9monder), l\u2019amer est \u00e0 dulcifier, adoucir,<\/p>

pour que l\u2019immonde se refasse propre, se refasse doux, refasse monde,<\/p>

pour que l\u2019amer se refasse monde, se refasse propre, se refasse doux.<\/p>

Le monde n\u00e9 doux, car monde, d\u00e8s le d\u00e9but, est de plus en plus dur, immonde.<\/p>

C\u2019est de plus en plus dur pour le monde n\u00e9 doux, c\u2019est de plus en plus immonde<\/p>

pour le monde n\u00e9 monde, c\u2019est de plus en plus amer pour le monde n\u00e9 doux,<\/p>

c\u2019est de plus en plus amer pour le doux n\u00e9 doux. C\u2019est de plus en plus amer,<\/p>

immonde, mais jamais amer absolument, jamais immonde absolument.<\/p>

C\u2019est toujours doux, mais moins, c\u2019est toujours propre, mais moins, c\u2019est toujours monde mais moins.<\/p>

Et quand enfin ce sera amer absolument, immonde absolument,<\/p>

\u00e7a ne pourra pas durer, \u00e7a ne durera pas, n\u2019aura pas de dur\u00e9e.<\/p>

Et \u00e7a cessera \u00e0 l\u2019instant m\u00eame o\u00f9 \u00e7a sera amer absolument.<\/p>

 <\/p>

Et \u00e7a cessera \u00e0 l\u2019instant m\u00eame o\u00f9 \u00e7a sera immonde absolument.<\/p>

L\u2019amer immonde sera aussit\u00f4t \u00e0 l\u2019instant dissous absolument.<\/p>

Et rien ne sera et rien n\u2019aura \u00e9t\u00e9 amer immonde absolument,<\/p>

sauf un instant mais si instantan\u00e9 qu\u2019il sera, aura \u00e9t\u00e9 n\u00e9ant.<\/p>

Personne ne remarquera rien et personne n\u2019aura rien remarqu\u00e9.<\/p>

Tout sera de nouveau monde, nouveau monde, sera de nouveau doux, nouveau doux.<\/p>

En attendant, le monde est de moins en moins monde, le doux de moins en moins doux,<\/p>

et l\u2019immonde est de plus en plus immonde, et l\u2019amer de plus en plus amer.<\/p>

C\u2019est de plus en plus dur d\u2019\u00eatre doux dans le monde de plus en plus amer,<\/p>

c\u2019est de plus en plus dur d\u2019\u00eatre doux dans le monde de plus en plus dur, certes.<\/p>

Mais l\u2019exigence est proportionnellement inverse \u00e0 l\u2019amer grandissant,<\/p>

l\u2019exigence est proportionnellement inverse \u00e0 l\u2019immonde grandissant.<\/p>

Puisque si dans le monde n\u00e9 doux, le monde n\u00e9 propre, le monde n\u00e9 monde,<\/p>

il fallait \u00eatre doux absolument, propre absolument, monde absolument,<\/p>

dans le monde de plus en plus dur, de plus en plus impropre, immonde, moins monde,<\/p>

il suffit d\u2019\u00eatre monde et propre et doux de plus en plus relativement,<\/p>

partiellement et minusculement et infinit\u00e9simalement.<\/p>

C\u2019est dans l\u2019immonde amer et dur asymptotiquement tout, presque absolu,<\/p>

qu\u2019une poussi\u00e8re infime de monde propre et doux est tout, est absolue.<\/p>"},{"id":1216,"type":1,"imageIds":[3292]},{"id":1112,"type":1,"imageIds":[3340]},{"id":1106,"type":1,"imageIds":[3329]},{"id":1109,"type":1,"imageIds":[3331]},{"id":1107,"type":1,"imageIds":[3330]},{"id":1108,"type":1,"imageIds":[3332]},{"id":711,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/813_20120309160753.mp3","label":"Bonne soir\u00e9e","duration":138},{"id":946,"type":1,"imageIds":[3389]},{"id":715,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/817_20120309184854.mp3","label":"Bristol (une version)","duration":186},{"id":136,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/186_20061216185615.mp3","label":"Build by Hands - Accompagnement musical de Erik Billabert.","duration":267},{"id":2015,"type":2,"content":"

 <\/p>

Ma pierre est dure et froide<\/p>

\u00c7a ne sent rien<\/p>

\u00c7a ne m\u2019\u00e9voque rien<\/p>

\u00c7a n\u2019a le go\u00fbt de rien<\/p>

Je te jetterais sur quelqu\u2019un.<\/p>

 <\/p>","label":"

Dure et froide, Elia<\/p>"},{"id":891,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1006_20180620160835.mp3","label":"c o n j o n c t i o n - Lecture, 2014, \u00e0 Texture Librairie, Paris XXe","duration":138},{"id":250,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/328_20080709184142.mp3","label":"C'est comme...","duration":255},{"id":424,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/521_20100108173536.mp3","label":"C'est donc \u00e7a la vie de famille","duration":187},{"id":731,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/834_20120505135451.mp3","label":"C'est maintenant, c'est l'hiver...","duration":268},{"id":186,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/245_20070817173052.mp3","label":"C'est un verni tir\u00e9 sur les ongles couleur pourpre...","duration":186},{"id":2024,"type":5,"fileUrl":"\/resources\/files\/file_660eb19e18608.pdf","label":"

Pages re\u00e7ues de Vannina Maestri<\/p>

\u00e0 l'approche des rencontres des 12 et 13 avril 2024.<\/p>"},{"id":832,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/942_20131023172400.mp3","label":"Cahier de retour au pays (extrait)","duration":156},{"id":218,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/280_20071130163600.mp3","label":"Caisse claire (extrait)","duration":312},{"id":414,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/511_20091203163523.mp3","label":"California (extrait) - Traduction en fran\u00e7ais de B\u00e9atrice Trotignon, lue par elle-m\u00eame.","duration":447},{"id":951,"type":1,"imageIds":[3167]},{"id":663,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/765_20111004172056.mp3","label":"Cantique des grues - Lecture de la traduction en catalan par Oscarine Bosquet","duration":411},{"id":464,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/562_20100423170633.mp3","label":"Caption - Traduction par \"Un bureau sur l'Atlantique\", lue par Juliette Val\u00e9ry.","duration":250},{"id":517,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/616_20100624152652.pdf","label":"Caravane des po\u00e8tes iraniens [4 pages]"},{"id":787,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/894_20121016164946.mp3","label":"Carcasse - Extrait de Sauf","duration":208},{"id":708,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/810_20120306141307.pdf","label":"Carnoux (4) - Textes"},{"id":834,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/944_20131023172905.mp3","label":"Caroline Sagot-Duvauroux","duration":154},{"id":1204,"type":1,"imageIds":[3310]},{"id":1209,"type":1,"imageIds":[3380]},{"id":984,"type":8,"duration":5429,"soundId":"1428121579"},{"id":793,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/900_20121124161819.pdf","label":"Carte blanche \u00e0 Serge Daney - programme complet"},{"id":896,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1012_20220317144344.pdf","label":"Cartels des vitrines Tarkos po\u00e8te"},{"id":1199,"type":1,"imageIds":[2261]},{"id":677,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/779_20111210171514.pdf","label":"Cassiop\u00e9e Peca"},{"id":435,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/532_20100121184511.mp3","label":"Cassiop\u00e9e Peca (extrait) - Lecture de la traduction fran\u00e7aise par Pascal Poyet.","duration":213},{"id":130,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/175_20061017123133.mp3","label":"Cats Studies","duration":160},{"id":727,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/830_20120504190903.mp3","label":"Ce matin dans la chambre... (extrait)","duration":209},{"id":760,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/867_20120703185346.mp3","label":"Ce n'est pas encore la mort, mais une heure incertaine... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":253},{"id":33,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/55_20060204171140.mp3","label":"Ce n'est pas pour me donner aux grues...","duration":178},{"id":38,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/63_20060201164505.mp3","label":"Ce que disait le po\u00e8me - in\u00e9dit","duration":46},{"id":729,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/832_20120504191232.mp3","label":"Ce que la langue se dit lorsqu'elle se parle \u00e0 elle-m\u00eame (extrait)","duration":243},{"id":422,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/519_20100108172944.mp3","label":"Ce qui arrive...","duration":188},{"id":201,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/263_20070829163035.mp3","label":"Ce qui reste, parfois je l'appelle po\u00e8me","duration":122},{"id":712,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/814_20120309161012.mp3","label":"Ce vide qu'on d\u00e9couvre un jour","duration":221},{"id":2442,"type":1,"imageIds":[3799]},{"id":2443,"type":1,"imageIds":[3800]},{"id":987,"type":1,"imageIds":[3199]},{"id":858,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/970_20160322153341.mp3","label":"C\u00e9cile Mainardi - Soir\u00e9e La T\u00eate et les Cornes.","duration":182},{"id":10,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/17_20061020144007.mp3","label":"Cent pour cent - CD Cent Titres<\/b>, Po\u00e9sie fran\u00e7aise de 1945 \u00e0 aujourd'hui - piste 6 - \r\nin Cent pour cent<\/i>, \u00c9d. F. Despalles, 1998","duration":387},{"id":35,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/59_20050923164858.pdf","label":"Cent Titres 1 : po\u00e9sie fran\u00e7aise contemporaine - (de l'apr\u00e8s-guerre \u00e0 aujourd'hui) - Ce premier num\u00e9ro de la collection Cent Titres<\/i> \u00e9tant \u00e9puis\u00e9, nous vous proposons de le t\u00e9l\u00e9charger gratuitement en format PDF."},{"id":2304,"type":1,"imageIds":[3605]},{"id":2302,"type":1,"imageIds":[3613]},{"id":2303,"type":1,"imageIds":[3614]},{"id":493,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/591_20100430185205.mp3","label":"C\u00e9r\u00e9monie de l'\u00e9tincelle \/ Franklin Parc - Lecture de la traduction par Jean-Jacques Vitton.","duration":256},{"id":386,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/483_20090910170641.mp3","label":"CES 1","duration":174},{"id":890,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1005_20180620160704.mp3","label":"chambr e \u00e0 ocucher - Sonore, 2018","duration":170},{"id":652,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/754_20110913144951.mp3","label":"Chant gitan - Chant : Luis de Almeria\r\nGuitare : Antonio Cortes","duration":210},{"id":720,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/822_20120421150234.mp3","label":"Chantiers","duration":283},{"id":1309,"type":2,"content":"

Et puis, un jour, c\u2019est un linge emp\u00eatr\u00e9 dans la glaise, le cadavre d\u2019une b\u00eate ouverte qui nous fait monter dans la bouche notre premi\u00e8re pouss\u00e9es de mots.<\/span><\/p>

 <\/p>

Le linge entre. Tire en nous. Cherche la plaie o\u00f9 loger et cro\u00eetre.  <\/span><\/p>

 <\/p>

\u00ab Et l\u2019on est heureux que la terre, partout \/Soit pareille et colle<\/i> \u00bb <\/span>
 <\/span>
On croyait qu\u2019\u00e9crire convoquait les choses dans l\u2019ordre, chacune selon son rang, son num\u00e9ro d\u2019appel. On croyait qu\u2019en s\u00e9parant le noyau de son fruit on \u00e9viterait toute atteinte et que seule la beaut\u00e9 entrerait dans nos mots.   <\/span><\/p>

 <\/p>

Un jour quelqu\u2019un a \u00e9crit : \u00ab  Durci de mati\u00e8re<\/i> \u00bb, \u00ab Ils ont dit oui \/ \u00e0 la pourriture<\/i> \u00bb, et encore : \u00ab Le linge n\u2019est pas \/ ce qui pourrit le plus vite<\/i>. \u00bb <\/span><\/p>

 <\/p>

Et c\u2019est l\u00e0, contre toute attente, que l\u2019on a touch\u00e9 ses premiers mots, que l\u2019on a fait sa premi\u00e8re ponte.<\/span><\/p>

 <\/p>

C\u2019est l\u00e0 que l\u2019on a d\u00e9couvert son assise. Sa terre.<\/span><\/p>

 <\/p>

Car on est fait d\u2019un tour int\u00e9rieur, d\u2019une main p\u00e9trissante que le regard ignore. Une main qui tire dedans et que seul l\u2019appel d\u2019une autre peut ouvrir.<\/span><\/p>

 <\/p>

\u00c0 cela, il faut ajouter, un autre jour, le cadavre d\u2019un \u00eatre cher que l\u2019on ne peut garder et que la terre gagne.<\/span><\/p>

 <\/p>

C\u2019est l\u00e0 que tout commence.<\/span><\/p>

 <\/p>

Au moment o\u00f9 l\u2019on apprend que rien ne tient nos gestes.<\/span><\/p>

 <\/p>

Que rien ne soulage cette plaie.<\/span><\/p>

 <\/span><\/p>

Que la mati\u00e8re appelle, cherche. <\/span><\/p>

 <\/p>

Et, c\u2019est le fruit d\u00e9vorant son noyau. <\/span><\/p>

 <\/p>

C\u2019est l\u00e0 qu\u2019est n\u00e9e notre \u00e9criture, dans la pouss\u00e9e des corps, leurs effondrements et leurs mont\u00e9es. L\u00e0 o\u00f9 nos mots s\u2019engrossent, prolif\u00e8rent contre l\u2019\u00e9touffant, l\u2019insupportable. <\/span><\/p>

 <\/p>

C\u2019est l\u00e0, o\u00f9 plus rien ne tient, qu\u2019on a trouv\u00e9 son enclave, sa poche d\u2019air \u00ab pour chantonner contre la peur<\/i> \u00bb.<\/span><\/p>

 <\/p>

 <\/p>

\u2014<\/p>

Les phrases en italique sont d\u2019Eug\u00e8ne Guillevic : B\u0153uf \u00e9corch\u00e9<\/i> in Terraqu\u00e9<\/i> (1942) et Les Charniers in Ex\u00e9cutoire (1947), parus tous deux aux \u00e9ditions Gallimard<\/span><\/p>","label":"

Texte re\u00e7u de Jean-Louis Giovannoni<\/p>

dans la perspective de son Solo du 20 avril 2024.<\/p>"},{"id":410,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/507_20091119180831.mp3","label":"Chapitre premier o\u00f9 le traducteur entre en sc\u00e8ne","duration":697},{"id":757,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/864_20120703145210.mp3","label":"Chaque fois... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":182},{"id":1295,"type":1,"imageIds":[3428]},{"id":1242,"type":1,"imageIds":[3402]},{"id":973,"type":1,"imageIds":[3193]},{"id":556,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/655_20101015183422.mp3","label":"Cher ami, j'\u00e9voque tes odeurs ...","duration":164},{"id":624,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/726_20110712175440.mp3","label":"Cher Emmanuel ... (extrait)","duration":319},{"id":55,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/84_20051027123618.swf","label":"Cher g., - texte in\u00e9dit
\r\nparu (et revu) depuis chez Contrat Maint
\r\nsous le titre Untel<\/i>, 2005"},{"id":730,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/833_20120505134814.mp3","label":"Ch\u00e8re madame...","duration":111},{"id":196,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/256_20070828162125.mp3","label":"Chers s\u00e9dentaires","duration":188},{"id":138,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/191_20091103171702.mp3","label":"Chevaux Noirs - Traduction par et lue par Jean-Charles Depaule.","duration":258},{"id":405,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/502_20091103172814.mp3","label":"Chevaux noirs (traduction d\u00e9finitive) [Ghassan Zaqtan] - La version original en arabe (Palestine) ainsi qu'une traduction partielle avaient \u00e9t\u00e9 lues le 10 novembre 2006<\/a>. Ghassan Zaqtan \u00e9tait alors r\u00e9sident au cipM<\/i>.","duration":120},{"id":398,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/495_20091014161332.mp3","label":"Chez soi - Lecture de la traduction en fran\u00e7ais par Franck Andr\u00e9 Jamme","duration":163},{"id":561,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/660_20101015184423.mp3","label":"Chiba, feuille de Chine","duration":430},{"id":2458,"type":1,"imageIds":[3818]},{"id":952,"type":1,"imageIds":[3168]},{"id":336,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/432_20090514165029.mp3","label":"Chinesis - Chinatown","duration":176},{"id":833,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/943_20131023172819.mp3","label":"Chouchanik Thamrazian","duration":76},{"id":240,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/316_20080402145525.mp3","label":"Christian Tarting sur John Cage","duration":249},{"id":242,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/318_20080402153400.mp3","label":"Christophe Marchand-Kiss sur John Cage","duration":158},{"id":254,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/333_20080912175520.mp3","label":"Clara & Colas - A Love Affair<\/i>","duration":61},{"id":1064,"type":5,"fileUrl":"\/resources\/files\/file_649c0b66b9d27.pdf"},{"id":667,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/769_20111025160026.pdf","label":"Classe de Madame Lagrasta avec Jihane El Meddeb [Averro\u00e8s Junior 2011]"},{"id":665,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/767_20111025155733.pdf","label":"Classe de Madame Roussel avec Jihane El Meddeb [Averro\u00e8s Junior 2011]"},{"id":668,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/770_20111025160330.pdf","label":"Classe de Madame Trabuc avec Nicolas Tardy [Averro\u00e8s Junior 2011]"},{"id":666,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/768_20111025155909.pdf","label":"Classe de Monsieur Loren\u00e7on avec Jihane El Meddeb [Averro\u00e8s Junior 2011]"},{"id":1066,"type":5,"fileUrl":"\/resources\/files\/file_649c0de032fb2.pdf"},{"id":1065,"type":5,"fileUrl":"\/resources\/files\/file_649c0d510da87.pdf"},{"id":1067,"type":5,"fileUrl":"\/resources\/files\/file_649c0ea14498e.pdf"},{"id":2791,"type":5,"content":"

MA            G               MA<\/span><\/p>


 <\/p>

 <\/i><\/p>

VOL           C               AN<\/span><\/p>

C               OM           PRENDRE<\/span><\/p>

COU          RAGE        E<\/i>UX<\/span><\/p>

AU            RE             VOIR<\/span><\/p>

A               VENT        T<\/i>URE<\/span><\/p>

GA             LAX           IE<\/span><\/p>

CR             OC             ODILE<\/span><\/p>

HOR          L                OGE<\/span><\/p>

CAP           U               CINE<\/span><\/p>

CAP           ITU            LER<\/span><\/p>

COCC        IN              ELLE<\/span><\/p>

A               LG\u00c9           RIE<\/span><\/p>

O               R               ANGE<\/span><\/p>

PL              I                 ER<\/span><\/p>

CON          CIERGE     RIE<\/span><\/p>

A               JOU           TER<\/span><\/p>

MA            G               MA<\/span><\/p>","fileUrl":"\/resources\/files\/file_688de1900d719.pdf","label":"

Po\u00e8me collectif  (partition \u00e0 lire \u00e0 3 voix ) par : Riad, Syrine, Tasnim, Lilia, Ilyas, Rihame, Lucie, Wahed, Abdellah, Djassmia, Adem, Ayoub, Shana, Youssef<\/p>"},{"id":2790,"type":2,"content":"

 <\/p>

\u00ab Nous sommes la fen\u00eatre qui s\u2019ouvre<\/i><\/span><\/p>

et la rue qui entre dans la classe \u00bb<\/i><\/span><\/p>

 <\/p>","label":"

Po\u00e8me collectif  par : Riad, Syrine, Tasnim, Lilia, Ilyas, Rihame, Lucie, Wahed, Abdellah, Djassmia, Adem, Ayoub, Shana, Youssef<\/p>"},{"id":2774,"type":5,"fileUrl":"\/resources\/files\/file_688cb79c07aa9.pdf","label":"

Atelier d\u2019\u00e9criture d'Annabelle Verhaeghe avec une classe de CP-CE1\u2014 \u00c9cole Cap Est, 13010 Marseille<\/p>

Enseignante : V\u00e9ronique Bouisset<\/p>

 <\/p>"},{"id":2775,"type":5,"fileUrl":"\/resources\/files\/file_688cb86611abf.pdf","label":"

Atelier d\u2019\u00e9criture d'Annabelle Verhaeghe avec une classe de CE1 \u2014 \u00c9cole Cap Est, 13010 Marseille<\/p>

Enseignante : Nathalie G\u00e9rard<\/p>

 <\/p>"},{"id":2783,"type":1,"imageIds":[3945]},{"id":2784,"type":1,"imageIds":[3946]},{"id":2785,"type":1,"imageIds":[3947]},{"id":2781,"type":2,"content":"


FACE AU SILENCE<\/strong><\/i><\/p>

face au silence ce matin<\/strong><\/p>

je suis rest\u00e9e dans mes pens\u00e9es<\/strong><\/p>

dans ma chambre sans bruit<\/strong><\/p>

 <\/strong><\/p>

le silence pour entendre autre chose<\/strong><\/p>

 <\/strong><\/p>

rien qui bouge, rien qui parle<\/strong><\/p>

 <\/strong><\/p>

\u00eatre seul avec soi-m\u00eame<\/strong><\/p>

 <\/strong><\/p>

face au silence c\u2019est \u00eatre face \u00e0 l\u2019oubli<\/strong><\/p>

 <\/strong><\/p>

un caillou<\/strong><\/p>

rien ne bouge<\/strong><\/p>

pas de son<\/strong><\/p>

 <\/strong><\/p>

rien<\/strong><\/p>

 <\/strong><\/p>

 \u2014<\/strong><\/p>

 <\/strong><\/p>

PAYSAGES<\/strong><\/i><\/p>

Je te donne le ciel de mon paysage<\/strong><\/p>

je te donne le nuage de mon paysage<\/strong><\/p>

je te donne l\u2019aurore de mon paysage<\/strong><\/p>

je te donne le buisson de mon paysage<\/strong><\/p>

je te donne le soleil de mon paysage<\/strong><\/p>

 <\/strong><\/p>

 \u2014<\/strong><\/p>

 <\/strong><\/p>

Je te donne cette photo : toi et moi pr\u00e8s d\u2019un village<\/strong><\/p>

ce paysage avec du romarin<\/strong><\/p>

une hirondelle pr\u00e8s du cerisier de l\u2019\u00e9cole<\/strong><\/p>

un chapeau pour te prot\u00e9ger du soleil<\/strong><\/p>

je te donne ma veste pour te r\u00e9chauffer<\/strong><\/p>

mes chaussures pour courir dans les champs<\/strong><\/p>

et la vie pour qu\u2019on reste ensemble<\/strong><\/p>

 <\/strong><\/p>

 \u2014<\/strong><\/p>

 <\/strong><\/p>

 Je te donne une maison pour que tu t\u2019y sentes bien<\/strong><\/p>

un sentier pour que tu t\u2019y prom\u00e8nes<\/strong><\/p>

je te donne le parfum de l\u2019herbe<\/strong><\/p>

la for\u00eat pour d\u00e9poser tes pens\u00e9es<\/strong><\/p>

des montagnes pour les gravir<\/strong><\/p>

un arbre pour y grimper<\/strong><\/p>

un nuage pour r\u00eaver<\/strong><\/p>

un avion en papier pour t\u2019envoler<\/strong><\/p>

la mer pour que tu navigues<\/strong><\/p>

de la neige pour l\u2019hiver<\/strong><\/p>

du soleil pour l\u2019\u00e9t\u00e9<\/strong><\/p>

le monde pour voyager<\/strong><\/p>

 <\/strong><\/p>

\u2014<\/strong><\/p>

 <\/p>

Je te donne un billet pour le S\u00e9n\u00e9gal<\/strong><\/p>

ou un billet pour la France<\/strong><\/p>

une place pour OM, une pour le PSG<\/strong><\/p>

un crayon pour \u00e9crire un roman<\/strong><\/p>

mon stylo pour \u00e9crire mon pr\u00e9nom<\/strong><\/p>

ma le\u00e7on pour r\u00e9viser<\/strong><\/p>

mon cahier pour te vider la t\u00eate<\/strong><\/p>

pour dessiner tout ce que tu vois.<\/strong><\/p>

ma photo pour que tu ne m\u2019oublies pas<\/strong><\/p>

 <\/strong><\/i><\/p>

\u2014 <\/strong><\/i><\/p>

 <\/strong><\/i><\/p>

Je te donne le parfum de la nature<\/strong><\/p>

le parfum d\u2019une rose<\/strong><\/p>

le parfum des fruits<\/strong><\/p>

le parfum de l\u2019\u00e9cole<\/strong><\/p>

le parfum du silence<\/strong><\/p>

je te donne le parfum de la ville<\/strong><\/p>

pour trouver du travail,<\/strong><\/p>

je te donne mon parfum<\/strong><\/p>

pour garder mon odeur<\/strong><\/p>

 <\/strong><\/p>

 \u2014<\/strong><\/p>

 <\/strong><\/p>

Je te donne le bleu du ciel pour respirer<\/strong><\/p>

Je te donne le rose de mon cahier<\/strong><\/p>

le bleu clair de mon bracelet<\/strong><\/p>

un peu du rouge de mon pull<\/strong><\/p>

le violet de mon surligneur<\/strong><\/p>

Je te donne le bleu de ma trousse<\/strong><\/p>

le bleu de mon cartable.<\/strong><\/p>

le jaune des Simpsons<\/strong><\/p>

le noir de l\u2019essence<\/strong><\/p>

et le noir pour la nuit<\/strong><\/p>

 <\/strong>
\u2014<\/strong><\/p>

 <\/p>

Je te donne le bleu comme la mer ondulante de vagues<\/strong><\/p>

le violet comme les montagnes<\/strong><\/p>

le soir au soleil couchant<\/strong><\/p>

je te donne le blanc pour avoir le silence<\/strong><\/p>

et le noir comme le n\u00e9ant.<\/strong><\/p>

 <\/strong><\/p>

\u2014<\/strong><\/p>

 <\/strong><\/p>

Je te donne la vie pour que tu puisses exister<\/strong><\/p>

et je te donne la mort pour que tu puisses mourir<\/strong><\/p>

 <\/strong><\/p>","label":"

Par : Arno, Alexa, Mylan, Sama La\u00efner, Baptiste, L\u00e9ane, Clara, Chlo\u00e9, Fyona, Adriana, Hugo, Alexander, Gregory, Jluyo, Djawad, Liam, Sandro, Elena et L\u00e9onie. <\/p>

Merci \u00e0 vous tous.<\/p>"},{"id":2782,"type":2,"content":"

 <\/p>

Je me souviens de ma rencontre avec Emmy <\/p>

de mes amis partis dans d\u2019autres villes<\/p>

de mon ancienne maison, de mon ancienne \u00e9cole,<\/p>

de mon ancienne r\u00e9sidence, de mon ancienne voiture<\/p>

des anciennes baskets de Younes<\/p>

d\u2019Aznavour, du Masdam, du piment, du maf\u00e9.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je me souviens de mon meilleur ami<\/p>

qui a d\u00e9m\u00e9nag\u00e9, que je revois deux fois par an<\/p>

du jour o\u00f9 Circ\u00e9 \u00e0 emm\u00e9nag\u00e9 chez nous<\/p>

de ma meilleure amie partie \u00e0 Londres<\/p>

je me souviens avoir vu Malo\u00eb au ski<\/p>

je me souviens d\u2019Hugo, quand il a d\u00e9m\u00e9nag\u00e9 <\/p>

quand Loann a disparu.<\/p>

 <\/p>

\u2014 <\/p>

 <\/p>

Je mes souviens de mon premier jour d\u2019\u00e9cole<\/p>

de la photo de classe, de ma premi\u00e8re po\u00e9sie<\/p>

je me souviendrai toujours de la sortie au Zoo de la Barb\u00e8ne<\/p>

je me souviens de ma derni\u00e8re ann\u00e9e de primaire<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Je me souviens avoir pleur\u00e9 toutes mes larmes,<\/p>

tous les jours pour mon cousin<\/p>

quand il est parti \u00e0 l\u2019h\u00f4pital \u00e0 cause d\u2019un accident de moto<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Je me souviens de mon troisi\u00e8me anniversaire<\/p>

je me souviens de mes v\u00eatements qui ont rendu l\u2019\u00e2me<\/p>

j\u2019avais eu une maladie je suis rest\u00e9 trois semaines \u00e0 l\u2019h\u00f4pital<\/p>

je me souviens que j\u2019aimais le chocolat noir et plus maintenant<\/p>

je me souviens de mes bonnes actions<\/p>

je me souviens de La Joconde<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Je me souviens de la mort de mon grand-p\u00e8re il y a cinq mois<\/p>

et qu\u2019hier on a fait un go\u00fbter<\/p>

de l\u2019\u00e9poque ou mes parents \u00e9taient ensemble<\/p>

je me souviens que mon cousin a eu un accident, il est mort<\/p>

du jour ou on a fait une vid\u00e9o quand j\u2019avais trois ans,<\/p>

on voyait mon p\u00e8re jouer \u00e0 la Play en arri\u00e8re-plan<\/p>

je me souviens de la naissance de mon fr\u00e8re<\/p>

quand on est all\u00e9 au bowling avec mes parents<\/p>

je me souviens de mon arri\u00e8re-grand-p\u00e8re avait une Ferrari<\/p>

je me souviens de la naissance de mon petit cousin<\/p>

de mes grands-parents, je les ai aim\u00e9s ils m\u2019ont appris la vie<\/p>

que, quand mes parents se sont s\u00e9par\u00e9s j\u2019avais cinq ans<\/p>

que mon oncle est mort \u00e0 28 ans<\/p>

je me souviens des moments partag\u00e9s avec mon arri\u00e8re-grand-m\u00e8re<\/p>

du jour ou j\u2019ai dit au revoir \u00e0 mon grand-p\u00e8re pour la derni\u00e8re fois<\/p>

 <\/p>

\u2014 <\/p>

 <\/strong><\/p>

Je me souviens de mes vacances ce matin<\/p>

du jour ou je suis parti en camping<\/p>

on avait \u00e9cras\u00e9 une ch\u00e8vre en voiture sans faire expr\u00e8s<\/p>

je me souviens de mon s\u00e9jour \u00e0 Menton<\/p>

je me souviens du jour o\u00f9 je suis all\u00e9 \u00e0 Paris<\/p>

je me souviens des paysages de Gr\u00e8ce<\/p>

du jour o\u00f9 je me suis fait piquer par une m\u00e9duse<\/p>

je me souviens quand je suis partie avec ma famille \u00e0 Tahiti<\/p>

je me souviens du camp de basket \u00e0 Embrun<\/p>

de mon premier vrai karaok\u00e9<\/p>

d\u2019un voyage aux \u00c9tats-Unis<\/p>

de ma premi\u00e8re baignade \u00e0 deux ans \u00e0 Cassis<\/p>

de mes vacances d\u2019\u00e9t\u00e9, de mes s\u0153urs, de mes randonn\u00e9es en famille<\/p>

des balades que je faisais avec mon grand-p\u00e8re<\/p>

je me souviens de cet \u00e9t\u00e9 o\u00f9 je m\u2019endormais tr\u00e8s tard<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Je me souviens du jour ou j\u2019ai fait du kayak<\/p>

de la premi\u00e8re fois ou j\u2019ai r\u00e9ussi \u00e0 faire du v\u00e9lo<\/p>

de mon premier concours d\u2019\u00e9quitation<\/p>

je me souviens que j\u2019ai failli mourir au ski dans un foss\u00e9 plein de poudreuse<\/p>

de la premi\u00e8re fois ou j\u2019ai touch\u00e9 au ballon de rugby<\/p>

quand j\u2019ai fini aux urgences apr\u00e8s ma premi\u00e8re chute de poney<\/p>

de ma premi\u00e8re comp\u00e9tition de gymnastique<\/p>

du jour o\u00f9 j\u2019ai descendu une pente en skate pour la premi\u00e8re fois<\/p>

du jour ou j\u2019ai gagn\u00e9 ma premi\u00e8re coupe d\u2019\u00e9quitation.<\/p>

je me souviens des Jeux olympiques \u00e0 Versailles<\/p>

du stade V\u00e9lodrome. Je me souviens du jour o\u00f9<\/p>

la flamme olympique est arriv\u00e9e \u00e0 Marseille<\/p>

 <\/p>","label":"

\u00c9criture collective avec entre autres : Anna, Noellie,  Noa, Ambre, Samuel, Malo\u00eb, L\u00e9o, Ka\u00efs, Younes, Davy, Angelina, Nathan, Kylian, Mah\u00e9, Nina Noha, Hichri, Chiara, Baptiste.<\/p>"},{"id":2787,"type":2,"content":"

 <\/p>

1.<\/p>

quand je suis dans ma chambre<\/p>

et que je m\u2019ennuie<\/p>

je regarde par ma fen\u00eatre<\/p>

par ma fen\u00eatre<\/p>

j\u2019ai une vue sur mon jardin<\/p>

 <\/p>

quelquefois je vais jouer dehors<\/p>

avec mon chien ou ma s\u0153ur<\/p>

 <\/p>

quand je suis sur mon lit et<\/p>

que je suis fatigu\u00e9,<\/p>

j\u2019essaie de dormir et<\/p>

je regarde par ma fen\u00eatre<\/p>

 <\/p>

2.<\/p>

Le monde est un silence complet<\/p>

j\u2019ouvre la fen\u00eatre, je la referme<\/p>

l\u2019\u00e9toile s\u2019illumine, elle s\u2019\u00e9teint<\/p>

ma chambre s\u2019est \u00e9clair\u00e9e<\/p>

j\u2019ai eu peur, elle s\u2019est \u00e9teinte<\/p>

 <\/i><\/p>

3.<\/p>

l\u2019\u00e9criture ne peut exister qu\u2019avec le silence<\/p>

j\u2019\u00e9tais dans mon lit     triste<\/p>

je me suis assis sur ma chaise<\/p>

c\u2019\u00e9tait calme   je me suis mis \u00e0 \u00e9crire<\/p>

et ma t\u00eate s\u2019est endormie<\/p>

 <\/p>

4.<\/p>

la route est en b\u00e9ton<\/p>

la route est longue<\/p>

la vitre s\u2019ouvre<\/p>

la vitre est transparente<\/p>

la voiture est rouge<\/p>

la voiture peut \u00eatre blanche<\/p>

la maison se ferme<\/p>

la maison peut s\u2019ouvrir<\/p>

 <\/p>","label":"

PAR LA FEN\u00caTRE<\/i><\/p>"},{"id":2788,"type":2,"content":"

 <\/p>

Le frigidaire que quelqu\u2019un a ouvert<\/p>

le ciel que quelqu\u2019un a regard\u00e9<\/p>

le monde ou quelqu\u2019un s\u2019est aventur\u00e9<\/p>

la plan\u00e8te ou quelqu\u2019un vit<\/p>

l\u2019\u00e9toile qui te fait briller<\/p>

le silence que personne ne respecte<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

les feuilles qui tombent<\/p>

la pluie qui tombe<\/p>

l\u2019oiseau qui chante<\/p>

la voiture qui passe<\/p>

le bruit des cigales<\/p>

les arbustes qui bougent avec le vent<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

le chat qui ronronne en dormant<\/p>

le bruit doux du vent qui remue<\/p>

les gens qui passent<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

la craie qui grince au tableau<\/p>

l\u2019eau de pluie sur le toit<\/p>

la r\u00e8gle en m\u00e9tal qui tombe au sol<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

le tableau que j\u2019ai observ\u00e9<\/p>

le monde que je t\u2019ai cr\u00e9\u00e9<\/p>

le livre que j\u2019ai ouvert<\/p>

l\u2019ami que j\u2019ai perdu<\/p>

tout \u00e7a dans mon c\u0153ur<\/p>

d\u00e9chirer par le temps<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

l\u2019\u00e9toile que j\u2019ai admir\u00e9e pendant des heures<\/p>

le monde qui p\u00e8se sur les \u00e9paules chaque jour<\/p>

le tableau que je photographie au mus\u00e9e<\/p>

le livre que je relis \u00e0 chaque fois<\/p>

l\u2019histoire qui nous repr\u00e9sente.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

ces choses qui ne vont pas ensemble :<\/p>

la joie et la col\u00e8re<\/p>

le devoir et l\u2019amusement<\/p>

les animaux et les fusils<\/p>

aujourd\u2019hui et demain<\/p>

ce que l\u2019on imagine<\/p>

et ce qui nous arrivent<\/p>

 <\/p>","label":"

TRACES<\/i><\/p>"},{"id":2789,"type":2,"content":"

 <\/p>

l\u2019espace n\u2019est qu\u2019une infinit\u00e9 de rien<\/p>

            tout ce que j\u2019ai \u00e9crit   est rien<\/p>

est pour toi                 mon amour<\/p>

            espace<\/i><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

aujourd\u2019hui     je t\u2019ai peint ce tableau<\/p>

pour repr\u00e9senter la gr\u00e2ce et l\u2019amour<\/p>

que je ressens en<\/p>

            toi<\/i><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

toutes ces ann\u00e9es que j\u2019ai parcourues<\/p>

n\u2019a aucun moment je n\u2019ai d\u00e9couvert<\/p>

une femme comme toi<\/p>

            monde<\/i><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

hier j\u2019ai pens\u00e9 \u00e0 la chambre<\/p>

o\u00f9 je veux te retrouver pour te dire<\/p>

l\u2019amour et la tendresse que je ressens<\/p>

            chambre<\/i><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

gr\u00e2ce \u00e0 l\u2019eau que je ressens<\/p>

quelque chose que je ressens<\/p>

\u00e7a me fait penser \u00e0 toi<\/p>

            eau<\/i><\/p>

 <\/p>","label":"

PO\u00c8ME<\/i><\/p>"},{"id":2786,"type":1,"imageIds":[3948]},{"id":2792,"type":2,"content":"

 <\/p>

Au commencement J , majuscule !<\/span><\/p>

Au commencement calculer la pluie<\/span><\/p>

Au commencement la plage<\/span><\/p>

Au commencement aimer les yeux en feu<\/span><\/p>

Au commencement les larmes<\/span><\/p>

Les amis, le miel au commencement<\/span><\/p>

Au commencement les \u00e9clats de rire<\/span><\/p>

Au commencement le soleil<\/span><\/p>

La lune qui brille avec les \u00e9toiles<\/span><\/p>

L\u2019\u00e9toile de mer au commencement<\/span><\/p>

Commencement comme un lapin dans un chapeau<\/span><\/p>

Au commencement quand est-ce que \u00e7a commence ?<\/span><\/p>

 <\/p>","label":"

Po\u00e8me collectif  par : Shafik, Meriem, Tala, Hichma, Rami, Unut, Abieyuwa, Rihanna, Fares, Jinen, Myriam, Ylyes<\/p>"},{"id":2793,"type":2,"content":"

 <\/p>

Nous promenons au-dedans de nous, une route<\/span> longue et fine sur laquelle roulent des voitures en vitesse qui ne voient pas le feu en finesse. Une route de ballons et de corbeaux, un tournois de basket-ball gagn\u00e9 par l\u2019\u00e9quipe des Hakers. Une route Noire avec des traits blancs, sur laquelle arrive un bus dont les passagers montent et descendent jusqu\u2019\u00e0 ce que tout explose.<\/p>

Nous promenons au-dedans de nous, dans nos corps, un chant<\/i> de bataille, d\u2019une guerre en for\u00eat. Une route qui va vite qui renverse des gens. Une route \u00e9l\u00e9gante, Mexicaine, une route qui reprends des couleurs.<\/p>

Nous promenons au-dedans de nous, une route de transformation, d\u2019\u00e9crasement, de justice, de rassemblement. Une route danger, une route qui nous court apr\u00e8s.<\/p>

Nous promenons au-dedans de nous, une route qui dors tout au fond de nous et qui nous prot\u00e8ge. Nous promenons au-dedans de nous, une route avion de papier qui s\u2019envole dans la salle de classe.<\/p>

 <\/p>","label":"

Po\u00e8me collectif par : Haydar, Aicha, Achrab, Yanis, Remi, Liana, Nasser, Youmna, Havin, Dylan, Wael, Abdallah, Lamisse, Andr\u00e9a, Aissa, Rayan<\/p>

 <\/p>"},{"id":2794,"type":2,"content":"

 <\/p>

\u00catre un moment<\/strong><\/i><\/p>

 <\/strong><\/p>

Je suis le bonheur de ma joie de vivre<\/p>

Je suis d\u2019une couleur volcanique<\/p>

Je suis tous les coraux de la mer<\/p>

Je suis la Xbox qu\u2019on sort de son carton<\/p>

Je suis l\u2019excitation quand ma m\u00e8re rentre du travail<\/p>

Je suis la joie de voir ma famille<\/p>

Je suis le dauphin qui nage librement dans la mer<\/p>

Je suis toutes les saveurs go\u00fbt\u00e9es dans un plat<\/p>

Je suis le buffet \u00e0 volont\u00e9 en Alg\u00e9rie<\/p>

Je suis la pluie froide<\/p>

Je suis la col\u00e8re des adversaires<\/p>

Je suis tous ces livres passionnants<\/p>

Je suis la douceur du chocolat qui fond dans la bouche<\/p>

Je suis la glace \u00e0 la vanille qu\u2019on go\u00fbte au bord du vieux port<\/p>

Je suis les frites \u00e0 la cantine !<\/p>

Je suis l\u2019arriv\u00e9e matinale de mes \u00e9l\u00e8ves<\/p>

Je suis l\u2019\u00e9lan de vos mots qui dansent dans l\u2019air de la classe<\/p>

Nous sommes tout l\u2019univers qui brille sous nos paupi\u00e8res.<\/strong><\/p>

 <\/p>","label":"

Po\u00e8me collectif<\/p>"},{"id":2777,"type":2,"content":"

 <\/p>

\u00c9crivez un po\u00e8me, il faudra qu\u2019il soit dur, mais facilement d\u00e9cousable, comme une toile qu\u2019une personne tisse, cela prend du temps, par jour la femme ne tisse qu\u2019un centim\u00e8tre mais au final l\u2019\u0153uvre repr\u00e9sente enti\u00e8rement cette femme, toutes ses journ\u00e9es depuis le commencement de sa toile. La toile de la vie, qu\u2019elle d\u00e9nouera, oubliera, recoudra, mais les imperfections seront toujours l\u00e0. Votre po\u00e8me sera imparfait, en voulant qu\u2019il soit termin\u00e9 vous tisserez mal. Et en voulant le r\u00e9parer vous l\u2019entacherez. Alors laissez-le comme il est, des personnes le d\u00e9testeront, d\u2019autres diront qu\u2019\u00e9crire n\u2019est pas une histoire de femmes et plus vous essayerez de l\u2019am\u00e9liorer plus ils vous d\u00e9testeront. \u00c9crivez un po\u00e8me incertain. \u00c9crivez un po\u00e8me.<\/p>

 <\/p>","label":"

\u00c9crivez un po\u00e8me<\/i>, Ambre<\/p>"},{"id":2778,"type":2,"content":"

 <\/p>

Le po\u00e8me ach\u00e8te les \u00e9tiquettes des prix.<\/p>

Le po\u00e8me mange la peau de la banane.<\/p>

Le po\u00e8me ach\u00e8te la cro\u00fbte de la pizza mais pas la pizza.<\/p>

Le po\u00e8me mange les os du cochon mais pas la peau du cochon.<\/p>

Le po\u00e8me mange la queue de l\u2019\u00e2ne mais pas l\u2019\u00e2ne.<\/p>

Le po\u00e8me ach\u00e8te la fen\u00eatre du magasin.<\/p>

Le po\u00e8me mange la tige de l\u2019ananas.<\/p>

Le po\u00e8me ach\u00e8te les toilettes du magasin.<\/p>

Le po\u00e8me mange le plastique du sandwich.<\/p>

Le po\u00e8me mange des livres.<\/p>

 <\/p>","label":"

Le po\u00e8me fait ses courses<\/i>, Antoine<\/p>"},{"id":2779,"type":2,"content":"

 <\/p>

Le po\u00e8me veut aller sur une \u00eele,<\/p>

Mais il ne sait pas laquelle.<\/p>

Le po\u00e8me cherche.<\/p>

Mais ne trouve pas d\u2019\u00eele r\u00e9elle.<\/p>

Le po\u00e8me d\u00e9couvre les \u00eeles Maya<\/p>

Le po\u00e8me d\u00e9couvre l\u2019Atlantide<\/p>

Et enfin il a trouv\u00e9 son \u00eele.<\/p>

Elle s\u2019appelle Atlamaya.<\/p>

Cette \u00eele c\u2019est le po\u00e8me qui l\u2019a cr\u00e9\u00e9e<\/p>

Et d\u2019ailleurs il va y retourner !<\/p>

 <\/p>","label":"

L\u2019Atlamaya<\/i>, Ora et Alissia<\/p>"},{"id":2780,"type":2,"content":"

 <\/p>

\u00c9cris un titre ou pas.<\/p>

Fais des rimes ou pas.<\/p>

Si tu es bloqu\u00e9, continue ou pas.<\/p>

Comme au foot tu arrives \u00e0 dribbler ou pas.<\/p>

Alors tu fais la passe ou pas.<\/p>

 <\/p>","label":"

\u00c9cris un po\u00e8me<\/i>, Soen<\/p>"},{"id":2776,"type":1,"imageIds":[3944]},{"id":465,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/563_20100423170834.mp3","label":"Climat","duration":206},{"id":953,"type":1,"imageIds":[3169]},{"id":780,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/887_20120904143520.pdf","label":"Coll\u00e8ge Edgar Quinet (textes des \u00e9l\u00e8ves)"},{"id":841,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/951_20131211165330.pdf","label":"Coll\u00e8ge Edgard Quinet"},{"id":1342,"type":2,"content":"


Chute-toi : genre \u00ab chuuuut \u00bb, du verbe \u00ab chuter \u00bb.<\/span><\/p>

Pouns : attends, deux secondes, c\u2019est moi qui parle.<\/span><\/p>

Meurs : utilis\u00e9 de fa\u00e7on affectueuse, mais \u00e7a veut souvent dire \u00ab tu me casses les pieds \u00bb.<\/span><\/p>

Les oeils : c\u2019est comme les yeux, mais \u00e0 ma fa\u00e7on.<\/span><\/p>

Les zneuils : c\u2019est comme les oeils.<\/span><\/p>

Tu deuhh : tu rends fou.<\/span><\/p>

T\u2019es un cabinet : tu sers \u00e0 rien, tu es une merde.<\/span><\/p>

En sah : pour de vrai.<\/span><\/p>

Hier, je suis sortie avec mon chien.<\/span><\/p>

En sah ?<\/span><\/p>

Oui.<\/span><\/p>

La guigne : \u00ab Aujourd\u2019hui, je suis tomb\u00e9. Je sens que je vais avoir la guigne. \u00bb Mais aussi : \u00ab Pourquoi t\u2019es \u00e9nerv\u00e9 aujourd\u2019hui ? T\u2019as la guigne ou quoi ? \u00bb<\/span><\/p>

T\u2019es \u00e0 blanc: tu sers \u00e0 rien.<\/span><\/p>

Tu khleh : tu fais peur !<\/span><\/p>

C\u2019est balot, hein : mince.<\/span><\/p>

J\u00e9soussss : Oh my god, je suis choqu\u00e9e !<\/span><\/p>

Maricoun : mani\u00e9r\u00e9, attentionn\u00e9, homosexuel.<\/span><\/p>

Tu fais des tmenik : tu fais des mani\u00e8res.<\/span><\/p>

Tu fais chauffer : tu te fais remarquer, et c\u2019est g\u00eanant.<\/span><\/p>

Toulroulriste : un touriste qui m\u2019\u00e9nerve.<\/span><\/p>

La madame, le monsieur : \u00ab Je vais chez la madame fran\u00e7ais \u00bb.<\/span><\/p>

Roel : C\u2019est trop.<\/span><\/p>

k\u00e9arko : \u00ab k\u00e9arko, tu pues. \u00bb<\/span><\/p>

 <\/span><\/p>","label":"

tu deuhh, texte collectif<\/p>"},{"id":1351,"type":2,"content":"

 <\/span>
Chut au bruit de la classe quand je suis fatigu\u00e9<\/span><\/p>

Chut aux gens qui me coupe quand j\u2019ai mes \u00e9couteurs \u00e0 fond<\/span><\/p>

Chut au froid d\u2019hiver qui me cong\u00e8le<\/span><\/p>

Chut aux gens qui parle comme des b\u00e9b\u00e9s<\/span><\/p>

Chut aux filles qui se marient t\u00f4t<\/span><\/p>

Chut de me r\u00e9veiller t\u00f4t le matin pour l\u2019\u00e9cole<\/span>
 <\/p>","label":"

chut au bruit, C.<\/p>"},{"id":1352,"type":2,"content":"


\u00c0 6 ans, je faisais de la trottinette \u00e0 3 roues, je voulais un v\u00e9lo, je me disais le jour o\u00f9 j\u2019ai un v\u00e9lo je cabre.<\/span><\/p>

\u00c0 10 ans, je jouais \u00e0 ni oui ni non, je voulais \u00eatre en 6\u00e8me, je me disais \u00e7a \u00e0 l\u2019air mieux le coll\u00e8ge.<\/span><\/p>

\u00c0 13 ans, je cabre, je veux un Stunt, je me dis si je l\u2019ai je travaillerai avec pour mes parents.<\/span><\/p>

\u00c0 20 ans, je travaillerai pour mes enfants, je voudrai le meilleur pour eux, je leurs dirai travaille.<\/span>
 <\/p>","label":"

\u00e0 13 ans je veux un Stunt, Louis<\/p>"},{"id":1353,"type":2,"content":"


il est n\u00e9<\/span><\/p>

il est all\u00e9 \u00e0 Marseille<\/span><\/p>

il est revenu<\/span><\/p>

il est mort<\/span>
 <\/p>","label":"

il est all\u00e9 \u00e0 Marseille, Malika<\/p>"},{"id":1354,"type":2,"content":"


\u00e0 4 ans, je faisais un man\u00e8ge, je voulais en faire 1000, je me disais je vais le faire<\/span><\/p>

\u00e0 5 ans, je mangeais des g\u00e2teaux, je voulais en manger moins, je me disais que j\u2019allais arr\u00eater<\/span><\/p>

\u00e0 8 ans, je sortais avec des coll\u00e8gues ennuyeux, je voulais sortir avec des amis bienveillants, je me disais que \u00e7a allait arriver<\/span><\/p>

\u00e0 10 ans, je jouais peu \u00e0 la Play, je voulais beaucoup jouer, je me disais que je voulais jouer plus<\/span><\/p>

\u00e0 13 ans, je fais du foot \u00e0 Port-de-Bouc, je veux jouer au Real Madrid, je me dis j\u2019y jouerai<\/span><\/p>

\u00e0 25 ans, j\u2019aurai des enfants, je voudrai qu\u2019ils soient \u00e0 l\u2019\u00e9coute, je me dirai ils faut les punir<\/span>
 <\/p>","label":"

\u00e0 4 ans, Addison<\/p>"},{"id":1355,"type":2,"content":"


il est n\u00e9<\/span><\/p>

il a travaill\u00e9<\/span><\/p>

il voulait \u00eatre riche<\/span><\/p>

et il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il voulait conduire<\/span><\/p>

il a conduit<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il voulait une voiture ch\u00e8re<\/span><\/p>

il l\u2019a pas eu<\/span><\/p>

il est mort<\/span><\/p>

 <\/p>","label":"

 il est n\u00e9, O.<\/p>"},{"id":1356,"type":2,"content":"

 <\/span><\/p>

Parler avec mes potes<\/span><\/p>

ouvrir la porte<\/span><\/p>

rentr\u00e9e en classe<\/span><\/p>

enlever mon manteau<\/span><\/p>

\u00e9crire sur la feuille<\/span><\/p>

s\u2019ennuyer sans pote<\/span><\/p>

jeter un papier<\/span><\/p>

critiquer l\u2019ennemie<\/span><\/p>

emb\u00eater C\u00e9lina<\/span><\/p>

insulter violemment<\/span><\/p>

sonner se lever<\/span><\/p>

rentrer chez moi<\/span><\/p>

chute toi merci<\/span>
 <\/p>","label":"

chute toi merci, Emma<\/p>"},{"id":1357,"type":2,"content":"


Je te d\u00e9teste comme le jour de l\u2019an<\/span><\/p>

je te d\u00e9teste comme le gel pour les mains<\/span><\/p>

je te d\u00e9teste comme la toux de la grippe<\/span><\/p>

je te d\u00e9teste comme le dimanche avant le lundi<\/span><\/p>

je te d\u00e9teste comme les films de peur<\/span><\/p>

je te d\u00e9teste comme le Gaviscon que je dois prendre<\/span><\/p>

je te d\u00e9teste comme l\u2019odeur de cigarette<\/span><\/p>

 <\/span><\/p>","label":"

je te, Fifiso<\/p>"},{"id":1358,"type":2,"content":"

 <\/span><\/p>

Chut aux filles qui mettent des TN<\/span><\/p>

Chut aux habits chers pour les hommes<\/span><\/p>

Chut au masque qui fait des boutons<\/span><\/p>

Chut au bus qui pue<\/span><\/p>

Chut aux ath\u00e9es qui jurent sur dieu<\/span><\/p>

Chut aux gens qui \u00e9coutent du PNL<\/span><\/p>

Chut au vaccin obligatoire<\/span><\/p>

Chut aux gens qui disent p\u00e9lo<\/span><\/p>

Chut \u00e0 l\u2019OM qui fait des 0-0<\/span><\/p>

Chut aux riches qui donnent pas de sous aux pauvres<\/span><\/p>

Chut \u00e0 Eric Zemmour<\/span><\/p>

Chut aux supporters du PSG<\/span><\/p>

Chut \u00e0 Nasser avec sa richesse trop grande<\/span><\/p>

Chut \u00e0 Jean Michel Aulas<\/span><\/p>

 <\/span><\/p>","label":"

Chut aux, Ka\u00efss<\/p>"},{"id":1359,"type":2,"content":"


Je l\u2019ai rencontr\u00e9 sur ma console.<\/span><\/p>

Il vit \u00e0 New York.<\/span><\/p>

Il est au lyc\u00e9e.<\/span><\/p>

Il fait des toiles d\u2019araign\u00e9e pour se d\u00e9placer.<\/span><\/p>

Il utilise ses gants qui projettent des toiles d\u2019araign\u00e9e.<\/span><\/p>

Il dit qu\u2019il est l\u2019Homme-Araign\u00e9e.<\/span><\/p>

Personne ne l\u2019accompagne. Mais il aimerait bien accompagner Gwen.<\/span><\/p>

Il s\u2019est fait harceler, puis une araign\u00e9e lui a piqu\u00e9 une veine ou deux.<\/span><\/p>

 <\/p>","label":"

 je l\u2019ai rencontr\u00e9, Gianni<\/p>"},{"id":1360,"type":2,"content":"


Il est n\u00e9, il est all\u00e9 \u00e0 l\u2019\u00e9cole, il a travaill\u00e9, il est mort<\/span><\/p>

il est n\u00e9, il voulait une moto, il l\u2019a eu, il est mort<\/span><\/p>

il est n\u00e9, il voulait de l\u2019argent, il l\u2019a eu , il est mort<\/span><\/p>

il est n\u00e9, il trouve pas, il trouve, il est mort<\/span><\/p>

il est n\u00e9 , il voulait jober, il a job\u00e9, il est mort<\/span><\/p>

il est n\u00e9, il est mort, il est n\u00e9, il est mort<\/span><\/p>

 <\/span><\/p>","label":"

il est mort, Far\u00e8s<\/p>"},{"id":1343,"type":2,"content":"


T\u2019es un gamin \u2013 Tu fumes \u2013 Esp\u00e8ce de minot- Banane !<\/span>
Je peux pas me les voir \u2013 Trop \u00e0 l\u2019ancienne \u2013 T\u2019as pas eu d\u2019enfance \u2013 J\u2019 serai gentil avec mes enfants.<\/span>
Ta g\u00e9n\u00e9ration a chang\u00e9 \u2013 On n\u2019a pas le m\u00eame vocabulaire \u2013 T\u2019es tout le temps sur les t\u00e9l\u00e9phones \u2013 C\u2019\u00e9tait mieux avant.<\/span>
T\u2019es ennuyant \u2013 T\u2019as connu le 20\u00e8me si\u00e8cle \u2013 T\u2019es trop stricts<\/span>
Range ta chambre \u2013 Tu sors trop \u2013 T\u2019es un flemmard \u2013 T\u2019es casaniers \u2013 T\u2019es pas sociable \u2013 T\u2019es pas mature.<\/span>
T\u2019es trop derri\u00e8re nous \u2013 Tu t\u2019inqui\u00e8tes pour rien \u2013 Tu poses des questions bizarres.<\/span>
T\u2019es pas investi \u2013 T\u2019es pas assez ambitieux \u2013 T\u2019es pas ind\u00e9pendant \u2013 T\u2019es tr\u00e8s b\u00eate \u2013 Tu sors trop \u2013 Tu sors pas.<\/span>
Arr\u00eate de crier \u2013 T\u2019as la voix aigu\u00eb \u2013 Je suis pas le facteur.<\/span>
Tu regardes quoi, l\u00e0 ? \u2013 Je suis pas ta copine \u2013 Je suis pas ton coll\u00e8gue \u2013 Ne r\u00e9ponds pas.<\/span>
Vous \u00eates des flemmards.<\/span>
 <\/p>","label":"

t\u2019es un gamin\/ne r\u00e9ponds pas, texte collectif<\/p>"},{"id":1361,"type":2,"content":"


\u00e0 10 ans, je suis parti \u00e0 Disney et je voulais tous les jouets et je me disais, je les volerais bien<\/span><\/p>

\u00e0 9 ans, je jouais \u00e0 la p\u00e9tanque, je voulais \u00eatre plus proche du cochonnet et je me disais que je savais pas jouer<\/span><\/p>

\u00e0 6 ans je faisais du v\u00e9lo, je voulais enlever les 2 petites roues et je me disais, je vais prendre un plus grand v\u00e9lo<\/span><\/p>

 <\/span><\/p>","label":"

je me disais, Jean<\/p>"},{"id":1362,"type":2,"content":"


Aujourd\u2019hui mon fr\u00e8re s\u2019est fracturer le genoux en jouant \u00e0 la trottinette avec son masque sur la t\u00eate. Qu\u2019est ce que c\u2019est que cette plan\u00e8te.<\/span><\/p>

Je suis au fond du gouffre avec ce virus qui vous donne l\u2019impression d\u2019\u00eatre sous hypnose.<\/span><\/p>

J\u2019ai vu un agneau qui portait un jogging et parlait bien plus que pour un discours politique.<\/span><\/p>","label":"

qu\u2019est ce que c\u2019est que, Trinit\u00e9<\/p>"},{"id":1363,"type":2,"content":"


il n\u2019y a plus de respect<\/span><\/p>

il n\u2019y a plus d\u2019enfance<\/span><\/p>

il n\u2019y a plus de soir\u00e9e entre famille<\/span><\/p>

il n\u2019y a plus de famille soud\u00e9e<\/span><\/p>

il n\u2019y a plus de d\u00e9lire entre cousins<\/span><\/p>

il n\u2019y a plus de grand m\u00e8re qui crie nos noms pour qu\u2019on viennent manger<\/span><\/p>

Il n\u2019y a plus de sortie nocturnes avec toute la famille<\/span><\/p>

il n\u2019y a plus de dispute pour savoir qui va avoir la trottinette, qui va avoir le v\u00e9lo<\/span><\/p>

il n\u2019y a plus rien<\/span><\/p>

il n\u2019y a que des souvenirs qui me rappelleront le pass\u00e9<\/span><\/p>

 <\/p>","label":"

 y\u2019a plus de vraie vie, SLH<\/p>"},{"id":1364,"type":2,"content":"


\u00eatre affam\u00e9, se lever, marcher, manger ou plut\u00f4t d\u00e9vorer, dig\u00e9rer, remarcher, se coucher, ronfler, cauchemarder, se r\u00e9veiller<\/span><\/p>

\u00eatre affam\u00e9, se lever, marcher, se rencontrer, \u00eatre bouche b\u00e9e, discuter, parler, crier, r\u00e9aliser, s\u2019expliquer, se rentrer, \u00eatre g\u00ean\u00e9<\/span><\/p>

marcher rapidement, discuter rigoureusement,parler du soucis, s\u2019\u00e9nerver certainement, crier fort, r\u00e9aliser doucement ; arranger les choses, rentrer \u00e0 la maison, \u00eatre fort g\u00ean\u00e9 de mes propos<\/span>
 <\/p>","label":"

 \u00eatre affam\u00e9, Kenzou<\/p>"},{"id":1365,"type":2,"content":"


marcher lentement<\/span><\/p>

voir quelqu\u2019un<\/span><\/p>

tomber juste apr\u00e8s<\/span><\/p>

s\u2019humilier<\/span><\/p>

se relever<\/span><\/p>

courir vite<\/span><\/p>

tr\u00e9bucher<\/span><\/p>

pleurer<\/span><\/p>

abandonner<\/span><\/p>

 <\/p>","label":"

 marcher lentement, Frakita<\/p>"},{"id":1366,"type":2,"content":"


Violence c\u2019est de la bagarre.<\/span><\/p>

Gare c\u2019est pour prendre le m\u00e9tro.<\/span><\/p>

Trotro c\u2019est un lapin.<\/span><\/p>

Pain tu le manges avec une escalope de poulet.<\/span><\/p>

Lait tu le bois avec des Kellogg\u2019s au chocolat.<\/span><\/p>

L\u2019arbre il est dans la for\u00eat.<\/span><\/p>

Rayer une vitre.<\/span><\/p>

Regarder mon pull rouge Lacoste.<\/span><\/p>

TN mes baskets requin.<\/span><\/p>

 <\/span><\/p>","label":"

TN, Diego<\/p>"},{"id":1367,"type":2,"content":"


il est n\u00e9, il a respir\u00e9, il a boug\u00e9, il est mort<\/span><\/p>

il est n\u00e9, il voulait des sous, il est devenu milliardaire, il est mort<\/span><\/p>

il est n\u00e9, il a fait des crises nerveuses, il s\u2019est calm\u00e9, il est mort<\/span><\/p>

 <\/span><\/p>","label":"

il a boug\u00e9, C\u00e9line<\/p>"},{"id":1368,"type":2,"content":"


J\u2019ai les nerfs comme le prof me prend la casquette que mon grand p\u00e8re m\u2019a achet\u00e9.<\/span><\/p>

Je t\u2019aime comme ma casquette et tout ses d\u00e9tails recouverts de diamant.<\/span>
 <\/p>","label":"

 ma casquette, Louis<\/p>"},{"id":1369,"type":2,"content":"


Marcher vite<\/span><\/p>

regarder au loin<\/span><\/p>

beau sourire<\/span><\/p>

parler lentement<\/span><\/p>

rencontrer une personne<\/span><\/p>

courir vite<\/span><\/p>

manger sal\u00e9<\/span><\/p>

danser sur un RAP<\/span><\/p>

boire un soda<\/span><\/p>

partir loin<\/span><\/p>

s\u2019enfuir<\/span><\/p>

 <\/span><\/p>","label":"

marcher vite, Malia<\/p>"},{"id":1370,"type":2,"content":"


\u00e0 6 ans, je faisais du v\u00e9lo \u00e0 quatre roue, je voulais en faire sans, je me disais que c\u2019\u00e9tait facile.<\/span><\/p>

\u00e0 10 ans, je faisais mes devoirs, je voulais les faire, je me disais que c\u2019\u00e9tait dur.<\/span><\/p>

\u00e0 12 ans, je faisais rien, je voulais pas aller \u00e0 l\u2019\u00e9cole, je me disais que c\u2019est pas bien.<\/span><\/p>

\u00e0 15 ans, je vais aller en vacances, je veux r\u00e9fl\u00e9chir avant, je me dis que je vais y aller.<\/span><\/p>

\u00c0 30 ans, je travaillerai, je voudrai avoir un bon travail, je me dirai que je l\u2019aurai.<\/span><\/p>

 <\/p>","label":"

 \u00e0 12 ans, je faisais rien, Malika<\/p>"},{"id":1344,"type":2,"content":"


Frapper, donner des coups de poing, crochet<\/span><\/p>

Ch\u00e9rif, policier qui porte une \u00e9toile sur le torse<\/span><\/p>

Semaine, les jours o\u00f9 je vais \u00e0 l\u2019\u00e9cole<\/span><\/p>

Colle, objet que j\u2019oublie d\u2019amener par ce que je fais du slim<\/span>
 <\/p>","label":"

une \u00e9toile sur le torse, Jean<\/p>"},{"id":1345,"type":2,"content":"


sors le cross vol\u00e9<\/span><\/p>

j\u2019oublie tout<\/span><\/p>

il vit \u00e0 Marseille b\u00e9b\u00e9<\/span><\/p>

Sp\u00e9cialiste de l\u2019auto tune<\/span><\/p>

il utilise un cromi<\/span><\/p>

il \u00e9crit<\/span><\/p>

d\u00e9gun l\u2019accompagne<\/span>
 <\/p>","label":"

sors le cross vol\u00e9, Diego<\/p>"},{"id":1346,"type":2,"content":"


Terroriste, c\u2019est un kamikaze, il lui manque une case.<\/span><\/p>

Asthmatique, c\u2019est quelqu\u2019un qui respire mal.<\/span><\/p>

Malveillant, une personne mal intentionn\u00e9e.<\/span><\/p>

Naissance, tu donnes vie \u00e0 quelque chose.<\/span><\/p>

Oser, se d\u00e9marquer des autres.<\/span><\/p>

Truite, c\u2019est un poisson.<\/span><\/p>

Somnambule, quelqu\u2019un qui ne dort pas.<\/span><\/p>

Parisien, un habitant de Paris.<\/span><\/p>

Rigoler, c\u2019est un big smile.<\/span>
 <\/p>","label":"

c\u2019est un kamikaze, Gianni<\/p>"},{"id":1347,"type":2,"content":"


il n\u2019y a plus de respect<\/span><\/p>

il n\u2019y a plus d\u2019enfance<\/span><\/p>

il n\u2019y a plus de soir\u00e9e entre famille<\/span><\/p>

il n\u2019y a plus de famille soud\u00e9e<\/span><\/p>

il n\u2019y a plus de d\u00e9lire entre cousins<\/span><\/p>

il n\u2019y a plus de grand m\u00e8re qui crie nos noms pour qu\u2019on viennent manger<\/span><\/p>

Il n\u2019y a plus de sortie nocturne avec toute la famille<\/span><\/p>

il n\u2019y a plus de dispute pour savoir qui va avoir la trottinette, qui va avoir le v\u00e9lo<\/span><\/p>

il n\u2019y a plus rien<\/span><\/p>

il n\u2019y a que des souvenirs qui me rappelleront le pass\u00e9<\/span>
 <\/p>","label":"

il n\u2019y a plus de respect, Trinit\u00e9<\/p>"},{"id":1348,"type":2,"content":"

 <\/span>
il est n\u00e9<\/span><\/p>

il a fum\u00e9 de la drogue<\/span><\/p>

il a vendu<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il a respirer<\/span><\/p>

ses poumons ont gonfl\u00e9s<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il est all\u00e9 \u00e0 l\u2019\u00e9cole<\/span><\/p>

il \u00e9tait \u00e0 son travail<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il \u00e9tait bien<\/span><\/p>

il a eu un cancer<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il \u00e9tait pauvre<\/span><\/p>

il est devenu riche<\/span><\/p>

il est mort<\/span><\/p>

il est n\u00e9<\/span><\/p>

il s\u2019est fait mal<\/span><\/p>

il s\u2019est saign\u00e9<\/span><\/p>

il est mort<\/span>
 <\/p>","label":"

ses poumons ont gonfl\u00e9s, Addison<\/p>"},{"id":1349,"type":2,"content":"

 <\/span>
terrier<\/span><\/p>

errant<\/span><\/p>

antis\u00e9mite<\/span><\/p>

mythomane<\/span><\/p>

\u00e2nerie<\/span><\/p>

rigoler<\/span><\/p>

\u00e9blouir<\/span><\/p>

irr\u00e9el<\/span><\/p>

\u00e9l\u00e9ctrocuteur<\/span><\/p>

heureux<\/span><\/p>

retour<\/span><\/p>

ouragan<\/span><\/p>

gant\u00e9<\/span><\/p>

terrain<\/span><\/p>

ain\u00e9e<\/span><\/p>

naissance<\/span><\/p>

ancien<\/span><\/p>

hy\u00e8ne<\/span><\/p>

hy\u00e8neophile<\/span><\/p>

filet mignon<\/span><\/p>

nombril<\/span><\/p>

hilarant<\/span><\/p>

rendu<\/span><\/p>

dur\u00e9e<\/span><\/p>

r\u00e9troviseur<\/span><\/p>

retrouver<\/span>
 <\/p>","label":"

hy\u00e8neophile filet mignon, SLH et Kenzou<\/p>"},{"id":1350,"type":2,"content":"


il est n\u00e9<\/span><\/p>

il \u00e9tait pauvre<\/span><\/p>

il \u00e9tait chauve<\/span><\/p>

il est mort<\/span>
 <\/p>","label":"

il est n\u00e9, Frakita<\/p>"},{"id":535,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/634_20100720165222.pdf","label":"Coll\u00e8ge Jacques Pr\u00e9vert (6\u00e8me<\/sup>) - Averro\u00e8s Junior"},{"id":1371,"type":2,"content":"


Ne pas frapper son petit fr\u00e8re, mais plut\u00f4t l\u2019aider.<\/span><\/p>

Ne pas casser le c\u0153ur de notre maman, mais plut\u00f4t le r\u00e9parer.<\/span><\/p>

Surtout ne pas causer la pollution dans le monde, mais sauver le monde.<\/span><\/p>

Supporter l\u2019Alg\u00e9rie, si ce n\u2019est pas le cas, attraper une allergie.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Sarhane<\/p>"},{"id":1380,"type":2,"content":"


Casser\/d\u00e9truire\/r\u00e9parer<\/span><\/p>

Frapper\/battre\/caresser<\/span><\/p>

Crier\/gueuler\/chuchoter.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Jana<\/p>"},{"id":1381,"type":2,"content":"


Ecraser une fourmi sans le vouloir.<\/span><\/p>

Caresser un chat.<\/span><\/p>

Casser le vase de maman sans faire expr\u00e8s.<\/span><\/p>

Aider les gens en danger.<\/span><\/p>

Crier quand un serpent vient vers nous.<\/span><\/p>

Parler fort en classe.<\/span><\/p>

R\u00e9parer le vase de maman.<\/span><\/p>

 <\/p>","label":"

Lara AS<\/p>"},{"id":1382,"type":2,"content":"


Hurler de douleur<\/span><\/p>

Crier comme un loup<\/span><\/p>

Soigner ma blessure <\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Anis<\/p>"},{"id":1383,"type":2,"content":"


Hurler car j\u2019ai vu une araign\u00e9e.<\/span><\/p>

Chuchoter en classe pour ne pas me faire prendre par la prof.<\/span>
 <\/p>","label":"

Hela<\/p>"},{"id":1384,"type":2,"content":"


Caresser mon chat<\/span><\/p>

Casser ma lampe<\/span><\/p>

Hurler apr\u00e8s avoir vu une araign\u00e9e.<\/span>
 <\/p>","label":"

Sana<\/p>"},{"id":1385,"type":2,"content":"


Ramper avec le serpent<\/span><\/p>

Se briser comme un verre<\/span><\/p>

Aboyer comme un chien<\/span><\/p>

Griffer comme un lion<\/span><\/p>

Se r\u00e9parer comme un c\u0153ur<\/span>
 <\/p>","label":"

L\u00e9a<\/p>"},{"id":1386,"type":2,"content":"


D\u00e9molir les maisons pour les raccommoder<\/p>

Brailler comme un cochon<\/p>

Caresser des chats<\/p>

Chuchoter \u00e0 l\u2019oreille de Zemmour<\/p>

 <\/p>","label":"

Alan<\/p>"},{"id":1387,"type":2,"content":"


Gueuler tel un lion<\/span><\/p>

Crier comme un b\u00e9b\u00e9<\/span><\/p>

Fracasser comme Hulk<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Alan<\/p>"},{"id":1372,"type":2,"content":"


Casser une vitre.<\/span><\/p>

Frapper le bureau.<\/span><\/p>

Crier sur la t\u00e9l\u00e9.<\/span><\/p>

Manger des g\u00e2teaux dans le placard.<\/span><\/p>

R\u00e9parer un mur.<\/span><\/p>

Etre \u00e0 sa place.<\/span><\/p>

Avoir ce que je veux.<\/span><\/p>

 <\/span><\/p>","label":"

Nolan<\/p>"},{"id":1373,"type":2,"content":"


Se briser entre conjoints<\/span><\/p>

Etre frapp\u00e9 par la foudre<\/span><\/p>

Hurler de toute son \u00e2me<\/span><\/p>

 <\/p>","label":"

Astrid<\/p>"},{"id":1374,"type":2,"content":"


Rugir comme un lion, caresser comme un chat, se briser comme la glace.<\/span>
 <\/p>","label":"

Hassen<\/p>"},{"id":1375,"type":2,"content":"


C\u00e2liner c\u2019est aimer<\/span><\/p>

Chuchoter pour le respect<\/span><\/p>

Fr\u00f4ler pour par casser<\/span><\/p>

Abattre ce n\u2019est ne pas se contr\u00f4ler.<\/span><\/p>

 <\/span><\/p>","label":"

Ozana<\/p>"},{"id":1376,"type":2,"content":"


Ranger ma chambre c\u2019est nul, mais je la range tout le temps.<\/span><\/p>

Casser mon crayon quand je suis \u00e9nerv\u00e9.<\/span><\/p>

Taper comme un Ninja.<\/span><\/p>

Hurler devant les jeux vid\u00e9o.<\/span><\/p>

D\u00e9truire des masques.<\/span><\/p>

Chuchoter avec Raphael pour pas qu\u2019on nous entende.<\/span><\/p>

Caresser un cheval.<\/span><\/p>

 <\/p>","label":"

Dayvan<\/p>"},{"id":1377,"type":2,"content":"


Casser mon t\u00e9l\u00e9phone, l\u2019arranger le lendemain, recoller le morceau.<\/span><\/p>

Appeler mon p\u00e8re, r\u00e9parer le lendemain.<\/span><\/p>

Taper mon fr\u00e8re, le caresser juste apr\u00e8s.<\/span><\/p>

 <\/span><\/p>","label":"

Housna<\/p>"},{"id":1378,"type":2,"content":"


Casser ma play \u00e0 cause de la Fifa.<\/span><\/p>

Crier de douleur.<\/span><\/p>

Taper mon fr\u00e8re.<\/span><\/p>

Parler toute en gentillesse.<\/span><\/p>

Hurler apr\u00e8s une victoire.<\/span><\/p>

 <\/span><\/p>","label":"

Far\u00e8s<\/p>"},{"id":1379,"type":2,"content":"


Hurler comme un loup. D\u00e9truire comme une bombe. Effleurer la lune comme les \u00e9toiles. Frapper un sac de sable. Chuchoter \u00e0 l\u2019oreille d\u2019un sourd.<\/span>
 <\/p>","label":"

Assal\u00e9s<\/p>"},{"id":1388,"type":2,"content":"


Quand on s\u2019arr\u00eate de parler parce qu\u2019on se rend compte que personne ne nous \u00e9coute.<\/span><\/p>

-Etre seul.<\/span><\/p>

-Quand la personne qu\u2019on aime le plus nous laisse tomber.<\/span><\/p>

-Quand mon p\u00e8re me dit \u00ab la pire chose que ta petite s\u0153ur a faite c\u2019est de te suivre comme exemple \u00bb.<\/span><\/p>

-Quand on est un groupe d\u2019amis \u00e0 marcher et qu\u2019on marche seul derri\u00e8re.<\/span><\/p>

-Etre trahie.<\/span><\/p>

-Quand on apprend qu\u2019une personne qu\u2019on aime beaucoup vous a menti.<\/span><\/p>

-Voir quelqu\u2019un qu\u2019on aime en train de pleurer.<\/span><\/p>

-Apprendre que sa meilleure amie a le m\u00eame crush que soi.<\/span><\/p>

 <\/p>","label":"

Choses qui font mal, Siryne<\/p>"},{"id":1397,"type":2,"content":"


Les choses g\u00eanantes ou embarrassantes sont quand t\u2019es dans un groupe de personnes et qu\u2019il y a un blanc quand ton pote fait une blague limite et qu\u2019elle passe pas, quand des gens font de l\u2019ASMR, quand un prof se trompe sur ton pr\u00e9nom ou nom de famille, quand une personne raconte quelque chose de personnel et que quelqu\u2019un fait un rire g\u00eanant.<\/span><\/p>","label":"

Assal\u00e9s<\/p>"},{"id":1398,"type":2,"content":"


-Perdre une personne ch\u00e8re \u00e0 mes yeux.<\/span><\/p>

-Se sentir exclu.<\/span><\/p>

-Se sentir seul.<\/span><\/p>

-Ne pas \u00eatre compris par ses proches.<\/span><\/p>

-Vois sa maman pleurer.<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>


-Le sang.<\/span><\/p>

-Les coupures sur la peau.<\/span><\/p>

-Les araign\u00e9es.<\/span><\/p>

-Les fant\u00f4mes dans les films, \u00e7a m\u2019emp\u00eache de dormir.<\/span><\/p>


\u2014<\/p>

 <\/p>

-Parler devant toute la classe.<\/span><\/p>

-Les portes qui grincent.<\/span><\/p>

 <\/span><\/p>

\u2014<\/p>

 <\/p>

-Ecouter mes musiques pr\u00e9f\u00e9r\u00e9es, \u00e7a me d\u00e9tend.<\/span><\/p>

-Etre avec mes cousins car je m\u2019amuse bien.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Choses tristes, Choses effrayantes,  Les choses g\u00eanantes\/aga\u00e7antes, Les choses qui font battre le c\u0153ur, Hela<\/p>"},{"id":1399,"type":2,"content":"


Choses effrayantes les araign\u00e9es.<\/span><\/p>

Choses qui font battre le c\u0153ur la peur.<\/span><\/p>

Choses d\u00e9solantes Eric Zemmour, Marine le Pen.<\/span><\/p>

 <\/span><\/p>","label":"

Sana<\/p>"},{"id":1400,"type":2,"content":"


Ce qui me mets en col\u00e8re c\u2019est les gens qui fument parce que je prends la fum\u00e9e dans le visage.<\/span><\/p>

Les choses g\u00eanantes, c\u2019est les gens qui mangent la bouche ouverte.<\/span><\/p>

Choses qui me d\u00e9rangent, c\u2019est le bruit d\u2019une fen\u00eatre.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

L\u00e9a<\/p>"},{"id":1389,"type":2,"content":"


quelqu\u2019un qui fait une blague nulle et que personne rigole.<\/span><\/p>

Choses effrayantes <\/span><\/p>

un poil d\u2019aisselle qui sort de la salle de sport.<\/span><\/p>

Choses d\u00e9go\u00fbtantes <\/span><\/p>

de la p\u00e2te \u00e0 tartiner sur toute la bouche.<\/span><\/p>

Du dentifrice que tu mets sur ta brosse \u00e0 dent et qui tombe sur ton pull.<\/span><\/p>

Choses \u00e9nervantes <\/span><\/p>

Quand tu sors de la douche et que tu marches sur une flaque d\u2019eau avec tes chaussettes, quand tu confonds le dentifrice avec la pommade et fais tomber le tube par terre.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Choses g\u00eanantes, Sarhane<\/p>"},{"id":1390,"type":2,"content":"


Le noir\/l\u2019obscurit\u00e9<\/p>

La solitude.
Le sang.
La foudre.<\/span><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

La perte de quelqu\u2019un ou de quelque chose.
Des probl\u00e8mes personnels.<\/p>

 <\/span><\/p>","label":"

Choses effrayantes, Choses d\u00e9solantes, Astrid<\/p>"},{"id":1391,"type":2,"content":"


-Les insectes.<\/span><\/p>

-Les longs couloirs sombres.<\/span><\/p>

Choses qui font battre le c\u0153ur <\/span><\/p>

-Les screans.<\/span><\/p>

-L\u2019essoufflement.<\/span><\/p>

Choses d\u00e9solantes <\/span><\/p>

-Assister \u00e0 l\u2019enterrement d\u2019un proche, d\u2019une personne de ma famille.<\/span><\/p>

Choses g\u00eanantes\/embarrassantes<\/span><\/p>

Quand j\u2019essaie de dormir mais qu\u2019un moustique tourne autour de moi.<\/span><\/p>

Quand j\u2019essaie de parler mais qu\u2019il y a quelqu\u2019un qui parle.<\/span><\/p>

Choses tristes<\/span><\/p>

-Perdre un proche<\/span><\/p>

-Quand je re\u00e7ois une observation. <\/span><\/p>

 <\/p>","label":"

 Choses effrayantes, Hassen<\/p>"},{"id":1392,"type":2,"content":"


-Tomber dans le vide sans sentir la terre.<\/span><\/p>

-Voir un mort vivant se lever \u00e7a peut donner la chair de poule.<\/span><\/p>

-Courir sans avancer, ne pas sentir ses pieds.<\/span><\/p>

-Voir quelqu\u2019un mourir devant ses yeux.<\/span><\/p>

-Dormir la nuit et ne pas se lever le lendemain.<\/span><\/p>

Choses d\u00e9solantes<\/span><\/p>

-Voir l\u2019\u00e9quipe de l\u2019OM perdre.<\/span><\/p>

Choses tristes<\/span><\/p>

-Voir le personnage principal d\u2019un film mourir.<\/span><\/p>

-Perdre dans un jeu alors que j\u2019en suis \u00e0 la fin.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Choses effrayantes, Dayvan<\/p>"},{"id":1393,"type":2,"content":"


Les films d\u2019horreur, la nuit quand il fait sombre, \u00eatre tout seul chez soi la nuit.<\/span><\/p>

Choses tristes<\/span><\/p>

Quand tu as une mauvaise note, quand tu perds au jeu vid\u00e9o, quand on apprend la mort de quelqu\u2019un.<\/span><\/p>

Choses g\u00eanantes<\/span><\/p>

Quand une personne me coupe la parole, quand on me salit, me trahit.<\/span><\/p>

 <\/p>","label":"

 Choses effrayantes, Hadji<\/p>

 <\/p>"},{"id":1394,"type":2,"content":"


Les cauchemars, les pigeons, un gros cr\u00e2ne, les portes qui se ferment toutes seules.<\/span><\/p>

Des personnes qui ont plein de per\u00e7ings, de tatouages, les tunisiens agress\u00e9s, les chiens.<\/span><\/p>

 <\/p>","label":"

 Choses effrayantes, Housna<\/p>"},{"id":1395,"type":2,"content":"


Mes parents qui m\u2019appellent en criant.<\/span><\/p>

Ecouter de la musique.<\/span><\/p>

Les films paranormaux.<\/span><\/p>

Choses g\u00eanantes <\/span><\/p>

Les gens sur Tiktok qui font du play-back sans conna\u00eetre le son, les live o\u00f9 il n\u2019y a personne.<\/span><\/p>

Choses d\u00e9go\u00fbtantes <\/span><\/p>

Les oreilles sales.<\/span><\/p>

Les gens qui s\u2019embrassent d\u00e8s le matin.<\/span><\/p>

Choses d\u00e9solantes <\/span><\/p>

Le d\u00e9c\u00e8s d\u2019une personne.<\/span><\/p>

 <\/span><\/p>","label":"

Choses qui font battre le c\u0153ur, Aya<\/p>"},{"id":1396,"type":2,"content":"


-La paralysie du sommeil.<\/span><\/p>

-Les d\u00e9mons.<\/span><\/p>

-Les zombies.<\/span><\/p>

-Les araign\u00e9es.<\/span><\/p>

-Les clown tueurs.<\/span><\/p>

-Les esprits.<\/span><\/p>

-Sauter en parachute.<\/span><\/p>

 <\/span><\/p>","label":"

Choses effrayantes, Ketfi<\/p>"},{"id":1401,"type":2,"content":"


Quand il n\u2019y a pas de connexion.<\/span><\/p>

Quand je ne sors pas.<\/span><\/p>

Le Covid.<\/span><\/p>

Le moment o\u00f9 je charge mon tel et qu\u2019il est \u00e0 0.<\/span><\/p>

Quand mon fr\u00e8re joue \u00e0 la play \u00e0 ma place.<\/span><\/p>

Quand j\u2019ai plus de sous \u00e0 cause du bitcoin.<\/span><\/p>

Je vais dehors pour me calmer.<\/span><\/p>

Je respire fort.<\/span><\/p>

Je m\u2019invente une nouvelle histoire, une nouvelle vie.<\/span><\/p>

Je frappe des gants de boxe.<\/span><\/p>

 <\/span><\/p>","label":"

Sarhane<\/p>"},{"id":1402,"type":2,"content":"


Les jeux vid\u00e9o me mettent en col\u00e8re et je suis d\u00e9go\u00fbt\u00e9 d\u2019avoir perdu.<\/span><\/p>

Les gens qui m\u2019insultent sans raison, \u00e7a peut me rendre triste.<\/span><\/p>

Le Covid me mets en col\u00e8re car on ne peut pas profiter de la vie.<\/span><\/p>

Le masque me mets en col\u00e8re car on ne peut pas respirer.<\/span><\/p>

Les heures de colle le matin parce qu\u2019on doit se lever t\u00f4t.<\/span><\/p>

 <\/p>","label":"

 Nolan<\/p>"},{"id":1403,"type":2,"content":"


Ce qui me mets en col\u00e8re, c\u2019est les personnes qui mentent et qui m\u2019\u00e9nervent.<\/span><\/p>

\u00c7a me fait dire des choses que je ne pense pas.<\/span><\/p>","label":"

Housna<\/p>"},{"id":1404,"type":2,"content":"


Ce qui m\u2019\u00e9nerve, les gens qui respirent fort et qui m\u00e2chent des chewing-gum fort dans le train, ne pas trouver mes v\u00eatements le matin.<\/span><\/p>

Mon fr\u00e8re qui m\u2019\u00e9nerve \u00e0 jouer au foot.<\/span><\/p>

Macron qui veut pas confiner. Notre classe qui ferme pas. Quand je perds \u00e0 Subaru Surfr<\/span><\/p>

Un certain gar\u00e7on et une certaine fille que tu vois tous les jours.<\/span><\/p>

L\u2019islamophobie.<\/span><\/p>

Les gar\u00e7ons qui agressent et qui violent.<\/span><\/p>

J\u2019insulte et quand \u00e7a me soule trop je pleure et je sors des mots violents.<\/span><\/p>

 <\/span><\/p>","label":"

Aya<\/p>"},{"id":1405,"type":2,"content":"


Je me mets en col\u00e8re quand une personne parle beaucoup.<\/span><\/p>

Je me mets en col\u00e8re quand je perds un match de foot.<\/span><\/p>

Je me mets en col\u00e8re quand je perds au basket.<\/span><\/p>

 <\/p>","label":"

 Wadii<\/p>"},{"id":1406,"type":2,"content":"


Ce qui me met en col\u00e8re, les gens qui font du bruit quand ils mangent, les trucs abandonn\u00e9s, l\u2019art plastique, Macron qui veut pas confiner, l\u2019injustice, quand je dis la v\u00e9rit\u00e9 et qu\u2019on ne me croit pas.Ce que me fait la col\u00e8re : un sentiment d\u2019incompr\u00e9hension.<\/span><\/p>","label":"

Hela<\/p>"},{"id":1491,"type":5,"fileUrl":"\/resources\/files\/file_65e3427a451a0.pdf"},{"id":1452,"type":2,"content":"


Ce matin<\/span>
Il y avait des coups de feu<\/span>

Ce matin<\/span>
Il y avait la guerre<\/span>

Il y avait la guerre<\/span>
Et \u00e7a continue en boucle<\/span>

Et \u00e7a continue en boucle<\/span>
Ce matin<\/span><\/p>

 <\/span><\/p>","label":"

Coups de feu, Loick<\/p>"},{"id":1461,"type":2,"content":"


Un jour j\u2019\u00e9tais chez moi je regardais la t\u00e9l\u00e9<\/span>
Ils ont attaqu\u00e9 l\u2019Ukraine<\/span>

Ils ont attaqu\u00e9 l\u2019Ukraine<\/span>
Les gens n\u2019ont plus rien \u00e0 manger<\/span>

Ils ont attaqu\u00e9 l\u2019Ukraine<\/span>
Ils ont envoy\u00e9 des bombes sur les b\u00e2timents<\/span><\/p>

 <\/span><\/p>","label":"

L\u2019Ukraine et la Russie, Adem<\/p>"},{"id":1557,"type":4,"fileUrl":"\/resources\/files\/file_65e3591126ffc.wav","label":"

Tous les jours, Lior<\/p>","duration":25},{"id":1558,"type":2,"content":"


Dans les \u00e9crans y a des messages m\u00e9chants<\/span>
Dans les \u00e9crans y a des jeux violents et m\u00e9chants<\/span>
Dans les \u00e9crans y a des films \u00e0 la t\u00e9l\u00e9<\/span>
Dans les \u00e9crans y a des attentats<\/span>
Dans les \u00e9crans y a des ordinateurs<\/span>
Dans les \u00e9crans, des attentats que j\u2019ai vu \u00e0 la t\u00e9l\u00e9 comme le jour o\u00f9 il y a eu les attentats \u00e0 Nice<\/span><\/p>

 <\/p>","label":"

Dans les \u00e9crans, Marietou<\/p>"},{"id":1559,"type":2,"content":"


Tous les jours on peut se faire violer<\/span>
Tous les jours on peut se faire agresser avec un couteau<\/span>
Tous les jours on peut se faire insulter<\/span><\/p>

 <\/p>","label":"

Tous les jours, Loick<\/p>"},{"id":1560,"type":2,"content":"


J\u2019ai \u00e9t\u00e9 harcel\u00e9e moralement \u00e0 l\u2019\u00e9cole primaire et c\u2019est toujours dans mes souvenirs.<\/span><\/p>","label":"

Dans mes souvenirs, Laura<\/p>"},{"id":1561,"type":2,"content":"


Dans les \u00e9crans, des films de violence des ph\u00e9nom\u00e8nes \u00e9tranges<\/span>
Dans les \u00e9crans, des jeux de violence<\/span>
Dans les \u00e9crans, des s\u00e9ries de violence (Les 100)<\/span>
Dans les \u00e9crans, les informations sur la t\u00e9l\u00e9 comme des attentats<\/span>
Dans les \u00e9crans, au cin\u00e9ma, il a des nouveaux films de violence comme Halloween<\/span>
 <\/p>","label":"

Dans les \u00e9crans, par Matthieu<\/p>"},{"id":1562,"type":4,"fileUrl":"\/resources\/files\/file_65e35ad91a1e9.wav","label":"

Dans les \u00e9crans, par Lucas<\/p>","duration":37},{"id":1563,"type":2,"content":"


Dans les \u00e9crans, des films de violence des ph\u00e9nom\u00e8nes \u00e9tranges<\/span>
Dans les \u00e9crans, des jeux de violence<\/span>
Dans les \u00e9crans, des s\u00e9ries de violence (Les 100)<\/span>
Dans les \u00e9crans, les informations sur la t\u00e9l\u00e9 comme des attentats<\/span>
Dans les \u00e9crans, au cin\u00e9ma, il a des nouveaux films de violence comme Halloween<\/span>
 <\/p>","label":"

Dans les \u00e9crans, par Matthieu<\/p>"},{"id":1564,"type":2,"content":"

Violences fictives<\/strong><\/i><\/span><\/p>

Le catch : ils font semblant de se battre<\/span><\/p>

Court-m\u00e9trage pour sensibiliser sur le harc\u00e8lement<\/span><\/p>

Conte : Blanche Neige qui est empoisonn\u00e9e par la sorci\u00e8re<\/span><\/p>

Squid Game<\/i> : fiction \u00e0 base de jeux d\u2019enfants : si tu perds, tu meurs<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

Bagarre<\/span><\/p>

Insultes<\/span><\/p>

Harc\u00e8lement moral physique<\/span><\/p>

Vu \u00e0 la TV :<\/span>
un homme veut vendre son fr\u00e8re pour avoir sa part d\u2019h\u00e9ritage<\/span><\/p>

Meurtre<\/span><\/p>

Viol<\/span><\/p>

 <\/p>","label":"

Violences, Laura<\/p>"},{"id":1565,"type":2,"content":"

Violences fictives<\/strong><\/i><\/span><\/p>

il se prend une balle dans la t\u00eate<\/span>
dans une ville de sh\u00e9rifsil y a deux clans de karat\u00e9<\/span>
qui se battent pour une coupe tous les ans<\/span>
les deux clans sont en guerre depuis plusieurs ann\u00e9es<\/span>
les deux clans se d\u00e9testent<\/span>
on sait pourquoi<\/span>
parce que le clan karat\u00e9 Cobra Kai<\/span>
il se bat<\/span>
il frappe le premier coup<\/span>
et le deuxi\u00e8me clan est plus d\u00e9fensif<\/span>
ou il y a un mec qui braque une banque avec un fusil \u00e0 pompe<\/span>
il prend tout l\u2019argent<\/span>
et la police arrive<\/span>
et il tire sur la police<\/span>
et la police arrive \u00e0 l\u2019arr\u00eater<\/span>
sans lui tirer dessus<\/span><\/p>


\u2014<\/span><\/p>


Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

une bagarre entre deux \u00e9l\u00e8ves<\/span>
dans un coll\u00e8ge<\/span>
ou m\u00eame dans la rue<\/span>
une guerre de gangs<\/span><\/p>

ou sinon y a un accident et les deux personnes se disputent<\/span>
et \u00e7a fini en bagarre<\/span>
parce qu\u2019il ne veulent pas payer les r\u00e9parations<\/span>
et du coup ils se battent \u00e0 mains nues<\/span>

il peut y avoir une bagarre<\/span>
si la copine est avec mon ami<\/span>
il peut se battre pour \u00e7a<\/span>
parce qu\u2019il est \u00e9nerv\u00e9<\/span>
 <\/p>","label":"

Violences, Enzo<\/p>"},{"id":1567,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

anim\u00e9s<\/span><\/p>

jeux vid\u00e9o de guerre<\/span><\/p>

zombies<\/span><\/p>

Star Wars quand il se fait couper la main<\/span><\/p>

BO 3<\/i> jeu de combats<\/span><\/p>

GTA jeu de braquages<\/span>
gang trafique drogue<\/span>
il y a plusieurs gangs aux USA dans une ville<\/span>
le but c\u2019est de faire le plus d\u2019argent<\/span>
c\u2019est contre la police<\/span>
on joue avec les amis braqueurs de milliardaires<\/span>
on arrive en sous-marin dans l\u2019\u00eele<\/span>
tuer en discr\u00e9tion et prendre le plus d\u2019argent de drogue cannabis<\/span>
et le jeu repr\u00e9sente le plus possible la vraie vie<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

j\u2019ai vu une agression dans le m\u00e9tro r\u00e8glement de compte<\/span><\/p>

je me suis d\u00e9j\u00e0 fait voler mon stylo<\/span><\/p>

le match OM-Reims<\/span><\/p>

des insultes<\/span><\/p>

les agressions au couteau \u00e0 la t\u00e9l\u00e9<\/span><\/p>

 <\/p>","label":"

Violences, Lior<\/p>"},{"id":1462,"type":2,"content":"


Cet apr\u00e8s-midi, j\u2019ai regard\u00e9 Halloween<\/span>
J\u2019ai vu, c\u2019\u00e9tait angoissant<\/span>

Cet apr\u00e8s-midi, j\u2019ai regard\u00e9 Halloween<\/span>
Il \u00e9tait en train de tuer des adolescents<\/span>

Cet apr\u00e8s-midi, j\u2019ai regard\u00e9 Halloween<\/span>
Et son seul objectif c\u2019est de tuer la grand-m\u00e8re<\/span><\/p>

 <\/p>","label":"

Halloween, Ibtissem<\/p>"},{"id":1566,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

Dans les films<\/span>
Les s\u00e9ries<\/span>
Les mangas<\/span><\/p>

Dans les films<\/span>
Deux \u00e9l\u00e8ves s\u2019entra\u00eenent avec leur maitre puis un des \u00e9l\u00e8ves devient m\u00e9chant et tue le maitre qui a essay\u00e9 de l\u2019arr\u00eater<\/span><\/p>

American Nightmare<\/span>
C\u2019est une film o\u00f9 il y a une purge tous les ans<\/span>
et un jour \u00e7a devient une purge \u00e9ternelle<\/span><\/p>

Halloween un film d\u2019horreur<\/span>
un homme masqu\u00e9 qui tue<\/span>
le soir d\u2019Halloween<\/span><\/p>

\u00c7a un clown d\u00e9moniaque<\/span>
qui mange les enfants<\/span>
et qui cause des hallucinations collectives<\/span><\/p>

Walking Dead<\/span>
c\u2019est une s\u00e9rie<\/span>
avec des zombies<\/span>
et si tu meurs<\/span>
tu te transformes<\/span>
en zombie<\/span><\/p>

 <\/span><\/p>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

La guerre c\u2019est une violence r\u00e9elle<\/span>
Exemple :<\/span>
La seconde Guerre Mondiale<\/span>
L\u2019Afghanistan<\/span>
La Premi\u00e8re Guerre Mondiale<\/span><\/p>

Le MMA<\/span>
C\u2019est l\u2019un des sports de combat<\/span>
le plus dangereux et le plus violent<\/span><\/p>

 <\/p>","label":"

Violences, Luca<\/p>"},{"id":1568,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

film de Spiderman contre les m\u00e9chants avec des armes<\/span><\/p>

manga Naruto<\/i> quand il se bat contre des m\u00e9chants avec des armes<\/span>

\u2014<\/span><\/p>


Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

infos \u00e0 la t\u00e9l\u00e9vision<\/span><\/p>

la guerre en Isra\u00ebl le tir de missile<\/span><\/p>

on se fait frapper par des gens dans la rue<\/span><\/p>

se faire harceler<\/span><\/p>

se faire tuer dans la rue au couteau<\/span><\/p>

se faire violer dans la rue<\/span><\/p>

 <\/p>","label":"

Violences, Loick<\/p>"},{"id":1569,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

Comme un film d\u2019horreur avec des parasites qui parasitent des corps humains comme Alien ou comme le film Unstoppable o\u00f9 c\u2019est un train de marchandise am\u00e9ricain de plus de mille tonnes qui transporte des citernes chimiques et qui va d\u00e9truire tout sur son passage jusqu\u2019\u00e0 d\u00e9railler dans une entreprise chimique<\/span><\/p>

Pizzaria de Freddy Fazbear\u2019s Pizzeria avec 5 mascottes dans les animatronics et dans ces animatronics se trouvent 5 cadavres d\u2019enfants port\u00e9s disparus<\/span><\/p>

le tueur de ces 5 enfants et mort violemment \u00e9cras\u00e9 dans un costume qui \u00e9tait interdit et \u00e0 cause de l\u2019humidit\u00e9 un ressort a saut\u00e9 et l\u2019onde du costume s\u2019est referm\u00e9 sur son corps et il est mort et a ressuscit\u00e9 30 ans plus tard<\/span>

 <\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

Infos \u00e0 la t\u00e9l\u00e9vision<\/span><\/p>

L\u2019attentat qui a eu lieu dans un h\u00f4tel en Inde<\/span><\/p>

L\u2019attentat des Twins des tours jumelles \u00e0 New-York<\/span>
o\u00f9 les terroristes tuaient avec des armes \u00e0 feu et se sacrifiaient et sacrifiaient des gens<\/span><\/p>

Les agressions dans la rue explosions d\u2019usines mal entretenues enl\u00e8vements harc\u00e8lements physiques chutes violentes maladies graves virus mortels<\/span><\/p>

Racisme<\/span><\/p>

 <\/p>","label":"

Violences, Samuel<\/p>"},{"id":1570,"type":2,"content":"

 <\/span><\/p>

Violences fictives<\/strong><\/i><\/span><\/p>

mort d\u2019un personnage tu\u00e9 par un monstre<\/span><\/p>

Teodora frappe tous les gar\u00e7ons qu\u2019elle croise<\/span><\/p>

Dora une petite fille qui fugue qui \u00e9coute pas ses parents, puis un jour elle s\u2019est perdue dans la for\u00eat<\/span><\/p>

My Hero Academia<\/i><\/span>
un enfant qui se pr\u00e9nomme Shoto qui se faisait battre par son p\u00e8re<\/span>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

la covid<\/span><\/p>

des meurtres dans des villes ou des pays<\/span><\/p>

un accident de voiture<\/span><\/p>

une personne qui habite aux \u00c9tats-Unis pendant Halloween un assassin tue plus de 10 personnes 6 bless\u00e9s et 5 morts<\/span><\/p>

 <\/p>","label":"

Violences, Ibtissem<\/p>"},{"id":1598,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

une vid\u00e9o de combats<\/span><\/p>

un jeu vid\u00e9o des guerres de combats et de violences<\/span><\/p>

un film de guerre sur un r\u00e9seau social<\/span><\/p>

dans un manga comme One Piece<\/i> il y a des choses violentes comme des corps qui se coupent comme quand il y a Zoro qui se bat contre des adversaires<\/span>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

se faire frapper dans la rue<\/span><\/p>

se faire harceler \u00e0 l\u2019\u00e9cole<\/span><\/p>

un documentaire qui filme la violence<\/span><\/p>

une violence sur des gens comme la police contre les manifestants ils se poussent et font plein de violence<\/span><\/p>

au moyen-\u00e2ge il y avait aussi plein de violence<\/span><\/p>

quand quelqu\u2019un tire sur une autre personne \u00e7a c\u2019est de la violence quand il y a quelqu\u2019un qui se bat avec quelqu\u2019un d\u2019autre \u00e7a aussi c\u2019est de la violence<\/span><\/p>

au moyen-\u00e2ge il y avait de la violence comme \u00eatre tortur\u00e9 condamn\u00e9 \u00e0 mort et aussi il y a aussi des gens qui se battent avec des armes ou des gens qui se battent avec un couteau ou des autres trucs<\/span><\/p>

un attentat<\/span><\/p>

 <\/p>","label":"

Violences, Th\u00e9o <\/p>"},{"id":1599,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

tirer sur une personne dans un film<\/span><\/p>

se faire rouler dessus (film)<\/span><\/p>

se faire menacer physiquement<\/span><\/p>

tsunami dans un film<\/span><\/p>

se faire ex\u00e9cuter<\/span><\/p>

se faire tuer pour un jeu ou de l\u2019argent<\/span><\/p>

un immeuble qui tombe avec des gens dedans dans un film<\/span>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

attaque au couteau<\/span><\/p>

se faire frapper \u00e0 coup de poing<\/span><\/p>

menacer avec un pistolet<\/span><\/p>

se faire racketter<\/span><\/p>

se faire harceler<\/span><\/p>

se faire arracher un sac<\/span><\/p>

se faire voler<\/span><\/p>

se faire violer (quand t\u2019es bourr\u00e9)<\/span><\/p>

se faire toucher (donc tentative de viol)<\/span><\/p>

se faire tuer dans une r\u00e8glement de comptes<\/span><\/p>

 <\/p>","label":"

Violences, Julien <\/p>"},{"id":1600,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

une m\u00e8re qui abandonne son b\u00e9b\u00e9 apr\u00e8s que sa deuxi\u00e8me m\u00e8re soit venue pour regarder ce b\u00e9b\u00e9 apr\u00e8s elle a accept\u00e9 ce b\u00e9b\u00e9 12 ans apr\u00e8s il a grandi avec sa deuxi\u00e8me m\u00e8re elle est morte<\/span><\/p>

les filles il avait crois\u00e9 celle \u00e0 c\u00f4t\u00e9 de elle mais non sa vrai sa m\u00e8re il l\u2019a tu\u00e9 et il \u00e9tait \u00e0 Londres<\/span><\/p>

il avait couru vite<\/span><\/p>

il a trouv\u00e9 une voiture<\/span><\/p>

il se cache et il trouve deux gar\u00e7ons<\/span><\/p>

il est voleur<\/span><\/p>

il est bien ami 15 ans apr\u00e8s<\/span><\/p>

se faire \u00e9trangler<\/span>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

il y avait des gens dans un magasin<\/span><\/p>

ils ont vol\u00e9 de l\u2019alcool et des sandwichs<\/span><\/p>

des fois dans la rue des gens qui crient pour rien et dans le m\u00e9tro qui volent des t\u00e9l\u00e9phones<\/span><\/p>

des fois des gens qui quand il y a des contr\u00f4leurs n\u2019ont pas de ticket<\/span><\/p>

se faire frapper dans la rue<\/span><\/p>

se faire voler dans la rue<\/span><\/p>

se faire agresser dans la rue au couteau<\/span><\/p>

se faire frapper au coll\u00e8ge<\/span><\/p>

se faire harceler<\/span><\/p>

 <\/p>","label":"

Violences, Adem <\/p>"},{"id":1601,"type":2,"content":"

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

Se faire frapper par ses parents quand on \u00e9tait petit.<\/span><\/p>

Quand on se bagarre avec des copains ou des copines ou ennemis.<\/span><\/p>

\u00c0 la t\u00e9l\u00e9 des personnes se font taper exemple le Pr\u00e9sident de la R\u00e9publique.<\/span><\/p>

Se faire mal tout seul.<\/span><\/p>

Covid.<\/span><\/p>

Mourir forc\u00e9ment.<\/span>
 <\/p>

\u2014<\/p>

 <\/p>

Violences fictives<\/strong><\/i><\/span><\/p>

Dans les dessins anim\u00e9s quand ils se tapent ou dans les jeux vid\u00e9os.<\/span><\/p>

Tom et Jerry qui se tapent toutes les deux minutes. Il essaye d\u2019attraper la souris mais il arrive pas.<\/span><\/p>

Le Monde incroyable de Gumball<\/i>. Il y a des passages violents.<\/span><\/p>

Ou un film qui fait peur comme un film avec Will Smith que j\u2019\u00e9tais trop petite pour le regarder.<\/span><\/p>

Les Daltons ils essayent de s\u2019\u00e9chapper mais ils n\u2019y arrivent pas.<\/span><\/p>

 <\/p>","label":"

Violences, Marietou <\/p>"},{"id":1602,"type":2,"content":"


Violences fictives<\/strong><\/i><\/span><\/p>

Mangas<\/span><\/p>

Hunter x Hunter<\/i> il y a une famille o\u00f9 il y a des assassins<\/span><\/p>

Des films d\u2019horreur<\/span>

\u2014<\/span>

Violences r\u00e9elles<\/strong><\/i><\/span><\/p>

Infos \u00e0 la t\u00e9l\u00e9vision<\/span><\/p>

Une tesla qui a tu\u00e9 2 personnes et 8 bless\u00e9s et qui a perdu le contr\u00f4le<\/span><\/p>

Des attentats<\/span><\/p>

 <\/p>","label":"

Violences, Matthieu <\/p>"},{"id":1463,"type":2,"content":"


Un scooter roule \u00e0 fond dans un carrefour<\/span>
Sur la droite un camion \u00e0 remorque<\/span>

Un scooter roule \u00e0 fond dans un carrefour<\/span>
Le camion percute le scooter<\/span>

Le camion percute le scooter<\/span>
T\u00eate arrach\u00e9e sous la roue du camion<\/span><\/p>

 <\/span><\/p>","label":"

Crash, Samuel<\/p>"},{"id":1464,"type":2,"content":"


J\u2019\u00e9tais chez moi et je regardais la t\u00e9l\u00e9<\/span>
et je vois qu\u2019il y a un tueur en s\u00e9rie<\/span>
dans ma ville<\/span>

dans ma ville<\/span>
je sors et je me balade<\/span>
et au bout d\u2019un moment<\/span>
je vois un mec<\/span>

je vois un mec<\/span>
bizarre c\u2019\u00e9tait un vieux<\/span>
et je vois qu\u2019il vient me parler<\/span>
il voulait<\/span>
que je vienne l\u2019aider<\/span>

que je vienne l\u2019aider<\/span>
\u00e0 porter ses courses<\/span>
et je suis dans la rue<\/span>
et apr\u00e8s il sort un couteau<\/span>
et il me tue<\/span><\/p>

 <\/p>","label":"

 Le tueur en s\u00e9rie, H\u00e9lian<\/p>"},{"id":1465,"type":2,"content":"


J\u2019\u00e9tais chez moi tranquillement et j\u2019entends toquer chez moi<\/span>
BAM BAM BAM je sors vite je vois des b\u00eates partout<\/span>

Et \u00e7a recommence en boucle \u00e0 force j\u2019en pouvais plus<\/span>
BAM BAM BAM je sors vite je vois des b\u00eates partout<\/span>

Et \u00e7a recommence en boucle \u00e0 force j\u2019en pouvais plus<\/span>
J\u2019ai jamais entendu des bruits comme \u00e7a<\/span><\/p>

 <\/span><\/p>","label":"

TOC TOC, Lior<\/p>"},{"id":1466,"type":2,"content":"


Ce matin<\/span>
Une femme se fait frapper<\/span>

Une femme se fait frapper<\/span>
Par un chinois<\/span>

Par un chinois<\/span>
Avec un couteau<\/span>

Avec un couteau<\/span>
Et \u00e7a continue en boucle<\/span><\/p>

 <\/p>","label":"

 Une femme qui se fait frapper, Loick<\/p>"},{"id":1467,"type":2,"content":"


Des survivants tuent des zombies<\/span>
Pour survivre<\/span>

Des survivants tuent des zombies<\/span>
D\u2019une balle dans la t\u00eate<\/span>

Des survivants tuent des zombies<\/span>
Et se battent contre d\u2019autres communaut\u00e9s<\/span><\/p>

 <\/span><\/p>","label":"

The Walking Dead, Lucas<\/p>"},{"id":1468,"type":2,"content":"


Un jour les russes attaquent l\u2019Ukraine<\/span>
La France aide l\u2019Ukraine<\/span>

Un jour les russes attaquent l\u2019Ukraine<\/span>
La France essaie de faire la paix<\/span>

La France essaie de faire la paix<\/span>
Les russes continuent la guerre<\/span>

Les russes continuent la guerre<\/span>
Ils font des bombardements<\/span><\/p>

 <\/span><\/p>","label":"

La guerre en Ukraine, Matthieu<\/p>"},{"id":1470,"type":2,"content":"


En rentrant chez moi<\/span>
J\u2019aper\u00e7ois la porte entrouverte de ma voisine<\/span>
Et j\u2019entends BLING<\/span>
Inqui\u00e8te je d\u00e9cide d\u2019aller la voir<\/span>
En rentrant plus aucun bruit<\/span>
Et tout \u00e0 coup PAN<\/span>
Je cours vers sa chambre<\/span>
Je vois une marre de sang EURK<\/span><\/p>

 <\/span><\/p>","label":"

Onomatop\u00e9es, Laura<\/p>"},{"id":1471,"type":4,"fileUrl":"\/resources\/files\/file_65e3005c6f370.wav","label":"

Onomatop\u00e9es, Th\u00e9o<\/p>","duration":20},{"id":1453,"type":2,"content":"


Hier soir, je suis sortie de mes gonds<\/span>
La col\u00e8re m\u2019a emport\u00e9<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Je me suis disput\u00e9e avec ma voisine<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Ses cheveux, j\u2019ai arrach\u00e9<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Par terre je l\u2019ai jet\u00e9<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Dans sa chambre je suis rentr\u00e9e<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Son armoire j\u2019ai cass\u00e9<\/span>

La col\u00e8re m\u2019a emport\u00e9<\/span>
Je l\u2019ai achev\u00e9e<\/span><\/p>

 <\/span><\/p>","label":"

La bagarre d\u2019hier soir, Laura<\/p>"},{"id":1472,"type":4,"fileUrl":"\/resources\/files\/file_65e3014e27acb.wav","label":"

Onomatop\u00e9es, Loick<\/p>","duration":21},{"id":1473,"type":4,"fileUrl":"\/resources\/files\/file_65e302c9f09f3.wav","label":"

Onomatop\u00e9es, Lior<\/p>","duration":17},{"id":1474,"type":4,"fileUrl":"\/resources\/files\/file_65e3046802ca5.wav","label":"

Onomatop\u00e9es, Samuel<\/p>","duration":30},{"id":1475,"type":4,"fileUrl":"\/resources\/files\/file_65e304db1c09e.wav","label":"

Onomatop\u00e9es, Adem<\/p>","duration":22},{"id":1476,"type":4,"fileUrl":"\/resources\/files\/file_65e31285db700.wav","label":"

Onomatop\u00e9es, Julien<\/p>","duration":11},{"id":1477,"type":4,"fileUrl":"\/resources\/files\/file_65e312ce4fe8c.wav","label":"

Onomatop\u00e9es, Lucas<\/p>","duration":23},{"id":1478,"type":4,"fileUrl":"\/resources\/files\/file_65e3131283587.wav","label":"

Onomatop\u00e9es, H\u00e9lian<\/p>","duration":12},{"id":1479,"type":4,"fileUrl":"\/resources\/files\/file_65e3136bd860d.wav","label":"

Onomatop\u00e9es, Enzo<\/p>","duration":18},{"id":1480,"type":4,"fileUrl":"\/resources\/files\/file_65e313e18d994.wav","label":"

Onomatop\u00e9es, Matthieu<\/p>","duration":26},{"id":1481,"type":4,"fileUrl":"\/resources\/files\/file_65e31440b2f0b.wav","label":"

Onomatop\u00e9es, Ibtissem<\/p>","duration":19},{"id":1482,"type":2,"content":"


Le voleur tire PAN et il tombe par terre<\/span>
Le sh\u00e9rif joue de la guitare BLING BLANG<\/span>
EURK le cheval vomit<\/span><\/p>

 <\/span><\/p>","label":"

Onomatop\u00e9es, Loick<\/p>"},{"id":1483,"type":4,"fileUrl":"\/resources\/files\/file_65e314ac3b062.wav","label":"

Onomatop\u00e9es, Lior<\/p>","duration":16},{"id":1454,"type":2,"content":"


J\u2019\u00e9tais dehors avec un coll\u00e8gue et je vois sur le Vieux-Port<\/span>
Une femme se fait arracher son t\u00e9l<\/span>

Je regarde la sc\u00e8ne de loin avec mon coll\u00e8gue<\/span>
Une femme se fait arracher son t\u00e9l<\/span>

Je regarde la sc\u00e8ne de loin avec mon coll\u00e8gue<\/span>
Le voleur est parti en v\u00e9lo<\/span><\/p>

 <\/span><\/p>","label":"

Le voleur, Lior<\/p>"},{"id":1484,"type":4,"fileUrl":"\/resources\/files\/file_65e314fc3d8e7.wav","label":"

Onomatop\u00e9es, Julien<\/p>","duration":16},{"id":1485,"type":4,"fileUrl":"\/resources\/files\/file_65e3153d31e0d.wav","label":"

Onomatop\u00e9es, Adem<\/p>","duration":10},{"id":1486,"type":4,"fileUrl":"\/resources\/files\/file_65e324b072ce6.wav","label":"

Onomatop\u00e9es, Lucas<\/p>","duration":20},{"id":1487,"type":4,"fileUrl":"\/resources\/files\/file_65e324e7c28b5.wav","label":"

Onomatop\u00e9es, Marietou<\/p>","duration":10},{"id":1488,"type":4,"fileUrl":"\/resources\/files\/file_65e325537bcfc.wav","label":"

Onomatop\u00e9es, Loick<\/p>","duration":9},{"id":1489,"type":2,"content":"


Vas-y mon chien cherche SNIF SNIF<\/span>
Et soudain BOUM<\/span>
L\u2019explosion \u00e9clate<\/span>
Et PAF une gifle de la voisine<\/span>
Je tombe dans la flaque d\u2019eau SPLACH<\/span><\/p>

 <\/span><\/p>","label":"

Onomatop\u00e9es, Laura<\/p>"},{"id":1492,"type":2,"content":"


On ne voit plus<\/span>
le clown tueur<\/span>
dans la f\u00eate foraine<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

je ne sais pas quand<\/span>
il reviendra<\/span>
ni o\u00f9 il est<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

J\u2019ai commis des meurtres<\/span>
devant t\u00e9moins<\/span>
car ils me harcelaient quand j\u2019\u00e9tais \u00e0 l\u2019\u00e9cole<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

Il s\u2019est fait assassiner<\/span>
dans ma propre maison<\/span>
par un tueur en s\u00e9rie<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

Comme un homme<\/span>
je suis aller me battre<\/span>
en face \u00e0 face<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

On a couru<\/span>
\u00e0 des kilom\u00e8tres \u00e0 la ronde<\/span>
poursuivi par un monstre<\/span><\/p>

 <\/span><\/p>","label":"

Tercets, Lucas<\/p>"},{"id":1493,"type":2,"content":"


la r\u00e9ponse sera<\/span>
oui<\/span>
je vais voir mes amies<\/span>
 <\/p>

\u2014<\/span><\/p>


Dans ce pays<\/span>
la France il va y avoir la guerre<\/span>
c\u2019est la catastrophe avec la Russie<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

La violence alors \u00e7a commence<\/span>
avec le kidnapping<\/span>
et \u00e7a fini avec les policiers<\/span>
 <\/p>

\u2014<\/span><\/p>

 <\/span><\/p>

droit dans les yeux <\/span>
j\u2019ai vu un gar\u00e7on<\/span>
il m\u2019a regard\u00e9<\/span>

\u2014<\/span>

c\u2019est la radio qui m\u2019a apprit<\/span>
\u00e0 chanter<\/span>
\u00e0 danser<\/span>

\u2014<\/span><\/p>

en pleine rue<\/span>
j\u2019ai crois\u00e9 ma meilleure amie<\/span>
pour qu\u2019elle vienne chez moi<\/span><\/p>

 <\/span><\/p>","label":"

Tercets, Margaux<\/p>"},{"id":1494,"type":2,"content":"


Les guerres, les insultes, le manque de respect, qu\u2019il y a sur la Terre.<\/span>
Tout \u00e7a on peut le changer<\/span>
avec la parole.<\/span>

\u2014<\/span>

La mani\u00e8re la plus simple d\u2019expliquer<\/span>
la violence mentale, physique, visuelle, est le manque de respect.<\/span>
La violence mentale c\u2019est par exemple le harc\u00e8lement, la violence physique c\u2019est tabasser quelqu\u2019un, la violence visuelle est voir des enfants se faire frapper.<\/span>

\u2014<\/span>

Un enfant se fait harceler et il pleure<\/span>
toutes les larmes de son corps<\/span>
et se suicide.<\/span>
 <\/p>","label":"

Tercets, Th\u00e9o<\/p>"},{"id":1455,"type":2,"content":"


Un jour, je me suis r\u00e9veill\u00e9<\/span>
Et j\u2019ai remarqu\u00e9 que c\u2019\u00e9tait la guerre<\/span>

Un jour, je me suis r\u00e9veill\u00e9<\/span>
Et j\u2019ai su que l\u2019Ukraine \u00e9tait en danger<\/span>

Et j\u2019ai su que la Russie \u00e9tait pitoyable<\/span>
Un jour, je me suis r\u00e9veill\u00e9<\/span><\/p>

 <\/span><\/p>","label":"

Je me suis r\u00e9veill\u00e9, Ibtissem<\/p>"},{"id":1495,"type":2,"content":"


Continuer \u00e0 faire<\/span>
cette bombe<\/span>
et on va tous les tuer<\/span>

\u2014<\/span>

la violence est un comportement<\/span>
\u00e9trange<\/span>
et flippant<\/span>

\u2014<\/span>

je suis celui qui hurle<\/span>
de peur<\/span>
dans un couloir infini<\/span><\/p>

 <\/p>","label":"

Tercets, Samuel<\/p>"},{"id":1496,"type":2,"content":"


ma m\u00e8re est tomb\u00e9e<\/span>
dans les escaliers<\/span>
elle n\u2019a pas pu y \u00e9chapper !<\/span>

\u2014<\/span>

La bagarre<\/span>
que je peux voir par la fen\u00eatre de la cuisine<\/span>
me hante dans mes r\u00eaves<\/span>

\u2014<\/span>

on raconte que<\/span>
dans le monde<\/span>
la violence est inestimable<\/span>

\u2014<\/span>

les femmes en Afrique ont<\/span>
des conditions de vie parfois rudes<\/span>
car elles travaillent la terre<\/span>

\u2014<\/span>

il n\u2019y a plus rien<\/span>
dans sa m\u00e9moire<\/span>
depuis son accident<\/span>

\u2014<\/span>

dans le film, le sh\u00e9rif arr\u00eate un bandit<\/span>
avec une vieille valise trou\u00e9e<\/span>
contenant un revolver<\/span>

\u2014<\/span>

l\u2019\u00e9crivain Jean Giono<\/span>
a d\u00e9crit la violence<\/span>
dans une exposition qui lui est d\u00e9di\u00e9e<\/span>

\u2014<\/span>

j\u2019\u00e9tais chez moi<\/span>
quand j\u2019ai entendu ma m\u00e8re crier<\/span>
affol\u00e9e, j\u2019ai couru vers elle<\/span>
 <\/p>","label":"

Tercets, Laura<\/p>"},{"id":1497,"type":2,"content":"


On peut se repr\u00e9senter<\/span>
avec un bras cass\u00e9 un pied cass\u00e9<\/span>
et un t-shirt d\u00e9chir\u00e9<\/span>

\u2014<\/span>

interpell\u00e9 par la voix<\/span>
de mon grand fr\u00e8re<\/span>
parce que j\u2019ai fait une b\u00eatise<\/span>
 <\/p>","label":"

Tercets, H\u00e9lian<\/p>"},{"id":1498,"type":2,"content":"


on accepte<\/span>
pas la violence<\/span>
et la m\u00e9chancet\u00e9<\/span>

\u2014<\/span>

quelque chose qui envahit<\/span>
comme la col\u00e8re<\/span>
ou la tristesse<\/span>

\u2014<\/span>

parfois la violence que l\u2019\u00eatre humain <\/span>
peut faire<\/span>
aux personnes autour de nous<\/span>

\u2014<\/span>

la personne<\/span>
qui s\u2019exprime parfois<\/span>
par des mots<\/span>
\u2014<\/span>
nous n\u2019avions pas l\u2019intention de<\/span>
lui faire mal<\/span>
ni de le voler<\/span>

\u2014<\/span>

sans succ\u00e8s<\/span>
il n\u2019a pas<\/span>
r\u00e9ussi \u00e0 s\u2019enfuir<\/span>

\u2014<\/span>

entre deux vigiles<\/span>
il y a<\/span>
de la tension<\/span>
 <\/p>","label":"

Tercet, Marietou<\/p>"},{"id":1499,"type":2,"content":"


juste avant que<\/span>
il lui mette une droite sur son visage<\/span>
on \u00e9tait en train de discuter d\u2019un film<\/span>

\u2014<\/span>

imaginez d\u2019autres choses<\/span>
dans le monde il y aurai plus de guerre et plus de morts<\/span>
et plein d\u2019avions que se crashent<\/span>

\u2014<\/span>

on a eu un probl\u00e8me<\/span>
plus ou moins grave<\/span>
et on a \u00e9t\u00e9 en prison pendant 3 jours<\/span>

\u2014<\/span>

les maux de la soci\u00e9t\u00e9 actuelle<\/span>
il y a beaucoup de pauvret\u00e9 et de racisme dans le monde<\/span>
et \u00e7a peut entrainer une guerre<\/span>

\u2014<\/span>

mon amie et moi on s\u2019est disput\u00e9s et elle<\/span>
avait parl\u00e9 brutalement<\/span>
puis elle est partie et a claqu\u00e9 la porte brutalement<\/span>
 <\/p>","label":"

Tercets, Enzo<\/p>"},{"id":1500,"type":2,"content":"


mais j\u2019ai jamais eu<\/span>
20 sur 20 en fran\u00e7ais et histoire<\/span>
30 mille feuilles<\/span>

\u2014<\/span>

tout le monde est \u00e0 l\u2019h\u00f4pital<\/span>
ma m\u00e8re a attrap\u00e9e le covid tout le monde a fait le test<\/span>
j\u2019ai cass\u00e9 mon bras et tout le monde est venu<\/span>
 <\/p>","label":"

Tercets, Adem<\/p>"},{"id":1501,"type":2,"content":"


\u00e0 la t\u00e9l\u00e9 il y a<\/span>
une valise noire perc\u00e9e de deux balles<\/span>
dans un mus\u00e9e<\/span>

\u2014<\/span>

les jeux vid\u00e9o violents<\/span>
on peut se faire tuer<\/span>
on peut se faire violer<\/span>

\u2014<\/span>

que puis-je<\/span>
aller faire ? la guerre en Irak<\/span>
aller me battre<\/span>

\u2014<\/span>

beaucoup de gens sont morts<\/span>
\u00e0 cause d\u2019un effondrement<\/span>
\u00e0 cause d\u2019un tremblement de terre<\/span>

\u2014<\/span>

ont jou\u00e9 \u00e0 des jeux consid\u00e9r\u00e9s comme<\/span>
violents avec des armes<\/span>
dangereux avec des couteaux<\/span>

\u2014<\/span>

j\u2019en ai assez entendu<\/span>
des coups de feu<\/span>
des coups de canons<\/span>
 <\/p>","label":"

Tercets, Loick<\/p>"},{"id":1502,"type":2,"content":"


l\u2019image au premier plan<\/span>
ce fut une nuit o\u00f9 Batman chopa le voleur dans la rue<\/span>
il le frappa et le rendit au policier<\/span>

\u2014<\/span>

un coupable plausible<\/span>
un tueur en s\u00e9rie se nomme Phileas Fogg il tue des gens un par un<\/span>
il les avait tous massacr\u00e9s<\/span>

\u2014<\/span>

je pense que<\/span>
un jour ou l\u2019autre j\u2019aurai un bon m\u00e9tier<\/span>
une moto et ce qu\u2019il me faut dans la vie<\/span><\/p>

 <\/p>","label":"

Tercet, Lior<\/p>"},{"id":1503,"type":2,"content":"


ils n\u2019ont rien compris<\/span>
ils devaient s\u2019entrainer au combat<\/span>
ils se sont bless\u00e9s<\/span>

\u2014<\/span>

la conclusion est la suivante<\/span>
dans l\u2019enqu\u00eate polici\u00e8re<\/span>
un avis de recherche<\/span>

\u2014<\/span>

la vie quotidienne de la plupart<\/span>
des gens est dangereuse<\/span>
psychopathe tueur<\/span>

\u2014<\/span>

aujourd\u2019hui comme la violence<\/span>
\u00e9tait partout dans le monde<\/span>
disparaitra face \u00e0 la paix<\/span>

\u2014<\/span>

des comportements violents<\/span>
d\u2019un tueur<\/span>
en s\u00e9rie<\/span>
 <\/p>","label":"

Tercets, Ibtissem<\/p>"},{"id":1504,"type":2,"content":"


comme une femme<\/span>
je me fais juger<\/span>
je me fais discriminer<\/span>

\u2014<\/span>

l\u2019utilisation de la force<\/span>
la force est des fois mal utilis\u00e9e<\/span>
on peut l\u2019utiliser quand on peut<\/span>

\u2014<\/span>

nous nous interrogions sur<\/span>
la vie<\/span>
et qui a cr\u00e9\u00e9 le monde<\/span>

\u2014<\/span>

dans ce paysage<\/span>
j\u2019ai peur<\/span>
j\u2019ai des frissons<\/span>

\u2014<\/span>

chez les humains comme chez les animaux<\/span>
on mange<\/span>
on a les m\u00eames go\u00fbts<\/span>
 <\/p>","label":"

Tercets, par Matthieu<\/p>"},{"id":1456,"type":2,"content":"


Des gens se font manger<\/span>
Par un clown<\/span>

Par un clown<\/span>
Les gens se font assassiner<\/span>

Les gens se font assassiner<\/span>
Par le clown \u00c7a<\/span><\/p>

 <\/span><\/p>","label":"

\u00c7a, Lucas<\/p>"},{"id":1505,"type":2,"content":"


Je me souviens que ma m\u00e8re m\u2019a racont\u00e9 une histoire de peur. C\u2019\u00e9tait un chien-loup. On ne l\u2019apprendra que bien plus tard. Il a des taches noires et blanches. Et les policiers cherchent le chien-loup parce qu\u2019il a fait une b\u00eatise.<\/span><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je les voyais se bagarrer. Ils se disputaient, en train de se faire kidnapper avec mon amie. Elle pleure dans son coin.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard,  Je les voyais, Margaux<\/p>"},{"id":1506,"type":2,"content":"


On ne l\u2019apprendra que bien plus tard que la fin du monde approche<\/span>
On ne l\u2019apprendra que bien plus tard que dans les films d\u2019horreur c\u2019est les blondes qui meurent les premi\u00e8res<\/span>
On ne l\u2019apprendra que bien plus tard que le tueur dans Halloween n\u2019est pas mort<\/span>
On ne l\u2019apprendra que bien plus tard que l\u2019on va tous vieillir<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Ibtissem<\/p>"},{"id":1508,"type":2,"content":"


J\u2019\u00e9tais chez moi avec des amis tranquillement et d\u2019un coup j\u2019entend des bruits. Je sors pour voir qui il y avait et d\u2019un coup on les voyait. Ils \u00e9taient 4. Ils essayaient de rentrer. Je les pousse et je sortais mon couteau de cuisine. Ils ont eu peur et sont partis.<\/span><\/p>","label":"

On les voyait, par Lior<\/p>"},{"id":1509,"type":2,"content":"

\u2013 Salut Boris.<\/span>
\u2013 Salut Marie.<\/span>
\u2013 Tu as vu le film Spiderman contre Venom<\/i> ? Il \u00e9tait incroyable, il \u00e9tait trop bien.<\/span>
\u2013 Oui je l\u2019ai vu, il \u00e9tait trop trop cool et tu penses qu\u2019il va se passer quoi dans le prochain film ?<\/span>
\u2013 On ne l\u2019apprendra que bien plus tard.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Th\u00e9o<\/p>"},{"id":1510,"type":2,"content":"


On les voyait. Homer a vol\u00e9 un h\u00e9licopt\u00e8re de police. Bart faisait du cross avec ses amis. Lisa draguait Milhouse. Marge faisait du shopping avec ses s\u0153urs.<\/span><\/p>","label":"

On les voyait, Lucas<\/p>"},{"id":1511,"type":2,"content":"


On ne l\u2019apprendra que bien plus tard. Les araign\u00e9es piquent. Les suicides se produisent beaucoup. Les tueurs tuent. Les attentats ravagent la vie des gens.<\/span><\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Matthieu<\/p>"},{"id":1512,"type":2,"content":"


On les voyait. Tout \u00e0 l\u2019heure ils \u00e9taient en train de se battre. On a essay\u00e9 de les retenir, mais on n\u2019arrivait pas. Du coup on a appel\u00e9 \u00e0 l\u2019aide. Mais il n\u2019y avait personne. Mais, tout d\u2019un coup, une personne arrive. Et dit qu\u2019il fait du karat\u00e9. Il les a stopp\u00e9 net. Et tout est redevenu normal.<\/span><\/p>","label":"

On les voyait, Enzo<\/p>"},{"id":1513,"type":2,"content":"


J\u2019\u00e9tais en cours de fran\u00e7ais et je posais des questions. Les questions \u00e9taient mal formul\u00e9es donc il me disait plusieurs fois la m\u00eame chose.<\/span>
On peut poser la m\u00eame question autrement.<\/span>
Et \u00e0 la fin j\u2019ai r\u00e9ussi certes en gal\u00e9rant mais j\u2019ai r\u00e9ussi.<\/span><\/p>","label":"

On peut poser la m\u00eame question autrement, Lior<\/p>"},{"id":1514,"type":2,"content":"


C\u2019est un m\u00e9chant qui avait vol\u00e9 le sac d\u2019une vieille dame !<\/span>
La dame est morte !<\/span>
Le voleur est mort aussi, en prison !<\/span>
On ne l\u2019apprendra que bien plus tard.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Marietou<\/p>"},{"id":1515,"type":2,"content":"


On les voyait. Ils se faisaient frapper devant l\u2019\u00e9cole avec des battes de baseball et des couteaux et il y avait des gens qui filmaient devant l\u2019\u00e9cole et apr\u00e8s les flics ils sont venus et ils ont arr\u00eat\u00e9 tout le monde.<\/span><\/p>","label":"

On les voyait, H\u00e9lian<\/p>"},{"id":1457,"type":2,"content":"


Il y a la guerre en Ukraine<\/span>
Des b\u00e2timents en feu<\/span>

Il y a la guerre en Ukraine<\/span>
Des bombes \u00e9clatent partout<\/span>

Il y a la guerre en Ukraine<\/span>
Et les russes les dominent<\/span><\/p>

 <\/p>","label":"

 La guerre des clans, Th\u00e9o<\/p>"},{"id":1516,"type":2,"content":"

On peut poser la m\u00eame question autrement. Les gens peuvent harceler de plein de mani\u00e8re. Les suicides peuvent se faire autrement.<\/span><\/p>

 <\/p>","label":"

On peut poser la m\u00eame question autrement, Matthieu<\/p>"},{"id":1517,"type":2,"content":"


J\u2019\u00e9tais avec mes coll\u00e8gues cui-cui, le p\u00e9dophile, l\u2019ours dans la for\u00eat. Et il y a un monstre dans les 3. Lequel est le plus dangereux ?<\/span>
Tous on fait des victimes. C\u2019est qui ?<\/span>
On ne l\u2019apprendra que bien plus tard.<\/span><\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Lior<\/p>"},{"id":1518,"type":2,"content":"


Dans la rue on voyait des gens se battre et il y avait d\u2019autres gens qui filmaient. On les voyait au loin. Certains essayaient de les s\u00e9parer, certains s\u2019\u00e9chappaient. Il y avait du sang partout. Des gens ont appel\u00e9 les Pompiers et la Police.<\/span><\/p>

 <\/p>","label":"

On les voyait, Julien<\/p>"},{"id":1519,"type":2,"content":"


J\u2019avais un ami qui avait perdu son bras, et une personne lui a demand\u00e9 pourquoi il l\u2019avait perdu\u2026 Mais mon ami s\u2019est vex\u00e9 et s\u2019est \u00e9nerv\u00e9. Je lui ai dit de se calmer. Mais il ne m\u2019\u00e9couta pas. Je lui dit que l\u2019on peut poser la m\u00eame question autrement.<\/span><\/p>","label":"

On peut poser la m\u00eame question autrement, Enzo<\/p>"},{"id":1520,"type":2,"content":"


Un jour avec mes amis on avait d\u00e9cid\u00e9 de partir faire du camping en for\u00eat. Il faisait noir, il devait \u00eatre 1h00 du matin, quand soudain un pote \u00e0 nous se fait planter par une personne. On a tous couru de notre c\u00f4t\u00e9, on a cherch\u00e9 des batteries pour les voitures, des radios et un t\u00e9l\u00e9phone pour appeler la Police. Mes amis se faisaient attraper chacun leur tour. J\u2019ai r\u00e9ussi \u00e0 appeler les secours. Ils sont venus pour nous r\u00e9cup\u00e9rer mais j\u2019\u00e9tais le seul survivant. On est parti apr\u00e8s avoir ferm\u00e9 tous les acc\u00e8s de la for\u00eat pour le tueur. On ne l\u2019apprendra que bien plus tard, car on ne sait pas qui c\u2019est.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Lucas<\/p>"},{"id":1521,"type":2,"content":"

 <\/p>

On les voyait. Ils se frappaient dans la rue. Les enfants se font frapper dans la rue. Ils se font poignarder au couteau.<\/span><\/p>

 <\/p>","label":"

On les voyait, Loick<\/p>"},{"id":1522,"type":2,"content":"


On peut poser la m\u00eame question autrement. Qu\u2019est-ce que l\u2019on peut faire si quelqu\u2019un se bat ?<\/span><\/p>","label":"

On peut poser la m\u00eame question autrement, Ibtissem<\/p>"},{"id":1523,"type":2,"content":"


En 2001, dans l\u2019entreprise de CSX, une entreprise de fret aux \u00c9tats-Unis, un drame s\u2019\u00e9tait pass\u00e9. C\u2019\u00e9tait une GP38 n\u00b0888, une fret qui contenait des produits chimiques. Ce train est parti \u00e0 la d\u00e9rive et \u00e0 plus de 126 km\/h sans son conducteur avec le manipulateur de traction sur 8, \u00e0 fond. Pour \u00eatre plus pr\u00e9cis cette rame \u00e9tait une traction. On le nommait le train fou. Des h\u00e9licopt\u00e8res et autre unit\u00e9s de police pour le stopper, mais ce n\u2019\u00e9tait pas suffisant. 2 hommes qui \u00e9taient en service avaient appris cette histoire et ils avaient trouv\u00e9 une id\u00e9e. On ne l\u2019apprendra que bien plus tard.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Samuel<\/p>"},{"id":1524,"type":2,"content":"


Les policiers dans les manifestations. On les voyait. Ils se tapaient entre eux ou se balan\u00e7aient des fumig\u00e8nes. Et les manifestent avaient les yeux qui br\u00fblent. Mais les manifestants ne l\u00e2chaient rien.<\/span><\/p>","label":"

On les voyait, par Th\u00e9o<\/p>"},{"id":1525,"type":2,"content":"


Il \u00e9tait une nuit sombre et froide une femme seule chez elle, elle \u00e9tait entrain de regarder un film d\u2019amour car \u00e0 17h30 elle avait rompu avec son copain. Son ancien copain \u00e9tait tellement enrag\u00e9 par la tristesse et la col\u00e8re qu\u2019il d\u00e9cidait de forcer la porte de chez elle et la tua. La Police lance une enqu\u00eate. On ne l\u2019apprendra que bien plus tard. C\u2019est son ancien copain qui l\u2019a tu\u00e9.<\/span><\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Julien<\/p>"},{"id":1458,"type":2,"content":"


Le chien aboie<\/span>
Il est seul<\/span>

Le chien aboie<\/span>
Il est perdu<\/span>

Le chien aboie<\/span>
Il pleure<\/span>

Il pleure<\/span>
Son ma\u00eetre le retrouve<\/span>

Son ma\u00eetre le retrouve<\/span>
Il saute de joie<\/span><\/p>

 <\/p>","label":"

 Le chien, Laura<\/p>"},{"id":1526,"type":2,"content":"


Qui s\u2019est fait frapper et tuer ? Comment et o\u00f9 ? Qu\u2019est-ce qui lui est arriv\u00e9 ? On ne l\u2019apprendra que bien plus tard. C\u2019\u00e9tait le voleur !<\/span><\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Loick<\/p>"},{"id":1527,"type":2,"content":"


Ils \u00e9taient l\u00e0. J\u2019\u00e9tais avec un pote. On les voyait. Ils \u00e9taient deux en train de se battre. Je ne les voyais pas beaucoup mais l\u2019un des deux avait une forme de squelette et l\u2019autre avait des yeux brillants et violents. Et des parties du corps comme les bras, la jambe et la m\u00e2choire qui \u00e9taient plus ou moins m\u00e9tallique.<\/span><\/p>","label":"

On les voyait, Samuel<\/p>"},{"id":1528,"type":2,"content":"


On savait peu de choses sur sa vie.<\/span>
J\u2019avais un coloc tr\u00e8s myst\u00e9rieux, il disait rien sur lui.<\/span>
Il racontais pas son pass\u00e9, sortait beaucoup.<\/span>
J\u2019essayais moi et mon pote de savoir des trucs, mais nos efforts furent vains.<\/span>
On savait peu de choses sur lui.<\/span>
Personne ne pourrait le sauver.<\/span><\/p>

 <\/p>","label":"

On savait peu de choses sur sa vie, Lior<\/p>"},{"id":1529,"type":2,"content":"


On les voyait.<\/span><\/p>

Ils le tapaient dans la rue.<\/span><\/p>

Il criait.<\/span><\/p>

Ils le tapaient.<\/span><\/p>

Il fuyait.<\/span><\/p>

 <\/p>","label":"

On les voyait, Marietou<\/p>"},{"id":1530,"type":2,"content":"


\u00ab On ne l\u2019apprendra que bien plus tard. Le tueur \u00e9tait mon petit ami, il avait tu\u00e9 toute ma famille. Sauf moi ! Je ne comprends pas pourquoi il ne m\u2019avait pas tu\u00e9\u2026 Le soir m\u00eame o\u00f9 il avait tu\u00e9 mes parents, il est venu me voir mais je lui ai dit que la Police allait venir : il ne me croyait pas, mais la Police est venue et l\u2019a arr\u00eat\u00e9. \u00bb<\/span><\/p>","label":"

On ne l\u2019apprendra que bien plus tard, Enzo<\/p>"},{"id":1531,"type":2,"content":"


On les voyait. S\u00e9ries tous le soir, des s\u00e9ries d\u2019actions, des s\u00e9ries tristes.<\/span>
On les voyait dans la rue il y a des catalogues.<\/span><\/p>","label":"

On les voyait, Adem<\/p>"},{"id":1532,"type":2,"content":"


J\u2019avais un pote qui s\u2019exprimait mal. Je lui est donc appris \u00e0 parler poliment. Mais \u00e0 chaque fois il s\u2019y prenait mal. Donc je faisait re<\/strong>poser la m\u00eame question \u00e0 chaque fois.<\/span><\/p>","label":"

Reposer la m\u00eame question, Lucas<\/p>"},{"id":1533,"type":2,"content":"


On les voyait en train de se battre.<\/span>
On les voyait s\u2019entre tuer.<\/span>
On les voyait en train de kidnapper quelqu\u2019un.<\/span>
On les voyait en train de voler un sac \u00e0 main \u00e0 une vieille dame.<\/span><\/p>

 <\/p>","label":"

On les voyait, Ibtissem<\/p>"},{"id":1534,"type":2,"content":"


Un jour je rencontre un mec et on devient pote. \u00c0 chaque fois que je le voyait, il \u00e9tait pas bien et moi je me demandais ce qui n\u2019allait pas. Il me disais que \u00e7a va et moi j\u2019avais encore des doutes et je n\u2019y pr\u00eatais pas attention. 6 mois apr\u00e8s c\u2019\u00e9tait devenu un tr\u00e8s bon pote et je d\u00e9cidais de le pr\u00e9senter \u00e0 un ami \u00e0 moi et ils devinrent potes. 1 an apr\u00e8s on a appris que le le mec que j\u2019ai connu \u00e9tait mort et on ne l\u2019apprendra que bien plus tard pourquoi il \u00e9tait mort. 3 mois plus tard je vois un pote de sa classe, je dis \u00e0 son pote pourquoi il \u00e9tait mort ? Il me dis qu\u2019il se faisait harceler dans sa classe et son \u00e9cole.<\/span><\/p>

 <\/p>","label":"

On ne l\u2019apprendra que bien plus tard, H\u00e9lian<\/p>"},{"id":1535,"type":2,"content":"


\u2013 Salut Georges.<\/span>
\u2013 Salut Fr\u00e9d\u00e9ric, \u00e7a va ?<\/span>
\u2013 Oui et toi.<\/span>
\u2013 Oui, le CPE il t\u2019a dis quoi pour le contr\u00f4le de ASSR 1 ?<\/span>
\u2013 Rien.<\/span>
\u2013 J\u2019ai une id\u00e9e.<\/span>
\u2013 Quoi ?<\/span>
\u2013 <\/strong>On peut poser la m\u00eame question autrement.<\/span><\/p>

 <\/p>","label":"

On peut poser la m\u00eame question autrement, Th\u00e9o<\/p>"},{"id":1459,"type":2,"content":"


Un jour les russes<\/span>
Envoient un missile<\/span>

Envoient un missile<\/span>
Et BOUM tout explose<\/span>

Envoient un missile<\/span>
Et \u00e7a continue en boucle<\/span><\/p>

 <\/span><\/p>","label":"

Attaque de la Russie, Loick<\/p>"},{"id":1536,"type":2,"content":"


On les voyait. Il criait. Ils le tapaient. Ils volaient. Ils tuaient. Il saignait.<\/span><\/p>","label":"

On les voyait, par Matthieu<\/p>"},{"id":1537,"type":2,"content":"

Tous les jours il y a des gens qui se font frapper<\/span>
Tous les jours il y a du racisme<\/span>
Tous les jours il y a des gens qui se font insulter<\/span>
Tous les jours il y a des gens qui vivent des traumatismes \u00e0 cause de ce qu\u2019ils ont v\u00e9cu<\/span>
Tous les jours il y a des suicides \u00e0 cause du harc\u00e8lement, ils ont essay\u00e9 d\u2019un parler mais presque personne ne r\u00e9agit en pensant que \u00e7a va passer, jusqu\u2019au jour o\u00f9 ils choisissent la solution de la facilit\u00e9<\/span><\/p>

 <\/p>","label":"

Tous les jours, Julien<\/p>"},{"id":1538,"type":2,"content":"


Tous les jours le virus se propage<\/span>
Tous les jours il y a des attentats dans des pays ou villes<\/span>
Tous les jours on a des cours d\u2019Histoire<\/span>
Tous les jours je suis oblig\u00e9 d\u2019aller \u00e0 l\u2019\u00e9cole<\/span><\/p>

 <\/p>","label":"

Tous les jours, Ibtissem<\/p>"},{"id":1539,"type":2,"content":"

Tous les jours j\u2019ai regard\u00e9 des animations par ordinateur \u00e0 la t\u00e9l\u00e9.<\/span>
Tous les jours dans la rue il y a des voleurs.<\/span>
Tous les jours il y a des \u00e9valuations en Histoire-G\u00e9ographie et Fran\u00e7ais avec Monsieur Gauthey.<\/span>
Tous les soirs je regarde un film avant de dormir.<\/span>
Tous les soirs je regarde mon t\u00e9l\u00e9phone, je regarde Netflix la nuit.<\/span><\/p>

 <\/p>","label":"

Tous les jours, Adem<\/p>"},{"id":1540,"type":4,"fileUrl":"\/resources\/files\/file_65e354dd449c1.wav","label":"

Sur la Terre, Marietou<\/p>","duration":22},{"id":1541,"type":2,"content":"


Tous les jours des enfants meurent de faim dans le monde.<\/span>
Tous les jours des femmes sont victimes de f\u00e9minicide.<\/span>
Tous les jours \u00e0 l\u2019\u00e9cole des jeunes s\u2019insultent.
 <\/p>","label":"

Tous les jours, Laura<\/p>"},{"id":1542,"type":2,"content":"


Tous les soirs il y a des kidnappings<\/span>
Tous les soirs il y a des morts<\/span>
Tous les soirs il y a des vols<\/span>
Tous les soirs il y a du harc\u00e8lement moral et physique<\/span>
Tous les soirs il y a des morts partout<\/span><\/p>

 <\/p>","label":"

Tous les soirs, Lior<\/p>"},{"id":1543,"type":4,"fileUrl":"\/resources\/files\/file_65e355acbce37.wav","label":"

Tous les jours, par Samuel<\/p>","duration":40},{"id":1544,"type":2,"content":"


Tous les jours il y a des d\u00e9c\u00e8s<\/span>
Tous les jours il y a des kidnappings<\/span>
Tous les jours il y a des suicides \u00e0 cause de la d\u00e9pression et du harc\u00e8lement<\/span>
Tous les jours il y a des mariages ou des divorces<\/span>
Tous les jours il y a des naissances<\/span>
Tous les jours il y a des bapt\u00eames<\/span>
Tous les jours il y a de nouveaux couples<\/span>
Tous les jours il y a des cambriolages<\/span>
Tous les jours il y a des viols<\/span>
Tous les jours il y a des abandons<\/span><\/p>

 <\/p>","label":"

Tous les jours, Lucas<\/p>"},{"id":1545,"type":2,"content":"


Dans les \u00e9crans les rumeurs se propagent sur des personnes<\/span>
Dans les \u00e9crans des gens harc\u00e8lent des personnes qui n\u2019ont rien demand\u00e9<\/span>
Dans les \u00e9crans il y a des guerres dans certains pays<\/span>
Dans les \u00e9crans une jeune fille s\u2019est fait tuer en faisant du sport<\/span>
Dans les \u00e9crans un s\u00e9isme violent au Japon en 2012<\/span><\/p>

 <\/p>","label":"

Dans les \u00e9crans, Ibtissem<\/p>"},{"id":1546,"type":2,"content":"


J\u2019ai jou\u00e9 au foot dans mes souvenirs<\/span>
J\u2019ai v\u00e9cu du harc\u00e8lement dans mes souvenirs<\/span>
Je me suis disput\u00e9 avec ma copine dans mes souvenirs<\/span><\/p>

 <\/p>","label":"

Dans mes souvenirs, Julien<\/p>"},{"id":1460,"type":2,"content":"


Hitman un tueur \u00e0 gages<\/span>
Assassine ses cibles de sang froid<\/span>

Hitman un tueur \u00e0 gages<\/span>
Tue ses cibles discr\u00e8tement<\/span>

Hitman un tueur \u00e0 gages<\/span>
Tue avec pr\u00e9cision<\/span><\/p>

 <\/span><\/p>","label":"

Hitman, Lucas<\/p>"},{"id":1547,"type":4,"fileUrl":"\/resources\/files\/file_65e356fff3a4a.wav","label":"

Tous les jours, Th\u00e9o<\/p>","duration":73},{"id":1548,"type":2,"content":"


Dans le monde, d\u00e9c\u00e8s, meurtres, suicides, etc.<\/span>
Dans le monde il y a des morts naturelles comme accidentelles<\/span>
Dans le monde il y a souvent des guerres<\/span>
Dans le monde toutes les 4 secondes il y a un mort<\/span>
Dans le monde souvent les gens n\u2019ont pas confiance en eux<\/span><\/p>

 <\/p>","label":"

Dans le monde, Lior<\/p>"},{"id":1549,"type":2,"content":"


En France, nous avons un Pr\u00e9sident qui aggrave la situation sanitaire et qui provoque la haine entre citoyens.<\/span>
En France, des m\u00e9decins sauvent des vies.<\/span>
En France, des gens sont mal log\u00e9s et souffrent d\u2019indiff\u00e9rence.<\/span>
 <\/p>","label":"

En France, Laura<\/p>"},{"id":1550,"type":2,"content":"


J\u2019avais pas de t\u00e9l\u00e9phone dans mes souvenirs<\/span>
J\u2019ai vu un film dans mes souvenirs<\/span>
J\u2019ai une maman gentille dans mes souvenirs<\/span><\/p>

 <\/p>","label":"

Dans mes souvenirs, Marietou<\/p>"},{"id":1551,"type":2,"content":"


Toutes les heures il y a des morts<\/span>
Toutes les heures il y a des bagarres<\/span>
Toutes les heures il y a des morts empoisonn\u00e9s<\/span>
Toutes les heures des accidents de voiture ou de moto<\/span>
Toutes les heures des gens qui se suicident \u00e0 cause des r\u00e9seaux sociaux<\/span><\/p>

 <\/p>","label":"

Toutes les heures, Matthieu<\/p>"},{"id":1552,"type":2,"content":"

Dans les \u00e9crans un film plut\u00f4t violent o\u00f9 un tueur a revu les \u00e2mes de ses victimes. Ce tueur se cachait dans un costume interdit \u00e0 l\u2019\u00e9poque. C\u2019\u00e9tait un costume interdit d\u2019un animatronique o\u00f9 il y avait encore l\u2019exosquelette dans le costume. Il a enfil\u00e9 le costume et s\u2019est moqu\u00e9 de ses \u00e2mes de ses victimes et une simple goutte d\u2019humidit\u00e9 est rentr\u00e9e dans le costume et a fait sauter les 3 ressorts et malheureusement pour lui l\u2019exosquelette du costume se referme sur lui et se remet en animatronique et le costume lui a broy\u00e9 les jambes jusqu\u2019au cr\u00e2ne.<\/span>
 <\/p>

Dans les \u00e9crans sur un PC Gamer se trouve un jeu nomm\u00e9 Splitgate, c\u2019est un jeu de combat m\u00e9lang\u00e9 avec du halo et du portail, un jeu de strat\u00e9gie de rapidit\u00e9 et de r\u00e9flexion et sans doute autres. Pour tuer plus rapidement ton adversaire tu peux lui viser le cr\u00e2ne et lui tirer une ou plusieurs balles dans le cr\u00e2ne et il serra mort plus rapidement.<\/span><\/p>

 <\/p>","label":"

Dans les \u00e9crans, Samuel<\/p>"},{"id":1553,"type":2,"content":"


Des fois il se passe que des gens se mutilent<\/span>
Des fois il y a des gens qui se font menacer<\/span>
Des fois il y a des gens qui souffrent d\u2019une maladie<\/span><\/p>

 <\/p>","label":"

Des fois, Julien<\/p>"},{"id":1554,"type":4,"fileUrl":"\/resources\/files\/file_65e35857685f3.wav","label":"

Chaque minute, Ibtissem<\/p>","duration":17},{"id":1555,"type":2,"content":"


Dans les \u00e9crans de t\u00e9l\u00e9phone il y a de la violence comme le cyber harc\u00e8lement, du coup des insultes, les menaces de mort ou d\u2019autres trucs comme \u00e7a.<\/span>
Dans les \u00e9crans de tablettes il y a des jeux que tu peux installer, des jeux de guerre, il y en a plein et ils ont de la violence.<\/span>
Dans les \u00e9crans de t\u00e9l\u00e9 il y a des reportages violent comme des animaux qui se battent ou autres choses, des chiens qui se battent ou des chats qui tiennent des souris.<\/span>
Dans les \u00e9crans de t\u00e9l\u00e9, quand on joue \u00e0 la Play, il y a des jeux violents comme Fortnite<\/i> ou des jeux de guerre.<\/span><\/p>

 <\/p>","label":"

Dans les \u00e9crans, Th\u00e9o<\/p>"},{"id":1556,"type":2,"content":"

Dans les \u00e9crans\u2026 un jour j\u2019\u00e9tais au Vieux-Port, j\u2019ai trouv\u00e9 un t\u00e9l\u00e9phone, je suis parti \u00e0 la Police pour leur donner le t\u00e9l\u00e9phone.<\/span>

Dans mes souvenirs j\u2019avais regard\u00e9 un film triste.<\/span>
Dans mes souvenirs j\u2019avais regard\u00e9 une s\u00e9rie, j\u2019avais oubli\u00e9 mais apr\u00e8s je me suis souvenu.<\/span><\/p>","label":"

Dans mes souvenirs, Adem<\/p>"},{"id":1450,"type":1,"imageIds":[3489]},{"id":1451,"type":1,"imageIds":[3490]},{"id":1469,"type":1,"imageIds":[3491]},{"id":1490,"type":1,"imageIds":[3492]},{"id":1507,"type":1,"imageIds":[3493]},{"id":1433,"type":2,"content":"


Oui les Nike, non les Adidas<\/span><\/p>

Oui le foot, non le basket<\/span><\/p>

Oui la play, non la X boxe<\/span><\/p>

Oui la solidarit\u00e9, non le racisme<\/span><\/p>

Oui Ronaldo, non Messi<\/span><\/p>

Oui, la coupe du monde, non la Can<\/span><\/p>

Oui la vie, non la mort<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Sarhane<\/p>"},{"id":1442,"type":2,"content":"


Oui la play, non l\u2019\u00e9cole c\u2019est \u00e9clat\u00e9<\/span><\/p>

Oui dormir, non se lever<\/span><\/p>

Oui Manchester united, non Manchester city<\/span><\/p>

Non Burger King, oui Mac do<\/span><\/p>

Oui orange et noir, non orange et blanc<\/span><\/p>

Non la salade, oui les tacos<\/span><\/p>

 <\/p>","label":"

Malcom<\/p>"},{"id":1443,"type":2,"content":"


Oui les profs gentils, non les profs sans caract\u00e8re.<\/span><\/p>

Oui finir son exercice en classe, non les faire \u00e0 la maison.<\/span><\/p>

Oui les c\u00e9r\u00e9ales, non apr\u00e8s le lait.<\/span><\/p>

Oui les tableaux blancs, non les tableaux \u00e0 craie.<\/span><\/p>

Oui les s\u00e9ries, non les films.<\/span><\/p>

Oui le bronzage, non les coups de soleil.<\/span><\/p>

Oui le vert, non le rouge.<\/span><\/p>

Oui les bracelets, non les colliers.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Hela<\/p>"},{"id":1444,"type":2,"content":"


Oui les pains au chocolat, non les chocolatines<\/span><\/p>

Oui les casquettes, non les bonnets<\/span><\/p>

Oui la guerre, non l\u2019amour<\/span><\/p>

Non la cantine, oui le restaurant<\/span><\/p>

 <\/span><\/p>","label":"

Max<\/p>"},{"id":1445,"type":2,"content":"


Oui l\u2019ordinateur, non les livres.<\/span><\/p>

Oui les animaux, non la maltraitance.<\/span><\/p>

Oui la gentillesse, non la m\u00e9chancet\u00e9.<\/span><\/p>

Oui les pulls, non les cols roul\u00e9s.<\/span><\/p>

Oui les romans, non internet.<\/span><\/p>

Oui le plongeoir, non le rocher.<\/span><\/p>

Oui les anguilles, non la capture.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

S\u00e9l\u00e8ne<\/p>"},{"id":1446,"type":2,"content":"


Oui la mer, non la piscine<\/span><\/p>

Oui le t\u00e9l\u00e9phone, non la t\u00e9l\u00e9<\/span><\/p>

Oui le basket, non les tongues.<\/span><\/p>

Oui la v\u00e9rit\u00e9, non le mensonge.<\/span><\/p>

Oui le jogging, non le short<\/span><\/p>

Oui le th\u00e9, non le caf\u00e9<\/span><\/p>

Oui le sac, non la sacoche<\/span><\/p>

Oui l\u2019\u00e9t\u00e9, non l\u2019hiver.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

L\u00e9a<\/p>"},{"id":1447,"type":2,"content":"


Oui la PS5, non la X box x s\u00e9ries<\/span><\/p>

Oui les crampons Nike, non les crampons Adidas<\/span><\/p>

Oui l\u2019OM, non le PSG.<\/span><\/p>

Oui le football, non le baskett.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Raphael<\/p>"},{"id":1448,"type":2,"content":"


Oui les c\u00e9r\u00e9ales avant le lait, non le lait avant les c\u00e9r\u00e9ales.<\/span><\/p>

Non les s\u00e9ries fran\u00e7aises, oui les s\u00e9ries am\u00e9ricaines.<\/span><\/p>

Non les films o\u00f9 il y a de vrais humains, oui les films Disney.<\/span><\/p>

Oui les pains au chocolat, non les chocolatines.<\/span><\/p>

Oui l\u2019Amiti\u00e9, non l\u2019amour.<\/span><\/p>

Oui les pizzas normales, non les pizzas \u00e0 l\u2019ananas.<\/span><\/p>

Oui l\u2019\u00e9t\u00e9, non l\u2019hiver.<\/span><\/p>

Oui l\u2019amour, non la guerre.<\/span><\/p>

Oui la gentillesse, non la m\u00e9chancet\u00e9.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Siryne<\/p>"},{"id":1449,"type":2,"content":"


Oui les vacances, non l\u2019\u00e9cole.<\/span><\/p>

Oui le cin\u00e9ma, non la t\u00e9l\u00e9.<\/span><\/p>

Oui la plage, non la montagne.<\/span><\/p>

Oui les burgers, non les l\u00e9gumes.<\/span><\/p>

 <\/p>","label":"

Alan<\/p>"},{"id":1434,"type":2,"content":"


Oui Fifa, non PSG<\/span><\/p>

Oui les BD, non les romans<\/span><\/p>

Oui les cr\u00eapes au sucre, non les cr\u00eapes au Nutella<\/span><\/p>

Oui les actualit\u00e9s, non les nouveaut\u00e9s<\/span><\/p>

Oui les concours, non les tournois<\/span><\/p>

Oui le tableau \u00e0 feutre, non, le tableau \u00e0 craie<\/span><\/p>

Oui le cin\u00e9ma, non la t\u00e9l\u00e9.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Nolan<\/p>"},{"id":1435,"type":2,"content":"


Oui l\u2019amour, non l\u2019abandon<\/span><\/p>

Oui les amis, non l\u2019hypocrisie<\/span><\/p>

Oui la malbouffe, non la prise de poids<\/span><\/p>

Oui l\u2019inspiration, non le plagiat<\/span><\/p>

Oui la mode, non la couleur verte<\/span><\/p>

Oui les friandises, non les caries.<\/span><\/p>

 <\/p>","label":"

 Astrid<\/p>"},{"id":1436,"type":2,"content":"


Non le basket, oui le foot.<\/span><\/p>

Non Adidas, oui Nike.<\/span><\/p>

Non la m\u00e9chancet\u00e9, oui la gentillesse.<\/span><\/p>

Non les crayons, oui les feutres.<\/span><\/p>

Non Paris, oui Marseille.<\/span><\/p>

Non l\u2019enfer, oui le paradis.<\/span><\/p>

Non les jeux, oui les livres.<\/span><\/p>

 <\/p>","label":"

 Dayvan<\/p>"},{"id":1437,"type":2,"content":"


Oui au gel hydro-alcoolique, non au masque.<\/span><\/p>

Oui aux \u00e9tudes, non aux devoirs.<\/span><\/p>

Oui \u00e0 l\u2019amiti\u00e9, non au harc\u00e8lement.<\/span><\/p>

Oui \u00e0 l\u2019\u00e9t\u00e9, non au printemps.<\/span><\/p>

 <\/p>","label":"

 Hassen<\/p>"},{"id":1438,"type":2,"content":"


Non le harc\u00e8lement, oui la bagarre.<\/span><\/p>

Non la piscine, oui la plage.<\/span><\/p>

Non Fortnite, oui la Fifa.<\/span><\/p>","label":"

 Hocine<\/p>"},{"id":1439,"type":2,"content":"


Oui les chiens, non les araign\u00e9es<\/span><\/p>

Oui la magie d\u2019Harry Potter, non la magie de contes de f\u00e9es<\/span><\/p>

Oui la PS5, non la X box serries X<\/span><\/p>

Oui le feu, non la lave<\/span><\/p>

Oui les s\u00e9ismes, non les volcans<\/span><\/p>

Oui les pirates, non les ninjas<\/span><\/p>

Oui l\u2019histoire, non la g\u00e9ographie<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Assal\u00e9s<\/p>"},{"id":1440,"type":2,"content":"


Oui la magie, non la science.<\/span><\/p>

Non la guerre, oui la paix.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Lara AS<\/p>"},{"id":1441,"type":2,"content":"


Oui le feu, non l\u2019incendie<\/span><\/p>

Oui les cr\u00eapes, non les gaufres<\/span><\/p>

Oui l\u2019\u00e9cole, non le coll\u00e8ge<\/span><\/p>

Oui l\u2019amour, non l\u2019abandon<\/span><\/p>

Oui le plastique, non la pollution<\/span><\/p>

Oui le foot, non le handball<\/span><\/p>

Oui l\u2019amiti\u00e9, non le harc\u00e8lement<\/span><\/p>

Oui le tabac, non la drogue<\/span><\/p>

Oui l\u2019eau, non l\u2019alcool.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Noa<\/p>"},{"id":1407,"type":2,"content":"


Pri\u00e8re de respecter les r\u00e8gles de distanciation.<\/span><\/p>

Pri\u00e8re de jeter son chewing-gum.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9teindre le flash.<\/span><\/p>

Pri\u00e8re de ne pas crier dans le train.<\/span><\/p>

Pri\u00e8re de laisser le chien \u00e0 l\u2019entr\u00e9e.<\/span><\/p>

Pri\u00e8re de ne pas d\u00e9ranger les voisins.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9couter Dieu.<\/span><\/p>

Pri\u00e8re de supporter l\u2019Alg\u00e9rie.<\/span><\/p>

Pri\u00e8re de fermer \u00e0 cl\u00e9 derri\u00e8re vous.<\/span><\/p>

Pri\u00e8re de ne pas fumer.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9couter la prof.<\/span><\/p>

 <\/span><\/p>","label":"

Sarhane<\/p>"},{"id":1416,"type":2,"content":"


Pri\u00e8re de ne pas s\u2019assoir \u00e0 sa place.<\/span><\/p>

Pri\u00e8re de ne pas faire des arach\u00e9s aux vieilles<\/span><\/p>

Pri\u00e8re de ne pas faire des Karat\u00e9-karat\u00e9.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Hocine<\/p>"},{"id":1417,"type":2,"content":"


Pri\u00e8re de ne pas manger en classe.<\/span><\/p>

Pri\u00e8re de fermer la porte derri\u00e8re vous.<\/span><\/p>

Pri\u00e8re de chuchoter.<\/span><\/p>

Pri\u00e8re de mettre des objets dangereux ici.<\/span><\/p>

Pri\u00e8re de respecter le mode d\u2019emploi.<\/span><\/p>

Pri\u00e8re de pas courir.<\/span><\/p>

Pri\u00e8re de ne pas dormir en classe.<\/span><\/p>

Pri\u00e8re de ne pas se balancer sur la chaise.<\/span><\/p>

Pri\u00e8re de s\u2019allonger quand il y a le feu.<\/span><\/p>

 <\/strong><\/span><\/p>

\u2014<\/strong><\/span><\/p>

 <\/p>

Pri\u00e8re de valider son ticket dans le bus car un jeune homme s\u2019est pris une mande de 50 euros.<\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Ketfi <\/p>"},{"id":1418,"type":2,"content":"


Pri\u00e8re de dire bonjour le matin.<\/span><\/p>

Pri\u00e8re de sonner avant de rentrer.<\/span><\/p>

Pri\u00e8re de respecter les autres.<\/span><\/p>

Pri\u00e8re de poser son t\u00e9l\u00e9phone avant de manger.<\/span><\/p>

Pri\u00e8re de pardonner ce qui nous font du mal.<\/span><\/p>

Pri\u00e8re de ne pas frapper les autres.<\/span><\/p>

Pri\u00e8re de ne pas voler de l\u2019argent.<\/span><\/p>

Pri\u00e8re de ne pas harceler.<\/span><\/p>

Pri\u00e8re de ne pas manger de viande.<\/span><\/p>

Pri\u00e8re de se concentrer en cours.<\/span><\/p>

Pri\u00e8re de mettre le masque.<\/span><\/p>

Pri\u00e8re de ne pas oublier sa religion !<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Housna<\/p>"},{"id":1419,"type":2,"content":"


Pri\u00e8re de respecter les consignes.<\/span><\/p>

Pri\u00e8re d\u2019aller en cours.<\/span><\/p>

Pri\u00e8re de jeter la poubelle.<\/span><\/p>

Pri\u00e8re de dormir.<\/span><\/p>

Pri\u00e8re de faire ses devoirs.<\/span><\/p>

Pri\u00e8re de ne pas parler en cours.<\/span><\/p>

Pri\u00e8re de faire son contr\u00f4le.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Far\u00e8s<\/p>"},{"id":1420,"type":2,"content":"

 <\/span><\/p>

Pri\u00e8re de se taire.<\/span><\/p>

Pri\u00e8re de sortir.<\/span><\/p>

Pri\u00e8re de terminer votre travail.<\/span><\/p>

Pri\u00e8re d\u2019arr\u00eater de parler.<\/span><\/p>

Pri\u00e8re de manger.<\/span><\/p>

Pri\u00e8re de vous asseoir.<\/span><\/p>

Pri\u00e8re de mettre le masque.<\/span><\/p>

Pri\u00e8re d\u2019\u00eatre poli.<\/span><\/p>

Pri\u00e8re de dire toutes vos pri\u00e8res.<\/span><\/p>

 <\/p>

\u2014<\/p>

 <\/span><\/p>

Pri\u00e8re de dire aux gar\u00e7ons de ne pas taper les filles car on peut avoir des bleus.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Aya<\/p>"},{"id":1421,"type":2,"content":"


Pri\u00e8re d\u2019\u00e9teindre l\u2019ordinateur.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9teindre la lumi\u00e8re.<\/span><\/p>

Pri\u00e8re de porter un masque dans les lieux publics et dans la rue.<\/span><\/p>

Pri\u00e8re de ne pas jeter vos d\u00e9chets sur la voie publique et dans la mer.<\/span><\/p>

Pri\u00e8re d\u2019apporter ses affaires en classe.<\/span><\/p>

Pri\u00e8re de faire ses devoirs.<\/span><\/p>

Pri\u00e8re de mettre du gel hydroalcoolique avant de rentrer dans un lieu public.<\/span><\/p>

Pri\u00e8re de ne pas nourrir les animaux du zoo.<\/span><\/p>

Pri\u00e8re de mettre son chevalet lors de l\u2019atelier d\u2019\u00e9criture.<\/span><\/p>

Pri\u00e8re de bien se tenir en cours.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Assal\u00e9s<\/p>"},{"id":1422,"type":2,"content":"


Pri\u00e8re de ne pas parler ne classe.<\/span><\/p>

Pri\u00e8re de ne pas s\u2019\u00e9nerver.<\/span><\/p>

Pri\u00e8re de fermer la porte.<\/span><\/p>

Pri\u00e8re de ne pas tricher.<\/span><\/p>

Pri\u00e8re de ne pas rigoler quand une personne passe au tableau.<\/span><\/p>

Pri\u00e8re de ne pas parler fort.<\/span><\/p>

Pri\u00e8re de ne pas courir dans les couloirs.<\/span><\/p>

Pri\u00e8re de ne pas taper les gens.<\/span><\/p>

Pri\u00e8re de ne pas manger des gens.<\/span><\/p>

Pri\u00e8re de ne pas crier dans le couloir.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Wadii<\/p>"},{"id":1423,"type":2,"content":"


Pri\u00e8re de ne pas courir dans les couloirs<\/span><\/p>

Pri\u00e8re de ne pas m\u00e2cher son chewing-gum en classe<\/span><\/p>

Pri\u00e8re de ne pas mettre son masque sous le nez<\/span><\/p>

Pri\u00e8re de passe son ticket dans le bus<\/span><\/p>

Pri\u00e8re d\u2019\u00e9teindre son t\u00e9l\u00e9phone en cours<\/span><\/p>

Pri\u00e8re de ne pas dormir en cours<\/span><\/p>

Pri\u00e8re de toquer avant d\u2019entrer<\/span><\/p>

Pri\u00e8re de respecter le r\u00e8glement.<\/span><\/p>

 <\/strong><\/span><\/p>

\u2014<\/strong><\/span><\/p>

  <\/span><\/p>

Le matin, les cours commen\u00e7aient et j\u2019\u00e9tais en retard ce matin-l\u00e0, j\u2019avais dix minutes de retard et le surveillant m\u2019a demand\u00e9 de me d\u00e9p\u00eacher du coup j\u2019ai couru dans le couloir et le directeur m\u2019a aper\u00e7u et il m\u2019a mis une heure de colle.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de ne pas courir dans les couloirs, Jana<\/p>"},{"id":1424,"type":2,"content":"


Pri\u00e8re de ne pas crier.<\/span><\/p>

Pri\u00e8re de ne pas tricher.<\/span><\/p>

Pri\u00e8re de sourire.<\/span><\/p>

Pri\u00e8re de ne pas cracher par terre.<\/span><\/p>

Pri\u00e8re de jeter ses d\u00e9chets.<\/span><\/p>

Pri\u00e8re de ne pas courir dans les couloirs.<\/span><\/p>

Pri\u00e8re de ne pas mettre d\u2019heure de colle.<\/span><\/p>

Pri\u00e8re de ne pas se moquer des autres.<\/span><\/p>

Pri\u00e8re de ne pas dormir en classe.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Lara AS<\/p>"},{"id":1425,"type":2,"content":"


Pri\u00e8re de ne pas fumer.<\/span><\/p>

Pri\u00e8re de laisser cette porte ferm\u00e9e.<\/span><\/p>

Pri\u00e8re de ne pas manger en classe.<\/span><\/p>

Pri\u00e8re de ne pas courir au bord du bassin.<\/span><\/p>

Pri\u00e8re d\u2019ouvrir la fen\u00eatre pendant 10 minutes.<\/span><\/p>

Pri\u00e8re de respecter la classe et les professeurs.<\/span><\/p>

Pri\u00e8re de faire son travail en classe.<\/span><\/p>

Pri\u00e8re de respecter les gestes barri\u00e8re.<\/span><\/p>

Pri\u00e8re de se concentrer en classe.<\/span><\/p>

Pri\u00e8re de ne pas couper la parole.<\/span><\/p>

 <\/p>","label":"

 Noa<\/p>

 <\/p>"},{"id":1426,"type":2,"content":"


Pri\u00e8re de monter par l\u2019avant du bus.<\/span><\/p>

Pri\u00e8re de ne pas faire de bruit.<\/span><\/p>

Pri\u00e8re de ne pas laisser ses affaires tra\u00eener.<\/span><\/p>

Pri\u00e8re de ne pas filmer.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9teindre son t\u00e9l\u00e9phone.<\/span><\/p>

Pri\u00e8re de ne pas nourrir les animaux.<\/span><\/p>

Pri\u00e8re de ne pas courir au bord de la piscine.<\/span><\/p>

Pri\u00e8re de ne pas jeter vos papiers sur la voie publique.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9couter les allocutions du maire.<\/span><\/p>

Pri\u00e8re de faire attention \u00e0 ne pas faire de mal au lionceau.<\/span><\/p>

Pri\u00e8re de ne pas fumer.<\/span><\/p>

Pri\u00e8re de ne pas faire du camping.<\/span><\/p>

Pri\u00e8re de ne pas parler trop fort.<\/span><\/p>

Pri\u00e8re de ne pas maintenir la cage ouverte.<\/span><\/p>

Pri\u00e8re de faire attention \u00e0 ne pas casser ses affaires.<\/span><\/p>

Pri\u00e8re de ne pas toucher les tableaux.<\/span><\/p>

Pri\u00e8re de ne pas courir au mus\u00e9e.<\/span><\/p>

Pri\u00e8re de faire ce que vous avez \u00e0 faire avant le dernier d\u00e9lai.<\/span><\/p>

Pri\u00e8re de vous occuper de vos affaires.<\/span><\/p>

Pri\u00e8re de ne pas m\u00e2cher de chewing-gum.<\/span><\/p>

Pri\u00e8re de ne pas toucher ce bouton.<\/span><\/p>

Pri\u00e8re de mettre votre t\u00e9l\u00e9phone en mode avion pour passer une bonne s\u00e9ance.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Malcom<\/p>"},{"id":1408,"type":2,"content":"


Pri\u00e8re de ne pas parler en classe.<\/span><\/p>

Pri\u00e8re de ne pas rentrer dans la salle.<\/span><\/p>

Pri\u00e8re de ne pas toucher aux \u0153uvres.<\/span><\/p>

Pri\u00e8re de ne pas \u00e9teindre les lumi\u00e8res.<\/span><\/p>

Pri\u00e8re de ne pas dessiner sur le tableau.<\/span><\/p>

Pri\u00e8re de ne pas changer de place entre les cours.<\/span><\/p>

Pri\u00e8re de ne pas prendre les affaires des autres.<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/p>

Pri\u00e8re de ne pas allumer son t\u00e9l\u00e9phone en classe :<\/span><\/p>

Pendant le cours, un \u00e9l\u00e8ve allume son t\u00e9l\u00e9phone, il regarde ses messages. La prof le voit et il sera convoqu\u00e9 chez le directeur.<\/span>
 <\/p>","label":"

Pri\u00e8re de, Nolan<\/p>"},{"id":1427,"type":2,"content":"

 <\/span><\/p>

Pri\u00e8re de mettre son masque au-dessus du nez.<\/span><\/p>

Pri\u00e8re de ne pas utiliser son t\u00e9l\u00e9phone en cours.<\/span><\/p>

Pri\u00e8re de mettre du gel hydroalcoolique.<\/span><\/p>

Pri\u00e8re de respecter le r\u00e8glement.<\/span><\/p>

Pri\u00e8re de respecter le plan de classe.<\/span><\/p>

Pri\u00e8re de ne pas bavarder.<\/span><\/p>

Pri\u00e8re de ne pas oublier du mat\u00e9riel.<\/span><\/p>

Pri\u00e8re de faire son travail.<\/span><\/p>

Pri\u00e8re de ne pas s\u2019amuser en classe.<\/span><\/p>

Pri\u00e8re de respecter son professeur.<\/span><\/p>

Pri\u00e8re de ne pas \u00eatre ?<\/span><\/p>

Pri\u00e8re de prendre son c\u0153ur.<\/span><\/p>

 <\/p>","label":"

Anis<\/p>"},{"id":1428,"type":2,"content":"


Un matin, je rentrai dans le tram qui \u00e9tait plein, les gens se poussaient, r\u00e2laient et \u00e9taient fatigu\u00e9s, quand soudain moi, qui \u00e9tait tranquillement dans mon coin avec mes \u00e9couteurs quand une mamie me demanda sa place. Agac\u00e9e mais polie je lui laissai quand soudain un vieux monsieur aigri me poussa pour passer et souffla, alors pri\u00e8re de faire attention aux gens dans le tram. <\/span><\/p>","label":"

Pri\u00e8re de faire attention aux gens dans les transports, Hela<\/p>"},{"id":1429,"type":2,"content":"


Pri\u00e8re de s\u2019attacher les cheveux avant d\u2019allumer une allumette.<\/span><\/p>

 <\/p>","label":"

Sana<\/p>"},{"id":1430,"type":2,"content":"


Pri\u00e8re de ranger son t\u00e9l\u00e9phone portable.<\/span><\/p>

Pri\u00e8re de jeter ses d\u00e9chets dans la poubelle.<\/span><\/p>

Pri\u00e8re de ne pas se baigner.<\/span><\/p>

Pri\u00e8re de ne pas plonger.<\/span><\/p>

Pri\u00e8re d\u2019arr\u00eater.<\/span><\/p>

Pri\u00e8re de ne pas manger en classe.<\/span><\/p>

Pri\u00e8re de ne pas faire de bruit.<\/span><\/p>

Pri\u00e8re de ne pas tuer les gens.<\/span><\/p>

Pri\u00e8re de laisser l\u2019endroit propre derri\u00e8re soi.<\/span><\/p>

Pri\u00e8re de bien se tenir.<\/span><\/p>

 <\/p>","label":"

 Pri\u00e8re de, Siryne<\/p>"},{"id":1431,"type":2,"content":"


D\u2019\u00e9teindre son t\u00e9l\u00e9phone.<\/span><\/p>

De ne pas se battre.<\/span><\/p>

De ne pas fumer.<\/span><\/p>

De ne pas voler des banques.<\/span><\/p>

De ne pas r\u00e9pondre \u00e0 madame Hamon.<\/span><\/p>

 <\/p>","label":"

K\u00e9lig<\/p>"},{"id":1432,"type":2,"content":"

Pri\u00e8re de faire signer le mot<\/span><\/p>

Une fois, je n\u2019ai pas fait signer mon mot et du coup je suis sorti une heure plus tard.<\/span><\/p>


\u2014<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Alors un jour j\u2019avais oubli\u00e9 mon carnet et j\u2019ai d\u00fb rentrer plus tard dans l\u2019\u00e9tablissement et apr\u00e8s j\u2019ai donn\u00e9 un papier pour rentrer et j\u2019ai d\u00fb sortir une heure apr\u00e8s l\u2019heure o\u00f9 je devais sortir.<\/span><\/p>","label":"

Max<\/p>"},{"id":1409,"type":2,"content":"


Pri\u00e8re de ne pas polluer.<\/span><\/p>

Pri\u00e8re de ne pas manquer de respect aux autres.<\/span><\/p>

Pri\u00e8re de ne pas venir en retard.<\/span><\/p>

Pri\u00e8re de ne pas \u00eatre dissip\u00e9.<\/span><\/p>

Pri\u00e8re de ne pas ab\u00eemer le mat\u00e9riel.<\/span><\/p>

Pri\u00e8re de ramener le mat\u00e9riel.<\/span><\/p>

Pri\u00e8re de lever le doigt.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9couter.<\/span><\/p>

pri\u00e8re d\u2019\u00eatre poli.<\/span><\/p>

Pri\u00e8re de respecter le r\u00e8glement.<\/span><\/p>

Pri\u00e8re de participer en classe.<\/span><\/p>

Pri\u00e8re d\u2019apprendre ses le\u00e7ons.<\/span><\/p>

Pri\u00e8re de demander avant de rentrer.<\/span><\/p>

Pri\u00e8re de respecter les envies des autres.<\/span><\/p>

Pri\u00e8re de ne pas avoir un faux pass vaccinal.<\/span>
 <\/p>","label":"

Pri\u00e8re de, In\u00e9s<\/p>"},{"id":1410,"type":2,"content":"


Pri\u00e8re de ne pas fumer.<\/span><\/p>

Pri\u00e8re de ne pas fumer en classe.<\/span><\/p>

Pri\u00e8re de ne pas utiliser les toilettes, acc\u00e8s r\u00e9serv\u00e9 aux professeurs.<\/span><\/p>

Pri\u00e8re de rendre la pi\u00e8ce comme elle \u00e9tait.<\/span><\/p>

Pri\u00e8re de ne pas courir, risque de tomber,<\/span><\/p>

comme l\u2019enfant qui se faisait courser,<\/span><\/p>

par des gosses qui disaient soit disant \u00ab rigoler \u00bb,<\/span><\/p>

courait aussi vite qu\u2019il le pouvait, puis il \u00e9tait tomb\u00e9,<\/span><\/p>

celui-ci gravement bless\u00e9, p\u00e9ri sur le coup.<\/span><\/p>

Voici la gravit\u00e9 des risques de tomber.<\/span><\/p>

 <\/span><\/p>","label":"

Pri\u00e8re de, Astrid<\/p>"},{"id":1411,"type":2,"content":"


Pri\u00e8re de se laver les mains.<\/span><\/p>

Pri\u00e8re d\u2019enlever ses chaussures.<\/span><\/p>

Pri\u00e8re de manger.<\/span><\/p>

Pri\u00e8re de faire la vaisselle.<\/span><\/p>

Pri\u00e8re de sortir le chien.<\/span><\/p>

Pri\u00e8re de regarder Netflix.<\/span><\/p>

Pri\u00e8re de se laver le visage.<\/span><\/p>

Pri\u00e8re de dormir.<\/span><\/p>

Pri\u00e8re de faire ses devoirs.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Lara <\/p>"},{"id":1412,"type":2,"content":"


Laisser les personnes \u00e2g\u00e9es s\u2019asseoir dans les transports.<\/span><\/p>

Ne pas fumer dans l\u2019\u00e9tablissement.<\/span><\/p>

Ne pas faire de bruit dans les salles d\u2019attente.<\/span><\/p>

Respecter le r\u00e8glement du coll\u00e8ge.<\/span><\/p>

Ne pas toucher le mat\u00e9riel sans un adulte.<\/span><\/p>

Ne pas d\u00e9ranger.<\/span><\/p>

Ne pas se garer sur les places handicap\u00e9es.<\/span><\/p>

D\u2019avoir son mat\u00e9riel en classe.<\/span><\/p>

 <\/p>

\u2014<\/span><\/p>

 <\/p>

Pri\u00e8re de laisser les femmes enceintes s\u2019assoir, comme la femme enceinte qui est morte dans le m\u00e9tro parce qu\u2019un jeune homme ne voulait pas lui laisser sa place dans le m\u00e9tro. Alors qu\u2019une femme enceinte \u00e9tait debout dans le m\u00e9tro, le m\u00e9tro freina brusquement et la femme tomba la t\u00eate la premi\u00e8re et mourut-elle et son enfant dans le ventre.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Hassen<\/p>"},{"id":1413,"type":2,"content":"


Pri\u00e8re de porter le masque.<\/span><\/p>

Pri\u00e8re de ne pas manger avant d\u2019aller dans l\u2019eau<\/span><\/p>

Pri\u00e8re de faire moins de bruit en fran\u00e7ais.<\/span><\/p>

Pri\u00e8re de supporter l\u2019Alg\u00e9rie.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Ozana<\/p>"},{"id":1414,"type":2,"content":"


Pri\u00e8re de se mettre \u00e0 sa place en classe.<\/span><\/p>

Pri\u00e8re de ne pas utiliser son t\u00e9l\u00e9phone.<\/span><\/p>

Pri\u00e8re de ne pas utiliser l\u2019issue de secours.<\/span><\/p>

Pri\u00e8re d\u2019\u00e9crire son pr\u00e9nom sur la feuille<\/span><\/p>

Pri\u00e8re de porter le masque dans le r\u00e9seau RTM<\/span><\/p>

Pri\u00e8re de ne pas parler en classe.<\/span><\/p>

Pri\u00e8re de se tenir droit \u00e0 sa place pour ne pas avoir mal au dos.<\/span><\/p>

 <\/p>

\u2014<\/span><\/p>

 <\/p>

La femme qui n\u2019a pas mis son masque dans le r\u00e9seau RTM et deux jours apr\u00e8s elle a attrap\u00e9 le Covid 19, donc portez le masque sinon vous allez conna\u00eetre les retomb\u00e9es.<\/span><\/p>

 <\/p>","label":"

Pri\u00e8re de, Dayvan<\/p>"},{"id":1415,"type":2,"content":"


Pri\u00e8re d\u2019\u00e9teindre la lumi\u00e8re en partant.<\/span><\/p>

Pri\u00e8re de vous pr\u00e9senter \u00e0 l\u2019accueil.<\/span><\/p>

Pri\u00e8re de laisser propre en sortant.<\/span><\/p>

Pri\u00e8re de manger \u00e0 l\u2019ext\u00e9rieur.<\/span><\/p>

Pri\u00e8re de respecter les consignes.<\/span><\/p>

Pri\u00e8re de ne pas faire de bruit.<\/span><\/p>

Pri\u00e8re de respecter le mat\u00e9riel.<\/span><\/p>

Pri\u00e8re de bien vous tenir.<\/span><\/p>

Pri\u00e8re de sentir bon.<\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Pri\u00e8re de, Mailen<\/p>"},{"id":2203,"type":2,"content":"

 <\/p>

C\u2019est un tableau vide, une toile vierge, il est l\u00e0 depuis 1781<\/p>

personne ne sait d\u2019o\u00f9 il vient<\/p>

sans odeur, sans peinture, il n\u2019a aucune nuance de couleur<\/p>

c\u2019est \u00e9trange de ne pas connaitre ses origines<\/p>

ce n\u2019est pas la tour Eiffel<\/p>

il n\u2019a pas de second \u00e9tage\u2009; il ne clignote pas,<\/p>

c\u2019est juste un tableau au milieu d\u2019une centaine d\u2019autres<\/p>

 <\/p>","label":"

Djibril<\/p>"},{"id":2212,"type":2,"content":"

 <\/p>

Quand on me parle, je n\u2019\u00e9coute pas, pas du tout.<\/p>

Je n\u2019aime pas sortir, je pr\u00e9f\u00e8re rester chez moi.<\/p>

Je d\u00e9teste faire les courses, pourtant je les fais souvent, chaque dimanche.<\/p>

Je d\u00e9teste les choux-fleurs, la r\u00e9glisse, le veau.<\/p>

 <\/p>","label":"

Marya<\/p>"},{"id":2213,"type":2,"content":"

 <\/p>

la table blanche est blanche<\/p>

elle est cass\u00e9e<\/p>

elle vieillit<\/p>

son bois moisit<\/p>

elle s\u2019abime, se casse<\/p>

elle ne chante pas<\/p>

elle est comme un banc sans dossier<\/p>

elle ne se d\u00e9place pas souvent<\/p>

elle est lente<\/p>

elle est molle<\/p>

lente tr\u00e8s lente<\/p>

tr\u00e8s tr\u00e8s tr\u00e8s lente<\/p>

 <\/p>","label":"

Serina<\/p>"},{"id":2214,"type":2,"content":"

 <\/p>

quand j\u2019\u00e9tais petite, j\u2019aimais entendre la pluie tomber.<\/p>

Je suis tr\u00e8s observatrice : je peux ressentir les sentiments de mes amis en les regardant.<\/p>

Par exemple : une de mes amies, quand elle est triste, pr\u00e9f\u00e8re dormir que d\u2019en parler.<\/p>

 <\/p>","label":"

Sara<\/p>"},{"id":2215,"type":2,"content":"

 <\/p>

le petit cartable<\/p>

est pos\u00e9<\/p>

sur la table<\/p>

il n\u2019est pas une armoire<\/p>

il est propre comme un camion<\/p>

on ne met pas d\u2019essence dans le cartable<\/p>

on peut rentrer dans le cartable<\/p>

 <\/p>","label":"

Yacine<\/p>"},{"id":2216,"type":2,"content":"

 <\/p>

J\u2019aimerais toujours le chocolat jusqu\u2019\u00e0 ma mort.<\/p>

Je d\u00e9teste les moustiques, les mouches, les fourmis.<\/p>

La meilleure partie de l\u2019ann\u00e9e est l\u2019\u00e9t\u00e9, car on peut bronzer et il n\u2019y a pas \u00e9cole<\/p>

Des psychopathes, il y en a partout, comme dans le bus B2.<\/p>

 <\/p>","label":"

Narjes<\/p>"},{"id":2217,"type":2,"content":"

 <\/p>

le radiateur blanc est en face de moi<\/p>

en face de moi, le radiateur est blanc<\/p>

sous l\u2019horloge en face de moi<\/p>

il y a le radiateur blanc<\/p>

ce qui est blanc est le radiateur<\/p>

le radiateur blanc est chaud<\/p>

la chaleur chauffe et circule dans le radiateur blanc<\/p>

la salle est chaude gr\u00e2ce au radiateur<\/p>

la chaleur remplit la salle<\/p>

le radiateur blanc ne roule pas<\/p>

le radiateur blanc ne peut pas bouger<\/p>

le radiateur blanc n\u2019est pas une trottinette<\/p>

le radiateur blanc ne trottine pas<\/p>

le radiateur blanc ne klaxonne pas<\/p>

le radiateur blanc n\u2019a pas de bras pour se d\u00e9placer<\/p>

le radiateur blanc est en prison<\/p>

en face de moi il y a un mur blanc<\/p>

le radiateur blanc est-il devenu un aspirateur ou un aviateur<\/p>

 <\/p>","label":"

Ahmed<\/p>"},{"id":2218,"type":2,"content":"

 <\/p>

Petite, je pensais qu\u2019en marchant sur le passage pi\u00e9ton, j\u2019allais mourir.<\/p>

J\u2019ai d\u00e9m\u00e9nag\u00e9 quatre fois.<\/p>

 <\/p>","label":"

Manel<\/p>"},{"id":2219,"type":2,"content":"

 <\/p>

j\u2019aime mes lunettes carr\u00e9es<\/p>

personne ne les aime<\/p>

rouge et noir sont les couleurs de mes lunettes carr\u00e9es<\/p>

mes lunettes carr\u00e9es sont en m\u00e9tal comme des rails de train<\/p>

mes lunettes carr\u00e9es sont loin d\u2019\u00eatre un dinosaure<\/p>

quand mes lunettes carr\u00e9es tombent au sol, elles ne le font pas trembler<\/p>

elles ne le fissurent pas<\/p>

mes lunettes carr\u00e9es ne mangent pas<\/p>

quand je les mets, je n\u2019ai pas peur de me faire manger<\/p>

on ne peut pas se faire poursuivre par mes mes lunettes carr\u00e9es<\/p>

elles sont inoffensives<\/p>

mes lunettes carr\u00e9es sont sages comme des images<\/span><\/p>

 <\/p>","label":"

Badis<\/p>"},{"id":2220,"type":2,"content":"

 <\/p>

J\u2019ai un meilleur ami qui est toujours l\u00e0 pour moi,<\/p>

On traine d\u2019abord, puis ensuite<\/p>

on ne fait que trainer, rien d\u2019autre que trainer.<\/p>

 <\/p>","label":"

Youn\u00e8s<\/p>"},{"id":2221,"type":2,"content":"

 <\/p>

ma grande peluche noire est effrayante<\/p>

elle se d\u00e9place<\/p>

une merveille de couleur sombre<\/p>

 <\/p>","label":"

Jena<\/p>"},{"id":2204,"type":2,"content":"

 <\/p>

Le mouton noir n\u2019est pas un loir<\/p>

le mouton noir aime le hasard<\/p>

le noir est le roi<\/p>

le loir est noir<\/p>

le rond s\u2019enfonce dans le noir<\/p>

le mouton noir est herbivore<\/p>

le loir est noir comme le mouton noir<\/p>

le mouton noir est sur un toit<\/p>

le hasard ne dort pas comme un loir<\/p>

le roi aime les rats<\/p>

les noix sont noires<\/p>

le mouton noir part au loin sans le savoir<\/p>

le mouton noir disparait dans la brume noire<\/p>

le mouton noir est dans un placard<\/p>

le roi n\u2019est pas une noix<\/p>

quand le roi dort il se regarde dans le miroir<\/p>

le roi et le noir ne font qu\u2019un<\/p>

dans le noir nous ne regardons pas le mouton noir<\/p>

le mouton noir ne fait pas de cauchemar<\/p>

le roi et le mouton noir<\/p>

finissent dans un<\/p>

TROU NOIR<\/p>

 <\/p>","label":"

Othman<\/p>"},{"id":2222,"type":2,"content":"

 <\/p>

J\u2019aimerais travailler dans un a\u00e9roport pour faire passer les bagages \u00e0 la fronti\u00e8re.<\/p>

Je n\u2019aime pas la raclette, les sushis, la sauce barbecue, les k\u00e9babs, les tomates, le camembert, les sardines. Ni l\u2019odeur du mouton et l\u2019odeur de sueur.<\/p>

Ma ville pr\u00e9f\u00e9r\u00e9e est Oran : ce sont mes racines.<\/p>

 <\/p>","label":"

Marwa<\/p>"},{"id":2223,"type":2,"content":"

 <\/p>

Je fais 1m68, je me demande si je ferai 1m90<\/p>

Avant, je n\u2019aimais pas les brocolis, maintenant, j\u2019adore.<\/p>

 Je me demande s\u00e9rieusement si \u00e7a fera pareil avec les bananes.<\/p>

J\u2019aimerais que l\u2019\u00e9t\u00e9 dure jusqu\u2019\u00e0 d\u00e9cembre. Mon animal pr\u00e9f\u00e9r\u00e9 est le b\u00e9b\u00e9 tigre.<\/p>

J\u2019ai voyag\u00e9 \u00e0 B\u00e9ja\u00efa, \u00e0 Marrakech, \u00e0 Salou, \u00e0 Lloret del mar, \u00e0 Barcelone, \u00e0 Rome, \u00e0 Val Thorens, aux Deux Alpes, \u00e0 Paris, Saint-Tropez, Cannes, Nice.<\/p>

J\u2019aime manger des g\u00e2teaux au chocolat noir.<\/p>

 J\u2019aime ma veste Stone Island bleu marine.<\/p>

Mon r\u00eave est d\u2019aller \u00e0 Duba\u00ef ou aux Maldives. Je prendrai des photos que j\u2019enverrai.<\/p>

J\u2019aime les p\u00e2tes \u00e0 la truffe, les sushis, les hamburgers au poulet sans crudit\u00e9, les gnocchis, tout ce qui a de la truffe.<\/p>

 <\/p>","label":"

Badis<\/p>"},{"id":2224,"type":2,"content":"

 <\/p>

le petit ballon ne peut pas manger<\/p>

le petit ballon ne peut pas marcher<\/p>

le petit ballon n\u2019est pas heureux<\/p>

le petit ballon roule sur un pont<\/p>

et il tombe du pont<\/p>

 <\/p>","label":"

Driss<\/p>"},{"id":2205,"type":2,"content":"

 <\/p>

La table jaune est pos\u00e9e l\u00e0, il n\u2019y a rien dessous, c\u2019est le n\u00e9ant,<\/p>

de l\u2019air passe partout jusqu\u2019\u00e0 la fin des temps<\/p>

la table jaune n\u2019est pas un ballon<\/span><\/p>

 <\/p>","label":"

Far\u00e8s<\/p>"},{"id":2206,"type":2,"content":"

 <\/p>

La neige me rappelle des souvenirs. J\u2019ai d\u00e9m\u00e9nag\u00e9 trois fois.<\/p>

je pr\u00e9f\u00e8re la nuit au jour, les tomates \u00e0 la salade.<\/p>

Je n\u2019aime pas le bruit des oiseaux.<\/p>

J\u2019aime mon joli cahier \u00e0 fleurs qui pourtant ne peut ni se d\u00e9placer, ni parler, ni se manger.<\/p>

 <\/p>","label":"

Ana\u00e9<\/p>"},{"id":2207,"type":2,"content":"

 <\/p>

le g\u00e2teau au chocolat n\u2019est pas un ordinateur, n\u2019est pas \u00e9lectrique,<\/p>

il se mange, il est au chocolat, il n\u2019a pas d\u2019application,<\/p>

il est fait dans une chocolaterie,<\/p>

il est pos\u00e9 sur une table, il ne peut pas jouer au jeu vid\u00e9o<\/p>

l\u2019ordinateur ne se mange pas,<\/p>

quand j\u2019ai faim, je ne vais pas mettre l\u2019ordinateur au four,<\/p>

l\u2019ordinateur ne se d\u00e9guste pas<\/p>

le g\u00e2teau au chocolat n\u2019a pas de bouton d\u2019alimentation<\/p>

le but du g\u00e2teau au chocolat est de se faire manger<\/p>

 <\/p>","label":"

Jared<\/p>"},{"id":2208,"type":2,"content":"

 <\/p>

Je d\u00e9teste les endives, le roquefort, la viande de mouton<\/p>

les pieds \u00e0 perfusion dans les h\u00f4pitaux<\/p>

j\u2019adore la tartiflette<\/p>

je serai chirurgien visc\u00e9ral<\/p>

 <\/p>","label":"

Diarno<\/p>"},{"id":2209,"type":2,"content":"

 <\/p>

Je n\u2019aime pas les brocolis, j\u2019ai la phobie des pigeons. J\u2019aimerais visiter le B\u00e9nin.<\/p>

 <\/p>","label":"

Clo\u00e9<\/p>"},{"id":2210,"type":2,"content":"

 <\/p>

Quand j\u2019\u00e9tais petit, je voulais toujours raser mes sourcils. Chez le coiffeur, je voulais les faire raser, mais mon p\u00e8re ne voulait pas : \u201ctes sourcils sont beaux. Laisse comme \u00e7a, tu seras comme moi\u201d. <\/span><\/p>

 <\/p>","label":"

Ahmed<\/p>"},{"id":2211,"type":2,"content":"

 <\/p>

je mange avec mon petit ballon,<\/p>

je dors toujours avec mon petit ballon, je me r\u00e9veille avec mon petit ballon. Il n\u2019est pas un   balai. On ne tire pas des p\u00e9naltys avec le balai. Et on ne range pas le balai dans le sac.<\/p>","label":"

Zineddine<\/p>"},{"id":2225,"type":2,"content":"

 <\/p>

Si j\u2019\u00e9tais un plat, je serais un bon grec.<\/p>

Si J'\u00e9tais une saison, je serais l\u2019\u00e9t\u00e9 car j\u2019aime sortir tard et manger des glaces.<\/p>

Si j\u2019\u00e9tais une couleur, je serais le noir parce que c\u2019est styl\u00e9.<\/p>

Si j\u2019\u00e9tais une qualit\u00e9, je serais la d\u00e9termination, me battre jusqu\u2019au bout.<\/p>

Si j'\u00e9tais un sport je serais le football.<\/p>

 <\/p>","label":"

Ryan B.<\/p>"},{"id":2226,"type":2,"content":"

 <\/p>

Si j'\u00e9tais une saison je serais l\u2019\u00e9t\u00e9.<\/p>

Si j\u2019\u00e9tais une couleur, je serais le bleu.<\/p>

 <\/p>","label":"

Sif Edine<\/p>"},{"id":2227,"type":2,"content":"

 <\/p>

Je me souviens de cette odeur vanill\u00e9e dont on m\u2019a compliment\u00e9 en cette belle journ\u00e9e en allant chez le boulanger.<\/p>

Je me souviens de cette gentille amie qui m\u2019a fait sourire en ce mercredi.<\/p>

 <\/p>"},{"id":2228,"type":2,"content":"

 <\/p>

La gomme, elle est grande, souple, forte, intelligente, loyale, longue, puissante, super ch\u00e8re mais elle n\u2019est pas seulement grande, souple, voil\u00e0 quoi et cetera juste elle touche sa cible \u00e0 tous les coups, \u00e0 100%. Apr\u00e8s avoir \u00e9t\u00e9 touch\u00e9,  une mal\u00e9diction vous touche \u00e0 vie donc \u00e9vit\u00e9 \u00e7a, un conseil d\u2019ami. Bref on vous dit \u00e0 tous, eh !  faites attention \u00e0 cette gomme dangereuse, empoisonn\u00e9e, puante, sauvage, morte vivante, m\u00e9chante et horrible.<\/p>

 <\/p>","label":"

Yannis, Abel Jallil<\/p>

 <\/p>"},{"id":2229,"type":2,"content":"

 <\/p>

 but \u2013 passe - tir \u2013 efficace \u2013 technique - rapide- matchs -  arr\u00eat \u2013 dribble - utilit\u00e9 \u2013 penalty - coup franc \u2013 joueur - hors jeu -  rapidit\u00e9 \u2013 vitesse \u2013 gagn\u00e9 - victoire<\/p>

 <\/p>

Ah le foot, l\u2019amour d\u2019une vie !<\/p>

 <\/p>","label":"

Fares, Yannis et Marwane<\/p>"},{"id":2230,"type":2,"content":"

 <\/p>

Si j'\u00e9tais une saison je serais l\u2019hiver car l\u2019ambiance est calme.<\/p>

Si j\u2019\u00e9tais une ville je serais Oran<\/p>

et si j'\u00e9tais une couleur je serais la couleur du ciel.<\/p>

 <\/p>"},{"id":2231,"type":2,"content":"

 <\/p>

Des cheveux lisses encore color\u00e9s un violet virant en brun laissant s\u2019\u00e9vader le temps. Cette robe \u00e0 rayures s\u2019accordant avec son sourire tendre. Son d\u00e9tail pr\u00e9f\u00e9r\u00e9 son gilet violet et dans les mains le texte qu\u2019elle expliquera le lendemain \u00e0 ses \u00e9l\u00e8ves r\u00eavant.<\/p>

Elle esp\u00e9rait qu\u2019elle soit \u00e9cout\u00e9e. Mais plus les ann\u00e9es passaient, plus cela devenait compliqu\u00e9. Elle essayait co\u00fbte que co\u00fbte de faire aimer \u00e0 ses \u00e9l\u00e8ves pr\u00e9f\u00e9r\u00e9s sa mati\u00e8re pr\u00e9f\u00e9r\u00e9e.<\/p>

Pourtant elle aimait enseigner le fran\u00e7ais. M\u00eame les premiers pr\u00e9f\u00e9raient parler qu\u2019\u00e9couter. Mais personne ne pensait aux heures pass\u00e9es qu\u2019elle avait sacrifi\u00e9es pour pr\u00e9parer, corriger au lieu de profiter avec son bien aim\u00e9. Elle s\u2019enfermait pour penser au fran\u00e7ais toute sa vie, elle avait choisi que les lettres soient devenues ses amies mais au fond d\u2019elle-m\u00eame les lettres devenaient vides. Mais les jours passent, on commen\u00e7ait \u00e0 l\u2019aimer tout \u00e9tait r\u00e9ciproque, m\u00eame les lettres vides se remplissaient.<\/p>

 <\/p>"},{"id":2232,"type":2,"content":"

 <\/p>

je tuerai pour te revoir<\/p>

car tu as eu la foi,<\/p>

la foi de me faire croire<\/p>

en l\u2019espoir qui pour moi<\/p>

\u00e9tait la chose \u00e0 laquelle je ne  pouvais croire<\/p>

je n\u2019ai pas pu succomber \u00e0 ton amour<\/p>

qui fut un amour sinc\u00e8re et r\u00e9ciproque<\/p>

 <\/p>"},{"id":1578,"type":2,"content":"

 <\/p>

Quand je sors de chez moi<\/p>

je vois<\/p>

portail marron      plante<\/p>

verte     montagne     parc<\/p>

chant   oiseaux  grand b\u00e2timent<\/p>

maison blanche.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je vois les guetteurs<\/p>

Ils n\u2019ont pas peur de la police<\/p>

Guettant, police<\/p>

Assis sur une chaise<\/p>

Communiquent avec une radio<\/p>

Ils campent, bloquent, regardent, courent.<\/p>

 <\/p>

Trottoirs noirs<\/p>

Sales avec des crottes de chien<\/p>

Inclin\u00e9s sur le c\u00f4t\u00e9.<\/p>","label":"

Kais<\/p>"},{"id":1587,"type":2,"content":"


Je regarde mon p\u00e8re<\/p>

assis sur le canap\u00e9<\/p>

peut-\u00eatre la derni\u00e8re fois que je le verrai ?<\/p>

Je ne sais plus quoi penser<\/p>

de lui.<\/p>

Plus je grandis, plus je me rends compte \u00e0 quel point<\/p>

il est mauvais.<\/p>

Il rigole<\/p>

devant sa t\u00e9l\u00e9.
Oh non, c\u2019\u00e9tait juste un<\/p>

souvenir, il n\u2019est pas l\u00e0.<\/p>

\u00c7a me manque<\/p>

les moments quand j\u2019\u00e9tais encore toute innocente,<\/p>

quand je l\u2019aimais.
 <\/p>","label":"

Irem<\/p>"},{"id":1588,"type":2,"content":"


Salem.
Salem est un mot de respect.
Souvent utilis\u00e9 par les musulmans.
D\u2019origine arabe.<\/p>

Je dis Salem<\/i> au d\u00e9but et \u00e0 la fin d\u2019une discussion.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Dans dix ans, je vais me marier \u00e0 Bernard Arnault le PDG de Louis Vuitton, Guerlain, etc.<\/p>

Pour le tuer et avoir son h\u00e9ritage.
 <\/p>","label":"

Alya<\/p>"},{"id":1579,"type":2,"content":"


Quand je sors de mon bloc<\/p>

Je vois<\/p>

Les boites d\u2019allumettes<\/p>

De couleur rouge carr\u00e9<\/p>

Les murs et le sol<\/p>

Sont gris<\/p>

Ensuite en dehors<\/p>

Je vois<\/p>

Un banc blanc,<\/p>

Des arbres,<\/p>

Je descends les escaliers,<\/p>

Les murs sont rouges<\/p>

Je vois les jeunes du quartier<\/p>

Qui fument qui boivent<\/p>

J\u2019entends<\/p>

Les guetteurs qui crient Arah !<\/p>

Il y a une nouvelle alimentation au loin, une parapharmacie, une cr\u00e8che \u00e0 c\u00f4t\u00e9, une autre alimentation derri\u00e8re la mosqu\u00e9e.
 <\/p>","label":"

Meriem<\/p>"},{"id":1580,"type":2,"content":"


parcs, arbres, des maisons, voiture, gens, la mer.<\/p>

Bin, Noisy Kids.
bruyant, lugubre, violent, aga\u00e7ant, vivant, habit\u00e9.
vendre, courir, observer, crier.
Boum.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Dans 10 ans, j\u2019aurai 23 ans<\/p>

et je serai d\u00e9j\u00e0 directrice<\/p>

d\u2019une entreprise intergalactique<\/p>

et j\u2019aurai des gardes qui me prot\u00e9geront et je n\u2019aurai pas<\/p>

\u00e0 regarder les prix au Carrefour.
 <\/p>","label":"

Alicia<\/p>"},{"id":1581,"type":2,"content":"


D\u00e8s que je sors de chez<\/p>

moi je vois<\/p>

mon cagibi \u00e0 gauche<\/p>

juste en bas<\/p>

mon tapis \u00e9crit<\/p>

\u00ab bienvenue \u00bb \u00e0 droite<\/p>

\u00ab welcome \u00bb<\/p>

Les \u00e9tag\u00e8res de chaussures.<\/p>

Mon couloir avec la lumi\u00e8re<\/p>

qui s\u2019allume<\/p>

\u00e0 chaque fois qu\u2019une personne<\/p>

rentre et sort. Mon ascenseur<\/p>

et mes escaliers.<\/p>

Je prends l\u2019ascenseur<\/p>

et j\u2019appuie<\/p>

sur RDC.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Une colline, des vieux b\u00e2timents, des r\u00e9sidences, une for\u00eat, des travaux, une boulangerie. Silence.<\/p>

 <\/p>

On entend rien le silence qu\u2019il y a est impressionnant.<\/p>

depuis que tout le monde<\/p>

est parti<\/p>

plus rien.
 <\/p>","label":"

Beya<\/p>"},{"id":1582,"type":2,"content":"

 <\/p>

 Il n\u2019y a plus de sangliers.
Avant ils restaient dans la colline, pr\u00e8s du grand stade.<\/p>

Puis il y a des champignons et un grillage<\/p>

mais c\u2019est un peu loin.<\/p>

 <\/p>

\u2014
 <\/p>

Quand je vois les anciens b\u00e2timents<\/p>

et les ordures par terre c\u2019est triste<\/p>

de voir que personne ne s\u2019en occupe.<\/p>

 <\/p>

J\u2019aime pas mon voisin qui a un chien<\/p>

car quand il le sort<\/p>

\u00e7a me fait peur.<\/p>

 <\/p>

Les grands restent tous les jours<\/p>

devant le bloc.<\/p>

ils ont pas de vie.<\/p>

 <\/p>

Il n\u2018y a rien \u00e0 faire au quartier<\/p>

on se pose dehors pour<\/p>

rien faire du tout.
 <\/p>","label":"

Wassim<\/p>"},{"id":1583,"type":2,"content":"

 <\/p>

Quand je regarde par la<\/p>

fen\u00eatre<\/p>

un gros bloc de b\u00e2timent<\/p>

je vois les petits enfants<\/p>

qui jouent dans le parc<\/p>

le coucer de soleil<\/p>

aux couleurs chaudes<\/p>

et<\/p>

flamboyantes<\/p>

le chant des oiseaux<\/p>

me r\u00e9veille en douceur par<\/p>

mauvais temps<\/p>

j\u2019aper\u00e7ois du brouillard<\/p>

la nuit<\/p>

les guetteurs, les tirs, les courses-poursuites<\/p>

et<\/p>

les voitures qui<\/p>

explosent r\u00e9sonnent<\/p>

dans<\/p>

tout le quartier.
 <\/p>","label":"

Taslim<\/p>"},{"id":1584,"type":2,"content":"

 <\/p>

Quand je sors de chez moi je vois des portes blind\u00e9es avec du gris comme couleur, l\u2019ascenseur est rouge \u00e0 l\u2019int\u00e9rieur c\u2019est gris clair il y a 19 \u00e9tages les boutons sont rouges il y a des d\u00e9chets dans l\u2019ascenseur. Arriv\u00e9 au RDC il y a une cam\u00e9ra au fond, il y a des escaliers, des bo\u00eetes aux lettres rouges avec des noms de famille. Une fois sorti, il y a un bouton \u00e9lectrique pour d\u00e9verrouiller la porte, mais elle est cass\u00e9e. Le bloc est gris, les carreaux sont gris fonc\u00e9. Une fois dehors je vois un parking et plusieurs voitures et l\u2019arr\u00eat de bus. Il n\u2019y a que le 96 L\u2019Estaque et le 97 Canebi\u00e8re Bourse le 97 est bleu avec du bleu et \u00e0 l\u2019int\u00e9rieur c\u2019est sale on peut voir des cannettes, des bourr\u00e9s et des malades avec des habits us\u00e9s.<\/p>

 <\/p>

3.<\/p>

J\u2019ai choisi le mot \u00ab tarpin \u00bb car quand il fait froid je dis il fait tarpin froid, et quand il y a des gens je dis \u00ab y a tarpin de gens \u00bb. Et aussi je choisis le mot \u00ab ti\u00e9\u00e9\u00e9 \u00bb, c\u2019est quand la personne prend trop de temps et on dit \u00ab tu fais ti\u00e9\u00e9\u00e9 \u00bb.<\/p>

 <\/p>

4.<\/p>

Je me souviens j\u2019ai perdu sur Fortnite puis j\u2019ai commenc\u00e9 \u00e0 taper \u00e0 plusieurs reprises la vitre de la chambre et elle s\u2019est bris\u00e9e. Ma cheville s\u2019est compl\u00e8tement ouverte et j\u2019ai eu douze points de sutures.
 <\/p>","label":"

Salim<\/p>

 <\/p>"},{"id":1585,"type":2,"content":"


Dans la for\u00eat il y a des arbres,<\/p>

Des d\u00e9chets, des feuilles,<\/p>

Chaque jour il y a des chasseurs<\/p>

et ils ram\u00e8nent des animaux plein<\/p>

De sang.<\/p>

 <\/p>

C\u2019est trop satisfaisant de voir<\/p>

Du sang couler<\/p>

D\u2019un sanglier.
 <\/p>","label":"

Sarah<\/p>"},{"id":1586,"type":2,"content":"


Quand je dors, j\u2019entends \u00ab ARAH \u00bb<\/p>

c\u2019est eux qui me r\u00e9veillent<\/p>

c\u2019est m\u00eame pas le bruit des oiseaux c\u2019est le cri des guetteurs.<\/p>

 <\/p>

Quand j\u2019ai fini de me pr\u00e9parer<\/p>

je monte dans mon vieil<\/p>

ascenseur et je me bloque dedans<\/p>

pas grave<\/p>

j\u2019appuie encore au \u00ab 0 \u00bb puis \u00e7a repart.<\/p>

 <\/p>

Je sors de mon bloc et j\u2019entends<\/p>

les travaux en train de casser les b\u00e2timents \u00e0 c\u00f4t\u00e9 de moi.<\/p>

\u00c7a me rend triste de voir \u00e7a de bon matin.
surtout quand ils font \u00e9norm\u00e9ment de bruit.
 <\/p>","label":"

In\u00e8s<\/p>"},{"id":1117,"type":2,"content":"



Le Rh\u00f4ne est telle une ossature. Quelquefois, aussi, ses eaux saturent, du fait des crues d\u2019un (ou plusieurs) de ses affluents ; ou de diff\u00e9rents polluants. Longtemps le fleuve fut ce lieu o\u00f9 l\u2019on jetait tout : charroi de d\u00e9chets & d\u00e9tritus, rinc\u00e9s en permanence par le flux, et emport\u00e9s au loin, vers d\u2019autres rives ou vers ce \u00ab tombeau marin \u00bb ; fosse d\u2019aisance des fonds sans fin. Aujourd\u2019hui encore, sur les rives pourtant prot\u00e9g\u00e9es, dans les bois rivulaires, j\u2019ai vu d\u2019innombrables d\u00e9charges sauvages (poubelles, gravats et fatras divers) ; produits de la surconsommation et du peu d\u2019\u00e9gard & de moralit\u00e9 qui conduisent certains \u00e0 venir, \u00e9hont\u00e9s, jeter leurs rebuts & encombrants sur les berges ; et m\u00eame, parfois, contenants & bidons en plastique, encore remplis d\u2019acides, de produits chimiques ou de poudres toxiques : tant de mati\u00e8res & liquides, r\u00e9put\u00e9s non d\u00e9gradables, dans des \u2018zones\u2019 de grande biodiversit\u00e9 ou class\u00e9es \u2018Natura 2000\u2019 !<\/span>

Mais je reviens sur l\u2019image de l\u2019ossature<\/i>, comme sur celle de colonne vert\u00e9brale<\/i> innervant d\u00e9partements & communes travers\u00e9s, en ce qu\u2019elle est parlante & fonctionne : les eaux<\/i> ramen\u00e9es aux os<\/i> (homonymiques) constituant l\u2019\u00e9pine dorsale du fleuve \u2014 et articulant, de coude en coude, d\u2019inflexions en d\u00e9nivel\u00e9s, de barrages en canaux d\u2019amen\u00e9e, le paysage fluvial g\u00e9n\u00e9ral que nous avons sous les yeux, et bien en t\u00eate maintenant, au moment d\u2019\u00e9crire ces lignes qui pourraient \u00eatre verticalement & id\u00e9alement dispos\u00e9es, tel un jeu de vert\u00e8bres calqu\u00e9 sur l\u2019\u00e9chine formidable du Rh\u00f4ne.<\/span>

Celui-l\u00e0 m\u00eame, qui, aux origines, se faufilant entre cha\u00eenes et massifs, creusa & fa\u00e7onna le paysage que nous connaissons, dans ses donn\u00e9es les plus intangibles ; et qui, cent fois peut-\u00eatre au cours du Temps, d\u00e9pla\u00e7a son lit, excava & bouleversa la plaine, raclant les coteaux, efflanquant les monts, \u00e9cornant les promontoires ; de sorte, dit Vidal de la Blache, dans son Tableau de la g\u00e9ographie de la France<\/i>, \u00ab qu\u2019il combl\u00e2t et \u00e9lev\u00e2t son lit ; et recul\u00e2t de plus en plus son embouchure, diminuant notamment sa pente \u00bb. Et que, plus encore que les hommes, dont on voit la mainmise actuelle, tant se sont multipli\u00e9s am\u00e9nagements et infrastructures, il \u00e9roda les versants, ravina les montagnes, achemina roches et limons ; et, peu \u00e0 peu, sculpta & malaxa cette vall\u00e9e, dont nous lui sommes redevables et dans laquelle nous nous sommes engouffr\u00e9s, \u00e0 sa suite.<\/span>

 <\/p>"},{"id":1597,"type":2,"content":"

Toute traduction, toute conduite \u00e0 travers (les langues), aussi pr\u00e9cise, rigoureuse, \u00ab fid\u00e8le \u00bb, \u00ab litt\u00e9rale \u00bb, etc., soit-elle, est un leurre, un r\u00e9pliquant comme dans Blade Runner<\/i>, le film de Ridley Scott, un organisme dupliqu\u00e9, surtout pas un clone (double parfaitement identique \u00e0 l\u2019original), mais une nouvelle mise en sc\u00e8ne de la pi\u00e8ce litt\u00e9raire, ailleurs, avec une autre production, une troupe d\u2019acteurs diff\u00e9rente, un d\u00e9cor fondamentalement nouveau.<\/p>

Ce qui se passe dans la traduction litt\u00e9raire d\u2019une \u0153uvre de fiction, c\u2019est qu\u2019en dehors de l\u2019aspect documentaire, informatif, du texte, qu\u2019on pourrait appeler son studium<\/i>, il existe un reste \u00e9norme et essentiel. Ce reste, appelons-le grain du texte et de la langue, style de l\u2019auteur et style de la langue, \u00ab teneur \u00bb selon Benjamin, punctum<\/i> selon Barthes, lesquels sont presque enti\u00e8rement intraduisibles.<\/p>

Tout texte de fiction est par nature intransportable : trop de choses cruciales disparaissent au fond du gouffre sans fond qui s\u00e9pare les langues, dans les eaux troubles de cet entre-deux innommable, inexplor\u00e9 et sans doute inconnaissable car il est par d\u00e9finition le lieu vertigineux de l\u2019absence des mots, l\u2019espace vide qui s\u00e9pare les langues. Plut\u00f4t que de mobiliser Mallarm\u00e9 et le messianisme pour, comme Walter Benjamin, postuler l\u2019horizon d\u2019un \u00ab langage pur \u00bb vers lequel convergeraient les langues et que d\u00e9signerait l\u2019acte de la traduction, je pr\u00e9f\u00e8re insister sur ce hiatus, d\u00e9signer ce vide que nul mot ne constelle. Seul le traducteur, me semble-t-il, appr\u00e9hende ce lieu \u00e9trange o\u00f9, l\u2019espace d\u2019un instant sans cesse r\u00e9p\u00e9t\u00e9 dans le va-et-vient entre les langues, tout le temps que dure ce saut au-dessus du vide (et non pas un \u00ab saut dans le vide \u00bb) se produit ce que j\u2019appellerai \u00ab un coma sans mot \u00bb.<\/p>

 <\/p>

 <\/p>","label":"

Brice Matthieussent,<\/p>

extrait d\u2019un texte in\u00e9dit re\u00e7u le 8 mars 2024.<\/p>"},{"id":627,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/729_20110830142221.mp3","label":"Comic Aspect of Beatness","duration":152},{"id":109,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/150_20060412121049.mp3","label":"Comme la lumi\u00e8re - Traduction de l'islandais lue par Laure Limongi<\/a>.","duration":120},{"id":372,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/468_20090828144805.mp3","label":"Comme tous les jours - de et par Nelson - Lecture enregistr\u00e9e lors d'un atelier \"d'une langue \u00e0 l'autre ... paroles et musique\"<\/b>, men\u00e9 par Nicolas Tardy, avec des \u00e9l\u00e8ves ENAP du Coll\u00e8ge Edmond Rostand.","duration":25},{"id":29,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/51_20060204171956.mp3","label":"Comment j'ai appris \u00e0 ne pas... - in\u00e9dit","duration":205},{"id":2109,"type":2,"content":"

 <\/p>

Communiqu\u00e9 du Cipm<\/strong><\/span><\/p>

concernant la pr\u00e9sence de la po\u00e9sie palestinienne<\/strong><\/span><\/p>

au March\u00e9 de la po\u00e9sie de Paris 2025.<\/strong><\/span><\/p>

 <\/p>

 <\/p>

Le Cipm demande aux responsables de l\u2019association Circ\u00e9, porteuse du March\u00e9 de la po\u00e9sie de Paris, de ne pas renoncer \u00e0 mettre \u00e0 l\u2019honneur la po\u00e9sie palestinienne contemporaine lors de son \u00e9dition 2025.<\/span><\/p>

 <\/p>

Il se joint pleinement \u00e0 la demande largement exprim\u00e9e de voir les organisateurs du March\u00e9 confirmer au plus vite cette invitation, et se d\u00e9clare pr\u00eat \u00e0 s\u2019associer \u00e0 la mise en \u0153uvre concr\u00e8te de cet \u00e9v\u00e9nement.<\/span><\/p>

 <\/p>

La participation du Cipm \u00e0 l\u2019\u00e9dition 2024 n\u2019est \u00e0 ce jour pas remise en question.<\/span><\/p>

 <\/p>

 <\/p>

(<\/span>Plus d'informations.<\/span><\/a>)<\/span><\/p>

 <\/p>"},{"id":2819,"type":5,"fileUrl":"\/resources\/files\/file_6904e1d9021b7.pdf","label":"

Compl\u00e9ment d'objet<\/i>, extrait re\u00e7u de Jean-Marie Gleize le 30 octobre \u00e0 l'approche de la rencontre \u00e0 Forcalquier ETATS DU TEXTE<\/i>  du 27 novembre 2025.<\/p>"},{"id":783,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/890_20121005183822.mp3","label":"Compl\u00e9ments de noms","duration":1042},{"id":796,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/903_20121127185356.mp3","label":"Compositions","duration":297},{"id":2520,"type":3,"videoId":"1075613186","duration":1902},{"id":2846,"type":3,"videoId":"1159183568","duration":3448},{"id":2054,"type":3,"videoId":"936464397","duration":4013},{"id":2485,"type":3,"videoId":"1078281108","duration":4579},{"id":2329,"type":3,"videoId":"1033272203","label":"

Conf\u00e9rence, \"micro-colloque\" avec Fr\u00e9d\u00e9ric Forte, Guillaume Peureux, Micha\u00ebl Batalla, samedi 28 septembre 2024.
Lib\u00e9rer le vers<\/i> |  <\/i>Guillaume Peureux
R\u00e9gler le vers<\/i> |  <\/i>Fr\u00e9d\u00e9ric Forte
Se lib\u00e9rer du vers ?<\/i> | dialogue anim\u00e9 par Micha\u00ebl Batalla

En partenariat avec l'EHESS dans le cadre de Des ob\u00e9issances <\/i>cinqui\u00e8me \u00e9dition du festival Allez Savoir<\/p>","duration":5133},{"id":2332,"type":3,"videoId":"1033272203","label":"

Conf\u00e9rence, \"micro-colloque\" avec Fr\u00e9d\u00e9ric Forte, Guillaume Peureux, Micha\u00ebl Batalla, samedi 28 septembre 2024.<\/p>

Lib\u00e9rer le vers<\/i> |  <\/i>Guillaume Peureux<\/p>

R\u00e9gler le vers<\/i> |  <\/i>Fr\u00e9d\u00e9ric Forte<\/p>

Se lib\u00e9rer du vers ?<\/i> | dialogue anim\u00e9 par Micha\u00ebl Batalla<\/p>

 <\/p>

En partenariat avec l'EHESS dans le cadre de Des ob\u00e9issances <\/i>cinqui\u00e8me \u00e9dition du festival Allez Savoir.<\/p>","duration":5133},{"id":1104,"type":3,"videoId":"839063922","label":"

Conf\u00e9rence de Roger Lewinter<\/p>

4 novembre 2011, <i>Le dit d'amour et de mort du Cornette Christoph Rilke<\/i><\/p>

Cipm<\/p>","duration":3503},{"id":1105,"type":3,"videoId":"839063922","label":"

Conf\u00e9rence de Roger Lewinter <\/p>

4 novembre 2011, Le dit d'amour et de mort du Cornette Christoph Rilke<\/i><\/p>

Cipm<\/p>","duration":3503},{"id":105,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/146_20060328123946.mp3","label":"Connaissance - texte in\u00e9dit","duration":210},{"id":2311,"type":2,"content":"

 <\/p>

Anna O.<\/strong><\/p>

 <\/span><\/p>

Anna O.<\/span><\/p>

rejette la t\u00eate en arri\u00e8re<\/span><\/p>

apr\u00e8s une double dose de morphine<\/span><\/p>

son corps commence \u00e0 raidir<\/span><\/p>

 <\/span><\/p>

Anna O.<\/span><\/p>

sous le souffle de Breuer<\/span><\/p>

s\u2019\u00e9tend lentement sur le sol<\/span><\/p>

elle veut lui dire<\/span><\/p>

qu\u2019elle voit des serpents quand elle est seule<\/span><\/p>

lui montrer<\/span><\/p>

les totems grav\u00e9s<\/span><\/p>

sur son corps<\/span><\/p>

lui dire<\/span><\/p>

qu\u2019elle est M\u00e9duse la Gorgone<\/span><\/p>

 <\/span><\/p>

Anna O.<\/span><\/p>

montre des signes d\u2019attaque<\/span><\/p>

un go\u00fbt de fer dans la bouche<\/span><\/p>

 <\/span><\/p>

Anna O.<\/span><\/p>

se voit elle-m\u00eame<\/span><\/p>

son corps en l\u00e9vitation<\/span><\/p>

comme un dard d\u2019insecte<\/span><\/p>

 <\/span><\/p>

(Breuer tousse)<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Anna O.<\/span><\/p>

desserre ses poings humides<\/span><\/p>

consciente d\u2019\u00eatre poursuivie<\/span><\/p>

par sept d\u00e9mons<\/span><\/p>

 <\/span><\/p>

 <\/p>

z\u00e9ro contact<\/strong><\/span><\/p>

 <\/span><\/p>

ma chambre<\/span><\/p>

est un ring<\/span><\/p>

o\u00f9 je suis Muhammad Ali,<\/span><\/p>

je boxe avec les morts,<\/span><\/p>

hurle sur les vivants,<\/span><\/p>

parle aux images sur les murs,<\/span><\/p>

tr\u00e9pigne,<\/span><\/p>

balance les affaires par la fen\u00eatre,<\/span><\/p>

je n\u2019arrive pas \u00e0 me calmer,<\/span><\/p>

impossible de me calmer<\/span><\/p>

depuis vingt ans,<\/span><\/p>

z\u00e9ro contact \u2013<\/span><\/p>

rien que de la parano\u00efa grandissante,<\/span><\/p>

une vie incognito,<\/span><\/p>

des m\u00e9tamorphoses fatales<\/span><\/p>

depuis vingt ans<\/span><\/p>

rien que des conversations avec les ombres \u2013<\/span><\/p>

 <\/span><\/p>

 <\/p>

trou noir : \u00e9criture automatique<\/strong><\/span><\/p>

 <\/span><\/p>

des millions d\u2019yeux clignotants s\u2019accrochent \u00e0 moi, aspirent ma vie ; ils me vident de mes derni\u00e8res forces, puis se ferment pour m\u2019abandonner en une masse informe, un trou noir, un n\u00e9gatif ; je suis imperceptible \u00e0 vos d\u00e9tecteurs, sans donn\u00e9e, comme une loupe tordue : aucune gravit\u00e9 en moi, je broie les corps physiques, les \u00e9jecte de ma galaxie jusqu\u2019\u00e0 ce qu\u2019ils arr\u00eatent de saigner, juste pour r\u00e9p\u00e9ter, encore et encore, ce cycle m\u00e9canique<\/span><\/p>

 <\/span><\/p>

 <\/p>

escapisme<\/strong><\/span><\/p>

 <\/span><\/p>

il fallait que j\u2019oublie cette p\u00e9riode<\/span><\/p>

que je me ressaisisse<\/span><\/p>

je ne suis pas Arthur Rimbaud :<\/span><\/p>

mon Afrique,<\/span><\/p>

ces quatre murs \u2013<\/span><\/p>

mon Afrique,<\/span><\/p>

une faim insatiable \u2013<\/span><\/p>

une guerre civile \u2013<\/span><\/p>

le sang des b\u00eates abattues \u2013<\/span><\/p>

les Hutus et les Tutsis :<\/span><\/p>

mon Afrique,<\/span><\/p>

la balle qui a tu\u00e9<\/span><\/p>

Malcolm X :<\/span><\/p>

mon Afrique,<\/span><\/p>

la d\u00e9faite<\/span><\/p>

et la mal\u00e9diction :<\/span><\/p>

mon Afrique,<\/span><\/p>

noire comme du goudron \u2013<\/span><\/p>

mon seul refuge<\/span><\/p>

c\u2019est que je marche \u00e0 quatre pattes \u2013<\/span><\/p>

je suis le chef de ma propre tribu<\/span><\/p>

 <\/p>","label":"

Patricija Gudeikait\u0117, quatre po\u00e8mes extraits de Kontaktas<\/i> [Contact], kitos knygos, Vilnius, 2023, traduits par Migl\u0117 Dulskyt\u0117, \u00e0 l\u2019approche du Jonas Mekas Poetry Day \u00e0 Marseille.<\/p>

 <\/p>"},{"id":818,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/926_20130523181255.mp3","label":"Conte - (extrait)","duration":300},{"id":456,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/554_20100323183715.pdf","label":"Contre la po\u00e9tisation du printemps & Pour des centres nationaux de po\u00e9sie [4 pages]"},{"id":2048,"type":1,"imageIds":[3535]},{"id":235,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/309_20080214162651.mp3","label":"Copier n'est pas jouer - Manifeste pour une \u0153uvre authentique, New Al Dante 2007","duration":358},{"id":573,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/673_20110104155740.mp3","label":"Coquelicot pour la complainte de Bethlehem","duration":168},{"id":300,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/386_20090328180702.mp3","label":"Corona - Lecture de la traduction en fran\u00e7ais par Catherine Weinzaepflen","duration":132},{"id":828,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/937_20131004162106.mp3","label":"Corps diaphane (extrait) - lu en fran\u00e7ais par Fran\u00e7ois Lespiau","duration":137},{"id":2587,"type":1,"imageIds":[3894]},{"id":124,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/167_20060823132911.mp3","label":"Corrupted by Showgirls - Texte paru chez Reality Street Editions.","duration":238},{"id":421,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/518_20100108172538.mp3","label":"Courte pr\u00e9sentation du Bleu du Ciel, de l'Affiche, de Claude Chambard, Vincent Sabatier et Didier Arnaudet","duration":203},{"id":2530,"type":5,"fileUrl":"\/resources\/files\/file_682da7fed75c0.pdf"},{"id":2531,"type":1,"imageIds":[3889]},{"id":2418,"type":1,"imageIds":[3762]},{"id":2588,"type":5,"fileUrl":"\/resources\/files\/file_684c309999620.pdf"},{"id":1088,"type":5,"fileUrl":"\/resources\/files\/file_64fb27db262c7.pdf","label":"

Communiqu\u00e9 de presse du Centre Pompidou.<\/p>"},{"id":114,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/155_20060516121651.mp3","label":"Cri - traduction du persan lue par Farideh Rava","duration":219},{"id":2394,"type":5,"fileUrl":"\/resources\/files\/file_67c6d20252369.pdf"},{"id":198,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/258_20070828173559.mp3","label":"Cristallisation du sel","duration":150},{"id":754,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/861_20120626153648.mp3","label":"Cuculide","duration":101},{"id":2474,"type":3,"videoId":"1078242407","label":"

Cutting through the garden<\/i><\/a>, vid\u00e9o de Taylor Alaina Liebenstein Smith & Christopher Alexander (in-situ performance, tournage et montage de Taylor; po\u00e8me \u00e9crit et lu par Christopher).<\/p>

2022 | 5' 28''<\/p>","duration":328},{"id":2913,"type":5,"fileUrl":"\/resources\/files\/file_69da38bce5da0.pdf","label":"

D'apr\u00e8s photos, <\/i>deux extraits d'un <\/i>texte en cours re\u00e7u de Dominique Qu\u00e9len le 10 avril  en amont du solo, le 23 mai 2026.<\/p>"},{"id":563,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/662_20101112180339.mp3","label":"D'un \u00e9t\u00e9 \u00e0 l'autre (extrait)","duration":222},{"id":374,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/470_20090828145552.pdf","label":"D'une langue \u00e0 l'autre ... Paroles & musique"},{"id":1265,"type":4,"fileUrl":"\/resources\/files\/file_65aa49b0006e2.mp3","label":"

John Giorno \u2014 Dakini Software <\/i>from \u201cJohnny Guitar\u201d Part 1, recorded at St. Mark\u2019s Church New York, November 1972; Trumansburg N.Y., January 1968; New York, January & March 1969<\/p>

Moog Synthesizer: John Giorno, du d\u00e9but jusqu'\u00e0 16 '12\" <\/p>

Dur\u00e9e : 16'12\"<\/p>

 <\/p>","duration":974},{"id":241,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/317_20080402145739.mp3","label":"Daniel Charles sur John Cage","duration":499},{"id":876,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/988_20160323135920.mp3","label":"Danielle M\u00e9moire","duration":102},{"id":449,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/547_20100205153611.mp3","label":"Dans cette ville mon amour - Lecture de la traduction fran\u00e7aise par Olivia Alloyan.","duration":240},{"id":749,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/856_20120619183600.mp3","label":"Dans la dynamique de l'obscur... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":240},{"id":194,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/254_20070825173142.mp3","label":"Dans le courant de l'ann\u00e9e 1991 ...","duration":129},{"id":735,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/838_20120505141547.mp3","label":"Dans le journal que j'ai sous les yeux... (deux extraits s\u00e9par\u00e9s d'un commentaire)","duration":316},{"id":488,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/586_20100430175518.mp3","label":"Dans le salon de peinture","duration":195},{"id":602,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/703_20110415164932.mp3","label":"Dans sang froid","duration":608},{"id":1262,"type":1,"imageIds":[3412]},{"id":330,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/426_20090514142310.mp3","label":"De l'in\u00e9galit\u00e9 des textes","duration":177},{"id":1118,"type":2,"content":"

\u0645\u0646 \u0627\u0644\u0646\u0627\u0641\u0630\u0629<\/strong><\/span><\/p>

 <\/span><\/p>

\u0645\u0646 \u0627\u0644\u0645\u0645\u0643\u0646 \u0623\u0646 \u062a\u0645\u064a\u0651\u0632 \u0627\u0644\u0634\u062e\u0635 \u0627\u0644\u0630\u064a \u062a\u062d\u0637\u0651\u0645 \u0645\u0646 \u0642\u0628\u0644<\/span><\/p>

\u0627\u0644\u0634\u062e\u0635 \u0627\u0644\u0630\u064a \u0628\u0639\u062f \u0623\u0646 \u062a\u062d\u0637\u0651\u0645 \u0646\u062c\u062d\u0648\u0627 \u0641\u064a \u062a\u062b\u0628\u064a\u062a \u0638\u0647\u0631\u0647 \u0623\u0648 \u0631\u0628\u0637 \u0639\u0646\u0642\u0647 \u0628\u0627\u0644\u0643\u062a\u0641\u064a\u0646\u060c<\/span><\/p>

\u0645\u0646 \u0648\u0642\u0641\u062a\u0643 \u0647\u0630\u0647\u060c \u062a\u0634\u0631\u0628 \u0627\u0644\u0642\u0647\u0648\u0629 \u0648\u062a\u062a\u0627\u0628\u0639 \u0627\u0644\u0639\u0627\u0628\u0631\u064a\u0646\u060c<\/span><\/p>

\u0642\u062f \u062a\u062e\u0645\u0651\u0646 \u0634\u0643\u0644 \u0627\u0644\u0634\u0631\u064a\u0627\u0646 \u0627\u0644\u0630\u064a \u0646\u0642\u0644\u0648\u0647 \u0645\u0646 \u0645\u0639\u0635\u0645\u0647 \u0625\u0644\u0649 \u0642\u0644\u0628\u0647\u060c<\/span><\/p>

\u0623\u0648 \u062a\u0644\u0645\u062d \u0644\u0645\u0639\u0627\u0646 \u0627\u0644\u0645\u0633\u0627\u0645\u064a\u0631 \u0627\u0644\u062a\u064a \u0627\u0633\u062a\u0648\u0631\u062f\u0648\u0647\u0627 \u0645\u0646 \u0623\u062c\u0644 \u0627\u0644\u0631\u0651\u0643\u0628\u0629<\/span><\/p>

\u0633\u062a\u0631\u0649 \u0628\u0648\u0636\u0648\u062d \u0625\u062e\u0644\u0627\u0635\u0647 \u0644\u062e\u0637\u0648\u062a\u0647\u060c<\/span><\/p>

\u0628\u0637\u064a\u0621\u064c \u0631\u0628\u0645\u0627<\/span><\/p>

\u0648\u064a\u0645\u0634\u064a \u0639\u0627\u062f\u0629\u064b \u0641\u064a \u062e\u0637\u064d \u0645\u0633\u062a\u0642\u064a\u0645<\/span><\/p>

\u0644\u0646 \u064a\u0644\u062a\u0641\u062a \u0646\u062d\u0648\u0643 \u0641\u062a\u0631\u0649 \u0639\u064a\u0646\u064a\u0647\u061b \u0625\u0646\u0647 \u0645\u063a\u0644\u0642\u064c \u0628\u0625\u062d\u0643\u0627\u0645<\/span><\/p>

 <\/span><\/p>

\u0627\u0644\u0623\u0645\u0631 \u0633\u064a\u0643\u0648\u0646 \u0623\u0633\u0647\u0644 \u0645\u0639 \u0634\u062e\u0635\u064d \u062a\u0628\u0639\u062b\u0631 \u0645\u0646 \u0642\u0628\u0644\u061b<\/span><\/p>

\u0627\u0644\u0634\u062e\u0635 \u0627\u0644\u0630\u064a \u062a\u0628\u0639\u062b\u0631 \u0645\u0646 \u0642\u0628\u0644 \u0639\u0627\u062f\u0629\u064b \u0645\u0627 \u064a\u062a\u0644\u0641\u0651\u062a \u062d\u0648\u0644\u0647\u060c \u0643\u0623\u0646\u0647<\/span><\/p>

\u064a\u0628\u062d\u062b \u0639\u0646 \u062c\u0632\u0621\u064d \u0645\u0627 \u0632\u0627\u0644 \u0636\u0627\u0626\u0639\u0627\u064b \u0645\u0646\u0647<\/span><\/p>

\u0648\u0642\u062f \u064a\u0628\u062f\u0648 \u0641\u064a \u0627\u0644\u062a\u0641\u0627\u062a\u062a\u0647 \u062d\u0644\u0648\u0627\u064b \u062c\u062f\u0627\u064b \u0644\u0623\u0646\u0647\u0645 \u0623\u0644\u0635\u0642\u0648\u0647 \u0628\u0627\u0644\u0635\u0645\u063a<\/span><\/p>

\u0623\u0648 \u0645\u064f\u0631\u0651\u0627\u064b \u0628\u0639\u0636 \u0627\u0644\u0634\u064a\u0621 \u0644\u0623\u0646\u0647 \u064a\u0628\u0627\u0644\u063a \u0641\u064a \u0625\u0636\u0627\u0641\u0629 \u0627\u0644\u063a\u0631\u0627\u0621 \u0644\u064a\u0633\u062f\u0651 \u0641\u062c\u0648\u0629\u064b \u0628\u064a\u0646 \u0639\u0636\u0648\u064a\u0652\u0646<\/span><\/p>

 <\/span><\/p>

\u0644\u0627 \u0623\u0638\u0646 \u0623\u0646\u0643 \u0645\u0646 \u0632\u062c\u0627\u062c \u0627\u0644\u0646\u0627\u0641\u0630\u0629\u060c \u064a\u0645\u0643\u0646 \u0623\u0646 \u062a\u064f\u062f\u0631\u0643 \u0647\u0624\u0644\u0627\u0621 \u0627\u0644\u0630\u064a\u0646 \u062a\u0645\u0632\u0651\u0642\u0648\u0627 \u0645\u0646 \u0642\u0628\u0644<\/span><\/p>

\u0644\u0627 \u0634\u064a\u0621 \u064a\u0645\u064a\u0651\u0632\u0647\u0645 \u0641\u064a \u0627\u0644\u062d\u0642\u064a\u0642\u0629<\/span>!<\/p>

\u0623\u0642\u0635\u062f\u060c \u0631\u0628\u0645\u0627 \u0643\u0644\u064c \u0645\u0646\u0647\u0645 \u0644\u0627 \u064a\u0634\u0628\u0647 \u0625\u0644\u0627 \u0646\u0641\u0633\u0647<\/span><\/p>

\u0645\u062b\u0644 \u0645\u0644\u0635\u0642\u0627\u062a \u0645\u062e\u062a\u0648\u0645\u0629 \u062a\u0645 \u0646\u0632\u0639\u0647\u0627 \u0645\u0646 \u0623\u063a\u0644\u0641\u0629 \u0627\u0644\u0645\u0638\u0627\u0631\u064a\u0641<\/span><\/p>

\u0648\u0627\u0646\u062a\u0647\u062a \u0639\u0646\u062f \u0647\u0648\u0627\u0629 \u062c\u0645\u0639 \u0627\u0644\u0637\u0648\u0627\u0628\u0639<\/span><\/p>

De la fen\u00eatre<\/strong>

Tu peux reconna\u00eetre celui qui a \u00e9t\u00e9 bris\u00e9,
celui dont on a r\u00e9ussi \u00e0 remettre le dos en place
ou \u00e0 rattacher le cou aux \u00e9paules. De l\u00e0 o\u00f9 tu es,
debout en train de boire un caf\u00e9 et de regarder les passants,
tu pourrais deviner la forme de la veine qu\u2019on a tir\u00e9e
de son poignet jusqu\u2019au c\u0153ur, ou apercevoir le brillant
des broches import\u00e9es pour ses genoux.
Tu verras clairement sa d\u00e9marche appliqu\u00e9e,
lente peut-\u00eatre. D\u2019habitude, il avance en ligne
droite. Il ne se retournera pas vers toi pour te
laisser voir ses yeux. Il est herm\u00e9tiquement clos.

Ce sera plus facile avec celui qui a \u00e9t\u00e9 dispers\u00e9. En g\u00e9n\u00e9ral,
celui qui a \u00e9t\u00e9 dispers\u00e9 se retourne, comme s\u2019il cherchait
un morceau qu\u2019il n\u2019a pas encore retrouv\u00e9. Dans ce geste,
il peut avoir l\u2019air tr\u00e8s doux, parce qu\u2019on l\u2019a rassembl\u00e9 avec
de la gomme, ou un peu amer, parce qu\u2019il a abus\u00e9 de la colle
pour combler un manque entre deux membres.

De derri\u00e8re la fen\u00eatre, je ne crois pas que tu puisses rep\u00e9rer
ceux qui ont \u00e9t\u00e9 d\u00e9chir\u00e9s. En fait, ils n\u2019ont aucun signe particulier.
Ou plut\u00f4t, chacun d\u2019eux ne ressemble qu\u2019\u00e0 lui-m\u00eame,
comme des timbres oblit\u00e9r\u00e9s d\u00e9coll\u00e9s de leurs enveloppes
qui ont fini dans l\u2019album d\u2019un philat\u00e9liste.<\/p>


 <\/p>

 <\/p>"},{"id":1140,"type":1,"imageIds":[2447,2448,2449]},{"id":894,"type":7,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1009_20220202163453.m4a","label":"DE LA PAGE AU MUR, LE MOT S'EXPOSE - Kiara"},{"id":895,"type":7,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1010_20220202163741.m4a","label":"DE LA PAGE AU MUR, LE MOT S'EXPOSE - Th\u00e9o"},{"id":94,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/133_20060221144707.mp3","label":"de la porte, en rouge... - extrait de
Tuyaut\u00e9s de pans de fl\u00fbte de m\u00e9moire<\/i>,
L\u2019Attente, 2005.","duration":155},{"id":721,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/823_20120421151121.mp3","label":"De notes nues","duration":108},{"id":185,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/244_20070817172428.mp3","label":"De quelle mort vais-je parler pendant 3 pages ?","duration":88},{"id":77,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/107_20060203133739.mp3","label":"De Sleutel - La clef - Texte original traduit collectivement durant l'atelier Import\/Export : Amsterdam-Marseille<\/i><\/a>.
\r\nLecture de la traduction par Vanina Maestri<\/a>.
\r\n
\r\nparu en 2005 dans Amsterdam-Marseille<\/i><\/a>, cipM<\/i> \/ Perdu, collection Import \/ Export<\/i><\/a>","duration":186},{"id":191,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/251_20070825161631.mp3","label":"De temps \u00e0 autre, marchant, je regardais le ciel ...","duration":40},{"id":1010,"type":1,"imageIds":[3220]},{"id":2457,"type":5,"fileUrl":"\/resources\/files\/file_67ffbb0da6597.pdf"},{"id":954,"type":1,"imageIds":[3170]},{"id":315,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/402_20090423143152.mp3","label":"d\u00e9cembre 1999","duration":89},{"id":615,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/717_20110705182025.mp3","label":"D\u00e9j\u00e0, dire qu'elle n'est pas si bleue ...","duration":143},{"id":317,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/405_20090423162306.mp3","label":"Demain je meurs (extrait)","duration":165},{"id":820,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/929_20130523183248.mp3","label":"Demons in the detail","duration":195},{"id":2823,"type":1,"imageIds":[2285]},{"id":1246,"type":1,"imageIds":[3404]},{"id":893,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1008_20180620161136.mp3","label":"dent - Bande-son, 2015, r\u00e9alis\u00e9e \u00e0 l\u2019h\u00f4tel Rembrandt, chambre 601, Tanger","duration":122},{"id":2914,"type":2,"content":"

 <\/strong><\/span><\/p>

Nous avons longuement frapp\u00e9 \u00e0 la porte<\/span><\/p>

Mais il n'a pas ouvert.<\/span><\/p>

Nous avons pass\u00e9 des nuits enti\u00e8res au pied de l'immeuble<\/span><\/p>

\u00c0 scruter chaque fen\u00eatre comme on esp\u00e8re un miracle<\/span><\/p>

Nous avons cri\u00e9 son nom, lui avons r\u00e9cit\u00e9 des po\u00e8mes \u00e0 en perdre la voix<\/span><\/p>

Tout le quartier a fini par nous conna\u00eetre<\/span><\/p>

Et nous, par devenir des habitu\u00e9s du caf\u00e9 d'en face.<\/span><\/p>

Et plus l'attente s'\u00e9paississait<\/span><\/p>

Plus nous inventions de nouveaux pr\u00e9textes \u00e0 une patience plus cruelle que le d\u00e9sespoir<\/span><\/p>

 <\/span><\/p>

Il respirait nos perp\u00e9tuelles supplications<\/span><\/p>

Se nourrissait de nos sempiternelles d\u00e9ceptions<\/span><\/p>

Et s'abreuvait des larmes qui, \u00e0 peine taries, se remettaient \u00e0 couler \u00e0 flot.<\/span><\/p>

 <\/span><\/p>

Derri\u00e8re la porte close<\/span><\/p>

L'espoir regardait \u00e0 travers le judas<\/span><\/p>

Et riait<\/span><\/p>

De ses fid\u00e8les adorateurs.<\/span><\/p>

 <\/span><\/p>","label":"

Derri\u00e8re la porte, <\/i>texte re\u00e7u de Tarik Hamdan le 15 avril  en amont de la rencontre \u00c9tats du texte #8<\/a>, le 22 mai 2026 \u00e0 Forcalquier.<\/p>

Traduction de l\u2019arabe : Thomas Guyonnet<\/p>"},{"id":873,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/985_20160322185421.mp3","label":"Derri\u00e8re la porte ouverte - Extrait de \"Derri\u00e8re la porte ouverte\", po\u00e8me de Lionel Jung-Allégret.","duration":110},{"id":270,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/356_20090114182126.mp3","label":"Des extensions aux Intensifs","duration":143},{"id":871,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/983_20160322184711.pdf","label":"Des go\u00fbts et des couleurs"},{"id":1073,"type":4,"fileUrl":"\/resources\/files\/file_64b7ef90d439b.mp3","duration":327},{"id":1074,"type":2,"content":"

 <\/p>

 <\/p>

Le silence<\/p>

 <\/p>

fait appara\u00eetre<\/p>

de nouveaux sons \u00e0 entendre.<\/p>

 <\/p>

La v\u00e9g\u00e9tation<\/p>

transperce l\u2019odeur de la vie.<\/p>

 <\/p>

Les branches<\/p>

sont l\u2019usure des caresses de l\u2019eau.<\/p>

 <\/p>

Le cours de l\u2019eau<\/p>

refl\u00e8te la beaut\u00e9 de la vie.<\/p>

 <\/p>

 <\/p>

                                                                            Ethan<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Belle gorge qui bouge comme<\/p>

la couleur bleu,<\/p>

 <\/p>

l\u2019attirance du silence.<\/p>

 <\/p>

 <\/p>

                                                                            Adam<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Autour de la pierre,<\/p>

 <\/p>

dans les failles,<\/p>

 <\/p>

la mousse r\u00e9pare les fissures<\/p>

 <\/p>

 <\/p>

                                                                            Romane<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Frissonnement du vent,<\/p>

 <\/p>

Craquements de falaise<\/p>

 <\/p>

Silence.<\/p>

 <\/p>

\u00c9couter l\u2019eau,<\/p>

 <\/p>

l\u2019eau qui dort.<\/p>

 <\/p>

Froid, paupi\u00e8res lourdes,<\/p>

 <\/p>

je suis<\/p>

 <\/p>

emprisonn\u00e9e<\/p>

 <\/p>

dans<\/p>

 <\/p>

diff\u00e9rents paysages.<\/p>

 <\/p>

 <\/p>

                                                                            L\u00e9a<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Je me demande           le bruit de l\u2019eau          la lumi\u00e8re<\/p>

 <\/p>

Tombe                        elle glisse lentement sur l\u2019eau<\/p>

 <\/p>

            le vent souffle             l\u2019eau               elle glisse lentement<\/p>

 <\/p>

en ruisselle en silence                        quelques gouttes<\/p>

 <\/p>

            commencent \u00e0 tomber.<\/p>

 <\/p>

 <\/p>

                                                                            Baptiste<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Laisse tomber l\u2019eau,<\/p>

la roche-nostalgie.<\/p>

 <\/p>

D\u00e9couvre lac barrage paysages,<\/p>

puise le calme.<\/p>

 <\/p>

Bien \u00eatre,<\/p>

sois nature.<\/p>

 <\/p>

 <\/p>

                                                                            Sol\u00e8ne<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

     Paupi\u00e8res lourdes,<\/p>

 <\/p>

regarder l\u2019envo\u00fbtement<\/p>

 <\/p>

                     de<\/p>

 <\/p>

          l\u2019eau qui dort.  <\/p>

 <\/p>

 <\/p>

                                                                            Levan<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Le temps vieillit mais ne<\/p>

se meurt jamais<\/p>

 <\/p>

l\u2019inconnu qu\u2019elle y cache<\/p>

 <\/p>

n\u2019est que la r\u00e9flexion<\/p>

du monde<\/p>

 <\/p>

car nous sommes la nature, vie<\/p>

 <\/p>

purifi\u00e9e, apais\u00e9e<\/p>

 <\/p>

la terre, notre m\u00e8re.<\/p>

 <\/p>

 <\/p>

                                                                            Lucie<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Attraction cosmique, infinie l\u2019eau de vie<\/p>

 <\/p>

gorge de pierre           apr\u00e8s destruction<\/p>

 <\/p>

au sommet du rocher : reconstruction<\/p>

 <\/p>

cellule ouverte signifie \u00e9preuve<\/p>

 <\/p>

 <\/p>

                                                                            Natana\u00ebl<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

L\u2019air fatigu\u00e9<\/p>

se propage<\/p>

dans la nature.<\/p>

 <\/p>

Un endroit frais<\/p>

une eau qui bouge.<\/p>

 <\/p>

Espace silence<\/p>

invisible.<\/p>

 <\/p>

 <\/p>

                                                                            Sarah<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Mon histoire apais\u00e9e, des sensation absorb\u00e9es.<\/p>

 <\/p>

L\u2019eau regarde avec attention la terre.<\/p>

 <\/p>

Environnement puissant emprisonn\u00e9.<\/p>

 <\/p>

Bourgeon nouveaut\u00e9, b\u00e9ton arm\u00e9.<\/p>

 <\/p>

Cheval d\u00e9natur\u00e9.<\/p>

 <\/p>

 <\/p>

                                                                            Mathias<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Tr\u00e8s claires, les feuilles<\/p>

semblent douces<\/p>

fines et fr\u00eales.<\/p>

 <\/p>

En moi la l\u00e9g\u00e8ret\u00e9,<\/p>

en moi la simplicit\u00e9,<\/p>

la discr\u00e9tion,<\/p>

et l\u2019attirance :<\/p>

 <\/p>

observe ces feuilles.<\/p>

 <\/p>

 <\/p>

                                                                            Victor<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Taches Bleues<\/p>

 <\/p>

Bleues Turquoise<\/p>

 <\/p>

Je me demande<\/p>

 <\/p>

S\u2019il y a<\/p>

 <\/p>

Des morts<\/p>

 <\/p>

Dans la profondeur.<\/p>

 <\/p>

 <\/p>

                                                                            Valentin<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Elle peut para\u00eetre calme,<\/p>

la pluie qui se d\u00e9pose,<\/p>

 <\/p>

qui s\u2019\u00e9coule silencieusement<\/p>

cach\u00e9e dans les profondeurs.<\/p>

 <\/p>

Je ne peux<\/p>

m\u2019emp\u00eacher de contempler<\/p>

quand je suis pr\u00e8s d\u2019elle.<\/p>

 <\/p>

Cercles hypnotisants et envo\u00fbtants<\/p>

entre les immenses roches qui l\u2019entourent<\/p>

 <\/p>

 <\/p>

je me sens paisible.<\/p>

 <\/p>

 <\/p>

                                                                            H\u00e9l\u00e8ne<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

\u00e7a m\u2019apaise<\/p>

 <\/p>

la naissance existe<\/p>

 <\/p>

un petit enfant avec ses bras et son corps<\/p>

 <\/p>

orange comme si c\u2019\u00e9tait son c\u0153ur<\/p>

 <\/p>

quelque touches de couleurs<\/p>

 <\/p>

accompagnent<\/p>

 <\/p>

l\u2019humanit\u00e9 : un oc\u00e9an,<\/p>

 <\/p>

un oiseau-rivage,<\/p>

 <\/p>

un radeau de douceur.<\/p>

 <\/p>

Peut-on visiter un lac vide ?<\/p>

 <\/p>

 <\/p>

                                                                            Justine<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Pierre calcaire.<\/p>

 <\/p>

Pierre glisse.<\/p>

 <\/p>

Buissons.<\/p>

 <\/p>

Plantes.<\/p>

 <\/p>

J\u2019imagine des vagues.<\/p>

 <\/p>

Sommet.<\/p>

 <\/p>

Grand.<\/p>

 <\/p>

Pas l\u2019habitude.<\/p>

 <\/p>

Je me sens tout petit.<\/p>

 <\/p>

J\u2019ai peur.<\/p>

 <\/p>

 <\/p>

                                                                            Th\u00e9o<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

Comment \u00e9couter l\u2019eau<\/p>

Comment la nature s\u2019est-elle cr\u00e9\u00e9e ?<\/p>

 <\/p>

Quand je regarde la v\u00e9g\u00e9tation,<\/p>

c\u2019est beau.<\/p>

 <\/p>

Les Gorges du Verdon sont magnifiques.<\/p>

 <\/p>

Quand je nage dans les lacs -<\/p>

paysages emprisonn\u00e9s par la verdure -<\/p>

le vent souffle sur l\u2019eau.<\/p>

 <\/p>

Les pierres tombant des montagnes<\/p>

me demandent comment, moi aussi,<\/p>

je suis n\u00e9.<\/p>

 <\/p>

 <\/p>

                                                                            Ryan<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>"},{"id":427,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/524_20100119182130.mp3","label":"Des soldats vont \u00e0 la mort, Ici et Mort - Lecture de la traduction fran\u00e7aise par Henri Deluy.","duration":182},{"id":955,"type":1,"imageIds":[3171]},{"id":778,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/885_20120831175327.mp3","label":"Destruction \u00e9cho - Lectures des traductions en fran\u00e7ais par Fr\u00e9d\u00e9ric Valabr\u00e8gue","duration":421},{"id":2905,"type":1,"imageIds":[4087]},{"id":2906,"type":1,"imageIds":[4088]},{"id":1289,"type":1,"imageIds":[3425]},{"id":1256,"type":1,"imageIds":[3409]},{"id":830,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/939_20131004170256.mp3","label":"Die nacht ist noch zu wenig nacht","duration":143},{"id":164,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/220_20070712171340.mp3","label":"Dimanche matin","duration":162},{"id":2555,"type":2,"content":"

 <\/p>

J\u2019aimerais vivre en Am\u00e9rique mais parfois non.<\/p>

J\u2019aimerais vivre sur un bateau mais parfois non.<\/p>

Je n\u2019aimerais pas vivre dans un coll\u00e8ge mais parfois si.<\/p>

Je n\u2019aimerais pas vivre dans un dessin mais parfois si.<\/p>

J\u2019aimerais vivre en exp\u00e9dition mais parfois non.<\/p>

J\u2019aimerais vivre en famille mais parfois non.<\/p>

J\u2019aimerais bien vivre dans une grande campagne mais parfois non.<\/p>

J\u2019aimerais bien vivre dans les histoires polici\u00e8res mais parfois non.<\/p>

J\u2019aimerais bien vivre en Inde mais parfois non.<\/p>

J\u2019aimerais bien vivre en Jama\u00efque mais parfois non.<\/p>

\u2014<\/p>

                    <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

Je m\u2019appelle Roxane.<\/p>

Mes parents ont choisi ce pr\u00e9nom.<\/p>

Depuis le d\u00e9but.<\/p>

Pas gr\u00e2ce \u00e0 la chanson.<\/p>

Ni m\u00eame \u00e0 mes grands-parents.<\/p>

\u2014<\/p>

 <\/p>

La beaut\u00e9 de ton sourire<\/strong><\/i><\/p>

Ton sourire s\u2019illumine.<\/p>

S\u2019illumine quand tu ris.<\/p>

Quand tu ris avec Mercy, Louane,Meryl, L\u00e9a et In\u00e8s.<\/p>

Mercy, Louane, Meryl, L\u00e9a et In\u00e8s sont comme ma famille.<\/p>

Ma famille avec lequel je ris aussi.<\/p>

 <\/p>","label":"

Roxane<\/p>"},{"id":2556,"type":2,"content":"

 <\/p>

 Les choses qui me d\u00e9go\u00fbtent<\/strong><\/p>

Les gens qui jouent minigun et rocket sur Fornite.<\/p>

Les gens qui jouent katana sur Fornite.<\/p>

Les gens qui se taillent en repu sur Fornite.<\/p>

Les gens qui se boxent en murs blind\u00e9s sur Fornite.<\/p>

Les campeurs sur Fornite.<\/p>

\u2014<\/p>

 <\/p>

Pourquoi fais-tu le voyou ?<\/p>

Viens t\u00eate \u00e0 t\u00eate avec ton contr\u00f4le parental d\u2019une heure.<\/p>

Arr\u00eate de raconter des salades.<\/p>

Viens te battre si t\u2019es un homme.<\/p>

Non d\u00e9sol\u00e9 t\u2019es haut comme trois pommes.<\/p>

Il faut pas pousser m\u00e9m\u00e9 dans les orties.<\/p>

T\u2019as un chat dans la gorge ? T\u2019as pas compris que je ne vais pas me battre.<\/p>

 <\/p>","label":"

Adel<\/p>"},{"id":2557,"type":2,"content":"

Mon pr\u00e9nom<\/strong><\/i><\/p>

L<\/strong>e pr\u00e9nom Lilou, c\u2019est le mien et il est joli.<\/p>

I<\/strong>l est f\u00eat\u00e9 le 17 novembre pour mon plus grand plaisir.<\/p>

L<\/strong>ilou est douce, gentille, adorable avec un brin de folie.<\/p>

O<\/strong>n pourrait dire qu\u2019elle aime sourire.<\/p>

U<\/strong>n tout petit peu pour rester chipie.<\/p>

\u2014<\/p>

 <\/p>

Les \u00e9l\u00e9ments<\/strong><\/p>

L\u2019apr\u00e8s-midi \u00e0 l\u2019ombre du figuier,<\/p>

Les arbres se reposent, surtout le pommier.<\/p>

Le soleil commence \u00e0 se coucher.<\/p>

C\u2019est bient\u00f4t l\u2019heure de r\u00eaver.<\/p>

La lumi\u00e8re s\u2019\u00e9teint et la lune se r\u00e9veille.<\/p>

Tout le monde ferme les paupi\u00e8res \u00e0 Marseille.<\/p>

Les oiseaux s\u2019envolent des branches et vont se coucher.<\/p>

La nuit, allong\u00e9e dans les pr\u00e9s.<\/p>

\u2014<\/p>

 <\/p>

Ma fleur<\/strong><\/i><\/p>

Ma fleur a une couleur rouge, elle est tr\u00e8s douce.<\/p>

Elle sent tr\u00e8s bon, sa couleur rouge permet de se r\u00e9unir.<\/p>

Elle sert de d\u00e9coration pour toutes les f\u00eates.<\/p>

Elle n\u2019a qu\u2019un d\u00e9faut : elle fane tr\u00e8s vite.<\/p>","label":"

Lilou C.<\/p>"},{"id":2558,"type":2,"content":"

 <\/p>

Plonge sous la surface,<\/p>

Marche sur l'eau.<\/p>

Tu as peur.<\/p>

Mais le feu br\u00fble tes peurs.<\/p>

Jusque dans tes yeux.<\/p>

De partout dans ton corps<\/p>

qui se casse jusque dans tes os.<\/p>

Tout le poids de ton corps au repos,<\/p>

tu t'envoles comme un oiseau<\/p>

fatigue oiseau envole toi !<\/p>

Jusque dans le bruissement des branches<\/p>

plus vert qu'une feuille<\/p>

mais pas aussi vert<\/p>

qu'un jardin pousse en toi<\/p>

deux poumons gonfl\u00e9s d'oxyg\u00e8ne<\/p>

qui passe dans le sang<\/p>

qui arrive petit \u00e0 petit<\/p>

au rythme de nos pas.<\/p>

\u2014<\/p>

 <\/p>

Les choses qui rendent tristes<\/strong><\/i><\/p>

Mort d\u2019un animal de compagnie.<\/p>

Mort d\u2019une personne de ma famille.<\/p>

Mort d\u2019un b\u00e9b\u00e9 qui a \u00e9t\u00e9 enlev\u00e9 \u00e0 deux mois et un jour.<\/p>

Fin d\u2019une s\u00e9rie trop bien.<\/p>

Avoir un cancer.<\/p>

\u2014<\/p>

 <\/i><\/p>

La beaut\u00e9 de ton sourire<\/strong><\/i><\/p>

Ton sourire ressemble \u00e0 l'eau de la pluie.<\/p>

La pluie mouille ta t\u00eate.<\/p>

Ta t\u00eate est en arc en ciel.<\/p>

L\u2019arc en ciel est forme par la beaut\u00e9 du soleil.<\/p>

 <\/p>","label":"

Matteo D.<\/p>"},{"id":2559,"type":2,"content":"

 <\/p>

La beaut\u00e9 de ton sourire.<\/p>

Ton sourire \u00e9clatant.<\/p>

Eclatant comme les rayons de soleil sur l'eau.<\/p>

Sur l'eau il y a des bateaux.<\/p>

Bateaux de croisi\u00e8re.<\/p>

Croisi\u00e8re de r\u00eave.<\/p>

R\u00eave de sports dynamiques.<\/p>

Dynamique comme la pluie qui tombe.<\/p>

\u2014<\/p>

 <\/p>

L'air de rien,<\/p>

tu es comme un grain.<\/p>

Inspire le silence.<\/p>

Laisse ton corps s'emporter comme une lance,<\/p>

et tout passe et tout s\u2019\u00e9vanouit.<\/p>

Ce n'est pas comme un jeu ou tu retournes dans ton lit.<\/p>

Puis tu \u00e9coutes le rire en cascade,<\/p>

pour ne pas \u00eatre fade.<\/p>

 <\/p>","label":"

Cl\u00e9ment<\/p>"},{"id":2561,"type":2,"content":"

 <\/p>

La beaut\u00e9 de ton sourire.<\/p>

Ton sourire est tr\u00e8s beau.<\/p>

Tr\u00e8s beau comme ton cheval.<\/p>

Ton cheval galope bien.<\/p>

Galope bien dans la prairie.<\/p>

La prairie est tr\u00e8s verte.<\/p>

Tr\u00e8s verte comme ta courgette.<\/p>

\u2014<\/p>

 <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

J\u2019aime mon pr\u00e9nom.<\/p>

Mon pr\u00e9nom est comme Robin des bois, qui vole aux riches pour donner aux pauvres.<\/p>

Robin des bois sait viser \u00e0 l\u2019arc mais moi non !<\/p>

\u2014<\/p>

 <\/p>

Pourquoi veux-tu que je m\u2019en fasse ?<\/p>

S\u2019il n\u2019est pas content qu\u2019il aille se faire voir ailleurs.<\/p>

Attention tu vas tomber dans les pommes !<\/p>

Ce n\u2019est pas toi qui a invent\u00e9 l\u2019eau chaude !<\/p>

Arr\u00eate de raconter des salades<\/p>

Toi t\u2019es haut comme trois pommes.<\/p>

 <\/p>","label":"

Robin<\/p>"},{"id":2562,"type":2,"content":"

 <\/p>

J'aimerais vivre en Arabie Saoudite mais parfois non.<\/p>

J'aimerais vivre avec un b\u00e9b\u00e9 mais parfois non.<\/p>

J'aimerais vivre dans une case mais parfois non.<\/p>

J'aimerais vivre sur le dos d'un dinosaure mais parfois non.<\/p>

J'aimerais vivre avec un \u00e9l\u00e9phant mais parfois non.<\/p>

J'aimerais vivre avec un farfadet mais parfois non.<\/p>

Je n'aimerais pas vivre en G\u00e9orgie mais parfois si.<\/p>

Je n'aimerais pas vivre dans un hammam mais parfois si.<\/p>

Je n'aimerais pas vivre en Italie mais parfois si.<\/p>

 <\/p>","label":"

Antony<\/p>"},{"id":2563,"type":2,"content":"

 <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

Valentina est le pr\u00e9nom de l\u2019arri\u00e8re-grand-m\u00e8re de mon p\u00e8re.<\/p>

Venue d'Italie, en arrivant en France elle a chang\u00e9 de pr\u00e9nom pour Valentine.<\/p>

Mes seconds pr\u00e9noms sont Nelly et Laure.<\/p>

Valentina veut dire \u00ab robuste et puissante \u00bb. Il est Italien, latin et Europ\u00e9en.<\/p>

\u2014<\/p>

 <\/p>

La joie<\/strong><\/i><\/p>

La musique.<\/p>

La danse.<\/p>

Ma famille.<\/p>

Mes amis.<\/p>

Voyager.<\/p>

\u2014

-Pourquoi tu veux que je m'en fasse s'il n\u2019est pas content qu 'il aille se faire voir ailleurs.
-Arr\u00eate de raconter des salades.
-Alors l\u00e0 c'est l'h\u00f4pital qui se fout de la charit\u00e9.
-Toi t'as pas la langue dans ta poche.
-Oui mais au moins, moi, je regarde plus loin que le bout de mon nez !<\/p>","label":"

Valentina<\/p>"},{"id":2564,"type":2,"content":"

 <\/p>

Cet objet dispara\u00eet vite, il marche tr\u00e8s bien, il a plusieurs couleurs, il est en plastique, il est l\u00e9ger et bleu.<\/p>

Il permet d'inventer, il se vide vite et fait beaucoup d'envieux .<\/p>

\u2014<\/p>

 <\/p>

Je n'aimerais pas vivre en Autriche mais parfois si.<\/p>

Je n'aimerais pas vivre sur un Bateau mais parfois si.<\/p>

J'aimerais vivre au centre commercial mais parfois non.<\/p>

J'aimerai vivre \u00e0 Duba\u00ef mais parfois non.<\/p>

Je n'aimerais pas vivre en Egypte mais parfois si.<\/p>

Je n'aimerais pas vivre pr\u00e9s d'une Falaise mais parfois si.<\/p>

J'aimerais vivre \u00e0 Grenoble mais parfois non.<\/p>

Je n'aimerais pas vivre dans un H\u00e9licopt\u00e8re mais parfois si.<\/p>

J'aimerais vivre en Italie mais parfois non.<\/p>

J'aimerais vivre au Japon mais parfois non.<\/p>

Je n'aimerais pas vivre avec un Koala mais parfois si.<\/p>

J'aimerais vivre en Laponie mais parfois non.<\/p>

J'aimerais vivre au Maroc mais parfois non.<\/p>

J'aimerais vivre \u00e0 New York mais parfois non.<\/p>

J'aimerais vivre dans l\u2019oc\u00e9an mais parfois non.<\/p>

\u2014<\/p>

 <\/p>

Choses qui rendent joyeux<\/strong><\/i><\/p>

Passer du temps avec mon cheval.<\/p>

Ecouter de la musique.<\/p>

Caresser mes animaux.<\/p>

Faire du shopping.<\/p>

Rester dans ma chambre.<\/p>

 <\/p>","label":"

Romane<\/p>"},{"id":2565,"type":2,"content":"

 <\/p>

Des chamallows grill\u00e9s<\/strong><\/i><\/p>

J'ai croqu\u00e9 des chamallows grill\u00e9s. <\/p>

Pr\u00eat pour le feu d'artifice?<\/p>

Tr\u00e8s lentement l'\u00e9tincelle jaillit.<\/p>

La fum\u00e9e m'envahit.<\/p>

Je tombe emport\u00e9e par le vent.<\/p>

\u2014<\/p>

 <\/p>

Un stylo 4 couleurs<\/strong><\/i><\/p>

Quatre couleurs, un arc en ciel, un arc en ciel apr\u00e8s la pluie, la pluie qui tombe du ciel, le ciel bleu, bleu comme l\u2019eau, l\u2019eau sale, sale comme la mer, la mer et ses animaux, les animaux de la for\u00eat, la for\u00eat et ses feuilles, des feuilles \u00e0 papier .<\/p>

\u2014<\/p>

 <\/p>

La plage<\/strong><\/i><\/p>

Regardons les traces laiss\u00e9es derri\u00e8re nous quand on marche pieds nus sur le sable mouill\u00e9.<\/p>

C'est si doux et agr\u00e9able.<\/p>

Pieds nus sur le sable mouill\u00e9 j'ai \u00e9cras\u00e9 des oreilles et des coquillages, j\u2019ai attrap\u00e9 des poissons.<\/p>

Je t'aime un mercredi devant la mer.<\/p>

Pieds nus sur le sable mouill\u00e9.<\/p>

Regarde mes bras s'ouvrent.<\/p>

Pour te prendre dans mes bras au clair de l'amour.<\/p>

Appr\u00e9cions le coucher du soleil et retour aux sources<\/p>

 <\/p>","label":"

Nourine<\/p>"},{"id":2566,"type":2,"content":"

 <\/p>

Gr\u00e2ce \u00e0 une seule goutte d\u2019eau,<\/p>

J\u2019ai l\u00e2ch\u00e9 tout mon fardeau.<\/p>

Elle coule de haut en bas,<\/p>

Sans jamais trahir l\u2019omerta.<\/p>

 <\/p>

Gr\u00e2ce \u00e0 une seule goutte d\u2019eau,<\/p>

On peut \u00e9teindre la m\u00e8che qu\u2019on fait<\/p>

Avec deux silex et un brin d\u2019herbe s\u00e8che.<\/p>

\u2014<\/p>

 <\/strong><\/p>

Les allumettes<\/strong><\/i><\/p>

Les allumettes sont source de lumi\u00e8re.<\/p>

Ces petits bouts de bois \u00e0 la tige brun\u00e2tre ont la t\u00eate rouge qui br\u00fble de chaleur.<\/p>

Elles nous \u00e9clairent, nous r\u00e9chauffent et ravivent nos \u00e2mes humaines.<\/p>

Plus elles br\u00fblent, plus elles se remplissent de noirceur, de cendres et finissent leur vie telle une vulgaire brindille qui s\u2019effrite dans le fin fond de la chemin\u00e9e.<\/p>

\u2014<\/p>

 <\/p>

La beaut\u00e9 de ton sourire.<\/p>

Sourire qui illumine ma vie.<\/p>

Vis ta vie tant qu\u2019il en est encore temps.<\/p>

Tant pis si j\u2019ai le d\u00e9grad\u00e9 qui a pel\u00e9<\/p>

Pel\u00e9 \u00e9tait rapide.<\/p>

Rapide comme l\u2019\u00e9clair.<\/p>

L\u2019\u00e9clair de la nuit.<\/p>

Nuit noire o\u00f9 m\u00eame mon ombre me trahit.<\/p>

Trahis pas l\u2019omerta.<\/p>

 <\/p>","label":"

Axel<\/p>"},{"id":2567,"type":2,"content":"

 <\/p>

Chiara mon pr\u00e9nom italien signifie Claire en fran\u00e7ais.<\/p>

Hier c'\u00e9tait mon pr\u00e9nom et il le restera toute ma vie.<\/p>

 <\/p>

Les choses qui me d\u00e9go\u00fbtent<\/strong><\/p>

Poivrons,<\/p>

Petits pois,<\/p>

Concombres,<\/p>

Artichauts.<\/p>

\u2014<\/p>

 <\/p>

Je n'aimerais pas vivre en Afrique mais parfois si.<\/p>

Je n'aimerais pas vivre en Bretagne mais parfois si.<\/p>

J'aimerais bien vivre dans un ch\u00e2teau mais parfois non.<\/p>

Je n'aimerais pas vivre avec le danger mais parfois si.<\/p>

Je n'aimerais pas vivre en Ethiopie mais parfois si.<\/p>

J'aimerais bien vivre en France mais parfois non.<\/p>

J'aimerais bien vivre en G\u00e9orgie mais parfois non.<\/p>

Je n'aimerais pas vivre en hauteur sur une montagne<\/p>

Je n'aimerais pas vivre ici dans le coll\u00e8ge mais parfois si.<\/p>

Je n'aimerais pas vivre dans les jonquilles mais parfois si.<\/p>

Je n'aimerais pas vivre avec Kirikou mais parfois si.<\/p>

J'aimerais bien vivre \u00e0 Luna Park mais parfois non.<\/p>

Je n'aimerais pas vivre \u00e0 Monaco mais parfois si.<\/p>

Je n'aimerais pas vivre au N\u00e9pal mais parfois si.<\/p>

Je n'aimerais pas vivre \u00e0 Orl\u00e9ans mais parfois si.<\/p>

 <\/p>","label":"

Chiara P.<\/p>"},{"id":2568,"type":2,"content":"

 <\/p>

Quand la montagne tremble.<\/p>

Elle bouge et se casse en deux.<\/p>

On voit de la fum\u00e9e<\/p>

Autour d\u2019un grand feu de joie.<\/p>

Comme une coul\u00e9e de lave.<\/p>

\u2014<\/p>

 <\/p>

Les choses qui me rendent joyeux<\/strong><\/i><\/p>

Quand je joue au foot.<\/p>

Quand j'ai des bonnes notes.<\/p>

Quand il y a des combats de UFC<\/p>

Quand je joue \u00e0 la play.<\/p>

Quand ma m\u00e8re ne me frappe pas.<\/p>

\u2014<\/p>

 <\/p>

Quand on pleure.<\/p>

Tristesse liquide.<\/p>

Qui coule comme un ruisseau.<\/p>

 <\/p>","label":"

Rayane<\/p>"},{"id":2549,"type":2,"content":"

 <\/p>

Le r\u00eave<\/strong><\/i><\/p>

Comme un rocher moelleux je r\u00eave dans mon lit, de soleil ou de rallumer des \u00e9toiles, et au loin j'aper\u00e7ois des flammes qui dansent.<\/p>

Pieds nus sur le sable mouill\u00e9 je r\u00eavasse toute la journ\u00e9e puis la nuit je m\u2019allonge dans les pr\u00e8s.<\/p>

\u2014<\/p>

 <\/p>

L'hibiscus<\/strong><\/i><\/p>

Cette fleur est magnifique rose, assez grande, elle pousse \u00e0 plusieurs comme en groupe, elle peut faner assez vite mais certaines peuvent durer tr\u00e8s longtemps.<\/p>

Cette fleur je l'aime bien car elle me fait penser aux vacances d'\u00e9t\u00e9.<\/p>

\u2014<\/p>

 <\/p>

Le go\u00fbt des mots<\/strong><\/i><\/p>

-Pourquoi veux-tu que je m'en fasse ?  S'il n'est pas d'accord qu'il aille se faire voir ailleurs !<\/p>

-Arr\u00eate de raconter des salades.<\/p>

-C'est l\u2019h\u00f4pital qui se fout de la charit\u00e9.<\/p>

-Faut pas pousser le bouchon trop loin de toute fa\u00e7on je jette l'\u00e9ponge tu n'en vaut pas la peine.<\/p>

 <\/p>","label":"

Emma<\/p>"},{"id":2551,"type":2,"content":"

 <\/p>

 Mon pr\u00e9nom :<\/strong><\/i><\/p>

Mon pr\u00e9nom oui, je l\u2019aime.<\/p>

Je le porte car mes parents aiment ce pr\u00e9nom.<\/p>

Mon pr\u00e9nom est court : 4 lettres.<\/p>

L\u00e9na est un pr\u00e9nom grecque et le diminutif d\u2019H\u00e9l\u00e8ne<\/p>

Il signifie \u00ab \u00e9clat de soleil \u00bb.<\/p>

Il s\u2019est impos\u00e9 en France \u00e0 partir des ann\u00e9es 1990.<\/p>

\u2014<\/p>

 <\/strong><\/p>

Mon t\u00e9l\u00e9phone est rose clair, je peux appeler, envoyer des messages, jouer.<\/p>

Mais il se casse aussi vite, plus de stockage, se perd vite.<\/p>

Mon t\u00e9l\u00e9phone a une coque transparente, il est rectangulaire.<\/p>

\u2014<\/p>

 <\/p>

Joie<\/strong><\/i><\/p>

Quand je vois mes copines.<\/p>

Quand je pars en voyage.<\/p>

Quand je d\u00e9pense mon argent.<\/p>

Quand je vois mes cousins.<\/p>

Quand je dors.<\/p>

 <\/p>","label":"

L\u00e9na T.<\/p>"},{"id":2554,"type":2,"content":"

 <\/p>

Tu \u00e9coutes immobile.<\/p>

Tu danses dans le silence.<\/p>

Ton c\u0153ur est n\u00e9 hymne<\/p>

qui fait battre la France,<\/p>

avec certaines nuances.<\/p>

Tu inspires le silence.<\/p>

\u2014<\/p>

 <\/p>

Les abeilles<\/strong><\/i><\/p>

Il n\u2019est rien de comparable aux abeilles<\/p>

si fragiles, si faibles.<\/p>

Elles nous cassent souvent les pieds<\/p>

mais c\u2019est pour se prot\u00e9ger.<\/p>

Blanches, noires et jaunes.<\/p>

Elles sont petites, mais elles occupent<\/p>

une grande place dans la biodiversit\u00e9.<\/p>

Avec leur miel si app\u00e9tissant,<\/p>

elles finissent leur vie en butinant.<\/p>

\u2014<\/p>

 <\/p>

Un jardin pousse en moi.<\/p>

Mon c\u0153ur qui un jour fanera.<\/p>

Mon sang est une eau sacr\u00e9e<\/p>

Qui a pour but de m\u2019alimenter<\/p>

Cela passe de ma t\u00eate \u00e0 mes hanches<\/p>

dans le bruissement des branches.<\/p>

 <\/p>","label":"

Ethan<\/p>"},{"id":2546,"type":2,"content":"

 <\/p>

 Dans la nuit,<\/p>

Tu \u00e9coutes immobile<\/p>

Ce que t\u2019inspire le silence<\/p>

Tu regardes les nuages dessiner notre route<\/p>

Puis dans tes pens\u00e9es,<\/p>

Tu vas et franchis des fronti\u00e8res.<\/p>

\u2014<\/p>

 <\/p>

Dans l\u2019eau claire de l\u2019amour,<\/p>

En trempant nos p\u00e9tons dans le lac<\/p>

Mon regard tangue<\/p>

En regardant tes yeux turquoises<\/p>

En pensant \u00e0 ton sourire<\/p>

Mon \u00e2me chari-varie.<\/p>

\u2014<\/p>

 <\/p>

La beaut\u00e9 de ton sourire m\u2019enivre.<\/p>

M\u2019enivre comme tes yeux bleus<\/p>

Bleus comme le ciel<\/p>

Le ciel \u00e9toil\u00e9 comme tes grains de beaut\u00e9<\/p>

Beaut\u00e9 de ton regard<\/p>

Ton regard m\u2019\u00e9gare.<\/p>

 <\/p>","label":"

Cataleya<\/p>"},{"id":2560,"type":2,"content":"

 <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

Je devais m'appeler Louane mais je m'appelle Lylou, avec un Y et non pas avec un I car c'\u00e9tait trop commun.<\/p>

J'aime mon pr\u00e9nom car je le vois souvent.<\/p>

Mon pr\u00e9nom est d'origine h\u00e9bra\u00efque.<\/p>

\u2014<\/p>

 <\/p>

Les choses qui me rendent heureuses<\/strong><\/i><\/p>

Mes amies.<\/p>

Ma console de jeu.<\/p>

Dessiner.<\/p>

Regarder des s\u00e9ries.<\/p>

Mon t\u00e9l\u00e9phone.<\/p>

\u2014<\/p>

 <\/p>

Je n'aimerais pas vivre en Asie mais parfois si.<\/p>

Je n'aimerais pas vivre dans une baignoire mais parfois si.<\/p>

J'aimerais vivre avec un chat mais parfois non.<\/p>

Je n'aimerais pas vivre avec un dinosaure mais parfois si.<\/p>

J'aimerais vivre en Espagne mais parfois non.<\/p>

Je n'aimerais pas vivre dans un frigo mais parfois si.<\/p>

J'aimerais vivre dans une grande maison mais parfois non.<\/p>

 <\/p>","label":"

Lylou G.<\/p>"},{"id":2547,"type":2,"content":"

 <\/p>

Dans la nuit,<\/p>

Tu \u00e9coutes immobile<\/p>

Ce que t\u2019inspire le silence<\/p>

Tu regardes les nuages dessiner notre route<\/p>

Puis dans tes pens\u00e9es,<\/p>

Tu vas et franchis des fronti\u00e8res.<\/p>

\u2014<\/p>

 <\/p>

Dans l\u2019eau claire de l\u2019amour,<\/p>

En trempant nos p\u00e9tons dans le lac<\/p>

Mon regard tangue<\/p>

En regardant tes yeux turquoises<\/p>

En pensant \u00e0 ton sourire<\/p>

Mon \u00e2me chari-varie.<\/p>

\u2014<\/p>

 <\/p>

La beaut\u00e9 de ton sourire m\u2019enivre.<\/p>

M\u2019enivre comme tes yeux bleus<\/p>

Bleus comme le ciel<\/p>

Le ciel \u00e9toil\u00e9 comme tes grains de beaut\u00e9<\/p>

Beaut\u00e9 de ton regard<\/p>

Ton regard m\u2019\u00e9gare.<\/p>

 <\/p>","label":"

Chiara A.<\/p>"},{"id":2569,"type":2,"content":"


Quand la montagne tremble.<\/p>

Elle bouge et se casse en deux.<\/p>

On voit de la fum\u00e9e<\/p>

Autour d\u2019un grand feu de joie.<\/p>

Comme une coul\u00e9e de lave.<\/p>

\u2014<\/p>

 <\/p>

Les choses qui me rendent joyeux<\/strong><\/p>

Quand je joue au foot.<\/p>

Quand j'ai des bonnes notes.<\/p>

Quand il y a des combats de UFC<\/p>

Quand je joue \u00e0 la play.<\/p>

Quand ma m\u00e8re ne me frappe pas.<\/p>

\u2014<\/p>

 <\/p>

Quand on pleure.<\/p>

Tristesse liquide.<\/p>

Qui coule comme un ruisseau.<\/p>

 <\/p>","label":"

Dino<\/p>"},{"id":2548,"type":2,"content":"

 <\/p>

Je n\u2019aimerais pas vivre \u00e0 Aumale mais parfois si.<\/p>

Je n\u2019aimerais pas vivre \u00e0 Bruxelles mais parfois si.<\/p>

J\u2019aimerais bien vivre en Californie mais parfois non.<\/p>

Je n\u2019aimerais pas vivre au Danemark mais parfois si.<\/p>

Je n\u2019aimerais pas vivre en Espagne mais parfois si.<\/p>

J\u2019aimerais bien vivre avec Florian mon meilleur ami mais parfois non.<\/p>

Je n\u2019aimerais pas habiter avec un gang mais parfois si.<\/p>

Je n\u2019aimerais pas vivre avec Harry Potter mais parfois si.<\/p>

Je n\u2019aimerais pas vivre en Indon\u00e9sie mais parfois si.<\/p>

J\u2019aimerais bien vivre au japon mais parfois non.<\/p>

Je n\u2019aimerais pas habiter au Kansas mais parfois si.<\/p>

J\u2019aimerais bien habiter \u00e0 Lille mais parfois non.<\/p>

Je n\u2019aimerais pas habiter \u00e0 Monaco mais parfois si.<\/p>

Je n\u2019aimerais pas vivre avec Nathan mon petit fr\u00e8re mais parfois si.<\/p>

J\u2019aimerais bien nager dans l\u2019oc\u00e9an mais parfois non.<\/p>

Je n\u2019aimerais pas vivre avec un poule mais parfois si.<\/p>

Je n\u2019aimerais pas vivre sur la Terre mais parfois si.<\/p>

Je n\u2019aimerais pas vivre avec Ursula mais parfois si.<\/p>

\u2014<\/p>

 <\/p>

La beaut\u00e9 de ton sourire me fait sourire dans un nouveau monde.<\/p>

Un monde inconnu.<\/p>

L\u2019inconnu ne me fait pas peur.<\/p>

Pas peur de d\u00e9couvrir de nouvelles choses.<\/p>

Les nouvelles choses sont des choses incroyables.<\/p>

Choses incroyables comme toi !<\/p>

Comme toi je suis une merveille.<\/p>

Une merveille comme une fleur en automne.<\/p>

En automne toutes les fleurs mortes part terre me rendent un peu triste.<\/p>

Triste car je ne peux pas te voir.<\/p>

Te voir me rend heureuse comme jamais.<\/p>

Comme jamais je ne cesse de penser \u00e0 toi.<\/p>

Penser \u00e0 toi en regardant le ciel.<\/p>

Le ciel o\u00f9 tu es maintenant mamie.<\/p>

\u2014<\/p>

 <\/p>

Choses qui rendent joyeux <\/strong><\/i><\/p>

 Parler avec mon meilleur ami Florian en messages.<\/p>

Etre avec mes deux chiens Djes et Pekie.<\/p>

Faire des g\u00e2teaux.<\/p>

Lire des romans et des mangas.<\/p>

Jouer \u00e0 la Play 5 et 4.<\/span><\/p>

 <\/p>","label":"

Chiara A.<\/p>"},{"id":2550,"type":2,"content":"

 <\/p>

Le soleil embrasse la mer.<\/p>

Guardando il sole penso a tu.<\/i><\/p>

J'aime cueillir la ros\u00e9e.<\/p>

Il y a toujours le secret des sentiers.<\/p>

\u00c7a circule \u00e7a me picote dans mon corps.<\/p>

Mon c\u0153ur palpite.<\/p>

Mon \u00e2me mon pr\u00e9nom mon c\u0153ur sont \u00e0 toi.<\/p>

Mes bras s'ouvrent \u00e0 ton regard.<\/p>

Ma joue pos\u00e9e contre la tienne.<\/p>

\u2014<\/p>

 <\/p>

La joie<\/strong><\/i><\/p>

Caresser mes animaux.<\/p>

Passer du temps avec mes s\u0153urs.<\/p>

Dormir profond\u00e9ment.<\/p>

Jouer \u00e0 la Play avec mes potes.<\/p>

Ecouter du Jul avec mes \u00e9couteurs.<\/p>

 <\/p>","label":"

Meryl <\/p>"},{"id":2552,"type":2,"content":"

 <\/p>

La beaut\u00e9 de ton sourire.<\/p>

Ton sourire agr\u00e9able.<\/p>

Agr\u00e9able comme ma Play.<\/p>

Ma Play qui sert \u00e0 jouer.<\/p>

Jouer \u00e0 GTA<\/p>

---<\/p>

 <\/p>

Pourquoi veux-tu que je m\u2019en fasse ? S\u2019il n\u2019est pas content qu\u2019il aille se faire voir ailleurs.<\/p>

Tu t\u2019es vu ? Tu es haut comme trois pommes.<\/p>

C\u2019est l\u2019h\u00f4pital qui se fiche de la charit\u00e9.<\/p>

Faut pas pousser m\u00e9m\u00e9 dans orties.<\/p>

---<\/p>

 <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

Timide<\/p>

Int\u00e9ress\u00e9 par l\u2019OM<\/p>

Macaque<\/p>

Energique<\/p>

OLYMPIQUE DE MARSEILLE<\/p>

 <\/p>","label":"

Tim\u00e9o B.<\/p>"},{"id":2553,"type":2,"content":"

 <\/p>

La beaut\u00e9 de ton sourire.<\/p>

Ton sourire doux comme la neige blanche.<\/p>

Blanc comme les nuages qui dirige le sens de ma vie comme toi tu le fais.<\/p>

Toi mon p\u00e8re qui me manque tellement.<\/p>

\u2014<\/p>

           <\/p>

Je m\u2019appelle L\u00e9a.<\/p>

Mes parents ont voulu me donner ce pr\u00e9nom parce qu\u2019ils l\u2019aimaient mais ils avaient h\u00e9sit\u00e9 entre L\u00e9na et L\u00e9a. Finalement je m\u2019appelle L\u00e9a, car leurs amies ont appel\u00e9 leur fille de mon \u00e2ge L\u00e9na.<\/p>

La signification de L\u00e9a veut dire lionne et fatigu\u00e9e. Le pr\u00e9nom L\u00e9a est un pr\u00e9nom latin : en latin il se dit Leia.<\/p>

\u2014<\/p>

 <\/p>

La tristesse <\/strong><\/i><\/p>

Mon p\u00e8re.<\/p>

Etre punie.<\/p>

Ne pas beaucoup voir mes cousines.<\/p>

Les \u00e9valuations<\/p>

Une musique qui me fait pleurer.<\/p>

 <\/p>","label":"

L\u00e9a C.<\/p>"},{"id":2123,"type":2,"content":"


Ode \u00e0 mon Bic<\/strong><\/p>

Merveilleux stylo Bic<\/p>

Clic Clic<\/p>

Quand tu marques sur l\u2019enveloppe<\/p>

Hop Hop<\/p>

Tu glisses mieux que la gouache<\/p>

Splash Splash<\/p>

C\u2019est l\u2019heure du jogging<\/p>

Gling Gling<\/p>

Tous les jours l\u2019\u00e9criture<\/p>

Dur Dur<\/p>

Et voil\u00e0 le r\u00e9sultat<\/p>

Patatras<\/p>

Tous les jours des devoirs<\/p>

Argh !!!<\/p>

 <\/p>","label":"

Tess<\/p>"},{"id":2133,"type":2,"content":"

 <\/p>

On peut mettre dans son c\u0153ur  : ses amis, son petit ami, son chat, son chien, sa famille, son hamster, son sang, un amour, des lingots d\u2019or, son plat pr\u00e9f\u00e9r\u00e9, son chapeau, son mascara, sa t\u00e9l\u00e9vision, son enfant, son shampoing, son village, sa maison, son amoureux, les meilleurs moments de sa vie, ses miels pops, son poisson rouge, son chocolat au lait, son cheval, sa voiture, sa vache, ses chaussures, sa montre, sa fleur, sa joie, son jouet, sa manette de jeux vid\u00e9o, sa canne, sa pi\u00e8ce de monnaie, sa haine envers quelqu\u2019un, sa bo\u00eete de m\u00e9dicament, sa vie.<\/p>

 <\/p>","label":"

Livia <\/p>"},{"id":2134,"type":2,"content":"


On peut mettre dans une main :<\/p>

- un stylo, une gomme, un bouchon, un fil, des miettes, une boucle d\u2019oreille, une paire de lunette, une fourchette, une souris, un dictionnaire, un livre, un t\u00e9l\u00e9phone, un chargeur, un papier, un DVD, un taille crayon, une chaussette, un aimant, un feutre, une r\u00e8gle, un trombone, une branche, du savon, un bracelet, une bague, de la paille, un chaton, du scotch ;<\/p>

- de l\u2019argent, une poign\u00e9e, des piles, une pile, un coquelicot, du liquide, un oreiller, une bouteille, de la transpiration, un sac, un oiseau, des cheveux, des salet\u00e9s, de la peinture, un gant, une \u00e9charpe, un jouet, un sifflet, une montre, de la terre, une chaussure, un bocal, une bo\u00eete, une pince, un rubik\u2019s cube, une carte un cahier, une bille, des paillettes, un chapeau, une pomme, de la nourriture, un chouchou et un poil.<\/p>

 <\/p>","label":"

Kalie<\/p>"},{"id":2135,"type":2,"content":"


On peut mettre dans une biblioth\u00e8que : une voiture, un stylo, une table, des livres, des portes, des fen\u00eatres, un tableau, une feuille, un canap\u00e9, une t\u00e9l\u00e9, des personnes, un ordinateur, des g\u00e2teaux, des pinceaux, des crayons, des trottinettes, une chaise, une moto, un v\u00e9lo, un ventilateur, des tigres, des \u00e9l\u00e9phants, des vestes, des bouteilles, des imprimantes, des lunettes, des troph\u00e9es, un camion, des rubik\u2019s cubes, des chevaux, des perruches, des arbres, de la terre, des branches, des horloges, des cailloux, de la neige, de la glace, des bonbons, des si\u00e8ges, des lits, des cartables, des DVD, des grus, des chaussures, des fruits, des pelles, des outils, des gommes, des taille-crayons, des chapeaux, la Joconde, des po\u00e8tes, des cuill\u00e8res, des couteaux, des fourchettes, des verres, des serviettes, des vid\u00e9os-projecteurs, des jeux vid\u00e9os, des effaceurs, des porte-manteaux, des cahiers, des prises, des lampes.<\/p>

 <\/p>","label":"

Camille<\/p>"},{"id":2136,"type":2,"content":"

 <\/p>

On peut mettre dans une poche : des cl\u00e9s, des papiers, un stylo, un rat, une coupe du monde, une voiture, une plan\u00e8te, un corbeau, une PS5, un d\u00e9grad\u00e9, une babouche, un building, des v-bucks, des TN, une t\u00e9l\u00e9, un chausson aux pommes, de l\u2019or, des airs force one et une Lamborghini Aventador<\/p>

 <\/p>","label":"

Lorenzo<\/p>"},{"id":2137,"type":2,"content":"

 <\/p>

Lorsque l\u2019on ouvre une chambre, la porte s\u2019ouvre et grince, une personne lit, fait son travail sur son bureau, joue, s\u2019amuse, range, customise ses affaires, regarde la t\u00e9l\u00e9 ou son t\u00e9l\u00e9phone, \u00e9crit, fait des soir\u00e9e pyjama, allume une bougie, dessine et \u00e9coute de la musique.<\/p>

 <\/p>","label":"

Lila<\/p>"},{"id":2138,"type":2,"content":"

 <\/p>

Dans un lit, on peut mettre : un doudou, une couverture, un coussin, une manette, un humain, une tablette, un t\u00e9l\u00e9phone, un chien, un chat, un cochon, un singe, du maquillage, des bijoux, une banane, une p\u00eache, une montre, des habits, un sac, du nutella, des lunettes, un livre, un r\u00e9veil, un cahier, une carte, une perruque, un cochon d\u2019Inde, un pain au chocolat, des jouets, du pop-corn, une bo\u00eete, un \u00e9lastique, des chaussures, une lampe, un poster\u2026 et puis voil\u00e0 !<\/p>

 <\/p>","label":"

Lily-Rose et Eden<\/p>"},{"id":2139,"type":2,"content":"

 <\/p>

On peut mettre dans un cartable : des livres, des trousses ,une montre, des t\u00e9l\u00e9phones, des lettres, des manuels, des biberons, des tableaux, des bureaux, des chaises, des classeurs, des horloges, des aspirateurs, des imprimantes, des habits, des affiches, des B.D., des mangas, des cookies, des chiens, des chats, des \u00e9l\u00e9phants, des boites \u00e0 chaussures, un coiffeur, des maisons, des parcs, des immeubles, une gomme, des ordinateurs, des surligneurs, des \u00e9tag\u00e8res, des voitures, des toilettes, des agendas, des dictionnaires, une enceinte, des fen\u00eatres, des sacs, de l\u2019eau, des poissons, du poison, un seau, des g\u00e2teaux, du sel, des stylos, des pots, des bracelets, des balais, des extincteurs, une \u00e9cole, des enfants, des diamants, des bijoux couteux, de l\u2019argent, une arbal\u00e8te, des pommes, une rue, une ruche, des Cds, des \u00e2nes, des magistrats, des magazines, une \u00e9toile, le soleil, une baguette magique, des croissants, des pains au chocolat, Paris et la tour Eiffel !<\/p>

 <\/p>","label":"

Ma\u00eblys<\/p>"},{"id":2140,"type":2,"content":"

 <\/p>

Dans la t\u00eate d\u2019un explorateur intr\u00e9pide, on a : une vielle lampe de poche, un piolet des ann\u00e9es 30, des r\u00eaves de voyage jamais r\u00e9alis\u00e9s, des cit\u00e9s incas perdues dans la jungle, des vieux livres sur l\u2019Egypte, la joie future d\u2019avoir d\u00e9couvert la tombe d\u2019un ancien pharaon.<\/p>

 <\/p>","label":"

Adrien<\/p>"},{"id":2141,"type":2,"content":"

 <\/p>

Pri\u00e8re de tous s\u2019\u00e9couter<\/p>

Pri\u00e8re de profiter de sa vie<\/p>

Pri\u00e8re de respecter les autres<\/p>

Pri\u00e8re de positiver<\/p>

Pri\u00e8re de r\u00e9aliser ses r\u00eaves<\/p>

Pri\u00e8re d\u2019aider les personnes dans le besoin<\/p>

Pri\u00e8re de voyager autour du monde<\/p>

Pri\u00e8re de paix dans le monde<\/p>

Pri\u00e8re d\u2019aimer<\/p>

        <\/p>","label":"

Livia<\/p>"},{"id":2142,"type":2,"content":"

 <\/p>

On peut mettre dans son c\u0153ur  : ses amis, son petit ami, son chat, son chien, sa famille, son hamster, son sang, un amour, des lingots d\u2019or, son plat pr\u00e9f\u00e9r\u00e9, son chapeau, son mascara, sa t\u00e9l\u00e9vision, son enfant, son shampoing, son village, sa maison, son amoureux, les meilleurs moments de sa vie, ses miels pops, son poisson rouge, son chocolat au lait, son cheval, sa voiture, sa vache, ses chaussures, sa montre, sa fleur, sa joie, son jouet, sa manette de jeux vid\u00e9o, sa canne, sa pi\u00e8ce de monnaie, sa haine envers quelqu\u2019un, sa bo\u00eete de m\u00e9dicaments, sa vie.<\/p>

 <\/p>","label":"

Livia<\/p>"},{"id":2151,"type":2,"content":"

 <\/p>

Pri\u00e8re du coll\u00e8ge :<\/p>

Pri\u00e8re de ne pas avoir son t\u00e9l\u00e9phone allum\u00e9<\/p>

Pri\u00e8re d\u2019\u00e9couter les cours<\/p>

Pri\u00e8re de ne pas manger en classe<\/p>

Pri\u00e8re de respecter les adultes<\/p>

Pri\u00e8re de ne pas harceler<\/p>

Pri\u00e8re de ne pas parler en classe<\/p>

Pri\u00e8re de ne pas insulter<\/p>

Pri\u00e8re de solidarit\u00e9<\/p>

Pri\u00e8re de ne pas se lever dans la classe<\/p>

 <\/p>","label":"

Yoann<\/p>"},{"id":2152,"type":2,"content":"

 <\/p>

Pri\u00e8re de conduire<\/p>

Pri\u00e8re de tenir la porte<\/p>

Pri\u00e8re de ne pas crier<\/p>

Pri\u00e8re de faire ses devoirs<\/p>

Pri\u00e8re de dire bonjour quand on rentre en cours<\/p>

Pri\u00e8re de ne pas voler<\/p>

Pri\u00e8re d\u2019aller \u00e8 l\u2019\u00e9cole<\/p>

Pri\u00e8re de faire la queue<\/p>

 <\/p>","label":"

Dorian<\/p>"},{"id":2153,"type":2,"content":"

 <\/p>

Pri\u00e8re de ne pas utiliser son t\u00e9l\u00e9phone en classe<\/p>

Pri\u00e8re d\u2019aller en cours de fran\u00e7ais.<\/p>

Pri\u00e8re de ne pas copier sur son voisin.<\/p>

Pri\u00e8re d\u2019aller en voyage.<\/p>

Pri\u00e8re de ne pas crier quand \u00e7a sonne.<\/p>

Pri\u00e8re de ne pas r\u00e9pondre aux professeurs.<\/p>

Pr\u00e8re d\u2019avoir des livres pour l\u2019\u00e9cole.<\/p>

Pri\u00e8re de ne pas commettre de d\u00e9lit.<\/p>

Pri\u00e8re de dire au-revoir au professeur quand \u00e7a sonne.<\/p>

 <\/p>","label":"

Rapha\u00ebl<\/p>"},{"id":2154,"type":2,"content":"

 <\/p>

Dans la vie de tous les jours :<\/p>

Pri\u00e8re de ne pas sauter dans la piscine<\/p>

Pri\u00e8re de na pas jouer avec les volets<\/p>

Pri\u00e8re de ne pas utiliser son t\u00e9l\u00e9phone<\/p>

Pri\u00e8re de ne pas frapper ses ami(e)s<\/p>

Pri\u00e8re de ne pas faire de bruit<\/p>

Pri\u00e8re de ne pas \u00e9clater les ballons<\/p>

Pri\u00e8re de faire ses devoirs<\/p>

Pri\u00e8re de faire du sport<\/p>

Pri\u00e8re de ne pas abimer les voitures.<\/p>

 <\/p>","label":"

Liam<\/p>"},{"id":2155,"type":2,"content":"

 <\/p>

Lorsque l\u2019on ouvre une chambre, la porte s\u2019ouvre et grince, une personne lit, fait son travail sur son bureau, joue, s\u2019amuse, range, customise ses affaires, regarde la t\u00e9l\u00e9 ou son t\u00e9l\u00e9phone, \u00e9crit, fait des soir\u00e9e pyjama, allume une bougie, dessine et \u00e9coute de la musique.<\/p>

 <\/p>","label":"

Lila<\/p>"},{"id":2156,"type":2,"content":"

 <\/p>

Lorsque l\u2019on ouvre la porte de ma chambre : \u00e0 gauche, il y a mon bureau o\u00f9 je fais mes devoirs, avec mes livres. Puis un peu plus loin, il y a mon lit, avec ma table de nuit ; \u00e0 droite, il y a mon armoire \u00e0 v\u00eatements, avec mes jouets ; apr\u00e8s, il y a ma fen\u00eatre o\u00f9 on voit la for\u00eat ; et tout au fond, il y a mes affaires de sports.<\/p>","label":"

Dorian<\/p>"},{"id":2157,"type":2,"content":"

 <\/p>

Arriv\u00e9 au 1er \u00e9tage de ma maison,\u00e0 gauche, quand j\u2019ouvre la porte de ma chambre, je vois : un lit \u00e0 gauche, un setup gaming \u00e0 droite, un casque, un PC, un clavier, une souris, un micro, un \u00e9cran, des leds, une enceinte, un poster en face de mon lit ; et il y a aussi une fen\u00eatre par laquelle je vois mon jardin, des troph\u00e9es, des livres sur mon \u00e9tag\u00e8re, des mangas, un bureau noir, une climatisation, un dressing.<\/p>

 <\/p>","label":"

Rapha\u00ebl<\/p>"},{"id":2158,"type":2,"content":"

 <\/p>

Lorsque l\u2019on ouvre ma porte, on se retrouve un peu \u00e0 l\u2019\u00e9troit car mon bureau et mon lit prennent beaucoup de place. Sur mon bureau, il y a mes affaires de dessin, mes affaires d\u2019\u00e9cole, d\u2019\u00e9criture et enfin mes livres qui sont aussi dispos\u00e9s sur l\u2019armoire qui se trouve \u00e0 c\u00f4t\u00e9 du bureau.<\/p>

Au fond \u00e0 droite de ma chambre, sur mon armoire, il y a donc des livres mais aussi des mangas, des legos, des pierres pr\u00e9cieuses, des magazines, des BD, des encyclop\u00e9dies\u2026 Et au fond \u00e0 gauche, on voit une fen\u00eatre qui donne sur la colline, le matin on entend les oiseaux chanter et en \u00e9t\u00e9 le soleil me r\u00e9veille avant mon r\u00e9veil. En face, il y a un tableau qui repr\u00e9sente un lion rugissant. Mon lit est un lit \u00e0 \u00e9tage et en dessous est install\u00e9 mon coin lecture ; \u00e0 c\u00f4t\u00e9, se trouve mon tiroir \u00e0 v\u00eatements, il est toujours en d\u00e9sordre.<\/p>

 <\/p>","label":"

Axel<\/p>"},{"id":2159,"type":2,"content":"

 <\/p>

Lorsque l\u2019on ouvre la porte, on trouve un immense poster de tigre noir en blanc, compos\u00e9 en 3 tableaux. Un arbre \u00e0 chat tr\u00f4ne sur un mur bleu ciel qui domine la chambre. Cet arbre \u00e0 chat est blanc, mais avec les sales pattes de mes chats, il est devenu ivoire. En face, il y a mon lit deux places avec un plaid gris dessus pour mes chats. \u00c0 gauche, se trouve mon armoire en bois, avec un miroir en guise de porte. Dedans, il y a mes habits. Et \u00e0 gauche de mon armoire, il y a une petite porte en bois , assez intrigante. Derri\u00e8re cette porte, il y a une petite cachette avec une t\u00e9l\u00e9vision et devant, un canap\u00e9. Sur ce m\u00eame mur, il y a un poster de l\u00e9opard, il est tr\u00e8s imposant. Il y a aussi un petit panier blanc, tout doux, pour mes chats.<\/p>

 <\/p>","label":"

Romane<\/p>"},{"id":2160,"type":2,"content":"

 <\/p>

Lorsque j\u2019ouvre la porte de ma chambre, je trouve, \u00e0 droite de mon mur, plein de posters. A gauche c'est la m\u00eame chose, et dans ces posters, il y a un poisson. A droite, je d\u00e9couvre que ma s\u0153ur colle ses dessins. Je pense qu\u2019elle me fait un poisson d'avril.<\/p>

 <\/p>

Lorsque l'on ouvre la porte de ma chambre, on trouve, \u00e0 droite de mon mur, plein de posters. A gauche c'est la m\u00eame chose et \u00e7a dit : \u00ab Je te surveille \u00bb. Et \u00e0 droite, je vois mes parents qui collent ces posters. Dans le sol, ils ont \u00e9crit : \u00ab JE TE VOIS \u00bb. Je pense qu\u2019ils me font une blague.<\/p>

 <\/p>","label":"

Yassine<\/p>"},{"id":2143,"type":2,"content":"

 <\/p>

On peut mettre dans une main :<\/p>

- un stylo, une gomme, un bouchon, un fil, des miettes, une boucle d\u2019oreille, une paire de lunette, une fourchette, une souris, un dictionnaire, un livre, un t\u00e9l\u00e9phone, un chargeur, un papier, un DVD, un taille crayon, une chaussette, un aimant, un feutre, une r\u00e8gle, un trombone, une branche, du savon, un bracelet, une bague, de la paille, un chaton, du scotch ;<\/p>

- de l\u2019argent, une poign\u00e9e, des piles, une pile, un coquelicot, du liquide, un oreiller, une bouteille, de la transpiration, un sac, un oiseau, des cheveux, des salet\u00e9s, de la peinture, un gant, une \u00e9charpe, un jouet, un sifflet, une montre, de la terre, une chaussure, un bocal, une bo\u00eete, une pince, un rubik\u2019s cube, une carte un cahier, une bille, des paillettes, un chapeau, une pomme, de la nourriture, un chouchou et un poil.<\/p>

 <\/p>","label":"

Kalie<\/p>"},{"id":2161,"type":2,"content":"

 <\/p>

Il y a un an, je suis all\u00e9 en Italie, juste avant No\u00ebl. Mais pour revenir en France, il y avait un embouteillage dans lequel nous sommes rest\u00e9s bloqu\u00e9s pendant 2 heures avec ma famille.<\/p>

Nous avons demand\u00e9 \u00e0 d\u2019autres personnes les raisons de cet embouteillage, mais ils ne savaient pas. Trente minutes plus tard, nous avons enfin vu des travaux sur la route, nous avions pris beaucoup de retard, il nous restait de longues heures de route avant de rentrer chez nous.<\/p>

Mon p\u00e8re a appel\u00e9 un de ses amis, Greg, pour savoir si on pouvait passer la nuit chez lui. Il lui a r\u00e9pondu que nous \u00e9tions bienvenus chez lui.<\/p>

Nous sommes arriv\u00e9s chez lui \u00e0 1 heure du matin. Nous nous sommes  repos\u00e9s chez l\u2019ami de mon p\u00e8re et au bout de 2 heures, je me suis r\u00e9veill\u00e9 avant tout le monde. J\u2019ai visit\u00e9 toute la maison et je suis all\u00e9 dans la chambre de Greg, et j\u2019ai vu deux enveloppes avec \u00e9crit : \u201cDisney\u201c et \u201cFuturoscope\u201c.<\/p>

J\u2019ai vu qu\u2019 il \u00e9tait not\u00e9 \u201cGreg et Lo\u00efc\u201c sur une enveloppe. Loic est le fils de Greg. Je me suis dit que l\u2019enveloppe n\u2019\u00e9tait pas pour moi. Tout le monde \u00e9tait enfin r\u00e9veill\u00e9, c\u2019\u00e9tait l\u2019heure d\u2019ouvrir les cadeaux et nous avons tous \u00e9t\u00e9 gat\u00e9s.<\/p>

J\u2019\u00e9tais content de mes cadeaux et tout \u00e0 coup, Greg me dit : \u00ab Il te reste un cadeau ! \u00bb Je d\u00e9couvris que les enveloppes \u00e9taient aussi pour nous. J\u2019\u00e9tais si heureux !<\/p>

 <\/p>","label":"

Rapha\u00ebl<\/p>"},{"id":2162,"type":2,"content":"

 <\/p>

L\u2019ann\u00e9e derni\u00e8re, je suis parti au ski pendant deux semaines, c\u2019\u00e9tait beaucoup trop long et je me suis ennuy\u00e9 tous les jours, et on a ski\u00e9 seulement la premi\u00e8re semaine.<\/p>

 <\/p>

La semaine derni\u00e8re, j\u2019ai fini \u00e0 18 h parce que j\u2019ai re\u00e7u deux heures de colle, c\u2019\u00e9tait horrible ! mais quand m\u00eame, ce que j\u2019ai fait ne valait pas 2 h de colle.<\/p>

 <\/p>

Il y a quelques mois, je suis parti voir un spectacle qui devait \u00eatre incroyable, mais par contre, \u00e7a a dur\u00e9 1h30 et je me suis ennuy\u00e9 au bout de 15 minutes.<\/p>

 <\/p>","label":"

Yohann<\/p>"},{"id":2163,"type":2,"content":"

 <\/p>

Un jour, je me suis cass\u00e9 le petit doigt de pied en voulant attraper un sushi en mousse. Quelques jours plus tard, je me suis cass\u00e9 l\u2019autre petit doigt de pied.<\/p>

 <\/p>

Tous les \u00e9t\u00e9s, pendant les vacances, je fais une immense tyrolienne de 300 m de long et 22 m de haut.<\/p>

 <\/p>

Un jour j\u2019ai fait une comp\u00e9tition d\u2019escalade et c\u2019\u00e9tait super stressant. <\/p>

 <\/p>","label":"

Romane<\/p>"},{"id":2164,"type":2,"content":"

 <\/p>

L\u2019histoire que je vais vous raconter aujourd\u2019hui s\u2019est pass\u00e9e le 29 f\u00e9vrier 2024 :<\/p>

Ma m\u00e8re m\u2019avait demand\u00e9 de venir avec elle accompagner ma cousine et ses parents \u00e0 la gare, ils partaient en Bretagne. Avant d\u2019arriver \u00e0 la gare nous avons r\u00e9cup\u00e9r\u00e9 \u00e9galement mes grands-parents qui voyageaient avec eux, ce qui m\u2019avait un peu \u00e9tonn\u00e9.<\/p>

Sur la route mon oncle ne faisait que me taquiner. \u00c0 un moment, il dit : \u00ab Mince, j\u2019ai un billet de train en trop ! \u00bb Dans ma t\u00eate, \u00e7a tournait en boucle : \u00ab J\u2019aimerais trop partir avec eux \u00bb, et l\u00e0 c\u2019est surr\u00e9aliste, mon oncle me demande : \u00ab Th\u00e9ana, \u00e7a te dit de venir avec nous ? \u00bb Je lui r\u00e9ponds : \u00ab J\u2019aimerais trop, mais je n\u2019ai pas de valise ! \u00bb Il me dit alors : \u00ab Ce n\u2019est pas grave, on fera avec, ou plut\u00f4t sans ! \u00bb Et il rigole.<\/p>

Une fois arriv\u00e9s \u00e0 la gare, j\u2019aide ma famille \u00e0 sortir les affaires du coffre en me disant : \u00ab C\u2019est n\u2019importe quoi, je vais en Bretagne les mains dans les poches \u00bb.<\/p>

Lorsque j\u2019ai attrap\u00e9 l\u2019avant dernier sac, j\u2019ai aper\u00e7u ma tante qui me filmait, j\u2019ai jet\u00e9 un coup d\u2019\u0153il, je n\u2019en revenais pas de voir ma valise et mon sac \u00e0 dos avec \u00e9crit : \u00ab TH\u00c9ANA DISNEY MARS 2024 \u00bb<\/p>

En r\u00e9alit\u00e9 je partais \u00e0 Disney avec toute ma famille ! Je devrais avoir l\u2019habitude : ma m\u00e8re n\u2019arr\u00eate pas de me faire ce genre de coup mont\u00e9 !<\/p>

 <\/p>","label":"

Souvenir Disney 2024<\/i>, Th\u00e9ana<\/p>"},{"id":2165,"type":2,"content":"

 <\/p>

Il y a quelques jours, j\u2019ai pris de magnifiques photos du rivage d\u00e9chir\u00e9 par la houle.<\/p>

 <\/p>

Un an auparavant, j\u2019ai vu d\u2019immenses vagues qui semblaient vouloir avaler les rochers de la c\u00f4te. <\/p>

 <\/p>

Il y a deux ans, j\u2019ai re\u00e7u mon premier drone, \u00e7a a chang\u00e9 mon quotidien \u00e0 tout jamais. Je me suis empress\u00e9 d\u2019aller immortaliser mes premi\u00e8res photos a\u00e9riennes, je ne m\u2019attendais pas \u00e0 ressentir une telle joie apr\u00e8s chaque image.           <\/p>

                                        <\/p>

En 2017, je passais mon temps \u00e0 lire, \u00e7a m\u2019aidait \u00e0 m\u2019\u00e9vader de ce monde \u00e9touff\u00e9 par la pollution. <\/p>

 <\/p>

Il y a plus d\u2019un si\u00e8cle, le cin\u00e9matographe a \u00e9t\u00e9 cr\u00e9\u00e9.<\/p>

 <\/p>

Il y a des milliards d\u2019ann\u00e9es, la terre a \u00e9t\u00e9 cr\u00e9\u00e9e.<\/p>

 <\/p>","label":"

Adrien<\/p>"},{"id":2166,"type":2,"content":"

 <\/p>

Plonge sous la surface<\/p>

Regarde-toi dans la glace<\/p>

Brise ton c\u0153ur<\/p>

Et br\u00fble tes peurs<\/p>

 <\/p>","label":"

Eden<\/p>"},{"id":2167,"type":2,"content":"

 <\/p>

Et si nous trempions nos petons dans le lac ?<\/p>

Apr\u00e8s tout, r\u00e9alisons nos r\u00eaves !<\/p>

La tendresse de l\u2019eau nous immergea alors\u2026<\/p>

Ceci devint un bain de plaisir.<\/p>

Jusqu\u2019\u00e0 ce qu\u2019une cr\u00e9ature qui ressemblait \u00e0 un monstre parvint \u00e0 me mordre jusqu\u2019\u00e0 la chair ; je ressenti une douleur si immense que ce bain de tendresse se transforma en un bain mortel, l\u2019immense feu qui br\u00fblait en moi devint une flamme puis une petite lueur lumineuse et enfin se transforma en cendres.<\/p>

 <\/p>","label":"

Kalie<\/p>"},{"id":2144,"type":2,"content":"

 <\/p>

On peut mettre dans une biblioth\u00e8que : une voiture, un stylo, une table, des livres, des portes, des fen\u00eatres, un tableau, une feuille, un canap\u00e9, une t\u00e9l\u00e9, des personnes, un ordinateur, des g\u00e2teaux, des pinceaux, des crayons, des trottinettes, une chaise, une moto, un v\u00e9lo, un ventilateur, des tigres, des \u00e9l\u00e9phants, des vestes, des bouteilles, des imprimantes, des lunettes, des troph\u00e9es, un camion, des rubik\u2019s cubes, des chevaux, des perruches, des arbres, de la terre, des branches, des horloges, des cailloux, de la neige, de la glace, des bonbons, des si\u00e8ges, des lits, des cartables, des DVD, des grues, des chaussures, des fruits, des pelles, des outils, des gommes, des taille-crayons, des chapeaux, la Joconde, des po\u00e8tes, des cuill\u00e8res, des couteaux, des fourchettes, des verres, des serviettes, des vid\u00e9os-projecteurs, des jeux vid\u00e9o, des effaceurs, des porte-manteaux, des cahiers, des prises, des lampes.<\/p>

 <\/p>","label":"

Camille<\/p>"},{"id":2145,"type":2,"content":"

 <\/p>

On peut mettre dans une poche : des cl\u00e9s, des papiers, un stylo, un rat, une coupe du monde, une voiture, une plan\u00e8te, un corbeau, une PS5, un d\u00e9grad\u00e9, une babouche, un building, des v-bucks, des TN, une t\u00e9l\u00e9, un chausson aux pommes, de l\u2019or, des airs force one et une Lamborghini Aventador<\/p>

 <\/p>","label":"

Lorenza<\/p>"},{"id":2146,"type":2,"content":"

 <\/p>

Dans un lit, on peut mettre : un doudou, une couverture, un coussin, une manette, un humain, une tablette, un t\u00e9l\u00e9phone, un chien, un chat, un cochon, un singe, du maquillage, des bijoux, une banane, une p\u00eache, une montre, des habits, un sac, du nutella, des lunettes, un livre, un r\u00e9veil, un cahier, une carte, une perruque, un cochon d\u2019Inde, un pain au chocolat, des jouets, du pop-corn, une bo\u00eete, un \u00e9lastique, des chaussures, une lampe, un poster\u2026 et puis voil\u00e0 !<\/p>

 <\/p>","label":"

Lily-Rose et Eden<\/p>"},{"id":2147,"type":2,"content":"

 <\/p>

On peut mettre dans un cartable : des livres, des trousses ,une montre, des t\u00e9l\u00e9phones, des lettres, des manuels, des biberons, des tableaux, des bureaux, des chaises, des classeurs, des horloges, des aspirateurs, des imprimantes, des habits, des affiches, des B.D., des mangas, des cookies, des chiens, des chats, des \u00e9l\u00e9phants, des bo\u00eetes \u00e0 chaussures, un coiffeur, des maisons, des parcs, des immeubles, une gomme, des ordinateurs, des surligneurs, des \u00e9tag\u00e8res, des voitures, des toilettes, des agendas, des dictionnaires, une enceinte, des fen\u00eatres, des sacs, de l\u2019eau, des poissons, du poison, un seau, des g\u00e2teaux, du sel, des stylos, des pots, des bracelets, des balais, des extincteurs, une \u00e9cole, des enfants, des diamants, des bijoux co\u00fbteux, de l\u2019argent, une arbal\u00e8te, des pommes, une rue, une ruche, des CD, des \u00e2nes, des magistrats, des magazines, une \u00e9toile, le soleil, une baguette magique, des croissants, des pains au chocolat, Paris et la tour Eiffel !<\/p>

 <\/p>","label":"

Ma\u00eblys<\/p>"},{"id":2148,"type":2,"content":"

 <\/p>

Dans la t\u00eate d\u2019un explorateur intr\u00e9pide, on a : une vieille lampe de poche, un piolet des ann\u00e9es 30, des r\u00eaves de voyage jamais r\u00e9alis\u00e9s, des cit\u00e9s incas perdues dans la jungle, des vieux livres sur l\u2019Egypte, la joie future d\u2019avoir d\u00e9couvert la tombe d\u2019un ancien pharaon.<\/p>

 <\/p>","label":"

Adrien<\/p>"},{"id":2149,"type":2,"content":"

 <\/p>

Pri\u00e8re de tous s\u2019\u00e9couter<\/p>

Pri\u00e8re de profiter de la vie<\/p>

Pri\u00e8re de respecter les autres<\/p>

Pri\u00e8re de positiver<\/p>

Pri\u00e8re de r\u00e9aliser ses r\u00eaves<\/p>

Pri\u00e8re d\u2019aider les personnes dans le besoin<\/p>

Pri\u00e8re de voyager<\/p>

Pri\u00e8re de paix dans le monde<\/p>

Pri\u00e8re d\u2019aimer<\/p>

 <\/p>","label":"

Soa<\/p>"},{"id":2150,"type":2,"content":"

 <\/p>

Dans une \u00e9cole :<\/p>

Pri\u00e8re de ne pas courir dans les couloirs<\/p>

Pri\u00e8re d\u2019aller travailler<\/p>

Pri\u00e8re de ne pas crier<\/p>

Pri\u00e8re d\u2019\u00e9couter en classe<\/p>

Pri\u00e8re de ne pas harceler<\/p>

Pri\u00e8re d\u2019acheter un stylo<\/p>

Pri\u00e8re de se laver les mains<\/p>

Pri\u00e8re de ne pas manquer de respect<\/p>

 <\/p>","label":"

Camille<\/p>"},{"id":2112,"type":1,"imageIds":[3576]},{"id":2113,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Un monde plein d\u2019I.A.<\/p>

Un monde o\u00f9 on<\/p>

N\u2019a plus confiance en personne<\/p>

Un monde sans plus aucune nature<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Depuis un monde incertain<\/p>

La guerre ne finit pas<\/p>

Les morts se multiplient<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

De plus en plus de ruines<\/p>

De moins en moins de clubs de foot<\/p>

Mais Marseille reste \u00e9loign\u00e9e des guerres<\/p>

Grace \u00e0 l'\u00e9toile sur le maillot<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Dans un monde incertain<\/p>

Les guerres \u00e0 gogo<\/p>

Dans la rue des lacs de sang<\/p>

Et bien s\u00fbr des cris d'horreur et d\u2019effroi<\/p>

 <\/p>","label":"

Ilian<\/p>"},{"id":2122,"type":2,"content":"

 <\/p>

Un cours de dance \u00e0 l'\u00e9picerie<\/p>

Patatras-patatras<\/p>

Des sacs tombent<\/p>

Une citerne \u00e0 toit ouvert<\/p>

Splash ! je tombe<\/p>

 <\/p>

Pin-pon-pin-pon, les pompiers<\/p>

Hop, ils sautent de leur camion<\/p>

Argh, l\u2019un se casse la t\u00eate<\/p>

Gling, la cloche de l\u2019\u00e9glise sonne<\/p>

Il pleut, splash !<\/p>

Patatras, l\u2019un glisse<\/p>

 <\/p>","label":"

Ilian<\/p>"},{"id":2124,"type":2,"content":"

 <\/p>

Elle fait tomber sa cl\u00e9 <\/p>

GLING<\/p>

Elle ne peut plus rentrer chez elle<\/p>

ZUT<\/p>

Elle n\u2019y arrive pas et se fait mal<\/p>

ARGH<\/p>

Les pompiers arrivent<\/p>

PIN-PON<\/p>

Ils ouvrent la porte<\/p>

YOUPI !<\/p>

 <\/p>","label":"

Romy<\/p>"},{"id":2125,"type":2,"content":"

 <\/p>

L\u2019amiti\u00e9 <\/strong>
Violet et Rose sont meilleures amies depuis la maternelle. Orange et Rouge sont aussi meilleures amies depuis la maternelle. Puis Vert se retrouve toute seule. Alors Violet, Rose, Orange et Rouge vont la voir. Elles lui parl\u00e8rent et elles all\u00e8rent jouer toutes ensemble. Puis plus tard, le petit groupe d\u2019amies ne se quittait plus. Trois ans plus tard, elles rentr\u00e8rent toutes au primaire. Le groupe fit plein de sorties ensemble, elles s\u2019adoraient. Puis le moment de rentrer au coll\u00e8ge arriva. Elles n\u2019\u00e9taient pas toutes au m\u00eame coll\u00e8ge, c\u2019\u00e9tait le drame ! Seules Violet Rose et Vert \u00e9taient au m\u00eame coll\u00e8ge. Le moment de la s\u00e9paration arriva et la rentr\u00e9e aussi. Depuis Violet, Rose, Orange, Rouge et Vert ne se voient plus beaucoup, alors quand le moment arrivera pour se retrouver, tout le monde sera content. <\/p>

 <\/p>","label":"

Fleur<\/p>"},{"id":2126,"type":2,"content":"

 <\/p>

Vert a divorc\u00e9 avec Rouge, car il vit dans la rue. Rouge s\u2019est mari\u00e9e avec Bleu qui \u00e9tait riche. Vert re\u00e7oit de l\u2019argent de Rouge et Bleu. Jaune re\u00e7oit de l\u2019argent de Marron. Violet ne re\u00e7oit pas d\u2019argent. Violet est c\u00e9libataire. Jaune et Marron ont un enfant qui s\u2019appelle Gris. Vert et Rouge ont un enfant qui s\u2019appelle Rose. Orange vit en Pologne. Blanc doit de l\u2019argent \u00e0 Orange, mais ne donne rien. Noire et Fuchsia sont ensemble, mais n\u2019ont pas d\u2019enfant.<\/p>","label":"

Lucas<\/p>"},{"id":2127,"type":2,"content":"

 <\/p>

Rouge d\u00e9teste Rose, mais Rouge aime bien Vert. Noir est le mari de Rose, Noir vit \u00e0 Lyon et Rose vit \u00e0 Marseille. Rouge re\u00e7oit de l\u2019argent de son patron, Noir. Vert a un enfant avec Blanc. Violet, l\u2018enfant de Vert vit en Angleterre. Bleu, le meilleur ami de Violet travaille avec Noir. Vert rend tr\u00e8s souvent visite \u00e0 Rose, qui habite \u00e0 Marseille. Rouge, qui vit avec l\u2019enfant qu\u2019elle a de Bleu, est la meilleure amie de Vert.<\/p>

 <\/p>","label":"

Marilou<\/p>"},{"id":2128,"type":2,"content":"


N \u00e9tait l\u2019un des meilleurs dribleurs de l\u2019histoire. R a eu 5 ballons d\u2019or. M a 8 ballons d\u2019or mais la nouvelle g\u00e9n\u00e9ration est en train de prendre la place : il y a V et B. B et l\u2019un des meilleurs attaquant, V est l\u2019un des meilleurs ailiers gauches. N, M et R sont jaloux. N n\u2019est plus aim\u00e9 comme avant, R ne re\u00e7oit plus de ballon d\u2019or et M ne re\u00e7oit plus de lettres d\u2019admirateurs.<\/p>

 <\/p>","label":"

Arthur<\/p>"},{"id":2129,"type":2,"content":"


Je commence<\/p>

Tu cultives<\/p>

Il ou elle arrose<\/p>

Nous cueillons<\/p>

Vous jardinez<\/p>

Ils ou elles plantent
 <\/p>","label":"

Jaden<\/p>"},{"id":2130,"type":2,"content":"

 <\/p>

Je me l\u00e8ve<\/p>

Tu t\u2019habilles<\/p>

Il ou elle d\u00e9jeune<\/p>

Nous allons<\/p>

Vous rentrez<\/p>

Ils ou elles travaillent<\/p>

 <\/p>","label":"

Nicole<\/p>"},{"id":2131,"type":2,"content":"

 <\/p>

Je jouerai<\/p>

Tu t\u2019amuseras<\/p>

Il ou elle courra<\/p>

Nous tomberons<\/p>

Vous rentrerez<\/p>

Ils ou elles reviendront<\/p>

 <\/p>","label":"

Carys<\/p>"},{"id":2114,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Sur le mur<\/p>

De mes anc\u00eatres<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Devant la mer agitant l\u2019eau<\/p>

Devant l\u2019air tressaillant le vent<\/p>

De la nature verte<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Me vois-tu ?<\/p>

Rien n\u2019est s\u00fbr<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Je reviens vers la pollution<\/p>

Devant les sculptures je ressens l\u2019affection<\/p>

Devant de nouvelles voitures je m\u2019\u00e9touffe<\/p>

Et je ne vois plus rien de bien<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Les robots ne ressentent pas et n\u2019imaginent pas l\u2019amour<\/p>

Devant les voitures volantes je me sens d\u00e9pass\u00e9e<\/p>

Et les t\u00e9l\u00e9phones prennent le dessus de la vie quotidienne<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

De la maison robotis\u00e9e<\/p>

Si\u00e8ge massant, un robot me fait avaler<\/p>

Dans quel monde sommes-nous ?<\/p>

Ah \u00e7a, je n\u2019en sais rien<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Mais qui sommes-nous ?<\/p>

Des robots ?<\/p>

Des humains ?<\/p>

Des extra-terrestres ?<\/p>

 <\/p>","label":"

Camille <\/p>"},{"id":2132,"type":2,"content":"

 <\/p>

J\u2019ai parl\u00e9<\/p>

Tu chuchotes<\/p>

Il ou elle discute<\/p>

Nous crions<\/p>

Vous causez<\/p>

Ils ou elles hurlent<\/p>

 <\/p>","label":"

Fanny<\/p>"},{"id":2115,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Pr\u00e9server l\u2019\u00e9cologie pour survivre<\/p>

Aujourd\u2019hui nous ne faisons qu\u2019inventer<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Les robots et leurs coutumes<\/p>

L\u2019heure tourne, faite vite !<\/p>

Maisons d\u00e9labr\u00e9es et insens\u00e9es<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

 <\/p>

Ils construisent des voitures<\/p>

Devant leurs structures<\/p>

Je me sens ridicule<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Un seul survivant<\/p>

Impossible de tous les sauver<\/p>

J\u2019aimerais revenir \u00e0 mon \u00e9poque bien-aim\u00e9e<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Un seul survivant<\/p>

Mon ami et le vent<\/p>

Je me sens tendu<\/p>

Je suis tr\u00e8s \u00e9mu<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Le smartphone prend le dessus<\/p>

Je pense que je vais les rejoindre<\/p>

Je serai content l\u00e0-haut<\/p>

\u00c7a y est je ne les entends plus<\/p>

 <\/p>","label":"

 Maxime<\/p>"},{"id":2116,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Avec quelle technologie au fait ?<\/p>

Car cette ann\u00e9e nous n\u2019utilisons plus l\u2019\u00e9criture<\/p>

Tout le monde a une tablette<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Avec cette vue panoramique<\/p>

Moi assis sur une structure en admirant le ciel azur<\/p>

La nature est magnifique<\/p>

Mais personne n\u2019en profite<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

O\u00f9 est la nature ador\u00e9e ?<\/p>

Que personne ne veut contempler<\/p>

Tout cela est absurde<\/p>

C\u2019est un po\u00e8me du futur<\/p>

 <\/p>","label":"

 Mat\u00e9o<\/p>"},{"id":2117,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Au milieu des coups de feu, des arm\u00e9es<\/p>

Au milieu du feu et des br\u00fbl\u00e9s<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Les bombes se sont am\u00e9lior\u00e9es<\/p>

Mais l\u2019air est mauvais<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Ici, rien n\u2019est s\u00fbr<\/p>

Que \u00e7a revienne comme avant<\/p>

Je n\u2019en suis pas s\u00fbr<\/p>

 <\/p>","label":"

Haron<\/p>"},{"id":2118,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

On ne fait pas grand-chose<\/p>

Mais il y a plein d\u2019aventures<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Dans ma nouvelle maison robotis\u00e9e<\/p>

Avec ma super technologique voiture<\/p>

Et des v\u00e9g\u00e9taux aromatis\u00e9s<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Avec des robots du monde de demain<\/p>

Qui font des manucures<\/p>

Et qui vont m\u00eame chercher du pain !<\/p>

 <\/p>

J\u2019\u00e9cris depuis le futur<\/p>

Finalement ces robots<\/p>

Ils ont le c\u0153ur pur<\/p>

 <\/p>","label":"

Alessio<\/p>"},{"id":2119,"type":2,"content":"

 <\/p>

La maladresse<\/strong><\/p>

Atchoum ! fait la dame.<\/p>

Gling, fait la dame qui se cogne contre la cloche.<\/p>

Argh, fait-elle.<\/p>

Pin-pon, font les pompiers qui arrivent.<\/p>

Blabla, font les m\u00e9decins qui se parlent.<\/p>

Bip, font les portes de l\u2019h\u00f4pital qui s\u2019ouvrent.<\/p>

Bye, fait la dame qui s\u2019en va.<\/p>

Et boum ! fait la dame qui se cogne encore.<\/p>

Et pif, \u00e7a recommence.<\/p>

 <\/p>

Monsieur patate<\/strong><\/p>

Splash monsieur patate plongea dans la piscine.<\/p>

Patatras fit le t\u00e9l\u00e9phone tout mouill\u00e9.<\/p>

Bip bop faisait le t\u00e9l\u00e9phone au fond de la piscine.<\/p>

Et hop fit monsieur patate qui le sauva.<\/p>

Mais zut cria le monsieur car le t\u00e9l\u00e9phone ne marchait plus.<\/p>

 <\/p>","label":"

Fleur<\/p>"},{"id":2120,"type":2,"content":"

 <\/p>

Patatras, il tombe de son lit.<\/p>

Il se rel\u00e8ve d\u2019un bond.<\/p>

Il y a une fourmi sur lui.<\/p>

Hop-hop-hop, il saute.<\/p>

Il l\u2019enl\u00e8ve et court.<\/p>

Splash ! il tombe dans sa baignoire<\/p>

 <\/p>","label":"

Carys<\/p>"},{"id":2121,"type":2,"content":"

 <\/p>

Aujourd\u2019hui, il pleut plic<\/p>

L\u2019enfant tombe splash !<\/p>

Il s\u2019est fait mal arghh<\/p>

Sa m\u00e8re appelle les pompiers pin-pon pin-pon<\/p>

L\u2019ambulance arrive et l\u2019enfant se rel\u00e8ve hop<\/p>

 <\/p>","label":"

Marylou<\/p>"},{"id":2168,"type":2,"content":"


CV CV CV aller<\/p>

CV aller CV CV<\/p>

CV CV aller CV<\/p>

CV CV CV aller<\/p>

aller CV CV CV<\/p>

           <\/p>","label":"

L\u00e9ona<\/p>"},{"id":2177,"type":2,"content":"

 <\/p>

PFFF ne r\u00e9pondent pas \u00e0 mes messages<\/strong><\/p>

chut les voleurs<\/i><\/p>

Hein<\/p>

PFFF la t\u00e9l\u00e9 ne marche pas<\/strong><\/p>

chut l'\u00e9cole<\/i><\/p>

Hein t'as dit quoi<\/i><\/p>

PFFF mes devoirs<\/strong><\/p>

chut les camions poubelles<\/i><\/p>

Hein Hein Hein<\/i><\/p>

PFFF j'ai maths<\/strong><\/p>

chut le harc\u00e8lement<\/i><\/p>

Hein tu peux articuler STP<\/i><\/p>

PFFF mes cousins m\u2019\u00e9nervent<\/strong><\/p>

chut les psychopathes<\/i><\/p>

Hein les filles<\/i><\/p>

PFFF c'est pas bon \u00e0 la cantine<\/strong><\/p>

chut les mouettes<\/i><\/p>

Hein tu dors encore<\/i><\/p>

PFFF comment m'habiller<\/strong><\/p>

chut les pens\u00e9es<\/i><\/p>

Hein qu'est-ce qu'il se passe<\/i><\/p>

PFFF un film en noir et blanc<\/strong><\/p>

chut les amis toxiques<\/i><\/p>

Hein pourquoi tu dis \u00e7a<\/i><\/p>

PFFF on va au plateau<\/strong><\/p>

chut les heures de colle<\/i><\/p>

PFFF j'ai oubli\u00e9 ma trousse<\/strong><\/p>

                                   <\/p>","label":"

M\u00e9lina, Lysa, Joyce<\/p>"},{"id":2178,"type":2,"content":"

 <\/p>

Je voulais aller dans la rue, on m'a cri\u00e9 dessus, j'ai regard\u00e9 de gauche \u00e0 droite,<\/p>

j'ai continu\u00e9 ma route et je suis tomb\u00e9e dans la plaque d'\u00e9gout, je voulais sortir,<\/p>

j'ai rencontr\u00e9 un rat, j'ai couru et cri\u00e9, il a parl\u00e9, il m'a demand\u00e9 mon num\u00e9ro,<\/p>

on se les ait \u00e9chang\u00e9s, je suis sortie, le rat m'a suivie, on a discut\u00e9, je suis rentr\u00e9e chez moi,<\/p>

j'ai racont\u00e9 cette histoire \u00e0 mes parents, ils m'ont pas crue, j'ai mang\u00e9 du poulet,<\/p>

mais quand j'ai pens\u00e9 qu'il avait une famille, j'ai pleur\u00e9, j'ai rien dit.<\/p>

                                                                                   <\/p>","label":"

Lysa<\/p>"},{"id":2179,"type":2,"content":"

 <\/p>

Je voulais gagner, j'ai pioch\u00e9, j'ai tir\u00e9, j'ai perdu.<\/p>

Je voulais gagner, j'ai pioch\u00e9, j'ai tir\u00e9, j'ai pos\u00e9, j'ai perdu.<\/p>

J'ai r\u00e2l\u00e9, j'ai rejou\u00e9, j'ai pioch\u00e9, j'ai tir\u00e9, j'ai pos\u00e9, j'ai gagn\u00e9, j'\u00e9tais trop contente, j'ai mis la rage \u00e0 tout le monde.<\/p>

                       <\/p>","label":"

 Joyce<\/p>"},{"id":2180,"type":2,"content":"

 <\/p>

Je voulais travailler, ma m\u00e8re est rentr\u00e9e et du coup je me suis rat\u00e9.<\/p>

J'\u00e9tais couch\u00e9, je voulais dormir, mon fr\u00e8re est entr\u00e9 dans sa chambre, il a march\u00e9 sur un L\u00e9go, il a cri\u00e9 et du coup je me suis lev\u00e9.<\/p>

                                                           <\/p>","label":"

Tony<\/p>"},{"id":2181,"type":2,"content":"

 <\/p>

Ch\u00e2telet<\/p>

le chat est dans le ch\u00e2teau<\/p>

 <\/p>

Martigues<\/p>

j'en ai marre des tigres<\/p>

 <\/p>

Coquelicot<\/p>

les coqs dorment dans le lit<\/p>

 <\/p>

chut la guerre d'Ukraine et de la Russie<\/p>

chut le racisme sur la couleur de peau<\/p>

chut la guerre d'Islam et de Gaza<\/p>

chut les parents qui donnent des ordres<\/p>

chut les chiens qui aboient<\/p>

chut la politique \u00e0 la t\u00e9l\u00e9<\/p>

chut la pauvret\u00e9<\/p>

chut au PSG<\/p>

chut  au bruit<\/p>

chut aux enfants qui pleurent<\/p>

 <\/p>","label":"

Lucile<\/p>"},{"id":2182,"type":2,"content":"


sac \u00e0 dos, que ma m\u00e8re m'a achet\u00e9 pour le coll\u00e8ge<\/p>

les gens, vont au stade, sont sportifs<\/p>

tifo, pour supporter les footballeurs<\/p>

heureusement que tu es l\u00e0 pour nous<\/p>

nourrir ma famille<\/p>

mimi, ce gamin<\/p>

ma main, le pied de mon fr\u00e8re<\/p>

 <\/p>

Je voulais jouer, la play m'attendait, je l'ai allum\u00e9e,<\/p>

j'ai pris la manette, j'ai appuy\u00e9, j'ai frapp\u00e9, j'ai jou\u00e9<\/p>

j'ai \u00e9t\u00e9 \u00e9limin\u00e9, je me suis \u00e9nerv\u00e9, elle a bugu\u00e9, j'ai cri\u00e9, j'ai \u00e9teint<\/p>

j'ai pos\u00e9 la manette, j'\u00e9tais \u00e9nerv\u00e9, j'ai pas dormi<\/p>

                                                                       <\/p>","label":"

Niels<\/p>"},{"id":2183,"type":2,"content":"

 <\/strong><\/p>

La M\u00e9diterran\u00e9e, le soleil, les vignes, l\u2019\u00e9tang de Berre, les p\u00eacheurs de dorades, la poutargue, la muge, la colline, les voiliers, les bateaux \u00e0 moteur, la crique, le march\u00e9, l\u2019OM, la p\u00e9tanque, la soupe aux poissons, le Maritima Music Tour, le Carnaval, Le stade Francis Turcan, le bassin olympique de la piscine, le parc Aur\u00e9lio, Le Palace, La Cascade, le site Picasso, Le coll\u00e8ge G\u00e9rard Philipe<\/strong><\/p>

( Natana\u00ebl : Au parc, en bas du coll\u00e8ge, moi et mon pote on s'est fait poursuivre par un homme. On a vu un pote avec un t\u00e9l\u00e9phone on est all\u00e9 le voir et l'homme s'est retourn\u00e9 et il est parti. J'ai eu trop peur<\/i><\/p>

Julien Olive, Gaby Charroux, Clara Luciani, Dimitri Payet, le vieux bizarre l\u2019arr\u00eat de bus, la vendeuse de Dekkiche, Rosie, les poissonni\u00e8res qui crient, les chats maltrait\u00e9s, Bargemont, Les maisons color\u00e9es, Boud\u00e8me, Le miroir aux oiseaux, Le monument aux morts de Jonqui\u00e8res, Le canal de Caronte, La Venise proven\u00e7ale, la mairie en rond, le viaduc, le pont-levant, Figuerolles.<\/strong><\/p>

(Serena : J'\u00e9tais \u00e0 Figuerolles et j'ai vu un serpent passer. Plus tard, j'\u00e9tais dans les buissons et j'ai touch\u00e9 quelque chose, comme une peau de crocodile. Et je me suis fait mordre, c'\u00e9tait le serpent.)<\/i><\/span><\/p>

Les olives, l\u2019\u00eele, le quartier, l\u2019accent, le paing, MartiiiguEs, le pastiiiSS, le g\u00e2t\u00e9, d\u00e9gun !, gadji, gadjo, tarpin !, le wa\u00ef, le frat\u00e9, bien ou bien ?? gamberge et abr\u00e8ge ! ah bon ?!<\/strong><\/p>

                                                                                                                                  <\/strong><\/p>","label":"

Commun<\/p>"},{"id":2184,"type":2,"content":"

 <\/p>

PFF les gens qui me critiquent<\/strong><\/p>

PFF les devoirs<\/i><\/p>

PFF l'\u00e9cole<\/i><\/p>

PFF ma m\u00e8re en PLS<\/strong><\/p>

PFF les toxiques sur RL<\/strong><\/p>

PFF les chats qui pissent sur le canap\u00e9<\/i><\/p>

PFF les voisins<\/strong><\/p>

PFF la connexion lente<\/strong><\/p>

PFF mes exs<\/i><\/p>

PFF mon mate qui rate des opens<\/strong><\/p>

PFF les starts drops verts<\/strong><\/p>

PFF les enfants qui pleurent<\/i><\/p>

PFF ma m\u00e8re qui ne sait pas cuisiner<\/i><\/p>

PFF ma s\u0153ur<\/strong><\/p>

PFF mon fr\u00e8re<\/strong><\/p>

PFF ceux qui disent apanyae et quoicoubeh<\/strong><\/p>

PFF mes coll\u00e8gues qui s'embrouillent sur discord<\/strong><\/p>

PFF mon mate Hardstuck platine depuis 6 saisons<\/strong><\/p>

PFF les probl\u00e8mes<\/i><\/p>

PFF les hooters<\/i><\/p>

 <\/p>

Je voulais manger des p\u00e2tes, j'ai pris ma cuill\u00e8re, elles sont tomb\u00e9es, je me suis baiss\u00e9, je me suis bless\u00e9<\/i><\/p>

Je suis sorti de l\u2019h\u00f4pital je suis all\u00e9 dans une chambre, j'ai coup\u00e9 le fil, je me suis \u00e9vanoui, je me suis r\u00e9veill\u00e9 dans une salle blanche comme mon esprit.<\/strong><\/p>

                                                                       <\/strong><\/span><\/p>","label":"

Nathanyel, Natana\u00ebl<\/i><\/p>"},{"id":2185,"type":2,"content":"

 <\/p>

Dans d\u00e9monstration il y a<\/p>

montrer<\/p>

monstre<\/p>

tradition<\/p>

transition<\/p>

d\u00e9montr\u00e9<\/p>

\u00e9mettre<\/p>

star<\/p>

mon<\/p>

il n'y a pas cach\u00e9<\/p>

 <\/p>

Montr\u00e9                       <\/p>

montre                                                                      <\/p>

mon                                                                           <\/p>

d\u00e9mon<\/p>

d\u00e9montr\u00e9<\/p>

 <\/p>

Tradition<\/p>

transition<\/p>

station<\/p>

 <\/p>

station<\/p>

star<\/p>

                        <\/p>","label":"

Mauranne<\/p>"},{"id":2186,"type":2,"content":"

 <\/p>

bric \u00e0 brac<\/p>

abracadabra<\/p>

de bric et de bric<\/p>

brac<\/p>

de brie<\/p>

de abracadabra<\/p>

brac \u00e0 bric<\/p>

de broc<\/p>

 <\/p>

 <\/p>

Chut les pr\u00e9jug\u00e9s envers les asiatiques<\/p>

Chut ceux qui disent que la danse n'est pas un sport<\/p>

Chut la guerre de Palestine<\/p>

Chut la discrimination<\/p>

Chut les enfants qui pleurent dans l'avion<\/p>

Chut les enfants pourris g\u00e2t\u00e9s<\/p>

Chut les amis toxiques<\/p>

Chut la covid 19<\/p>

Chut le racisme<\/p>

Chut celui qui coupe les buissons du jardin<\/p>

                                                                       <\/span><\/p>","label":"

Marie-Lou<\/p>"},{"id":2169,"type":2,"content":"

 <\/p>

Surligneur, mon feutre bleu rang\u00e9 dans ma trousse.<\/p>

Trousse, un objet qui me sert en tant que coussin en cours.<\/p>

Cours, un endroit agr\u00e9able o\u00f9 tout le monde a sa cachette secr\u00e8te pour discuter avec ses amies.<\/p>

Mygale, insecte qui me fait horriblement peur.<\/p>

Heure de colle, une heure de punition que j'aime bien, dans le calme et au travail.<\/p>

Travailler, un mot tr\u00e8s compliqu\u00e9 \u00e0 accomplir.<\/p>

Rire, un moment de bonheur si tendre que je peux rigoler toute ma vie.<\/p>

Ville, c'est un endroit o\u00f9 on s'attache trop vite, quand on d\u00e9m\u00e9nage c'est tellement triste.<\/p>

 <\/p>

Po\u00e9sie, mot qui suit un autre mot tendrement bien \u00e9crit.<\/p>

Crit\u00e8re, ce sont des consignes \u00e0 respecter, inspecteur c'est une personne m\u00e9chante.<\/p>

                                                                                                                                  <\/p>","label":"

Ornella<\/p>"},{"id":2187,"type":2,"content":"

 <\/p>

PFFF les travaux \u00e0 c\u00f4t\u00e9 de chez moi<\/strong><\/p>

Hein la sym\u00e9trie<\/i><\/p>

PFFF \u00e0 me parler comme \u00e7a<\/strong><\/p>

Hein les blagues de mes copains<\/i><\/p>

PFFF de bavarder avec ton camarade<\/strong><\/p>

Hein la guerre en Ukraine<\/i><\/p>

PFFF aire de la sym\u00e9trie<\/strong><\/p>

Hein le coll\u00e8ge \u00e7a existe<\/i><\/p>

PFFF quand on ne r\u00e9pond pas \u00e0 un message<\/strong><\/p>

Hein l'OM ne gagne pas Paris<\/i><\/p>

PFFF les devoirs chaque jour<\/strong><\/p>

Hein<\/i><\/p>

PFFF Marseille ne gagne jamais<\/strong><\/p>

PFFF je ne suis pas rapide<\/strong><\/p>

 <\/strong><\/p>

\u00e7a va \u00e7a va \u00e7a va aller au foot<\/i><\/p>

aller \u00e7a va au foot<\/i><\/p>

\u00e7a va aller<\/i><\/p>

\u00e7a va, \u00e7a va, aller au foot<\/strong><\/p>

aller \u00e7a va au foot aller \u00e7a va<\/strong><\/p>

                                               <\/strong><\/p>","label":"

Khalil, Tony<\/i><\/p>"},{"id":2188,"type":2,"content":"

 <\/p>

Je voulais dormir, le r\u00e9veil a sonn\u00e9, je me suis r\u00e9veill\u00e9e,<\/p>

je me suis mise debout, je suis tomb\u00e9e, j'ai gliss\u00e9,<\/p>

je me suis relev\u00e9e, je suis all\u00e9 au frigo, j'ai sorti du lait.<\/p>

 <\/p>

Trousse : quelque chose o\u00f9 on met nos stylos, feutres, crayon gris, colles<\/p>

colorer : mettre des couleurs<\/p>

l'heure : de rentrer \u00e0 la maison<\/p>

on : nage \u00e0 Fos<\/p>

os : un os de chien par terre<\/p>

air : quand je respire<\/i><\/p>

                                   <\/i><\/p>","label":"

Wissal<\/p>"},{"id":2189,"type":2,"content":"

 <\/p>

pfff le chat qui fait du bruit et des conneries \u00e0 3h du matin<\/p>

pfff les travaux \u00e0 c\u00f4t\u00e9 de chez moi<\/p>

pfff l'exercice de l'\u00e9valuation de fran\u00e7ais<\/p>

pfff il n'arr\u00eate pas de me taper<\/p>

pfff les moustiques qui volent<\/p>

hein les questions de ma famille<\/p>

pfff quand je veux jouer avec mon demi cousin<\/p>

pfff les voitures et les motos \u00e0 c\u00f4t\u00e9 de chez ma grand-m\u00e8re la nuit<\/p>

pfff quand il pleure alors qu'on ne lui a rien fait<\/p>

pfff mon chat ram\u00e8ne des rats morts \u00e0 la maison<\/p>

pfff mon p\u00e8re joue H 24 7 jours sur 7 au PC \u00e0 Gor Wacraft<\/p>

pfff l'\u00e9cole<\/p>

pfff ma m\u00e8re en AFK sur le canap\u00e9<\/p>

 <\/p>

\u00e0 Toulon on se balade en talons<\/p>

\u00e0 Londres il fait sombre<\/p>

\u00e0 Duba\u00ef on baille<\/p>

c'est la cata<\/p>

je sors mon Katana<\/i><\/p>

                                                                     <\/i><\/p>","label":"

Djibril<\/p>"},{"id":2190,"type":2,"content":"

 <\/p>

Lacoste<\/p>

lactose<\/p>

accoste<\/p>

j\u2019accoste en sweat Lacoste<\/p>

 <\/p>

Je voulais gagner, j'\u00e9tais sur mon lit, j'ai gam\u00e9, j'ai touch\u00e9 les boutons.<\/p>

Je voulais gagner, j'ai appuy\u00e9 mon doigt, \u00e7a a tir\u00e9, j'ai rat\u00e9, j'ai recommenc\u00e9 et j'ai touch\u00e9.<\/p>

Mais j'avais 120 de ping.<\/p>

                                               <\/i><\/p>","label":"

Gianni<\/p>"},{"id":2191,"type":2,"content":"

 <\/p>

Chut les parents qui se disputent<\/p>

Chut les ex qui nous saoulent quand on les quitte<\/p>

Chut les insultes<\/p>

Chut les enfants<\/p>

Chut au prof<\/p>

Chut au PSG<\/p>

Chut \u2026...... pas le droit<\/p>

Chut au racisme<\/p>

Chut les chiens qui aboient<\/p>

Chut aux aspirateurs<\/p>

Chut ce qui ne viennent pas \u00e0 l'entrainement de foot<\/i><\/p>

                           <\/i><\/p>","label":"

Margaux<\/p>"},{"id":2192,"type":2,"content":"

 <\/p>

Je voulais sauter, je tremblais, j'ai eu peur du vide, j'ai vol\u00e9, j'ai atterri en plat, j'ai r\u00e9ussi \u00e0 sauter.<\/strong><\/p>

Je voulais plonger, j'ai trembl\u00e9, j'ai eu peur il m'a pouss\u00e9, je suis tomb\u00e9e.<\/i><\/p>

Je voulais manger, j'ai trembl\u00e9, il a miaul\u00e9, j'ai fait tomber mon assiette<\/p>

Je voulais expliquer, j'ai mim\u00e9, j'ai beugu\u00e9, j'ai mim\u00e9 mon chat, j'ai rat\u00e9, j'ai pas r\u00e9ussi \u00e0 expliquer.<\/strong><\/p>

Je voulais r\u00e9sister, j'ai beugu\u00e9, il se sont moqu\u00e9s, j'ai eu z\u00e9ro<\/i><\/p>

Je voulais parler, j'ai beugu\u00e9, il m'a cri\u00e9 dessus, j'ai eu peur, j'ai pleur\u00e9<\/p>

Je voulais siffler, j'ai souffl\u00e9, j'ai cri\u00e9, j'ai siffl\u00e9.<\/strong><\/p>

Je voulais regarder mon t\u00e9l\u00e9phone, ma prof m'a vue, elle m'a punie, j'ai pleur\u00e9.<\/i><\/p>

Je voulais me maquiller, j'ai \u00e9t\u00e9 surprise, ils m'ont puni, j'ai cri\u00e9,<\/p>

Je voulais me r\u00e9veiller, j'ai r\u00eav\u00e9, j'ai \u00e9t\u00e9 puni, je suis puni.<\/strong><\/p>

Je voulais chanter, mon p\u00e8re est rentr\u00e9, j'ai \u00e9t\u00e9 g\u00ean\u00e9.<\/i><\/p>

Je voulais \u00e9crire, il est rentr\u00e9, il a d\u00e9chir\u00e9 ma feuille, je suis partie.<\/p>

Je voulais siffler, j'ai souffl\u00e9, j'ai cri\u00e9, l'air est rentr\u00e9 dans ma bouche, j'ai pas r\u00e9ussi \u00e0 siffler.<\/strong><\/p>

 <\/p>","label":"

Erin, Mal\u00e9na, Margaux<\/p>"},{"id":2193,"type":2,"content":"

 <\/p>

Rideau : qui cache le soleil, la chaleur et \u00e7a nous cache.<\/p>

Chenille : insecte qui tombe des pins.<\/p>

Pince \u00e0 linge : petit objet qui sert \u00e0 \u00e9tendre le linge.<\/p>

G\u00e9ographie : mati\u00e8re que j'aime pas mais qu'on est oblig\u00e9 d'\u00e9tudier.<\/p>

Etude : qui sert \u00e0 apprendre notre m\u00e9tier<\/p>

                        <\/p>","label":"

Mal\u00e9na<\/p>"},{"id":2194,"type":2,"content":"

 <\/p>

Trousse : o\u00f9 je range mes affaires d'\u00e9cole<\/p>

Colle : qui colle aux doigts<\/p>

Oie : dans la ferme l\u00e0-bas<\/p>

Bas : qui n'est pas haut<\/p>

Hauteur : comme la montagne<\/p>

Montagne : qui monte jusqu'au ciel<\/p>

Iel : fille et gar\u00e7on \u00e0 la fois.<\/p>

                                   <\/p>","label":"

Mauranne<\/p>"},{"id":2195,"type":2,"content":"

 <\/p>

Le train : le premier train que j'ai pris pour aller \u00e0 Paris<\/p>

Rire : dans ma chambre on a fait une vid\u00e9o et je suis tomb\u00e9e.<\/p>

B\u00e9b\u00e9 : aller voir mon cousin \u00e0 l\u2019h\u00f4pital pour la premi\u00e8re fois.<\/p>

                                               <\/span><\/p>","label":"

Florence<\/p>"},{"id":2196,"type":2,"content":"

 <\/p>

Un livre : objet pour prendre des informations, des histoires, mythes<\/p>

Mythe : une histoire v\u00e9cue par des h\u00e9ros qui est peut-\u00eatre fausse
au secours : appel \u00e0 l'aid(e)<\/p>

laide : personne laide<\/p>

Leds lumi\u00e8res de couleurs<\/p>

                                             <\/p>","label":"

Khalil<\/p>"},{"id":2170,"type":2,"content":"

 <\/p>

Chut au travail des enfants<\/strong><\/p>

. Chut le racisme<\/i><\/p>

Pfffff tu m'\u00e9nerves<\/strong><\/p>

. Chut les mouettes quand je dors<\/i><\/p>

Pfffff arr\u00eate tu m\u2019\u00e9nerves<\/strong><\/p>

. Chut les enfants qui travaillent<\/i><\/p>

Hein j'ai rien compris<\/strong><\/p>

. Chut les b\u00e9b\u00e9s qui pleurent<\/i><\/p>

\u00eatre PFFFF je suis incomprise<\/strong><\/p>

. Chut les bavardages<\/i><\/p>

ne pas \u00eatre PFFFF je ne suis pas interrog\u00e9e ?<\/strong><\/p>

. Chut les bavardages<\/i><\/p>

PFFFF n'en peut plus du racisme<\/strong><\/p>

. Chut les disputes entre amies<\/i><\/p>

PFFFF perdu mon feutre bleu<\/strong><\/p>

. Chut les devoirs<\/i><\/p>

PFFFF les pleurs de ma petite s\u0153ur la nuit d'\u00e9t\u00e9<\/strong><\/p>

. Chut les guerres<\/i><\/p>

PFFFF les maths<\/strong><\/p>

. Chut les maths<\/i><\/p>

ma nullit\u00e9 PFFFF en dessin de manga<\/strong><\/p>

. Chut la famille qui s'embrouille<\/i><\/p>

PFFFF arr\u00eate, tu m'\u00e9nerves<\/strong><\/p>

PFFFF le bavardage<\/strong><\/p>

PFFFF les vols d'objet<\/strong><\/p>

 <\/p>","label":"

Ornella, L\u00e9ona<\/p>"},{"id":2197,"type":2,"content":"

 <\/p>

ventilateur<\/p>

le vent fait bouger mon ventilateur<\/p>

vent<\/p>

 <\/p>

fane<\/p>

la plante a fan\u00e9 et j'en suis fan<\/p>

fan<\/p>

 <\/p>

PFFF mon r\u00e9veil qui sonne le matin<\/p>

PFFF \u00e0 ceux qui font des r\u00e9flexions<\/p>

PFFF au mauvais temps<\/p>

PFFF aux maths<\/p>

PFFF \u00e0 la nourriture de la cantine d\u00e9goutante<\/p>

PFFF au bruit de l'aspirateur<\/p>

PFFF au mal de t\u00eate<\/p>

PFFF aux disputes entre copains<\/p>

PFFF \u00e0 l'hiver trop froid<\/p>

PFFF au cartable trop lourd<\/p>

PFFF \u00e0 la fin des vacances toujours trop courtes<\/p>

                                                                       <\/span><\/p>","label":"

Hannah<\/p>"},{"id":2198,"type":2,"content":"

 <\/p>

Chut ma play qui fait du bruit<\/p>

Chut le PSG<\/p>

Chut aux contrefa\u00e7ons<\/p>

Chut ceux qui pr\u00e9f\u00e8rent Messi<\/p>

Chut ceux qui n'aiment pas Inoxtag<\/p>

Chut ceux qui n'aiment pas Werenoi<\/p>

Chut le harc\u00e8lement<\/p>

 <\/p>

Je voulais faire mes devoirs, j'ai re\u00e7u une note, j'ai r\u00e2l\u00e9, j'\u00e9tais \u00e9nerv\u00e9, j'ai tap\u00e9 sur mon bureau.<\/p>

Je voulais m'inscrire au foot, j'ai rat\u00e9 et j'ai donn\u00e9 un coup de pied dans le mur<\/p>

Je voulais faire de la corde \u00e0 sauter, je suis tomb\u00e9, je suis \u00e9nerv\u00e9.<\/p>

Je voulais faire du foot, je suis tomb\u00e9 par terre, je me suis cass\u00e9 le bras.<\/p>

                                                           <\/p>","label":"

Mathys<\/p>"},{"id":2199,"type":2,"content":"

 <\/p>

J'ai envoy\u00e9 ma chaussette, elle a rebondi sur le cr\u00e2ne de mon fr\u00e8re elle m'est arriv\u00e9e en pleine poire.<\/p>

Mon p\u00e8re est arriv\u00e9. Je me suis cach\u00e9, j'ai pri\u00e9, je me suis fait choper, ma vie a d\u00e9fil\u00e9 devant mes yeux, je me suis fait d\u00e9foncer, les jours ont pass\u00e9, j'ai oubli\u00e9.<\/p>

J'ai lanc\u00e9 une game, j'ai lanc\u00e9 des dynamites partout, je me suis fait encercler, et d'un coup, gadget multi pouvoir star esquive de la loutre, j'ai lanc\u00e9 une bombe et j'ai gagn\u00e9, des ann\u00e9es ont pass\u00e9, je rentre en 6\u00e8me.<\/p>

Une prof de po\u00e9sie arrive, elle nous demande d'\u00e9crire un texte, je suis pass\u00e9, tout le monde c'est moqu\u00e9, je suis devenu rouge de honte et on s'est bagarr\u00e9 comme de gros zinzin.                                   <\/p>

                        <\/p>","label":"

Riwann<\/p>"},{"id":2200,"type":2,"content":"

 <\/p>

Le chat dans un ch\u00e2telet<\/p>

un marsupilami sur mars<\/p>

le riz rie<\/p>

la trousse se mousse dans la douche<\/p>

la vache Kiri rie<\/p>

 <\/p>

Hein<\/p>

hein les gar\u00e7ons<\/p>

hein mais pourquoi tu rigoles<\/p>

hein aller en cours de math<\/p>

hein ne va pas \u00e0 la danse<\/p>

hein tu ne r\u00e9ponds pas<\/p>

hein tu pleures encore ce soir<\/p>

hein obliger de manger<\/p>

hein tu rigoles de moi<\/p>

hein, mais r\u00e9p\u00e8te<\/p>

                        <\/p>","label":"

C\u00e9leste<\/p>"},{"id":2201,"type":2,"content":"

 <\/p>

Je vois l'ombre sombre des nombres<\/p>

je tu il se shield<\/p>

il jeux<\/p>

il tue je dans la cave<\/p>

                                   <\/p>","label":"

Margaux<\/p>"},{"id":2202,"type":2,"content":"

\u00e7a va aller, aller aller, \u00e7a va aller<\/p>

\u00e7a va \u00e7a va, \u00e7a va aller                                                                     aller, aller, aller, \u00e7a va aller<\/p>

\u00e7a va \u00e7a va, \u00e7a va aller                                                                     aller, aller, aller, \u00e7a va aller<\/p>

\u00e7a va \u00e7a va, \u00e7a va aller                                                                     aller, aller, aller, \u00e7a va aller<\/p>

                           Groupe1                                                                                                     Groupe2<\/p>","label":"

 Joyce<\/p>"},{"id":2171,"type":2,"content":"

 <\/p>

Je voulais dormir, j'ai pens\u00e9, j'ai tourn\u00e9, je me suis lev\u00e9e, j'ai bu,<\/strong><\/p>

Je voulais dormir, j'ai pens\u00e9, j'ai tourn\u00e9, je me suis lev\u00e9, j'ai bu,<\/i><\/p>

J'ai tr\u00e9buch\u00e9, je suis tomb\u00e9e, j'ai renvers\u00e9 le verre, j'ai paniqu\u00e9, mon p\u00e8re s'est r\u00e9veill\u00e9<\/strong>,<\/p>

 J'ai tr\u00e9buch\u00e9, j'ai renvers\u00e9 sur le sol, j'ai paniqu\u00e9, ma m\u00e8re s'est r\u00e9veill\u00e9e,<\/i><\/p>

Il s'est \u00e9nerv\u00e9, il m'a gonfl\u00e9, j'ai pas fait expr\u00e8s.<\/strong><\/p>

Elle est rest\u00e9e choqu\u00e9e, elle s'est \u00e9nerv\u00e9e, j'ai pas fait expr\u00e8s.<\/i>    <\/p>

                                                                                              <\/p>","label":"

Lola, C\u00e9leste<\/p>"},{"id":2172,"type":2,"content":"

 <\/p>

chut le harc\u00e8lement<\/strong><\/p>

PFFF les cours de math \u00e0 16h30 \u00e0 17h25<\/i><\/p>

chut \u00e0 la guerre Palestine et Isra\u00ebl<\/strong><\/p>

CHUT L'autoroute \u00e0 c\u00f4t\u00e9 des maisons<\/i><\/p>

chut au racisme<\/strong><\/p>

CHUT \u00e0 la publicit\u00e9 mensong\u00e8re<\/i><\/p>

chut \u00e0 l'\u00e9cole<\/strong><\/p>

Hein la fin de l'ann\u00e9e c'est dans 2 mois \u00e0 peine<\/i><\/p>

chut aux maths<\/strong><\/p>

PFFF aux pubs dans la boite aux lettres<\/i><\/p>

chut aux profs<\/strong><\/p>

CHUT \u00e0 ma classe<\/i><\/p>

chut aux disputes<\/strong><\/p>

PFFF la pub au milieu des films<\/i><\/p>

chut aux menaces<\/strong><\/p>

PFFF les films le dimanche soir<\/i><\/p>

chut aux avis<\/strong><\/p>

HEIN la magie n'existe pas.<\/i><\/p>

chut \u00e0 Burger King<\/strong><\/p>

chut \u00e0 la pluie<\/strong><\/p>

chut \u00e0 la rage<\/strong><\/p>

chut les chiens<\/strong><\/p>

chut le camion<\/strong><\/p>

                        <\/p>","label":"

Aymen, Serena<\/p>"},{"id":2173,"type":2,"content":"

 <\/p>

Je voulais dormir, j'\u00e9tais couch\u00e9e la lumi\u00e8re m\u2019a \u00e9blouie, c'\u00e9tait l'heure de se lever, je n'ai pas dormi.<\/strong><\/p>

Je voulais m'endormir, je me suis allong\u00e9e, j'ai fait une nuit blanche jusqu'au lendemain.<\/i><\/p>

Le lendemain j'ai voulu faire du v\u00e9lo, j'ai pris la route, je suis rest\u00e9e pour parler, un clou a crev\u00e9 ma roue, je suis rentr\u00e9e \u00e0 pied<\/strong>.<\/p>

J'ai voyag\u00e9 en bateau, je me suis perdue, mon bateau a eu un probl\u00e8me, j'ai vu une \u00eele, je me suis \u00e9chou\u00e9e, j'ai aper\u00e7u une maison, j'ai sonn\u00e9, j'ai attendu.<\/i><\/p>

Quelqu'un a sonn\u00e9, j'ai attendu avant d'ouvrir, j'ai ouvert, je l'ai reconnu.<\/strong><\/p>

                                                                                   <\/p>","label":"

Florence, Serena<\/p>"},{"id":2174,"type":2,"content":"

 <\/p>

Le chat boit du lait \u00e0 Ch\u00e2telet<\/strong><\/p>

La trousse est rousse sur mon pousse<\/i><\/p>

La chaussure est s\u00fbre d'avoir chaud<\/strong><\/p>

La fille file avec une fille<\/i><\/p>

La veste reste sur l\u2019Everest<\/strong><\/p>

La veste reste sur l\u2019Everest<\/i><\/p>

                                   <\/p>","label":"

Lola, Erin<\/p>"},{"id":2175,"type":2,"content":"

 <\/p>

dans \u00e9tablissement scolaire, il y a<\/p>

\u00e9tat<\/p>

m\u00e9tal<\/p>

colle<\/p>

\u00e9rable<\/p>

aire<\/p>

croco<\/p>

casse-toi<\/p>

castor<\/p>

Tor<\/p>

coca<\/p>

costard           <\/p>

            <\/p>","label":"

Riwann<\/p>"},{"id":2176,"type":2,"content":"

 <\/p>

Chaise, objet o\u00f9 on s'assoit<\/p>

sois gentil avec les autres<\/p>

autrement je prends \u00e7a<\/p>

\u00e7a y est, il est l'heure de partir<\/p>

tire la corde pour sauter<\/p>

tais toi la prof parle<\/p>

                                   <\/p>","label":"

M\u00e9lina<\/p>"},{"id":2515,"type":5,"fileUrl":"\/resources\/files\/file_6812336fd791b.pdf"},{"id":79,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/109_20060204162029.mp3","label":"Discours 1 \/ Discours 2 - texte in\u00e9dit","duration":141},{"id":892,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1007_20180620160952.mp3","label":"Distraction - Extrait de grammata<\/i>, 2017","duration":82},{"id":63,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/92_20051118132037.pdf","label":"dlpc 1 : Po\u00e9sie \u00e9lectronique - Texte d'introduction \u00e0 la conf\u00e9rence de Jacques Donguy"},{"id":70,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/100_20051118140448.pdf","label":"dlpc 10 : Mallarm\u00e9\/Roussel... - texte d'introduction \u00e0 une conf\u00e9rence de Jacques Sivan"},{"id":83,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/113_20060110161954.pdf","label":"dlpc 11 : L\u2019\u00e9conomie po\u00ef-po\u00ef\u00e9tique de Robert Filliou - L\u2019\u00e9conomie po\u00ef-po\u00ef\u00e9tique de Robert Filliou, inventeur de la R\u00e9publique G\u00e9niale et de la Cr\u00e9ation Permanente (RGCP)<\/i>, texte d'introduction \u00e0 une conf\u00e9rence de Michel Giroud, peintre oral et tailleur en tout genre"},{"id":108,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/149_20060406174255.pdf","label":"dlpc 12 : Po\u00e9sie et Strat\u00e9gie - (fragments) - Texte d'introduction \u00e0 une conf\u00e9rence de Vincent Kaufmann, en cl\u00f4ture du cycle Guy Debord, organis\u00e9 en mars-avril 2006."},{"id":328,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/416_20090429184818.pdf","label":"dlpc 13 : Po\u00e9sie partout"},{"id":340,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/436_20090526153225.pdf","label":"dlpc 14 : Biopo\u00e9sie"},{"id":342,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/438_20090602153334.pdf","label":"dlpc 14 ANNEXES<\/i>"},{"id":378,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/474_20090904174745.pdf","label":"dlpc 15 : Is Google... ? - (Nouveaut\u00e9s dans l'art de la lecture)"},{"id":525,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/624_20100702164527.pdf","label":"

Jean-Christophe Bailly, Par-del\u00e0 le po\u00e8me, <\/i>Phrase, de Philippe Lacoue-Labarthe.<\/i><\/p>"},{"id":581,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/681_20110204130248.pdf","label":"dlpc 17 - Black Mountain College<\/i>"},{"id":594,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/695_20110329172745.pdf","label":"dlpc 18 : Anarchy entre les lignes"},{"id":669,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/771_20111025172707.pdf","label":"

dlpc 19 - Le dit d'amour et de mort du Cornette Christoph Rilke<\/i><\/p>"},{"id":64,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/93_20051118132532.pdf","label":"dlpc 2 : Cette histoire est la mienne - texte d'introduction \u00e0 une conf\u00e9rence d'Emmanuel Hocquard"},{"id":851,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/962_20141216172337.pdf","label":"dlpc 20 - Edoardo Sanguineti"},{"id":854,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/966_20150319161857.pdf","label":"dlpc 21 - Une vie vou\u00e9e \u00e0 Fluxus"},{"id":855,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/967_20150319163253.pdf","label":"dlpc 22 - Agir et r\u00e9sister, infinitivement"},{"id":327,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/415_20090429184419.pdf","label":"dlpc 3 : Le mille-pattes de Sophie"},{"id":80,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/110_20051213182257.pdf","label":"dlpc 4 : Quand j\u2019\u00e9tais ni\u00e9 - texte d'introduction \u00e0 une conf\u00e9rence de Jean-Fran\u00e7ois Bory"},{"id":65,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/95_20051118133520.pdf","label":"dlpc 5 : Notes en bataille - texte d'introduction \u00e0 une conf\u00e9rence de Jean-Michel Espitallier"},{"id":66,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/96_20051118134637.pdf","label":"dlpc 6 : pr\u00e9ambule - texte d'introduction \u00e0 une conf\u00e9rence de Roger Lewinter"},{"id":1137,"type":3,"videoId":"840509140","duration":5501},{"id":67,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/97_20051118135216.pdf","label":"dlpc 7 : de l'impossibilit\u00e9 et tr\u00e8s grande d\u00e9sirabilit\u00e9... - texte d'intoduction \u00e0 une conf\u00e9rence d'\u00c9tienne Cornevin"},{"id":68,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/98_20051118135543.pdf","label":"dlpc 8 : Au plus pr\u00e8s de la voix - texte d'introduction \u00e0 une conf\u00e9rence de Claude Esteban"},{"id":69,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/99_20051118140158.pdf","label":"dlpc 9 : Lacan fait ronce - texte d'introduction \u00e0 une conf\u00e9rence de Dominique Meens"},{"id":2466,"type":1,"imageIds":[3832]},{"id":2467,"type":1,"imageIds":[3833]},{"id":974,"type":1,"imageIds":[3194]},{"id":49,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/78_20060203134018.mp3","label":"Documentaire de la Fabrication des Am\u00e9ricains - Le texte int\u00e9gral du Documentaire de la Fabrication des Am\u00e9ricains<\/i> a \u00e9t\u00e9 diffus\u00e9 en \u00e9pisodes sur Radio Grenouille<\/a> en 2004\r\ng\u00e9n\u00e9rique de Marc Voiry","duration":153},{"id":1290,"type":4,"fileUrl":"\/resources\/files\/file_65aa9e3152961.mp3","label":"

Amiri Baraka \u2014 Dope<\/i>, reading with Diane Di Prima, recorded by the Naropa Institute, July 26, 1978<\/p>

Dur\u00e9e : 05'31\" <\/p>","duration":332},{"id":933,"type":1,"imageIds":[3134]},{"id":1135,"type":1,"imageIds":[3369]},{"id":2809,"type":5,"fileUrl":"\/resources\/files\/file_68e67b4d970c1.pdf"},{"id":2907,"type":1,"imageIds":[4089]},{"id":2908,"type":1,"imageIds":[4091]},{"id":2859,"type":2,"content":"

 <\/p>

 Grincement de porte coch\u00e8re : griffure \u00e0 l\u2019oreille du sans-abri.<\/p>

 <\/p>

Au creux de sa paume, une goutte lumineuse tomb\u00e9e du ciel.<\/p>

Le r\u00e9verb\u00e8re est g\u00e9n\u00e9reux, il inonde la pi\u00e8ce du mendiant et la cl\u00e9 dans ma main.<\/p>

Jamais le tas de pi\u00e8ces dans la main du mendiant ne grandira jusqu\u2019\u00e0 devenir une cl\u00e9.<\/p>

 <\/p>

Dans le m\u00e9tro : \u00ab Je suis \u00e0 la rue\u2026 \u00bb Il y en a qui disent : \u00ab Cela pourrait vous arriver aussi \u00bb. \u00c0 ceux-l\u00e0 on ne donne pas un kopeck.<\/p>

 <\/p>

La nuit, les mendiants se fondent dans le d\u00e9cor. Ils sont des accessoires amovibles.<\/p>

Les b\u00e2tisseurs des ponts ont pens\u00e9 \u00e0 eux : ils leur ont am\u00e9nag\u00e9 des lits \u00e0 c\u00f4t\u00e9 de ceux des fleuves.<\/p>

Au matin, il ne reste que des pelures malodorantes.<\/p>

 <\/p>

Au petit matin, des propri\u00e9taires de chiens sortent, un petit sachet (recyclable !) \u00e0 la main, s\u2019ils sont bons citoyens.<\/p>

Un mendiant est son propre chien.<\/p>

 <\/p>

Le mendiant a la bougeotte. Pourquoi se tra\u00eene-t-il avec son fardeau d\u2019une station de m\u00e9tro \u00e0 une autre ? Pourquoi prend-il le bus en obligeant les passagers \u00e0 s\u2019entasser \u00e0 la poupe comme dans un vaisseau en flammes ? Il est toujours appel\u00e9 ailleurs. Il a \u00e0 faire.<\/p>

 <\/p>

Il est assis au pied du distributeur d\u2019argent. Pourquoi ? Qui lui donnera un billet ?<\/p>

Lorsque l\u2019argent liquide n\u2019existera plus, les pauvres devront dispara\u00eetre.<\/p>

 <\/p>

Il est l\u00e9gion. Je donne \u00e0 celui-ci et pas \u00e0 celui-l\u00e0. Pourquoi ? Parce qu\u2019il a un air de famille. Parce qu\u2019il est vieux. Ou parce qu\u2019il est jeune. Parce que j\u2019ai de la monnaie sous la main. Ou parce que je suis en train de manger une pomme. Je l\u2019ach\u00e8te ainsi une seconde fois.<\/p>

Il faudrait donner au tout premier. Il entame le monde. Je sors de chez moi, je vois le Panth\u00e9on et tout d\u2019un coup, un mendiant. Il est l\u2019\u00e9v\u00e9nement le moins important de la journ\u00e9e, bien moins significatif qu\u2019une panne de lave-vaisselle. On l\u2019oublie aussit\u00f4t, comme on oublie la mort.<\/p>

 <\/p>

Un \u00e9tudiant en psychologie tue un SDF de 28 coups de couteau. \u00c0 cette occasion, on s\u2019est rendu compte que ce dernier avait une famille.<\/p>

 <\/p>","label":"

Du cycle \u00ab Les mendiants \u00bb, un court texte in\u00e9dit extrait d\u2019un cycle en cours d\u2019\u00e9criture, re\u00e7u de Luba Jurgenson le 16 mars en amont de la rencontre autour des \u00e9ditions Cr\u00e9aphis, le 9 mai 2026.<\/p>"},{"id":800,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/908_20130306173901.mp3","label":"Duo de felos","duration":32},{"id":2435,"type":3,"videoId":"1072075216","duration":5444},{"id":2436,"type":3,"videoId":"1072075216","duration":5444},{"id":2437,"type":3,"videoId":"1072075216","duration":5444},{"id":1198,"type":1,"imageIds":[3377]},{"id":53,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/82_20060201171958.swf","label":"EC 297 - extrait de EC 297<\/i>, Le Temps qu\u2019il Fait, 2005"},{"id":2087,"type":5,"fileUrl":"\/resources\/files\/file_664f644699c41.pdf"},{"id":2081,"type":5,"fileUrl":"\/resources\/files\/file_664f61d1b117c.pdf"},{"id":2069,"type":5,"fileUrl":"\/resources\/files\/file_664f603495f82.pdf"},{"id":2071,"type":5,"fileUrl":"\/resources\/files\/file_664f606e74d29.pdf"},{"id":2066,"type":5,"fileUrl":"\/resources\/files\/file_664f5ff21acf0.pdf"},{"id":940,"type":4,"fileUrl":"\/resources\/files\/file_6437cf89b0682.wav","label":"

Arielle Holtz, Respire<\/i>, 2022.<\/p>

Po\u00e8me sonore enregistr\u00e9 au Cipm, en atelier avec David Christoffel.<\/p>","duration":95},{"id":2085,"type":5,"fileUrl":"\/resources\/files\/file_664f62ce34fd8.pdf"},{"id":2068,"type":5,"fileUrl":"\/resources\/files\/file_664ef167cac7b.pdf","label":"

Blanche Coquerel, Dessin<\/i>, 2024.<\/p>"},{"id":2080,"type":5,"fileUrl":"\/resources\/files\/file_664f6188b671f.pdf"},{"id":2075,"type":5,"fileUrl":"\/resources\/files\/file_664f60fa574e1.pdf"},{"id":2083,"type":5,"fileUrl":"\/resources\/files\/file_664f6233a3ff9.pdf"},{"id":2086,"type":5,"fileUrl":"\/resources\/files\/file_664f631509678.pdf"},{"id":1032,"type":5,"fileUrl":"\/resources\/files\/file_64847d8bbc7e5.pdf","label":"

Carla Lloret, Brique<\/i>, 2022.<\/p>"},{"id":1033,"type":5,"fileUrl":"\/resources\/files\/file_64847bed7c446.pdf","label":"

Carla Lloret, Lettre d'amour pour Tongue<\/i>, 2022.<\/p>"},{"id":1056,"type":5,"fileUrl":"\/resources\/files\/file_6486d0030dfd7.pdf","label":"

C\u00e9lia Martin, Aigreur des sexes<\/i>, 2023.<\/p>"},{"id":1044,"type":5,"fileUrl":"\/resources\/files\/file_6485ada06440d.pdf","label":"

C\u00e9lia Martin, Creuser les aiguilles<\/i>, 2023.<\/p>"},{"id":1050,"type":2,"content":"

 <\/p>

Jour 1 :<\/strong><\/p>


- Homme tr\u00e8s \u00e2g\u00e9 porte bonnet YMCMB.
- Petit gar\u00e7on danse, se tient le zizi pour ne pas faire pipi sur lui - sa
maman lui dit \u00ab \u00e7a va \u00bb.
- Deux jumelles font sauter leurs couettes de perles color\u00e9es.
- Deux enfants sont heureux du g\u00e2teau d\u2019anniversaire que tient
mamie.
- Pieds ne touchent presque pas le sol du bus.<\/p>

 <\/p>


Jour 2 :<\/strong><\/p>


- Vieil homme en TN joue de la fl\u00fbte de pan sous le soleil.
- Le bisou des mamans \u00e0 la sortie de l\u2019\u00e9cole.
- Homme \u00e0 terre vend des herbes et chante un livre.
- Palette en suspension.
- Yeux doux du gardien.<\/p>

 <\/p>


Jour 3 :<\/strong><\/p>


- Chien sieste patiemment au soleil pendant que son ma\u00eetre converse.
- Faire une surprise tr\u00e8s inattendue.
- Assister \u00e0 des conf\u00e9rences intelligentes, penser.
- \u00c9couter des bruits, fermer les yeux.
- Bo\u00eete \u00e0 meuglement secou\u00e9e devant un micro.
- Plaisir par les oreilles.
- Le cidre tr\u00e8s alcoolis\u00e9.
- Aimer les amis.
- Saluer les fant\u00f4mes du pas de porte.<\/p>

 <\/p>


Jour 4 :<\/strong><\/p>


- Retard du train pour profiter des bras.
- Se dire qu\u2019il partira sans soi.
- Soleil de l\u2019hiver comme de printemps.
- Lire un livre qui ne nous appartient pas.
- Rouler tr\u00e8s vite, doubler tr\u00e8s bien.
- Croiser deux sangliers.
- Se trouver joli.e en bo\u00eete de nuit.
- Etoiles vues qui avaient \u00e9t\u00e9 oubli\u00e9es de regarder.
- Pleine lune.
- Penser aux gens qu\u2019on aime, les aimer.
- Intuition toujours vraie.
- Canigou avec la neige jour et nuit.
- Chanter si fort que \u00e7a fait mal.
- Les Pyr\u00e9n\u00e9es, des traits.
- Yeux lumineux loin dans la montagne.
- Sor\u00e8de plong\u00e9 dans le noir.
- Faire la diff\u00e9rence au go\u00fbt entre les amandes sans coque et avec
coque.
- Se mordre la langue, saigner.<\/p>

 <\/p>


Jour 5 :<\/strong><\/p>


- Cueillir oranges et citrons dans l\u2019arbre.
- Avoir les pieds dans la terre.
- \u00catre seul.e \u00e0 la maison.
- Un repas qui nous fait du bien.
- Flamants roses sur la lagune.
- Un paysage qui bat les corps.
- Faire confiance.
- La voiture qui \u00e9chappe.
- Presque rater le train mais juste presque.
- Francis Cabrel.
- Corbeaux qui font des ronds.
- Les oliviers parfaitement align\u00e9s.
- Jeune homme qui sent mauvais.
- Papillons dans le ventre \u00e0 cause de Pomp\u00e9i.
- Personnes tr\u00e8s beaux.belles \u00e0 gauche.
- Les bulles du Perrier.
- Des pins comme les ombres.
- Conduire la trottinette.<\/p>

 <\/p>


Jour 6 :<\/strong><\/p>


- Perles sous les yeux.
- Paix de l\u2019acn\u00e9.
- Tr\u00e8s envie de sexe.
- Chien avec une veste.
- Gar\u00e7on aux lacets d\u00e9faits regarde de travers.
- Vieil homme moustache de Dali matte depuis le scooter.
- Musiques qui contractent le ventre.
- Personnes dr\u00f4les depuis l\u2019habitacle de voitures.
- B\u00e9b\u00e9 endormi contre maman.
- Poster jolie lettre.
- Bilel comprend la signification du refrain \u00ab it\u2019s raining men, all\u00e9luia \u00bb.
- Cuisiner en dansant.
- Prendre une d\u00e9cision qui nous pla\u00eet.<\/p>

 <\/p>


Jour 7 :<\/strong><\/p>


- Chiens pr\u00e9f\u00e9r\u00e9s au passage pi\u00e9ton.
- Sympathie des dames \u00e2g\u00e9es si on touche son ventre.
- Horde d\u2019enfants.
- Les cloches tintent depuis l\u2019\u00e9glise.
- Chien gratte ses fesses sur la pente d\u2019herbe, se laissant glisser.<\/p>

 <\/p>


Jour 8 :<\/strong><\/p>


- Cartes.
- Dame uniquement en collant et t-shirt dans la rue.
- Perroquet sur le bras d\u2019un homme.
- Donner \u00e0 la personne qui sent le miel derri\u00e8re soi un compliment.
- Perspectives.
- Jeune fille l\u00e8che un couvercle plein de mousse.
- Odeurs d\u2019ambre la nuit \u00e0 Marseille.<\/p>

 <\/p>


Jour 9 :<\/strong><\/p>


- Musique 2000.
- Odeur de merguez, 6h le matin, Marseille.
- Soleil au vieux port.
- Beagle distrait.
- Tr\u00e8s belle qualit\u00e9 d\u2019\u00e9criture.
- Super d\u00f6ner kebab \u00e0 midi.
- Petite fille h\u00e8le sa m\u00e8re en sc\u00e8ne depuis le public.
- Marcher pile dans les temps.
- Jolis compliments de l\u2019intelligence sensible.<\/p>

 <\/p>


Jour 10 :<\/strong><\/p>


- Faire v\u00e9lo face \u00e0 la mer.
- Parler communications radio depuis bateaux.
- Le toupet.<\/p>

 <\/p>


Jour 11 :<\/strong><\/p>


- Pisser du sang.
- Clients g\u00e9n\u00e9reux dans la boulangerie offrent une bouteille d\u2019eau.
- \u00c9couter l\u2019orgue.
- Ne pas devoir faire pipi chaque 30 secondes.
- Brouillard sur le paysage.
- Cr\u00e8me hydratante dans le train.
- Cimeti\u00e8re en ville.
- Campagne.
- Moto dans le champs.
- Faire sans Doliprane.<\/p>

 <\/p>


Jour 12 :<\/strong><\/p>


- Mercredi des enfants.
- Mot tendre dans les fleurs.
- Se lever \u00e0 8h.
- Sourire et fascination chez la m\u00e9decin.
- P\u00e9nurie des antibiotiques.
- Vieil homme fait du foot au City-stade.
- Bonjour aux gens dans le village.
- Air un peu frais.
- Pierres claires et vert sauge comme en Provence.<\/p>

 <\/p>


Jour 13 :<\/strong><\/p>


- Journ\u00e9e autonome.
- Bont\u00e9 de la solitude au soleil.
- Jeune homme drague avec bienveillance.
- Nuit qui tombe quand on va mieux.
- Respirer.
- Rihanna.
- Tout le bonheur du monde.
- Souvenir des professeurs au coll\u00e8ge qui chantent.<\/p>

 <\/p>


Jour 14 :<\/strong><\/p>


- Petit chien qui court apr\u00e8s.
- Chanter en short.
- Le vendeur de drapeaux.
- Porter des lunettes de soleil.
- Fatigue apr\u00e8s la danse de bo\u00eete de nuit.
- Le pipi sent le caf\u00e9.
- Sensation lointaine de doudou.<\/p>

 <\/p>","label":"

C\u00e9lia Martin, Occurrences notables sur 14 jours<\/i>, 2023.<\/p>"},{"id":1055,"type":5,"fileUrl":"\/resources\/files\/file_6486cf43e0238.pdf","label":"

C\u00e9lia Martin, Sans titre<\/i> ; La petite cuill\u00e8re<\/i> ; Sans titre agressif<\/i>, 2023.<\/p>"},{"id":1036,"type":2,"content":"

J\u2019attends.
J\u2019attends ; il n\u2019y a rien \u00e0 faire.
Il n\u2019y a rien \u00e0 faire puisque j\u2019attends et que, quoi qu\u2019il arrive, rien n\u2019arrive.
L\u2019attente latente de l\u2019\u00e9v\u00e9nement qui n\u2019advient pas. 
Chaque jour. Chaque heure. J\u2019attends. Rien \u00e0 dire.
L\u2019espoir qui ne d\u00e9sesp\u00e8re pas. Pas. Pas.
Pas possible, j\u2019attends, d\u2019attendre autant.
Patience \u00e0 chier, moisie que l\u2019on enseigne aux enfants.
Corps brid\u00e9.
Super \u00e9lev\u00e9.
Mal aux intestins, j\u2019attends.
Dans le froid, j\u2019attends. Pendant ce qui vit, j\u2019attends. Sur les routes, j\u2019attends. Dans les supermarch\u00e9s, j\u2019attends. Avec eux, j\u2019attends. Quand je ne meurs pas, j\u2019attends.
Donner une vie \u00e0 ce qui ne vient pas. 
Le silence des bruits \u00e0 venir. Le vide qui ne d\u00e9semplit pas.
J\u2019attends, il n\u2019y a rien \u00e0 faire.
Chaque jour. Chaque heure. J\u2019attends.
Le futur o\u00f9 je ne suis pas. Le temps qui ne m\u2019attend pas.
Long puis court. Tr\u00e8s brut. J\u2019attends.
Rien \u00e0 dire. Rien n\u2019arrive. 
Je regarde. J\u2019attends. Je ne change pas. J\u2019attends. <\/p>

 <\/p>

 <\/p>","label":"

C\u00e9lia Martin, Attendre<\/i>, 2022.<\/p>"},{"id":1045,"type":2,"content":"

 <\/p>

Amoxicilline\/Acide clavulanique<\/strong>, 1g\/125mg, de l\u2019Augmentin g\u00e9n\u00e9rique. Une bo\u00eete de 12 sachet-doses. \u00c0 c\u00f4t\u00e9 d\u2019elle, la m\u00eame, mais vide. Il reste dans la premi\u00e8re deux sachets. Il aurait d\u00fb en rester 3, mais je dois en avoir qui tra\u00eenent dans la poche d\u2019un jean ou d\u2019un blouson, ou dans mon portefeuille. Les doses que je n\u2019ai pas prises, car j\u2019ai oubli\u00e9 de les prendre. Les doses que je n\u2019ai pas prises car je n\u2019en ai plus rien \u00e0 faire. C\u2019est dr\u00f4le, l\u2019ann\u00e9e derni\u00e8re il y avait \u00e9crit sur l\u2019emballage Ar\u00f4me Citron \u2013 P\u00eache \u2013 Fraise. Je me demande comment ils sont arriv\u00e9s \u00e0 cette conclusion. Sur cette bo\u00eete-ci, il est juste marqu\u00e9 Ar\u00f4me Fruit\u00e9 mais \u00e7a a le m\u00eame go\u00fbt. C\u2019est \u00e0 croire qu\u2019ils nous prennent moins pour des cons chez Mylan, ou peut-\u00eatre ignorent-ils ce qu\u2019ils mettent dans leurs sachets. Ceux de l\u2019ann\u00e9e derni\u00e8re c\u2019\u00e9tait des Biogaran. Mais le gout importe peu en fait, surtout quand on a les papilles br\u00fbl\u00e9es par l\u2019Eludril<\/strong>, 0.20% Digluconate de chlorexidine, teint\u00e9 en rouge pour qu\u2019on ne voit pas qu\u2019il nous d\u00e9cape la bouche au fil des jours. Au bout d\u2019une semaine, la langue devient marronne et on a l\u2019impression qu\u2019elle va peler au contact des liquides.<\/p>

 <\/p>

IZALGI<\/strong>, parac\u00e9tamol et poudre d\u2019opium, 500mg et 25 mg. 16 g\u00e9lules vertes. C\u2019est presque le m\u00eame vert que l\u2019Emtricitabine\/T\u00e9nofovir disoproxil<\/strong>, ils peuvent m\u00eame rivaliser en termes de taille. J\u2019ai seulement pris deux comprim\u00e9s. Un apr\u00e8s \u00eatre rentr\u00e9 chez moi dans l\u2019espoir de passer une nuit correcte \u2013 elle n\u2019a pas \u00e9t\u00e9 correcte, perturb\u00e9 par la douleur et le playback de l\u2019anesth\u00e9sie. J\u2019ai d\u00e9cid\u00e9 de rester seul, il ne faut pas mais je n\u2019en ai rien \u00e0 faire non plus. Le deuxi\u00e8me a \u00e9t\u00e9 pris le lendemain matin.<\/p>

 <\/p>

Doliprane<\/strong> 500mg, pour les douleurs moins importantes et aussi de la cortisone. Prednisolone<\/strong> de chez Mylan. La pharmacienne a pr\u00e9cis\u00e9 au stylo noir le nom de Solupred suivi de la recommandation de 3cp. le matin\/2j. Cette fois-ci l\u2019ar\u00f4me n\u2019est pas fruit\u00e9 mais agrum\u00e9, Orange \u2013 Pamplemousse. C\u2019est d\u00e9j\u00e0 plus croyable m\u00eame si en r\u00e9alit\u00e9 on ne ferait pas la diff\u00e9rence entre \u00e7a et du Dafalgan 500. La notice annonce que vous allez tomber en morceau. Je me demande qui r\u00e9dige \u00e7a et s\u2019il se rend compte de ce qu\u2019il \u00e9crit. J\u2019imagine son visage impassible lorsqu\u2019il glisse dans les effets ind\u00e9sirables fr\u00e9quent, des fractures probables des os et des ruptures de tendon. Vous \u00eates assis sur votre chaise et CRAC vous \u00eates pli\u00e9 en douze sous le bureau.<\/p>

 <\/p>","label":"

Christian Garre, Amoxicilline<\/i>, 2021.<\/p>"},{"id":936,"type":2,"content":"

Premi\u00e8re tentative : une dissection<\/i><\/span><\/p>

 <\/p>

 <\/p>

\u00c9tat statique sur la table.<\/span><\/p>

Aluminium r\u00e9fl\u00e9chit sous la lumi\u00e8re blanche bleut\u00e9e, fait ressortir les vaisseaux sous la peau.<\/span><\/p>

 <\/p>

Taille humaine \u00e0 l\u2019\u00e9chelle une.<\/span><\/p>

Du sommet du cr\u00e2ne vers l\u2019oreille et continue son chemin sur toute la longueur horizontale du corps.<\/span><\/p>

La boucle ferm\u00e9e, aper\u00e7oit les tissus sous cette bo\u00eete souple et translucide.<\/span><\/p>

 <\/p>

\u00c9longation, tendue et fibreuse sous une fine pellicule blanche : les fils des muscles.<\/span><\/p>

Les nerfs tiss\u00e9s sur la longueur, toucher en braille des cavit\u00e9s n\u00e9cros\u00e9es.<\/span><\/p>

 <\/p>

Les parois int\u00e9rieures s\u00e9ch\u00e9es \u00e0 l\u2019air libre, les tendons se d\u00e9tachent.<\/span><\/p>

D\u00e9fait les plates et les rivets durcis, r\u00e9v\u00e8lent le min\u00e9ral sous l\u2019animal.<\/span><\/p>

 <\/p>

Grillage sur le torse, cache un \u00e9levage d\u2019\u00e9ponges aux couleurs d\u00e9lav\u00e9es du sang vid\u00e9.<\/span><\/p>

Liss\u00e9es et autrefois tendues,<\/span><\/p>

 <\/p>

elles sont d\u00e9sormais hors d\u2019usage.<\/span><\/p>

 <\/p>","label":"

Christian Garre, Premi\u00e8re tentative : une dissection<\/i>, 2023.<\/p>

Texte \u00e9crit en atelier au Cipm avec Elke de Rijcke.<\/p>"},{"id":1054,"type":2,"content":"

 <\/p>

On recharge la page pour y voir de nouvelles t\u00eates qui ne le sont pas. M\u00eame photos, m\u00eame profils, m\u00eames tentatives \u00e9chou\u00e9es. Je suis aussi cette m\u00eame photo, ce m\u00eame profil. La changer suffit \u00e0 relancer la machine et soudain on semble nouveaux aux yeux des autres. Ils ne donnent de l\u2019importance qu\u2019\u00e0 la nouveaut\u00e9. C\u2019est le moment de changer son identit\u00e9 : d\u2019un gar\u00e7on \u00e9vasif, devenir un homme qui a pour but sa propre satisfaction. Si le contact ne se pas je finirais comme les autres, \u00e9chou\u00e9, \u00e0 discuter le pantalon sur les chevilles.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Mes bras accroch\u00e9s \u00e0 ton cou,
tu me portes et me prends.<\/p>

 <\/p>

J\u2019ai le mur pour appuis, claque mon dos et le choc contraint ma t\u00eate \u00e0 frapper contre la brique. Mon cr\u00e2ne se brise en un millier de tesson. Je file en tranchant tes doigts et tu me ramasses sur le sol en une \u00e9treinte toujours plus douloureuse.<\/p>

 <\/p>

Le carrelage acc\u00e9l\u00e8re le refroidissement de ce qui reste de mon corps, lac\u00e9r\u00e9, sur lequel tu d\u00e9poses tes mains sanglantes. Tes l\u00e8vres tremblent, tu continues ces gestes qui te font vivre au-del\u00e0 de ce qu\u2019il te reste de souffle. Mes mains au-dessus de ma t\u00eate, le visage fourmillant et les yeux qui ne focalisent plus. La respiration est synchronis\u00e9e avec ton corps, qui se d\u00e9p\u00eache d\u2019entamer une descente p\u00e9rilleuse depuis l\u2019Everest, apr\u00e8s s\u2019\u00eatre arrach\u00e9 le c\u0153ur en le gravissant. La transpiration de tes mains te fait glisser, rapproche ton souffle de mon cou et les battements de ta poitrine proche de l\u2019explosion se bloquent en accord de tes g\u00e9missements saccad\u00e9s.<\/p>

 <\/p>

 <\/p>","label":"

Christian Garre, On recharge la page<\/i> ; Mes bras accroch\u00e9s \u00e0 ton cou<\/i>, 2020.<\/p>"},{"id":1049,"type":2,"content":"

 <\/p>

Je penche ma t\u00eate et la plonge dans la saumure. L\u2019eau se glisse dans les crevasses des l\u00e8vres et les racines des cils, je m\u2019arr\u00eate juste avant qu\u2019elle entre dans les oreilles. Je retire mon visage et le laisse reposer sous son masque de sel.<\/p>

 <\/p>

Immobile, il a gard\u00e9 l\u2019expression du sommeil.<\/p>

 <\/p>

Tu approches ta main et du bout des doigts tu tentes d\u2019effleurer ma peau. D\u2019un geste sans pr\u00e9cautions tu fais craqueler la surface de mes joues blanches, elles s\u2019effritent et tombent en lambeaux sur le sol. Le masque est perc\u00e9 d\u2019un trou qui a la forme de ton index.<\/p>

 <\/p>

Ton visage, lui, est rouge et le corps est rempli d\u2019un sang savonneux. De l\u2019autre main, tu bats les veines pour en faire sortir de la mousse. La couleur de tes v\u00eatements ouverts s\u2019assombrit au fur et \u00e0 mesure qu\u2019ils se mouillent et le bord de tes mains blanchit. Tu essuies ce qui s\u2019\u00e9chappe de ta bouche, salive de rage ou t\u00e9moin d\u2019envie, et expulse de tes poumons une respiration r\u00e9flexe.<\/p>

 <\/p>

Les liquides flottent sur mon front, coulent jusqu\u2019\u00e0 mes l\u00e8vres et font fondre le sel. La marque de ton index se d\u00e9colle et glisse le long de ma m\u00e2choire, se divise en mille et se retrouve \u00e0 la base du cou.<\/p>

 <\/p>

Humide, je grelotte de froid, et je pense m\u2019\u00eatre perdu en route, alors que tu sembles avoir trouv\u00e9 le chemin vers le repos duquel tu viens de me sortir.<\/p>

 <\/p>

La membrane sur les l\u00e8vres s\u2019ass\u00e8che. La pulpe am\u00e8re se r\u00e9pand dans ma bouche, fend l\u2019\u0153sophage et parcourt l\u2019acidit\u00e9 de mes organes. La torsion des veines tiss\u00e9es dessine, sous ma peau, le r\u00e9seau tendu par tes actions. Mes nerfs se acontractent les premiers, et dans mon abdomen\u2009: une mangue spongieuse comprim\u00e9e dans un poing.<\/p>

 <\/p>

Entrelac\u00e9 \u00e0 l\u2019int\u00e9rieur, mon corps se recompose dans la fi\u00e8vre \u00e0 c\u00f4t\u00e9 du tien qui sommeille encore. Tu as conserv\u00e9 sur tes \u00e9paules les restes de mon visage. Les substances aqueuses se propagent dans la chair fondue et je sens mon c\u0153ur acc\u00e9l\u00e9rer.<\/p>

 <\/p>

Sous pression, le sang ros\u00e9 s\u2019\u00e9chappe des pores et imprime ma peau malade sur les draps.<\/p>


Tu te r\u00e9veilleras, une empreinte \u00e0 tes c\u00f4t\u00e9s.<\/p>

 <\/p>","label":"

Christian Garre, Saumure<\/i>, 2022.<\/p>"},{"id":1046,"type":2,"content":"

 <\/p>

Ma m\u00e9moire d\u00e9marre sur la plage
les mains dans l\u2019eau
une ammonite me ronge les os.<\/p>

 <\/p>

Le ciel est gris, l\u2019air est glacial pour un jour d\u2019\u00e9t\u00e9,
le vent violent peine \u00e0 chasser les nuages \u2014
j\u2019ai donc froid. Le mouvement des vagues agite
le sable qui se loge dans les crevasses
de mes mains \u2014 fragmente l\u2019\u00e9piderme
il ne fait d\u00e9j\u00e0 plus parti de mon corps.<\/p>

 <\/p>

Au loin
un barnum flotte au vent
Il est soutenu par des rochers.<\/p>

 <\/p>","label":"

Christian Garre, Souvenir<\/i>, 2021.<\/p>"},{"id":1048,"type":2,"content":"

 <\/p>

T\u00eate pos\u00e9e entre les gu\u00eatres noires
Architecture imposante au-dessus
Carreaux de ciment contre le cr\u00e2ne
Compte les volutes du plafond
Pl\u00e2tre effrit\u00e9
Fant\u00f4me d\u2019un lustre
Obscurit\u00e9 sur les murs et plainte poussi\u00e9reuse
Les mains enlac\u00e9es \u00e0 la ceinture et
Un voile de grisaille dans les yeux<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Sable, roche et mistral br\u00fblant
L\u2019eau sal\u00e9 d\u00e9cape les corps et je garde l\u2019empreinte
De tes mains sur mes hanches et mon \u00e9paule
Le menton mouill\u00e9 et la peau en larme
Les l\u00e8vres contre la barbe en noyer embelli d\u2019argent<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Caresse la colle \u00e9tir\u00e9e sur ton torse
Greffe la br\u00fblure et suture mes empreintes
Fondu sur de la pierre en lave et apparait
Le muscle au travers d\u2019une planche \u00e0 clou d\u2019acier<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Lumi\u00e8re ti\u00e8de parcoure la route et atteint le portail
Ta main masculine sur le bouton de fer
Traverse les jardins de b\u00e9ton
Banc de bois d\u00e9lav\u00e9 au soleil et \u00e9charde dans les cuisses
De la poudre plein les phalanges
Cueille les fruits morts sur l\u2019arbre en y laissant ta marque
Sur leur peau<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Je m\u2019\u00e9lance et pars en chasse de l\u2019animal. Plong\u00e9 dans la densit\u00e9
du feuillage sec, les semelles ancr\u00e9es sur un tapis d\u2019\u00e9pine, l\u2019\u00e9corce
des arbres moul\u00e9 dans la paume des mains et bourdonne dans
l\u2019oreille le bruit incessant d\u2019insectes bavards.
Au bout du sentier, une vue d\u00e9gag\u00e9e et lui au centre.
Les pattes blanches, face \u00e0 l\u2019animal qui me t\u00e9tanise et je vois dans
le reflet de ses yeux que je dois affronter, les reflets de ma crainte
face \u00e0 ses intentions que je d\u00e9sire. Je prends dans ma bouche
l\u2019app\u00e2t dans ses mains et le laisse me prendre malgr\u00e9 l\u2019amertume.
Le coeur bat le rythme jusqu\u2019au bout de mes doigts qui d\u2019un geste
d\u00e9licat, caressent le pelage humide de cet animal sauvage \u00e0 la
peau bleu.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Engourdi au r\u00e9veil d\u2019une nuit blanche rinc\u00e9 d\u2019ac\u00e9tone. Je d\u00e9calque
sur les murs les marques de tes mains que tu as laiss\u00e9 sur mon
dos. Une multitude de doigts grav\u00e9s sur le b\u00e9ton. Le plafond
montre des traces de d\u00e9g\u00e2ts de eaux. Je me laisse tomber en
arri\u00e8re sur le cr\u00e9pi et coule dans la pi\u00e8ce d\u2019\u00e0 c\u00f4t\u00e9 ou ton corps
d\u00e9shabill\u00e9 se noie dans la baignoire. Je retire mes chaussures et
mes haillons plein d\u2019encre et te rejoint en plein plongeon. J\u2019ai le
visage contre ton torse flottant et remonte jusqu\u2019\u00e0 ta bouche pour
\u00e9changer le dernier souffle qui se d\u00e9colle lentement de nos
poumons dissout dans ce bain d\u2019acide.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

M\u00e9tal entre les jambes et cuir dans les mains. Lacets contre la
paume, enroule une bague \u00e0 chaque doigt. A l\u2019ombre des pins
calcin\u00e9, le corps ajour\u00e9 de charbon et les mains s\u2019agitent pour ne
pas se noyer dans les cendres. Tire la corde serr\u00e9e autour du cou
et agrippe les mains sur les rebords de tes hanches. Le front
contre la boucle et ton corps raide dans tes poches au fond
d\u00e9cousues effleure les l\u00e8vres au travers de la toile. Tu te saisis de
la fiole de plomb, traverses le visage de part en part et en fait
couler de l\u2019or dans la bouche.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Les vibrations du moteur dans le pommeau et pellicule de terre
sur la vitre. Les lignes de bitume noire sur l\u2019autoroute, pins et
herbes cuites de chaque c\u00f4t\u00e9 de la nuit. Plein phare \u00e0 tout allure,
le volant s\u2019est enfonc\u00e9 dans mon visage et j\u2019ai continu\u00e9 ma course
au-del\u00e0 du pare-brise \u00e9clat\u00e9. Je vais de l\u2019avant et laisse aller
l\u2019inertie me briser les os en commen\u00e7ant par les poignets puis les
cervicales, s\u2019en suit des c\u00f4tes qui se d\u00e9tachent une \u00e0 une de la
colonne jusqu\u2019\u00e0 ouvrir mon bassin en deux.
Le corps en miette sur cent m\u00e8tres, j\u2019ai appuy\u00e9 sur la p\u00e9dale de
frein trente seconde apr\u00e8s ma mort.<\/p>

 <\/p>

 <\/p>","label":"

Christian Garre, Une heure<\/i>, 2021.<\/p>"},{"id":2073,"type":5,"fileUrl":"\/resources\/files\/file_664f60c98fa77.pdf"},{"id":2074,"type":5,"fileUrl":"\/resources\/files\/file_664f60e22dfba.pdf"},{"id":2070,"type":5,"fileUrl":"\/resources\/files\/file_664f6411340bc.pdf"},{"id":2067,"type":5,"fileUrl":"\/resources\/files\/file_664f5fb3614a7.pdf"},{"id":2079,"type":5,"fileUrl":"\/resources\/files\/file_664f63f1d1a31.pdf"},{"id":2082,"type":5,"fileUrl":"\/resources\/files\/file_664f620272c51.pdf"},{"id":1051,"type":1,"imageIds":[3243]},{"id":1053,"type":2,"content":"

FAIT D\u2019HIVER<\/p>


Fait d\u2019hiver                               froid                                     souffle le vent<\/p>

 <\/p>

Neige tombe               
Sans jamais fondre, 
Tout s\u2019effondre
Il est beau le rouge des tomates                                                  Sur sa peau,             
Ces ornements nous interpellent.                                             Quatre n\u0153uds violets.  
                                                                          C\u2019est des bleus.
                                                                                                            C\u2019est du b\u0153uf. 
                                                                                                                                             C\u2019est du bluff.
Les volets sont violet                  D\u00e9voil\u00e9s                                                            Envol\u00e9s 
Quant \u00e0 la pluie                             Pleure sa grand m\u00e8re                                  Grand p\u00e8re la pute. 
Moi non plus.                                 Je n\u2019ai pas compris.                                      Et ce trous zigzague                      
Le long du trottoir.                     Ce trous, devenu son trou.                       Ce trou du cul.<\/p>

 <\/p>

Elle meurt. Attach\u00e9e.               On tchatt\u00e9 sur sa chatte.    Sur ce trou.     \u00c7a fait chier. 
  
Plastique de sa chaussure fondu,                                                            D\u00e9vers\u00e9 dans le fleuve du Rh\u00f4ne,     
Comme la rivi\u00e8re.                                Flux de sueur,                             Nous roue de d\u00e9sarroi.<\/p>

 <\/p>

De m\u00eame, les mains gla\u00e7antes froissent son audace. 
C\u2019est ce que t\u2019as                                                                                                                     Fait cet hiver, 
Prends moi                Par les hanches,                      Sur le toit                                 S\u00fbr de toi
Fait d\u2019hiver                Fait d\u2019ailleurs                           Fait d\u2019autre fois                     Par la foi 
Ce qu\u2019il t\u2019a fait                                                                                                                       Cet hiver. 
Les lampadaires font le son du dromadaire dans les rues. 
C\u2019est divers, 
Fait d\u2019hiver, 
Fait d\u2019affaire. 
Et toi 
dix vert, 
vert, 
vert, 
vert, 
vert, 
vert, 
vert, 
vert, 
vert, 
vert.<\/p>

 <\/p>

Beaucoup de faits divers. <\/p>","label":"

Sarah Fageot, Fait d'hiver<\/i>, 2023.<\/p>"},{"id":938,"type":2,"content":"

Texture                         Texte  dure                         dure                             dure                     dure                         p\u00e8re dure<\/span><\/p>


                                                        Beaut\u00e9 si ferme <\/span>
                                                                                          Lucifer lui-m\u00eame cr\u00e9pite<\/span>
Enfer naissant                                                                                                                                                              Sirop de lave <\/span>
                                                                                                                                                                                 \u00c9ruption <\/span>
                                                                                                                                                                      Sensation<\/span><\/p>

 <\/p>

                Effervescent        <\/span><\/p>

 <\/p>

                                                 En faire la vente<\/span><\/p>

 <\/p>

                                                                                       Amphore Lavande                 <\/span><\/p>

                                                                                                                                                                                                         Brume<\/span><\/p>


Vol quand les vents divaguent <\/span>
                                            quatre s\u2019en vont<\/span>
                                                                    Six th\u00e8mes solaires<\/span><\/p>

 <\/p>

Haut deux de llllllllllllllllllllllllllllllllllllllllaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa  de ta br\u00fblante chaleur<\/span><\/p>

 <\/p>","label":"

Sarah Fageot, Haut deux de llllllllllllllllllllllllllllllllllllllllaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa  de ta br\u00fblante chaleur<\/i>, 2023.<\/p>"},{"id":1047,"type":5,"fileUrl":"\/resources\/files\/file_6485ae158126e.pdf","label":"

Sarah Fageot, Restepire<\/i>, 2023.<\/p>"},{"id":2072,"type":5,"fileUrl":"\/resources\/files\/file_664f6090f028a.pdf"},{"id":2076,"type":5,"fileUrl":"\/resources\/files\/file_664f6115db602.pdf"},{"id":2084,"type":5,"fileUrl":"\/resources\/files\/file_664f6268cee15.pdf"},{"id":2061,"type":5,"fileUrl":"\/resources\/files\/file_664dfcfa5a59c.pdf"},{"id":2062,"type":5,"fileUrl":"\/resources\/files\/file_664dff52ce810.pdf"},{"id":2525,"type":5,"fileUrl":"\/resources\/files\/file_682749d81eedc.pdf"},{"id":2524,"type":5,"fileUrl":"\/resources\/files\/file_682748c7e30cb.pdf"},{"id":2526,"type":5,"fileUrl":"\/resources\/files\/file_6827501ccb2e5.pdf"},{"id":2063,"type":5,"fileUrl":"\/resources\/files\/file_664e14aa639b6.pdf"},{"id":1052,"type":4,"fileUrl":"\/resources\/files\/file_6486c28f2748d.m4a","label":"

Carla Lloret, Le porte-monnaie<\/i>, 2023.<\/p>","duration":366},{"id":1057,"type":2,"content":"

Bonjour, hello, nihao, Kon'nichiwa, annyeonghaseyo, Xin ch\u00e0o, S\u0304 w\u1ea1s\u0304d\u012b, tu parles quelle langue\u202f?
Japonaise, chinoise, cor\u00e9enne, vietnamienne, tha\u00eflandaise, tu viens d\u2019o\u00f9\u202f? Mademoiselle, madame, la dame, nana, la pute, salope, connasse, chineses virus, pourquoi tu me r\u00e9ponds pas\u202f?
 <\/p>

Tu me parles en l\u2019anglais alors que je te parle en fran\u00e7ais, qu'est-ce que tu veux que je te dise\u202f?
 <\/p>

Que
 <\/p>

la Chine est responsable du g\u00e9nocide des Ou\u00efgours\u202f? Que la Chine est responsable du r\u00e9chauffement climatique\u202f? Que la Chine est responsable de la pollution de l'air\u202f? Que la Chine est responsable de la dette mondiale\u202f?\u202f
 <\/p>

Surveillance chinoise, \u00e9vasion fiscale chinoise.
 <\/p>

Les produits chinois sont de mauvaise qualit\u00e9. Les travailleurs en Chine sont sous-pay\u00e9s.
Les chinois travaillent dur. Les femmes chinoises sont ob\u00e9issantes.
Les chinois ont de petits yeux. Les chinois crachent par terre. Les chinois mangent les chiens.<\/p>

Les chinois mangent tout. Les chinois sont partout.
 <\/p>

La Chine est grande, les chinois sont petits.
La Chine est pauvre, les chinois sont riches.
La Chine prive de la libert\u00e9, les chinois volent le travail.
Le gouvernement chinois est une dictature, les chinois sont des menteurs.
La chine est communiste, les chinois sont racistes.
La chine est le covid, les chinois sont des virus.
La chine est mauvaise, les chinois sont mauvais.
 <\/p>

Mais je pense que je devrais \u00eatre une bonne personne quand m\u00eame.<\/p>

 <\/p>","label":"

Miao Luo, La Chine<\/i>, 2023.<\/p>"},{"id":439,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/536_20100127165151.mp3","label":"Echo Echo (extrait)","duration":77},{"id":1591,"type":2,"content":"


Mon fr\u00e8re<\/p>

Vient me chercher \u00e0 l\u2019\u00e9cole<\/p>

Long chemin du retour<\/p>

 <\/p>","label":"

Madaline<\/p>"},{"id":1592,"type":2,"content":"

\u00c0 Noel<\/p>

Sur le sapin<\/p>

S\u2019accrochent les boules<\/p>

 <\/p>

 <\/p>

Toutes les nuits<\/p>

Des pleurs<\/p>

Il faut dormir<\/p>

 <\/p>","label":"

Berat<\/p>"},{"id":1593,"type":2,"content":"


Derri\u00e8re<\/p>

une route<\/p>

en haut<\/p>

des montagnes<\/p>

et des maisons<\/p>

en bas<\/p>

des pins<\/p>

en bas en haut<\/p>

 <\/p>","label":"

Hamza<\/p>"},{"id":1594,"type":2,"content":"


La maison des fleurs rouges<\/p>

les vaches<\/p>

les vaches encore derri\u00e8re les maisons<\/p>

en bas il y a des b\u00e2timents<\/p>

moi je sors du train<\/p>

 <\/p>","label":"

Berat<\/p>"},{"id":1595,"type":2,"content":"


Le village<\/p>

un brimbalement<\/p>

eau mer maisons<\/p>

ballotement<\/p>

fleurs les vaches<\/p>

fleurs les vaches<\/p>

derri\u00e8re en bas<\/p>

ciel choc et<\/p>

devant<\/p>

Saccade<\/p>

Soubresauts en haut<\/p>

 <\/p>","label":"

Islam<\/p>"},{"id":1590,"type":1,"imageIds":[3499]},{"id":1589,"type":5,"fileUrl":"\/resources\/files\/file_65ec6d5b2d5c2.pdf"},{"id":1596,"type":5,"fileUrl":"\/resources\/files\/file_65ec7a582001d.pdf"},{"id":839,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/949_20131211165043.pdf","label":"\u00c9cole Cap Est"},{"id":840,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/950_20131211165151.pdf","label":"\u00c9cole La Castellane"},{"id":838,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/948_20131211164957.pdf","label":"\u00c9cole La Savine"},{"id":739,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/843_20120522151900.pdf","label":"\u00c9cole primaire Frais Vallon Nord (texte des \u00e9l\u00e8ves)"},{"id":738,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/842_20120515142857.pdf","label":"\u00c9cole primaire Savine 1 (textes des \u00e9l\u00e8ves)"},{"id":533,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/632_20100720164835.pdf","label":"\u00c9cole Ruffi (CE2) - Averro\u00e8s Junior"},{"id":534,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/633_20100720165047.pdf","label":"\u00c9cole Vallon des Tuves (CE1 \/ CE2) - Averro\u00e8s Junior"},{"id":532,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/631_20100720164617.pdf","label":"\u00c9cole Vincent Leblanc (CE2 \/ CM1) - Averro\u00e8s Junior"},{"id":531,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/630_20100720164224.pdf","label":"\u00c9cole Vincent Leblanc (CM1 \/ CM2) - Averro\u00e8s Junior"},{"id":530,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/629_20100720164003.pdf","label":"\u00c9cole Vincent Leblanc (CM2) - Averro\u00e8s Junior"},{"id":153,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/209_20070626180428.mp3","label":"\u00c9crit avec la langue","duration":415},{"id":247,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/323_20080522133043.mp3","label":"\u00c9criture - Peinture - Pr\u00e9sentation de l'exposition \"Youssef Ishaghpour - Proche et Lointain \"","duration":307},{"id":127,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/172_20060919163857.mp3","label":"Edison [Vitezslav Nezval] - Texte de Vitezslav Nezval, adapt\u00e9 par G\u00e9rard-Georges Lemaire.","duration":235},{"id":283,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/369_20090307182717.mp3","label":"El Queltehue - Adaptation fran\u00e7aise par Henry Deluy, lue par \u00c9ric Giraud","duration":90},{"id":225,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/289_20071221163213.mp3","label":"\u00c9l\u00e9gies","duration":1423},{"id":794,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/901_20121124180538.mp3","label":"Elle ne pouvait plus s'endormir... - Extrait de La bonne r\u00e9putation<\/i>, \u00e9d. Confluences \/ FRAC Aquitaine","duration":192},{"id":119,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/161_20060617120806.mp3","label":"Elles m\u2019ont atteint les filles du temps... - texte de 'Amr inb Qami'a<\/a> (po\u00e8te arabe des V-VI\u00e8me si\u00e8cles), lu :
\r\n\u2022 pour la version originale, par Raed Bader\r\n\u2022 pour la version anglaise, par Robin Ostle\r\n\u2022 pour la version fran\u00e7aise, par Jean-Charles Depaule","duration":137},{"id":2813,"type":2,"content":"

 <\/p>

Long temps \u00e0 faire avec les souvenirs.<\/p>

Un chemin avec, en son travers,<\/p>

une statue qui est tomb\u00e9e.<\/p>

 <\/p>

On la nommait d\u00e9esse quand la ville existait,<\/p>

et puis tout s\u2019est fig\u00e9, plus que disparu :<\/p>

c\u2019est l\u2019ataraxie des ann\u00e9es.<\/p>

 <\/p>

Mais le sourire d\u00e9chu dans la pierre<\/p>

parle toujours. M\u00eame si elle a perdu sa chair<\/p>

pour ne plus entendre les mots<\/p>

- ni voir les regards qui ont gliss\u00e9<\/p>

un soir sur la froideur du guichet de la gare,<\/p>

sous un \u00e9clat morne d\u2019huitre ouverte -,<\/p>

m\u00eame si sa bouche est prisonni\u00e8re de ces heures,<\/p>

 <\/p>

elle sourit toujours, semblable<\/p>

\u00e0 ces grains de d\u00e9solation pos\u00e9s sur les rebords des fen\u00eatres,<\/p>

qui au jour le jour donnent aux vieilles maisons<\/p>

leur fatigue et leur lumi\u00e8re,<\/p>

semblable aussi \u00e0 ces choses qui portent des rides<\/p>

sur les images de plus en plus, jusqu\u2019\u00e0 les faire se confondre.<\/p>

 <\/p>

Pendant qu\u2019on avance, qu\u2019on d\u00e9passe la statue,<\/p>

qu\u2019on la d\u00e9passe encore, on est surpris<\/p>

malgr\u00e9 soi par ce ph\u00e9nom\u00e8ne si connu :<\/p>

qui donc marche en nous, qui donc marche en nous \u00e0 l\u2019envers ?<\/p>

 <\/p>","label":"

Elsene<\/i> (\u00e9ditions Propos2, 2022), extrait re\u00e7u de Guillaume Boppe le 30 octobre \u00e0 l'approche de la rencontre \u00e0 Forcalquier ETATS DU TEXTE<\/i>  du 27 novembre 2025.<\/p>"},{"id":870,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/982_20160322180826.mp3","label":"Emmanuel Damon - Emmanuel Damon","duration":296},{"id":1121,"type":1,"imageIds":[3354]},{"id":1122,"type":1,"imageIds":[3355]},{"id":1138,"type":3,"videoId":"885810676","duration":2971},{"id":1090,"type":2,"content":"

 <\/p>

Ma rencontre avec Olivier Domerg s\u2019est faite sous le signe de l\u2019\u00e9criture. \u00c0 vingt ans, nous avions en commun un certain nombre de pr\u00e9tentions na\u00efves, dont celle de croire que l\u2019\u00e9criture serait notre grande affaire et que nous ne serions jamais \u00ab bons qu\u2019\u00e0 \u00e7a \u00bb.<\/span><\/p>

 <\/p>

Cette rencontre s\u2019est \u00e9galement faite sous le signe du collectif : nous avions envie d\u2019\u00e9crire ensemble, mais aussi d\u2019\u00e9clater le cadre singulier de notre pratique, de nous frotter \u00e0 d\u2019autres arts, le dessin, la peinture, la danse, la musique, la photographie. Nous savions que nous \u00e9tions seuls, mais nous avions envie de l\u2019\u00eatre un peu moins \u2013 nous avions envie d\u2019\u00eatre plusieurs. \u00ab Autres et Pareils \u00bb est n\u00e9 de cette aspiration et a effectivement \u00e9t\u00e9 l\u2019aventure collective et inclusive dont nous r\u00eavions \u2013 aventure dont Brigitte Palaggi et son travail photographique ont tr\u00e8s vite \u00e9t\u00e9 partie prenante.<\/span><\/p>

 <\/p>

Si je rappelle les pr\u00e9mices de ma relation avec Domerg et Palaggi, c\u2019est parce qu\u2019il me semble qu\u2019ils n\u2019ont jamais perdu cette aspiration au collectif. Cela ne les emp\u00eache pas de savoir que dans la cr\u00e9ation, on r\u00e9pond toujours \u00e0 des intimations intimes ; qu\u2019on se coltine toujours un mat\u00e9riau aussi singulier qu\u2019obsessionnel, aussi personnel qu\u2019incommunicable. Et l\u2019exposition La somme des deux<\/strong><\/i> d\u00e9montre de fa\u00e7on \u00e9clatante que leur travail ne peut pas \u00eatre r\u00e9duit au duo qu\u2019ils forment depuis trente-cinq ans.<\/span><\/p>

 <\/p>

Et pourtant, ce duo intrigue, parce qu\u2019il pose une question centrale dans la cr\u00e9ation, si ce n\u2019est dans l\u2019existence : celle de la distance. La distance se joue \u00e9videmment par rapport au motif, voire au sujet, mais en l\u2019occurrence, elle se joue aussi entre eux, entre deux explorateurs du m\u00eame territoire. Wim Wenders, qui est r\u00e9alisateur mais aussi photographe, dit qu\u2019il lui est impossible de prendre des photos s\u2019il n\u2019est pas absolument seul et je soup\u00e7onne Palaggi de partager ce besoin de solitude : comment s\u2019arrange-t-elle de la pr\u00e9sence de Domerg sur les lieux qu\u2019elle photographie ? S\u2019\u00e9clipse-t-il ? Se fait-il oublier tandis qu\u2019elle s\u2019immerge dans le paysage ? Travaillent-ils de fa\u00e7on d\u00e9cal\u00e9e ?<\/span><\/p>

 <\/p>

\u00c0 les lire, on croit trouver des indices \u2013 leurs trajets en voiture, leur arpentage du m\u00eame p\u00e9rim\u00e8tre, chacun prenant des notes \u00e0 sa fa\u00e7on. Le po\u00e8te int\u00e8gre parfois les \u00e9changes qu\u2019il a, sur le moment et sur le motif, avec \u00ab la photographe \u00bb. La photographe int\u00e8gre parfois le po\u00e8te \u00e0 ses photos, silhouette anonyme qui pourrait tout aussi bien \u00eatre celle d\u2019un randonneur ou d\u2019un berger. On se dit, qu\u2019avec le temps, ils ont d\u00fb apprendre \u00e0 voir ensemble<\/i>, et que c\u2019est l\u2019une des lignes de force et de tension de leur \u0153uvre duelle. On se dit qu\u2019avec le temps, ils ont d\u00fb la trouver, cette distance \u2013 qui est la bonne parce qu\u2019elle permet la subjectivit\u00e9 sans interdire le rapprochement.<\/span><\/p>

 <\/p>

Ce rapprochement est n\u00e9cessaire, \u00e0 quelque stade du travail qu\u2019il intervienne \u2013 mais ce rapprochement est p\u00e9rilleux, et l\u2019histoire de l\u2019art est l\u00e0 pour d\u00e9montrer que la cr\u00e9ation collective rel\u00e8ve souvent du fantasme, de l\u2019anecdote ou d\u2019une exp\u00e9rimentation qui peut tr\u00e8s vite tourner \u00e0 l\u2019aporie. Les surr\u00e9alistes, qui s\u2019y sont tenus avec une constance louable, ont aussi le m\u00e9rite de l\u2019avoir th\u00e9oris\u00e9e et d\u2019en avoir formul\u00e9 la dimension politique : \u00ab \u00catre deux \u00e0 d\u00e9truire, \u00e0 construire, \u00e0 vivre, c\u2019est d\u00e9j\u00e0 \u00eatre tous, \u00eatre l\u2019autre \u00e0 l\u2019infini et non plus soi \u00bb. Mise en exergue \u00e0 L\u2019Immacul\u00e9e Conception<\/i>, cette phrase pourrait tout aussi bien servir d\u2019\u00e9pigraphe au Chant du hors champ<\/i>[1]<\/sup>, au Puy de Manse[2]<\/sup> ou \u00e0 La Verte traVers\u00e9e<\/i>[3]<\/sup>.<\/span><\/p>

 <\/p>

D\u00e9truire, construire. Ce mouvement de balancier est sans cesse \u00e0 l\u2019\u0153uvre chez Palaggi et chez Domerg. Car avant de voir, de lire et de penser, il faut d\u00e9sapprendre \u00e0 le faire. Or on avance en terrain min\u00e9, un terrain d\u00e9j\u00e0 balis\u00e9 par des si\u00e8cles de litt\u00e9rature, de peinture ou de photographie. On avance dans du d\u00e9j\u00e0 vu et du d\u00e9j\u00e0 dit. On a en t\u00eate l\u2019avertissement de Domerg dans Couleuvre<\/i>, l\u2019un des nombreux textes qu\u2019il a consacr\u00e9s \u00e0 La Sainte-Victoire : \u00ab surtout bien s\u2019en garder ! \u00bb[4]<\/sup> Oui, il faut \u00eatre sur ses gardes, se m\u00e9fier, se d\u00e9fendre sans cesse \u2013 du clich\u00e9, de la m\u00e9taphore, du sublime, du folklore, de l\u2019habilet\u00e9, de la verve, de l\u2019esbroufe... Le travail de Palaggi et de Domerg sur la Sainte-Victoire[5]<\/sup> \u2013 la V., la Sainte, l\u2019arap\u00e8de g\u00e9ante, le motif c\u00e9zannien, la v\u00e9n\u00e9rable \u00e9minence proven\u00e7ale \u2013 est peut-\u00eatre le plus embl\u00e9matique de cette fa\u00e7on qu\u2019ils ont, tous les deux, de d\u00e9construire les \u00e9vidences et d\u2019aller \u00e0 rebours de leurs propres intuitions. Photographier la Sainte depuis la M\u00e8de ou les Martigues, c\u2019est mettre \u00e0 mal son statut iconique. Mais ce statut, Palaggi comme Domerg l\u2019int\u00e8grent \u00e0 leur r\u00e9flexion, comme un scrupule, un obstacle qu\u2019on exhibe pour mieux le d\u00e9jouer.<\/span><\/p>

 <\/p>

Ce faisant, et m\u00eame s\u2019ils r\u00e9cuseraient (avec v\u00e9h\u00e9mence !) toute vis\u00e9e p\u00e9dagogique, il me semble que leur travail est aussi une \u00e9cole du regard, et qu\u2019en revenant ensuite au paysage, au mont, au fleuve, au pr\u00e9 ou \u00e0 la zone p\u00e9ri-urbaine qu\u2019ils se sont efforc\u00e9s de dire, on aura l\u2019\u0153il un peu mieux dessill\u00e9.<\/span><\/p>

 <\/p>

Un projet politique est \u00e0 l\u2019\u0153uvre dans l\u2019\u0153uvre, dans la fa\u00e7on dont ces deux-l\u00e0 fuient le spectaculaire. Un projet qui se saisit aussi dans l\u2019\u00e9viction quasi syst\u00e9matique des corps et des visages dans le travail de Palaggi \u2013 du moins dans une grande partie du travail expos\u00e9 au centre international de po\u00e9sie de Marseille. Tout se passe comme si Palaggi refusait cette photog\u00e9nie-l\u00e0, si imm\u00e9diate et si facile, tout comme elle refuse l\u2019angle ou le cadre attendus \u2013 pour toujours s\u2019en trouver un autre, moins pr\u00e9visible et plus saugrenu.<\/span><\/p>

 <\/p>

Mais si les visages et les corps sont les grands absents de son travail, l\u2019humanit\u00e9 s\u2019y rappelle sans cesse : piquets de cl\u00f4ture, grues, t\u00f4le ondul\u00e9e, trampoline, cages de foot, sillages et sillons, panneaux de signalisation, enseignes publicitaires, clochers, maillots de bains s\u00e9chant \u00e0 plat sur un rocher \u2013 mais o\u00f9 sont pass\u00e9s les baigneurs ?<\/span><\/p>

 <\/p>

Palaggi fait l\u2019inventaire photographique de ce que nous infligeons au territoire. Elle le fait sans porter de jugement, avec bienveillance, avec humour parfois \u2013 oh, ce toit rapi\u00e9c\u00e9 ! \u2013, mais cet inventaire est sans appel. Il dit que nous n\u2019avons jamais affaire \u00e0 un paysage pur, \u00e0 une nature \u00e9d\u00e9niquement vierge. Le propos de Palaggi n\u2019est jamais bucolique et celui de Domerg ne l\u2019est pas davantage :<\/span><\/p>

 <\/p>

\u00ab Non loin, en arrivant, on a encore crois\u00e9, rappelons-le ici, moult d\u00e9charges sauvages : bris de meubles, gravats, immondices, mat\u00e9riels usag\u00e9s, plastiques de toute provenance, monceaux de \u201crebuts\u201d en tout genre : tout ce que les gens viennent jeter au bord du Rh\u00f4ne, dans ces zones pourtant sensibles qui font l\u2019objet d\u2019une r\u00e9glementation stricte. Tout ou partie de ces tas, incendi\u00e9s, au risque de foutre le feu \u00e0 la for\u00eat, rajoutant une pollution suppl\u00e9mentaire. Ne cherchez pas d\u2019explications ! Notre ignominie est sans bornes. Notre d\u00e9ch\u00e9ance, av\u00e9r\u00e9e. Notre d\u00e9faite, compl\u00e8te ! \u00bb[6]<\/sup><\/span><\/p>

 <\/p>

Domerg est peut-\u00eatre moins bienveillant, plus sarcastique que Palaggi, mais au fond, le constat est le m\u00eame. Tous deux \u00e9crivent l\u2019anthropoc\u00e8ne. Cette \u00e8re o\u00f9 tout est, ou devient, \u00ab artefact \u00bb, y compris la montagne ou le cours d\u2019eau. Il y a d\u2019ailleurs chez Palaggi, beaucoup d\u2019objets au statut ind\u00e9cidable, photographi\u00e9s de fa\u00e7on \u00e0 ce que l\u2019\u0153il n\u2019y distingue pas le naturel du proprement humain. Et parce que tous deux collectent nos traces, documentent la fa\u00e7on dont nous n\u2019avons cess\u00e9 de modifier les sites, de leur imposer notre humanit\u00e9 encombrante et d\u00e9l\u00e9t\u00e8re, leur travail se fait \u00e9l\u00e9giaque \u2013 forc\u00e9ment \u00e9l\u00e9giaque. Il est m\u00eame \u2018romantique\u2019 si l\u2019on choisit de voir dans le Romantisme la conscience d\u00e9chirante de la perte, du lien qui se distend avec la nature, le vivant, le sensible.<\/span><\/p>

 <\/p>

\u00ab Que savons-nous du paysage depuis que le pr\u00e9dateur est dans la place ! Depuis qu\u2019il n\u2019a de cesse d\u2019affirmer sa supr\u00e9matie ! Depuis qu\u2019il se sert sans compter et a mis la nature en coupe r\u00e9gl\u00e9e ! \u00bb[7]<\/sup><\/span><\/p>

 <\/p>

Leur position, toutefois, \u00e9chappe au Romantisme. On est loin du voyageur surplombant la mer de nuages. Au contraire, on sent chez l\u2019un comme chez l\u2019autre la volont\u00e9 d\u2019\u00eatre embarqu\u00e9s, embedded<\/i>, on the cover<\/i>, \u00eatre un mouton qui ing\u00e8re le paysage et le rumine sans affects \u2013 que l\u2019herbe se fasse verbe, que le verbe se fasse herbe, et qu\u2019il n\u2019y ait plus si grande diff\u00e9rence \u00e0 la fin. Domerg et Palaggi ont \u00e9t\u00e9 antisp\u00e9cistes avant m\u00eame que le terme ne tombe dans notre vocabulaire courant.<\/span><\/p>

 <\/p>

C\u2019est aussi par l\u2019humour que Domerg et Palaggi se soustraient \u00e0 l\u2019\u00e9l\u00e9gie. La d\u00e9ploration est l\u00e0, mais l\u2019ambition satirique la d\u00e9samorce. Pour autant, il ne s\u2019agit pas d\u2019offrir un contrepoint burlesque, un lieu de l\u00e9g\u00e8ret\u00e9, quelque chose qui, dans le texte ou l\u2019image, viendrait rendre le constat moins suffoquant. Non., rappelez-vous : \u00ab notre ignominie est sans bornes \u00bb, Domerg le dit depuis longtemps, fustigeant les pollueurs de tout crin, ceux qui souillent les bords du Rh\u00f4ne comme ceux qui encombrent les esprits de leurs b\u00eatises haineuses et d\u00e9l\u00e9t\u00e8res.<\/span><\/p>

 <\/p>

Il n\u2019en reste pas moins qu\u2019\u00ab il fait beau voir \u00bb[8]<\/sup>, pour reprendre les mots de Domerg dans La Verte traVers\u00e9e<\/i>. Il fait beau voir avec eux. On a envie d\u2019\u00eatre sur la route en leur compagnie. Avec la carte IGN que Palaggi photographie sur la plage avant de la voiture. Une carte, en lieu et place du GPS devenu la norme de nos p\u00e9riples. Verte la carte, comme le reste : les monts du Cantal, les prairies, les talus\u2026 Et tant pis si le vert vire au jaune, tant pis si un poids-lourd s\u2019invite dans le paysage puisque \u00ab Tout entre [\u2026] ici ! L\u2019inopin\u00e9, \/ Les circonstances et les sensations ! \u00bb[9]<\/sup>.<\/span><\/p>

 <\/p>

On la ferait avec eux, cette \u00ab verte travers\u00e9e \u00bb \u2013 et on en sortirait plus intelligents, plus sensibles, plus vigilants. Alarm\u00e9s mais pas accabl\u00e9s.<\/span><\/p>

 <\/p>


 <\/span><\/p>

[1] Le chant du hors champ<\/i>, Fage \u00e9ditions, 2008<\/span><\/p>

[2] Le travail sur le motif du Puy de Manse, men\u00e9 par Brigitte Palaggi et Olivier Domerg, a donn\u00e9 lieu \u00e0 une exposition au Mus\u00e9e mus\u00e9um d\u00e9partemental des Hautes-Alpes (Le Puy de Manse, fragments d\u2019un mont monde<\/i> du 18 mai au 31 octobre 2013) et \u00e0 une trilogie : Portrait de Manse en Sainte-Victoire molle<\/i> <\/strong>(L\u2019Arpenteur\/Gallimard, 2011) ; Fragments d\u2019un mont-monde<\/i> (Le Bleu du ciel, 2013) ; L<\/strong>E MANSCRIT<\/i> <\/strong>(Le Corridor bleu, 2021).<\/span><\/p>

[3] La Verte traVers\u00e9e<\/i>, \u00e9ditions l\u2019Atelier contemporain, 2022.<\/span><\/p>

[4] La Sainte-Victoire de trois-quarts<\/i>, \u00e9ditions La Lettre vol\u00e9e, 2017.<\/span><\/p>

[5] Leur travail commun sur le motif de la montagne Sainte-Victoire a donn\u00e9 lieu \u00e0 une exposition collective \u00e0 la Salle de l\u2019Aigalier et \u00e0 la M\u00e9diath\u00e8que Louis Aragon, \u00e0 Martigues, du 2 novembre au 8 d\u00e9cembre 2012, et \u00e0 un livre, La Sainte-Victoire de loin en proche<\/i>, \u00e9ditions AUTRES ET PAREILS, N\u00eemes, 2012 ; ainsi qu\u2019\u00e0 un triptyque intitul\u00e9 La condition du m\u00eame<\/i> : La Sainte-Victoire de trois-quarts<\/i>, \u00e9ditions La Lettre Vol\u00e9e, 2017 ; Onze tableaux sauv\u00e9s du zoo<\/i>, \u00e9ditions L\u2019Atelier de l\u2019agneau, 2018 ; Le temps fait rage<\/i>, \u00e9ditions Le Bleu du ciel, 2015.<\/span><\/p>

[6] Cf. Rh\u00f4n\u00e9o-Rod\u00e9o<\/i>, \u2018Chevrotines\u2019 (chapitre 6), Un comptoir d\u2019\u00e9dition, 2017, p.43.<\/span><\/p>

[7] Cf. Le chant du hors champ<\/i>, \u2018Un parc monde\u2019 (chant douze), Fage \u00e9ditions, 2008, p.159.<\/span><\/p>

[8] Cf. La Verte traVers\u00e9e<\/i>, \u2018Il fait beau voir\u2019 (XVIII), \u00e9ditions L\u2019Atelier contemporain, 2022, p.252.<\/span><\/p>

[9] Cf. La Verte traVers\u00e9e<\/i>, \u2018Prairies prosa\u00efques\u2019 (II), \u00e9ditions L\u2019Atelier contemporain, 2022, p.28.<\/span><\/p>","label":"

Emmanuelle Bayamack-Tam, texte \u00e9crit en ao\u00fbt 2023<\/p>

\u00e0 la demande du Cipm, en vue de l'exposition<\/p>

Brigitte Palaggi-Olivier Domerg : La somme des deux.<\/i><\/p>"},{"id":1111,"type":1,"imageIds":[3335]},{"id":648,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/750_20110913142430.mp3","label":"En la for\u00eat langage","duration":145},{"id":2110,"type":2,"content":"

(\u2026 se lit avec une inspiration sonore)<\/span><\/p>

 <\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

G<\/strong>o, jata, va !<\/span><\/p>

bitume bossel\u00e9 caboss\u00e9<\/span><\/p>

mines de fer \u00e0 ciel ouvert<\/span><\/p>

Nehru sur le porche en pierre<\/span><\/p>

les branches des manguiers rampent<\/span><\/p>

on se perd \u2026<\/span><\/p>

 <\/span><\/p>

S\u2019en aller ! s\u2019en aller !<\/i><\/span><\/p>

 <\/span><\/p>

slam, vite, vlam, plus vite<\/span><\/p>

fouillis d\u2019eau de racines<\/span><\/p>

vapeur de rose de santal<\/span><\/p>

du feu dans les coupes en m\u00e9tal<\/span><\/p>

la force de deux \u00e9l\u00e9phants c\u00e9lestes<\/span><\/p>

Pingalam, l\u2019autre \u0153il<\/span><\/p>

 <\/i><\/span><\/p>

Et d\u2019\u00e9venter l\u2019usure et la s\u00e9cheresse<\/i><\/span><\/p>

au c\u0153ur des hommes<\/i><\/span><\/p>

 <\/span><\/p>

Pingalam<\/span><\/p>

c\u2019est long de vivre \u00e7a \u2026<\/span><\/p>

avec le bric-\u00e0-brac  <\/span><\/p>

amer, ignorant, violent, d\u00e9ment  <\/span><\/p>

dans la t\u00eate de l\u2019homme<\/span><\/p>

la guerre<\/span><\/p>

 <\/i><\/span><\/p>

les robes des femmes sont d\u00e9chir\u00e9es<\/span><\/p>

plus f\u00e9rocement que les journaux<\/span><\/p>

 <\/strong><\/span><\/p>

 <\/strong>  <\/span><\/p>

 D<\/strong>eux litres, l\u2019eau du puits<\/span><\/p>

 sur la route faut boire beaucoup<\/span><\/p>

 on pisse derri\u00e8re les broussailles<\/span><\/p>

 fesses \u00e0 l\u2019air quand<\/span><\/p>

 debout sur la tranche \u00e9clatante du jour,<\/i><\/span><\/p>

 les filles urinaient en \u00e9cartant la toile peinte de leur robe <\/i><\/span><\/p>

 <\/strong><\/span><\/p>

 cheval au galop va \u2026 va<\/span><\/p>

 pot d\u2019\u00e9chappement br\u00fblant les pieds<\/span><\/p>

 couloirs d\u2019air dans la pluie<\/span><\/p>

 roulons, roulons<\/span><\/p>

 Parangatail, son pont d\u00e9truit<\/span><\/p>

 par le grand tsunami<\/span><\/p>

 <\/span><\/p>

 roulons, vlam<\/span><\/p>

 jointures d\u2019oc\u00e9an  de lagunes<\/span><\/p>

 ligne blanche qui tambourine<\/span><\/p>

 dans la boue ils disent<\/span><\/p>

 des murs d\u2019eau  <\/span><\/p>

 l\u2019effroi d\u2019une \u2026<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Mer puissante tr\u00e8s agile<\/i><\/span><\/p>

 \u2013 \u00f4 massive, \u00f4 totale \u2013<\/i><\/span><\/p>

toute martel\u00e9e du haut ressac de ta faune de guerre<\/i><\/span><\/p>

un go\u00fbt flasque \u00e0 l\u2019\u00e2me revient<\/span><\/p>

si hautes les vagues tombaient<\/span><\/p>

 <\/span><\/p>

tombait son fracas liquide  <\/span><\/p>

rivage de chaos de b\u00fbchers<\/span><\/p>

Om Shanti, les cendres, les disparus<\/span><\/p>

d\u00e9sert d\u2019herbes jaunes<\/span><\/p>

des blocs en b\u00e9ton inhabitables<\/span><\/p>

 <\/span><\/p>

Vishnou allong\u00e9 sur le serpent<\/span><\/p>

veille le temps du monde<\/span><\/p>

repousse la fin du monde<\/span><\/p>

la lampe \u00e0 huile tourne  devant son visage<\/span><\/p>

le temps est divis\u00e9 ...<\/span><\/p>

 <\/span><\/p>

son front oint de p\u00e2te safran\u00e9e<\/span><\/p>

la servante hindoue fit de l\u2019enfant  <\/span><\/p>

un fils de Vishnou<\/span><\/p>

perdant  nationalit\u00e9 fran\u00e7aise biens et honneurs<\/span><\/p>

Saint-John Perse, l\u2019exil\u00e9, vents amers ...<\/span><\/p>

  <\/span><\/p>

Et voici qu\u2019il s\u2019\u00e9l\u00e8ve une rumeur<\/i><\/span><\/p>

plus vaste par le monde<\/i><\/span><\/p>

comme une insurrection de l\u2019\u00e2me<\/i><\/span><\/p>

 <\/p>

je me parle Saint-John Perse<\/p>

la pluie est lente<\/p>

le banyan respire dans le jardin<\/p>

les enfants explosent avant les pierres<\/p>

sous les bombes \u2026<\/p>

 <\/i><\/p>

Se h\u00e2ter! Se h\u00e2ter!<\/i><\/span><\/p>

Parole du plus grand vent<\/i><\/span><\/p>","label":"

Jacqueline Merville, En scooter avec Saint-John Perse<\/i>, extrait in\u00e9dit re\u00e7u le 23 avril 2024.<\/p>"},{"id":354,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/450_20090702175244.pdf","label":"En vers et contre - Quelques po\u00e8mes \u00e9crits par les \u00e9l\u00e8ves de 2\u00b03 du Lyc\u00e9e Mend\u00e8s France, lors de rencontres avec Florence Pazzottu, en avril et mai 2005.\r\n\r\nProjet initi\u00e9 par S\u00e9phanie B\u00e9jian, professeur de fran\u00e7ais et le cipM<\/i>."},{"id":765,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/872_20120707152402.mp3","label":"Encha\u00eenement le maillon fiable (extrait)","duration":185},{"id":76,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/106_20060204154436.mp3","label":"Encore 1 - texte in\u00e9dit, lu avec Charlotte Guillemin dans le cadre d'une performance intitul\u00e9e \"Marguerite\"","duration":56},{"id":857,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/969_20150922173113.pdf","label":"Enfances - textes des participants"},{"id":2410,"type":2,"content":"

 <\/p>

 qui ?  l\u2019aube. si prometteuse la saison, <\/span><\/p>

si dessein quand je sors de la maison.<\/span><\/p>

 <\/span><\/p>

la floraison de juillet carillonne sur mes joues.<\/span><\/p>

 <\/span><\/p>

un sur-serr\u00e9 suis-je, pinson arrim\u00e9, br\u00fblant<\/span><\/p>

de virer sur les autoroutes<\/span><\/p>

puisqu\u2019en moi il n\u2019y a plus de route.<\/span><\/p>

 <\/span><\/p>

qu\u2019il est t\u00f4t encore \u00e0 l\u2019aube, le rosier<\/span><\/p>

palpitation sous les p\u00e9piements.<\/span><\/p>

 <\/span><\/p>

prometteur tu me prends par les hanches<\/span><\/p>

sous un ciel radieux.<\/span><\/p>

 <\/span><\/p>

mon corps blanc, oui \u00e9gout, en a plein les bottes,<\/span><\/p>

\u00e0 juin je claque mon portail, mes jambes dans la cr\u00e9maill\u00e8re.<\/span><\/p>

 <\/span><\/p>

et quand le coffre de mon v\u00e9hicule fendra le ciel<\/span><\/p>

(quand le parfum explosera ma glycine)<\/span><\/p>

 <\/span><\/p>

je sais que je pourrai vivre, enfin<\/span><\/p>

un jour qui vaudra un jour<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

le c\u0153ur<\/p>

 <\/span><\/p>

 <\/p>

wie ? de ochtend, zo beloftevol het jaargetijde<\/span><\/p>

zo ontwerp als ik het huis uitstap<\/span><\/p>

 <\/span><\/p>

de julibloei klokkend over mijn wangen.<\/span><\/p>

 <\/span><\/p>

kort aangebonden vink ben ik, ongeduldig weg te kunnen breken<\/span><\/p>

 <\/span><\/p>

over snelwegen te kunnen razen<\/span><\/p>

omdat er door mij geen weg meer is.<\/span><\/p>

 <\/span><\/p>

beloftevol neem je me bij de heup<\/span><\/p>

onder een stralende hemel<\/span><\/p>

 <\/span><\/p>

het is nog vroeg op de ochtend, de rozelaar rilt nog<\/span><\/p>

onder het getsjirp.<\/span><\/p>

 <\/span><\/p>

tegen de junimaand ga ik de poort dichtslaan<\/span><\/p>

mijn ledematen de tandheugels in<\/span><\/p>

 <\/span><\/p>

vermits ik leeggelopen, ja aflaatput ben.<\/span><\/p>

 <\/span><\/p>

en wanneer onze autokoffer de lucht inbreekt<\/span><\/p>

(wanneer het parfum door de blauwe regen barst)<\/span><\/p>

 <\/span><\/p>

weet ik dat ik eindelijk<\/span><\/p>

een dag kan ontwerpen die de naam dag waard mag zijn<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

het hart<\/i><\/p>

 <\/p>","label":"

enfin <\/i>(eindelijk<\/i>), <\/i>extrait de Paradisiaca. Un Lac-Op\u00e9ra, <\/i>livre en cours.(extrait de Paradisiaca. Een Meer-Opera<\/i>, livre jumeau en auto-traduction cr\u00e9atrice, en cours.)<\/p>"},{"id":679,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/781_20111216143554.pdf","label":"Enseignement & Po\u00e9sie"},{"id":1063,"type":1,"imageIds":[3261]},{"id":364,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/460_20090715155016.mp3","label":"Entrel\u00e0","duration":180},{"id":2235,"type":2,"content":"

 <\/p>

Tu \u00e9tais l\u00e0<\/i><\/span><\/p>

le jour o\u00f9 j\u2019ai gagn\u00e9 un tournois de foot<\/i><\/span><\/p>

j\u2019avais huit ans<\/i><\/span><\/p>

Tu \u00e9tais l\u00e0<\/i><\/span><\/p>

\u00e0 l\u2019ile Maurice, sur la plage en train de p\u00e9cher<\/i><\/span><\/p>

Tu \u00e9tais l\u00e0 et j\u2019avais dix ans.<\/i><\/span><\/p>

Toi me prenant en photo<\/i><\/span><\/p>

me criant de ne pas avoir peur<\/i><\/span><\/p>

et de sourire \u00e0 c\u00f4t\u00e9 de cet \u00e9l\u00e9phant gigantesque au Sri Lanka<\/i><\/span><\/p>

Tu \u00e9tais l\u00e0<\/i><\/span><\/p>

j\u2019avais quinze ans.<\/i><\/span><\/p>

En haut de l\u2019Empire State Bulding<\/i><\/span><\/p>

tu n\u2019\u00e9tais pas l\u00e0,<\/i><\/span><\/p>

il n\u2019y avait que maman et Anissia<\/i><\/span><\/p>

mais pour moi tu \u00e9tais l\u00e0.<\/i><\/span><\/p>

Au Sri Lanka, ensemble<\/i><\/span><\/p>

au bord de l\u2019eau<\/i><\/span><\/p>

on a rendu la libert\u00e9 \u00e0 des b\u00e9b\u00e9s tortues<\/i><\/span><\/p>

tu t\u2019en souviens ?<\/i><\/span><\/p>

Une tortue s\u2019\u00e9tait fait attraper<\/i><\/span><\/p>

par une mouette<\/i><\/span><\/p>

tu \u00e9tais l\u00e0.<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Yanis<\/p>"},{"id":2244,"type":2,"content":"

 <\/p>

sous les tropics aux Maldives -  \u00e0 12h15<\/span><\/p>

Moi \u00e0 Duba\u00ef avec des belles filles dans un jacuzi - 16h15<\/span><\/p>

Moi sur le ring avec Francis Ngannou en train de  le mettre KO - il \u00e9tait 15 h<\/span><\/p>

Moi au Maroc en buggy avec des ouistitis - il \u00e9tait midi.<\/span><\/p>

 <\/p>","label":"

Abdelkader<\/p>"},{"id":2245,"type":2,"content":"

 <\/p>

Sur la photographie<\/i><\/span><\/p>

On nous voit<\/i><\/span><\/p>

Nawfel et moi<\/i><\/span><\/p>

nous avions mang\u00e9 au Mac\u2019Do<\/i><\/span><\/p>

Sur la photo<\/i><\/span><\/p>

Nawfel et moi<\/i><\/span><\/p>

Nous sommes au cin\u00e9ma<\/i><\/span><\/p>

Sur la photo<\/i><\/span><\/p>

Nawfel et moi<\/i><\/span><\/p>

Nous allons regarder le film Creed III<\/i><\/span><\/p>

Sur la photo<\/i><\/span><\/p>

\u00e0 la fin du film<\/i><\/span><\/p>

j\u2019ai rencontr\u00e9 une fille<\/i><\/span><\/p>

Sur la photo<\/i><\/span><\/p>

Nawfel et moi<\/i><\/span><\/p>

Nous nous sommes amus\u00e9s<\/i><\/span><\/p>

 <\/p>","label":"

Anis<\/p>"},{"id":2246,"type":2,"content":"

 <\/p>

Une chose que j\u2019ai perdue<\/span><\/p>

c\u2019est mon enfance.<\/span><\/p>

J\u2019aimerai revivre des moments de ma vie<\/span><\/p>

car quand j\u2019\u00e9tais petit je ne pensais qu\u2019\u00e0 jouer<\/span><\/p>

j\u2019\u00e9tais heureux.<\/span><\/p>

Maintenant je dois penser diff\u00e9remment<\/span><\/p>

car j\u2019ai grandi, j\u2019ai pris de la maturit\u00e9<\/span><\/p>

et pour la vie c\u2019est plus comme avant.<\/span><\/p>

Quand j\u2019\u00e9tais petit je voulais devenir<\/span><\/p>

le plus rapidement grand.<\/span><\/p>

Et maintenant que je suis grand<\/span><\/p>

je veux redevenir petit<\/span><\/p>

 <\/p>","label":"

Isman\u00efn<\/p>"},{"id":2247,"type":2,"content":"

Des choses que je ne comprends pas<\/span><\/p>

Qu\u2019est-ce qu\u2019il m\u2019arrive<\/span><\/p>

Qu\u2019est-ce que je n\u2019arrive pas \u00e0 faire <\/span><\/p>

Mes sentiments ont fan\u00e9s<\/span><\/p>

comme les fleurs mal entretenues<\/span><\/p>

Mon c\u0153ur est ciment\u00e9<\/span><\/p>

impossible pour d\u2019aimer.<\/span><\/p>

Impossible de m\u2019aimer<\/span><\/p>

car la porte de mon coeur est cadenass\u00e9e.<\/span><\/p>

Comme ces mots<\/span><\/p>

            que je n\u2019arrive pas \u00e0 exprimer,<\/span><\/p>

Comme ces ressentis<\/span><\/p>

            que je ne peux pas d\u2019\u00e9crire.<\/span><\/p>"},{"id":2248,"type":2,"content":"

Il pleuvait<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Il pleuvait sur le sol<\/i><\/span><\/p>

Il pleuvait sur la voiture<\/i><\/span><\/p>

Il pleuvait sur moi<\/i><\/span><\/p>

Il pleuvait sur les b\u00e2timents<\/i><\/span><\/p>

Il pleuvait sur les passants<\/i><\/span><\/p>

Il pleuvait sur les animaux<\/i><\/span><\/p>

Il pleuvait sur mon ballon<\/i><\/span><\/p>

Il pleuvait sur la mer<\/i><\/span><\/p>

Il pleuvait sur la terre<\/i><\/span><\/p>

Il pleuvait sur le monde<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Quentin<\/p>"},{"id":2249,"type":2,"content":"

 <\/p>

Il pleuvait...<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Il pleuvait<\/i><\/span><\/p>

Au bar<\/i><\/span><\/p>

\u00e0 la plage<\/i><\/span><\/p>

sur une femme<\/i><\/span><\/p>

sur un homme.<\/i><\/span><\/p>

Il pleuvait<\/i><\/span><\/p>

sur des yeux d\u00e9j\u00e0 mouill\u00e9s<\/i><\/span><\/p>

sur le toit<\/i><\/span><\/p>

sur moi<\/i><\/span><\/p>

sur le gazon<\/i><\/span><\/p>

sur le PSG<\/i><\/span><\/p>

sur les Renault<\/i><\/span><\/p>

Il pleuvait<\/i><\/span><\/p>

sur la terre<\/i><\/span><\/p>

sur la lune<\/i><\/span><\/p>

et sur le soleil.<\/i><\/span><\/p>

 <\/p>","label":"

William<\/p>"},{"id":2250,"type":2,"content":"

 <\/p>

Trois choses inaccessibles et merveilleuses :<\/span><\/p>

            \u00catre propri\u00e9taire d\u2019une maison au Canada<\/span><\/p>

            Ma m\u00e8re qui me prot\u00e8ge<\/span><\/p>

            m\u2019\u00e9l\u00e8ve chaque jour, m\u2019embellit<\/span><\/p>

            Respirer dans l\u2019espace.<\/span><\/p>

 <\/span><\/p>

Cinq choses que je ne comprends pas :<\/span><\/p>

            Le temps et sa cr\u00e9ation<\/span><\/p>

            L\u2019amour envers l\u2019humain<\/span><\/p>

            L\u2019\u00e9co gestion<\/span><\/p>

            Pourquoi nous sommes diff\u00e9rents<\/span><\/p>

            Les guerres de territoire<\/span><\/p>

 <\/span><\/p>","label":"

Mohamed<\/p>"},{"id":2251,"type":2,"content":"

 <\/p>

O\u00f9 tu es mon ami ?<\/i><\/span><\/p>

Il pleut sur ta tombe.<\/i><\/span><\/p>

Il pleut le long de mes joues.<\/i><\/span><\/p>

Depuis que tu n\u2019es plus l\u00e0 il pleut.<\/i><\/span><\/p>

Depuis que tu n\u2019es plus l\u00e0<\/i><\/span><\/p>

pour moi le ciel est gris.<\/i><\/span><\/p>

 <\/p>","label":"

Lilyan<\/p>"},{"id":2252,"type":2,"content":"

 <\/p>

La vie, nos vies<\/span><\/p>

Pourquoi la libert\u00e9<\/span><\/p>

n\u2019est pas donn\u00e9e \u00e0 tous?<\/span><\/p>

Les montagnes se croisent.<\/span><\/p>

Comme les animaux parlent.<\/span><\/p>

Le mal peut faire partie du bien,<\/span><\/p>

Le bien ne peut pas faire partie du mal.<\/span><\/p>

Pourquoi suis-je moi ?<\/span><\/p>

Et pas quelqu\u2019un d\u2019autre ?<\/span><\/p>

 <\/p>","label":"

Marwan<\/p>"},{"id":2253,"type":2,"content":"

 <\/p>

\u00c0 l\u2019a\u00e9roport.<\/span><\/p>

 <\/span><\/p>

Moi et ma copine \u00e0 l\u2019a\u00e9roport.<\/span><\/p>

La foule<\/span><\/p>

Les bancs pour attendre<\/span><\/p>

Les bagages<\/span><\/p>

Ma copine ayant de beaux habits<\/span><\/p>

un sourire aux l\u00e8vres.<\/span><\/p>

Moi a dix m\u00e8tres d\u2019elle, avec mes bagages<\/span><\/p>

me dirigeant vers elle en souriant.<\/span><\/p>

La lumi\u00e8re du jour<\/span><\/p>

Le carrelage en damier<\/span><\/p>

 <\/p>","label":"

Cedric<\/p>"},{"id":2236,"type":2,"content":"

 <\/p>

Moi, \u00e0 Vitrolles avec mes parents, je m\u2019y amuse<\/i><\/span><\/p>

Moi, \u00e0 Rognac, avec mes parents, je m\u2019y amuse<\/i><\/span><\/p>

Moi, \u00e0 Rhodes, avec mes parents, je m\u2019y amuse<\/i><\/span><\/p>

Moi, \u00e0 Barcelone, avec mes parents, je m\u2019y ennuie<\/i><\/span><\/p>

Moi, \u00e0 Plan-de-Campagne, avec mes parents, je m\u2019y ennuie<\/i><\/span><\/p>

Moi, \u00e0 Marseille, avec mes parents, je m\u2019y ennuie<\/i><\/span><\/p>

 <\/p>"},{"id":2254,"type":2,"content":"

 <\/p>

Ici, c\u2019est moi, dans une rue traditionnelle sublime,<\/i><\/span><\/p>

avec une ambiance lumineuse ros\u00e9e.<\/i><\/span><\/p>

Une rue, remplie de petits restaurants de rue chaleureux,<\/i><\/span><\/p>

d\u2019une propret\u00e9 d\u00e9concertante et d\u2019un calme remarquable,<\/i><\/span><\/p>

pourtant juste \u00e0 c\u00f4t\u00e9 d\u2019une des places les plus passantes<\/i><\/span><\/p>

et les plus anim\u00e9es de Shibuya,<\/i><\/span><\/p>

lors de mon premier voyage au Japon.<\/i><\/span><\/p>

 <\/p>","label":"

Antoine<\/p>"},{"id":2255,"type":2,"content":"

 <\/p>

Moi avec mes coll\u00e8gues f\u00eatant l\u2019anniversaire de mon ami d\u2019enfance<\/span><\/p>

Une photo de moi et ma famille \u00e0 l\u2019A\u00efd<\/span><\/p>

Ici, une photo de moi et de mes coll\u00e8gues au camping d\u2019Oasis-Village \u00e0 Fr\u00e9jus<\/span><\/p>

Ici c\u2019est moi et mon cousin \u00e0 un mariage cet \u00e9t\u00e9<\/span><\/p>

Une photo de moi et de Marouane \u00e0 la caf\u00e9t<\/span><\/p>

Moi et mes coll\u00e8gues, f\u00eatant en famille l\u2019anniversaire de Rayan, mon ami d\u2019enfance.<\/span><\/p>

Moi faisant un BBQ et lui offrant un surv\u00eatement de foot \u00e0 la maison<\/span><\/p>

Moi \u00e9prouvant de la joie d\u2019\u00eatre tous ensemble<\/span><\/p>

Ici, c\u2019est nous ; Un couscous autour d\u2019une grande table, ensemble, heureux<\/span><\/p>

Nous, la f\u00eate, la musique en fond<\/span><\/p>

Moi jouant au loup-garou avec mes coll\u00e8gues<\/span><\/p>

Nous mangeant le g\u00e2teau et ouvrant ces cadeaux<\/span><\/p>

 <\/p>","label":"

Farid<\/p>"},{"id":2256,"type":2,"content":"

 <\/p>

La douceur que provoque la mer<\/i><\/span><\/p>

Moi sur la photo en train de plonger<\/i><\/span><\/p>

Avec moi le silence de la mer<\/i><\/span><\/p>

Moi en train de descendre<\/i><\/span><\/p>

Vers les profondeurs de la mer.<\/i><\/span><\/p>

d\u00e9couvrant de nouvelles esp\u00e8ces vivantes<\/i><\/span><\/p>

Moi avec les vagues et les poissons<\/i><\/span><\/p>

Ressentant la douceur de l\u2019eau.<\/i><\/span><\/p>

Nous, emport\u00e9s vers un c\u00f4t\u00e9<\/i><\/span><\/p>

Que nous n\u2019avons jamais imagin\u00e9<\/i><\/span><\/p>

 <\/p>","label":"

Mateo<\/p>"},{"id":2257,"type":2,"content":"

 <\/p>

Moi et mon ami sur une T\u00e9n\u00e9r\u00e9 700 <\/i>en bord de plage<\/span><\/p>

Moi le jour o\u00f9 je me suis br\u00fbl\u00e9 avec un quad<\/span><\/p>

Moi avec mon Bac \u00e0 la main quand je l\u2019aurai<\/span><\/p>

Moi \u00e0 Duba\u00ef en excursion avec ma famille<\/span><\/p>

Moi en train de lever une T\u00e9n\u00e9r\u00e9<\/i><\/span><\/p>

Ici,  quand j\u2019aurai mon Bac, je ferai une petite f\u00eate en famille<\/span><\/p>

Moi quand j\u2019irai chercher mon Bac. Il fera chaud<\/span><\/p>

 <\/p>","label":"

Kader<\/p>"},{"id":2258,"type":2,"content":"

 <\/p>

Comment mettre ma famille \u00e0 l\u2019abri<\/span><\/p>

Pourquoi les m\u00e9tiers<\/span><\/p>

les mains utiles<\/span><\/p>

pourquoi les gens disent<\/span><\/p>

que Ronaldo est plus fort que Messi<\/span><\/p>

Pourquoi en hiver<\/span><\/p>

un squatteur vient chez nous.<\/span><\/p>

 <\/p>","label":"

Hmida<\/p>"},{"id":2237,"type":2,"content":"

J\u2019ai pris mon t\u00e9l\u00e9phone, lanc\u00e9 Spotify et une playlist avec des musiques qui ont de bonnes basses. Ce qui me fait plaisir le plus, c\u2019est de prendre mon si\u00e8ge [riber], c\u2019est de voir mes r\u00e9troviseurs trembler. Je n\u2019\u00e9coute pas qu\u2019un seul style de musique en particulier. [Que] la musique en g\u00e9n\u00e9ral me plaise et que les les basses instrumentales me plaisent, la musique me pla\u00eet. Ce qui me pla\u00eet aussi c\u2019est la qualit\u00e9 sonore, c\u2019est pour \u00e7a que j\u2019ai achet\u00e9 de bons haut-parleurs pour ma voiture, en plus des basses percutantes et vibrantes, j\u2019aime bien entendre les aigus, les m\u00e9diums et que tout cela soit bien \u00e9quilibr\u00e9.<\/p>

 <\/p>

 <\/p>","label":"

Benjamen<\/p>"},{"id":2238,"type":2,"content":"

 <\/p>

Les fleurs et le bonheur<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Les fleurs sont merveilleuse<\/i><\/span><\/p>

Les fleurs signifient le bonheur<\/i><\/span><\/p>

Nous transportent ailleurs<\/i><\/span><\/p>

dans un paysage paradisiaque<\/i><\/span><\/p>

La rose d\u2019une couleur \u00e9carlate<\/i><\/span><\/p>

L\u2019odeur si merveilleuse<\/i><\/span><\/p>

nous rappelle le printemps<\/i><\/span><\/p>

Chaque fleur, destin\u00e9e \u00e0 un sentiment<\/i><\/span><\/p>

             Les ruisseaux fleurissent.<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Naufel <\/p>"},{"id":2239,"type":2,"content":"

 <\/p>

Il pleuvait sur ma solitude<\/i><\/span><\/p>

Il pleuvait sur mes joues<\/i><\/span><\/p>

Il pleuvait sur les vitres<\/i><\/span><\/p>

 <\/i><\/span><\/p>","label":"

Benjamen, Manon, Evan<\/p>"},{"id":2240,"type":2,"content":"

 <\/p>

La femme que j\u2019aime<\/span><\/p>

Cette femme que j\u2019aime<\/span><\/p>

Pourquoi je l\u2019aime <\/span><\/p>

je ne sais pas<\/span><\/p>

Est-ce de l\u2019amour <\/span><\/p>

je ne sais pas<\/span><\/p>

Ce que je sais<\/span><\/p>

C\u2019est que je l\u2019aime <\/span><\/p>

Je l\u2019aime d\u2019une passion \u00e9ternelle<\/span><\/p>

      Rosa Maria si tu me quisiera<\/span><\/p>

      que felis s\u00e9ria.<\/span><\/p>

 <\/span><\/p>","label":"

Antonino<\/p>"},{"id":2241,"type":2,"content":"

 <\/p>

De mourir en\u2026<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Ils mouraient en Palestine<\/i><\/span><\/p>

Ils mouraient en Ukraine<\/i><\/span><\/p>

Ils mouraient en Turquie<\/i><\/span><\/p>

Ils mouraient en \u00c9gypte<\/i><\/span><\/p>

Ils mouraient en Arm\u00e9nie<\/i><\/span><\/p>

Ils mouraient en Irak<\/i><\/span><\/p>

Ils mouraient en Alg\u00e9rie<\/i><\/span><\/p>

Ils mouraient en Am\u00e9rique<\/i><\/span><\/p>

Ils mouraient en France<\/i><\/span><\/p>

Ils mouraient dans le monde<\/i><\/span><\/p>

 <\/span><\/p>","label":"

Fouaz<\/p>"},{"id":2242,"type":2,"content":"

 <\/p>

J\u2019aimerais comprendre<\/span><\/p>

Pourquoi les fronti\u00e8res sont pr\u00e9sentes<\/span><\/p>

Pourquoi la guerre est si pesante<\/span><\/p>

Pourquoi la vie  si oppressante<\/span><\/p>

 <\/span><\/p>

J\u2019aimerais avoir<\/span><\/p>

une discussion avec le meilleur des hommes<\/span><\/p>

Fiert\u00e9 des parents sur un podium<\/span><\/p>

Discours de Malcolm au mus\u00e9um.<\/span><\/p>

 <\/span><\/p>

Nous avons trouv\u00e9<\/span><\/p>

cette belle France<\/span><\/p>

cette belle communaut\u00e9<\/span><\/p>

      aux \u00e2mes aimantes<\/span><\/p>

Ce beau message<\/span><\/p>

      cette belle devise.<\/span><\/p>

 <\/span><\/p>

Nous avons perdu<\/span><\/p>

nos bonnes paroles<\/span><\/p>

cette douce France<\/span><\/p>

notre seule croyance.<\/span><\/p>

 <\/span><\/p>","label":"

Fouaz<\/p>"},{"id":2243,"type":2,"content":"

 <\/p>

Voici trois choses <\/strong>merveilleuses :<\/i><\/span><\/p>

L\u2019arriv\u00e9e des beaux jours<\/i><\/span><\/p>

Les paysages des \u00eeles<\/i><\/span><\/p>

L\u2019odeur de la mer et le go\u00fbt des cerises<\/i><\/span><\/p>

Les papillons illuminant  les jardins<\/i><\/span><\/p>

de mille couleurs, lors du printemps<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Voici une chose<\/strong> inaccessible :<\/i><\/span><\/p>

Pouvoir voir un tigre de plus pr\u00e8s<\/i><\/span><\/p>

Explorer le fin fond des oc\u00e9ans<\/i><\/span><\/p>

 <\/i><\/span><\/p>

Voici quatre choses<\/strong> que je ne comprends pas :<\/i><\/span><\/p>

La m\u00e9t\u00e9o \u00e0 la fois pluvieuse et ensoleill\u00e9e<\/i><\/span><\/p>

L\u2019arriv\u00e9e du pollen<\/i><\/span><\/p>

L\u2019ortie<\/i><\/span><\/p>

Les mensonges<\/i><\/span><\/p>

Les gar\u00e7ons<\/i><\/span><\/p>

 <\/strong><\/i><\/span><\/p>","label":"

Manon<\/p>"},{"id":2259,"type":2,"content":"

Mes meilleurs amis.<\/p>

 <\/p>

Mes meilleurs amis et moi,<\/p>

au coll\u00e8ge en quatri\u00e8me<\/p>

apprenant \u00e0 se conna\u00eetre<\/p>

finir par \u00eatre ins\u00e9parables.<\/p>

Mes meilleurs amis et moi,<\/p>

dans ce parc pr\u00e8s de chez moi<\/p>

m\u2019accompagnant pour m\u2019\u00e9couter<\/p>

et \u00eatre pr\u00e9sent pour moi<\/p>

une fois de plus.<\/p>

Mes meilleurs amis et moi dans mon jardin<\/p>

buvant des sodas, mangeant des pop-corn,<\/p>

se racontant les potins de la semaine.<\/p>

Mes meilleurs amis et moi,<\/p>

pr\u00e9parant les cartons de mon d\u00e9m\u00e9nagement<\/p>

profitant des derniers moments ensemble.<\/p>

Mes meilleurs amis et moi,<\/p>

remplissant ce g\u00e9ant camion<\/p>

pr\u00eat \u00e0 emporter tous ces bons souvenirs,<\/p>

passant un a un dans ma t\u00eate.<\/p>

Mes meilleurs amis et moi,<\/p>

se disant au revoir apr\u00e8s cette longue journ\u00e9e<\/p>

et \u00e0 la semaine prochaine, au bahut.<\/p>

Mes meilleurs amis et moi,<\/p>

continuant \u00e0 se voir et \u00e0 passer de bons moments ensemble<\/p>

peu importe la distance qui nous s\u00e9pare<\/p>

Nous restons li\u00e9s par ce fil d\u2019amiti\u00e9.<\/p>

Mes meilleurs amis et moi,<\/p>

r\u00e9unis dans ce parc pr\u00e8s du lyc\u00e9e<\/p>

nous  retrouvant comme d\u2019habitude,<\/p>

en mangeant et buvant des sodas<\/p>

se racontant une nouvelle fois des potins.<\/p>

 <\/p>","label":"

Carla<\/p>"},{"id":2268,"type":2,"content":"

 <\/p>

Moi en vacances d\u2019\u00e9t\u00e9,<\/p>

sous le beau soleil d\u2019Espagne<\/p>

En train de bronzer \u00e0 la plage<\/p>

Avec ma meilleure amie en train de se raconter des potins<\/p>

Tout d\u2019un coup un chat s\u2019approche de nous<\/p>

Et commence \u00e0 miauler,<\/p>

alors nous le ramenons avec nous \u00e0 la maison.<\/p>

 <\/p>","label":"

Hiba Nkaira<\/p>"},{"id":2269,"type":2,"content":"

 <\/p>

Selfies<\/p>

 <\/p>

Une habitude<\/p>

Des sorties<\/p>

Des cigarettes<\/p>

Deux copines<\/p>

Des potins<\/p>

Le soleil<\/p>

Des gens aimables<\/p>

Le bruit du briquet s\u2019allumant<\/p>

La flamme brulant le tabac<\/p>

Le go\u00fbt de la cigarette<\/p>

atteignant nos poumons<\/p>

Des tiktok<\/p>

Une phase<\/p>

Une place attitr\u00e9e<\/p>

Des paroles<\/p>

Des photos<\/p>

Deux amies fumaient \u00e0 la table<\/p>

   <\/span><\/p>","label":"

Lena<\/p>"},{"id":2270,"type":2,"content":"

 <\/p>

Moi sur une piste verte \u00e0 attendre les autres<\/p>

Moi sautant dans les vagues de l\u2019atlantique au S\u00e9n\u00e9gal<\/p>

Moi et mes potes dans une salle de bain beaucoup trop petite<\/p>

Moi au bord d\u2019un lac en Italie regardant le coucher du soleil en \u00e9t\u00e9<\/p>

Moi entrain de nager en dehors de la zone nageurs \u00e0 la plage<\/p>

Moi dans le bus quand un gar\u00e7on m\u2019a menac\u00e9e avec son compas<\/p>

Moi dans la nuit, allong\u00e9e sur la pelouse fra\u00eeche, parlant \u00e0 un ami<\/p>

Moi quand je me suis disput\u00e9 avec un anglais<\/p>

qui essayait d\u2019arnaquer mon amie dans le quartier de Camden Town \u00e0 Londres,<\/p>

tout \u00e7a parce qu\u2019 il savait qu\u2019ont \u00e9tais Fran\u00e7aise<\/p>

 <\/p>","label":"

Romane<\/p>"},{"id":2271,"type":2,"content":"

 <\/p>

Au pays d\u2019Arabie<\/p>

 <\/p>

Apr\u00e8s mes cinq longues ann\u00e9es d\u2019\u00e9tudes d\u2019informatique,<\/p>

je traverse le monde pour en d\u00e9couvrir sa beaut\u00e9.<\/p>

En ce moment, je suis encore en voyage, mais l\u00e0<\/p>

sur cette photo je suis dans un village d\u2019Arabie, au pays des merveilles.<\/p>

J\u2019\u00e9tais invit\u00e9 \u00e0 une f\u00eate dans l\u2019atrium d\u2019un palais.<\/p>

Vous devez s\u00fbrement vous demandez qui m\u2019a invit\u00e9e ?<\/p>

Une personne de grande ambition et au grand c\u0153ur.<\/p>

C\u2019\u00e9tait le sultan du village lui-m\u00eame.<\/p>

Durant cet instant festif, une ambiance joyeuse et agr\u00e9able \u00e9tait pr\u00e9sente.<\/p>

Je profitais de l\u2019instant pr\u00e9sent et me m\u00ealais \u00e0 la foule.<\/p>

 <\/p>","label":"

Yamin<\/p>"},{"id":2272,"type":2,"content":"

 <\/p>

Moi et mon p\u00e8re en Alg\u00e9rie entrain de me balader dans un village<\/p>

Ici, chevauchant un \u00e2ne dans une \u00e9curie.<\/p>

Moi conduisant un h\u00e9licopt\u00e8re, survolant une \u00eele tropicale.<\/p>

Moi allant sur Mars \u00e0 bord d\u2019une fus\u00e9e.<\/p>

Moi voyageant en train vers Paris.<\/p>

Ici, visitant la capitale en mangeant un croissant.<\/p>

 <\/p>","label":"

Ishak<\/p>"},{"id":2273,"type":2,"content":"

 <\/p>

Moi allant \u00e0 pied \u00e0 la plage de mon village avec mon cousin et ma cousine et des amis du village. Nous sommes partis vers 11 h et nous sommes arriv\u00e9s vers 11 h 40. Nous nous sommes install\u00e9s sur la plage face au soleil et la mer. Je suis partie me baigner avec ma cousine puis nous sommes parties bronz\u00e9es. Vers 15 h 30 nous sommes all\u00e9s prendre une glace au restaurant \u00e0 c\u00f4t\u00e9 de la plage puis nous sommes repartis bronz\u00e9s puis a 17 h le p\u00e8re de ma cousine est venu nous chercher et le soir nous nous sommes retrouv\u00e9s en bas du village, nous avons ri et nous avons parl\u00e9 toute la soir\u00e9e.<\/p>

 <\/p>","label":"

Eva<\/p>"},{"id":2274,"type":2,"content":"

 <\/p>

La photo de moi faisant le tour du lac L\u00e9man \u00e0 v\u00e9lo en 5 jours.<\/p>

La fatigue \u00e0 cause des nombreux kilom\u00e8tres.<\/p>

La chaleur tout autour de nous.<\/p>

Le paysage de la fronti\u00e8re franco-suisse.<\/p>

Les instants de rigolade qui me font perdre mon souffle \u00e0 v\u00e9lo.<\/p>

La d\u00e9ception quand nous apprenons que le chemin est loin d\u2019\u00eatre termin\u00e9<\/p>

Mais le plaisir inconditionnel d\u2019\u00eatre tous ensemble.<\/p>

Voil\u00e0 le bonheur. Notre bonheur.  40 kms de v\u00e9lo avec les scouts.<\/p>

 <\/p>","label":"

Ma\u00e9lie<\/p>"},{"id":2275,"type":2,"content":"

 <\/p>

Moi devant le ciel avant qu\u2019il ne pleuve. Ce dernier \u00e9tant d\u2019un gris neutre \u00e0 l\u2019avant, mais toujours d\u2019un bleu d\u00e9concertant dans les lieux plus lointains. Les nuages ont l\u2019air tr\u00e8s \u00e9pais et les rayons du soleil p\u00e9n\u00e8trent difficilement l\u2019atmosph\u00e8re. Une humidit\u00e9 \u00e9crasante r\u00e8gne, mais je peux tout de m\u00eame ressentir la chaleur sur mon \u00e9piderme. J\u2019attends que les gouttes ne traversent les cieux et atteignent mes cheveux. Cette tension palpable entre le ciel et la terre \u00e9tant agr\u00e9able, je reste jusqu\u2019\u00e0 la fin de l\u2019averse pour me sentir encore vivante.<\/p>

 <\/p>","label":"

Roxane<\/p>"},{"id":2276,"type":2,"content":"

 <\/p>

Moi avec ma maman.<\/p>

Moi le jour de mes 14 ans.<\/p>

Moi au lyc\u00e9e.<\/p>

Moi en train de lire.<\/p>

Moi avec ma cousine.<\/p>

Moi dans l\u2019avion.<\/p>

Moi dans les Cara\u00efbes.<\/p>

Moi avec mes amies.<\/p>

Ici, en classe verte en primaire \u00e0 Tours.<\/p>

Moi sur un jet ski.<\/p>

Moi chez Sephora<\/i><\/p>

d\u00e9pensant l\u2019argent des parents.<\/p>

 <\/p>","label":"

Liloan<\/p>"},{"id":2277,"type":2,"content":"

 <\/p>

Moi avec mes amis un soir \u00e9t\u00e9<\/p>

Moi avec ma m\u00e8re pr\u00e9parant le repas<\/p>

Moi avec mes amis discutant en rentrant des cours<\/p>

Moi dans la cour<\/p>

Moi et mes cousins jouant au basket<\/p>

Moi qui \u00e9coute So la lune<\/i><\/p>

Moi en voyage<\/p>

me reposant dans le bus<\/p>

Moi en concert<\/p>

Moi qui jouant \u00e0 Valo<\/i><\/p>

Moi regardant une s\u00e9rie avant de me coucher<\/p>

Moi, ma musique dans mes oreilles<\/p>

en allant \u00e0 l\u2019arr\u00eat de bus tout les matins d\u2019hivers<\/p>

sous la brume et le froid glacial<\/p>

qui me traverse la peau .<\/p>

 <\/p>","label":"

Louca<\/p>"},{"id":2260,"type":2,"content":"

 <\/p>

La photo de moi quand j\u2019ai oubli\u00e9 que nous avions contr\u00f4le<\/p>

 <\/p>

Lorsque j\u2019entrai dans cette salle de classe, la pression monta.<\/p>

Mes mains devinrent tremblantes, mes jambes flageolaient<\/p>

une goutte de sueur, quelque peu palpable se fit sentir.<\/p>

Cette salle \u00e9tait expos\u00e9e \u00e0 contre-jour,<\/p>

une p\u00e9nombre stressante y \u00e9tait donc associ\u00e9e.<\/p>

Je me mis alors \u00e0 angoisser. La salle s\u2019assombrit et la classe parlait,<\/p>

de quoi je ne m\u2019en souviens plus.<\/p>

Je pensais seulement \u00e0 avancer vers le tableau<\/p>

tout en ressentant mon pied lourd s\u2019apposer contre le sol.<\/p>

 <\/p>","label":"

Fabio<\/p>"},{"id":2278,"type":2,"content":"

 <\/p>

Moi \u00e0 Paris avec ma meilleure amie, longeant la Seine \u00e0 pied,<\/p>

en plein hiver,  sous le ciel bleu parisien<\/p>

allant aux Galeries Lafayette faire les boutiques<\/p>

et surtout pour admirer<\/p>

le grand d\u00f4me illumin\u00e9 de d\u00e9corations de no\u00ebl. <\/p>

 <\/p>","label":"

Lyson<\/p>"},{"id":2279,"type":2,"content":"

 <\/p>

Moi avec mon cousin en \u00e9t\u00e9 en maillot de bain.<\/p>

Moi avec un bob de l\u2019OM.<\/p>

Ici, a la plage en 2018.<\/p>

Moi, ici entrain de r\u00eaver la nuit.<\/p>

L\u00e0 au v\u00e9lodrome avec mes potes .<\/p>

 <\/p>

Moi a O.K Corral avec mes parents.<\/p>

Ici au carnaval de mon \u00e9cole.<\/p>

L\u00e0, \u00e0 la plage de Barcelone avec ma famille.<\/p>

Moi au zoo de la Barben.<\/p>

Moi a Disneyland.<\/p>

 <\/p>","label":"

Matt\u00e9o<\/p>"},{"id":2280,"type":2,"content":"

 <\/p>

Moi avec ma correspondante.<\/p>

 <\/p>

Moi avec ma correspondante<\/p>

en train d\u2019essayer ses talons pour cet \u00e9t\u00e9.<\/p>

Moi avec ma correspondante<\/p>

face un coucher de soleil magnifique<\/p>

avec tout le reste de nos amis<\/p>

qui parlaient et rigolaient<\/p>

\u00e0 c\u00f4t\u00e9 de nous.<\/p>

 <\/p>","label":"

Sirena<\/p>"},{"id":2281,"type":2,"content":"

 <\/p>

Moi a Salty avec Ronan. C\u2019\u00e9tait le soir<\/p>

quand Ronan me sugg\u00e9ra d\u2019aller dans cette ville. <\/p>

Une fois l\u00e0-bas on d\u00e9cida d\u2019y camper.<\/p>

Au matin on se fit attraper par quatre agents d\u2019\u00e9lite<\/p>

qui finirent par nous tuer, ce fut la fin de la partie.<\/p>

 <\/p>","label":"

Lorenzo<\/p>"},{"id":2282,"type":2,"content":"

 <\/p>

Moi, regardant le large, sur une plage, le sable chaud br\u00fblant mes pieds.<\/p>

Le soleil face \u00e0 moi me rappelle ce jaune p\u00e9tant du rank \u00ab Or \u00bb sur Valo.<\/p>

Cette couleur d\u2019eau, si paisible, apaisa mes yeux de, ce dit, jaune.<\/p>

Des gens, des transats, de l\u2019amusement, des pleurs.<\/p>

Diversit\u00e9 si riche sur cette simple plage.<\/p>

Des oiseaux, traverse le ciel aussi bleu que la couleur de l\u2019eau.<\/p>

Du vent, beaucoup de vent, assez pour cr\u00e9er de grosses vagues.<\/p>

J\u2019aime les vagues, ressentir dans l\u2019eau le mouvement de ces petites vagues,<\/p>

venant de bien loin et qui pourtant, arrive \u00e0 moi. C\u2019est si paisible.<\/p>

Je me sens bien, ici, sur cette plage. Au loin, des cano\u00ebs, beaucoup de cano\u00ebs.<\/p>

Voir des inconnus, profiter de la m\u00eame chose que moi, est assez surprenant quand on y pense. M\u00eame si je n\u2019ai jamais vraiment compris les personnes faisant du cano\u00eb sur un tron\u00e7on d\u2019eau plate, C\u2019est juste compliqu\u00e9, elles n\u2019en profitent pas.\u2026 \u00c0 quoi bon venir \u00e0 la plage pour p\u00e9daler, souffrir<\/p>

et ne m\u00eame pas profiter de la belle vue de la nature ?<\/p>

 <\/p>","label":"

Nans<\/p>"},{"id":2283,"type":2,"content":"

 <\/p>

Souvenir<\/p>

 <\/p>

C\u2019\u00e9tait lors d\u2019un s\u00e9jour \u00e0 Paris , un peu comme une colonie de vacances mais en moins stricte, avec des personnes d\u2019environ notre \u00e2ge. Alors que nous \u00e9tions en train de nous reposer dans la chambre, Un petit gar\u00e7on faisant partie du s\u00e9jour est venu pour qu\u2019on l\u2019aide \u00e0 le coiffer, mais la place \u00e9tait d\u00e9j\u00e0 prise par quelqu\u2019un alors il a commenc\u00e9 \u00e0 prendre un coussin et \u00e0 frapper de partout, je devais \u00eatre malade car j\u2019avais mal \u00e0 la t\u00eate, mais nous sommes descendus de nos lits pour le frapper avec un gros coussin. Tout le monde a commenc\u00e9 \u00e0 rejoindre la bagarre et \u00e0 rigoler puis on l\u2019a immobilis\u00e9 par terre.<\/p>

 <\/p>","label":"

Neda, Yasmine<\/p>"},{"id":2261,"type":2,"content":"

 <\/p>

Dans un vieil univers vit une \u00e9trange forme de vie.<\/p>

Des \u00eatres intelligents repoussant sans cesse les limites du possible<\/p>

gr\u00e2ce \u00e0 leur volont\u00e9 instinctive de comprendre tout ce qui les entoure.<\/p>

C\u2019est dans ce contexte qu\u2019un clan de cette esp\u00e8ce capta un \u00e9trange signal.<\/p>

Une sorte de cri \u00e9touff\u00e9 par le vide interstellaire.<\/p>

Ce signal, bien qu\u2019infime, int\u00e9ressa instantan\u00e9ment ces extraterrestres scientifiques.<\/p>

Apr\u00e8s analyse il semblerait que cet \u00e9trange \u00e9cho daterait<\/p>

d\u2019une \u00e9poque ant\u00e9rieure \u00e0 la naissance de l\u2019univers.<\/p>

C\u2019est sur cette r\u00e9v\u00e9lation que nos protagonistes<\/p>

partirent \u00e0 la recherche de la chose qui aurait \u00e9mis ce myst\u00e9rieux signal.<\/p>

Quelles d\u00e9couvertes r\u00e9sulteront de ce voyage ?<\/p>

Qu\u2019est\u2019 ce qu\u2019il se cache derri\u00e8re cet \u00e9trange signal ?<\/p>

Il aurait peut-\u00eatre \u00e9t\u00e9 pr\u00e9f\u00e9rable de ne jamais le savoir.<\/p>

 <\/p>","label":"

Alexandre<\/p>"},{"id":2262,"type":2,"content":"

 <\/p>

Je me balade dans la montagne,<\/p>

accompagn\u00e9 de ma conscience et de ma na\u00efvet\u00e9. Je marche\u2026<\/p>

Je marche jusqu\u2019au moment o\u00f9 je tombe sur ce personnage.<\/p>

Ce farfadet mystique et sournois.<\/p>

Il me propose une qu\u00eate pay\u00e9e 2 \u00e9cus.<\/p>

L\u2019offre est assez maigre, j\u2019accepte.<\/p>

\u00c9tant dans le besoin, je ne peux refuser.<\/p>

Le reste appartient \u00e0 l\u2019histoire.<\/p>

 <\/p>","label":"

Faress<\/p>"},{"id":2263,"type":2,"content":"

 <\/p>

\u00c7a, c\u2019est moi quand j\u2019avais un an et demi en Guadeloupe,<\/p>

avec mes cheveux blonds, tr\u00e8s fris\u00e9s,<\/p>

un lys rouge dans les cheveux.<\/p>

Je suis assise sur une chaise sur la terrasse d\u2019une maison<\/p>

Derri\u00e8re moi la mer et les vagues.<\/p>

Je porte un t-shirt \u00e0 fleurs rouges et un short blanc.<\/p>

J\u2019ai les joues toutes rouges \u00e0 cause de la chaleur.<\/p>

Ce sont mes parents qui ont pris la photo.<\/p>

 <\/p>","label":"

Maelis<\/p>"},{"id":2264,"type":2,"content":"

 <\/p>

Il y a deux super h\u00e9ros sur un immeuble de 30 \u00e9tages\u2026<\/p>

 <\/p>

1er \u00e9tage, il n\u2019y a rien.<\/p>

Deuxi\u00e8me, le pr\u00e9sident qui danse.<\/p>

Troisi\u00e8me, la prof de fran\u00e7ais qui dit \u00ab ok \u00bb.<\/p>

Quatri\u00e8me, une entreprise de papier.<\/p>

Cinqui\u00e8me, un bureau en carton.<\/p>

Sixi\u00e8me, un sixi\u00e8me avec son \u00e9norme sac.<\/p>

Septi\u00e8me, un champ de p\u00e2querettes.<\/p>

Huiti\u00e8me, une librairie.<\/p>

Neuvi\u00e8me, un sp\u00e9cialiste de la p\u00e2te \u00e0 Fix.<\/p>

Sixi\u00e8me, un studio de jeux vid\u00e9os.<\/p>

Onzi\u00e8me, une comp\u00e9tition de ping pong.<\/p>

Douzi\u00e8me, les lunettes d\u2019Alexandre.<\/p>

Treizi\u00e8me, des amateurs de caf\u00e9s qui boivent du th\u00e9.<\/p>

Quatorzi\u00e8me, une collection de cartouches d\u2019encre<\/p>

Quinzi\u00e8me, une collection de cartouches de fusil.<\/p>

Seizi\u00e8me, Le mus\u00e9 des lunettes.<\/p>

Dix-septi\u00e8me, un congr\u00e8s d\u2019ampoules.<\/p>

Dix-huiti\u00e8me, un cin\u00e9ma vide.<\/p>

Dix-neuvi\u00e8me, une collection de petites grandes voitures.<\/p>

Vingti\u00e8me, une fabrique de pneus.<\/p>

Vingt-et-uni\u00e8me, les JO 2024.<\/p>

Vingt-deuxi\u00e8me, une battle de danse.<\/p>

Vingt-troisi\u00e8me, un restaurant de plats surgel\u00e9s.<\/p>

Vingt-quatri\u00e8me, une r\u00e9serve d\u2019affiches.<\/p>

Vingt-cinqui\u00e8me, une r\u00e9serve de placo.<\/p>

Vingt-sixi\u00e8me, un supermarch\u00e9.<\/p>

Vingt-septi\u00e8me, une fabrique d\u2019ascenseurs.<\/p>

Vingt-huiti\u00e8me, une piscine municipale.<\/p>

Vingt-neuvi\u00e8me, le prof de maths qui dit \u00ab mea culpa \u00bb.<\/p>

Trenti\u00e8me, le principal qui me dit de me taire, donc je me tais.<\/p>

 <\/p>","label":"

Gautier, Quentin, Alexandre<\/p>"},{"id":2265,"type":2,"content":"

 <\/p>

Moi et mon quad.<\/p>

Moi avec ma scar sur fortnite.<\/p>

Moi sur fifa en fut champions.<\/p>

Moi a salty springs avec miguel.<\/p>

Moi a Rio de Janeiro.<\/p>

Moi avec mon premier ballon de foot.<\/p>

Moi a mon premier match.<\/p>

Moi ma premi\u00e8re fois au v\u00e9lodrome.<\/p>

Moi avec neymar.<\/p>

Moi avec ma play.<\/p>

 <\/p>","label":"

Ronan<\/p>"},{"id":2266,"type":2,"content":"


MOI et mon fr\u00e8re go\u00fbtant mon layer cake passion mangue.<\/p>

Ces yeux remplis d\u2019\u00e9toiles me disant qu\u2019il \u00e9tait fier<\/p>

de ce que je suis devenu et me serrant dans ses bras<\/p>

MOI et ma m\u00e8re v\u00e9rifiant si la ganache ne flanche pas<\/p>

MOI et ma famille \u00e0 l\u2019anniversaire \u00e0 ma marraine<\/p>

soufflant les bougies pos\u00e9es sur le g\u00e2teau mangue, coco, passion<\/p>

ressemblant \u00e0 un g\u00e2teau de mariage<\/p>

MOI et ma classe mangeant en cachette pendant le cours de maths, mes cookies<\/p>

MOI et mes amis fabriquant l\u2019appareil \u00e0 cr\u00eapes<\/p>

MOI et moi entrain de p\u00e2tisser en \u00e9coutant de la musique<\/p>

MOI et mon chien mangeant un de mes g\u00e2teaux<\/p>

MOI \u00e0 20 ans avec C\u00e9dric Grolet me donnant des cours<\/p>

MOI dans quelques mois avec ma tutrice de stage dans la P\u00e2tisserie Victoire :  Mon stage de r\u00eave<\/p>

MOI et mon cousin cr\u00e9ant une tarte vanille, f\u00e8ve de tonka<\/p>

 <\/p>","label":"

Ethan<\/p>"},{"id":2267,"type":2,"content":"

 <\/p>

L\u00e0, c\u2019est quand on \u00e9tait dans le couloir du Vogue Merry et que quelqu\u2019un s\u2019est ramass\u00e9<\/p>

moi quand on est all\u00e9 voir un match de hockey sur Ice<\/p>

moi quand je suis all\u00e9 \u00e0 un concert de Jul avec ma famille<\/p>

moi retrouvant des copines que je n\u2019ai pas vu depuis longtemps<\/p>

moi quand je suis a l\u2019entrainement<\/p>

ici, c\u2019est moi le jour o\u00f9 j\u2019ai pris l\u2019avion pour la premi\u00e8re fois<\/p>

moi quand on \u00e9tait en Corse a la Pizzeria de la Mama<\/i><\/p>

moi jouant un match de volley-ball pour la premi\u00e8re fois<\/p>

moi dans le train de la HYPEEEEEE avec Astrerion lebon<\/p>

moi en train de pr\u00e9parer une f\u00eate avec Roger et Fabrice<\/p>

 <\/p>","label":"

Julien (\u00e9crit et embellit par Miguel)<\/p>"},{"id":389,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/486_20090925154430.mp3","label":"Entretien \u00e0 propos de Paul Celan (extrait) - La rencontre - Entretien disponible dans son int\u00e9gralit\u00e9 \u00e0 la biblioth\u00e8que du cipM<\/i> et retranscrit dans le CCP 17.","duration":769},{"id":144,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/199_20070315140800.mp3","label":"Entretien avec Jacques Carelman, de Jean-Roch Siebauer","duration":892},{"id":2052,"type":2,"content":"

 <\/p>

Luc Champagneur : Pour tenter de comprendre ce que signifie pour toi cette notion de \u00ab cycle \u00bb, pourrais-tu tout d\u2019abord, d\u2019une part rappeler comment en est n\u00e9e l\u2019id\u00e9e, d\u2019autre part essayer de te souvenir comment cette id\u00e9e a \u00e9volu\u00e9 au fil de la r\u00e9daction des huit opus* ? Quelles ont \u00e9t\u00e9 les principales r\u00e9\u00e9valuations du sens et de la forme de ce projet de composer un cycle ?<\/strong><\/span><\/p>

 <\/p>

Patrick Beurard-Valdoye : Allemandes<\/i>, le premier volume du \u00ab Cycle des exils \u00bb, en fait partie, mais de fa\u00e7on r\u00e9trospective. Il en est le soubassement. C'est ce que montre \u00ab La Schlitte du narr\u00e9 \u00bb dans l'exposition : tout est sur une rampe de lancement constitu\u00e9e de deux rails d'Allemandes<\/i>.<\/span><\/p>

L'ouvrage pose des enjeux qui vont inventer l\u2019id\u00e9e de cycle. On y trouve en effet l\u2019exil (celui des huguenots en Prusse) ; l\u2019itin\u00e9raire (le chemin de migration) ; le go\u00fbt de l\u2019h\u00e9t\u00e9rog\u00e8ne, avec recherche de formes ligaturant l\u2019ensemble ; l\u2019archive et le rep\u00e9rage sur site ; la r\u00e9activation d\u2019anciens textes (B\u00fcchner ; Novalis ; Goethe ; Kafka, etc.) ; enfin la captivit\u00e9 (camp, prison ou asile). C\u2019est au pays de Rimbaud, pendant l\u2019\u00e9criture du deuxi\u00e8me volume, Diaire<\/i>, que le d\u00e9sir d\u2019une trilogie na\u00eet, avec le projet de suivre la Meuse jusqu\u2019\u00e0 Rotterdam. Ce sera Mossa<\/i>. La notion de cycle appara\u00eet, je crois, avec La fugue inachev\u00e9e<\/i>, donc au quatri\u00e8me volume. Mon contact approfondi avec les po\u00e8tes allemands ouvre alors \u00e0 la notion de cycle de po\u00e8mes. Celle-ci ne fait pas partie de la tradition fran\u00e7aise. Si tu entres \u00ab cycle de po\u00e8mes \u00bb sur internet, tu trouves surtout un article sur les po\u00e8tes cycliques (grecs). En allemand en revanche, la page explicite des questions de forme. Qu\u2019il s\u2019agisse de vers de H\u00f6lderlin, de Rilke, de Celan, de Trakl, de Poethen, ou des Hymnes \u00e0 la nuit<\/i> de Novalis, leurs cycles de po\u00e8mes offrent une forme litt\u00e9raire nouvelle, \u00e0 grande \u00e9chelle, plus construite que le recueil \u2013 notion qui m\u2019est \u00e9trang\u00e8re \u2013 au-del\u00e0 de l\u2019unit\u00e9 et de la pr\u00e9tendue harmonie. Il semble \u00e0 peu pr\u00e8s certain que c\u2019est ce que tente Rimbaud dans Illuminations<\/i>.<\/span><\/p>

C\u2019est donc dans ce sillage que se situe mon Cycle<\/i>. Peu \u00e0 peu survient l\u2019id\u00e9e de volume<\/i>, constitu\u00e9 d'un ensemble de livres<\/i>, et je dois inventer leur ligature. Lire, c\u2019est lier et relier.<\/span><\/p>

Avec Gadjo-Migrandt<\/i> et les po\u00e8tes tels que Hilda Morley, Hilda Doolittle ou Charles Olson, j\u2019ai pu affiner cette notion de cycle selon des enjeux autres que lyriques. Pour Flache d\u2019Europe aimants garde-fous<\/i>, le vers long de Jean-Paul de Dadelsen, comme le verset de Saint-John Perse (Exil<\/i>) m\u2019ont confirm\u00e9 dans cette rare tentative fran\u00e7aise de creuser dans l'irr\u00e9gulier. Ils m\u2019ont aid\u00e9 \u00e0 \u00e9laborer une forme t\u00e9tralogique en miroir, pour ce volume, o\u00f9 la partie deux ayant pour sous-titre Th\u00e9orie des ligatures<\/i>, prend presque au pied de la lettre le fantasme d\u2019Exil<\/i> : \u00ab Une seule et longue phrase sans c\u00e9sure \u00e0 jamais inintelligible\u2026 \u00bb<\/span><\/p>

 <\/p>

*<\/strong><\/span> <\/strong><\/span>Le \u00ab <\/strong>Cycle des exils \u00bb<\/strong> : Allemandes<\/i> (MEM\/Arte Facts, 1985), Diaire<\/i> (Al Dante, 2000), Mossa<\/i> (Al Dante\/L\u00e9o Scheer, 2002), La fugue inachev\u00e9e<\/i> (Al Dante\/L\u00e9o Scheer, 2004), La narr\u00e9 des \u00eeles Schwitters<\/i> (Al Dante, 2007), Gadjo-Migrandt<\/i> (po\u00e9sie\/Flammarion, 2014), Flache d\u2019Europe aimants garde-fous<\/i> (po\u00e9sie\/Flammarion, 2019), Lamenta des murs<\/i> (po\u00e9sie\/Flammarion, 2024).<\/span><\/p>

 <\/p>

 <\/p>

Si tu n\u2019as jamais cess\u00e9, au moins \u00e0 partir de <\/strong>Diaire<\/strong><\/i>, de r\u00e9fl\u00e9chir \u00e0 la forme que prendrait un jour le \u00ab Cycle des exils \u00bb, celui-ci n\u2019a donc jamais \u00e9t\u00e9 la mise en \u0153uvre d\u2019un programme th\u00e9matique et formel pr\u00e9alablement d\u00e9fini. D\u00e8s lors, comment se sont encha\u00een\u00e9s les diff\u00e9rents volumes qui le composent ? Comment la bascule d\u2019un chantier \u00e0 l\u2019autre s\u2019est-elle op\u00e9r\u00e9e ? On pourrait aussi te poser cette question depuis un autre point de vue, celui du bouclage (et non celui de l\u2019ouverture, de l\u2019encha\u00eenement) : comment se fait-il qu\u2019il y ait finalement huit volumes plut\u00f4t qu\u2019un seul ? Qu\u2019est-ce qui, pour chacun, te faisait penser qu\u2019il \u00e9tait termin\u00e9 et qu\u2019il fallait passer \u00e0 un autre ?<\/strong><\/span><\/p>

 <\/p>

J'avais \u00e9t\u00e9 fascin\u00e9 par la liste programmatique des titres des Rougon Macquart par \u00c9mile Zola, qui aurait pu me servir de mod\u00e8le. Mais je n'ai jamais eu \u00e0 l'horizon que le livre suivant. Pas de vision d\u2019int\u00e9gralit\u00e9. L'aventure a failli s\u2019interrompre \u00e0 plusieurs reprises. Par exemple, je voulais d\u00e9marrer l\u2019exil de Kurt Schwitters avec une libert\u00e9 et une \u00e9nergie nouvelles. Surtout, je souhaitais que l\u2019\u00e9criture sur l\u2019art \u2013 que j\u2019avais pratiqu\u00e9e en critique d\u2019art \u2013 devienne une \u00e9criture avec l\u2019art.<\/span><\/p>

Je lisais le journal de Fred Uhlman \u2013 ses souvenirs d\u2019internement dans un camp de l\u2019\u00eele de Man en 1940, avec Schwitters. Or, Uhlman raconte aussi dans le m\u00eame ouvrage son enfance \u00e0 Stuttgart pendant la guerre de 1914-18, qui est justement le cadre principal de La fugue inachev\u00e9e<\/i>. J\u2019y ai vu une injonction : s\u00e9parer mon Narr\u00e9 des \u00eeles Schwitters<\/i> du Cycle<\/i> \u00e9tait une erreur. Parfois ce qui \u00ab tombe du ciel \u00bb ou nous tombe dessus oriente notre voie.<\/span><\/p>

En fait, chaque livre est n\u00e9 de la c\u00f4te du livre pr\u00e9c\u00e9dent. En voici un exemple : ayant accumul\u00e9 les t\u00e9moignages sur Kurt Schwitters, l\u2019un d\u2019eux m\u2019avait particuli\u00e8rement int\u00e9ress\u00e9. Il s\u2019agissait d\u2019un jeune compositeur dont j'ignorais tout : Stefan Wolpe. Ses propos sont rest\u00e9s enferm\u00e9s dans mes carnets. Je suis retomb\u00e9 dessus bien plus tard, et me suis renseign\u00e9 sur Wolpe. Il avait subi quatre exils successifs depuis Berlin en 1933 : Vienne, Bucarest, J\u00e9rusalem et New York. Et avait travaill\u00e9 au Black Mountain College. Or, c\u2019\u00e9tait justement le trac\u00e9 g\u00e9n\u00e9ral pr\u00e9vu de Gadjo-Migrandt<\/i>.<\/span><\/p>

\u00c0 mi-chemin, l\u2019id\u00e9e que le Cycle<\/i> aurait neuf volumes me s\u00e9duisait. Le fameux nombre neuf des symphonies, impossible \u00e0 d\u00e9passer \u2013 Mahler occupe une grande place dans Gadjo-Migrandt<\/i> \u2013 mais c\u2019\u00e9tait au-del\u00e0 du possible. Et puis huit est plus int\u00e9ressant que neuf. Le nombre de l\u2019alchimie\u2026<\/span><\/p>

 <\/p>

 <\/p>

Si l\u2019on s\u2019int\u00e9resse d\u00e9sormais \u00e0 chacun des huit volumes, ce qui frappe d\u2019abord est leur h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 formelle. Dans chacun, des livres \u2013 certains de quelques pages, d\u2019autres de plus d\u2019une centaine \u2013 se succ\u00e8dent sans qu\u2019entre eux puissent \u00eatre trouv\u00e9s des liens \u00e9vidents. Peux-tu nous donner des pr\u00e9cisions sur ta fa\u00e7on de construire et de disposer des fils d\u2019Ariane ? Autrement dit, que signifie et quelle forme pratique prend ce que tu nommes dans <\/strong>Lamenta des murs<\/strong><\/i> (p. 338) la \u00ab th\u00e9orie, de la ligature \u00bb ?<\/strong><\/span><\/p>

 <\/p>

C\u2019est en effet le parti pris de l\u2019h\u00e9t\u00e9rog\u00e8ne contre l\u2019homog\u00e8ne, du complexe contre l\u2019\u00e9l\u00e9mentaire ou le simple ; du \u00ab multiple \u00bb plut\u00f4t que du \u00ab mono \u00bb.<\/span><\/p>

J'envisage le volume en tant que forme \u00e0 travailler, \u00e0 inventer, au-del\u00e0 de la lin\u00e9arit\u00e9 narrative et de l'unit\u00e9 de temps ou de forme. A contrario du livre monoforme en chapitres ou parties.<\/span><\/p>

Dans une histoire litt\u00e9raire de l\u2019h\u00e9t\u00e9rog\u00e8ne, on aurait Finnegans Wake<\/i>. The Waves <\/i>de Virginia Woolf. Mais Le fou d\u2019Elsa<\/i> serait aussi un illustre exemple ; ou Les po\u00e8mes de Maximus<\/i> de Charles Olson.<\/span><\/p>

C'est notamment l\u00e0 qu'intervient la ligature. Il ne s'agit pas de blocs successifs, sans agencement. La continuit\u00e9 existe, plus ou moins d\u00e9celable, selon des bifurcations, des fils d'Ariane en effet, rythm\u00e9e par des redites, avec de l\u00e9g\u00e8res alt\u00e9rations. Les segments de r\u00e9alit\u00e9s pr\u00e9lev\u00e9es sont agenc\u00e9s comme les branches et les racines d\u2019un banian, ou plut\u00f4t comme les affluents d\u2019un fleuve. Le mod\u00e8le du bassin fluvial, avec ses rivi\u00e8res souterraines, est la meilleure fa\u00e7on d'en parler. Je ne parle ni de canaux ni de cours d'eau canalis\u00e9s, mais bien de cours sauvages, de torrents, avec parfois des rapides. Mes volumes refl\u00e8tent le d\u00e9r\u00e8glement climatique. En pr\u00e9parant la \u00ab Br\u00e8ve anthologie de la grande crue \u00bb (Mossa<\/i>), les victimes des inondations m'ont d\u00e9clar\u00e9 qu'elles parlaient pour la premi\u00e8re fois de leur traumatisme. J'ai eu l'occasion de lire devant elles ce long po\u00e8me. Une dame s'est alors lev\u00e9e, et s'est exclam\u00e9 : \u00ab C'est vrai hein ? ce qu'il a dit. \u00bb C'\u00e9tait le juste retour des choses.<\/span><\/p>

Dans une sorte de pi\u00e8ce th\u00e9\u00e2trale du Narr\u00e9 des \u00eeles Schwitters<\/i>, les \u00ab paroles \u00bb sont celles des deux cours d\u2019eau observant Schwitters intern\u00e9 sur l\u2019\u00eele de Man. Il s\u2019agit donc aussi d\u2019un \u00e9branlement n\u00e9cessaire de nos rapports aux savoirs, des dogmes qui nous enserrent. Je propose un pr\u00e9sent \u00e9largi nous \u00e9mancipant du carcan du r\u00e9alisme, de l\u2019\u00e9tau du temps historique sur lequel pourtant ma d\u00e9marche s\u2019appuie avec rigueur. Une sorte de fable vraie.<\/span><\/p>

Une des limites me semble \u00eatre quand le livre va tomber des mains du lecteur, comme l\u2019on dit. C\u2019est une question passionnante : l\u2019ultime proposition, au-del\u00e0 de laquelle le lecteur dit : \u00ab \u00e7a suffit ! \u00bb N'oublions pas tout de m\u00eame les neuf si\u00e8cles de \u00ab codex \u00bb avec la page-miroir en laquelle le lecteur se reconna\u00eet. Dans \u00ab La travers\u00e9e des \u00e9lans \u00bb de Gadjo-Migrandt<\/i>, cette question se pose en termes de m\u00e9moire imm\u00e9diate de lecture, et de m\u00e9moire enfouie. L'ensemble s\u2019\u00e9labore par br\u00e8ves strophes agenc\u00e9es \u00e0 partir d\u2019une dizaine de villes, et sur une p\u00e9riode d\u2019un si\u00e8cle. Des th\u00e8mes sont vite rep\u00e9rables, d\u2019autres se d\u00e9voilent peu \u00e0 peu. Des bribes \u00e9clairent des segments ant\u00e9rieurs que le lecteur avait cru oublier. C'est le principe du raccord \u00e0 distance. S\u2019il y a du secret, il y a aussi les indices d\u2019un jeu de piste in\u00e9dit. Mais la continuit\u00e9 du narr\u00e9 est assur\u00e9e si et seulement si \u00ab l\u2019autre \u00bb accepte l'effort de relier entre eux les segments narratifs s\u00e9par\u00e9s.<\/span><\/p>

La question de la ligature se pose autant au niveau de l'agencement de mots, de vers, de versets. C'est une question qui hante les arts po\u00e9tiques modernes et postmodernes. Jeune, je voyais que les po\u00e8tes de la g\u00e9n\u00e9ration pr\u00e9c\u00e9dente optaient souvent pour supprimer, soustraire, effacer. Et notamment l'articulation, la liaison, le liant. Je le comprenais bien. Mais mon d\u00e9sir d'entrave ne se traduisait pas par cette \u00e9nergie langagi\u00e8re. J'ai \u00e9t\u00e9 par exemple amen\u00e9 \u00e0 inventer des m\u00e9triques qui me permettaient d'\u00e9chapper \u00e0 la contrainte grammaticale, pour mieux respirer dans le flux.<\/span><\/p>

 <\/p>

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Ce que tu dis l\u00e0 me permet d\u2019en venir aux formes pr\u00e9sentes dans chacun des livres de tes huit volumes. Comment consid\u00e8res-tu l\u2019\u00e9volution de ces formes au fil de ces volumes ? Existe-t-il \u00e0 tes yeux des tendances g\u00e9n\u00e9rales, des ruptures, et des raisons \u00e0 ces tendances, \u00e0 ces ruptures ?<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Je vois quatre grandes bifurcations qui accompagnent l'\u00e9volution des formes.<\/span><\/p>

La premi\u00e8re est l'apparition du vers, dans Mossa<\/i>. Un basculement s'op\u00e9ra lorsque j'entamais la partie n\u00e9erlandaise. Ne parlant que quelques mots de n\u00e9erlandais, je ne pouvais pas acc\u00e9der aux informations d\u00e9taill\u00e9es comme aux t\u00e9moignages : les questions d\u00e9licates et les traumas ne peuvent gu\u00e8re \u00eatre formul\u00e9s que dans la langue de naissance. Il fallut donc int\u00e9grer le principe po\u00e9tique de l'ellipse. C'est par le vers que je pouvais r\u00e9soudre ce lacunaire.<\/span><\/p>

La deuxi\u00e8me bifurcation est l'apparition du narr\u00e9<\/i>, qui se substitue \u00e0 toute forme de r\u00e9cit. Cela intervient \u00e0 la fin de La fugue inachev\u00e9e<\/i>, quand j'invente un \u00ab ange du narr\u00e9 \u00bb qui est une sorte de jumeau de \u00ab l'ange de l'histoire \u00bb de Walter Benjamin.<\/span><\/p>

Dans Le Narr\u00e9 des \u00eeles Schwitters<\/i>, cette forme po\u00e9tique rend compte au plus pr\u00e8s de l'internement, en camp ou en asile. Le narr\u00e9 stimule aussi la question de l'oralisation du texte.<\/span><\/p>

Le troisi\u00e8me \u00e9l\u00e9ment est la pr\u00e9sence de plus en plus assum\u00e9e d'un JE. Il n'appara\u00eet pour ainsi dire pas avant Mossa<\/i>, dont l'exergue r\u00e9sume bien le projet : \u00ab Je dis aux souvenirs des autres : devenez les miens. \u00bb (Phrase d'Avrom Sutzkever.) Mais l'\u00e9l\u00e9ment g\u00e9n\u00e9alogique s'est introduit contre toute attente : mes a\u00efeux \u00e9taient originaires des bords de la Meuse, je l'ignorais.<\/span><\/p>

C'est v\u00e9ritablement dans Gadjo-Migrandt<\/i> qu'un JE se glisse, d\u00e9complex\u00e9, aux c\u00f4t\u00e9s de grandes figures, mais aussi de mon p\u00e8re qui vit ses derniers mois.<\/span><\/p>

La quatri\u00e8me bifurcation : ma m\u00e9thode opte pour le t\u00e9moignage oral. Je travaillais au d\u00e9but exclusivement \u00e0 partir de textes, chroniques et documents d'archives. Le fil conducteur de Diaire<\/i> \u00e9tant le mythe de Jeanne d'Arc et ses repr\u00e9sentations cin\u00e9matographiques, j'ai pu dialoguer avec Florence Delay, la Jeanne d'Arc du film de Robert Bresson. Cette dizaine d'entretiens, d'une part a \u00e9nergis\u00e9 mon projet \u2013 l'a \u00e9lectris\u00e9 parfois \u2013 et d'autre part m'a amen\u00e9 \u00e0 introduire \u2013 sans dialogue, sans guillemets \u2013 la parole dans l'\u00e9crit.<\/span><\/p>

Mais c'est surtout avec Mossa<\/i> \u2013 bas\u00e9 sur la rencontre de plusieurs centaines de t\u00e9moins \u2013 que cette pr\u00e9sence et cette transmission orale deviennent une m\u00e9thode de travail.<\/span><\/p>

 <\/p>

 <\/p>

La place d\u00e9cisive que prennent les sources orales \u00e0 partir de <\/strong>Diaire<\/strong><\/i> et plus encore de <\/strong>Mossa<\/strong><\/i> me semble pouvoir \u00eatre li\u00e9e \u00e0 ton rapport au carnet, objet d\u00e9cisif dans ta pratique. Au-del\u00e0 de sa fonction d\u2019archivage des informations collect\u00e9es, glan\u00e9es, celui-ci est-il l\u2019espace d\u2019une premi\u00e8re \u00e9laboration formelle ? La fa\u00e7on dont tes notes s\u2019y organisent peut-elle op\u00e9rer pour toi comme une suggestion de formes ? Les m\u00eames questions pourraient t\u2019\u00eatre pos\u00e9es \u00e0 propos de ton usage du dictaphone.<\/strong><\/span><\/p>

 <\/p>

J'ai d\u00e9but\u00e9 par un dictaphone \u00e0 mini-cassettes puis, d\u00e8s que possible, ai utilis\u00e9 un dictaphone num\u00e9rique. Son ergonomie me permet de m'en servir aussi dans mes performances, comme mode d'annonce.<\/span><\/p>

Un des livres de Mossa<\/i> a d\u00e9but\u00e9 au dictaphone. Apr\u00e8s deux semaines d'immersion fluviale, c'est au d\u00e9part de la Meuse wallonne, en voiture, que les premi\u00e8res pages de \u00ab L'\u00e9loquence contre vocifer \u00bb m'ont \u00e9t\u00e9 dict\u00e9es (plut\u00f4t que je ne les ai dict\u00e9es). J'ai \u00e9galement \u00e9crit le livre \u00ab Le colporteur des langues \u00bb (La fugue inachev\u00e9e)<\/i> au rythme des pas, lors d'une randonn\u00e9e de dix jours. Le soir je recopiais sur un carnet les s\u00e9quences du dictaphone. Au final, tout \u00e9tait enti\u00e8rement \u00e0 r\u00e9\u00e9crire, car c'\u00e9tait le compte-rendu d'une marche, pas un po\u00e8me.<\/span><\/p>

Les carnets \u2013 33 sont expos\u00e9s au Cipm, correspondant au \u00ab Cycle des exils \u00bb \u2013 au-del\u00e0 de la masse d'informations accumul\u00e9e, constituent un pr\u00e9ambule \u00e0 l'\u00e9criture. Il est arriv\u00e9 rarement que je d\u00e9marre un livre par le carnet. Ces carnets sont \u00e9crits au stylo, de la m\u00eame fa\u00e7on que je d\u00e9marre un livre au stylo, avant d'utiliser l'ordinateur. C'est un pr\u00e9-\u00e9tat, une amorce aux nombreuses \u00e9tapes d'un texte \u00e0 peaufiner.<\/span><\/p>

Personne n'a eu acc\u00e8s \u00e0 ces carnets, o\u00f9 il y a autant de notes prosa\u00efques, que de paragraphes tr\u00e8s intimes. Micha\u00ebl Batalla est le premier \u00e0 les avoir ouverts. C'est que, dans la logique de l'exposition avec sa part documentaire et d'archive, ces carnets deviennent des racines sugg\u00e9rant des branches de forme. D\u00e9sormais, ils ne sont plus d\u00e9tach\u00e9s des volumes. Ils font partie du \u00ab Cycle des exils \u00bb.<\/span><\/p>

 <\/p>

 <\/p>

\u00ab Apr\u00e8s 40 ans dans les zones d\u2019ombre de l\u2019histoire europ\u00e9enne, le \u2018\u2018Cycle des exils\u2019\u2019 se boucle avec ce huiti\u00e8me volume \u00bb est la derni\u00e8re phrase de la quatri\u00e8me de couverture de <\/strong>Lamenta des murs<\/strong><\/i>. Comment s\u2019est impos\u00e9e l\u2019id\u00e9e que ce <\/strong>Cycle<\/strong><\/i> s\u2019achevait ? Selon quelles modalit\u00e9s en as-tu con\u00e7u le \u00ab bouclage \u00bb sachant qu\u2019il a eu pour vocation fonci\u00e8re, quarante ans durant, de rouvrir sans rel\u00e2che le champ des possibles ?<\/strong><\/span><\/p>

 <\/p>

La raison principale \u00e0 cette \u00ab boucle \u00bb (au sens de : \u00ab on boucle et on s'en va \u00bb), c'est que pour Lamenta des murs<\/i> je suis retourn\u00e9 au point de d\u00e9part : l'Irlande. C'\u00e9tait l\u00e0 que tout avait commenc\u00e9 pour l'adolescent Patrick. Mais j'ignorais quand j'y retournerais. Comme chaque fois, j'avais une vision \u00e0 court terme, et je ne savais pas comment le chantier litt\u00e9raire allait d\u00e9buter, ni quand. Depuis l'exposition Antonin Artaud<\/i> \u00e0 la BNF, au d\u00e9but 2007, je savais qu'il y aurait un volume rendant compte du voyage d'Artaud en Irlande, avec sa \u00ab canne de saint Patrick \u00bb. Je voulais aussi explorer les raisons fort mal connues des s\u00e9jours r\u00e9p\u00e9t\u00e9s de Joseph Beuys en Irlande.<\/span><\/p>

Je tra\u00eenais les pieds. Tu comprends bien que si l'on n\u2019est pas pr\u00e9par\u00e9 \u00e0 se frotter \u00e0 Monsieur Artaud, on risque d'y laisser des plumes. Il me fallait des garde-fous, accumulant beaucoup de notes.<\/span><\/p>

Or, au moment des derni\u00e8res corrections de Flache d'Europe aimants garde-fous <\/i>\u2013 en partie consacr\u00e9 \u00e0 Jean-Paul de Dadelsen \u2013 Yves di Manno me signale une \u00e9dition originale de Jonas<\/i> dans une librairie d'occasion voisine. Je m'y rends pour l'offrir. En saisissant l'ouvrage, j'en fais tomber un autre : En compagnie d'Antonin Artaud<\/i> de Jacques Prevel. Pas de doute : si cela me tombe dessus, je dois donc vraiment m'y mettre.<\/span><\/p>

Le retour en Irlande serait donc le dernier du Cycle<\/i> (dont l'Espagne, le Portugal et l'Italie par exemple, sont h\u00e9las absentes).<\/span><\/p>

Ce n'est pourtant pas une boucle, et je ne reviens pas au d\u00e9part. Je suis le \u00ab retour-n\u00e9 \u00bb. C'est un autre qui vient \u00e0 Cork 45 ans apr\u00e8s d\u00e9cision de devenir po\u00e8te, et qui revoit la maison avec leurs h\u00f4tes o\u00f9 tout a d\u00e9marr\u00e9. C'est la spirale plut\u00f4t que la boucle. La spirale qui renvoie au nombre d'or, et \u00e0 ma m\u00e9trique du nombre d'or.<\/span><\/p>

La publication du volume fut cette fois longue \u00e0 venir. Que faire d'autre \u00e0 partir de ce sillon creus\u00e9 40 ans, qui m'a forg\u00e9 ? L'anxi\u00e9t\u00e9 pass\u00e9e, j'ai retrouv\u00e9 peu \u00e0 peu ma s\u00e9r\u00e9nit\u00e9. Et puis il y eut ce projet d'exposition-conclusion au Cipm.<\/span><\/p>

Et comme tu parles de \u00ab vocation fonci\u00e8re \u00bb, permets-moi de jouer sur ce mot. Me serait-il permis d'\u00e9crire \u2013 une fois et une seule \u2013 \u00e0 partir de l'identit\u00e9 de la culture fonci\u00e8re, plut\u00f4t qu'avec la mobilit\u00e9 de la culture nomade ?<\/span><\/p>

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 <\/p>

Pour presque conclure, je ne peux pas \u00e9viter de te poser une question plus g\u00e9n\u00e9rale : comment consid\u00e8res-tu ce bouclage au regard de l\u2019\u00e9tat de l\u2019Europe au printemps 2024, toi qui, avec ce \u00ab Cycle des exils \u00bb, pendant quatre d\u00e9cennies, allant chercher en Norv\u00e8ge avec Schwitters, \u00e0 Chypre avec Aphrodite ou sur les \u00eeles extr\u00eame-occidentales d\u2019Aran avec Artaud les sources, les r\u00e9surgences susceptibles d\u2019intensifier le d\u00e9bit du fleuve alangui de l\u2019Europe artistique et politique, toi qui, donc, n\u2019a cess\u00e9 d\u2019\u00eatre anim\u00e9 du souhait de trouver \u00e0 l\u2019Europe des raisons de voir plus long (historiquement), plus large (g\u00e9ographiquement), plus intense (art-po\u00e9tiquement) ? Comment imagines-tu que le \u00ab Cycle des exils \u00bb, boucl\u00e9, continue d\u2019infuser dans les esprits ?<\/strong><\/span><\/p>

 <\/p>

Ma r\u00e9ponse semblera peut-\u00eatre d\u00e9senchant\u00e9e. En 1985, nous sortions tout juste de la crise des missiles de l'OTAN en Allemagne, que j'ai v\u00e9cue sur place \u00e0 Berlin et quand j'y retournais. Cette fois, un projet europ\u00e9en \u2013 dynamitant \u00ab l'obsenationalisme \u00bb \u2013 devenait envisageable. C'\u00e9tait notre espoir. J'ai commenc\u00e9 Le cours des choses<\/i>, <\/i>fait d'un ab\u00e9c\u00e9daire en douze langues europ\u00e9ennes, incluant m\u00eame l'Europe centrale (l'ouvrage parut... en novembre 1989).<\/span><\/p>

J'\u00e9tais r\u00e9guli\u00e8rement invit\u00e9 dans des colloques ou s\u00e9minaires sur l'Europe \u00e0 partir des relations franco-allemandes. \u00c0 l'automne 1993 j'intervenais dans un symposium artistique r\u00e9unissant Allemand*es, Fran\u00e7ais*es et Slovaques. Un philosophe slovaque m'a dit avec douceur : \u00ab Nous, notre probl\u00e8me c'est d'inventer la nation slovaque. \u00bb L\u00e0, j'ai compris le hiatus...<\/span><\/p>

Presque quarante ans apr\u00e8s, la guerre est \u00e0 nos portes, et par surcro\u00eet, l'Europe int\u00e9resse surtout les Europhobes.<\/span><\/p>

Autant dire que l'ambition politique de d\u00e9part du \u00ab Cycle des exils \u00bb est quelque peu \u00ab \u00e0 la ramasse \u00bb. Cela a contribu\u00e9 aussi \u00e0 boucler la boucle. Je ne regrette pourtant rien : les rencontres furent belles et les volumes demeurent. Et comme disaient aussi bien Montaigne que Cage : \u00ab C'est le voyage qui compte, pas le but. \u00bb<\/span><\/p>

 <\/p>

 <\/p>

Pour d\u00e9finitivement conclure, il me reste \u00e0 te demander quel pourrait \u00eatre selon toi l\u2019\u00e9quivalent, typographique ou non, du \u00ab point final \u00bb pour le Cycle des exils ?<\/strong><\/span><\/p>

 <\/p>

Merci d'aborder cette question. Avec Clara Debailly, nous avons cr\u00e9\u00e9 quatre signes de ponctuation pour Gadjo-Migrandt<\/i>. La ponctuation, c'est la police secr\u00e8te de la langue. C'est folie que l'on ponctue encore avec les signes des rois absolus et des empereurs. Elle nous aide certes \u00e0 lire confortablement, par exemple le roman populaire ou les \u00ab news \u00bb sur l'\u00e9cran. Mais elle oriente nos repr\u00e9sentations, et transforme l'\u00e9nergie de la langue en bribes grammaticales. Elle nuit \u00e0 l'autonomie artistique du langage. Elle impose une articulation, calcifie la langue, elle refroidit sa lave. Mes propositions de ponctuer autrement rappellent aussi que le po\u00e8me se destine \u00e0 la lecture \u00e0 haute voix.<\/span><\/p>

Il existe bel et bien un \u00ab point final \u00bb. En hors volume, comme adjoint au manuscrit. Un \u00ab m\u00e9tapoint final \u00bb. Depuis le cinqui\u00e8me volume en effet, je termine syst\u00e9matiquement par un collage, de format A3 ou plus grand, con\u00e7u en recyclant la masse documentaire accumul\u00e9e pendant l'\u00e9laboration du volume. Je les appelle r\u00e9citclages<\/i>. Ils portent chacun le titre du volume, ou d'un livre. Ils sont expos\u00e9s au Cipm. Une fois le r\u00e9citclage achev\u00e9, c'est fini. <\/span><\/p>

 <\/p>","label":"

Entretien \u00e9crit avec Patrick Beurard-Valdoye r\u00e9alis\u00e9 en mars 2024 par Luc Champagneur \u00e0 la demande du Cipm pour accompagner l'exposition \u00ab Le Cycle des exils \u00bb (1982-2024).<\/p>"},{"id":1075,"type":5,"fileUrl":"\/resources\/files\/file_64b93e46b05ed.pdf","label":"

\u00a9 J. P.-J.<\/p>"},{"id":1076,"type":5,"fileUrl":"\/resources\/files\/file_64b93eb0d5d13.pdf","label":"

\u00a9 J. P.-J.<\/p>"},{"id":129,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/174_20061011125027.mp3","label":"\u00e9ponges mod\u00e8le 2003 - extrait de \u00e9ponges mod\u00e8le 2003<\/i>, P.O.L, 2005","duration":237},{"id":2050,"type":2,"content":"

C\u0153ur sein<\/span><\/p>

 <\/span><\/p>

\u0153il testicule<\/span><\/p>

 <\/span><\/p>

ovaire les restes.<\/span><\/p>

 <\/span><\/p>

Tu reviens.<\/span><\/p>

 <\/span><\/p>

N\u2019oublie pas<\/span><\/p>

 <\/span><\/p>

l\u2019herbe o\u00f9 il pleut.<\/span><\/p>

 <\/span><\/p>

Que ce soit l\u00e0 ou autre<\/span><\/p>

 <\/span><\/p>

rue cendrier bosquet en hiver.<\/span><\/p>

 <\/span><\/p>

Quand tu auras oubli\u00e9 ce que tu as dit<\/span><\/p>

 <\/span><\/p>

d\u2019un carr\u00e9 sur la terre.<\/span><\/p>

 <\/span><\/p>

Entre tes dents<\/span><\/p>

 <\/span><\/p>

au fond de ta gorge<\/span><\/p>

 <\/span><\/p>

j\u2019entends :<\/span><\/p>

 <\/span><\/p>

entre tes dents<\/span><\/p>

 <\/span><\/p>

au fond de la gorge<\/span><\/p>

 <\/span><\/p>

avant de r\u00eaver<\/span><\/p>

 <\/span><\/p>

en s\u2019endormant.<\/span><\/p>

 <\/span><\/p>

La fra\u00eecheur venue<\/span><\/p>

 <\/span><\/p>

la p\u00e9nombre recule<\/span><\/p>

 <\/span><\/p>

le d\u00e9compte aussi.<\/span><\/p>

 <\/span><\/p>","label":"

Po\u00e8me in\u00e9dit de Pierre Escot re\u00e7u le 26 mars 2024, en pr\u00e9vision de son Solo programm\u00e9 samedi 8 juin.<\/p>"},{"id":802,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/910_20130306174439.mp3","label":"Esfera volente","duration":76},{"id":801,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/909_20130306174251.mp3","label":"Esfera volente \/ Circo companiero","duration":103},{"id":758,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/865_20120703184535.mp3","label":"Essai sur le S - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":196},{"id":2354,"type":3,"videoId":"1039124449","duration":7380},{"id":2854,"type":1,"imageIds":[4051]},{"id":1279,"type":4,"fileUrl":"\/resources\/files\/file_65aa8bc408fd9.mp3","label":"

Excerpt from I Remember<\/i>, recorded Calais, Vermont, July 1970 <\/p>

Dur\u00e9e : 04'03\" <\/p>","duration":244},{"id":1280,"type":4,"fileUrl":"\/resources\/files\/file_65aa943705e63.mp3","label":"

Joe Brainard \u2014 Excerpt from I Remember<\/i>, recorded Calais, Vermont, July 1970 <\/p>

Dur\u00e9e : 04'03\" <\/p>","duration":244},{"id":1257,"type":4,"fileUrl":"\/resources\/files\/file_65a95dfe995b4.mp3","label":"

Jackson Mac Low \u2014 Excerpt from The 8-Voice Stereo-Canon Realization of The Black Tarantula Crossword Gatha<\/i>, 1973<\/p>

Dur\u00e9e : 10'49\" <\/p>

 <\/p>

8-Voice Stereo Canon (The 4 over-laid performances begin on channel one about 20 seconds after they begin on channel two: a \"4-against-4\" canon.) \"The Black Tarantula Crossword Gatha\" was written (drawn) 8\/25\/73 & after. Realized and recorded at NYU Composers' Workshop N.Y. on November 25, 1973. Note: \"The Black Tarantula\" is one of Kathy Acker's pseudonyms.<\/i> Originally published as a cassette by S Press Tonbandverlag, Dusseldorf\/Munchen, West Germany, 1975<\/p>","duration":650},{"id":545,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/644_20100902154952.mp3","label":"Exciter la voracit\u00e9 des mots... \/ Lait - Traduction lue par jean-Jacques Viton.","duration":222},{"id":1058,"type":3,"videoId":"734662685","duration":239},{"id":908,"type":3,"videoId":"734693468","duration":295},{"id":1225,"type":1,"imageIds":[3392]},{"id":2290,"type":1,"imageIds":[3585]},{"id":2285,"type":1,"imageIds":[3581]},{"id":301,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/387_20090328184132.mp3","label":"Extrait","duration":47},{"id":633,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/735_20110830151224.mp3","label":"Extrait","duration":314},{"id":813,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/921_20130410180949.mp3","label":"Extrait d'Entretien avec Brion Gysin : Dreamachine - document INA diffus\u00e9 sur France culture le 10\/02\/1977","duration":336},{"id":814,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/922_20130410181232.mp3","label":"Extrait d'Entretien avec Brion Gysin : Dreamachine et visions - document INA diffus\u00e9 sur France culture le 10\/02\/1977","duration":195},{"id":810,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/918_20130410174121.mp3","label":"Extrait d'Entretien avec Brion Gysin : Le cut-up - Document INA diffus\u00e9 sur France culture le 08\/02\/1977","duration":271},{"id":812,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/920_20130410175811.mp3","label":"Extrait d'Entretien avec Brion Gysin : Les permutations - document INA diffus\u00e9 sur France culture le 08\/02\/1977","duration":225},{"id":811,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/919_20130410175115.mp3","label":"Extrait d'Entretien avec Brion Gysin : Machine poetry - document INA diffus\u00e9 sur France culture le 08\/02\/1977","duration":306},{"id":809,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/917_20130410173029.mp3","label":"Extrait d'Entretien avec Brion Gysin : Rencontre avec les musiciens Jajouka - diffus\u00e9 le 11\/ 02\/ 1977 sur France Culture \r\ndocument INA ","duration":292},{"id":393,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/490_20091008172136.mp3","label":"Extrait d'un sous TAS en cours","duration":165},{"id":821,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/930_20130523183912.mp3","label":"Extrait d'un texte in\u00e9dit","duration":236},{"id":2849,"type":2,"content":"

 <\/p>

Un nouveau livre, je peux encore r\u00eaver qu\u2019il d\u00e9friche un territoire in\u00e9dit.<\/p>

Il m\u2019a fallu beaucoup marcher et beaucoup trahir pour parvenir \u00e0 cet endroit mais \u00e0 l\u2019heure o\u00f9 j\u2019entame enfin ce prologue, l\u2019excitation efface la fatigue et les remords. Je d\u00e9charge mon bureau l\u00e9ger et pliable sur cette terre vierge et commence sans attendre \u00e0 labourer ce pr\u00e9 sauvage, \u00e0 fertiliser ma terre, \u00e0 b\u00e2tir mon \u0153uvre et ma maison. Je suis un conqu\u00e9rant.<\/p>

Le soir, apr\u00e8s une journ\u00e9e de labeur, devant ma bouteille d\u2019alcool artisanal toujours \u00e0 moiti\u00e9 pleine (\u2026) je me repais de l\u2019image du d\u00e9but : mon corps agenouill\u00e9 dans l\u2019herbe folle, tenant dans les mains des piquets de bois et une masse pour circonscrire le territoire de ce que sera mon livre. Apr\u00e8s avoir un peu t\u00e2tonn\u00e9, redress\u00e9 quelques lignes ou affin\u00e9 quelques courbures, je m\u2019enferme dans la forme g\u00e9om\u00e9trique nouvelle, l\u00e0 pr\u00e9cis\u00e9ment o\u00f9 je vais d\u00e9sormais pouvoir \u00e9crire, marcher et r\u00eaver. Demeurer plusieurs ann\u00e9es.<\/p>

C\u2019est maintenant un champ nouveau, une page tout \u00e0 fait blanche de la litt\u00e9rature.<\/p>

Le premier soir, devant cet inconnu qui met toujours mal \u00e0 l\u2019aise l\u2019homme avide de mots, je cherche un nom \u00e0 mon domaine. Celui qui me vient imm\u00e9diatement \u00e0 l\u2019esprit est Yoknapatawpha, mais j\u2019apprends, par les services du cadastre, que cela a d\u00e9j\u00e0 \u00e9t\u00e9 pris par un certain M. Faulkner. Je songe \u00e0 Watakushi sh\u00f4setsu que m\u2019a confi\u00e9 jadis Yukio Mishima, mais je l\u2019ai d\u00e9j\u00e0 utilis\u00e9 pour une autre propri\u00e9t\u00e9. Je me promets de r\u00e9fl\u00e9chir \u00e0 un terme su\u00e9dois.<\/p>

En attendant de pouvoir nommer ce livre, r\u00eavant-buvant \u00e0 l\u2019aplomb de ce vide sans nom, je me rassure en me disant ce qu\u2019\u00e0 coup s\u00fbr il n\u2019est pas. Et, \u00e0 coup s\u00fbr, il n\u2019est pas une biographie1<\/span>, pourrais-je toujours me dire sans me tromper. (\u2026) Car voil\u00e0 que cette nuit, pendant que je ne parvenais pas \u00e0 trouver le sommeil, je lui ai assign\u00e9 une mission, et cette mission correspond pr\u00e9cis\u00e9ment \u00e0 un intitul\u00e9 de recherche : je voudrais mesurer l\u2019impact (l\u2019influence, la force) qu\u2019ont eu les livres de Stig Dagerman sur ma vie. <\/p>

 <\/p>","label":"

Extrait de 31, c\u2019est peu (Stig Dagerman, 1923-1954)<\/i>, \u00e9ditions La Fosse aux Ours, 2023, re\u00e7u le 8 f\u00e9vrier de Christophe Fourvel en amont de la rencontre Autour de Jean-Luc Sarr\u00e9 avec la revue Europe<\/a>, le 4 avril 2026.<\/p>"},{"id":2805,"type":5,"fileUrl":"\/resources\/files\/file_68dbcc6a6ee4a.pdf","label":"

In\u00e9dit, extrait de Comptes \u00e0 rebours<\/i>, \u00e0 para\u00eetre aux \u00e9ditions du Cano\u00eb en 2026, re\u00e7u d'Antoine Dufeu, le 23 septembre \u00e0 l'approche de la soir\u00e9e Joyeux anniversaires ! <\/i><\/p>

du 3 octobre 2025 \u00e0 La co\u0302merie pour les 35 ans du Le Centre international de poe\u0301sie Marseille, 15 ans de La Marelle et 25 ans d'actoral.<\/p>

 <\/p>

 <\/p>"},{"id":2893,"type":2,"content":"

 <\/p>

In the hour of \u06af\u0631\u06af \u0648 \u0645\u06cc\u0634, I walk unexpectedly.<\/span><\/p>


Do not be fooled by my appearance, I\u2019m still awake in the twilight, looking outside the windows of the homes I\u2019m temporarily inhabiting, trying to catch the others also hiding amongst you. <\/span><\/p>


The illuminated windows are almost a signal to each other : cause you\u2019d have to be awake in the twilight, to see the other ones awake in the twilight.<\/span><\/p>


Even though I may look to have outgrown my old state, sometimes you catch a glimpse of the star dust I wasn\u2019t able to shake off.<\/span><\/p>


I notice that you\u2019ve perceived me, cause you suddenly get scared and violent, and you covet me, yet again. <\/span><\/p>


Then, and now, it feels like scarcity is the only thing you know, even though there is so much that you possess.<\/span><\/p>


This hour is for those who don\u2019t have as much; even the quantity that I'm allowed to breathe in during the day is controlled.<\/span><\/p>


That\u2019s why it\u2019s easier to exist in the hour of \u06af\u0631\u06af \u0648 \u0645\u06cc\u0634 ; most of you are sleeping, and more oxygen is available for me to inhale.<\/span><\/p>

Soon the birds are gonna call my name, and soon the only trace you could catch of me will be gone.<\/span><\/p>


du persan gorg o mish : * \u06af\u0631\u06af \u0648 \u0645\u06cc\u0634<\/p>

 <\/p>","label":"

Extrait de Don\u2019t be fooled by appearances<\/i>, Nesrine Salem, \u00e9pilogue pour \u00ab The hour of wolf and sheep \u00bb de Melika Sadeghzadeh, sortie pr\u00e9vu le 7 mai 2026 chez Postfirebooks.<\/p>"},{"id":822,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/931_20130523184120.mp3","label":"Extrait de Ev\u00e8nement 09","duration":198},{"id":2434,"type":5,"content":"

 <\/p>

Nous tombions amoureux\u00b7ses. Nous ne savions pas comment<\/p>

cela \u00e9tait encore possible. \u00c9trangement, nos hormones \u00e9taient<\/p>

toujours actives. Nos d\u00e9sirs aussi. Le pollen circulait chaque<\/p>

printemps dans les campagnes. Moins de pollen mais du<\/p>

pollen toujours. Nous r\u00e9alisions que les liens qui unissaient<\/p>

l\u2019imaginaire et la r\u00e9alit\u00e9 \u00e9taient bien plus solides que ce qu\u2019on<\/p>

avait voulu nous faire croire. J\u2019ai alors commenc\u00e9 \u00e0 faire des<\/p>

recherches sur la ramification des v\u00e9g\u00e9taux et la fa\u00e7on dont se<\/p>

d\u00e9veloppent les r\u00eaves dans le cerveau. Il y avait des correspondances<\/p>

qui ressemblaient \u00e0 des po\u00e8mes. Je me suis mis\u00b7e<\/p>

\u00e0 creuser dans ces po\u00e8mes avec la force qu\u2019ont celle\u00b7u\u00b7x qui<\/p>

creusent des puits. Dans la glaise, je voulais trouver quelque<\/p>

chose. Pas de l\u2019eau. Je n\u2019avais pas envie de boire de l\u2019eau mais<\/p>

de la s\u00e8ve, du sang frais, celui de la guerre qui montait. Je<\/p>

voulais boire \u00e0 m\u00eame les troncs et les tiges, me nourrir des<\/p>

condamn\u00e9\u00b7es, je voulais \u00eatre elle\u00b7ux, devenir elle\u00b7ux pour les perp\u00e9tuer.<\/p>

Pour ne pas qu\u2019i\u00b7els disparaissent je voulais m\u2019emplir de<\/p>

leurs s\u00e8ves. Cette entreprise a r\u00e9veill\u00e9 en moi une flamme vive<\/p>

accompagn\u00e9e d\u2019un d\u00e9s\u00e9quilibre circulaire. J\u2019ai eu le vertige du<\/p>

futur. Comment engager une telle transformation ? Se transformer,<\/p>

est-ce vraiment la solution ? Est-ce vraiment possible ?<\/p>

Jusqu\u2019o\u00f9 peut aller le r\u00eave ? De quoi est-il capable ? Quelles<\/p>

formules ? Je me suis mis\u00b7e \u00e0 la recherche des principes actifs<\/p>

du langage. Pour comprendre comment ils agissaient sur mon<\/p>

corps. Mais aucun des po\u00e8mes que j\u2019\u00e9crivais ne parvenait \u00e0<\/p>

me transformer compl\u00e8tement. Tous voulaient dominer le<\/p>

monde. Je me suis tapi\u00b7e dans l\u2019ombre. Je n\u2019ai plus rien \u00e9crit.<\/p>

 <\/p>","fileUrl":"\/resources\/files\/file_67ee8d310387d.pdf","label":"

extrait de Primev\u00e8res fant\u00f4mes<\/i>, Or\u00e9e Li, \u00c9ditions des Lisi\u00e8res, Divajeu, 2025.<\/p>"},{"id":772,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/879_20120824180838.mp3","label":"Extrait in\u00e9dit","duration":150},{"id":2853,"type":2,"content":"

 <\/p>

\u00ab La surdite\u0301 comme faute de fabrication y a pas mieux. C\u2019est quand me\u0302me encombrant. C\u2019est un vrai paradoxe... T\u2019as un truc en moins mais c\u0327a pe\u0300se lourd dans ta vie. T\u2019as beau chercher le re\u0301el a\u0300 travers la langue ou par la langue. Pas moyen. C\u2019est que du bricolage. Et puis s\u2019il y a faillite dans l\u2019oreille et donc sur la langue alors le re\u0301el bonjour ! Mais si la poe\u0301sie d\u2019aujourd\u2019hui cherche le de\u0301faut du corps dans la langue a\u0300 de\u0301faut d\u2019une belle langue dans un beau corps t\u2019es en plein dedans ! Dans la poe\u0301sie et dans le de\u0301faut et dans la langue et dans le corps \u00bb.<\/span><\/p>

 <\/p>","label":"

Extrait de PV d\u2019audition<\/i>, re\u00e7u de Claudie Lenzi le 1er mars en amont de la rencontre autour des \u00e9ditions LansKine, le 14 mars 2026.<\/p>"},{"id":756,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/863_20120626154316.mp3","label":"Extraits","duration":177},{"id":897,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1013_20220429112306.pdf","label":"Extraits de textes r\u00e9dig\u00e9s lors de cet atelier"},{"id":937,"type":2,"content":"

 <\/p>

Momorlyce phyllodes<\/i><\/span><\/p>

 <\/p>

 <\/p>

j\u2019aurais pu passer sans le voir<\/p>

l\u2019\u0153il a\u00e9rien quoique d\u00e9termin\u00e9<\/p>

                          vers la canop\u00e9e<\/p>

les mains en pavillon gigogne<\/p>

                          qui chante l\u00e0 ? qui crie ?<\/p>

                                       (amphith\u00e9\u00e2tre ce corps humain<\/p>

                                       diapason aussi<\/p>

                                       au Mozambique dit Couto le mot nature n\u2019existe pas<\/p>

                                       dans le corps non plus<\/p>

                                       exister ? symbiose sans mot)<\/p>

 <\/p>

j\u2019aurais pu passer sans le voir<\/p>

voire \u00e9craser de mes pieds lourds grossiers<\/p>

sur cet humus gras et brun spongieux<\/p>

                                       (une d\u00e9licatesse \u00e9prouv\u00e9e de terre)<\/p>

\u00e9craser<\/p>

                          ces grandes feuilles ambres translucides luisantes apr\u00e8s les averses fr\u00e9quentes sur ce qui reste de <\/p>

                          cette for\u00eat de nuages<\/p>

                                       (on dit qu\u2019elles produisent elles-m\u00eames leur pluie)<\/p>

                          ces larges feuilles qui soudain l\u00e0<\/p>

                          se mettent \u00e0 ramper<\/p>

et voil\u00e0<\/p>

tout arr\u00eater<\/p>

se recroqueviller<\/p>

r\u00e9duire le monde \u00e0<\/p>

                          l\u2019infini gorg\u00e9 de ce tr\u00e8s pr\u00e8s<\/p>

se faire salticid\u00e9<\/p>

                          ces feuilles mortes mordor\u00e9es ?<\/p>

                          de larges \u00e9lytres aplatis en v\u00e9rit\u00e9<\/p>

                          soudain une t\u00eate noire longue tr\u00e8s \u00e9troite<\/p>

                          se relieffe sur un amas de mousse et de terre imbib\u00e9es<\/p>

cet humus il vivait je l\u2019aurais tu\u00e9<\/p>

 <\/p>

ou alors qui sait ?<\/p>

je me serais immobilis\u00e9e \u00e0 temps<\/p>

ou alors<\/p>

je n\u2019aurais fait le voyage que pour lui<\/p>

j\u2019aurais tout appris de lui d\u2019ici<\/p>

par exemple qu\u2019on ne sait presque rien<\/p>

par exemple que sa beaut\u00e9 que sa raret\u00e9 a failli le rel\u00e9guer dans les seuls tiroirs des \u00e9pingleurs<\/p>

par exemple qu\u2019il se nomme carabe-violon ou phyllodes<\/p>

                          \u00ab comme une feuille \u00bb<\/p>

par exemple que ses petits (on dit larves pour les insectes) se d\u00e9veloppent dans des champignons Polyporus<\/p>

que toutes les esp\u00e8ces de son genre ne sont pr\u00e9sentes que     l\u00e0-bas<\/p>

                                       dans l\u2019archipel malais<\/p>

 <\/p>

oui, peupler l\u2019hiver d\u2019ici<\/p>","label":"

Fabienne Raphoz<\/p>"},{"id":471,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/569_20100427173216.mp3","label":"Fables de la critique - Traduction lue par Sarah K\u00e9ryna.","duration":181},{"id":2574,"type":2,"content":"

 <\/p>

\u00eeles tellement inspirantes<\/p>

\u00celes naturelles<\/p>

\u00celes silencieuses<\/p>

\u00eeles de brouillard<\/p>

\u00celes \u00e0 l\u2019horizon<\/p>

\u00eeles en mer<\/p>

\u00celes ressemblant \u00e0 d\u2019autres<\/p>

\u00eeles volcaniques<\/p>

\u00eeles color\u00e9es<\/p>

\u00eeles aimantes<\/p>

 <\/p>","label":"

Ines K.<\/p>"},{"id":2583,"type":2,"content":"

 <\/p>

\u00eeles<\/p>

 <\/p>

\u00eeles o\u00f9 nous ne toucherons jamais le sable<\/p>

\u00eeles \u00e0 qui ont ne pourra jamais prendre l\u2019eau<\/p>

\u00eeles o\u00f9 nous ne mettrons jamais pied<\/p>

\u00eeles qu\u2019il faut prot\u00e9ger<\/p>

Parfois submerg\u00e9es par le sang des p\u00e9troliers.<\/p>

 <\/p>","label":"

Railhan<\/p>"},{"id":2584,"type":2,"content":"

 <\/p>

Cascades<\/p>

 <\/p>

Rires en cascades<\/p>

Cascade cascadeuse<\/p>

Dans les sources des montagnes<\/p>

Une cascade bleue se jette dans la nuit<\/p>

 <\/p>

R\u00e9confort<\/p>

 <\/p>

Mes larmes coulent<\/p>

Elles d\u00e9gringolent<\/p>

Sur le sable chaud<\/p>

Me r\u00e9conforte<\/p>

Sous un coucher de soleil<\/p>

 <\/p>","label":"

Eden<\/p>"},{"id":2575,"type":2,"content":"

 <\/p>

Quoi d\u2019autre que regarder un bateau<\/p>

sur la plage<\/p>

Quoi d\u2019autre que de manger un beignet \u00e0 la cr\u00e8me<\/p>

Quoi d\u2019autre que voir des enfants jouer sur une plage de sable blanc<\/p>

Quoi d\u2019autre que de regarder un beau ciel bleu<\/p>

Quoi d\u2019autre que de voir les vagues s\u2019\u00e9chouer sur la mer<\/p>

 <\/p>","label":"

Walid<\/p>"},{"id":2576,"type":2,"content":"

 <\/p>

Mer, tu en caches des choses dis !<\/p>

 <\/p>

Caches tu des palourdes,<\/p>

des hu\u00eetres,<\/p>

As-tu des tortues, des baleines ?<\/p>

 <\/p>

En tous cas, tu es belle quoi qu\u2019il arrive.<\/p>

 <\/p>","label":"

Ismael<\/p>"},{"id":2577,"type":2,"content":"

 <\/p>

Tristesse liquide<\/p>

 <\/p>

Un trou insipide,<\/p>

 <\/p>

Je me noie dans mes larmes de joie.<\/p>

Dans mes soucis du Sahara.<\/p>

 <\/p>","label":"

In\u00e9s<\/p>"},{"id":2578,"type":2,"content":"

 <\/p>

\u00eeles color\u00e9es<\/p>

\u00eeles remplies de noix de coco<\/p>

\u00eeles du Frioul<\/p>

\u00celes avec plein de fleurs<\/p>

\u00eeles remplies de joie<\/p>

\u00eeles remplies de musique<\/p>

J\u2019aimerais vous rejoindre<\/p>

 <\/p>","label":"

Maissane<\/p>"},{"id":2579,"type":2,"content":"

 <\/p>

Quoi d\u2019autre que d\u2019aller \u00e0 la plage de la Ciotat<\/p>

Quoi d\u2019autre que se baigner dans une eau \u00e0 28 degr\u00e9s<\/p>

Quoi d\u2019autre que d\u2019aller \u00e0 la plage avec ses amis<\/p>

Quoi d\u2019autre que de se faire jeter dans l\u2019eau par son p\u00e8re<\/p>

Quoi d\u2019autre que chercher des coquillages au bord de la mer avec sa s\u0153ur<\/p>

Quoi d\u2019autre que de chercher de beaux poissons en nageant dans cette eau bleue fonc\u00e9e<\/p>

Quoi d\u2019autre que d\u2019aller \u00e0 la Ciotat<\/p>

Quoi d\u2019autre que de manger une bonne pizza apr\u00e8s s\u2019\u00eatre baign\u00e9s<\/p>

Quoi d\u2019autre que nager avec sa s\u0153ur<\/p>

 <\/p>","label":"

Nael<\/p>"},{"id":2580,"type":2,"content":"

 <\/p>

\u00eeles<\/p>

Terres inhabit\u00e9es cach\u00e9es et myst\u00e9rieuses<\/p>

\u00eeles plong\u00e9es dans un bain avec des volcans sous marins<\/p>

Sous mon bateau le soleil brillant et sur toi le sable scintillant<\/p>

 <\/p>

Le voilier serait comme un pion<\/p>

 <\/p>

Mer tu en caches des choses<\/p>

 <\/p>

Des hu\u00eetres cachant des perles brillantes<\/p>

Des \u00e9toile de mer cach\u00e9es dans de magnifiques tortues<\/p>

Les tortues nagent sur les poissons doux<\/p>

Mais tu caches aussi ta douleur<\/p>

 <\/p>","label":"

Nina<\/p>"},{"id":2581,"type":2,"content":"

 <\/p>

La plage<\/p>

 <\/p>

Quoi d\u2019autre que mes claquettes qui s\u2019enterrent dans le sable<\/p>

Quoi d\u2019autre que le soleil qui me br\u00fble mais je n\u2019ose rien dire<\/p>

Quoi d\u2019autre que d\u2019envier les oiseaux de crier<\/p>

Quoi d\u2019autre que vouloir aller plonger pour que mon ventre fr\u00f4le le sable.<\/p>

 <\/p>","label":"

Nina<\/p>"},{"id":2582,"type":2,"content":"

 <\/p>

La vie \u00e9clabousse<\/p>

Quand je fais plouf<\/p>

gr\u00e2ce \u00e0 une seule vague<\/p>

la vie est en bleu<\/p>

et deux jours apr\u00e8s le bleu est fonc\u00e9<\/p>

jusqu\u2019aux rochers de la Corse<\/p>

 <\/p>

Si j\u2019\u00e9tais un oiseau, je volerais pour profiter de l\u2019air et m\u2019asseoir sur les nuages<\/p>

et je danserais sur les orages.<\/p>

 <\/p>","label":"

Rhailan<\/p>"},{"id":2586,"type":5,"fileUrl":"\/resources\/files\/file_68398cc76e3f8.pdf"},{"id":2585,"type":5},{"id":2545,"type":5,"fileUrl":"\/resources\/files\/file_6836def626441.pdf"},{"id":2544,"type":2,"content":"

 <\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est que des gens ont frapp\u00e9 \u00e0 la porte.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est de travailler la fl\u00fbte.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est d\u2019\u00eatre s\u00e9rieuse quand on travaille.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est d\u2019avoir de bonnes notes de musique.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est que c\u2019\u00e9tait dr\u00f4le \u00e0 voir et que c\u2019\u00e9tait incroyable et qu\u2019ils jouaient tr\u00e8s bien m\u00eame si \u00e7a nous cassait un peu les oreilles.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019ils ont applaudi comme s\u2019ils \u00e9taient sous le charme.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est d\u2019\u00eatre surpris.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est l\u2019amour et la joie.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019il y a deux ans on a fait un spectacle de fin d\u2019ann\u00e9e avec de la fl\u00fbte.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019ils ont cri\u00e9 Vive la po\u00e9sie !<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est je crois le sens de la po\u00e9sie que tout le monde voudrait avoir. Et aussi qu\u2019au d\u00e9but j\u2019ai cru qu\u2019ils allaient danser et chanter de la po\u00e9sie mais non. Et aussi que j\u2019ai ador\u00e9.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est quand on \u00e9tait dans le couloir et quand on est entr\u00e9s.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est que quand ils sont entr\u00e9s c\u2019\u00e9tait \u00e0 la fa\u00e7on de zombies.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019ils portaient des lunettes de soleil et jouaient de la fl\u00fbte \u00e0 bec.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est le spectacle.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019il y avait Aaron, Anna et H\u00e9l\u00e8na.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est le souvenir d\u2019avoir jou\u00e9 de la fl\u00fbte en 2020 ou 2022.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est d\u2019avoir vu des personnes.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est qu\u2019\u00e0 l\u2019\u00e9cole du futur il n\u2019y a que des robots.<\/p>

Tout ce qui m\u2019int\u00e9resse c\u2019est d\u2019avoir entendu des aveugles casser mes pauvres oreilles.<\/p>

 <\/p>","label":"

Tout ce qui m\u2019int\u00e9resse<\/i>, une exp\u00e9rience po\u00e9tique et collective par la classe de CE2-CM2 de l\u2019\u00e9cole Saint-Louis le Rove.<\/p>"},{"id":746,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/852_20120619182721.mp3","label":"Faille voil\u00e9e - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":238},{"id":956,"type":1,"imageIds":[3172]},{"id":2464,"type":1,"imageIds":[3827]},{"id":1284,"type":4,"fileUrl":"\/resources\/files\/file_65aa970fb2692.mp3","label":"

Anne Waldman \u2014 Fast Speaking Woman,<\/i> recorded at St. Mark\u2019s Church S Press, Sept. 28, 1974, publi\u00e9 par S Press Tonbandverlag, 1977<\/p>

\u00c0 partir de 20'40\" jusqu\u2019\u00e0 la fin<\/p>

Dur\u00e9e : 08'24\"<\/p>","duration":504},{"id":2528,"type":1,"imageIds":[3886]},{"id":779,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/886_20120904141057.pdf","label":"Festival de Po\u00e9sie - Lyc\u00e9e priv\u00e9 l'Olivier"},{"id":2808,"type":5,"fileUrl":"\/resources\/files\/file_68e639408de3b.pdf"},{"id":431,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/528_20100120161027.mp3","label":"Feuilles mortes de lumi\u00e8re [Yoshimasu G\u00f4z\u00f4] (extrait) - Lecture de la traduction fran\u00e7aise par Claude Mouchard.","duration":201},{"id":2522,"type":1,"imageIds":[3883]},{"id":1030,"type":3,"videoId":"734711215","duration":1069},{"id":320,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/408_20090423183306.mp3","label":"FIN est une revue","duration":79},{"id":1068,"type":3,"videoId":"764889341","duration":4173},{"id":566,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/665_20101112182328.mp3","label":"Fleurs & marmo(n)ments","duration":226},{"id":804,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/912_20130328184019.pdf","label":"Flyer Le Colloque \u00c0 Tanger \/ Marseille - Flyer et programme des \u00e9v\u00e8nements du Colloque \u00c0 Tanger "},{"id":803,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/911_20130328183815.pdf","label":"Flyer Le Colloque \u00c0 Tanger \/ Tanger - Flyer et programme des \u00e9v\u00e8nements du Colloque \u00c0 Tanger "},{"id":480,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/578_20100429184523.mp3","label":"For Charles Tyler - Lecture : Barry Wallenstein.\r\nSaxophone : Charles Tyler.","duration":161},{"id":2753,"type":2,"content":"

Le monde<\/i><\/p>

Le monde qui a \u00e9volu\u00e9<\/p>

Qui suivra notre chemin<\/p>

Ce milieu que l\u2019on doit prot\u00e9ger                                                                                     <\/p>

Nous les enfants de demain<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Les cultures<\/i><\/p>

On d\u00e9couvre de la nouveaut\u00e9<\/p>

Chaque culture a sa diff\u00e9rence<\/p>

Ce qui cr\u00e9e<\/p>

De l\u2019ambiance<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Ce que j\u2019aime chez elle c\u2019est sa pr\u00e9sence<\/p>

 Elle sait tout de moi<\/p>

 Pour \u00e9crire un po\u00e8me pour elle<\/p>

Ses plats sont d\u2019une excellence<\/p>

Je me lasserais jamais de toi<\/p>

 <\/p>

\u2014
 <\/p>

Autoportrait<\/i><\/p>

Je suis une fille, j\u2019ai 15 ans, j\u2019ai des cheveux cr\u00e9pus de couleur \u00e9b\u00e8ne, je suis noie, Je fais 1,68, j\u2019adore les p\u00e2tes,  j\u2019aime les v\u00eatements de couleur noir, je suis comorienne, j\u2019aime la simplicit\u00e9, j\u2019aime penser, j\u2019aime les films, j\u2019aime dormir, j\u2019adore me retrouver seule chez moi, j\u2019aime mon pays, j\u2019aime les paysages du Comores, je suis tr\u00e8s patiente,  j\u2019aime aider , j\u2019aime m\u2019occuper, Je suis actuellement assise sur une chaise, je suis face \u00e0 un ordi, j\u2019ai des fr\u00e8res et s\u0153urs,  j\u2019aime prendre soin d\u2019eux , je fais pas de sport ,  j\u2019aime lire , je suis fatigu\u00e9e, j\u2019aime regarder par ma fen\u00eatre, je suis n\u00e9e aux Comores , j\u2019aime rire , j\u2019aime le calme, je suis aigrie ,<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je suis \u00e9puis\u00e9e et ferme la porte d\u2019entr\u00e9e et je prends un vers d\u2019eau  j\u2019ouvre la fen\u00eatre les Etoiles que j\u2019admire avec les yeux .<\/p>

 <\/p>","label":"

Hilma, 1AEPA<\/p>"},{"id":2773,"type":2,"content":"

 <\/p>

LA POLLUTION<\/i><\/p>

La pollution est le probl\u00e8me de notre g\u00e9n\u00e9ration<\/p>

Elle est la pr\u00e9occupation de peu d\u2019habitant<\/p>

Heureusement des gens font des pr\u00e9ventions<\/p>

Pour pouvoir les r\u00e9veiller en les sensibilisant<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Le HARCELEMENT<\/i><\/p>

Le harc\u00e8lement un sujet plus qu\u2019inqui\u00e9tant<\/p>

Donnant l\u2019air \u00e0 la victime, de se sentir inutile<\/p>

De ne pas \u00eatre important<\/p>

En ayant des comportements vils<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 A13<\/i><\/p>

Quand je la vois je ressens divers sentiments<\/p>

Tant de la joie que de l\u2019apeurement<\/p>

Pour \u00e9crire un po\u00e8me pour elle<\/p>

Avec toi que des gal\u00e8res et des bourbiers<\/p>

Mais c\u2019est \u00e7a qui me fait kiffer.                                                                                                                                                                                                                                                                                                                                                                                                                                                                              <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

AUTOPORTRAIT<\/i><\/p>

Avant d\u2019\u00eatre une fille je suis un humain, qui aime sa famille, qui n\u2019exprime jamais ses sentiments car c\u2019est pas trop son fort comme dirait JUL , un humain d\u2019origine alg\u00e9rienne qui est fier de son pays de son histoire et de ses martyrs morts pour leurs ind\u00e9pendance , Un humain pr\u00e9f\u00e9rant l\u2019\u00e9t\u00e9 pour ses longues et belles journ\u00e9es chaudes pour pouvoir aller \u00e0 Corbi\u00e8re faire des lunes tel  les carbos, Un humain en plein deuil de la mort de Ragnar Lothbrok paix \u00e0 son \u00e2me, Un humain faisant de la boxe depuis le CM2 mais qui veut arr\u00eater pour le MMA , Un humain ayant une deuxi\u00e8me origine de c\u0153ur qui est les Comores, Un humain nostalgique de l\u2019\u00e9poque o\u00f9 je vivais \u00e0 Marseille dans un T5 parce que maintenant j\u2019ai un T4 gamberge, Un humain faisant confiance \u00e0 des personne se comptant sur une main.  <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

JE suis fatigu\u00e9e de la routine de l\u2019\u00e9cole chaque matin en me r\u00e9veillant je pense au soir pour me rendormir je FERME ET J\u2019OUVRE LES YEUX mais c\u2019est encore le matin<\/p>

 <\/p>","label":"

Myriam, 1AEPA<\/p>"},{"id":2754,"type":2,"content":"

 <\/p>

\u00e9cole<\/i><\/p>

on ne teste que la m\u00e9moire<\/p>

on nous prend pour des robots<\/p>

en ouvrant tous les grimoires<\/p>

sans travail l\u2019avenir sera plus beau<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

guerre<\/i><\/p>

au milieu de la bataille<\/p>

il y a des coups de feu<\/p>

avec mon casque arai<\/p>

je ne vois qu\u2019eux<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

football<\/i><\/p>

chaque match je joue<\/p>

je respire le bonheur<\/p>

je peux jouer n\u2019importe o\u00f9<\/p>

tant que je garde ma ferveur<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

amour<\/i><\/p>

je te ressens souvent<\/p>

il peut rendre m\u00e9lancolique <\/p>

c\u2019est plus qu\u2019un  sentiment<\/p>

l\u2019amour est un gros risque<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Neymar<\/i><\/p>

ton talent footballistique<\/p>

et ta nationalit\u00e9 br\u00e9silienne<\/p>

te rendent si magique<\/p>

tu seras la l\u00e9gende am\u00e9ricaine<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

olympique<\/i><\/p>

ton stade ressemble \u00e0 un volcan<\/p>

tes joueurs r\u00e9veillent mon c\u0153ur<\/p>

tu allumes la ville avec tes chants<\/p>

je pourrais te regarder des heures<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Famille <\/i><\/p>

je me rappelle des repas de famille<\/p>

on \u00e9tait souvent s\u00e9par\u00e9s<\/p>

mais quand il y avait de la vanille<\/p>

on revenait par milliers.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

mon coeur<\/i><\/p>

je pense \u00e0 toi chaque jour<\/p>

j\u2019esp\u00e8re que t\u2019aimer quand je te faisais la cour<\/p>

pour \u00e9crire un po\u00e8me pour elle<\/p>

je voulais que tu sois belle<\/p>

tu m\u2019as cr\u00e9\u00e9 toutes mes ailes.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

je suis un homme grand les cheveux ch\u00e2tains aux yeux marron.<\/p>

J\u2019ai une corpulence qui correspond \u00e0 mon sport.<\/p>

J\u2019ai un mental de winner qui ne l\u00e2che pas.<\/p>

Je suis un grand adepte de fifa.<\/p>

J\u2019aime manger des fast-food.<\/p>

Quand je suis dans mon lieu je suis coup\u00e9 du monde.<\/p>

Je respire le bonheur et je n\u2019ai aucun probl\u00e8me.<\/p>

Dans ce sport je peux faire trembler des jambes.<\/p>

Je joue pour repr\u00e9senter cette idole br\u00e9silienne.<\/p>

Je m\u2019inspire de son jeu et le repr\u00e9sente.<\/p>

Habill\u00e9 d\u2019un short, d\u2018un maillot, de crampons puma br\u00e9sil je repr\u00e9sente mon club.<\/p>

 <\/p>

 <\/p>

Je m\u2019endors et je ferme tout mon esprit et tout mon corps j\u2019ouvre mon ou\u00efe et j\u2019\u00e9coute les bruits de la nuit puis je me r\u00e9veille et ouvre les yeux.<\/p>

 <\/p>","label":"

 Romeo, 1AEPA<\/p>"},{"id":2755,"type":2,"content":"

A la maison<\/i>
derni\u00e8re page de mon journal                                                  
Assis sur mon fauteuil                                                                   
je regarde mon cheval
du coin de l\u2019\u0153il
 <\/p>

\u2014<\/p>


Les vacances<\/i>
entre la mer qui m\u2019adoucit 
et le soleil br\u00fblant 
je m\u2019\u00e9vanouis 
en pensant \u00e0 Ga\u00e9tan
 <\/p>

\u2014<\/p>


La terreur <\/i>
les volcans en action
Font trembler le village
en \u00e9ruption
c\u2019est un carnage<\/p>

 <\/p>

\u2014<\/p>


 Je suis un homme. J\u2019adore le foot. J\u2019aime les choses simples. J\u2019aime exprimer mes frustrations, ma col\u00e8re et ma joie sur les terrains. Je suis calme. Je suis grand j\u2019ai les yeux bleus comme le ciel. Je porte un t-shirt rouge ou noir selon les matchs, avec un short noir et des chaussettes noires. Les supporters nous encouragent tout au long du match pour nous voir gagner. Apr\u00e8s la victoire nous crions dans les vestiaires pour montrer notre joie.<\/p>

 <\/p>","label":"

Ethan, 1AEPA<\/p>"},{"id":2756,"type":2,"content":"

 <\/p>

Autoportrait<\/i><\/p>

Je suis un homme. Je suis v\u00eatu que de noir. J\u2019aime cette couleur sombre et discr\u00e8te. J\u2019aime ne pas me prendre la t\u00eate et ne rien faire. J\u2019ai mal au corps du fait de ne pas bouger. Ma peau est claire comme les draps qui m\u2019entourent. La t\u00eate face au plafond, avec un regard vide. Je suis allong\u00e9 avec mon long manteau sur mon lit blanc. Mes pieds d\u00e9passant du lit. Je pense \u00e0 ce que j\u2019ai accompli cette journ\u00e9e. L\u2019ambiance est sourde. Je n\u2019ai rien \u00e0 faire. Je ferme les yeux. J\u2019aime dormir. Je ne dors pas. Mais je reste quand m\u00eame dans le lit. Je n\u2019ai aucune envie de de bouger. A coller ma t\u00eate \u00e0 mon doux oreiller.<\/p>

 <\/p>

Je rentre chez moi, ferme la porte derri\u00e8re moi et me dirige dans ma chambre seul j\u2019ouvre la porte et pose mon sac, les oreillers parfaitement pos\u00e9s sur mon lit je me couche et ferme les yeux pour que le temps passe vite.<\/p>

 <\/p>","label":"

Hugo, 1AEPA<\/p>"},{"id":2757,"type":2,"content":"

 <\/p>

Th\u00e8me : r\u00e9chauffement climatique<\/i><\/p>

Le r\u00e9chauffement climatique<\/p>

R\u00e9chauffe la plan\u00e8te<\/p>

C\u2019est vraiment catastrophique <\/p>

Et ce n\u2019est pas qu\u2019une louchette<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Th\u00e8me : Voiture<\/i><\/p>

La voiture<\/p>

C\u2019est comme la vie<\/p>

Un mauvais coup et c\u2019est dur<\/p>

Un coup de volant de trop et c\u2019est fini<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Th\u00e8me :  L\u2019amour<\/i><\/p>

L\u2019amour<\/p>

C\u2019est un sentiment intense<\/p>

On ne peut pas faire demi-tour<\/p>

Les deux c\u0153urs qui font une danse<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Th\u00e8me : Fr\u00e8res de c\u0153ur<\/i><\/p>

C\u2019est deux fr\u00e8res<\/p>

Mais pas de sang<\/p>

Ils ont le m\u00eame caract\u00e8re<\/p>

A eux deux ils sont rayonnants<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Th\u00e8me : Le flamme<\/i><\/p>

C\u2019est une source de chaleur<\/p>

D\u2019orange \u00e0 rouge elle varie<\/p>

Elle peut causer de grandes peurs<\/p>

Apr\u00e8s son passage elle laisse plein de d\u00e9bris<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Th\u00e8me : L\u2019espace<\/i><\/p>

C\u2019est une infinit\u00e9<\/p>

Rempli de galaxies<\/p>

Un endroit o\u00f9 l\u2019on ne pourra jamais s\u2019arr\u00eater<\/p>

D\u2019\u00e9toiles il en est rempli<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 Th\u00e8me : Amoureux<\/i><\/p>

A mon amoureuse<\/p>

J\u2019ai r\u00e9fl\u00e9chi avec des heures nombreuses<\/p>

Pour \u00e9crire un po\u00e8me pour elle<\/p>

Ces mots lui sont destin\u00e9s<\/p>

A elle ma dulcin\u00e9e<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 Autoportait<\/i><\/p>

Je suis un homme \u00e2g\u00e9 de 17 ans<\/p>

Mon habitation se situe \u00e0 Aix-en-Provence<\/p>

Je suis bronz\u00e9 de peau, je suis grand, j\u2019ai des cheveux de type brun avec des reflets l\u00e9gers blonds en \u00e9t\u00e9.<\/p>

Mes yeux sont de couleur marron et si on regarde plus pr\u00e9cis\u00e9ment avec de la lumi\u00e8re vous pourriez voir principalement du marron et un peu de vert.<\/p>

Ce ph\u00e9nom\u00e8ne se passe qu\u2019en \u00e9t\u00e9.<\/p>

J\u2019ai une cicatrice sur le bras droit, que je me suis faite pendant un de mes cours de Hockey quand j\u2019habitais \u00e0 Gap.<\/p>

R\u00e9cemment j\u2019ai revu mon meilleur ami que je n\u2019ai point vu depuis un an, ce meilleur ami que je connais depuis mon plus jeune \u00e2ge en primaire, en septembre \u00e7a a fait 9 ans qu\u2019on est le duo ins\u00e9parable.   <\/p>

Depuis la fin du mois d\u2019Octobre, j\u2019ai rencontr\u00e9 une fille formidable, qui a chang\u00e9 ma vie, qui me rend tellement heureux.<\/p>

Nous avions officialis\u00e9 le 6 novembre 2024<\/p>

Depuis le 6 d\u00e9cembre 2024, pour nos un mois, je lui \u00e9cris une lettre, je lui ai pass\u00e9 mon pull pour qu\u2019elle est mon odeur, car mon odeur la rassure.<\/p>

Gr\u00e2ce \u00e0 elle mes addictions se sont calm\u00e9es voir arr\u00eat\u00e9es.<\/p>

Hier je lui ai achet\u00e9 son cadeau de No\u00ebl.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je ferme et j\u2019ouvre les yeux<\/p>

 <\/p>

JE suis combl\u00e9 d\u2019amour<\/p>

Elle FERME chaque jour les blessures caus\u00e9es avec le pass\u00e9<\/p>

ET je le fais \u00e9galement pour elle<\/p>

A chaque discussion profonde, J\u2019OUVRE mon c\u0153ur au sien<\/p>

LES sentiments sont plus simples \u00e0 exprimer<\/p>

Mes YEUX brillent que pour ma petite amie<\/p>

 <\/p>","label":"

Noa, 1AEPA<\/p>"},{"id":2758,"type":2,"content":"

 <\/p>

 Nos futurs combats<\/i><\/p>

Plus aucun bataillon<\/p>

 Des ados qui pioncent<\/p>

Pendant que nous veillons<\/p>

D\u2019autres y foncent<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

MON AMOUR<\/i><\/p>

Mon c\u0153ur \u00e9tait ferm\u00e9 \u00e0 double tour<\/p>

Elle a d\u00e9clench\u00e9 la flamme du retour<\/p>

Pour \u00e9crire un po\u00e8me pour elle<\/p>

J\u2019aurais ouvert mes ailes<\/p>

Mais cupidon a ouvert les siennes<\/p>

 <\/p>","label":"

Lorenzo, 1AEPA<\/p>"},{"id":2759,"type":2,"content":"

 <\/p>

Autoportrait<\/i><\/p>

 Je suis un homme aux cheveux boucl\u00e9s. Je suis passionn\u00e9 par les sports de combat. Je suis musulman, j\u2019habite \u00e0 la Roque d\u2019Antheron, je suis n\u00e9 \u00e0 Marseille, Mes moments pr\u00e9f\u00e9r\u00e9s sont mes entrainements de MMA, Je suis en but de me faire des tresses. Je suis en but perte de poids et m\u2019am\u00e9liorer en lutte, je suis le dernier de ma famille.<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Expansion<\/i><\/p>

je suis quelqu\u2019un de ferme aux yeux de tous le monde et j\u2019ouvre les yeux sur le monde.<\/p>

 <\/p>","label":"

Amine, 1AEPA<\/p>"},{"id":2760,"type":2,"content":"

 <\/p>

Le seul endroit o\u00f9 je peux exprimer mes sentiments comme la tristesse, la col\u00e8re, la joie, la d\u00e9termination c\u2019est sur un champ vert avec deux cages, un terrain de foot.<\/p>

Je suis passionn\u00e9 par ce sport tellement que j\u2019en r\u00eave la nuit. Je suis tr\u00e8s calme, vraiment calme \u00e0 part quand on m\u2019\u00e9nerve je peux devenir m\u00e9chant. Je suis un homme, j\u2019ai les cheveux bruns comme mes yeux. Sur le terrain je suis \u00e9l\u00e9gant avec mes \u00e9quipements, v\u00eatu de blanc et noir avec mes crampons bleus. Je joue le short baiss\u00e9 avec les chaussettes basses qui couvre juste les prot\u00e8ge tibias, j\u2019ai les cheveux longs par cons\u00e9quent je me mets un \u00e9lastique pour bien y voir. Lorsque je rentre sur le terrain j\u2019entends les supporters nous encourager pour un but final, la victoire.                     <\/p>

  <\/p>

je ferme les yeux et j\u2019ouvre les yeux  <\/p>

 <\/p>","label":"

Baptiste, 1AEPA<\/p>"},{"id":2761,"type":2,"content":"

 <\/p>

THEME : Le Covid<\/i><\/p>

Le Covid a d\u00e9truit ma vie<\/p>

Et la Terre<\/p>

Mais cela s\u2019est fini<\/p>

Nous sommes durs comme fer<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

THEME : Alcool<\/i><\/p>

L\u2019alcool peut faire voir<\/p>

Des familles et amis<\/p>

Juste \u00e0 cause de boire<\/p>

Cela g\u00e2che des vies<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

THEME : Cons\u00e9quences de la Drogue<\/i><\/p>

La drogue peut rendre malade<\/p>

Mais aussi nous en faire finir<\/p>

Pour une simple balade<\/p>

\u00e7a serait le pire<\/p>

THEME : La nature<\/p>

 <\/p>

La vie c\u2019est comme une for\u00eat<\/p>

Nous sommes tous li\u00e9s<\/p>

Avec des Terriers<\/p>

Qui sont tous reli\u00e9s<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

THEME : Oc\u00e9an<\/i> <\/p>

La grandeur de cette espace<\/p>

Nous livrons \u00e0 nous-m\u00eame<\/p>

Comme dans une impasse<\/p>

Cela est un probl\u00e8me<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

THEME : Cigarette<\/i><\/p>

Mes poumons<\/p>

Deviennent mauvais<\/p>

Les Cigarettes, arr\u00eatons<\/p>

Pour mieux aller<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

THEME : Amiti\u00e9<\/i> <\/p>

L\u2019amiti\u00e9 est tellement forte<\/p>

Que rien ne peut les s\u00e9parer<\/p>

Pour \u00e9crire un po\u00e8me pour lui<\/p>

\u00c7a ne serait pas assez<\/p>

Pour que \u00e7a sorte<\/p>

 <\/p>

 \u2014<\/p>

 <\/p>

Autoportrait<\/i><\/p>

Je suis un Homme de 16 ans.<\/p>

J\u2019habite \u00e0 Aix-en-Provence dans le d\u00e9partement nomm\u00e9 les Bouches du Rh\u00f4ne. N\u00e9 en Italie \u00e0 Rome<\/p>

Je me sens bien, pas tr\u00e8s grand de taille, avec des cheveux longs et bruns.<\/p>

Mes yeux sont de couleur bleue, je suis calme et je ne suis pas le plus fort dans tous les domaines<\/p>

Je suis gentil, intelligent<\/p>

J\u2019ai une cicatrice sur le front depuis la maternelle \u00e0 cause d\u2019un accident avec un ami<\/p>

J\u2019ai beaucoup d\u2019amis pas principalement dans le lyc\u00e9e mais ce qui est s\u00fbr c\u2019est qu\u2019ils seront les plus importants<\/p>

Et ma famille qui n\u2019est pas forcement la plus grande mais qui compte le plus pour moi dans ma vie.<\/p>

En plus j\u2019ai revu ma tante qui est revenue du s\u00e9jour d\u2019Italie que je lui avais pay\u00e9 pour qu\u2019elle puisse profiter de sa vie.<\/p>

Les Vacances en famille me manquent avec mes cousins, ma tante etc.<\/p>

Bien sur beaucoup de mes amis avec qui j\u2019ai coup\u00e9 les ponts en passant au lyc\u00e9e font beaucoup de peine car \u00e7a faisait depuis la     maternelle qu\u2019on se connaissait.<\/p>

Aussi d\u2019autres amis que je vois quand je vais \u00e0 mon centre<\/p>

Mais un fr\u00e8re que je connais depuis ma naissance qui est toujours \u00e0 mes cot\u00e9s malgr\u00e9 la distance qui nous s\u00e9pare<\/p>

J\u2019ai v\u00e9cu \u00e0 diff\u00e9rents endroits mais les endroits pr\u00e9f\u00e9r\u00e9s de ma maison sont ma chambre et le salon.<\/p>

Je vois mon fr\u00e8re qui ferme la porte et juste apr\u00e8s j\u2019ouvre la fen\u00eatre pour voir les oiseaux et ensuite voir dans le reflet de la vitre mes yeux.<\/p>

 <\/p>","label":"

Anthony, 1AEPA<\/p>"},{"id":2451,"type":5,"fileUrl":"\/resources\/files\/file_67f9280e7c13f.pdf"},{"id":1892,"type":2,"content":"

 <\/p>

Les b\u00e9b\u00e9s \u00e7a dit tout le temps \u00ab areuh areuh \u00bb.
Les b\u00e9b\u00e9s \u00e7a r\u00e9veille les adultes la nuit.
Les b\u00e9b\u00e9s \u00e7a ne veut pas manger de la compote.
Les b\u00e9b\u00e9s \u00e7a envoie les bols \u00e0 la gueule des parents.
Les b\u00e9b\u00e9s \u00e7a pisse partout.
Les b\u00e9b\u00e9s \u00e7a veut un jouet qui n\u2019en est pas un.<\/p>

Les enfants \u00e7a fait toujours des caprices.
Les enfants \u00e7a court partout.
Les enfants \u00e7a rigole quand on dit \u00ab caca boudin \u00bb.
Les enfants \u00e7a pleure pour rien.
Les enfants \u00e7a fait chier les ados.
Les enfants c\u2019est inutile.<\/p>

Les ados tombent amoureux trop facilement.
Les ados vont trop au Mc Do.
Les ados bouffent comme des chancres.
Les ados ont toujours la flemme.
Les ados \u00e7a commence \u00e0 boire de l\u2019alcool.
Les ados \u00e7a se croit adulte avant l\u2019heure.<\/p>

Les adultes \u00e7a cri sur tout le monde.
Les adultes \u00e7a \u00e9nerve les ados.
Les adultes \u00e7a se plaint quand \u00e7a rentre du travail.
Les adultes \u00e7a se croit toujours sup\u00e9rieur.
Les adultes \u00e7a aime ce qui est vieux.
Les adultes \u00e7a a peur de devenir vieux.<\/p>

Les vieux \u00e7a ne comprend rien \u00e0 la technologie.
Les vieux \u00e7a a toujours mal quelque part.
Les vieux \u00e7a mange de la soupe.
Les vieux \u00e7a nous fait toujours r\u00e9p\u00e9ter.
Les vieux \u00e7a oublie tout.
Les vieux c\u2019est vieux et on ne peut rien y faire.<\/p>

 <\/p>","label":"

Les b\u00e9b\u00e9s, les adultes et les vieux, Artus A<\/p>"},{"id":1901,"type":2,"content":"

 <\/p>

Ma violence \u00e0 moi
La violence que je m\u2019inflige
Ma violence envers moi
La violence que je t\u2019inflige
Ma violence pour toi
La violence que je lui inflige
Ma violence contre toi
La violence que je nous inflige
Nos violences contre nous
La violence que je vous inflige
Ma violence envers vous
La violence que je leur inflige
Ma violence, ma violence
La violence tout court<\/p>

 <\/p>","label":"

Ma violence \u00e0 moi, Suzy B et Chrystale C<\/p>"},{"id":1902,"type":2,"content":"

 <\/p>

Violent est le coup
Violent est le mal
Violente est la haine
Violente est la dispute
Violente est la m\u00e9lancolie
Violentes sont les larmes
Violente est la fleur
Violent est l\u2019inattendu<\/p>

 <\/p>","label":"

L\u2019inattendu, Sarah M<\/p>"},{"id":1903,"type":2,"content":"

 <\/p>

Il y a celui qui n\u2019est pas lui
Celle qui n\u2019est pas elle
Celui qui pleure chaque soir
Celle qui lutte contre sa maladie
Celui qui lui donnera sa vie
Celle qui se battra pour lui
Celui qui a perdu espoir
Celle qui le lui redonnera
Celui qui sera toujours l\u00e0
Celle qui pour la premi\u00e8re fois, aimera<\/p>

 <\/p>","label":"

Il y a celui qui, Chiara S<\/p>"},{"id":1904,"type":2,"content":"

 <\/p>

La violence est diverse, bien trop diverse
pour une chose cens\u00e9e nous faire du mal.
La violence est une porte que l\u2019on nous ferme lentement.
La violence c\u2019est comme la pluie qui nous frappe au visage
et quand cette violence nous rend triste,
les gouttes camouflent nos larmes.
La violence c\u2019est une personne qui nous suit \u00e0 la trace
et qui nous \u00e9trangle d\u00e8s que quelque chose nous tracasse.
La violence, c\u2018est quand m\u00eame tr\u00e8s violent !<\/p>

 <\/p>","label":"

La violence est violente, Clara P<\/p>"},{"id":1905,"type":2,"content":"

 <\/p>

Les pr\u00e9-ados veulent se la p\u00e9ter
Les pr\u00e9-ados \u00e7a commence \u00e0 prendre confiance
Les pr\u00e9-ados sont sur les r\u00e9seaux sociaux
Les pr\u00e9-ados commencent \u00e0 faire des conneries
Les pr\u00e9-ados se sentent de plus en plus puissants
Les pr\u00e9-ados deviennent de plus en plus violents
Les pr\u00e9-ados se font recadrer par leurs parents<\/p>

 <\/p>","label":"

Les pr\u00e9-ados, Paolo M<\/p>"},{"id":1906,"type":2,"content":"

 <\/p>

La violence c\u2019est un coup \u00e0 son voisin.
La violence c\u2019est le rejet de l\u2019autre.
La violence c\u2019est un manque de respect.
La violence c\u2019est un coup physique.
La violence c\u2019est aussi un coup moral.
La violence c\u2019est l\u2019\u00eatre humain.<\/p>

 <\/p>","label":"

La violence, Pierre M<\/p>"},{"id":1907,"type":2,"content":"

 <\/p>

Je vais te serrer si fort que je t\u2019\u00e9tranglerai
Je vais te serrer si fort que tes yeux sortiront de leurs orbites
Je vais te serrer si fort que tes pieds ne toucheront plus le sol
Je vais te serrer si fort que je te soul\u00e8verai de terre
Je vais te serrer si fort que tu me supplieras de te l\u00e2cher
Je vais te serrer si fort que mon c\u0153ur sortira par ta bouche
Je vais te serrer si fort que tu vas devenir bleu
Je vais te serrer si fort que ton sang ne circulera plus
Je vais te serrer si fort que tu en mourras<\/p>

 <\/p>","label":"

Je vais te serrer si fort, Marion C-M<\/p>"},{"id":1908,"type":2,"content":"

 <\/p>

Les pr\u00e9-ados \u00e7a r\u00e2le comme les m\u00f4mes
Les pr\u00e9-ados c\u2019est p\u00e9nible comme les m\u00f4mes
Les pr\u00e9-ados \u00e7a fait comme les grands
Les pr\u00e9-ados \u00e7a dort comme les paresseux
Les pr\u00e9-ados \u00e7a veut tout et rien en m\u00eame temps
Les pr\u00e9-ados \u00e7a mange H 24
Les pr\u00e9-ados \u00e7a voudrait prendre confiance
Les pr\u00e9-ados c\u2019est les pr\u00e9-ados<\/p>

 <\/p>","label":"

Les pr\u00e9-ados, \u00e7a r\u00e2le, Marie-Stella A<\/p>"},{"id":1909,"type":2,"content":"

 <\/p>

La violence cach\u00e9e dans les mots
La violence cach\u00e9e dans un regard
La violence cach\u00e9e dans un SMS
La violence cach\u00e9e dans l\u2019amiti\u00e9
La violence cach\u00e9e dans l\u2019amour
La violence cach\u00e9e \u00e0 l\u2019int\u00e9rieur de nous
La violence cach\u00e9e dans le monde
La violence cach\u00e9e dans la tristesse
La violence cach\u00e9e dans la solitude
La violence cach\u00e9e dans l\u2019\u00e9chec
La violence cach\u00e9e dans l\u2019ado
La violence cach\u00e9e partout<\/p>

 <\/p>","label":"

Violences cach\u00e9es, Lili S<\/p>"},{"id":1910,"type":2,"content":"

 <\/p>

Je vais crier si fort qu\u2019aucun son ne sortira de ma bouche
Je vais crier si fort qu\u2019ils vont en \u00eatre bouche b\u00e9e
Je vais t\u2019aimer si fort que tu en pleureras
Je vais t\u2019aimer si fort que tu t\u2019en lasseras
Je vais pleurer si fort qu\u2019il y aura un lac
Je vais pleurer si fort que tu t\u2019y baigneras
Je vais souffler si fort que la Terre tremblera
Je vais souffler si fort qu\u2019il y aura un tsunami<\/p>

 <\/p>","label":"

Je vais crier si fort, L\u00e9ana D<\/p>"},{"id":1893,"type":2,"content":"

 <\/p>

Violence de
celui qui trahit
celui qui s\u00e8me la haine
celui qui tue
celui qui soigne
celui qui meurt
celui qui survit
celui qui est fort
celui qui est sans piti\u00e9<\/p>

 <\/p>","label":"

Violence de, Hugo A<\/p>"},{"id":1911,"type":2,"content":"

 <\/p>

Je de d\u00e9testerai si fort que Dieu criera
Je te d\u00e9testerai si fort que j\u2019aurais envie de te frapper
Je te d\u00e9testerai si fort que je te le hurlerai
Je te d\u00e9testerai si fort que j\u2019en pleurerai, que tu en pleureras
Je te d\u00e9testerai si fort, tu en mourras violemment
dans une souffrance aussi grande que l\u2019oc\u00e9an
Je te d\u00e9testerai si fort que le monde entier ressentira ma haine
Je te d\u00e9testerai si fort que ta pendaison sera un ch\u00e2timent trop doux
Je te d\u00e9testerai tellement\u2026<\/p>

Je te souhaite tout le malheur du monde.<\/p>

 <\/p>","label":"

Ma col\u00e8re, Elias F<\/p>"},{"id":1912,"type":2,"content":"

 <\/p>

dans la guerre il y a
ton p\u00e8re, des armes, la mort, la victoire
apr\u00e8s tout \u00e7a
il n\u2019y a plus rien\u2026<\/p>

je vais tellement pleurer
qu\u2019il y aura une rivi\u00e8re
je vais tellement pleurer
que je n\u2019arriverai plus \u00e0 sourire
je vais tellement pleurer
que je n\u2019arriverai plus \u00e0 parler
je vais tellement pleurer
que j\u2019en oublierai pourquoi.<\/p>

 <\/p>","label":"

Dans la guerre il y a, Iman C<\/p>"},{"id":1913,"type":2,"content":"

 <\/p>

LA VIOLENCE C\u2019EST UN COUP
LA VIOLENCE C\u2019EST UN MOT
LA VIOLENCE C\u2019EST UNE PHRASE
LA VIOLENCE C\u2019EST TOUT \u00c7A
LA VIOLENCE C\u2019EST \u00c0 L\u2019\u00c9COLE
LA VIOLENCE C\u2019EST DANS LES TRANSPORTS
LA VIOLENCE C\u2019EST DANS LA MAISON
LA VIOLENCE C\u2019EST PARTOUT
LA VIOLENCE C\u2019EST LA JOIE
LA VIOLENCE C\u2019EST LA COL\u00c8RE
LA VIOLENCE C\u2019EST LA TRISTESSE
LA VIOLENCE C\u2019EST LA PEUR
LA VIOLENCE C\u2019EST NOS \u00c9MOTIONS<\/p>

 <\/p>","label":"

LA VIOLENCE C\u2019EST UN COUP, Mona G<\/p>"},{"id":1914,"type":2,"content":"

 <\/p>

Y\u2019a celui qui a la haine
Y\u2019a celui qui aime la violence
Y\u2019a celui qui a des armes
Y\u2019a celui qui a de la col\u00e8re
Y\u2019a celui qui a peur du sang
Y\u2019a celui qui fait du feu
Y\u2019a celui qui est dans l\u2019ombre
Y\u2019a celui qui a ce cache
Y\u2019a celui qui se sacrifie
Y\u2019a celui qui crie sa douleur
Et y\u2019a celui qui meurt<\/p>

 <\/p>","label":"

\u00c0 la guerre \u2026, Julien M<\/p>"},{"id":1915,"type":2,"content":"

 <\/p>

La violence est chez celui qui n\u2019aime pas ce qu\u2019il est
La violence est chez celle qui est timide et n\u2019ose pas s\u2019assumer
La violence est chez ce gar\u00e7on aussi,
qui joue les brutes mais pleure chaque soir
La violence est chez cette fille aussi, qui est populaire
et cache son vrai visage sous son maquillage
La violence est chez lui, elle, eux
le gar\u00e7on, la fille et tous les autres qui oublient leurs \u00e9motions
et couvrent leurs visages d\u2019un sourire
La violence on peut choisir de l\u2019ignorer
ou simplement, lui dire de s\u2019en aller.<\/p>

 <\/p>","label":"

La violence c\u2019est chez lui, elle, eux\u2026, Capucine G<\/p>"},{"id":1916,"type":2,"content":"

 <\/p>

Les enfants non accompagn\u00e9s sont interdits dans ce magasin ! Ils courent, sautent et crient.  \u00ab Ho ! Mais arr\u00eatez de crier bon sang ! \u00bb C\u2019est ce que je me dis dans la t\u00eate. Et \u00e7a, \u00e0 chaque fois\u2026 Mais bon. Je ne dis rien\u2026 quand je les vois voler des bonbons\u2026 Avec cet air de petit diablotin\u2026 \u00c7a m\u2019\u00e9nerve ! Mais le pire du pire ! Ce sont leurs parents ! \u00c0 tra\u00eener leurs gosses dans tout le magasin. Pour les faire sortir et faire un tour. Alors bien s\u00fbr\u2026 Je ne pense pas que tous les enfants soient comme \u00e7a. Certains sont sages comme des images. Jouent calmement, ne pleurent pas \u2026 Mais bon\u2026 Ayant \u00e9t\u00e9 moi-m\u00eame une enfant, je ne pense pas que j\u2019 \u00e9tais turbulente. Enfin\u2026 euh\u2026 j\u2019esp\u00e8re\u2026 parfois je me dis\u2026 Et si tous ces enfants voulaient juste un peu plus d\u2019attention ? Qu\u2019en pensez-vous ?
 <\/p>","label":"

Les enfants non accompagn\u00e9s, Nelly M<\/p>"},{"id":1917,"type":2,"content":"

 <\/p>

Qu\u2019est ce que je pourrais faire
pour que vous me regardiez ?
Je pourrais vous sourire ?
Je pourrais brandir une pancarte ?
Je pourrais vous faire rire ?
Je pourrais danser ?
Je pourrais chanter ?
Je pourrais vous tendre la main ?
Je pourrais vous aborder ?
Je pourrais vous parler ?
Je pourrais faire tout \u00e7a
vous ne me verriez toujours pas\u2026<\/p>

 <\/p>","label":"

La rue, Vincent A<\/p>"},{"id":1918,"type":2,"content":"

 <\/p>

LA VIOLENCE EST INSTABLE \u2013 INDESTRUCTIBLE.
COMME UN MONSTRE \u00c0 PLUSIEURS T\u00caTES.
\u00c0 CHAQUE FOIS QU\u2019ON LUI COUPE UNE T\u00caTE,
ELLE REPOUSSE \u2013 PLUS AFFREUSE
ET PLUS REPOUSSANTE ENCORE
 <\/p>","label":"

La violence est un monstre, Antoine O<\/p>"},{"id":1919,"type":2,"content":"

 <\/p>

Les enfants ont de la chance. Ils ne savent pas la chance qu\u2019ils ont. Les enfants ont de la chance de manger. Les enfants ont de la chance de s\u2019habiller. Les enfants ont de la chance d\u2019aller dans une bonne \u00e9cole. Les enfants ont de la chance de vivre dans une maison, parce que certains enfants n\u2019ont pas cette chance. Les enfants ont de la chance d\u2019avoir leurs deux parents qui s\u2019aiment. Les enfants ont de la chance de f\u00eater les f\u00eates des enfants qui ont de la chance. Les enfants ont de la chance de suivre des cours particuliers. Les enfants ont de la chance que leurs parents aient de l\u2019argent. Les enfants ont de la chance d\u2019avoir des cadeaux \u00e0 leurs anniversaires et de f\u00eater les enfants qui ont de la chance. Les enfants ont de la chance d\u2019\u00eatre en bonne sant\u00e9.
 <\/p>","label":"

Les enfants ont de la chance!, Mathieu P<\/p>"},{"id":1920,"type":2,"content":"

 <\/p>

Celui qui fabrique les armes,
mais qui ne peut se d\u00e9fendre
Celle qui se fait torturer
Celle qui souffre
Celui qui va au front
Celui qui se fait tirer dessus
Celle qui crie
Celui qui ramasse les corps
Celui qui est en deuil
avec le sang des autres
sur les mains<\/p>

 <\/p>","label":"

La guerre c\u2019est, \u00c9lise B<\/p>"},{"id":1894,"type":2,"content":"

 <\/p>

Les ados SMS en disant quoi \u2013 toi \u2013 moi \u2013 \u00e7a
Les ados likent \u2013 s\u2019abonnent- ils ne font pas attention \u00e0 leurs amis
Les ados mettent leurs \u00e9couteurs \u2013 en oublient le monde r\u00e9el
Les ados sont de plus en plus sur leurs t\u00e9l\u00e9phones
Les ados oublient le monde dans lequel ils vivent<\/p>

 <\/p>","label":"

SMS, Valentine M<\/p>"},{"id":1921,"type":2,"content":"

 <\/p>

J\u2019ai pleur\u00e9 si fort que je me suis noy\u00e9e dans mes larmes
J\u2019ai pleur\u00e9 si fort que la mer s\u2019est mise \u00e0 monter
J\u2019ai pleur\u00e9 si fort que tu vas me le payer
J\u2019ai pleur\u00e9 si fort que ce souvenir va me hanter
J\u2019ai pleur\u00e9 si fort que je ne peux plus te regarder
J\u2019ai pleur\u00e9 si fort que je suis d\u00e9shydrat\u00e9e
J\u2019ai pleur\u00e9 si fort que j\u2019en oublie pourquoi
J\u2019ai pleur\u00e9 si fort que je ne sourirai plus
J\u2019ai pleur\u00e9 si fort que je n\u2019y arrive plus
J\u2019ai pleur\u00e9 si fort et c\u2019est \u00e0 cause de toi.<\/p>

 <\/p>","label":"

J\u2019ai pleur\u00e9 si fort que je me suis noy\u00e9e, Maryline M<\/p>"},{"id":1922,"type":2,"content":"

 <\/p>

La violence est un geste                      Le silence est un geste
La violence est une phrase                 Le silence est une phrase
La violence est une image                  Le silence est une image
La violence est toute petite                Le silence est tout petit
La violence est violente                       Le silence est violent
La violence est grande                         Le silence est grand
La violence est tout pr\u00e8s                     Le silence est tout pr\u00e8s
La violence est en nous                       Le silence est en nous
La violence est autour de nous        Le silence est autour de nous
La violence est sur tout                      Le silence est sur tout
La violence c\u2019est surtout\u2026.               Le silence c\u2019est surtout\u2026.
La violence est destructrice             Le silence est destructeur
La violence m\u00e8ne au suicide            Le silence m\u00e8ne au suicide
La violence nous rejette                    Le silence nous rejette
La violence est partout                      Le silence est partout
La violence d\u00e9range                            Le silence d\u00e9range
La violence fait renaitre                    Le silence fait renaitre
La violence est belle                            Le silence est beau
La violence est amour                        Le silence est amour
La violence nous taquine                  Le silence nous taquine
La violence est tout                             Le silence est tout
La violence est un atome                  Le silence est un atome
La violence est importante              Le silence est important<\/p>

 <\/p>","label":"

La violence est un geste, Gr\u00e9goire L<\/p>"},{"id":1895,"type":2,"content":"

 <\/p>

La violence dans ton regard
la violence qui fait mal
la violence inutile
la violence avec les mots
la violence sans les mots
la violence dans tes actes
la violence dans le m\u00e9tro
la violence sur la feuille
la violence sur le message
la violence sur ta gueule
la violence de l\u2019amour
la violence de la haine
la violence de la maladie
la violence dans tes yeux
la violence dans les larmes
la violence sur les cris
la violence des secrets
la violence sans secrets
la violence dans ce mail
la violence de la porte qui claque
la violence de la chute
la violence de l\u2019\u00e9chec scolaire
la violence du 93
la violence de cet adieu
la violence de penser
la violence des regrets
la violence de cette note
la violence un peu conne
la violence de ce r\u00eave
la violence de l\u2019espoir
la violence de la nature une fois par mois
la violence du :  bref tu comprends pas !
la violence du jugement au premier regard
la violence de ce mot qui ne vient pas
la violence de celui qui ne viendra pas
la violence de ce non
la violence de l\u2019ouverture facile qui s\u2019ouvre pas
la violence de ce sentiment
la violence qui m\u2019\u00e9nerve
la violence r\u00e9elle
la violence de penser
la violence de tes clash
la violence de la v\u00e9rit\u00e9
la violence de ta blague raciste
la violence du ouais grave !
quand tu penses l\u2019inverse
la violence de te voir
la violence de me voir
la violence de nous voir
la violence de ne pas y arriver
la violence de la vie
la violence de cet homme ce matin
la violence sur les gens<\/p>

 <\/p>","label":"

violence en 2 min, Salom\u00e9 B<\/p>"},{"id":1896,"type":2,"content":"

 <\/p>

Pour faire la guerre il faut :
De la haine, de la peur, de la ranc\u0153ur
qui restera dans nos c\u0153urs.
Des armes qui feront couler les larmes,
des bombes qui occuperont les tombes
et des bateaux qui nous feront sombrer dans l\u2019eau<\/p>

 <\/p>","label":"

Pour faire la guerre, Samuel M<\/p>"},{"id":1897,"type":2,"content":"

 <\/p>

La violence est dangereuse
La violence est grande
La violence n\u2019arrange pas les choses
La violence ne sert \u00e0 rien
La violence est partout
La violence d\u00e9range
La violence c\u2019est moi
La violence c\u2019est toi
La violence c\u2019est nous
La violence c\u2019est vous
La violence c\u2019est tout<\/p>

 <\/p>","label":"

La violence, Lilly R<\/p>"},{"id":1898,"type":2,"content":"

 <\/p>

Celui qui ne parle plus
Celui qui se laisse faire par elle
Celui qui maintenant ne m\u2019aime plus
Celui que j\u2019aimerais retrouver
Celui qui \u00e9tait mon fr\u00e8re ador\u00e9
Celui qui maintenant est juste mon fr\u00e8re<\/p>

Celle qui me le vole
Celle qui d\u00e9teste ma famille
Celle qui veut g\u00e2cher ma vie de famille
Celle qui est apparemment sa copine
Celle qui l\u2019utilise<\/p>

Celui qui est aveugl\u00e9 par l\u2019amour
Celui qui donnerait tout pour elle
Celui qui n\u2019a plus d\u2019argent \u00e0 cause de
Celle qui veut en toujours plus
Celle qui te d\u00e9truit peu \u00e0 peu
Celle que je hais
Celui que j\u2019aimais<\/p>

 <\/p>","label":"

Celui qui ne parle plus, Aselle F<\/p>"},{"id":1899,"type":2,"content":"

 <\/p>

La violence ce sont des mots
La violence ce sont des actes
La violence se trouve \u00e0 l\u2019\u00e9cole, dans la rue
La violence est stupide, tr\u00e8s stupide
La violence est gratuite
La violence est volontaire
La violence \u00e7a fait peur, c\u2019est r\u00e9el
La violence on s\u2019y habitue
La violence est lourde
La violence nous d\u00e9passe<\/p>

 <\/p>","label":"

La violence ce sont des mots, M\u00e9lia G<\/p>"},{"id":1900,"type":2,"content":"

 <\/p>

Les enfants \u2013 une bonne gifle \u00e7a n\u2019a jamais nuit
Les enfants \u2013 une bonne gifle \u00e7a ne peut pas faire de mal
Les enfants \u2013 une bonne gifle \u00e7a les fait pas forc\u00e9ment \u00e9couter
Les enfants \u2013 une bonne gifle et \u00e7a doit les rel\u00e2cher
Les enfants \u2013 une bonne gifle ils ne peuvent pas nous en vouloir
Les enfants \u2013 une bonne gifle et ils pleurent
Les enfants \u2013 une bonne gifle et qu\u2019est-ce qu\u2019ils crient
Les enfants \u2013 une bonne gifle et ils deviennent violents
Les enfants \u2013 une bonne gifle et ils gifleront
Les enfants sont comme leurs parents
Alors t\u2019en veux une autre ?<\/p>

 <\/p>","label":"

La bonne gifle, Sarah M<\/p>"},{"id":2000,"type":2,"content":"

 <\/p>

Je prom\u00e8ne au dedans de moi, une route inconnue je ne sais pas o\u00f9 aller, un endroit inconnu o\u00f9 tout m\u2019est inconnu. Je suis perdu comme je ne sais pas quoi\u2026 je d\u00e9teste \u00eatre perdue !<\/p>

O\u00f9 cette route m\u2019emm\u00e8ne ? surtout qu\u2019il n\u2019y a pas de voiture, c\u2019est d\u00e9sert, compl\u00e8tement abandonn\u00e9, je traverse et je me fait pousser par une force ext\u00e9rieure. Est-ce le vent ou simplement moi ?<\/p>

 <\/p>","label":"

Simplement moi, Elia<\/p>"},{"id":2009,"type":2,"content":"

 <\/p>

Cher morceau de volcan, ton go\u00fbt est si fade, ton odeur m\u2019inspire le chocolat, tu es si craquant, ton bruit est aigu en plus tu mets de la poussi\u00e8re partout, tu viens de l\u2019Italie ne l\u2019oublie pas, en plus tu me piques.<\/p>

 <\/p>","label":"

Cher morceau de volcan, Marwa<\/p>"},{"id":2010,"type":2,"content":"

 <\/p>

Je prom\u00e8ne au-dedans de moi une route que je suis par instinct, peut-\u00eatre bien que ce n\u2019est pas la meilleure des routes mais mon c\u0153ur pense que c\u2019est la bonne. Je voyagerais dans le futur pour voir ce que mon c\u0153ur et ma t\u00eate avait choisi \u00e0 mon jeune \u00e2ge.<\/p>","label":"

La meilleure des routes, Arac\u00e9lis <\/p>"},{"id":2011,"type":2,"content":"

 <\/p>

Je suis une temp\u00eate qui se propage dans une ville, les probl\u00e8mes de tous les habitants se r\u00e9unissent et s\u2019installent dans notre vie. Leurs trajets sont al\u00e9atoires, ils vont de gauche \u00e0 droite, du nord au sud, d\u2019un pays \u00e0 un autre.<\/p>

On devient faible \u00e0 cause de nos erreurs mais c\u2019est gr\u00e2ce \u00e0 nos peurs qu\u2019on devient plus courageux, c\u2019est en allant de l\u2019avant qu\u2019on peut continuer le feu.<\/p>

 <\/p>","label":"

Continuer le feu, Suzanne<\/p>"},{"id":2012,"type":2,"content":"

 <\/p>

Tu es froid et rugueux<\/p>

Tu me griffe la peau<\/p>

Tu as de l\u2019acn\u00e9<\/p>

Et si tu \u00e9tais en fait un homme que me dirait tu ?<\/p>

J\u2019ai peur que des choses sortent de tes trous<\/p>

Tu me fais penser \u00e0 des gros rochers o\u00f9 se terrent certains crabes.<\/p>

   <\/p>","label":"

Dans ma main \/ un bout de volcan, L\u00e9andro<\/p>"},{"id":2013,"type":2,"content":"

 <\/p>

Cher bout de volcan,<\/p>

Tu es froid et tu brilles<\/p>

Tu es petit avec des petits trous<\/p>

Tu mets de la poussi\u00e8re partout<\/p>

Tu es tr\u00e8s l\u00e9ger<\/p>

Et je te garderais chez moi.<\/p>

 <\/p>","label":"

Tu es froid et tu brilles, Henriette<\/p>"},{"id":2014,"type":2,"content":"

 <\/p>

Le bout de volcan est noir avec plein de trucs qui tombent et il est dur.<\/p>

Avant c\u2019\u00e9tait de la lave, il a des taches blanches et des petits trous, il est tr\u00e8s l\u00e9ger.<\/p>

Et il a des fissures.<\/p>

Il n\u2019a pas d\u2019odeur et au toucher je sens plein de petits piques.<\/p>

Je ne ressens rien quand je le touche.<\/p>

Je vais le mettre sur mon meuble.<\/p>

 <\/p>","label":"

Bout de volcan, Khalissa<\/p>"},{"id":2016,"type":2,"content":"

 <\/p>

Je submerge l\u2019abus de pouvoir<\/p>

J\u2019inonde l\u2019injustice<\/p>

Je tourbillonne les menaces des CPE<\/p>

Je grandi et noie les personnes de mauvaises foi<\/p>

Je mets \u00e0 plat les id\u00e9es que l\u2019on cr\u00e9e<\/p>

Je suis le tsunami<\/p>

 <\/p>","label":"

Tsunami, L\u00e9andro<\/p>"},{"id":2001,"type":2,"content":"

 <\/p>

Je suis secousses sismiques<\/p>

Je fais trembler les personnes de mauvaise foi<\/p>

Je fais dispara\u00eetre l\u2019injustice dans les entrailles de la terre avec la violence conjugale.<\/p>

 <\/p>","label":"

Je suis sismiques, Loryn<\/p>"},{"id":2002,"type":2,"content":"

 <\/p>

Je suis un volcan et j\u2019expulse des bombes volcaniques pour \u00e9craser les abus de pouvoir<\/p>

Je suis une bombe volcanique j\u2019explose les in\u00e9galit\u00e9s d\u2019argent<\/p>

Je suis l\u2019explosion de cette bombe je d\u00e9truit la disproportion judiciaire.<\/p>

 <\/p>","label":"

Je suis un volcan, Mario<\/p>"},{"id":2003,"type":2,"content":"

 <\/p>

Je prom\u00e8ne au dedans de moi, une route qui va et disparait quand je travaille, que mon imagination se dissout au del\u00e0 de mes \u00e9motions et toutes choses, je sais que la vie est mourante et que la mort est vivante et lib\u00e9ratrice des cha\u00eenes du monde, le monde se dissout et nous on attend, en laissant faire, eux, vous, les gens.<\/p>

Toi qui danse et mange ses cendres qui bouge gr\u00e2ce \u00e0 des cadavres et mange de l\u2019herbe pour la \u00ab plan\u00e8te \u00bb. Vous les gens qui veulent de l\u2019argent et d\u00e9trousse l\u2019imagination, disparaissez et laissez les autres, et pas vous, grandir.<\/p>

 <\/p>","label":"

Laissez grandir !, Albert<\/p>"},{"id":2004,"type":2,"content":"

 <\/p>

Je prom\u00e8ne au dedans de moi une route. Elle m\u2019am\u00e8ne vers des territoires inconnus, d\u2019immenses terres en friches d\u00e9laiss\u00e9es depuis des ann\u00e9es. Je m\u2019y installe et m\u2019y sens \u00e9trang\u00e8re. Je m\u2019y rencontre et me m\u00e9fie de moi-m\u00eame, comme d\u2019un indig\u00e8ne du nouveau-monde. Pourtant cet autre moi m\u2019accueille. Alors, je m\u2019aventure vers lui et \u00e9pouse les d\u00e9tails de son visage. Je traverse la vall\u00e9e de ses larmes, me glisse dans ses rides-sourires, rides-soleil. Son regard est profond et bienveillant : je comprends qu\u2019enfin, je suis pardonn\u00e9e.<\/p>

 <\/p>","label":"

au dedans de moi une route, Lucie <\/p>"},{"id":2005,"type":2,"content":"

 <\/p>

Comme un volcan en \u00e9ruption, j\u2019explose de col\u00e8re, cause des tremblements de terre et des tsunamis qui engloutissent des villes, des villages, d\u00e9truisent des b\u00e2timents, des immeubles. Tel un animal sauvage je tue pour me nourrir et assurer ma survie. Tel un homme je tue pour nourrir mes besoins meurtrier de haine et de m\u00e9contentement. Tel un morceau de charbon je me consume de col\u00e8re. Un typhon violent et dangereux tourne tourne tourne dans ma t\u00eate jusqu\u2019\u00e0 \u00eatre expuls\u00e9 et ex\u00e9cuter par l\u2019\u00eatre vivant que je suis.<\/p>

 <\/p>","label":"

AVALER \u2013 TSUNAMI, Mario<\/p>"},{"id":2006,"type":2,"content":"

 <\/p>

Ma col\u00e8re monte<\/p>

ne veux plus redescendre<\/p>

on se bat d\u2019animal en animal<\/p>

et explose<\/p>

et redescend<\/p>

apr\u00e8s m\u2019\u00eatre d\u00e9foul\u00e9.<\/p>

 <\/p>","label":"

D\u00c9 FOU LER, Ang\u00e9lina<\/p>"},{"id":2007,"type":2,"content":"

 <\/p>

Comme un volcan je tue la nature, \u00e9carlatement rouge flamme, dangereusement avec les animaux tueurs. Ils sont comme dans un typhon, ils d\u00e9truisent tout.<\/p>","label":"

TOUT, Loryn<\/p>"},{"id":2008,"type":2,"content":"

 <\/p>

Je suis l\u2019orage qui ne sent rien, qui n\u2019a ni pluie, ni foudre.<\/p>

Chaque insulte, injustice, chaque abus de pouvoir de dirigeants imb\u00e9ciles, chaque discrimination qui se victimise.<\/p>

En attendant que le soleil revienne, je ne sens rien, pas d\u2019\u00e9motion, en cr\u00e9ant une fausse impression d\u2019orage.<\/p>

 <\/p>","label":"

Je suis l\u2019orage, Ilias<\/p>"},{"id":1956,"type":2,"content":"

 <\/p>

JE SORS<\/p>

DU CHAOS COMME DES<\/p>

mais<\/strong>

je suis chaos aujourd\u2019hui<\/strong>

et<\/strong>

dans<\/strong><\/p>

IMMEUBLES<\/p>

le<\/strong><\/p>

EFFONDR\u00c9S<\/p>

d\u00e9sordre <\/strong>arrondi en forme de grand globe arrondi en forme de grand globe <\/i><\/p>

LA CR\u00c9ATION DES RUINES TRANSFORME <\/strong>sous les vents rapides sous les vents rapides sous les vents rapides sous les vents rapides sous les vents <\/i><\/p>

L\u2019ANARCHIE IMPR\u00c9VISIBLE<\/strong><\/p>

 <\/p>","label":"

Grand globe arrondi sous les vents rapides, Eros<\/p>"},{"id":1965,"type":2,"content":"

La voiture pour polluer<\/p>

Le soleil pour les coups de soleil<\/p>

Les gilets jaunes contre Macron<\/p>

Dormir pour r\u00eaver<\/p>

Danser pour oublier<\/p>

Ma m\u00e8re pour les ennuis<\/p>

Mon p\u00e8re pour la vie<\/p>

*<\/p>

Je ne supporte pas les personnes qui me mangent dans l\u2019oreille, qui mangent la bouche ouverte, qui coupe la parole<\/p>

*<\/p>

C\u2019est les disputes avec mon copain et de perdre un proche et de me disputer avec les gens que j\u2019aime<\/p>

C\u2019est ce qui me fait mourir<\/p>

*<\/p>

C\u2019est mon p\u00e8re et ma famille<\/p>

C\u2019est rigoler et danser<\/p>

C\u2019est ce qui me fait vivre<\/p>

 <\/p>","label":"

Kim<\/p>"},{"id":1966,"type":2,"content":"

 <\/p>

Comment ne pas succomber \u00e0 la rage sur mes voisins<\/strong><\/i><\/p>

Je ne veux pas frapper mes voisins ni les personnes qui se croient sup\u00e9rieures juste parce qu\u2019ils m\u2019interrompent pendant ma s\u00e9rie, mais s\u2019ils continuent \u00e0 insulter sans raisons et \u00e0 tout bout de champ, je les tuerai \u00e0 coup s\u00fbr, donc j\u2019\u00e9cris tout ce qui me passe par la t\u00eate pour oublier la rage et la col\u00e8re:<\/p>

les fen\u00eatres pour laisser rentrer le vent<\/p>

les tableaux \u00e0 craie pour dessiner<\/p>

Ma soeur pour me distraire dans mes devoirs<\/p>

Les gar\u00e7ons pour donner des doutes \u00e0 ma famille<\/p>

Les v\u00eatements pour la marque<\/p>

L\u2019oiseau pour lui tirer dessus<\/p>

L\u2019ordinateur pour nous rendre analphab\u00e8tes<\/p>

***<\/p>

Les textes pour trouver un sens cach\u00e9<\/p>

La religion pour faire la guerre<\/p>

Les langues pour s\u2019insulter<\/p>

Les yeux pour voir des choses qui servent \u00e0 rien<\/p>

Les animaux pour se r\u00e9veiller \u00e0 5 heures du matin<\/p>

L\u2019histoire pour savoir qui est mort<\/p>

L\u2019\u00e9cole contre l\u2019imagination<\/p>

Les s\u00e9ries pour perdre sa vie<\/p>

Les livres pour r\u00eaver<\/p>

L\u2019oc\u00e9an pour se perdre dans les vagues<\/p>

Les mangas pour le fan service<\/p>

Les chocolat fondu pour en mettre autour de sa bouche<\/p>

L\u2019oc\u00e9an pour le traverser<\/p>

Les com\u00e9dies musicales pour avoir une musique dans la t\u00eate<\/p>

La famille pour oublier les probl\u00e8mes<\/p>

L\u2019oc\u00e9an pour le peindre<\/p>

Les dessins contre l\u2019habitude<\/p>

Le soleil pour s\u2019aveugler<\/p>

Les amies pour nous \u00e9nerver<\/p>

Les crushes pour \u00eatre comme les autres<\/p>

Les langues pour s\u2019insulter en secret<\/p>

La musique pour casser les oreilles<\/p>

Les signes astrologiques pour se moquer des autres<\/p>

***<\/p>

La vie commence par la mort, le sentiment est cr\u00e9\u00e9 par la vie, le sentiment peut faire tr\u00e8s mal jusqu\u2019\u00e0 la mort qui cr\u00e9e la vie. La vie est une boucle infernale sans fin.<\/p>

Pour savoir si l\u2019on vit, on doit conna\u00eetre l\u2019effet de mourrir. Sans joie, il n\u2019y a pas de tristesse ni de peur sans probl\u00e8mes, sans r\u00eaves pas de Disney ni de rire<\/p>

 <\/p>","label":"

Comment ne pas succomber \u00e0 la rage sur mes voisins, Manel<\/p>"},{"id":1967,"type":2,"content":"

Un train pour d\u00e9railler<\/strong>Un train pour d\u00e9railler<\/p>

Jouer pour ne plus penser<\/p>

Les kebabs pour les produits frais<\/p>

Un feutre pour voir la vie multicolore<\/p>

Une cam\u00e9ra pour dormir devant<\/p>

Un r\u00e9veil pour le d\u00e9caler<\/p>

Le ski pour ressentir le froid<\/p>

Un livre pour ne pas l\u2019ouvrir<\/p>

Un clavier pour d\u00e9monter les touches<\/p>

Un Scrabble pour compter les voyelles<\/p>

Une porte pour grincer la nuit<\/p>

La piscine pour regarder l\u2019eau<\/p>

***<\/p>

Comment ne pas c\u00e9der \u00e0 une pulsion meurtri\u00e8re<\/p>

Quand  les gens me r\u00e9veillent \u00e0 7 heures<\/p>

Quand j\u2019ai des contr\u00f4les<\/p>

***<\/p>

Je vis quand je suis au ski<\/p>

Je meurs quand je fais mes devoirs<\/p>

Je vis quand je saute dans l\u2019eau<\/p>

Je meurs quand j\u2019ai des sanglots<\/p>

 <\/p>","label":"

Un train pour d\u00e9railler, Morgan<\/p>"},{"id":1968,"type":2,"content":"

 <\/p>

Je me sens comme un zombie au r\u00e9veil, je me sens bien avec ma famille, le mois de mars m\u2019a tu\u00e9e, je vis quand je vois Lisa<\/p>

Les habits pour se changer<\/p>

La famille, pour me soutenir<\/p>

Les cours, pour m\u2019endormir<\/p>

Le t\u00e9l\u00e9phone, pour les r\u00e9seaux<\/p>

La danse, pour s\u2019exprimer<\/p>

Lisa, pour les conneries<\/p>

Manger, pour grossir<\/p>

Ma famille, mon bonheur<\/p>

Mes amis pour, rigoler<\/p>

Les nuages pour, imaginer<\/p>

Les cheveux, pour les toucher<\/p>

Le maquillage, pour \u00eatre plus belle<\/p>

Le rouge-\u00e0-l\u00e8vres, pour embellir les l\u00e8vres<\/p>

Les voyages, pour se vider la t\u00eate<\/p>

Les volets pour se prot\u00e9ger du mauvais oeil<\/p>

Les magasins pour le plaisir<\/p>

 <\/p>","label":"

Le mois de mars m\u2019a tu\u00e9e, Jade<\/p>"},{"id":1969,"type":2,"content":"

 <\/p>

Dormir pour ronfler et baver<\/p>

Le sport pour se torturer<\/p>

Jouer pour rager<\/p>

Regarder des vid\u00e9os pour dormir<\/p>

Des chaussures pour collectionner les bo\u00eetes<\/p>

La famille pour s\u2019engueuler<\/p>

Un livre pour s\u2019appuyer quand on \u00e9crit<\/p>

Les canap\u00e9s pour que les chats fassent leurs griffes<\/p>

Un compas pour faire Rosace<\/p>

Une fen\u00eatre pour \u00e9craser notre visage dessus<\/p>

Les lumi\u00e8res pour faire Jour \/ Nuit<\/p>

Une sonnerie pour sursauter<\/p>

Un dictionnaire pour chercher des mots insolites<\/p>

Le luxueux pour se vanter de notre richesse<\/p>

Une \u00e9nigme pour se casser la t\u00eate<\/p>

Un casse-t\u00eate pour casser les pieds.<\/p>

***<\/p>

Je vis quand je fais du sport<\/p>

Mon coeur palpite quand je ris<\/p>

Je m\u2019exalte quand j\u2019ai du succ\u00e8s<\/p>

Je me maintiens en vie gr\u00e2ce \u00e0 mes ami.e.s et \u00e0 ma famille<\/p>

Je meurs quand je m\u2019ennuie<\/p>

Je br\u00fble de peine \u00e0 cause d\u2019une dispute<\/p>

Je me d\u00e9sint\u00e8gre lors d\u2019une d\u00e9faite<\/p>

 <\/p>","label":"

Une fen\u00eatre pour \u00e9craser notre visage dessus, Tom<\/p>"},{"id":1970,"type":2,"content":"

 <\/p>

Dormir pour ronfler et baver<\/p>

Le sport pour se torturer<\/p>

Jouer pour rager<\/p>

Regarder des vid\u00e9os pour dormir<\/p>

Des chaussures pour collectionner les bo\u00eetes<\/p>

La famille pour s\u2019engueuler<\/p>

Un livre pour s\u2019appuyer quand on \u00e9crit<\/p>

Les canap\u00e9s pour que les chats fassent leurs griffes<\/p>

Un compas pour faire Rosace<\/p>

Une fen\u00eatre pour \u00e9craser notre visage dessus<\/p>

Les lumi\u00e8res pour faire Jour \/ Nuit<\/p>

Une sonnerie pour sursauter<\/p>

Un dictionnaire pour chercher des mots insolites<\/p>

Le luxueux pour se vanter de notre richesse<\/p>

Une \u00e9nigme pour se casser la t\u00eate<\/p>

Un casse-t\u00eate pour casser les pieds.<\/p>

***<\/p>

Je vis quand je fais du sport<\/p>

Mon coeur palpite quand je ris<\/p>

Je m\u2019exalte quand j\u2019ai du succ\u00e8s<\/p>

Je me maintiens en vie gr\u00e2ce \u00e0 mes ami.e.s et \u00e0 ma famille<\/p>

Je meurs quand je m\u2019ennuie<\/p>

Je br\u00fble de peine \u00e0 cause d\u2019une dispute<\/p>

Je me d\u00e9sint\u00e8gre lors d\u2019une d\u00e9faite<\/p>

 <\/p>","label":"

Une fen\u00eatre pour \u00e9craser notre visage dessus, Tom<\/p>"},{"id":1957,"type":2,"content":"

 <\/p>

La nuit pour les conseils<\/p>

Un chat pour d\u00e9penser en croquettes<\/p>

La t\u00e9l\u00e9 pour s\u2019ennuyer<\/p>

Le soleil pour se d\u00e9p\u00eacher de manger sa glace<\/p>

Un chat pour l\u2019amour sans r\u00e9ciproque<\/p>

Du noir pour en mettre beaucoup et faire ressortir le blanc<\/p>

Un chien pour \u00eatre aim\u00e9 et porter de l\u2019attention au chat<\/p>

Un d\u00e9lai pour courir<\/p>

Un donut pour avoir les doigts collants<\/p>

*<\/p>

Je ne vais pas tuer tout le monde, non, vaut mieux pas pour moi.<\/p>

Ne pense pas \u00e0 celui qui essayait de te faire croire que tu avais tort et qui te faisait perdre les mots.<\/p>

\u00c0 elle, l\u00e0, qui \u00e9tait mal habill\u00e9e, comment peut-on oser porter \u00e7a ?<\/p>

Tout le monde est contre moi, en plus ils insinuent que c\u2019est moi le probl\u00e8me !<\/p>

Ok, respire grrrr<\/p>

C\u2019est eux le probl\u00e8me.<\/p>

Pourquoi les gens sont si mal \u00e9duqu\u00e9s ???<\/p>

 <\/p>","label":"

Comment ne pas se sentir mal, Ninon<\/p>"},{"id":1958,"type":5,"fileUrl":"\/resources\/files\/file_65f5cd6a49ea3.pdf","label":"

Perturber l\u2019impr\u00e9visible Chaos<\/p>"},{"id":1959,"type":2,"content":"

 <\/p>

Je ne peux pas casser la t\u00eate aux gar\u00e7ons qui me cherchent.<\/strong><\/i><\/p>

 <\/strong><\/i>Je ne supporte pas qu\u2019ils me touchent le visage avec leurs mains sales, je ne supporte pas quand ils me d\u00e9coiffent et je ne peux pas les tuer. \u00c7a m\u2019\u00e9nerve quand ils me rigolent \u00e0 la figure alors que ch\u2019uis en crise.<\/p>

*<\/p>

Le t\u00e9l\u00e9phone pour te bloquer<\/p>

La musique pour s\u2019ambiancer<\/p>

M\u2019amuser pour rigoler<\/p>

Dormir pour r\u00eaver<\/p>

Les maths pour attraper des boutons<\/p>

La famille que j\u2019aime pour rigoler<\/p>

 <\/p>","label":"

Comment ne pas insulter les gar\u00e7ons quand ils me cherchent, Chiara<\/p>"},{"id":1960,"type":2,"content":"

 <\/p>

Je suis le CHAOS<\/strong> \/ cauchemar \/ \u00e9ruption \/ mort<\/strong> \/ d\u00e9sordonn\u00e9, puis<\/p>

JE<\/strong> sors des cauchemars<\/p>

qui<\/p>

le<\/p>

TRANSFORMENT<\/p>

le<\/p>

CHAOS<\/p>

en<\/p>

\u00e9l\u00e9ments<\/p>

(CR\u00c9ATION<\/strong>)<\/p>

 <\/p>","label":"

Je suis le chaos d\u00e9sordonn\u00e9, Chiara<\/p>"},{"id":1961,"type":2,"content":"

 <\/p>

Comment ne pas exploser de rage, comment ne pas exploser de rage quand je sais que des personnes parlent de moi en mal. Comment ne pas exploser de rage quand il y a des personnes qui me mentent, qui m\u2019insultent, qui critiquent ma fa\u00e7on de m\u2019habiller. Comment ne pas exploser de rage quand des personnes disent que je suis moche alors qu\u2019elles ne se sont pas regard\u00e9es dans un miroir. Comment ne pas exploser quand je sais que je veux les tuer ?<\/p>

 <\/p>","label":"

Comment ne pas exploser de rage, Onns<\/p>"},{"id":1962,"type":2,"content":"

 <\/p>

Comment ne pas tuer mon grand fr\u00e8re quand il me vole mes \u00e9couteurs pour jouer \u00e0 la play<\/strong><\/i><\/p>

Lundi, Mardi, Mercredi, Jeudi, Vendredi et enfin aujourd\u2019hui c\u2019est encore lui !<\/p>

Mon cher fr\u00e8re ch\u00e9ri m\u2019a vol\u00e9 mes \u00e9couteurs pour la sixi\u00e8me fois cette semaine.<\/p>

Alors, pour ne pas finir en prison, je vais courir (sans \u00e9couteurs) mais rien n\u2019y fait, je veux toujours le tuer, alors je cours pour encore plus m\u2019\u00e9nerver  jusqu\u2019\u00e0 m\u2019\u00e9puiser<\/p>

*<\/p>

La famille pour critiquer<\/p>

Ma grand-m\u00e8re pour la senteur caf\u00e9<\/p>

La prise de sang pour le petit bonbon<\/p>

Nager pour la fiert\u00e9<\/p>

Le cin\u00e9ma pour les si\u00e8ges odorants<\/p>

Cousin-Poule pour la discoth\u00e8que<\/p>

Kenny pour dans 4 ans<\/p>

Figari pour la salade uficonu<\/p>

La Corse pour le fiadone<\/p>

*<\/p>

Je m\u2019\u00e9nerve contre Georgette<\/p>

Je deviens verte courgette<\/p>

Mes sentiments se morfondent dans une rage immonde<\/p>

Mes larmes s\u2019\u00e9coulent<\/p>

Telles des roches qui s\u2019\u00e9croulent<\/p>

Un rire ivre<\/p>

Des pleurs rieurs<\/p>

Je ne ressens plus que douleurs<\/p>

J\u2019en pleure de labeur<\/p>

J\u2019aimerais \u00eatre un oiseau<\/p>

Mais je ne peux pas sortir la t\u00eate de l\u2019eau<\/p>

Ma libert\u00e9 ne d\u00e9pend que de ma fiert\u00e9<\/p>

Ma sobri\u00e9t\u00e9 ne d\u00e9pend que de la soir\u00e9e<\/p>

Je fais un appel au Christ quand je suis triste<\/p>

 <\/p>","label":"

Comment ne pas tuer mon grand fr\u00e8re quand il me vole mes \u00e9couteurs pour jouer \u00e0 la play, Letizia<\/p>"},{"id":1963,"type":2,"content":"

 <\/p>

Je ris, je pleure<\/p>

Je souris pour de faux<\/p>

Mon coeur palpite quand tu es pr\u00e8s de moi<\/p>

Je n\u2019aime que toi mais tu ne le comprends pas<\/p>

Ma vie se r\u00e9sume \u00e0 toi<\/p>

J\u2019ai grand peur du rejet donc je me tais<\/p>

*<\/p>

banc, pour s\u2019asseoir<\/p>

montre, pour le tic-tac<\/p>

t\u00e9l\u00e9phone, pour parler \u00e0 la personne que j\u2019aime<\/p>

lit, pour le bonheur<\/p>

dormir, pour r\u00eaver<\/p>

vie, pour mon mec<\/p>

manger, pour grossir<\/p>

immeuble, pour se prot\u00e9ger de l\u2019ext\u00e9rieur<\/p>

bois, pour la for\u00eat<\/p>

*<\/p>

Je n\u2019ai pas envie de tuer la reine mais je le ferai car elle le m\u00e9rite car elle se sent sup\u00e9rieure aux autres car elle s\u2019est prise pour une reine, sauf qu\u2019elle n\u2019est pas gentille et qu\u2019on tue les m\u00e9chantes reines.<\/p>

 <\/p>","label":"

Je ris, je pleure, Nihad<\/p>"},{"id":1964,"type":2,"content":"

 <\/p>

JE<\/strong><\/p>

 <\/p>

Je suis un cHaos<\/strong> cosmique<\/p>

 <\/p>

Je Transforme<\/strong> une agitation en ordre<\/p>

 <\/p>

la CR\u00c9ATION<\/strong> spatiale<\/p>

 <\/p>","label":"

Je suis un chaos cosmique, Kim<\/p>"},{"id":1793,"type":2,"content":"

 <\/p>

Je flottais dans l\u2019univers
envelopp\u00e9 de sombres mati\u00e8res
qui me donnaient des frissons
soudain je vis les couleurs
j\u2019entendis battre mon c\u0153ur<\/p>

Je n\u2019arrive pas \u00e0 imaginer
que je suis n\u00e9
 <\/p>","label":"

Je flottais dans l\u2019univers, Louis<\/p>"},{"id":1802,"type":2,"content":"

 <\/p>

J\u2019ai eu tort d\u2019abandonner
Le nid de la vie
Mes pens\u00e9es vides
Tout en ruines
J\u2019invente le chant automatique heureux
Que scande le coucou
De ses affreuses rotations
Oubli\u00e9es
Approuv\u00e9es par le territoire
Du pass\u00e9<\/p>

 <\/p>","label":"

J\u2019ai eu tort d\u2019abandonner, Roseline<\/p>"},{"id":1803,"type":2,"content":"

 <\/p>

Je pensais garder mon secret
en marchant je regarde une boule
dans l\u2019endroit bien fleuri Je touche la boule magique
Et le monde est \u00e0 l\u2019envers Je touche la boule magique
et le monde est \u00e0 l\u2019endroit Je pense que
la boule magique est m\u00e9chante Je touche encore la boule magique
des roses d\u00e9moniaques arrivent Plein de roses d\u00e9moniaques
Boule magique je veux des roses piranhas beaucoup de
roses piranhas Boule magique je veux
des roses sanguinaires beaucoup de roses sanguinaires
Boule magique je vous aime
et la boule magique s\u2019envole<\/p>

 <\/p>","label":"

Je pensais garder mon secret, Sabri<\/p>"},{"id":1804,"type":2,"content":"

 <\/p>

Je reste dans le noir, je ne connais pas la lumi\u00e8re
Je me cache du dehors, sans \u00e9motions, sans sentiments
Sans rien\u2026
Je reste dans l\u2019obscurit\u00e9
Et je m\u2019\u00e9teins
La nuit est comme la neige
Elle est l\u00e0 puis elle part
Tes cheveux flottent au vent
Comme un ange \u00e0 l\u2019image de mon c\u0153ur.<\/p>

 <\/p>","label":"

L\u2019ange dans l\u2019obscurit\u00e9, B\u00e9atriz<\/p>"},{"id":1805,"type":2,"content":"

 <\/p>

Les mouettes chantent alouette
jusqu\u2019\u00e0 ce que mon amie dise je t\u2019aime violette
je sature rature les graviers de l\u2019armoire
mon sac enfin se vide de tous les mauvais souvenirs<\/p>

 <\/p>","label":"

Les mouettes ou pas, Sabrina<\/p>"},{"id":1806,"type":2,"content":"

 <\/p>

La maison flotte
et chante le nuage d\u2019amour
goutte d\u2019eau qui
me donne des frissons l\u2019hiver
o\u00f9 l\u2019herbe est lumi\u00e8re<\/p>

derri\u00e8re cette lettre se cache
un chant d\u2019amour cette lueur au loin
\u00e9couter la pluie
c\u2019est Personne qui crie victoire<\/p>

 <\/p>","label":"

La maison flotte, C\u00e9line<\/p>"},{"id":1807,"type":2,"content":"

 <\/p>

Sous un ciel nuageux, je marchais<\/p>

en pensant \u00e0 toi.
J\u2019\u00e9tais perdue dans mes pens\u00e9es cherchant une excuse pour pouvoir t\u2019oublier.
Des gouttes commen\u00e7aient \u00e0 tomber.
J\u2019ouvris mon parapluie et continuai<\/p>

ma route me disant encore qu\u2019il fallait que je le fasse.
Je le levai et ton visage apparut comme par magie !
Tes fossettes quand tu souriais !
Je n\u2019oublierai jamais ton doux sourire<\/p>

qui me r\u00e9chauffait l\u2019hiver\u2026
 <\/p>","label":"

Je n\u2019oublierai jamais, Cynthia<\/p>"},{"id":1808,"type":2,"content":"

 <\/p>

Le syst\u00e8me trois d\u2019alouettes
est un th\u00e9or\u00e8me, certains
de mes amis comprennent
rien mais les ennemis de mes amis
sont mes amis mais mes ennemis
sont les amis de mes amis et eux
ont compris. L\u2019absence de
mouton ta grand-m\u00e8re la
muette intr\u00e9pide rime sans
bougie pourquoi ? comment ?
quoi ? qui ? Sature Pythagore.<\/p>

 <\/p>","label":"

Le syst\u00e8me trois d\u2019alouettes, Diar<\/p>"},{"id":1809,"type":2,"content":"

 <\/p>

goutte fluide qui coule comme
gr\u00eale tombe du ciel
les vaches chantent est-ce secret
peut-\u00eatre je ne sais pas
la vie est triste
s\u00fbrement je ne le dis pas<\/p>

 <\/p>","label":"

S\u00fbrement je ne le dis pas, Ewen<\/p>"},{"id":1810,"type":2,"content":"

 <\/p>

L\u2019amour est comme la mort,
car son c\u0153ur est carnivore.<\/p>

Les vaches sont vaches.<\/p>

La gr\u00eale est comme un chant de guerre.
Un bruit de combat siffle
et irrite mes oreilles.<\/p>

L\u2019amour est une source de vie qui se<\/p>

dilue au fil du temps, goutte \u00e0 goutte, dans le c\u0153ur de<\/p>

l\u2019enfant, de l\u2019ado, de l\u2019adulte,<\/p>

sans que son pouvoir ne disparaisse.<\/p>

 <\/p>","label":"

Ce r\u00e9cit est COURT, Ilan<\/p>"},{"id":1811,"type":2,"content":"

 <\/p>

Le sable chaud
les vagues d\u00e9ferlaient
l\u00e0 dans mes pens\u00e9es
envie de nager<\/p>

En voyant les nuages
\u00e0 travers le hublot
j\u2019admirais la beaut\u00e9
du ciel quand
les turbulences violentes
me ramen\u00e8rent \u00e0 la raison<\/p>

 <\/p>","label":"

L\u00e0 dans mes pens\u00e9es, Imane<\/p>"},{"id":1794,"type":2,"content":"

 <\/p>

Mon c\u0153ur est un syst\u00e8me
Il n\u2019y a pas de possibilit\u00e9
Je n\u2019ai pas trouv\u00e9 de lettres
Je n\u2019ai pas trouv\u00e9 de mots
mais j\u2019ai trouv\u00e9 ton c\u0153ur
Ton sombre c\u0153ur ne m\u2019inspire pas
mais il y a cette petite lumi\u00e8re<\/p>

 <\/p>","label":"

Mon c\u0153ur est un syst\u00e8me, Abdelrhamen<\/p>"},{"id":1812,"type":2,"content":"

 <\/p>

Je marche dans le jardin. Je fais du sport. Je joue au football et je marque des buts.<\/p>

Je m\u2019amuse dans la neige.<\/p>

Je vais acheter des v\u00eatements, je rentre \u00e0 la maison. Il y a une panne de courant, tout est noir, je ne peux pas essayer mes v\u00eatements.<\/p>

Il fait tr\u00e8s chaud dehors, je n\u2019arr\u00eate pas de transpirer, j\u2019ai besoin de me rafra\u00eechir.<\/p>

C\u2019est le matin, je suis \u00e0 la maison. L\u2019\u00e9lectricit\u00e9 est revenue. La maison est calme.
Je pr\u00e9f\u00e8re quand la maison est calme. Je n\u2019aime pas le bruit.<\/p>

 <\/p>","label":"

Je marche dans le jardin, Mounir<\/p>"},{"id":1813,"type":2,"content":"

 <\/p>

Les amis ce sont des gens qui t\u2019aident
qui prennent soin de toi
certains ne le font pas
dans la vie
il y en a
des amis<\/p>

 <\/p>","label":"

Les amis, Isaie<\/p>"},{"id":1814,"type":2,"content":"

 <\/p>

je vois tout noir
tout sombre
tout obscur
les autres voient tout en
rose c\u2019est l\u2019oppos\u00e9 de moi
les gens sont heureux et moi
pas<\/p>

 <\/p>","label":"

je vois tout noir, Zakaria<\/p>"},{"id":1815,"type":2,"content":"

 <\/p>

La lune r\u00eave les oliviers
au-dessus du lac endormi 
o\u00f9 traversent les barques allant<\/p>

\u00e0 l\u2019impossible.<\/p>

Tombent des gouttes de pluie.<\/p>

L\u2019\u00e2cre blessure n\u2019a pas encore livr\u00e9<\/p>

son aurore.
Sur l\u2019\u00eele un anneau d\u2019\u00e9toiles
forg\u00e9 par le vent
souligne le sable.<\/p>

 <\/p>","label":"

La lune r\u00eave les oliviers, Jade<\/p>"},{"id":1816,"type":2,"content":"

 <\/p>

je vous \u00e9cris ce texte en prose<\/p>

en suivant un flux d\u2019imagination et<\/p>

de r\u00e9flexion ce jeu<\/p>

n\u2019est pas un jeu mais
un secret qui arrive \u00e0 son terme,<\/p>

j\u2019agis sans rame et bient\u00f4t
nous vous conterons cette morale : des sauts dans l\u2019imaginaire<\/p>

ne font pas de mal ! <\/p>

apr\u00e8s cela une gr\u00eale
de couleur vous envahira l\u2019esprit<\/p>

et vous prendrez part
\u00e0 ce combat qu\u2019est la po\u00e9sie<\/p>

 <\/p>","label":"

je vous \u00e9cris ce texte, Mathys<\/p>"},{"id":1817,"type":2,"content":"

 <\/p>

Je t\u2019aime \u00e0 l\u2019envers,
Les larmes coulent,
Des larmes qui sont le poids de ma douleur,
Comme l\u2019expression d\u2019une d\u00e9pression,
Mon soleil est noir il n\u2019y a plus d\u2019espoir<\/p>

 <\/p>","label":"

je t\u2019aime \u00e0 l\u2019envers,  Miriam<\/p>"},{"id":1795,"type":2,"content":"

 <\/p>

Le fond du poisson grimpant sur un son subtil est la cons\u00e9quence des puissances d\u2019une trace ind\u00e9l\u00e9bile \u00e0 nouveau la Play explose je vais p\u00eater les plombs le choc de l\u2019hypnose pr\u00e9sente un d\u00e9sagr\u00e9ment l\u00e0 o\u00f9 le ciel se trouve dans les t\u00e9n\u00e8bres proches du diable et tout \u00e7a le dimanche car le samedi j\u2019ai match<\/p>

 <\/p>","label":"

Le fond, Sofiane<\/p>"},{"id":1796,"type":2,"content":"

 <\/p>

Dans la strophe de mon imagination
Un secret se cache
Il hante ma t\u00eate
Comme la fa\u00e7on dont je te aime
Hante toute pens\u00e9e
Plac\u00e9e en champ de bataille<\/p>

Je suis l\u00e0, petite, soldat dans mon combat
Peur, adr\u00e9naline, la t\u00eate me tourne
Emport\u00e9e, plus aucune conscience de ce que je fais
Mais c\u2019est bien r\u00e9el
C\u2019est grave ? Mauvais ? Vais-je regretter ?
C\u2019est trop tard, je suis arriv\u00e9e l\u00e0
Je vis maintenant libre et emprisonn\u00e9e
Je tremble, c\u2019est \u00e9tonnant, je tiens
Solide, pas unique
Je ne veux plus avancer, je veux reculer<\/p>

 <\/p>","label":"

Dans la strophe, Ma\u00eblys<\/p>"},{"id":1797,"type":2,"content":"

 <\/p>

Je flotte sur ce bateau le bruit
Avance le bateau
Lentement comme si
La rivi\u00e8re arrivait \u00e0 parler
Elle raconte
Ses aventures magiques
Raconte
D\u2019un champ d\u2019eau
Aussit\u00f4t racont\u00e9 petite rivi\u00e8re
Repart dans l\u2019oc\u00e9an
Raconte
Ses aventure avec
Les animaux sous-marins le poisson le requin
Et d\u2019autres animaux encore
Jamais pour l\u2019heure jamais vus par l\u2019homme<\/p>

Soudain l\u2019amour en \u00e9clat sombre dans l\u2019obscurit\u00e9<\/p>

 <\/p>","label":"

Elle raconte, Amel<\/p>"},{"id":1798,"type":2,"content":"

 <\/p>

L\u2019enfant chante un po\u00e8me
imagine un nuage
qui se transforme en c\u0153ur<\/p>

L\u2019oiseau vole \u00e0 travers les nuages
perdu dans le noir
Il se sauve dans le jour
Il a retrouv\u00e9 au loin le chemin
et la mer<\/p>

 <\/p>","label":"

L\u2019enfant, Audrey<\/p>"},{"id":1799,"type":2,"content":"

 <\/p>

Une citation rime comme une expression qui marche \u00e0 l\u2019envers. La guerre est la libert\u00e9 de pouvoir chanter. La morale est une goutte de r\u00e9flexion que l\u2019on peut mettre dans une corbeille.<\/p>","label":"

Une citation, Aurore<\/p>"},{"id":1800,"type":2,"content":"

 <\/p>

Mon c\u0153ur vide, mes pens\u00e9es tristes,<\/p>

face au hublot
Je quitte mon territoire, j\u2019invente<\/p>

ma nouvelle vie,
essayant d\u2019\u00eatre heureuse<\/p>

 <\/p>","label":"

Face au hublot, Cam\u00e9lia<\/p>"},{"id":1801,"type":2,"content":"

 <\/p>

Que fuient donc mes amis?
Que font donc ces ennemis?
Le visage d\u2019une violette,
Le vissage d\u2019un volet,
Traits du c\u0153ur invisible,
Pr\u00e8s d\u2019une fleur difficile,
Rimes intr\u00e9pides qui s\u2019arr\u00eatent,
Limes ind\u00e9cises qui s\u2019appr\u00eatent,
Un fin gravier d\u00e9laiss\u00e9\u2026
Cette fin grav\u00e9e m\u2019a lass\u00e9 !<\/p>

 <\/p>","label":"

Que fuient donc mes amis?, Patxi<\/p>"},{"id":1818,"type":2,"content":"

 <\/p>

Elle aime rire.<\/p>

Elle aime dessiner.<\/p>

Elle aime danser.<\/p>

Elle aime parler.<\/p>

Elle aime chanter.<\/p>

Elle aime le krav maga.<\/p>

Elle aime manger du pain.<\/p>

Elle aime les c\u00e2lins.<\/p>

Elle n\u2019aime pas qu\u2019on la taquine.<\/p>

Elle aime \u00eatre aim\u00e9e.<\/p>

Elle aime aider les autres.<\/p>

Elle aime insulter les autres.<\/p>

Elle aime donner des surnoms \u00e0 ses amis.<\/p>

Elle aime prendre des photos avec ses amis.<\/p>

Elle aime rester avec les sixi\u00e8mes et les cinqui\u00e8mes.<\/p>

 <\/p>","label":"

Liste de ce qu\u2019elle aime, Lou <\/p>"},{"id":1827,"type":2,"content":"

 <\/p>

La feuille me coupe mais l\u2019infirmi\u00e8re me soigne.<\/p>

Le bois me br\u00fble mais l\u2019eau me soigne.<\/p>

La claquette te fouette mais c\u2019est normal.<\/p>

La rue te tire dessus mais ne t\u2019inqui\u00e8te pas c\u2019est la loi.<\/p>

Le livre te frappe mais les mots te soignent.<\/p>

 <\/p>","label":"

Le bois me br\u00fble mais l\u2019eau me soigne, Ambre <\/p>"},{"id":1828,"type":2,"content":"

 <\/p>

Le soleil fume et les cheveux s\u2019envolent<\/p>

La lune pense et les nuages dansent<\/p>

Les \u00e9toiles partent et le jour s\u2019installe<\/p>

Les livres parlent et les pages mangent<\/p>

Le feu se noie et l\u2019eau s\u2019immole<\/p>

Le mur s\u2019allume et les feuilles s\u2019endorment<\/p>

La pluie s\u2019oublie et l\u2019amour s\u2019\u00e9teint<\/p>

La brume se casse et la haine se bat<\/p>

La peur mange et les id\u00e9es fument<\/p>

L\u2019\u00e9corce se casse et la terre se remue<\/p>

 <\/p>","label":"

Le feu se noie, Ambre <\/p>"},{"id":1829,"type":2,"content":"

 <\/p>

Ma s\u0153ur m\u2019\u00e9nerve mais je l\u2019aime quand m\u00eame,<\/p>

Marcher sous la pluie m\u2019\u00e9merveille,<\/p>

J\u2019aime faire des tartes mais je n\u2019aime pas les manger,<\/p>

En maths, plus j\u2019\u00e9coute moins je comprends,<\/p>

Quand quelqu\u2019un pleure, \u00e7a me fait de la peine m\u00eame si j\u2019en ignore la raison,<\/p>

Les pizzas je trouve \u00e7a gras mais j\u2019aime \u00e7a,<\/p>

Rigoler me fait plaisir,<\/p>

Manger, dormir et regarder des s\u00e9ries c\u2019est bien \u00e7a c\u2019est ma vie,<\/p>

Je n\u2019appr\u00e9cie pas de manger des l\u00e9gumes mais j\u2019en mange pour faire plaisir \u00e0 ma maman,<\/p>

Mes chats se disputent, mais je suis s\u00fbre qu\u2019ils s\u2019adorent,<\/p>

J\u2019aime beaucoup la campagne mais je pr\u00e9f\u00e8re ma ville.<\/p>

 <\/p>","label":"

plus j\u2019\u00e9coute moins je comprends, Elyse <\/p>"},{"id":1830,"type":2,"content":"

 <\/p>

La pluie pleure ; comme si elle faisait un gros c\u00e2lin,<\/p>

Les nuages grognent comme s\u2019il riaient,<\/p>

Le soleil sourit ; comme s\u2019il mentait,<\/p>

Le tonnerre rit ; comme s\u2019il s\u2019\u00e9nervait,<\/p>

Les arcs-en-ciel poussent partout comme des fleurs,<\/p>

Le vent fuit la foule, comme si la foule \u00e9tait emport\u00e9e par le vent,<\/p>

La temp\u00eate inspire Nekfeu ; comme si Nekfeu inspirait la temp\u00eate,<\/p>

Les cyclones tournent ; comme si elle \u00e9tait fatigu\u00e9e,<\/p>

Les tsunamis s\u2019\u00e9nervent ; comme s\u2019ils \u00e9taient fatigu\u00e9s d\u2019exister. <\/p>

 <\/p>","label":"

Le vent fuit la foule, Elyse <\/p>"},{"id":1831,"type":2,"content":"

 <\/p>

Le vent pleure et la pluie hurle<\/p>

Les plantes chantent et les fleurs s\u2019amusent<\/p>

La joie vit et l\u2019amour fleurit<\/p>

La tristesse dort et la rupture s\u2019en va<\/p>

Les fruits se bousculent et le soleil sautille<\/p>

L\u2019orage regarde et les lumi\u00e8res se prom\u00e8nent<\/p>

Les livres appellent et les arbres dansent<\/p>

Les ciseaux volent et l\u2019aurore scie<\/p>

La peinture tue et les pinceaux volent<\/p>

L\u2019eau \u00e9coute et le feu aime.<\/p>

 <\/p>","label":"

L\u2019eau \u00e9coute, Mathilde <\/p>"},{"id":1832,"type":2,"content":"

 <\/p>

Le soleil s\u2019\u00e9pile et ma t\u00eate court.<\/p>

Les murs poussent et la col\u00e8re chante.<\/p>

Les arbres se bousculent et la pluie rigole.<\/p>

La tristesse escalade et le pull s\u2019ennuie.<\/p>

Le papier pleure et la vague s\u2019amuse.<\/p>

La table s\u2019\u00e9tire et la joie rappe.<\/p>

Le manteau crie et le livre mange.<\/p>

La porte regarde la t\u00e9l\u00e9 et le vent s\u2019habille.<\/p>

Les dents naviguent et les mains sont jalouses.<\/p>

 <\/p>","label":"

Le soleil s\u2019\u00e9pile, Cl\u00e9mence <\/p>"},{"id":1833,"type":2,"content":"

 <\/p>

Elle aime dormir. Elle aime jouer. Elle n\u2019aime pas \u00eatre lav\u00e9e. Elle aime regarder les voitures. Elle aime s\u2019allonger sur les papiers. Elle aime mon coussin. Elle aime passer devant la t\u00e9l\u00e9 pendant qu\u2019on la regarde. Elle n\u2019aime pas \u00eatre touch\u00e9e elle n\u2019aime pas les autres personnes. Elle aime mordre et griffer. Elle n\u2019aime pas trop sa s\u0153ur. Elle aime beaucoup trop manger. Elle n\u2019aime pas qu\u2019on lui coupe les griffes. Elle aime explorer de nouveaux couloirs. Elle aime les pigeons mais elle n\u2019aime pas les pies. Elle aime les colliers. Elle aime les compens\u00e9s. Elle aime les boites \u00e0 chaussures. Elle aime les couvertures douces. Elle n\u2019aime pas l\u2019aspirateur. Elle aime qu\u2019on passe la serpill\u00e8re. Elle n\u2018aime pas le s\u00e8che-cheveux. Elle aime le sol froid l\u2019\u00e9t\u00e9. Elle n\u2019aime pas attendre. Elle n\u2019aime pas le bruit. Elle aime mordiller les pieds de chaises en m\u00e9tal. Elle aime le jambon et \u00e7a se voit.<\/p>

Quand j\u2019\u00e9tais petite j\u2019aimais Barbie mais je n\u2019aimais pas la routine. Aujourd\u2019hui j\u2019aime changer de personnalit\u00e9 mais je n\u2019aime pas la routine. Plus tard j\u2019aimerais profiter de la vie mais je n\u2019aimerais toujours pas la routine.<\/p>

 <\/p>","label":"

Elle aime s\u2019allonger sur les papiers, Cl\u00e9mence <\/p>"},{"id":1834,"type":2,"content":"

 <\/p>

Le fer te br\u00fble mais rassure-toi tes cheveux te feront un c\u00e2lin<\/p>

Ton chat te griffe mais ne t\u2019inqui\u00e8te pas il reviendra en ronronnant pr\u00e8s de toi<\/p>

Tu as un chagrin mais ne t\u2019en fais pas tu trouveras toujours une glace pour r\u00e9chauffer ton petit c\u0153ur<\/p>

Tu te tortures l\u2019esprit mais tu trouveras toujours la r\u00e9ponse<\/p>

Tu croises un groupe de tortues carnivores qui te poursuit depuis des heures calme-toi et r\u00e9fl\u00e9chis tu es dans un r\u00eave, patate<\/p>

Un cochon te tombe sur la t\u00eate et tu ne sais pas quoi faire ne t\u2019en fais pas le panneau cache tout le temps un endroit reposant derri\u00e8re ton sourire d\u2019ange<\/p>

Tes lunettes te pincent mais ne t\u2019inqui\u00e8te pas le soleil te soignera<\/p>

Le couteau te fait du mal mais l\u2019alcool te r\u00e9confortera<\/p>

 <\/p>","label":"

tu trouveras toujours une glace pour r\u00e9chauffer ton petit c\u0153ur, Cl\u00e9mence<\/p>"},{"id":1835,"type":2,"content":"

 <\/p>

J\u2019aime danser mais je n\u2019aime pas qu\u2019on me voie.<\/p>

Je ne supporte pas les gens qui mangent la bouche ouverte mais certaines personnes de mon entourage le font.<\/p>

Je ne comprends pas pourquoi je suis mille dans ma t\u00eate.<\/p>

Samedi est ma journ\u00e9e pr\u00e9f\u00e9r\u00e9e.<\/p>

J\u2019ai deux chats insupportables.<\/p>

Je ne me lasse pas de regarder des films.<\/p>

J\u2019appr\u00e9cierais faire le tour du monde.<\/p>

Je cours, je cours jusqu\u2019\u00e0 m\u2019\u00e9touffer sans m\u2019arr\u00eater car je veux me d\u00e9passer.<\/p>

Je ne suis pas tout le monde car je suis moi.<\/p>

 <\/p>","label":"

Mille dans ma t\u00eate, Cl\u00e9mence <\/p>"},{"id":1836,"type":2,"content":"

 <\/p>

Le vent s\u2019endort et le soleil rigole<\/p>

L\u2019eau se prom\u00e8ne et les orages se disputent<\/p>

La trousse rigole et les Geox respirent<\/p>

Le papier marche et les planches de bois peignent<\/p>

Le stylo coulisse et la joie sautille<\/p>

Le savon d\u00e9m\u00eale et les dents dessinent<\/p>

Les serviettes s\u2019\u00e9branlent et le train \u00e9clate<\/p>

C\u2019\u00e9tait mon anniv, ma m\u00e8re m\u2019a offert des cadeaux j\u2019ai jou\u00e9 \u00e0 la play comme j\u2019ai fait mes devoirs. J\u2019ai \u00e9cout\u00e9 de la musique. Je suis sorti avec mes potes. J\u2019ai dormi presque toute la matin\u00e9e. Je suis all\u00e9 au Macdo comme j\u2019ai fait du sport. Demain je vais \u00e0 l\u2019\u00e9cole comme apr\u00e8s-demain et apr\u00e8s-demain.<\/p>

 <\/p>","label":"

L\u2019eau se prom\u00e8ne et les orages se disputent, Th\u00e9o <\/p>"},{"id":1819,"type":2,"content":"

 <\/p>

Les chaises dansent.<\/p>

Les trousses chantent et les tables freinent.<\/p>

Les livres parlent et les sacs se baladent.<\/p>

Les poteaux mangent et les chaussures marchent.<\/p>

Les feuilles se retirent et les cahiers \u00e9crivent.<\/p>

Les lampes montent et les ampoules descendent.<\/p>

Les portes crient et les fen\u00eatre se disputent.<\/p>

Les bottes nagent et les pantalons s\u2019envolent.<\/p>

Les manteaux courent et les pulls se bagarrent.<\/p>

Les ciseaux claquent et les ordinateurs dorment.<\/p>

 <\/p>","label":"

Les livres parlent, Victorine<\/p>"},{"id":1837,"type":2,"content":"

 <\/p>

Le bureau mange et l\u2019\u00e9tag\u00e8re se met \u00e0 boire.<\/p>

Les chaises marchent et le lit parle.<\/p>

Les lumi\u00e8res se lavent et les fen\u00eatres s\u2019\u00e9clairent.<\/p>

Mais<\/p>

La foudre te frappe mais le tonnerre te soigne.<\/p>

Le soleil t\u2019enflamme mais la pluie te refroidit.<\/p>

Le sol t\u2019engloutit mais le fond te remonte.<\/p>

Sur la chaise tu t\u2019assois mais sans elle tu te rel\u00e8ves.<\/p>

Le jour t\u2019\u00e9claire mais la nuit t\u2019assombrit.<\/p>

Tu es contente de voir l\u2019\u00e9t\u00e9 mais lorsqu\u2019il est pr\u00e9sent tu regrettes l\u2019hiver.<\/p>

Tout et rien<\/p>

Le fromage noircit et les tomates rougissent.<\/p>

Les carottes sont rondes et les courgettes s\u2019allongent.<\/p>

Les concombres ont des plumes et les betteraves ont des \u00e9cailles.<\/p>

Les choux-fleurs sont verts et les brocolis sont blancs.<\/p>

La semoule s\u2019envole et les oiseaux chantonnent<\/p>

 <\/p>","label":"

Le sol t\u2019engloutit mais le fond te remonte, Hanna<\/p>"},{"id":1838,"type":2,"content":"

 <\/p>

La pi\u00e8ce te s\u00e9questre mais ne t\u2019inqui\u00e8te pas la fen\u00eatre est l\u00e0.<\/p>

La porte claque mais le vent a eu le temps de passer et de souffler.<\/p>

Le livre est termin\u00e9 mais il y en plein d\u2019autres qui t\u2019attendent.<\/p>

La blessure te fait mal mais les m\u00e9dicaments te soignent.<\/p>

Les jeux vid\u00e9o te font rager mais ne t\u2019inqui\u00e8te pas, ta main rattrapera la manette.<\/p>

La nuit est sombre mais les nombreuses lumi\u00e8res t\u2019\u00e9clairent.<\/p>

Les livres lisent et Kaaris feat Booba<\/p>

Les fourchettes coupent les couteaux<\/p>

La porte s\u2019ouvre pour laisser passer le mur<\/p>

La trousse porte la table<\/p>

La poutre soul\u00e8ve l\u2019humain<\/p>

Le clou cloue le moteur<\/p>

La cigarette fume l\u2019homme<\/p>

 <\/p>","label":"

Kaaris feat Booba, Kylian <\/p>"},{"id":1839,"type":2,"content":"

 <\/p>

Elle aime la danse. Elle aime le chocolat. Elle aime les g\u00e2teaux. Elle aime sortir. Elle aime l\u2019\u00e9t\u00e9. Elle aime mes pulls. Elle aime son pr\u00e9nom. Elle aime le violet. Elle n\u2019aime pas les yeux bleus. Elle aime les films. Elle aime les journ\u00e9es \u00e0 deux. Elle aime sa m\u00e8re. Elle n\u2019aime pas ses cils. Elle aime les bijoux. Elle aime les c\u00e2lins. Elle n\u2019aime pas pleurer. Elle aime les vernis. Elle aime m\u2019\u00e9nerver. Elle n\u2019aime pas les lunettes. Elle m\u2019aime. Elle aime V pour Vendetta. Elle aime la douceur. Elle n\u2019aime pas la Fin.<\/p>

Quand j\u2019\u00e9tais petit j\u2019aimais le rugby, je n\u2019aimais pas la douche. Aujourd\u2019hui, j\u2019aime le rugby, je n\u2019aime pas lire. Plus tard, j\u2019aimerais le rugby, j\u2019aimerais toujours ma femme mais je n\u2019aimerais pas me lever t\u00f4t.<\/p>

 <\/p>","label":"

Elle aime l\u2019\u00e9t\u00e9, Lo\u00efk <\/p>"},{"id":1840,"type":2,"content":"

 <\/p>

Le pansement me blesse mais les couteaux les d\u00e9chirent<\/p>

Les lunettes piquent mais les yeux saignent<\/p>

La douleur se multiplie mais les gens l\u2019apaisent<\/p>

L\u2019ombre t\u2019\u00e9claire mais la lumi\u00e8re t\u2019assombrit<\/p>

La pluie te fait sourire et le soleil p\u00e9rir<\/p>

Les \u00e9clairs te br\u00fblent mais la pluie te prot\u00e8ge<\/p>

Les arbres s\u2019effondrent sur toi mais les h\u00f4pitaux te soigneront peut-\u00eatre<\/p>

L\u2019hiver se raidit mais l\u2019\u00e9t\u00e9<\/p>

Les livres s\u2019embrassent et les oiseaux s\u2019envolent<\/p>

La joie s\u2019enfuit et la peine m\u2019attire<\/p>

Le ciel s\u2019\u00e9claire et la rivi\u00e8re s\u2019\u00e9coule<\/p>

Les stylos \u00e9crivent et les verres se brisent<\/p>

Les statues bougent et les chaises se fixent<\/p>

Les horloges dansent et les sabres se combattent<\/p>

La lune se peint et les \u00e9toiles s\u2019enlacent<\/p>

Les ombres se mouillent et les fleurs disparaissent<\/p>

 <\/p>","label":"

La douleur se multiplie mais les gens l\u2019apaisent, Andr\u00e9<\/p>"},{"id":1841,"type":2,"content":"

 <\/p>

1)La harissa te br\u00fble mais ne t\u2019inqui\u00e8te pas le lait te soigne.<\/p>

2)Tu mangeras de la chauve-souris mais le coronavirus te rattrapera.<\/p>

3) Le poing te blesse mais ne t\u2019inqui\u00e8te pas le pansement le gu\u00e9rit.<\/p>

 <\/p>","label":"

harissa, Matteo <\/p>"},{"id":1842,"type":2,"content":"

 <\/p>

Quel est la chose la plus belle ?<\/p>

Lou c\u2019est logique<\/p>

Qui dira le dernier mot ?<\/p>

Moi normal car je n\u2019aime pas ne pas avoir le dernier mot<\/p>

Qui a pleur\u00e9 pour la premi\u00e8re fois ?<\/p>

La pluie<\/p>

Qui a souri pour la premi\u00e8re fois ? La souris de mon cousin<\/p>

 <\/p>","label":"

Quel est la chose la plus belle ?, Clara <\/p>"},{"id":1843,"type":2,"content":"

 <\/p>

Elle aime chanter. Elle aime faire les boutiques. Elle aime lire. Elle n\u2019aime pas danser. Elle n\u2019aime pas ses cheveux. Elle aime nager dans la mer. Elle aime porter des v\u00eatements noirs. Elle aime boire du coca, de l\u2019Orangina, de l\u2019oasis. Elle n\u2019aime pas travailler. Elle n\u2019aime pas aller aux toilettes. Elle aime tourner autour d\u2019une table pendant 10 min. Elle d\u00e9teste se regarder dans un miroir. Elle adore les man\u00e8ges \u00e0 sensation forte. Elle adore se laver tous les jours les cheveux ; elle d\u00e9teste se s\u00e9cher les cheveux car elle aime les avoir mouill\u00e9s.<\/p>

 <\/p>","label":"

Elle aime, Clara<\/p>"},{"id":1844,"type":2,"content":"

 <\/p>

\u2013 La pince me pince, mais le placard me caresse.<\/p>

-La casque \u00e9blouit et la box free marchera.<\/p>

-Les l\u00e9gumes ne sont pas bons mais MacDo te r\u00e9confortera.<\/p>

-Les livres intoxiquent le cerveau mais les jeux vid\u00e9o t\u2019instruisent.<\/p>

-La feuille coupe et le pansement soigne.<\/p>

-Le feu br\u00fble et l\u2019eau refroidit.<\/p>

-Le latin saoule, ne t\u2019inqui\u00e8te pas il y a l\u2019EPS apr\u00e8s.<\/p>

-L\u2019eau est froide mais la combi te r\u00e9chauffera.<\/p>

-La voie est une 9b mais le relais t\u2019assurera.<\/p>

 <\/p>","label":"

La pince me pince, Aur\u00e9lien <\/p>"},{"id":1845,"type":2,"content":"

 <\/p>

Pourquoi le poumon respire ?<\/p>

Le poumon respire.<\/p>

Pourquoi les gens se r\u00e9unissent pour manger ?<\/p>

Les gens se r\u00e9unissent pour avoir plus \u00e0 manger.<\/p>

Pourquoi en ce moment m\u00eame un enfant est-il en train de na\u00eetre ?<\/p>

Parce qu\u2019il faut qu\u2019il y ait plus de vie.<\/p>

J\u2019aime faire du sport. Je fais le m\u00e9nage. Je ne lis pas. Je regarde trop YouTube. Je remplis des seaux d\u2019eau. Je joue aux jeux vid\u00e9o. Je fais mes devoirs. J\u2019ach\u00e8te de la nourriture. J\u2019ai une s\u0153ur.<\/p>

 <\/p>","label":"

Le poumon respire, Aur\u00e9lien <\/p>"},{"id":1846,"type":2,"content":"

 <\/p>

Elle aime les chiens.<\/p>

Elle aime le chocolat.<\/p>

Elle aime sa famille.<\/p>

Elle aime ses ami(e)s.<\/p>

Elle aime danser.<\/p>

Elle aime chanter.<\/p>

Elle n\u2019aime pas \u00eatre malade.<\/p>

Elle n\u2019aime pas beaucoup marcher.<\/p>

Elle aime les boutiques.<\/p>

Elle n\u2019aime pas que je l\u2019emb\u00eate.<\/p>

Elle aime les lasagnes.<\/p>

Elle aime le maquillage.<\/p>

Quand j\u2019\u00e9tais petit, j\u2019aimais manger et je n\u2019aimais pas l\u2019\u00e9cole.<\/p>

Aujourd\u2019hui j\u2019aime surfer et je n\u2019aime pas le fromage.<\/p>

Demain, j\u2019aimerai mon travail et je n\u2019aimerai toujours pas le fromage.<\/p>

 <\/p>","label":"

Aujourd\u2019hui j\u2019aime surfer et je n\u2019aime pas le fromage, Aur\u00e9lien <\/p>"},{"id":1820,"type":2,"content":"

 <\/p>

Je suis brune. J\u2019aime les chaussures. J\u2019ai une s\u0153ur. J\u2019ai des lunettes. Je n\u2019aime pas lire. J\u2019aime les sacs. Je suis petite. J\u2019ai les cheveux ondul\u00e9s. Je veux une voiture sans permis. J\u2019ai peur de marcher toute seule dans la rue.<\/p>

Elle aime le bleu. Elle aime la mer. Elle aime les magasins. Elle aime la gym. Elle aime la gym. Elle aime les hamsters. Elle n\u2019aime pas l\u2019\u00e9cole. Elle aime dessiner. Elle n\u2019aime pas ses cheveux. Elle aime nager. Elle aime les animaux. Elle aime regarder des films et des s\u00e9ries. Elle aime manger. Elle aime l\u2019OM.<\/p>

Quand j\u2019\u00e9tais petite j\u2019aimais les dessins anim\u00e9s et je n\u2019aimais pas les poissons.<\/p>

Aujourd\u2019hui j\u2019aime le ski mais je n\u2019aime pas les serpents.<\/p>

Plus tard j\u2019aimerais sortir et je n\u2019aimerais pas \u00eatre pauvre.<\/p>

 <\/p>","label":"

J\u2019ai peur de marcher toute seule, Victorine<\/p>"},{"id":1847,"type":2,"content":"

 <\/p>

La pluie monte dans les nuages.<\/p>

Le vent ne souffle plus et la chips n\u2019est pas sal\u00e9e.<\/p>

Le glouton est au r\u00e9gime et il boit dans un tuyau.<\/p>

Les p\u00e2tes sont sans sauce.<\/p>

Nutella m\u00e9lang\u00e9 avec du p\u00e2t\u00e9 et le m\u00e9lange mang\u00e9 sur un nuage.<\/p>

Les immeubles engloutissent la plan\u00e8te et la terre se r\u00e9volte.<\/p>

 <\/p>","label":"

Le vent ne souffle plus et la chips n\u2019est pas sal\u00e9e, Aur\u00e9lien <\/p>"},{"id":1848,"type":2,"content":"

 <\/p>

Ton pull te gratte et le t-shirt te chatouille.<\/p>

Tes lunettes te regardent mais rassure-toi ton bracelet te mire.<\/p>

Ton pantalon te va mais ta chemise te serre.<\/p>

Ta nourriture sent bon mais ta trousse est bonne.<\/p>

Ta chaise s\u2019assoit mais la table se l\u00e8ve.<\/p>

La feuille se d\u00e9chire mais le livre se recolle.<\/p>

La fermeture se ferme et l\u2019ouverture s\u2019ouvre.<\/p>

Le feutre est vert mais le crayon est bleu.<\/p>

La vitre se brise et la fen\u00eatre se d\u00e9chire.<\/p>

 <\/p>","label":"

Mais, Yasmine<\/p>"},{"id":1849,"type":2,"content":"

 <\/p>

Les jambes s\u2019allongent et les bras raccourcissent.<\/p>

La pur\u00e9e s\u2019\u00e9crase et les pommes de terre se r\u00e9unissent.<\/p>

Les oignons sont coup\u00e9s et les yeux pleurent.<\/p>

L\u2019amour se rapproche et la haine s\u2019en va.<\/p>

Les crayons basculent et les feuilles se r\u00e9jouissent.<\/p>

Les oiseaux broutent et les vaches roucoulent.<\/p>

Les fen\u00eatres s\u2019\u00e9clatent et les rideaux s\u2019\u00e9nervent.<\/p>

La col\u00e8re pleure et l\u2019amour est angoiss\u00e9.<\/p>

Les oranges se taisent et les fraises se couchent.<\/p>

Le cartable mange et les cahiers boivent.<\/p>

 <\/p>","label":"

Les oranges se taisent et les fraises se couchent, Yasmine<\/p>"},{"id":1850,"type":2,"content":"

 <\/p>

Elle aime sortir. Elle aime son p\u00e8re. Elle n\u2019aime pas lire. Elle aime manger. Elle n\u2019aime pas les gros pulls. Elle aime les faux ongles. Elle n\u2019aime pas les petits pois. Elle adore avoir des bonnes notes. Elle d\u00e9teste regarder la t\u00e9l\u00e9.  Elle aime l\u2019Alg\u00e9rie. Elle aime colorier. Elle d\u00e9teste les champignons. Elle adore faire les boutiques. Elle aime la pluie. Elle aime les bijoux. Elle adore chanter et danser.<\/p>


Quand j\u2019\u00e9tais petite j\u2019aimais chanter et danser je n\u2019aimais pas les champignons. Aujourd\u2019hui j\u2019aime la musique et je n\u2019aime pas les ballerines. Plus tard j\u2019aimerai faire du sport et je n\u2019aimerai pas le coll\u00e8ge.<\/p>

 <\/p>","label":"

Aujourd\u2019hui j\u2019aime la musique et je n\u2019aime pas les ballerines, Yasmine <\/p>"},{"id":1851,"type":2,"content":"

 <\/p>

La table s\u2019aplatit et les murs montent
Le vent aspire et le feu souffle
La foudre se plie et les cheveux tombent
L\u2019immeuble danse et la villa rigole
L\u2019eau rougit et la terre se transforme
Le bigorneau mange le coquillage
L\u2019humour fait du piano et le doigt conduit
Le d\u00e9tecteur se prend un vent et la montagne est invisible
L\u2019anim\u00e9 est inanim\u00e9 et les lunettes voient
Le stylo boit et le souci se noie<\/p>

 <\/p>","label":"

La foudre se plie et les cheveux tombent, Raphael <\/p>"},{"id":1852,"type":2,"content":"

 <\/p>

Je fais de la batterie. J\u2019aime les pattes. J\u2019ai le mange kiu sharingan \u00e9ternel. Je ne fume pas. Je sors les poubelles. J\u2019ach\u00e8te beaucoup de posters. Je vais manger. Je suis pass\u00e9 dans un conduit d\u2019a\u00e9ration. J\u2019aime les a\u00e9roports. Je vis mangas. Je ne suis pas jaune. J\u2019ai deux chiens. Je dis \u00ab vive la musique \u00bb. Je veux d\u00e9couvrir le monde. Je n\u2019aime pas \u00eatre enferm\u00e9 dans une cage avec un chat mort et gel\u00e9. J\u2019adore la mythologie, quelles que soient les religions. Je pr\u00e9f\u00e8re la VF.<\/p>

Il aimera le bleu. Il aimera la vie. Il aimera le soleil. Il n\u2019aimera pas le foot et le rugby. Il aimera la neige et l\u2019eau. Il aimera attirer l\u2019attention. Il n\u2019aimera pas les bougies, mais il aimera les cabanes. Il pensera vanille et chocolat. Il d\u00e9testera ses dents. Il criera tr\u00e8s jeune. Il aimera danser et chanter mais pas se montrer. Il aura l\u2019impression d\u2019\u00eatre seul et aimer. Il aimera son fr\u00e8re. Et sa famille.<\/p>

 <\/p>","label":"

Je pr\u00e9f\u00e8re la VF, Raphael <\/p>"},{"id":1853,"type":2,"content":"

 <\/p>

1) La pluie te fait mal, mais le soleil sera toujours l\u00e0.<\/p>

2) Tu te sens trahi, mais tu auras toujours des amis.<\/p>

3) Les chaussures t\u2019\u00e9touffent, mais les Geox respirent.<\/p>

4) La serrure te renferme, mais la cl\u00e9 te lib\u00e8re.<\/p>

5) Tes parents t\u2019\u00e9nervent, mais te guideront toujours.<\/p>

6) La gomme efface ton histoire, mais tu auras de l\u2019encre pour la r\u00e9\u00e9crire.<\/p>

7) Les orages te g\u00eanent, mais le toit te prot\u00e8ge.<\/p>

8) Les cauchemars te font peur, mais les r\u00eaves te rassurent.<\/p>

9) La for\u00eat br\u00fble, mais les graines poussent.<\/p>

 <\/p>","label":"

La gomme efface ton histoire, mais tu auras de l\u2019encre pour la r\u00e9\u00e9crire, Raphael <\/p>"},{"id":1854,"type":2,"content":"

 <\/p>

Je suis ravie quand je fais les magasins avec des amies. Je n\u2019aime que le chocolat noir. Je ne supporte pas les personnes qui mangent la bouche ouverte. Je n\u2019aime pas mettre mes lunettes en public. Je r\u00eave d\u2019avoir un chien. J\u2019ai un cousin que j\u2019adore. Quand je m\u2019ennuie j\u2019emb\u00eate ma s\u0153ur. J\u2019adore passer mon Weekend sur Netflix. Chaque voyage que je fais reste un tr\u00e8s bon souvenir.<\/p>

 <\/p>","label":"

Weekend sur Netflix, Coline <\/p>"},{"id":1855,"type":2,"content":"

 <\/p>

Quand j\u2019\u00e9tais petite j\u2019aimais la neurochirurgie et je n\u2019aimais pas le rose.<\/p>

Aujourd\u2019hui j\u2019aime la musique mais je n\u2019aime pas les histoires.<\/p>

Plus tard j\u2019aimerai ma famille mais pas mon m\u00e9tier.<\/p>

 <\/p>","label":"

la neurochirurgie, Rania <\/p>"},{"id":1856,"type":2,"content":"

 <\/p>

Lorsque le chaos prendra possession de ton esprit tu trouveras refuge dans l\u2019univers.<\/p>

1. Lorsqu\u2019il n\u2019est pas l\u00e0 tu d\u00e9sob\u00e9is mais d\u00e8s qu\u2019il revient toutes ces sottises tu arr\u00eateras tout cela.<\/p>

2. Quand la chaleur t\u2019envahira tu trouveras refuge dans les brumes du matin.<\/p>

3. Quand nul ne sera l\u00e0 pour se r\u00e9chauffer dans les rayons de soleil tu trouveras ton bonheur.<\/p>

4. Apr\u00e8s la haine revient l\u2019amour.<\/p>

5. Sur terre il y 7 milliards d\u2019\u00eatres humains mais c\u2019est elle qu\u2019il veut.<\/p>

6. Le casier t\u2019ouvre mais les points te recolleront.<\/p>

7. Les gardiens nous grillerons alors on modifiera le parcours.<\/p>

Un jour tu me donneras ton oui et tu prendras mon nom.
 <\/p>","label":"

Les gardiens nous grillerons alors on modifiera le parcours, Rania <\/p>"},{"id":1821,"type":2,"content":"

 <\/p>

La choses la plus belle c\u2019est le sourire qui se dessine sur le visage innocent d\u2019un enfant.<\/p>

La plus grande des choses, c\u2019est l\u2019univers, le monde, on pense tout connaitre mais on n\u2019a d\u00e9couvert qu\u2019une infime chose sur lui.<\/p>

Le meilleur sentiment est celui de la satisfaction celui qui te redonne le sourire et te fait sentir important aux yeux de tous<\/p>

 <\/p>","label":"

La plus grande des choses, Oc\u00e9ane<\/p>"},{"id":1857,"type":2,"content":"

 <\/p>

Les savons glissent.<\/p>

Les gels douche moussent et les shampoings lavent.<\/p>

Les \u00e9ponges frottent.<\/p>

Les dentifrices coulent.<\/p>

Les dents blanchissent et l\u2019eau coule.<\/p>

La musique r\u00e9tr\u00e9cit.<\/p>

L\u2019album saute et le tourne disque s\u2019envole.<\/p>

Les paroles s\u2019inversent.<\/p>

Les lignes se disputent et sa voix tourbillonne.<\/p>

Les ondes vocales dansent.<\/p>

Le calme nage et le silence se noie.<\/p>

Les CD peignent.<\/p>

Les alarmes volent et les tables sourient.<\/p>

Les \u00e9couteurs se d\u00e9m\u00ealent.<\/p>

Le vinyle flotte.<\/p>

 <\/p>","label":"

Les \u00e9ponges frottent, Rania<\/p>"},{"id":1858,"type":2,"content":"

 <\/p>

Lorsque que le chaos prendra possession de ton esprit tu trouveras refuge dans l\u2019univers.<\/p>

Lorsqu\u2019il n\u2019est pas l\u00e0 tu d\u00e9sob\u00e9is mais d\u00e8s qu\u2019il revient tous ces sottises tu arr\u00eates tout cela.<\/p>

Quand la chaleur t\u2019envahira tu trouveras refuge dans les brumes du matin.<\/p>

 <\/p>","label":"

Lorsque que le chaos prendra possession de ton esprit, Rania <\/p>"},{"id":1859,"type":2,"content":"

 <\/p>

La pluie danse<\/p>

La pluie danse et le soleil se cache<\/p>

Le soleil se cache les nuages se battent<\/p>

Les nuages se battent et la brume avance<\/p>

La brume avance et le nez se colle<\/p>

Le nez se colle et la bu\u00e9e s\u2019installe<\/p>

La bu\u00e9e s\u2019installe et la vitre est froide<\/p>

La vitre est froide et le doigt dessine<\/p>

Le doigt dessine et la transparence revient<\/p>

La transparence revient et la maison admire<\/p>

 <\/p>","label":"

Le soleil se cache les nuages se battent, Amandine<\/p>"},{"id":1860,"type":2,"content":"

 <\/p>

J\u2019aime visiter les pays autres que le miens. Je suis tr\u00e8s timide. J\u2019adore les chaussures. J\u2019ai eu 14 ans il y a 3 jours. Je porte des lunettes quand je travaille. Je d\u00e9teste qu\u2019on ne me laisse pas de libert\u00e9.<\/p>

Il aime le foot, il aime jouer, il aime m\u2019emb\u00eater aime la musique, il aime rigoler, il aime blaguer, il aime les jeux vid\u00e9o, il aime me contredire, il aime les chaussures, il aime m\u2019\u00e9nerver, il ne supporte pas qu\u2019on lui dise non, il d\u00e9teste \u00eatre calme, il aime \u00eatre mon meilleur ami.<\/p>

 <\/p>","label":"

il aime \u00eatre mon meilleur ami, Amandine <\/p>"},{"id":1861,"type":2,"content":"

 <\/p>

Quelle est la chose la plus ancienne du monde ? la Terre<\/p>

2\/ Quelle est la chose la plus belle ? les beaux sourires<\/p>

3\/Quelle est la plus grande des choses ? l\u2019amour<\/p>

4\/Quelle est la plus constante des choses ? la mort<\/p>

5\/Quel est le meilleur sentiment ? l\u2019amiti\u00e9<\/p>

6\/Quel est le sentiment le plus rapide ? la peur<\/p>

7\/Quelle est la plus forte des choses ? les amis     <\/p>

8\/Qu\u2019est-ce qui est le plus facile \u00e0 faire ? dormir<\/p>

9\/Quelle est la chose la plus difficile \u00e0 r\u00e9aliser ? nos r\u00eaves<\/p>

10\/Comment naissent les histoires ? d\u2019un soir <\/p>

11\/Qui a pos\u00e9 la premi\u00e8re question ? qui a r\u00e9pondu<\/p>

12\/ Qui a dit le premier mot ? l\u2019humain<\/p>

13\/ Qui dira le dernier mot ? l\u2019humain<\/p>

14\/Qui a pleur\u00e9 pour la premi\u00e8re fois ? mais pourquoi ?<\/p>

15\/Qui a souri pour la premi\u00e8re fois ? celui qui est heureux<\/p>

16\/Pourquoi le poumon respire ? pour vivre<\/p>

17\/Pourquoi aime-t-on ? pour souffrir<\/p>

18\/Pourquoi il y a du son ? pour cacher le silence<\/p>

19\/Pourquoi il y a du silence ? pour r\u00e9fl\u00e9chir<\/p>

20\/Pourquoi j\u2019existe ? pour illuminer ta vie<\/p>

21\/Pourquoi la gravit\u00e9 ? pour marcher<\/p>

22\/Pourquoi les gens se r\u00e9unissent pour manger ? pour parler<\/p>

23\/Pourquoi en ce moment m\u00eame un enfant est- il en train de na\u00eetre ? pour qu\u2019un autre meure<\/p>

24\/Pourquoi les machines sont-elles devenues si importantes ?<\/p>

 <\/p>","label":"

Pourquoi les machines sont-elles devenues si importantes ?, Charlotte <\/p>"},{"id":1862,"type":2,"content":"

 <\/p>

Le couteau te pique, mais la douleur passera sous l\u2019eau.<\/p>

Ma main te frappe, mais ne t\u2019en fais pas mes mots sont l\u00e0.<\/p>

La vague te noie, mais elle t\u2019am\u00e8nera au bord de la plage.<\/p>

Le fou te fait peur, mais reste l\u00e0 il te r\u00e9chauffera.<\/p>

Mes cris te hantent, mais ma voix t\u2019apaise.<\/p>

La lampe te br\u00fble, mais ne crains rien elle t\u2019\u00e9claire dans la nuit.<\/p>

Le combat te blesse, mais les soldats te soignent.<\/p>

 <\/p>","label":"

Le combat te blesse, mais les soldats te soignent, Charlotte <\/p>"},{"id":1863,"type":2,"content":"

 <\/p>

La trousse parle et la fen\u00eatre s\u2019ouvre.<\/p>

La tornade tourne et le stylo danse.<\/p>

La peur tue et l\u2019affiche lit.<\/p>

La tristesse pleure et le pull dort.<\/p>

Le crayon dessine et la tasse tombe.<\/p>

Le livre s\u2019\u00e9teint et le papier chante.<\/p>

L\u2019amour descend et le stress monte.<\/p>

Le cahier vole et les pages s\u2019envolent.<\/p>

La cl\u00e9 se maquille et la carte disparait.<\/p>

Les yeux bougent et le bracelet meurt.<\/p>

 <\/p>","label":"

Les yeux bougent et le bracelet meurt, Charlotte <\/p>"},{"id":1864,"type":2,"content":"

 <\/p>

1. Quelle est la chose la plus ancienne du monde ? La Terre<\/p>

2. Quelle est la chose la plus belle ? les beaux sourires<\/p>

3. Quelle est la plus grande des choses ? l\u2019amour de mes parents<\/p>

4. Quelle est la plus constante des choses ? La mort<\/p>

5. Quel est le meilleur sentiment ? L\u2019amour, cela nous rend heureux<\/p>

6. Quel est le sentiment le plus rapide ? La peur<\/p>

7. Quelle est la plus forte des choses ? L\u2019amiti\u00e9<\/p>

8. Qu\u2019est ce qui est le plus facile \u00e0 faire ? Rire, \u00e7a vient tout seul<\/p>

9. Quelle est la chose la plus difficile \u00e0 r\u00e9aliser ? Gagner au loto, on a une chance sur des millions de gagner au loto.<\/p>

10. Comment naissent les histoires ? des contes<\/p>

11. Qui a pos\u00e9 la premi\u00e8re question ? le premier homme<\/p>

12. Qui a dit le premier mot ? Mes parents<\/p>

13. Qui dira le dernier mot ? Moi<\/p>

14. Qui a pleur\u00e9 pour la premi\u00e8re fois ? L\u2019humain<\/p>

15. Qui a souri pour la premi\u00e8re fois ? Eve et Adam<\/p>

Pourquoi le poumon respire ? Pourquoi la jambe marche ?<\/p>

 <\/p>","label":"

Pourquoi le poumon respire ? Pourquoi la jambe marche ?, Agathe<\/p>"},{"id":1865,"type":2,"content":"

 <\/p>

Elle aime son kakou, elle n\u2019aime pas en parler. Elle n\u2019aime pas ses cheveux. Elle aime sortir. Elle aime les beaux textes. Elle n\u2019aime pas le fromage. Elle aime les festivals. Elle n\u2019aime pas les ballerines. Elle aime mes bijoux ? Elle n\u2019aime pas le sport. Elle aime le mauvais temps. Elle aime les Converse. Elle n\u2019aime pas s\u2019habiller color\u00e9 \u00e0 l\u2019\u00e9cole. Elle aime son pr\u00e9nom \u00e0 l\u2019envers. Elle aime les Jordans. Elle aime la musique. Elle aimerait habiter aux \u00c9tats-Unis. Elle n\u2019aime pas les disputes.<\/p>

 <\/p>","label":"

son kakou, Agathe <\/p>"},{"id":1866,"type":2,"content":"

 <\/p>

Le feu te br\u00fble mais t\u2019inqui\u00e8te la Biafine te soigne<\/p>

Le mal de t\u00eate fait mal mais le doliprane apaise<\/p>

Le mal au ventre fait mal mais le Spasfon gu\u00e9rit<\/p>

Le rhume me fait tousser mais le Toplexil soigne la gorge<\/p>

Les dents de sagesse font mal mais le dentiste te les arrache<\/p>

La cheville se tort mais t\u2019inqui\u00e8te, l\u2019at\u00e8le te gu\u00e9rit<\/p>

La jambe se casse mais rassure-toi le pl\u00e2tre la r\u00e9pare<\/p>

La plaie s\u2019infecte mais le d\u00e9sinfectant d\u00e9sinfecte<\/p>

Les tornades s\u2019unissent et la tristesse revient.<\/p>

L\u2019amour blesse et la pluie \u00e9crit.<\/p>

Les assiettes vibrent et les vases ont peur.<\/p>

Le sol crie et les murs craquent.<\/p>

La fid\u00e9lit\u00e9 part et le doute surgit.<\/p>

Le t\u00e9l\u00e9phone parle et les messages craquent.<\/p>

Les jambes r\u00e9fl\u00e9chissent et le ventre se tort.<\/p>

Les ciseaux se croisent et le papier pleure.<\/p>

Le son sort et les mots s\u2019emm\u00ealent.<\/p>

Le sable efface et la mort peint.<\/p>

 <\/p>","label":"

Le mal au ventre fait mal mais le Spasfon gu\u00e9rit, Agathe <\/p>"},{"id":1822,"type":2,"content":"

 <\/p>

La violence, la douceur<\/p>

La vie te donne des coups, mais rel\u00e8ve-toi,<\/p>

Un rayon de soleil te r\u00e9chauffera.<\/p>

Les coups de pistolets hantent tes r\u00eaves,<\/p>

Mais les confettis de la vie te r\u00e9veillent.<\/p>

Les mains peuvent te frapper mais en les frottant elles peuvent aussi te r\u00e9chauffer.<\/p>

Le rouge te fait penser au malheur mais il peut aussi faire p\u00e9tiller ta vie avec un grain de folie.<\/p>

Les cheveux s\u2019enroulent autour de ton cou, mais tes jambes peuvent t\u2019emmener partout<\/p>

Les films d\u2019horreur te font trembler mais les contes de f\u00e9es te font r\u00eaver.<\/p>

Le feu vous br\u00fble mais le vent rassure<\/p>

N\u2019oubliez jamais toutes ces br\u00fblures peuvent se soigner et nous faire \u00e9voluer.<\/p>

 <\/p>","label":"

La violence, la douceur, Oc\u00e9ane<\/p>"},{"id":1867,"type":2,"content":"

 <\/p>

J\u2019aime la sensation quand je monte \u00e0 cheval. J\u2019aime quand je laisse mes cheveux. J\u2019adore \u00e9couter la musique. Parfois je n\u2019ai pas envie de partir mais quand j\u2019y suis j\u2019ai envie de rester. J\u2019aime les a\u00e9roports. Je porte souvent du noir. J\u2019aime voyager. Je n\u2019aime pas mes yeux, mais j\u2019aime les tiens. J\u2019aime lire, les livres que je choisis. Je n\u2019aime pas la routine mais j\u2019aime certaines habitudes.<\/p>

 <\/p>","label":"

J\u2019aime, Agathe <\/p>"},{"id":1868,"type":2,"content":"

 <\/p>

Il aime sortir. Il aime acheter des v\u00eatements.<\/p>

Il aime rigoler. Il aime parler.<\/p>

Il aime danser.<\/p>

Il aime sa famille.<\/p>

Il aime regarder la t\u00e9l\u00e9vision.<\/p>

Il aime les vestes. Il aime son nom.<\/p>

Il n\u2019aime pas sa s\u0153ur.<\/p>

Il n\u2019aime pas travailler.<\/p>

Il aime \u00eatre aim\u00e9.<\/p>

Il n\u2019aime pas se disputer.<\/p>

Il aime le foot.<\/p>

Petit, j\u2019aimais danser et chanter.<\/p>

Aujourd\u2019hui j\u2019aime le foot.<\/p>

Plus tard, j\u2019aimerais \u00eatre postier.<\/p>

 <\/p>","label":"

Plus tard, Jibril  <\/p>"},{"id":1869,"type":2,"content":"

 <\/p>

J\u2019ai mang\u00e9 des chips. J\u2019ai \u00e9cout\u00e9 de la musique. J\u2019ai jou\u00e9 au foot comme j\u2019ai couru. Je suis sorti avec mes coll\u00e8gues. Je n\u2019ai jamais eu de chance ; je ne sais pas chanter. J\u2019ai \u00e9cout\u00e9 toutes les musiques de Jul. Je m\u2019arr\u00eate de travailler pour aller m\u2019amuser.<\/p>

Le lavabo me pique, mais la douche me soigne<\/p>

Le vent me gifle mais l\u2019\u00e9charpe me couvre<\/p>

Le feu me br\u00fble mais l\u2019eau m\u2019apaise<\/p>

Tu es moche mais t\u2019inqui\u00e8te le maquillage te sauve<\/p>

L\u2019Amazonie br\u00fble mais les oc\u00e9ans l\u2019\u00e9teignent<\/p>

Il te quitte mais t\u2019inqui\u00e8te pas tes copines sont l\u00e0<\/p>

Le lion t\u2019agresse mais ne t\u2019inqui\u00e8te pas ton corps est l\u00e0<\/p>

 <\/p>","label":"

Le lion t\u2019agresse mais ne t\u2019inqui\u00e8te pas ton corps est l\u00e0, Jibril<\/p>"},{"id":1870,"type":2,"content":"

 <\/p>

Lorsque tu le vois tu t\u2019effondres mais quand il te parle tu l\u2019admires.<\/p>

Quand il est l\u00e0 tu ne manges pas mais lorsqu\u2019il s\u2019en va la famine t\u2019envahit.<\/p>

Lorsqu\u2019il te parle tu souris mais quand il se tait tu t\u2019assombris.<\/p>

Quand il s\u2019avance tu recules lorsqu\u2019il s\u2019approche tu t\u2019envoles.<\/p>

Lorsqu\u2019elle parle de lui elle s\u2019apaise.<\/p>

Quand il la regarde dans les yeux elle s\u2019incline.<\/p>

Mais lorsque c\u2019est elle qui la regarde elle domine<\/p>

Quand il passe tu t\u2019\u00e9cartes.<\/p>

Mais lorsqu\u2019elle domine il s\u2019incline.<\/p>

 <\/p>","label":"

Elle et lui, Jade <\/p>"},{"id":1871,"type":2,"content":"

 <\/p>

Je suis brune <\/p>

Suis-je brune<\/p>

Brune suis-je<\/p>

Brune je suis<\/p>

Brune suis-je<\/p>

Je suis brune<\/p>

Suis-je brune<\/p>

Eh beh non<\/p>

 <\/p>","label":"

brune, Jade <\/p>"},{"id":1872,"type":2,"content":"

 <\/p>

C\u2019est la vida<\/p>

Petite, j\u2019aimais r\u00eaver et danser.<\/p>

Aujourd\u2019hui, j\u2019aime le karat\u00e9 et rire.<\/p>

Plus tard j\u2019aimerai \u00eatre championne et heureuse.<\/p>

Pourquoi pas ?<\/p>

La nuit s\u2019endort et le jour se l\u00e8ve.<\/p>

La lune s\u2019en va et le soleil s\u2019\u00e9l\u00e8ve.<\/p>

Le soleil brille et la lune s\u2019assombrit.<\/p>

La col\u00e8re souffle et la joie se dispute<\/p>

Le stress appara\u00eet et la tension surgit.<\/p>

L\u2019amour tue et l\u2019envie dispara\u00eet.<\/p>

Les vents se bousculent la pluie se maquille.<\/p>

Les nerfs se tendent et les sentiments se balancent ?<\/p>

Les tirelires se bagarrent et les billets se grognent.<\/p>

Les th\u00e9i\u00e8res chantent et les tasses dansent.<\/p>

 <\/p>","label":"

c\u2019est la vida pourquoi pas, Jade<\/p>"},{"id":1873,"type":2,"content":"

 <\/p>

Elle rit. Elle vit. Elle r\u00eave. Elle dort. Elle chante. Elle danse. Elle sort.  Elle aime sortir et ne plus rentrer. Elle aime briller. Elle n\u2019aime pas les animaux. Elle aime ses amies. Elle aime aimer et \u00eatre aim\u00e9e. Elle aime manger. Elle aime son nom. Elle aime sa fille. Elle aime sa famille. Elle aime s\u2018ouvrir. Elle aime s\u2019amuser. Elle aime l\u2019\u00e9t\u00e9. Elle aime s\u2019\u00e9vader. Elle pleure. Elle rit. Elle vit. Elle r\u00eave. Elle dort. Elle chante. Elle danse. Elle meurt.<\/p>


 <\/p>","label":"

Elle, Jade<\/p>

 <\/p>"},{"id":1874,"type":2,"content":"

 <\/p>

L\u2019amour se d\u00e9voile et l\u2019idiotie arrive.<\/p>

La col\u00e8re appara\u00eet et les poings se l\u00e8vent.<\/p>

La joie est l\u00e0 et la haine attend.<\/p>

L\u2019ange fait le bon et le d\u00e9mon le mal.<\/p>

L\u2019\u00e9toile scintille et les trous noirs aspirent.<\/p>

L\u2019encre est vide et la page est compl\u00e8te.<\/p>

Les livres attendent d\u2019\u00eatre lus et les films sont visionn\u00e9s.<\/p>

La trousse est ouverte et les oreilles sont pr\u00eates \u00e0 \u00e9couter.<\/p>

L\u2019\u00e9t\u00e9 arrive \u00e0 grand pas et le froid nous envahira.<\/p>

L\u2019humain est endormi et le caf\u00e9 le r\u00e9veille.<\/p>

 <\/p>","label":"

Les diff\u00e9rences, Cam\u00e9lia <\/p>"},{"id":1875,"type":2,"content":"

 <\/p>

J\u2019aimais porter les talons et v\u00eatements de ma m\u00e8re.<\/p>

Quand j\u2019\u00e9tais petite j\u2019aimais le vernis et rester avec mes voisines.<\/p>

Aujourd\u2019hui, j\u2019aime toujours le vernis. J\u2019aime les s\u00e9ries et je regarde avec ma s\u0153ur the Walking Dead.<\/p>

J\u2019aimerai mon m\u00e9tier d\u2019actrice, la ville o\u00f9 je vivrai et j\u2019aimerai toujours le vernis.<\/p>

 <\/p>","label":"

futur pass\u00e9 pr\u00e9sent, Cam\u00e9lia <\/p>"},{"id":1876,"type":2,"content":"

 <\/p>

1. Le meuble te cogne mais ne t\u2019en fais pas la bougie formera un pansement.<\/p>

2. Le stylo se vide mais la recharge attend d\u2019\u00eatre utilis\u00e9e.<\/p>

3. Tu fais une crise d\u2019asthme mais la Ventoline vole \u00e0 ton secours.<\/p>

4. La vitrine de ta boutique se casse mais l\u2019objet est plus beau en vrai.<\/p>

5. Le livre est termin\u00e9 mais la librairie est ouverte.<\/p>

6. Les couleurs se m\u00e9langent mais toi tu es unique.<\/p>

7. Ton agenda est vide mais tes pens\u00e9es sont pleines.<\/p>

 <\/p>","label":"

LE MELANGE, Cam\u00e9lia<\/p>"},{"id":1823,"type":2,"content":"

 <\/p>

Je plane et songe quand je m\u2019ennuie<\/p>

Je me sens oblig\u00e9 d\u2019effacer cette petite trace de stylo sur le tableau<\/p>

Je cherche une phrase lorsque la pi\u00e8ce me semble trop muette<\/p>

J\u2019imagine le monde meilleur et diff\u00e9rent<\/p>

Je vois le temps passer mais je ne le regrette seulement \u00e0 la fin<\/p>

Je me demande souvent si mes choix sont les bons<\/p>

Je m\u2019\u00e9gare parfois dans les rues sans savoir la direction attendue.<\/p>

Je trouve que le temps passe vite alors ne soyez pas triste<\/p>

Je ne me reconnais pas parfois mais le miroir lui ne grandit pas.<\/p>

Je n\u2019aimerais rien faire mais il y a tellement de choses \u00e0 faire<\/p>

J\u2019essaye de planifier l\u2019avenir mais les beaux moments ne sont qu\u2019\u00e0 venir<\/p>

Je je je oui je suis moi et je ne vous mens pas<\/p>

 <\/p>","label":"

Je cherche une phrase, Oc\u00e9ane<\/p>"},{"id":1877,"type":2,"content":"

 <\/p>

1. Le d\u00e9mon te manipule mais l\u2019ange te remettra sur le bon chemin.<\/p>

2. Le diable te poss\u00e8de mais le Dieu sera l\u00e0.<\/p>

3. Tu viens de faire une mauvaise action mais les bonnes te sauveront.<\/p>

4. Tu es le seul, tu as peur mais Dieu te prot\u00e8gera.<\/p>

5. Le diable te siffle dans l\u2019oreille mais Dieu te chantera une chanson.<\/p>

6. Le diable se vante mais Dieu se contente.<\/p>

7. Le diable se montre mais Dieu se cache.<\/p>

8. Le d\u00e9mon te pousse mais l\u2019ange te rattrape.<\/p>

9. Le diable restera le mauvais et l\u2019enfer mais le Dieu restera le bon et le paradis.<\/p>

 <\/p>","label":"

LE BON ET LE MAL, Cam\u00e9lia <\/p>"},{"id":1878,"type":2,"content":"

 <\/p>

Les tables rougissent et le sol se d\u00e9forme.<\/p>

Les armoires dansent et les lampes marchent.<\/p>

Les livres chantent et les toits mangent.<\/p>

Les jouets courent et les lumi\u00e8res sautent.<\/p>

Le ciel rit et les \u00e9toiles regardent.<\/p>

Les pulls boivent et les tee-shirt conduisent.<\/p>

Les chaussures adorent et la neige a froid.<\/p>

Les cheveux se lavent et les chaussures respirent.<\/p>

Les stylos coupent et les \u00e9ponges d\u00e9coupent.<\/p>

Les feutres cong\u00e8lent et les frigidaires \u00e9crivent.<\/p>

5\/Les pierres flottent mais la bou\u00e9e coule.<\/p>

Les hommes volent mais les oiseaux marchent.<\/p>

Le feu est eau mais l\u2019eau est feu.<\/p>

L\u2019air est terre et la terre est l\u2019air.<\/p>

La feuille est jaune mais le jaune est bleu.<\/p>

La feuille est bleue mais le bleu est rouge.<\/p>

La feuille est rouge mais le rouge est vert.<\/p>

La feuille est verte mais le vert est rose.<\/p>

             <\/p>","label":"

La feuille est rouge mais le rouge est vert, Emrys<\/p>"},{"id":1879,"type":2,"content":"

 <\/p>

Les gens te laissent mais n\u2019oublie pas que tu es dur.<\/p>

Les personnes te blessent mais parfois leurs paroles te rassurent.<\/p>

La nuit se moque mais le ciel est bleu azur.<\/p>

La pie mange le coq mais les \u0153ufs seront durs.<\/p>

L\u2019oiseau mange ton pain mais le pain n\u2019est que mie.<\/p>

L\u2019armoire te frappe mais le lit panse tes blessures.<\/p>

Le moineau rigole mais tes yeux sont rubis.<\/p>

Le gruy\u00e8re te rappe mais le riz est pur.<\/p>

La violence te froisse mais tu t\u2019en sortiras.<\/p>

            <\/p>","label":"

L\u2019oiseau mange ton pain mais le pain n\u2019est que mie, Emrys<\/p>"},{"id":1880,"type":2,"content":"

 <\/p>

 Je lis des livres. J\u2019aime regarder les paysages. Je serais enchant\u00e9 de respirer l\u2019air pur de la montagne. J\u2019aime me reposer. J\u2019\u00e9prouve un sentiment nostalgique en regardant le ciel \u00e9toil\u00e9. J\u2019ai les yeux marron. Je suis fran\u00e7ais. J\u2019ai une trousse bleue. J\u2019aime la mythologie.<\/p>

 <\/p>","label":"

J\u2019\u00e9prouve un sentiment nostalgique, Emrys<\/p>"},{"id":1881,"type":2,"content":"

 <\/p>

Il aime la nature. Il aime voler. Il aime courir. Il aime la v\u00e9g\u00e9tation. Il aime sauter. Il aime lire. Il aime les animaux. Il aime Bambi il adore rire. Il aime les stylos. Il aime la pluie. Il aime tomber. Il aime la journ\u00e9e il aime les nuages il aime Billy et Juliette.<\/p>

 <\/p>","label":"

Il aime la pluie. Il aime tomber, Ethan<\/p>"},{"id":1882,"type":2,"content":"

 <\/p>

La fourchette pique et le couteau saigne<\/p>

Le ballon roule et le feu explose<\/p>

La lentille vole et la feuille dessine<\/p>

Le papier meurt et les textes br\u00fblent<\/p>

Le d\u00e9sespoir appara\u00eet et le bonheur dispara\u00eet<\/p>

Le vent coule et la pluie monte<\/p>

Le n\u00e9ant arrive et plus rien n\u2019existe<\/p>

 <\/p>","label":"

Le vent coule et la pluie monte, Ethan<\/p>"},{"id":1883,"type":2,"content":"

 <\/p>

Quand j\u2019\u00e9tais petit j\u2019aimais aller au Parc faire du v\u00e9lo. Je voulais \u00eatre un super h\u00e9ros et conduire des motos. Aujourd\u2019hui j\u2019aime aller dans la nature faire du VTT je suis un grand fan de jeu vid\u00e9o et de Star Wars. Plus tard je serais un fan de Star Wars.<\/p>

 <\/p>","label":"

Plus tard je serais un fan de Star Wars, Ethan <\/p>"},{"id":1884,"type":2,"content":"

 <\/p>

Il aime lire. Il adore le noir mais il d\u00e9teste le rose. Il aime les animaux et surtout les voitures. Il aime le chocolat. Il d\u00e9teste les romans. Il pr\u00e9f\u00e8re les mangas et les BD. Il aime les surv\u00eatements mais pas les jeans. Il aime la mer. Il aime les poissons, les requins et les baleines. Il adore chercher des coquillages sur la plage.  Il adore jouer \u00e0 la console toute la journ\u00e9e. Il aime courir. Il adore apprendre. Il d\u00e9teste les maths. Il adore regarder le t\u00e9l\u00e9phone et l\u2019ordinateur. Il adore prendre les affaires des autres pour les cacher. Mais il aime par-dessus tout les voyages. Il aime les montagnes, les rivi\u00e8res et les lacs. Il adore les paysages merveilleux qui s\u2019offrent \u00e0 lui. Il aime se promener dans la campagne et s\u2019amuser avec son chien. Il aime le basket et le football.<\/p>

 <\/p>","label":"

Il aime les montagnes, les rivi\u00e8res et les lacs, Lolita <\/p>"},{"id":1885,"type":2,"content":"

 <\/p>

La col\u00e8re sourit.<\/p>

Les \u00e9tag\u00e8res s\u2019envolent et les livres parlent.<\/p>

Les fen\u00eatres se mouillent et les rideaux s\u2019\u00e9clairent.<\/p>

Les nuages se couvrent et la temp\u00eate s\u2019enroule.<\/p>

La rivi\u00e8re s\u2019ouvre et la montagne r\u00e9tr\u00e9cit.<\/p>

La jungle fond et le glacier se r\u00e9pare.<\/p>

La joie s\u2019\u00e9nerve et le stylo mord.<\/p>

Les lunettes partent et les horloges nagent.<\/p>

Les plan\u00e8tes montent et le monde s\u2019allume.<\/p>

Les tableaux peignent et les pinceaux s\u2019immobilisent.<\/p>

Les spectres d\u00e9bordent et les squelettes vivent.<\/p>

 <\/p>","label":"

Les plan\u00e8tes montent et le monde s\u2019allume, Lolita <\/p>"},{"id":1886,"type":2,"content":"

 <\/p>

Le marque-page te frappe mais ne t\u2019inqui\u00e8te pas, le livre te consolera.<\/p>

Le stylo t\u2019\u00e9nerve mais rassure-toi la feuille te sourit.<\/p>

Le ciel te fait pleurer de peur, mais sois courageux car la baleine te rend heureux sur son dos.<\/p>

Le serpent te mord mais l\u2019otarie te fait sourire parce qu\u2019elle fait de jolies pirouettes dans l\u2019eau.<\/p>

L\u2019aigle te pique, mais garde espoir car le perroquet te rend joyeux car son chant t\u2019\u00e9blouit.<\/p>

Le sombre te fait peur la nuit mais ne t\u2019en fais pas car la lumi\u00e8re te rassure.<\/p>

Le soleil te br\u00fble mais le froid de la mer te refroidit.<\/p>

La mythologie grecque te rassure lorsque tu es \u00e9nerv\u00e9.<\/p>

 <\/p>","label":"

La mythologie grecque te rassure lorsque tu es \u00e9nerv\u00e9, Lolita <\/p>"},{"id":1824,"type":2,"content":"

 <\/p>

Ma plume \u00e9crit mes joies et mes peines<\/p>

La tristesse se cache sous mon lit<\/p>

La col\u00e8re fait d\u00e9coller les avions<\/p>

La joie s\u2019agite comme les bulles du champagne<\/p>

Le stress ne sort pas le soir<\/p>

Le d\u00e9go\u00fbt ne sourit pas<\/p>

L\u2019angoisse ne court pas les rues<\/p>

Tandis que l\u2019amour contamine les villes<\/p>

Ces \u00e9motions nous tournent l\u2019esprit<\/p>

Mais ce sont les torrents d\u2019\u00e9preuves de la vie. <\/p>

 <\/p>","label":"

La vie, Oc\u00e9ane<\/p>"},{"id":1887,"type":2,"content":"

 <\/p>

J\u2019aime les chevaux mais pas le chocolat. J\u2019ai un fr\u00e8re. J\u2019ai beaucoup de livres chez moi qui prennent beaucoup de place. Je suis brune avec les yeux marrons. Je ne porte pas de lunettes. J\u2019ai des boucles d\u2019oreille mais je ne les mets jamais. J\u2019aime les tigres. Je ne me d\u00e9tache jamais les cheveux. Je mets beaucoup de jeans mais pas de robes. Je lis beaucoup de romans mais pas de BD. Je prom\u00e8ne beaucoup dans la campagne. J\u2019aime voir les oiseaux voler dans le ciel. J\u2019\u00e9coute la musique mais pas trop. J\u2019ai un chien et deux chats. Je d\u00e9teste le rose mais j\u2019aime la rose. Lire est ma passion. J\u2019ai un bracelet bleu avec un tigre en argent. J\u2019aime voyager dans des pays \u00e9trangers.<\/p>

 <\/p>","label":"

Je d\u00e9teste le rose mais j\u2019aime la rose, Lolita<\/p>"},{"id":1888,"type":2,"content":"

 <\/p>

J\u2019ai un chat.<\/p>

Je mange des pizzas.<\/p>

Je n\u2019aime pas les tortues.<\/p>

J\u2019appr\u00e9cie les chiens mais je n\u2019en ai pas ;<\/p>

J\u2019aime les fraises et les p\u00eaches.<\/p>

Je pr\u00e9f\u00e8re les vacances que l\u2019\u00e9cole.<\/p>

Je d\u00e9teste les choux.<\/p>

J\u2019ai deux parents.<\/p>

J\u2019ai un fr\u00e8re.<\/p>

J\u2019ai trois animaux des tortues que je n\u2019aime pas, deux chats que je v\u00e9n\u00e8re, deux poissons poivron et citron.<\/p>

C\u2019est ma vie et je ne la d\u00e9rangerai pas.<\/p>

 <\/p>","label":"

C\u2019est ma vie et je ne la d\u00e9rangerai pas, El\u00e9a<\/p>"},{"id":1889,"type":2,"content":"

 <\/p>

Le plus facile \u00e0 faire est de faire preuve de l\u00e2chet\u00e9 qui ne tente rien n\u2019a rien<\/p>

La chose la plus difficile \u00e0 faire est la confiance car depuis que l\u2019homme est homme il ne peut que douter de l\u2019autre<\/p>

Le temps est plus ancien que mes anc\u00eatres<\/p>

La chose la plus belle au monde est la famille c\u2019est ce qui nous permet de vivre<\/p>

La plus grande des choses, celle que la galaxie ne peut contenir est l\u2019imagination,<\/p>

La chose la plus constante et qui ne s\u2019\u00e9teindra jamais est la vie.<\/p>

 <\/p>","label":"

La chose la plus difficile \u00e0 faire est la confiance, El\u00e9a<\/p>"},{"id":1890,"type":2,"content":"

 <\/p>

Elle aime les tortues<\/p>

Elle n\u2019aime ni les chiens ni les chats contrairement \u00e0 moi<\/p>

Elle aime rigoler \u00e0 nos blagues<\/p>

Elle pr\u00e9f\u00e8re lire que regarder la t\u00e9l\u00e9.<\/p>

Sa couleur pr\u00e9f\u00e9r\u00e9e est le violet<\/p>

Elle n\u2019aime pas le rose<\/p>

Elle pr\u00e9f\u00e8re la mer \u00e0 la piscine<\/p>

Elle pr\u00e9f\u00e8re les livres d\u2019action<\/p>

Elle aime les g\u00e2teaux au chocolat<\/p>

Les voyages entre amis<\/p>

Elle d\u00e9teste les hu\u00eetres<\/p>

Elle aime les coquillages<\/p>

Elle n\u2019aime ni faire les magasins ni bronzer au soleil<\/p>

 <\/p>","label":"

Elle aime rigoler \u00e0 nos blagues, El\u00e9a<\/p>"},{"id":1891,"type":2,"content":"

 <\/p>

La col\u00e8re chante en moi et la tristesse danse<\/p>

La rivi\u00e8re s\u2019\u00e9coule, la joie part en voyage<\/p>

Le soleil part et les nuages arrivent<\/p>

Puis le soleil revient et la joie se r\u00e9veille<\/p>

La col\u00e8re court se r\u00e9fugier dans un coin de mon c\u0153ur<\/p>

Et la tristesse s\u2019envole se r\u00e9fugier dans mon \u00e2me<\/p>

Le livre de mon c\u0153ur s\u2019ouvre pour \u00e9crire l\u2019histoire<\/p>

Et les portes de mon c\u0153ur s\u2019\u00e9cartent pour laisser<\/p>

Ma plume s\u2019envoler pour aller se poser sur la page 1<\/p>

Car c\u2019est le premier jour que la tristesse part<\/p>

Ensuite ce qui reste dans mon c\u0153ur c\u2019est un arc-en-ciel de bonheur<\/p>

 <\/p>","label":"

La col\u00e8re chante en moi et la tristesse danse, El\u00e9a<\/p>"},{"id":1825,"type":2,"content":"

 <\/p>

J\u2019aime faire du shopping comme rire. Je n\u2019aime pas quand les gens me contredisent mais j\u2019aime leur faire un retour. L\u2019\u00e9cole m\u2019ennuie mais j\u2019aimerais avoir un avenir. Les r\u00e9seaux sociaux m\u2019inspirent. J\u2019ai un fr\u00e8re, et il m\u2019\u00e9nerve mais je l\u2019aime quand m\u00eame. J\u2019adore mon mois d\u2019anniversaire car il est rempli de jours f\u00e9ri\u00e9s et que c\u2019est la bonne saison. L\u2019\u00e9t\u00e9 et la mer sont ce que je pr\u00e9f\u00e8re. Netflix est mon passe-temps quand je m\u2019ennuie. Petite j\u2019avais h\u00e2te d\u2019\u00eatre grande pour \u00eatre libre mais \u00e7a ne sera pas le cas. Voyager me fait plaisir. Je suis vite d\u00e9concentr\u00e9e mais j\u2019aime quand je suis concentr\u00e9e. C\u2019est moi.<\/p>

Il adore le chocolat. Il n\u2019aime pas les fruits. Il aime le jaune. Il aime faire du v\u00e9lo avec ses potes.il n\u2019aime pas \u00eatre seul. Il aime bien ses cheveux. Il n\u2019aime pas faire ses devoirs. Il adore les boissons gazeuses. Il aime son t\u00e9l\u00e9phone. Il n\u2019aime pas l\u2019\u00e9cole. Il aime \u00e9norm\u00e9ment sa s\u0153ur. Il d\u00e9teste le poisson il pr\u00e9f\u00e8re les voir vivants. Il aime beaucoup la gym. Il aime les man\u00e8ges pour avoir le vertige. Il aime jouer \u00e0 Fortnite. Il aime rire. Il aime la vie.<\/p>

 <\/p>","label":"

je l\u2019aime quand m\u00eame, Maylis <\/p>"},{"id":1826,"type":2,"content":"

 <\/p>

La feuille te coupe mais le stylo te soigne.<\/p>

La pluie mouille mais le parapluie te prot\u00e8ge.<\/p>

La terre te salit mais l\u2019eau te nettoie.<\/p>

Tu as peur de grossir alors arr\u00eate mac do.<\/p>

Tes cheveux manquent d\u2019\u00e9clat ne t\u2019inqui\u00e8te pas y\u2019a l\u2019Or\u00e9al.<\/p>

Tu t\u2019ennuies rassure toi Netflix est ton amie.<\/p>

Le soleil te br\u00fble mais la cr\u00e8me solaire te prot\u00e8ge.<\/p>

Les vitrines te font r\u00eaver ne t\u2019inqui\u00e8te pas c\u2019est les soldes.<\/p>

Le coronavirus te fait peur alors arr\u00eate de commander sur Ali express.<\/p>

Le ciel gronde profites-en pour faire tes devoirs.<\/p>

 <\/p>","label":"

La terre te salit mais l\u2019eau te nettoie, Maylis <\/p>"},{"id":1771,"type":2,"content":"

 <\/p>

Je vais gratter l\u2019amiti\u00e9 \u00e0 mon voisin<\/p>

L\u2019apprentissage des couleurs pour mieux les conna\u00eetre<\/p>

 <\/p>

Temp\u00eate de neige originelle comme dans les r\u00eaves<\/p>

Atteignent les plus hauts monts de neiges<\/p>

Comme les poissons dans les mers<\/p>

Les villes d\u00e9sert\u00e9es et enneig\u00e9es<\/p>

Les d\u00e9serts ensoleill\u00e9s et tr\u00e8s peu fr\u00e9quent\u00e9s<\/p>

La peur de l\u2019inconnu, t\u2019es venu, paru<\/p>

 <\/p>

Les ordinateurs marchent, les livres tournent la page<\/p>

Les magasins ouvrent, les enfants courent<\/p>

 <\/p>","label":"

Gratter l\u2019amiti\u00e9, Rayan <\/p>"},{"id":1780,"type":2,"content":"

 <\/p>

Mon corps \u00e9tait avec Lydia et Myriam<\/p>

Mon corps a escalad\u00e9<\/p>

Mon corps a march\u00e9 sur un arbre<\/p>

Mon corps \u00e9tait sur le toit d\u2019une maternelle abandonn\u00e9e<\/p>

Mon corps a film\u00e9<\/p>

Mon corps est entr\u00e9<\/p>

Mon corps \u00e9tait dans le noir<\/p>

Mon corps a vu des choses bouger<\/p>

Mon corps a cri\u00e9<\/p>

Mon corps a eu peur<\/p>

Mon corps est reparti<\/p>

Mon corps a march\u00e9 sur un arbre<\/p>

Mon corps a pris un arbre avec un tronc pour traverser le vide<\/p>

Mon corps a escalad\u00e9 l\u2019arbre<\/p>

Mon corps a march\u00e9 sur le tronc<\/p>

Mon corps avait peur de tomber<\/p>

Mon corps a vu une toile d\u2019araign\u00e9e<\/p>

Mon corps a touch\u00e9 l\u2019arbre humide<\/p>

Mon corps a entendu l\u2019arbre craquer<\/p>

 <\/p>","label":"

Craquer, Lilia<\/p>"},{"id":1781,"type":2,"content":"

 <\/p>

Les mots ne peuvent colorer ceci<\/p>

Colorer ceci<\/p>

La tristesse<\/p>

La joie<\/p>

Les sentiments <\/p>

Colorez-les<\/p>

Ah donner de la couleur \u00e0 nos \u00e9motions<\/p>

L\u2019\u00e9motion l\u2019\u00e9motion l\u2019\u00e9motion<\/p>

L\u2019\u00e9motion dans le coeur de chacun<\/p>

La tristesse de tous<\/p>

La joie de la population<\/p>

C\u2019\u00e9tait les \u00e9motions<\/p>

 <\/p>","label":"

Colorer, Anita<\/p>"},{"id":1782,"type":2,"content":"

 <\/p>

A ce moment-l\u00e0 je ne sais pas,<\/p>

Ici et l\u00e0 je ne sais pas,<\/p>

Pourquoi comme \u00e7a je ne sais pas.<\/p>

JCVD avec un extraterrestre tous deux buvant un th\u00e9 je ne sais pas,<\/p>

une personne \u00e2g\u00e9e r\u00eavant de voler je ne sais pas.<\/p>

Michael Jackson toujours vivant, je ne sais pas.<\/p>

Se laisser engouffrer dans le r\u00eave et l\u2019imagination,<\/p>

ah oui je sais, c\u2019est merveilleux.<\/p>

Une chose est s\u00fbre,<\/p>

c\u2019est que la vie on doit en profiter,<\/p>

C\u2019est clair.<\/p>

 <\/p>

Je sais rimer et je vais vous le montrer<\/p>

Je sais parler le Geek,<\/p>

je sais que j\u2019ai des tics<\/p>

Je sais que je suis malin,<\/p>

et pas tr\u00e8s cr\u00e9tin.<\/p>

Je sais que je suis dr\u00f4le, je sais que je peux faire plus,<\/p>

alors je tente la roulette russe.<\/p>

Tout ce que l\u2019on sait on doit le partager,<\/p>

allez allez, c\u2019est le moment de rimer.<\/p>

Je sais que le st\u00e9gosaure est herbivore,<\/p>

je sais  que le ha\u00ef-ha\u00ef il est pas kawa\u00ef.<\/p>

Bonne journ\u00e9e et merci de m\u2019avoir \u00e9cout\u00e9 rimer.<\/p>

 <\/p>","label":"

A ce moment-l\u00e0, Adam<\/p>"},{"id":1783,"type":2,"content":"

 <\/p>

Continuer en partant d\u2019ici<\/p>

Et repartir en partant de l\u00e0-bas<\/p>

Des chemins partout<\/p>

Des couleurs vives tout autour de nous<\/p>

Des arbres \u00e0 la place des plantes<\/p>

Et des plantes \u00e0 la place des herbes<\/p>

Des lutins sous les ponts<\/p>

Et des gens sur les ponts<\/p>

Des temp\u00eates de fleurs qui ravagent le monde<\/p>

Un monde d\u2019artiste libre<\/p>

Un monde vraiment libre<\/p>

 <\/p>","label":"

Des chemins partout, Wissam <\/p>"},{"id":1784,"type":2,"content":"

 <\/p>

Mon corps est assis<\/p>

Mon corps r\u00e9fl\u00e9chit<\/p>

Mon corps ne trouve pas quoi \u00e9crire<\/p>

Mon corps \u00e9crit<\/p>

Mon corps n\u2019a plus rien \u00e0 \u00e9crire<\/p>

Mon corps a fini d\u2019\u00e9crire.<\/p>

 <\/p>

Il n\u2019y a rien qui change avec \u00ab je \u00bb car c\u2019est toujours moi. <\/p>

 <\/p>","label":"

Rien qui change, Marwa <\/p>"},{"id":1785,"type":2,"content":"

 <\/p>

Dans le train<\/p>

Je peux chercher \u00e0 faire la discussion avec vous (musique, t\u00e9l\u00e9-r\u00e9alit\u00e9, actu politique ou environnemental mondial).<\/p>

J\u2019aime bien chanter toute seule (rap, musique de love etc..).<\/p>

Pendant le trajet je sors toutes sortes de nourritures (g\u00e2teaux, du sucr\u00e9 ou du sal\u00e9).<\/p>

Je peux dormir (\u00e0 la moiti\u00e9 ou \u00e0 la fin du trajet).<\/p>

Je peux appeler des gens (amie, parents, boulot etc\u2026).<\/p>

Sans oublier la base, Netflix pendant 80% du trajet.<\/p>

Et surtout je rigole vraiment pour rien (gens qui tombent, s\u2019\u00e9touffent, se gamellent ou font des trucs dr\u00f4les).<\/p>

 <\/p>","label":"

Je vous pr\u00e9viens, Myriam<\/p>"},{"id":1786,"type":2,"content":"

 <\/p>

Mon corps se l\u00e8ve tout en sachant ce qui m\u2019attend.<\/p>","label":"

Tout en sachant, Fanta<\/p>"},{"id":1787,"type":2,"content":"

 <\/p>

Heureusement je suis chez moi  <\/p>

Heureusement je suis l\u00e0 <\/p>

Heureusement je suis marocaine<\/p>

Heureusement je parle fran\u00e7ais <\/p>

Heureusement aussi je suis Wissal <\/p>

 <\/p>","label":"

Aussi, Wissal<\/p>"},{"id":1788,"type":2,"content":"

 <\/p>

Mon corps n\u2019est pas \u00e0 l\u2019aise, dans n\u2019importe quelle position.<\/p>

Mon corps n\u2019est pas int\u00e9ress\u00e9 \u00e0 cet exercice.  <\/p>

Mon corps pr\u00e9f\u00e8re rester la t\u00eate dans les nuages.<\/p>

Mon corps r\u00eave.<\/p>

 <\/p>

Je ne sais pas ce qu\u2019il y a apr\u00e8s le \u00ab je ne sais pas. \u00bb<\/p>

Mais maintenant je sais ce qu\u2019il y a apr\u00e8s le \u00ab je ne sais pas. \u00bb<\/p>

 <\/p>

Je joue encore du piano, seul j\u2019apprends cette m\u00e9lodie tr\u00e8s difficile, je la rejoue en boucle.<\/p>

 <\/p>","label":"

Je la rejoue en boucle, Samuel<\/p>"},{"id":1789,"type":2,"content":"

 <\/p>

Mon corps a envie de dormir.<\/p>

Mon corps a mal \u00e0 la t\u00eate.<\/p>

Mon corps \u00e9crit une po\u00e9sie<\/p>

Mon corps est assis par terre, a le genou pr\u00e8s du menton.<\/p>

Mon corps est \u00e0 l\u2019\u00e9cole.<\/p>

Mon corps \u00e9coute la prof.<\/p>

Mon corps est fatigu\u00e9.<\/p>

Mon corps tient un crayon.<\/p>

Mon corps est parfum\u00e9.<\/p>

Mon corps a mang\u00e9 le petit d\u00e9jeuner.<\/p>

Mon corps a faim.<\/p>

Mon corps respire.<\/p>

Mon corps est habill\u00e9.<\/p>

Mon corps est heureux.<\/p>

 <\/p>","label":"

Respire, Oua\u00efs<\/p>"},{"id":1772,"type":2,"content":"

 <\/p>

Mon corps est fatigu\u00e9<\/p>

Mon corps frissonne<\/p>

Mon corps a froid<\/p>

Mon corps est bien install\u00e9<\/p>

Et pourtant mon corps veut dormir<\/p>

Mon corps est malade<\/p>

Mon corps est assourdi par le bruit de la clim<\/p>

Mon corps a mal \u00e0 la t\u00eate<\/p>

Mon corps manque de s\u2019effondrer<\/p>

Mon corps est comme pris dans des sables mouvants<\/p>

Mon corps n\u2019ob\u00e9it qu\u2019\u00e0 une partie de mes ordres<\/p>

Mon corps n\u2019a plus d\u2019id\u00e9es alors il arr\u00eate d\u2019\u00e9crire<\/p>

Cependant mon corps enregistre des informations comme un magn\u00e9tophone<\/p>

 <\/p>","label":"

Manque, J\u00e9r\u00e9my<\/p>"},{"id":1790,"type":2,"content":"

 <\/p>

D\u2019ici on va chez moi.<\/p>

D\u2019ici on peut voir la mer.<\/p>

Mer est belle.<\/p>

Belle et la b\u00eate.<\/p>

B\u00eate derri\u00e8re moi.<\/p>

Moi et toi.<\/p>

Toi et moi.<\/p>

 <\/p>","label":"

D\u2019ici, Lydia<\/p>"},{"id":1791,"type":2,"content":"

 <\/p>

Dans une for\u00eat il y a plusieurs chemins<\/p>

Parfois les oiseaux perdent leurs plumes<\/p>

Un nouveau tr\u00e9sor d\u00e9couvert<\/p>

 <\/p>","label":"

D\u00e9couvert, Amine<\/p>"},{"id":1792,"type":2,"content":"

 <\/p>

Mon corps utilise mon pouce et index pour \u00e9crire <\/p>

Mon corps assis sur un banc en mode chevauchement<\/p>

Mon corps craque mes doigts <\/p>

Mon corps va mourir<\/p>

Mon corps a une t\u00eate <\/p>

Mon corps est fatigu\u00e9 <\/p>

Mon corps utilise mes pieds pour \u00e9craser un autre <\/p>

Mon corps r\u00e9fl\u00e9chit <\/p>

Mon corps est malade <\/p>

Mon corps veut jouer <\/p>

Mon corps est sportif <\/p>

Mon corps est fatigu\u00e9 <\/p>

Mon corps est observateur<\/p>

Mon corps est envelopp\u00e9 de tissu<\/p>

Mon esprit  est r\u00e9veill\u00e9 mais <\/p>

mon corps ne r\u00e9pond plus.<\/p>

 <\/p>","label":"

Mon corps ne r\u00e9pond plus, Jarod<\/p>"},{"id":1773,"type":2,"content":"

 <\/p>

Plume cardinal temp\u00eate de neige<\/p>

Nid renvers\u00e9 par rafale vent<\/p>

Montagne d\u2019un blanc \u00e9clatant<\/p>

Animaux cach\u00e9s sous buissons, roches etc\u2026 <\/p>

 <\/p>","label":"

Etc\u2026, Ma\u00e9lia<\/p>"},{"id":1774,"type":2,"content":"

 <\/p>

Je ne sais pas si je vais mourir.<\/p>

Je ne sais pas qui tuer. <\/p>

Je ne sais pas qui me trahit. <\/p>

Je ne sais pas ce que c\u2019est l\u2019amour le vrai. <\/p>

Je ne sais pas ce que c\u2019est le mot \u00ab parent. \u00bb <\/p>

Je sais tr\u00e8s bien qui sont les vrais amis. <\/p>

Je sais qui sont mes ennemis. <\/p>

Je sais pas o\u00f9 mon destin va s\u2019arr\u00eater <\/p>

mais je sais ce que je vais devenir. <\/p>

Je ne sais pas si il\/elle m\u2019aiment <\/p>

mais je sais qu\u2019ils veulent juste profiter de moi. <\/p>

Je ne sais pas ce que c\u2019est \u00ab l\u2019amour \u00bb <\/p>

mais je sais ce que c\u2019est le mot \u00ab haine. \u00bb <\/p>

Je ne sais pas qui aimer <\/p>

mais je sais qui m\u2019aime. <\/p>

Je sais pas pourquoi ils voulaient que je devienne un monstre <\/p>

mais je sais qui j\u2019\u00e9tais et je suis pas fier de mon v\u00e9cu. <\/p>

Je sais pas si un c\u0153ur est rouge mais je sais que le mien est noir.<\/p>

 <\/p>","label":"

Un coeur, Youssef <\/p>"},{"id":1775,"type":2,"content":"

 <\/p>

Par \u00e9gard de l\u2019autre<\/p>

Par pr\u00e9caution pour lui<\/p>

Nous ne savons pas ce que l\u2019on risque <\/p>

Les vraies pr\u00e9cautions <\/p>

Ce que l\u2019on \u00e9gare<\/p>

Est trop important <\/p>

Pour les laisser tomber<\/p>

 <\/p>","label":"

Par \u00e9gard de l\u2019autre, Sofiane<\/p>"},{"id":1776,"type":2,"content":"

 <\/p>

mon corps est parti en voyage<\/p>

mon corps est dans un avion <\/p>

mon corps a peur<\/p>

mon corps il pleure<\/p>

mon corps est passion <\/p>

mon corps est dans le ciel<\/p>

mon corps il parle avec les gens<\/p>

mon corps est dans la terre <\/p>

mon corps est dans la maison<\/p>

mon corps est dans la chambre avec mon fr\u00e8re<\/p>

mon corps a dormi<\/p>

mon corps a fait des cauchemars<\/p>

mon corps s\u2019est r\u00e9veill\u00e9<\/p>

mon corps est sorti jouer avec mes copains<\/p>

 <\/p>","label":"

Mon corps est parti en voyage, Ahmed<\/p>"},{"id":1777,"type":2,"content":"

 <\/p>

Heureusement on a pris les billets.<\/p>

Heureusement on est arriv\u00e9es \u00e0 l\u2019heure.<\/p>

Heureusement on s\u2019est assises \u00e0 la bonne place.<\/p>

Heureusement on est arriv\u00e9es saines et sauves.<\/p>

Heureusement on est arriv\u00e9es chez ma tante.<\/p>

Heureusement qu\u2019on a pass\u00e9 10 jours \u00e0 vos c\u00f4t\u00e9s.<\/p>

 <\/p>

Malheureusement on avait pris les billets.<\/p>

Malheureusement on est arriv\u00e9es \u00e0 l\u2019heure.<\/p>

Malheureusement on est arriv\u00e9es \u00e0 la bonne place.<\/p>

Malheureusement je suis de retour chez moi.<\/p>

 <\/p>","label":"

Heureusement malheureusement, Norhene<\/p>"},{"id":1778,"type":2,"content":"

 <\/p>

veste noire et blanche <\/p>

noire comme la nuit <\/p>

nuit avec les \u00e9toiles<\/p>

\u00e9toiles comme l\u2019or<\/p>

l\u2019or comme ce que nous co\u00fbte cette veste <\/p>

veste port\u00e9e \u00e0 des occasions sp\u00e9ciales<\/p>

sp\u00e9ciales comme les lutins<\/p>

lutins qui nous donnent de l\u2019or<\/p>

l\u2019or comme les \u00e9toiles<\/p>

les \u00e9toiles dans la nuit<\/p>

nuit comme la nuit noire<\/p>

noire comme cette veste <\/p>

veste sp\u00e9ciale <\/p>

veste de petite taille <\/p>

taille basse comme les lutins<\/p>

lutins qui portent cette veste<\/p>

 <\/p>","label":"

Noire et blanche, Ulysse<\/p>"},{"id":1779,"type":2,"content":"

 <\/p>

Je voudrais retourner \u00e0 mon enfance avec ses tendances <\/p>

faire tourner la cadence comme avant 2010.<\/p>

Je voudrais voir seulement de l\u2019herbe un pneu un peu<\/p>

d\u2019eau dans mes yeux comme avant 2013.<\/p>

Je voudrais devoir dormir seulement pour r\u00eaver tous <\/p>

mes r\u00eave comme avant 2015.<\/p>

Je voudrais des gros mots, des mots attel\u00e9s pour voir ma ligne <\/p>

d\u2019horizon et m\u2019y tracer un jour peut-\u00eatre 2025.<\/p>

Je voudrais que l\u2019amour continue sans moi, l\u2019amour vivra plus vieille<\/p>

que mes oreilles un jour peut-\u00eatre 2090.<\/p>

 <\/p>","label":"

Mon enfance mon futur, Mellina<\/p>"},{"id":1923,"type":2,"content":"

 <\/p>

J\u2019ai trois souvenirs d\u2019enfance :<\/p>

 <\/p>

Le premier est tr\u00e8s lointain, j\u2019avais trois ans en maternelle avec mon meilleur ami, on rigolait dans la cour.<\/p>

 <\/p>

Le deuxi\u00e8me est le pire : j\u2019avais neuf ans et j\u2019\u00e9tais en CE2, \u00e0 la sortie de l\u2019\u00e9cole j\u2019ai appris que ma grand-m\u00e8re nous avait quitt\u00e9s alors que je l\u2019avais vue une semaine avant et qu\u2019elle allait bien. J\u2019ai pass\u00e9 la soir\u00e9e \u00e0 me questionner.<\/p>

 <\/p>

Le troisi\u00e8me est r\u00e9cent : J\u2019ai 14 ans et je suis en 4\u00e9me. C\u2019\u00e9tait \u00e0 midi vers la fin janvier, je sortais de la salle de D.S puis descendais en classe. Je rangeais mes affaires de D.S comme \u00e0 mon habitude, puis \u00e0 un moment deux gar\u00e7ons se sont battus, puis la responsable de niveau nous a dit qu\u2019on devait donner nos carnets pour une observation, je lui ai dit que je n\u2019avais rien fait mais elle n\u2019a pas pris compte de mes observations.<\/p>

 <\/p>","label":"

Souvenirs d\u2019enfance, Enzo<\/p>"},{"id":1932,"type":2,"content":"

 <\/p>

Elle est en col\u00e8re,<\/p>

\u00e0 cause de TOI<\/p>

TOI qui la pousse<\/p>

TOI qui l\u2019emb\u00eate<\/p>

Elle te laisse l\u2019\u00e9touffer<\/p>

je te r\u00e9p\u00e8te sans cesse<\/p>

de la laisser mais tu pr\u00e9f\u00e8res<\/p>

continuer.<\/p>

Maintenant elle ne souhaite<\/p>

que dispara\u00eetre.<\/p>

Pour que tout s\u2019arr\u00eate, qu\u2019elle puisse enfin respirer.<\/p>

Trop tard pour l\u2019en emp\u00eacher, elle l\u2019a d\u00e9j\u00e0 fait.<\/p>

 <\/p>","label":"

Elle est en col\u00e8re, Sirine<\/p>"},{"id":1933,"type":2,"content":"

 <\/p>

Il y a des mots qui font pleurer<\/p>

Et se sont des mots d\u00e9sagr\u00e9ables \u00e0 entendre.<\/p>

Le mot l\u00e2chet\u00e9, le mot hypocrisie, injustice, ravage.<\/p>

Le mot in\u00e9galit\u00e9, le mot vex\u00e9.<\/p>

Et certains noms de personnes<\/p>

Et certains noms.<\/p>

 <\/p>","label":"

Des mots qui, Julie<\/p>"},{"id":1934,"type":2,"content":"

 <\/p>

Je suis le feu, celui qui ravage les for\u00eats et les transforme en brasier,<\/p>

celui qui d\u00e9clenche les volcans et ensevelit des versants.<\/p>

Je suis l\u2019eau, celle qui recouvre pendant quelques instants une ville d\u2019habitants,<\/p>

celle qui est gel\u00e9e dans les glaciers.<\/p>

Je suis la terre, celle qui fait trembler et dispara\u00eetre une cit\u00e9,<\/p>

celle qui de ses \u00e9boulements d\u00e9truit les b\u00e2timents.<\/p>

Je suis l\u2019air, qui de ses bourrasques arrache les plumes d\u2019un paon, qui d\u2019un cyclone fait s\u2019envoler les rescap\u00e9s.<\/p>

Je suis les \u00e9l\u00e9ments d\u00e9cha\u00een\u00e9s.<\/p>

 <\/p>","label":"

Les \u00e9l\u00e9ments d\u00e9cha\u00een\u00e9s, Madeleine<\/p>"},{"id":1935,"type":2,"content":"

 <\/p>

Je suis le feu, celui qui ravage les for\u00eats et les transforme en brasier,<\/p>

celui qui d\u00e9clenche les volcans et ensevelit des versants.<\/p>

Je suis l\u2019eau, celle qui recouvre pendant quelques instants une ville d\u2019habitants,<\/p>

celle qui est gel\u00e9e dans les glaciers.<\/p>

Je suis la terre, celle qui fait trembler et dispara\u00eetre une cit\u00e9,<\/p>

celle qui de ses \u00e9boulements d\u00e9truit les b\u00e2timents.<\/p>

Je suis l\u2019air, qui de ses bourrasques arrache les plumes d\u2019un paon, qui d\u2019un cyclone fait s\u2019envoler les rescap\u00e9s.<\/p>

Je suis les \u00e9l\u00e9ments d\u00e9cha\u00een\u00e9s.<\/p>

 <\/p>","label":"

Les \u00e9l\u00e9ments decha\u00een\u00e9s, Noe<\/p>"},{"id":1936,"type":2,"content":"

 <\/p>

Pleurez pour les blessures, pr\u00e9sentes ou pass\u00e9es dont le mal<\/p>

s\u2019est aliment\u00e9.<\/p>

 <\/p>

Pleurez pour l\u2019absence, dont le vide nous a affam\u00e9s.<\/p>

 <\/p>

Pleurez pour le temps perdu qui ne reviendra jamais.<\/p>

 <\/p>

Pleurez pour les regrets, violents parfois qu\u2019on aimerait oublier.<\/p>

 <\/p>

Pleurez, pleurez, et puis zut ! moi je pr\u00e9f\u00e8re \u00ab riez \u00bb.<\/p>

 <\/p>","label":"

Pleurez, Marine<\/p>"},{"id":1937,"type":2,"content":"

 <\/p>

Je suis l\u2019eau,<\/p>

Oc\u00e9an fatigu\u00e9 d\u2019entendre inlassablement<\/p>

les vagues aux sourds grondements.<\/p>

 <\/p>

Je suis la terre,<\/p>

vase fragile \u00e9ph\u00e9m\u00e8re se cassant<\/p>

au premier coup de vent.<\/p>

 <\/p>

Je suis le feu,<\/p>

brasier inapaisable, qui ne faiblit pas<\/p>

au premier coup bas.<\/p>

 <\/p>

Je suis l\u2019air,<\/p>

Libert\u00e9 solidaire, ouragan<\/p>

ardent qui fait la force du vent.<\/p>

 <\/p>

Je suis les quatre \u00e9l\u00e9ments, d\u00e9cha\u00een\u00e9s<\/p>

ou apais\u00e9s, rassurants ou effrayants,<\/p>

libertaires ou arbitraires.<\/p>

 <\/p>

Je suis tout et rien.<\/p>

Ceci est mon refrain.<\/p>

 <\/p>","label":"

L\u2019eau, l\u2019air, le feu, Marine<\/p>"},{"id":1938,"type":2,"content":"

 <\/p>

Il y a des mots qui font peur<\/p>

Et ce sont des mots qui rappellent la douleur<\/p>

Le mot tuer, le mot harceleur,<\/p>

violence, vengeance, souffrance,<\/p>

le mot violeur et le mot malheur<\/p>

et certains noms de braqueurs et certains noms.<\/p>

 <\/p>","label":"

Les mots qui font peur, Marie P.<\/p>"},{"id":1939,"type":2,"content":"

 <\/p>

Il y a des mots qui font peur<\/p>

Et ce sont des mots horribles<\/p>

Le mot crochu, le mot math\u00e9matiques,<\/p>

Screemer.<\/p>

 <\/p>","label":"

Des mots qui font peur, Nicolas<\/p>"},{"id":1940,"type":2,"content":"

 <\/p>

Chanter pour des moments de joie<\/p>

qui nous rendent heureux.<\/p>

 <\/p>

Chanter pour \u00e9vacuer ses moments<\/p>

d\u2019angoisse.<\/p>

 <\/p>

Chanter pour montrer ce que l\u2019on<\/p>

ressent au fond de nous.<\/p>

 <\/p>

Chanter pour dire au pas la col\u00e8re qu\u2019on<\/p>

a eue<\/p>

 <\/p>

Chanter pour montrer une autre face<\/p>

de nous.<\/p>

 <\/p>","label":"

Chanter, In\u00e9s<\/p>"},{"id":1941,"type":2,"content":"

 <\/p>

Je suis l\u2019air, je suis \u00e0 la fois le vent qui gronde, l\u2019incendie qui d\u00e9truit, le vent qui pousse ses grandes vagues.<\/p>

 <\/p>

Je suis l\u2019air qui alimente le feu, l\u2019air qui permet aux plantes de respirer.<\/p>

 <\/p>

Je suis l\u2019air, le vent et l\u2019ouragan qui te joue en t\u00eate et la temp\u00eate de tes esprits.<\/p>","label":"

Je suis l\u2019air<\/p>"},{"id":1924,"type":2,"content":"

 <\/p>

Je suis la temp\u00eate<\/p>

Que l\u2019on tente de calmer<\/p>

 <\/p>

Je suis l\u2019incendie<\/p>

Que l\u2019on tente d\u2019\u00e9touffer<\/p>

 <\/p>

Je suis les bourrasques<\/p>

Qui font se plier les arbres<\/p>

 <\/p>

Je suis les cyclones<\/p>

Qui font tomber les plus hauts gratte-ciel<\/p>

 <\/p>

Je suis l\u2019\u00e9clair<\/p>

Qui foudroie les arbres<\/p>

 <\/p>

Je suis la gr\u00eale<\/p>

Qui s\u2019abat sans r\u00e9pit<\/p>

 <\/p>

Je suis l\u2019ouragan<\/p>

Qui fait s\u2019envoler tout espoir<\/p>

 <\/p>

Je suis tout et je ne suis rien<\/p>

 <\/p>

Je suis l\u2019obscurit\u00e9 et la lumi\u00e8re<\/p>

 <\/p>

Je suis le chaos et la cr\u00e9ation.<\/p>

 <\/p>","label":"

Je suis tout et je ne suis rien, S\u00e9l\u00e8ne<\/p>"},{"id":1942,"type":2,"content":"

 <\/p>

Je suis les quatre \u00e9l\u00e9ments<\/p>

Plus forts que tout quand ils s\u2019assemblent<\/p>

Je suis imbattable<\/p>

Quand je me d\u00e9cha\u00eene je d\u00e9truis la terre<\/p>

je suis ravageur.<\/p>

L\u2019eau t\u2019aspire dans les profondeurs<\/p>

L\u2019air t\u2019emporte dans les cieux<\/p>

Le feu te br\u00fble dans le douleur<\/p>

La terre t\u2019enfouille de ce monde.<\/p>

 <\/p>","label":"

Je suis imbattable, In\u00e9s<\/p>"},{"id":1943,"type":2,"content":"

 <\/p>

J\u2019\u00e9tais avec mes amis, on rigolait bien.<\/p>

Le second est le plus r\u00e9cent, je n\u2019ai pas pu aller \u00e0 l\u2019enterrement de quelqu\u2019un de proche, j\u2019\u00e9tais en classe pendant que cela se passait et je regardais l\u2019horloge tourner ind\u00e9finiment.<\/p>

J\u2019\u00e9tais en CM2, en train de parler avec mon ami quand soudain une bagarre \u00e9clata. Je m\u2019interposais en me mettant entre les deux, un professeur arriva et me punis moi, alors que je n\u2019avais rien fait.<\/p>

 <\/p>","label":"

souvenirs d\u2019enfance, Maxime<\/p>"},{"id":1944,"type":2,"content":"

 <\/p>

Le cri est souffrance<\/p>

le cri est unique<\/p>

           il est tristesse<\/p>

il semble abstrait<\/p>

d\u2019un cri infini<\/p>

 <\/p>

un cri qui vit<\/p>

un cri qui crie<\/p>

un cri qui d\u00e9truit<\/p>

 <\/p>

l\u00e0 o\u00f9 r\u00e8gne peur<\/p>

terreur et malheur.<\/p>

 <\/p>","label":"

Le cri, Maxime<\/p>"},{"id":1945,"type":2,"content":"

 <\/p>

Pleurer pour la vie, pour la mort<\/p>

pour montrer que l\u2019on a une \u00e2me,<\/p>

fragile et sensible.<\/p>

 <\/p>

Pleurer pour se faire entendre,<\/p>

pour faire savoir au monde que l\u2019on existe,<\/p>

 <\/p>

Pleurer pour montrer ce que l\u2019on ressent<\/p>

pour montrer ce que l\u2019on pense.<\/p>

 <\/p>

Pleurer pour se r\u00e9volter,<\/p>

amener au changement,<\/p>

lorsque les mots ne suffisent plus.<\/p>

et enfin<\/p>

pleurer pour \u00e9vacuer,<\/p>

se soulager de tout le poids que l\u2019on porte<\/p>

sur nos \u00e9paules.<\/p>

Pleurer pour se reconstruire.<\/p>

 <\/p>","label":"

Pleurer pour la vie, Bertille<\/p>"},{"id":1946,"type":2,"content":"

 <\/p>

Pleurer pour le d\u00e9c\u00e8s d\u2019un proche.<\/p>

Pleurer pour la perte d\u2019une amie.<\/p>

Pleurer pour la douleur.<\/p>

Pleurer pour la haine.<\/p>

Pleurer pour la col\u00e8re.<\/p>

Pleurer  pour se lib\u00e9rer.<\/p>

Pleurer pour se sentir mieux.<\/p>

 <\/p>","label":"

Pleurer, Eloise<\/p>"},{"id":1947,"type":2,"content":"

 <\/p>

Je suis air. Je vis dans l\u2019air \u2013mon \u00e9l\u00e9ment.<\/p>

Je suis la tornade qui \u00e0 jamais se propage.<\/p>

C\u2019est de ma tristesse, puis de ma haine que surgit mon vrai visage.<\/p>

Restant marqu\u00e9 dans ma m\u00e9moire par ces vulgaires personnages.<\/p>

Je ravage tout sur mon passage.<\/p>

 <\/p>

Au commencement \u00e9tait le cri<\/p>

R\u00e9sonnant dans ma t\u00eate<\/p>

Tel un \u00e9ternel \u00e9cho<\/p>

Imperceptible \u00e0 l\u2019oreille d\u2019autrui<\/p>

Le silence ext\u00e9rieur contre<\/p>

Le bruit assourdissant int\u00e9rieur<\/p>

Celui que l\u2019on d\u00e9cide d\u2019ignorer<\/p>

Deux facette diff\u00e9rentes<\/p>

Pourtant ne font qu\u2019un.<\/p>

 <\/p>

Il y a des mots qui font peur.<\/p>

Et ce sont des mots forts.<\/p>

Le mot trahison, le mot oubli, indiff\u00e9rence, injustice, solitude.<\/p>

Le mot blessure et le mot peine.<\/p>

 <\/p>","label":"

La tornade, Aliz\u00e9e<\/p>"},{"id":1948,"type":2,"content":"

 <\/p>

S\u2019il est pas content, qu\u2019il aille se faire voir ailleurs. En plus, il me pompe l\u2019air non mais l\u00e0 je vais p\u00e9ter les plombs, non mais toi l\u00e2che moi la grappe, ok ?<\/p>

Chaque jour, il me court sur le haricot, je te dis je vais lui faire la f\u00eate et qu\u2019il ne me prenne pas pour un jambon, \u00e7a sera la goutte d\u2019eau qui fera d\u00e9border le vase, et je vais lui remettre les pendules \u00e0 l\u2019heure je te le dis, je vais lui en faire voir de toutes les couleurs au moins je suis clair net et pr\u00e9cis.<\/p>

 <\/p>","label":"

Noms d\u2019oiseaux, Sabri<\/p>"},{"id":1949,"type":2,"content":"

 <\/p>

Il y a des mots qui font mal<\/p>

et ce sont des mots m\u00e9chants<\/p>

le mot mort, le mot douleur, maladie, violence,<\/p>

injustice<\/p>

le mot horrible et le mot terrible<\/p>

et certains noms.<\/p>

 <\/p>","label":"

Il y a des mots, Tristan<\/p>"},{"id":1950,"type":2,"content":"

 <\/p>

Au commencement \u00e9tait le cri<\/p>

Si myst\u00e9rieux<\/p>

 <\/p>

Celui qui nous lib\u00e8re<\/p>

Mais qui nous fait aussi souffrir<\/p>

 <\/p>

Tomb\u00e9 dans l\u2019ombre, il se cache<\/p>

 <\/p>

Le jour o\u00f9 il se r\u00e9v\u00e9lera<\/p>

 <\/p>

Il nous montrera<\/p>

Sa puissance<\/p>

 <\/p>

Qui deviendra notre force.<\/p>

 <\/p>","label":"

Le cri, Jade<\/p>"},{"id":1951,"type":2,"content":"

 <\/p>

Ma col\u00e8re, qui engendre le cri, les larmes<\/p>

Enferm\u00e9es en moi et qui sortent, qui s\u2019\u00e9chappent<\/p>

Lorsque la col\u00e8re prend le pouvoir<\/p>

Ce souffle violent, ces portes qui claquent<\/p>

Cette envie de frapper, fort, et qui sort<\/p>

Ces mauvaises notes qui font pleurer<\/p>

Et mon fr\u00e8re qui me fait sortir de la zone de la paix et de la s\u00e9r\u00e9nit\u00e9<\/p>

Ce moment o\u00f9 l\u2019on a l\u2019impression que tout s\u2019\u00e9croule sur moi, pourquoi sur moi ?<\/p>

Mon coussin qui se prend des coups, peut-\u00eatre bien que lui aussi est en col\u00e8re mais il ne peut pas l\u2019exprimer et oui sans pouvoir exprimer on ne vit plus.<\/p>

C\u2019est inattendu et parfois la col\u00e8re s\u2019abat sur ce qui ne m\u00e9rite pas.<\/p>

Mais elle est l\u00e0, on y est pour rien.<\/p>

C\u2019est comme \u00e7a.<\/p>

 <\/p>","label":"

Ma col\u00e8re, Lilou<\/p>"},{"id":1925,"type":2,"content":"

 <\/p>

Pleurez pour cette femme attaqu\u00e9e dans le m\u00e9tro alors que tout le monde passe son chemin.<\/p>

Pleurez pour cet enfant battu par son p\u00e8re alcoolique et qui meurt sous ses coups.<\/p>

Pleurez pour ces millions d\u2019animaux morts en Australie, br\u00fbl\u00e9s par les flammes.<\/p>

Pleurez pour la naissance d\u2019un nouveau-n\u00e9 si innocent et si pur.<\/p>

Pleurez quand nous prenons un mauvais coup.<\/p>

Pleurez pour la trahison de nos anciennes amies.<\/p>

Et enfin pleurez pour nos proches qui sont partis \u00e0 jamais.<\/p>

 <\/p>","label":"

Pleurez, Eline<\/p>"},{"id":1952,"type":2,"content":"

 <\/p>

Il y a des mots qui font mal<\/p>

Et se sont des mots malhonn\u00eates<\/p>

le mot menteur, le mot harc\u00e8lement,<\/p>

tuer, br\u00fblure, frapper<\/p>

Le mot insulter, le mot peine<\/p>

et certains noms de triche et certains noms.<\/p>

 <\/p>

Timoth\u00e9e<\/p>

 <\/p>

Pleurer pour la perte de quelqu\u2019un cher \u00e0 son c\u0153ur.<\/p>

Jouer pour s\u2019amuser et rigoler.<\/p>

Crier pour exprimer sa col\u00e8re.<\/p>

Marcher pour se d\u00e9tendre.<\/p>

Discuter pour se faire des amis.<\/p>

Apprendre pour s\u2019instruire.<\/p>

Pleurer pour la d\u00e9forestation.<\/p>

Pleurer pour l\u2019extermination des animaux.<\/p>

 <\/p>","label":"

Des mots, Timoth\u00e9e<\/p>"},{"id":1953,"type":2,"content":"

 <\/p>

Je souris gr\u00e2ce \u00e0 toi<\/p>

Qui emplit mon c\u0153ur de joie.<\/p>

 <\/p>

Je pleure \u00e0 cause de toi<\/p>

A cause de la fa\u00e7on dont tu me vois.<\/p>

 <\/p>

Je marche loin de toi<\/p>

Chaque pas m\u2019am\u00e8ne au d\u00e9sarroi.<\/p>

 <\/p>

Puis, je reviens vers toi<\/p>

Comme \u00e0 chaque fois<\/p>

Mon amour d\u00e9passe le froid<\/p>

D\u00e9passe mon c\u0153ur \u00e9troit<\/p>

Me d\u00e9passe moi<\/p>

Je vis pour toi<\/p>

Et meurs pour toi<\/p>

 <\/p>

Si je suis tomb\u00e9e si bas<\/p>

C\u2019est parce que tu es all\u00e9e trop haut pour moi.<\/p>

 <\/p>

 <\/p>

Au commencement \u00e9tait le cri<\/p>

Le cri des larmes<\/p>

Le cri du c\u0153ur<\/p>

Le cri de toutes les douleurs<\/p>

De tous les pleurs<\/p>

Toutes les col\u00e8res et toutes les peurs<\/p>

Les \u00e2mes bris\u00e9es crient de l\u2019int\u00e9rieur.<\/p>

 <\/p>","label":"

Je souris gr\u00e2ce \u00e0 toi, Marie T.<\/p>"},{"id":1954,"type":2,"content":"

 <\/p>

A cette \u00e9poque, il n\u2019est toujours pas fini<\/p>

Le cri sentant terreur<\/p>

Ce n\u2019est pas une rumeur<\/p>

Le cri fait peur<\/p>

Ou parfois bonheur<\/p>

Parfois \u00e9trangl\u00e9<\/p>

La m\u00e9chancet\u00e9<\/p>

Am\u00e8ne \u00e0 crier<\/p>

 <\/p>

Pleurer pour rigoler<\/p>

Pleurer peut \u00eatre marrant<\/p>

Pleurer n\u2019est pas humiliant<\/p>

Pleurer sans faire expr\u00e8s<\/p>

Donne envie de s\u2019effondrer.<\/p>

 <\/p>","label":"

Au commencement \u00e9tait le cri,  Thomas<\/p>"},{"id":1955,"type":2,"content":"

 <\/p>

Je suis l\u2019\u00e9clair qui vient foudroyer.<\/p>

Je suis le tsunami qui vient engloutir les villes.<\/p>

Je suis la tornade qui vient tout ravager.<\/p>

Je suis la terre qui vous fait trembler avec mes volcans.<\/p>

 <\/p>

Je suis l\u2019eau.<\/p>

Je suis le tsunami qui vient engloutir les villes.<\/p>

Je suis les inondations dans vos maisons.<\/p>

Je suis la gr\u00eale qui vient taper sur vos vitres.<\/p>

Mais apr\u00e8s la pluie vient le beau temps.<\/p>

 <\/p>","label":"

Je suis les quatre \u00e9l\u00e9ments, Apolonia<\/p>"},{"id":1926,"type":2,"content":"

 <\/p>

Le cri effrayant du vent<\/p>

Le cri de joie des fleurs au printemps<\/p>

Le cri d\u00e9\u00e7u des enfants<\/p>

Le cri r\u00e9v\u00e8le la douleur.<\/p>

 <\/p>","label":"

Le cri effrayant du vent, Anais<\/p>"},{"id":1927,"type":2,"content":"

 <\/p>

Je suis le feu.<\/p>

Je suis la fum\u00e9e avant l\u2019irruption.<\/p>

L\u2019explosion quand je m\u2019\u00e9nerve.<\/p>

Je suis la lave qui coule et qui fait fuir les humains.<\/p>

Puis deviens dure comme la pierre.<\/p>

Dans laquelle on trouve des pierres pr\u00e9cieuses.<\/p>

 <\/p>","label":"

Le feu, Julia<\/p>"},{"id":1928,"type":2,"content":"

 <\/p>

Toi, toi qui enflamme mon c\u0153ur, tu me manques.<\/p>

Toi, qui en souriant cr\u00e9\u00e9 des avalanches d\u2019amour dans ma t\u00eate.<\/p>

Toi, qui en m\u2019offrant ce collier a incendi\u00e9 mon sourire.<\/p>

Toi, qui en m\u2019offrant ton c\u0153ur a d\u00e9clench\u00e9 la temp\u00eate de mes \u00e9motions.<\/p>

Toi, qui par ta gentillesse a tsunamis\u00e9 mon amour pour toi<\/p>

En bref, tu as allum\u00e9 la flamme de mon c\u0153ur<\/p>

Je t\u2019aime.
 <\/p>","label":"

Toi, Victoria<\/p>"},{"id":1929,"type":2,"content":"

 <\/p>

Je suis le feu, je vis dans le feu \u2013mon \u00e9l\u00e9ment<\/p>

Je suis la chaleur qui se refl\u00e8te dans les yeux des gens<\/p>

Je suis l\u2019\u00e9tincelle qui unit deux personnes<\/p>

Je suis la flamme qui r\u00e9chauffe les c\u0153urs<\/p>

Ainsi je suis celui sans qui rien n\u2019aurait de valeur.<\/p>

 <\/p>","label":"

Je suis le feu, Lina<\/p>"},{"id":1930,"type":2,"content":"

 <\/p>

Je suis la terre<\/p>

berc\u00e9e par l\u2019air<\/p>

je suis l\u2019air<\/p>

au centre de la terre<\/p>

je suis l\u2019eau<\/p>

qui donne vie<\/p>

je suis le feu<\/p>

qui cr\u00e9\u00e9 les incendies.<\/p>

 <\/p>

Je suis le feu qui fume<\/p>

et qui nourrit<\/p>

le feu qui recommence<\/p>

le feu qui remplit la panse<\/p>

je pense que je compense<\/p>

ce monde<\/p>

je monte tr\u00e8s vite en r\u00e9bellion<\/p>

Faites attention, ce n\u2019est pas une mutation.<\/p>

 <\/p>","label":"

Ce n\u2019est pas une mutation, Taslin<\/p>"},{"id":1931,"type":2,"content":"


Il y a des mots qui font mal<\/p>

Et se sont de grands mots<\/p>

Le mot froid, le mot \u00e9go\u00efste,<\/p>

L\u00e2chet\u00e9, m\u00e9chant, violent<\/p>

Le mot absent et le mot injuste<\/p>

Et certains noms de torture et certains noms.<\/p>

 <\/p>

Je suis l\u2019air qui berce la mer<\/p>

Je suis la terre frapp\u00e9e par l\u2019\u00e9clair<\/p>

Le suis le feu qui allume les for\u00eats<\/p>

Je suis l\u2019eau qui \u00e9teint les brasiers.<\/p>

 <\/p>","label":"

Po\u00e8mes, Erwan<\/p>"},{"id":1706,"type":1,"imageIds":[3502]},{"id":1707,"type":2,"content":"

Nos ateliers d\u2019\u00e9criture<\/p>

\u00c7a a commenc\u00e9 un mardi<\/p>

 <\/p>

<\/div>

 <\/p>

Se regarder, s\u2019\u00e9couter, s\u2019\u00e9crire. Nous parlons violence. V\u00e9cue, observ\u00e9e, subie, produite, reproduite, contempl\u00e9e. Avec horreur, ou indiff\u00e9rence.<\/p>

Ce qui revient le plus fr\u00e9quemment comme rencontre de la violence se passe dans la poche. Le t\u00e9l\u00e9phone sonne et propose une image concentr\u00e9e sur l\u2019acte violent. Qui passe, repasse, se re\u00e7oit, se transmet : \u00e9pid\u00e9mie virale.<\/p>

Ils s\u2019appellent Seif eddine, Thierry, George, Lorenzo, Ibni, Zakaria, Islem, Tonio, Walid, Aboubakar, Wilson, Mathieu, Nahyl\u2026<\/p>

Il n\u2019y a que des gar\u00e7ons ; Il t\u00e9moignent, \u00e9crivent et ret\u00e9moignent.<\/p>

Nous \u00e9coutons, lisons des po\u00e8tes. Nous d\u00e9couvrons les voix de Pennequin, Tarkos, nous lisons J\u00e9r\u00f4me Bertin, David Silanolli, A.C.Hello.<\/p>

Nous essayons cerner la violence par des formes grammaticales pour mieux la ceinturer. On \u00e9crire \u00e0 la 1re, 2e ou 3e personne, au pr\u00e9sent ou au pass\u00e9, du point de vue de l\u2019observateur ou de l\u2019acteur. On tente de ceinturer le ph\u00e9nom\u00e8ne, le circonscrire. Il d\u00e9borde par-dessous, on le rattrape, on le r\u00e9\u00e9crit autrement. \u00c0 travers les masques, des t\u00e9moignages apparaissent, se commentent, se d\u00e9placent.<\/p>

Merci pour les d\u00e9placements.<\/p>

 <\/p>

 <\/p>

Tu es sur snapchat pour parler avec des contacts et regarder des storys. Tu as douze ans et tu vois une femme d\u2019une vingtaine d\u2019ann\u00e9es se faire d\u00e9capiter dans la jungle par trois hommes avec des machettes. Tu ne ressens absolument rien.<\/p>

 <\/p>

Tu as 14 ans, on est lundi, il est 14H, on t\u2019envoie une vid\u00e9o sur snap, tu vois un homme tirer une balle dans la t\u00eate de son fils.<\/p>

La veille, tu vois un mec qui se fait casser les mains \u00e0 coup de planche parce qu\u2019il aurait viol\u00e9 une femme.<\/p>

Tu vois un mec qui arrache la t\u00eate de son b\u00e9b\u00e9 parce qu\u2019il pleurait trop, et apr\u00e8s il le jette \u00e0 la mer.<\/p>

Je n\u2019ai pas d\u2019\u00e9motion, je suis habitu\u00e9 \u00e0 la violence.<\/p>

 <\/p>

Tu as 10 ans et tu fais du bmx race, tu es en comp\u00e9tition, tu es derri\u00e8re le mec, il saute une bosse, il tombe, je tombe sur lui, on part \u00e0 l\u2019h\u00f4pital, je me suis cass\u00e9 le bras et lui la jambe.<\/p>

 <\/p>

Tu as treize ans, on joue \u00e0 cache-cache, \u00e0 c\u00f4t\u00e9 il y a une bagarre.<\/p>

 <\/p>

Tu as 6 ans, tu vois ton grand-p\u00e8re mort, et ta grand-m\u00e8re pleure,<\/p>

Sur une vid\u00e9o de snapchat, tu as 14 ans, tu vois un chien manger les parties intimes d\u2019un homme.<\/p>

 <\/p>

Tu vois quelqu\u2019un se tordre la cheville, \u00e7a fait tac, son pied est \u00e0 l\u2019envers.<\/p>

 <\/p>

Tu as 14 ans, tu te fais enfermer dans un stade de foot avec un b\u00e9b\u00e9 berger allemand, il te course et tu montes sur la barre de but.<\/p>

 <\/p>

Tu as 14 ans, tu vois une bagarre devant le coll\u00e8ge \u00e0 9 heures, un homme fonce et donne un coup de poing \u00e0 un coll\u00e9gien qui tombe par terre, il crie, les surveillants les s\u00e9parent. Je suis surpris.<\/p>

 <\/p>

Tu as 13 ans, tu as un pote qui trouve une bombe lacrymog\u00e8ne, pour te faire peur, il le fait sept fois, \u00e7a marche, du coup tu t\u2019es fait gazer, tu as tr\u00e8s mal, on te verse du lait sur la t\u00eate.<\/p>

 <\/p>

Tu as 11 ans, on est en \u00e9t\u00e9, ma m\u00e8re m\u2019a achet\u00e9 un flacon, et mon petit cousin joue avec des bulles, je joue avec lui et fais tomber une bouteille d\u2019alcool<\/p>

J\u2019arr\u00eate de jouer et reviens vers ma m\u00e8re<\/p>

D\u2019un coup un homme barbu torse nu avec un petit doigt coup\u00e9 me dit de dire pardon, il me prend par le cou, il me r\u00e9p\u00e8te \u201ctu dis pardon \u00e0 ton petit fr\u00e8re\u201d je lui dis que ce n\u2019est pas mon fr\u00e8re, il dit qu\u2019il s\u2019en fout, un adolescent au tee-shirt noir et une casquette et un pantalon noir, sort un couteau et lui met sous le cou il dit tu traumatises un enfant, l\u2019autre s\u2019excuse, il se prend un coup de couteau le long du dos, on prend le tram qui part.<\/p>

 <\/p>

Tu as 14 ans on est en \u00e9t\u00e9, \u00e0 la plage, je joue au ballon avec ma s\u0153ur, on va se reposer sur la serviette, un barbu en bonnet, veut notre sac, je me l\u00e8ve, je lui dis non c\u2019est notre sac, il sort un couteau, je lui dis d\u2019arr\u00eater sinon j\u2019appelle avec mon t\u00e9l\u00e9phone, ma s\u0153ur appelle la police qui intervient, il part en courant.<\/p>

 <\/p>

 <\/p>

il y a une montre<\/p>

elle est en plastique noir<\/p>

elle n\u2019est pas tactile<\/p>

les chiffres changent \u00e0 chaque seconde          <\/p>

une montre comme toutes les autres montres<\/p>

elle n\u2019est pas mangeable<\/p>

ce n\u2019est pas du chocolat noir<\/p>

ce n\u2019est pas du bacon,<\/p>

mais quand je suis tomb\u00e9<\/p>

ma montre m\u2019a fait un bleu<\/p>

 <\/p>

 <\/p>

Le poteau blanc du terrain de foot est l\u00e0, est gentil ne fait pas de mal \u00e0 personne, il n\u2019est pas un dinosaure, il ne nous d\u00e9vore pas, il ne marche pas du tout, il est calme, mais tout d\u2019un coup mon ami qui courait avec le ballon, un d\u00e9fenseur surgit de nulle part, pousse l\u2019attaquant qui se prend le poteau dans la t\u00eate, du sang coule sur le poteau et coule sur le terrain, l\u2019ambulance arrive<\/p>

La batte de baseball est l\u00e0 dans la main, elle n\u2019est pas en plastique, elle n\u2019est pas une pomme\u2009; on ne la mange pas, on ne fait pas de tarte \u00e0 la batte, mais \u00e0 un moment elle frappe une t\u00eate, \u00e7a fait p\u00f4 !<\/p>

 <\/p>

Une batte de baseball en bois, est l\u00e0, elle n\u2019est pas une chaussure, on ne peut pas marcher avec une batte de baseball au pied, elle n\u2019a pas de lacet, elle s\u2019est bris\u00e9e en deux contre un grillage \u00e0 force de taper<\/p>

 <\/p>

Le pistolet 9mm permet de tuer des gens, et d\u2019agresser, \u00e7a n\u2019est pas un jouet, on ne s\u2019amuse pas avec, il reste dans la boutique.<\/p>

 <\/p>

 <\/p>

Je suis \u00e0 la plage, un dimanche, sur la plateforme, vers 17 h 30, la police d\u00e9barque et menace de me gazer et me matraquer, ma m\u00e8re m\u2019a appris \u00e0 \u00e9couter la police. Des coll\u00e8gues restent, on se fait gazer, on se met du lait sur les yeux, mon coll\u00e8gue s\u2019est refait gazer. La polici\u00e8re m\u2019a trait\u00e9e de grosse merde, j\u2019ai trouv\u00e9 \u00e7a injuste.<\/p>

 <\/p>

 <\/p>

Transformations<\/p>

 <\/p>

C\u2019\u00e9tait en avril 2021. Avec le cordon du masque chirurgical, on peut couper du plastique dur comme celui des goutti\u00e8res, on peut couper un tronc d\u2019arbre, on peut couper des stylos, on peut couper une table, \u00e7a fume, \u00e7a br\u00fble, il y a une odeur de cram\u00e9.<\/p>

On l\u2019a d\u00e9couvert par hasard, en frottant un ciseau avec le cordon du masque, puis en essayant avec le surligneur, cela a coup\u00e9 le surligneur, il y avait de la fum\u00e9e. On a cru que cela allait faire du feu. On l\u2019a post\u00e9 sur instagram, \u00e7a a fait 4000 vues, il y a des commentaires, on nous demande comment on a fait \u00e7a, on nous dit bravo, certains disent de la faire avec du bois ou du plastic dur. Gr\u00e2ce \u00e0 nous, c\u2019est devenu tr\u00e8s connu.<\/p>"},{"id":1683,"type":2,"content":"

 <\/p>

Soleil endormi
derri\u00e8re le sable
devenir invisible
vent agit\u00e9
souffl\u00e9
aux framboises
douces odeurs
de voiture
rouill\u00e9e
la tasse
o\u00f9 du th\u00e9
\u00e0 la menthe<\/p>

Chaque soir
des \u00e9toiles<\/p>

\u00c0 l\u2019int\u00e9rieur
dos \u00e0 dos
gravit\u00e9
et sol
feutre encr\u00e9
d\u00e9couch\u00e9
par terre
salet\u00e9 errante
la pluie<\/p>

Joie ?
Mort ?<\/p>

Mort
du vivant
peur immense
fois dix
paru dans le journal
attaque du
prisonnier au bord
du bonheur
avant la tristesse
invisible<\/p>

Invisible
INVISIBLE
Le sommeil est
invisible.<\/p>

 <\/p>","label":"

Soleil endormi, Lina<\/p>"},{"id":1692,"type":2,"content":"

 <\/p>

Un son inou\u00ef par l\u00e0<\/span>
Une note finit le r\u00e9cit<\/span>
Le conflit<\/span>
Entre Simone et Pamela<\/span>
La corde du violon <\/span>\u00c9CLATE<\/span>
UN SON PAR L\u00c0<\/span>
UNE NOTE FINIT,<\/span><\/p>

cette histoire.<\/span><\/p>

 <\/p>

La musique berce la<\/span>
chaleur de l\u2019\u00e9t\u00e9<\/span>
c\u2019est l\u2019histoire de la soir\u00e9e<\/span><\/p>

 <\/p>","label":"

Un son inou\u00ef, Lina<\/p>"},{"id":1693,"type":2,"content":"

 <\/p>

Sur la plage du sud
Cet insecte pos\u00e9 sur un journal
N\u2019avait qu\u2019une seule inqui\u00e9tude
\u00catre \u00e9cras\u00e9 par une sandale<\/p>

 <\/p>","label":"

Sur la plage, Mia<\/p>"},{"id":1694,"type":2,"content":"

 <\/p>

Pens\u00e9es philosophiques,
\u00e9nigmatiques
Encore une nuitsomnie.<\/i><\/p>

 <\/p>","label":"

Pens\u00e9es, Lina<\/p>"},{"id":1695,"type":2,"content":"

 <\/p>

Maintenant que la mar\u00e9e \u00e9teint les feux
que la mer a envahi les villes
il ne reste plus aucun bruit
il n\u2019y a rien ni personne
juste un enfant dont l\u2019avenir se brise
il ne lui reste plus qu\u2019\u00e0 se battre
et \u00e0 r\u00e9aliser l\u2019impossible<\/p>

 <\/p>","label":"

Maintenant, Adil<\/p>"},{"id":1696,"type":2,"content":"

 <\/p>

L\u2019obscurit\u00e9 me fait peur, le silence m\u2019envahit je ne sens rien, la peur germe en moi telle une graine.
 <\/p>

Suis-je un homme ? Suis-je une femme ? Suis-je r\u00e9el ? qui, que, quoi, comment. Puis-je dire \u00ab je suis si je ne suis pas \u00bb. Le vide le n\u00e9ant.<\/p>

 <\/p>","label":"

L\u2019obscurit\u00e9, Marius<\/p>"},{"id":1697,"type":2,"content":"

 <\/p>

Cette dame dans la rue
Tous les jours, \u00e0 la m\u00eame heure
Elle marche, elle fait le tour du quartier
Elle est vieille, je la vois
Elle n\u2019a personne, ni famille ni amis
Dans ses yeux, quand on lui parle
R\u00e9side une lumi\u00e8re bleut\u00e9e, brillante, famili\u00e8re
Elle sourit souvent
Au moindre coup de vent elle ne sort plus
A la moindre bruine elle reste chez elle
Mais aujourd\u2019hui il faisait beau
Et pourtant je ne l\u2019ai pas vue\u2026<\/p>

 <\/p>","label":"

La dame dans la rue, Paul<\/p>"},{"id":1698,"type":2,"content":"

 <\/p>

Le chapeau d\u00e9guise
La t\u00eate du chien qui
Sur la chaise du quotidien
Prend la place de gardien<\/p>

 <\/p>","label":"

Le chapeau, Mia<\/p>"},{"id":1699,"type":2,"content":"

 <\/p>

Dans ce paysage sans lumi\u00e8re,
des spectres invisibles viennent me souffler des \u00e9nigmes sans r\u00e9ponse.
Ils apparaissent quelques secondes avant de s\u2019effacer dans ce labyrinthe qu\u2019est la pens\u00e9e.<\/p>

 <\/p>","label":"

Dans ce paysage, Valeria<\/p>

 <\/p>"},{"id":1700,"type":2,"content":"

 <\/p>

Je fuis mes larmes
R\u00e9flexion pleine de feu
Syllabes sans forme encore
Je fouille mon \u00e2me
Dans la nuit
Dans le ciel
Dans les \u00e9toiles
Je pousse l\u2019\u00e9nigme
Quand ??
Quoi ??
Qui ??
Je respire l\u2019inconnu
Les nuages qui cachent
La lumi\u00e8re du soleil
Je succombe \u00e0 la po\u00e9sie
\u00c0 cette po\u00e9sie !
Ma moquerie reprendra s\u00fbrement le dessus\u2026<\/p>

 <\/p>","label":"

Je fuis mes larmes, Lina<\/p>"},{"id":1701,"type":2,"content":"

 <\/p>

Voisine qui vient pousser une vache orgueilleuse
Tu le regretteras dans la vague de pleurs
Qui t\u2019emportera, toi, et tes grelots
Tes chats, tes chiens
Et toutes tes affaires
Dans le n\u00e9ant infini de la d\u00e9prime
Avec pour seul ami un bol de soupe
Toute ta vie
Tu t\u2019ai demand\u00e9
Pourquoi tu l\u2019as fait<\/p>

 <\/p>","label":"

Voisine, Adil<\/p>"},{"id":1684,"type":2,"content":"

 <\/p>

\u00c0 contre-jour
je fais mon choix
dans la tarte je mets un poisson pour
appr\u00e9cier le go\u00fbt sal\u00e9 de l\u2019anchois :<\/p>

Parfois des b\u00eatises sortent
se r\u00e9v\u00e8lent
mais, pourquoi se dit-il
ici-haut dans mon organe c\u00e9r\u00e9bral
des id\u00e9es mortes
qui se montrent pour
raconter de belles \u00e9nigmes
ind\u00e9chiffrables.
Bien s\u00fbr le sens.<\/p>

Le sens ne fait pas partie de moi
Ce va-et-vient de pens\u00e9es, toi
tes m\u00e9taphores
sont moins fourchues que des pores,
que la peau<\/p>

O\u00f9 ?\u2026
De l\u2019eau<\/p>

Ah, les
B\u00caTISES !<\/p>

 <\/p>","label":"

A contre-jour, Lina<\/p>"},{"id":1702,"type":2,"content":"

 <\/p>

La marmite de notre orgueil forg\u00e9e dans le fer solide qu\u2019est notre r\u00e9flexion fouill\u00e9e par la grande spatule de l\u2019histoire chauff\u00e9e \u00e0 m\u00eame le feu de nos secrets. Voil\u00e0, voila la grande recette de l\u2019existence.<\/p>","label":"

La marmite de notre orgueil, Marius<\/p>"},{"id":1703,"type":2,"content":"

 <\/p>

Je suis une sorte de pervers
Car juste en les regardant
Je peux voir au plus profond des gens
Je d\u00e9couvre des passions, je vois des vices
Des secrets que tout le monde veut garder
Moi je les connais
Chez moi je garde un livre
Contenant les secrets les plus \u00e9hont\u00e9s
Des personnes les plus saines
Mon pouvoir comme une drogue
Je ne peux plus m\u2019arr\u00eater
Si je ne regarde pas, j\u2019ai peur
Qui sont-ils?
Que d\u00e9sirent-ils?
Qui sommes nous? Juste des r\u00eaves? Juste des id\u00e9es? Des passions? Des peurs?<\/p>

 <\/p>","label":"

Le voyeur d\u2019\u00e2me, Paul<\/p>"},{"id":1704,"type":2,"content":"

 <\/p>

Dans le coin du carr\u00e9 de la cour
Un conflit \u00e9clata au grand jour
Mais le contre-jour dissimule cet \u00e9v\u00e8nement
Qui laissa des fragments<\/p>

 <\/p>","label":"

Dans le coin, Mia<\/p>"},{"id":1705,"type":2,"content":"

 <\/p>

Alors que le soleil brille \u00e0 contre-jour et que le vent souffle doucement sur la berge, des fragments d\u2019ombre commencent \u00e0 appara\u00eetre,
les \u00e9toiles se forment tranquillement dans le ciel et le gardien de la nuit prend place sur son tr\u00f4ne de glace.<\/p>

 <\/p>","label":"

Alors, Valeria<\/p>"},{"id":1685,"type":2,"content":"

 <\/p>

Ma jalousie
s\u2019est refl\u00e9t\u00e9e ce matin
Je l\u2019ai vue
dans la flaque d\u2019eau
Il fait tr\u00e8s beau
aujourd\u2019hui
Pourtant c\u2019\u00e9tait la derni\u00e8re qu\u2019il restait
Au-dessus de l\u2019armoire
Ma col\u00e8re est sortie
Et maintenant
Du verre
         bris\u00e9
                          repose
       par
               terre.<\/p>

 <\/p>","label":"

Ma jalousie, Lina<\/p>"},{"id":1686,"type":2,"content":"

 <\/p>

\u00c0 la caisse d\u2019un Carrefour
Ce personnage pos\u00e9 aux alentours
D\u2019un paysage entour\u00e9 de vautours
Press\u00e9, fit demi-tour<\/p>

 <\/p>","label":"

\u00c0 la caisse, Mia<\/p>"},{"id":1687,"type":2,"content":"

 <\/p>

Jour de paie
Vous le voyez ?<\/p>

Non,
O\u00f9 est-il ?<\/p>

C\u2019est aujourd\u2019hui !
Vous me payez ?<\/p>

Tu es mineur !
Imb\u00e9cile !<\/p>

 <\/p>","label":"

Jour de paie, Lina<\/p>"},{"id":1688,"type":2,"content":"

 <\/p>

Pourquoi vivre?
Pour des plaisirs \u00e9ph\u00e9m\u00e8res?
Pour laisser une trace?
Pour voir mourir nos parents?
Pourquoi s\u2019accrocher autant \u00e0 la vie?
Pour avoir plus de mal \u00e0 la quitter?<\/p>

 <\/p>","label":"

Pourquoi vivre?, Paul<\/p>"},{"id":1689,"type":2,"content":"

 <\/p>

Fabriquons l\u2019invisible<\/p>

(\u2026)
pr\u00e9voyons nos futurs<\/p>

 <\/p>","label":"

Fabriquons, Marius<\/p>"},{"id":1690,"type":2,"content":"

 <\/p>

Le droit de l\u2019humain et du citoyen
arrive bient\u00f4t
L\u2019odeur de la justice
rentre jusqu\u2019\u00e0 chez nous<\/p>

Quand les sexistes
vont arr\u00eater de tourner la t\u00eate \u00e0 chaque passage d\u2019une femme
Quand les racistes
vont enfin se m\u00e9langer aux autres et oublier les diff\u00e9rences physiques
Quand les antis\u00e9mites
vont enfin aimer Dreyfus et enfin se consid\u00e9rer \u00e9gaux<\/p>

Quand le monde sera<\/p>

meilleur !<\/p>

 <\/p>","label":"

Le droit de l\u2019humain, Lina<\/p>"},{"id":1691,"type":2,"content":"

 <\/p>

Doux comme du coton
invisible comme le vent
le silence titanesque
fait du bien
Maintenant comme seul bruit
les gouttelettes de pluie
qui commencent peu \u00e0 peu \u00e0 tomber<\/p>

 <\/p>","label":"

Doux comme, Adil<\/p>"},{"id":1751,"type":3,"videoId":"557778672","label":"

Mission : Blagues du Futur<\/p>","duration":176},{"id":1760,"type":3,"videoId":"554741545","label":"

Pizza du Futur<\/p>","duration":77},{"id":1761,"type":3,"videoId":"554740239","label":"

G\u00e2teau au chocolat du Futur<\/p>","duration":40},{"id":1762,"type":3,"videoId":"554736970","label":"

Lasagnes du Futur<\/p>","duration":81},{"id":1763,"type":3,"videoId":"554736214","label":"

Un plat dans un plat<\/p>","duration":35},{"id":1764,"type":3,"videoId":"554734812","label":"

Tacos du Futur 2<\/p>","duration":42},{"id":1765,"type":3,"videoId":"554729808","label":"

Tacos du Futur 1<\/p>","duration":43},{"id":1766,"type":3,"videoId":"554727963","label":"

Recette du Futur : La Piburger<\/p>","duration":53},{"id":1767,"type":5,"fileUrl":"\/resources\/files\/file_65f2d31779daa.pdf","label":"

Vous avez dit \u00ab absurde \u00bb ?<\/p>"},{"id":1768,"type":2,"content":"

<\/div>","label":"

Blague Tour Eiffel #5<\/p>","duration":80},{"id":1769,"type":3,"videoId":"http:\/\/cipmarseille.fr\/forumpoemes\/wp-content\/uploads\/2021\/07\/trim.1CC74A28-9E87-4BC6-B20C-CB55DB574312.mov","label":"

Blague Tour Eiffel #5<\/p>","duration":80},{"id":1770,"type":3,"videoId":"http:\/\/cipmarseille.fr\/forumpoemes\/wp-content\/uploads\/2021\/07\/trim.1CC74A28-9E87-4BC6-B20C-CB55DB574312.mov","label":"

Blague Tour Eiffel #5<\/p>","duration":80},{"id":1752,"type":3,"videoId":"557607064","label":"

Salade du Futur<\/p>","duration":22},{"id":1753,"type":3,"videoId":"557572015","label":"

Tacos du Futur 5<\/p>","duration":29},{"id":1754,"type":3,"videoId":"554750962","label":"

Tycho Tycho Tycho !<\/p>","duration":37},{"id":1755,"type":3,"videoId":"554749589","label":"

Tacos du Futur 4<\/p>","duration":42},{"id":1756,"type":3,"videoId":"554748798","label":"

Tacos du Futur 3<\/p>","duration":23},{"id":1757,"type":3,"videoId":"554747419","label":"

Le piano ado<\/p>","duration":48},{"id":1758,"type":3,"videoId":"554746738","label":"

La banane banale et la pomme paum\u00e9e<\/p>","duration":25},{"id":1759,"type":3,"videoId":"554744021","label":"

La p\u00eache et l\u2019abricot<\/p>","duration":81},{"id":1608,"type":1,"imageIds":[3501]},{"id":1603,"type":2,"content":"


Words like violence
Break the silence<\/p>","label":"

Parolier, Martin <\/p>"},{"id":1613,"type":2,"content":"


Je me pose \u00e9norm\u00e9ment de questions<\/span>
Je suis pensive sur beaucoup de sujets<\/span>
Et il y a beaucoup de questions sans r\u00e9ponses<\/span>
Qu\u2019est-ce que la violence ?<\/span>
 <\/p>","label":"

Manassik<\/p>"},{"id":1614,"type":2,"content":"


Qui a invent\u00e9 le mot violence ?<\/span>
Qui a utilis\u00e9 pour la premi\u00e8re fois ce mot ?<\/span>
Pour mettre un mot sur quelle action ?<\/span><\/p>

Le mensonge, violent ou r\u00e9confortant<\/span>
Hypocrite ou rassurant<\/span>
Il t\u2019accompagnera toute ta vie<\/span>
Il ne te l\u00e2chera jamais<\/span>
Il deviendra peut-\u00eatre une habitude<\/span>
Ou peut-\u00eatre ton pire ennemi<\/span>
Tu seras sans doute d\u00e9\u00e7u par toi-m\u00eame<\/span>
Ou m\u00eame par la personne \u00e0 laquelle tu tiens le plus.<\/span>
La confiance sera une vieille connaissance<\/span>
Ou peut-\u00eatre quelque chose que tu donnes \u00e0 tout le monde sans raison valable.<\/span>
Faire face au mensonge de sa meilleure amie ou juste de ton fr\u00e8re qui te vole un g\u00e2teau n\u2019est pas la m\u00eame sorte de mensonge.<\/span>
Mensonge est un mot<\/span>
Avec des milliers de significations.<\/span>
 <\/p>","label":"

Lison<\/p>"},{"id":1615,"type":2,"content":"


Le mensonge cette chose de t\u00e9n\u00e8bres<\/span>
Qui cache cette v\u00e9rit\u00e9 qu\u2019elle soit blanche ou noire<\/span>
Sert pour se prot\u00e9ger, se refermer.<\/span>
Cette fois-ci o\u00f9 tu as cass\u00e9 le pot de fleurs et o\u00f9 tu as dit que c\u2019\u00e9tait<\/span>
ton chat<\/span>
Cette chose de bonheur, de malheur<\/span>
On l\u2019utilise \u00e0 tout \u00e2ge : 6, 12, 30, 70 et tout au long de sa vie.<\/span>
Aujourd\u2019hui le mensonge est partout dans nos vies.<\/span><\/p>

Pourquoi parler de la violence ? Quel est l\u2019int\u00e9r\u00eat ? pourquoi se poser cette question ?<\/span>
 <\/p>","label":"

Jeanne<\/p>"},{"id":1616,"type":2,"content":"


Je me pose parfois des questions.<\/span>
Le mensonge est-il heureux ?<\/span>
Je ne sais pas, je n\u2019ai pas d\u2019exemple.<\/span>
Le mensonge est-il malheureux ?<\/span>
Le mensonge sert \u00e0 cacher la v\u00e9rit\u00e9.<\/span>
Les arbres servent \u00e0 faire de l\u2019ombre<\/span>
Le soleil \u00e0 faire de la lumi\u00e8re<\/span>
La musique pour \u00e9couter.<\/span>
 <\/p>","label":"

Zo\u00e9<\/p>"},{"id":1617,"type":2,"content":"


Le savoir en dernier<\/span>
Le savoir en dernier.<\/span>
\u00catre mal de l\u2019avoir su en dernier.<\/span>
Aurait pr\u00e9f\u00e9r\u00e9 \u00eatre au courant le premier.<\/span>
\u00catre mal d\u2019\u00eatre toujours le seul au courant en dernier.<\/span>
 <\/p>","label":"

Myriam<\/p>"},{"id":1618,"type":2,"content":"


Pourquoi on se bagarre ?<\/span>
\u00c7a sert \u00e0 quoi la guerre ?<\/span>
Pourquoi l\u2019\u00eatre humain s\u2019entre-tue ?<\/span>
 <\/p>","label":"

Sevan<\/p>"},{"id":1619,"type":2,"content":"


Mensonge, es-tu bien ou mal ?<\/span>
Est-ce que tu es dangereux<\/span>
Ou inoffensif<\/span>
Peux-tu nous aider \u00e0 cacher des choses qui font mal<\/span>
Ou \u00e0 cacher une \u00e9motion au prix de nos familles et amies<\/span>
Pour montrer qu\u2019on va bien alors qu\u2019on va mal<\/span>
Avec un faux sourire<\/span><\/p>

\u00c0 cause de l\u2019argent, il y a des vols des meurtres des agressions<\/span>
Conclusion : L\u2019argent peut conduire \u00e0 la violence<\/span>
L\u2019argent permet de se nourrir de se loger de se faire plaisir (cadeaux)<\/span>
L\u2019argent a de la valeur<\/span>
Conclusion : L\u2019argent aide au bonheur.<\/span><\/p>

 <\/span><\/p>","label":"

Lana<\/p>"},{"id":1620,"type":2,"content":"


Le mensonge n\u2019est pas une violence<\/span>
Il peut prot\u00e9ger et \u00eatre le contraire de la violence.<\/span><\/p>","label":"

Laslo<\/p>"},{"id":1621,"type":2,"content":"


Mentir sur une personne c\u2019est :<\/span>
ne pas la respecter<\/span>
Toi tu le dis en rigolant<\/span>
Pour cette personne \u00e7a peut \u00eatre violent<\/span>
En plus, tu as menti<\/span>
Pour elle c\u2019est pas gentil.<\/span>
Elle va peut-\u00eatre pas te le dire<\/span>
Mais elle va mal se sentir<\/span>
Le mensonge est fort<\/span>
Aussi fort qu\u2019un gros effort.<\/span>
Pas tous les mensonges le sont<\/span>
Mais la plupart sont violents.<\/span>
 <\/p>","label":"

Kilyan<\/p>"},{"id":1622,"type":2,"content":"


En g\u00e9n\u00e9ral, les gens consid\u00e8rent les personnes sans argent comme des moins que rien, ce qui les incite \u00e0 \u00eatre violents envers ces personnes.<\/span>
\u00c0 cause du manque d\u2019argent, un pays peut d\u00e9clarer une guerre pour aller r\u00e9cup\u00e9rer des richesses<\/span><\/p>

L\u2019argent<\/span>
Pourquoi est-il si important ?<\/span>
Pourquoi est-il si demand\u00e9 ?<\/span>
Pourtant ce n\u2019est qu\u2019un bout de papier.<\/span>
Sans lui, on insinue que le monde ne tourne pas rond<\/span>
Gr\u00e2ce \u00e0 lui la soci\u00e9t\u00e9 a avanc\u00e9 d\u2019un bond<\/span>
Marqu\u00e9 d\u2019encre color\u00e9e<\/span>
Pourtant simplement imprim\u00e9<\/span>
Argent, Argent, Argent ce mot tant prononc\u00e9<\/span>
Perdit toute sa valeur sacr\u00e9e<\/span>
Billet s\u2019envolant sous la brise<\/span>
Ou pi\u00e8ces tombant sur une table grise<\/span>
Cette chose indispensable \u00e0 la vie humaine<\/span>
Cr\u00e9a un monde empli de haine.<\/span>
 <\/p>","label":"

Soumiya<\/p>"},{"id":1604,"type":2,"content":"

 <\/p>

Words like violence<\/span>
Break the silence<\/span>
Come crashing in<\/span>
Into my little world<\/span>
Painful to me<\/span><\/p>

Des mots comme la violence<\/span>
Casser le silence<\/span>
Viens t\u2019\u00e9craser<\/span>
Dans mon petit monde<\/span>
Douloureux pour moi<\/span>
 <\/p>","label":"

Sami <\/p>"},{"id":1623,"type":2,"content":"


Mentir d\u00e9pend de la situation<\/span>
On peut mentir pour le bien d\u2019une personne<\/span>
Pour \u00e9viter de l\u2019inqui\u00e9ter<\/span>
Mais<\/span>
Si on dit \u00e0 une personne que son ami s\u2019est bless\u00e9 mais qu\u2019iel d\u00e9couvre la v\u00e9rit\u00e9, \u00e7a peut lui faire tr\u00e8s mal, iel n\u2019aura plus confiance<\/span>
Ne pas mentir pour n\u2019importe quoi<\/span><\/p>

Je voudrais tellement sentir sa peau contre la mienne.<\/span>
Go\u00fbter ses douces l\u00e8vres sucr\u00e9es.<\/span>
Mais iel m\u2019a menti, iel n\u2019est pas ce que je croyais<\/span>
Iel n\u2019est pas de ce monde<\/span>
Cette personne n\u2019existe juste pas.<\/span><\/p>

Il est h\u00e9ros et sauve des vies<\/span>
Il enseigne dans un lyc\u00e9e de futurs h\u00e9ros<\/span>
Ses \u00e9l\u00e8ves sont comme ses enfants.<\/span><\/p>

Il est peut-\u00eatre petit<\/span>
Il a eu un pass\u00e9 douloureux<\/span>
Mais sans lui, ils seraient d\u00e9j\u00e0 tous morts.<\/span>
 <\/p>","label":"

Darya<\/p>"},{"id":1624,"type":2,"content":"


Mensonge oui, il est l\u00e0 pour nous prot\u00e9ger, pour que les gens nous laissent une chance de nous expliquer<\/span>
Mensonge non, il est l\u00e0 pour ne pas offenser la personne (avoir de bonnes intentions)<\/span>
Mensonge oui peut offenser la personne, la rendre mal (avoir de mauvaises intentions)<\/span>
Mensonge aura toujours des cons\u00e9quence si on l\u2019utilise.<\/span>
J\u2019aimerais sentir sa rose et contempler son amour comme les vall\u00e9es d\u2019\u00e9pines qui traversent les amours.<\/span>
Les mensonges pour fuir<\/span>
Les larmes coulent infiniment<\/span>
Les roses repoussent<\/span>
Les murs et leur silence<\/span>
 <\/p>","label":"

Annabel<\/p>"},{"id":1625,"type":2,"content":"


J\u2019ai vu<\/span>
J\u2019ai vu une fourmi et je voulais la voir (de plus pr\u00e8s?)<\/span>
mais maman m\u2019a dit non !<\/span>
donc j\u2019ai menti, j\u2019y suis all\u00e9e<\/span>
J\u2019ai vu une fille, elle \u00e9tait jolie<\/span>
mais maman m\u2019a dit : Arr\u00eate de la regarder !<\/span>
donc j\u2019ai menti, je l\u2019ai regard\u00e9e<\/span>
J\u2019ai vu un chat donc je voulais le caresser<\/span>
mais maman m\u2019a dit : ne va pas le voir ! mais<\/span>
j\u2019ai menti, je suis all\u00e9e le caresser<\/span>
Des heures plus tard\u2026<\/span>
Ma maman m\u2019a dit de rester ici.<\/span>
Il y avait un monsieur habill\u00e9 tout en noir<\/span>
Il me faisait un signe de la main, donc je sui partie le voir<\/span>
Apr\u00e8s, ma m\u00e8re est revenue\u2026<\/span>
Mais depuis, ELLE M\u2019A JAMAIS REVUE.<\/span>
 <\/p>","label":"

Thanina<\/p>"},{"id":1626,"type":2,"content":"


Pourquoi a-t-elle fait \u00e7a ?<\/span>
Aujourd\u2019hui ma soeur a enlev\u00e9 la wifi pour que j\u2019arr\u00eate de jouer \u00e0 la playstation mais je suis partie la voir et elle m\u2019a dit que c\u2019\u00e9tait pas elle<\/span>
Pourquoi a-t-elle fait \u00e7a ?<\/span>
TG<\/span>
Connard<\/span>
NTM<\/span>
Arr\u00eate<\/span>
Casse pas les bonbons<\/span>
Non<\/span>
Pourquoi a-t-elle fait \u00e7a ?<\/span>
Pourquoi la violence fait des morts ?<\/span>
Comme dans<\/span>
Equaliser<\/span>
Spiderman no way home<\/span>
Tomb raider<\/span>
Les sept mercenaires<\/span>
Call of duty<\/span>
Genshin impact<\/span>
Fortnite<\/span>
GtA5<\/span>
Naruto<\/span>
L\u2019attaque des Titans<\/span>
Demon slayer<\/span><\/p>

 <\/p>","label":"

Nassim<\/p>"},{"id":1627,"type":2,"content":"


\u00c7a m\u2019arrive de me poser des questions<\/span>
Mourrir de la violence ?<\/span>
Traumatis\u00e9.e de la violence ?<\/span>
Choqu\u00e9.e de la violence ?<\/span>
Peur de la violence ?<\/span>
Crise.s d\u2019angoisse d\u00fbe.s \u00e0 la violence ?<\/span><\/p>

MENSONGE \u2013 CACHOTERIE \u2013 SECRET \u2013 HISTOIRE<\/span>
Devoir mentir par peur des cons\u00e9quences<\/span>
Mettre la faute sur une personne qu\u2019on aime<\/span>
Tenant en main la carte vitale de ma m\u00e8re, elle se brisa en 2<\/span>
Sur le moment de l\u2019inqui\u00e9tude, je lui dit l\u2019avoir retrouv\u00e9e comme \u00e7a dans sa chambre.<\/span>
 <\/p>","label":"

Kali<\/p>"},{"id":1628,"type":2,"content":"


Pourquoi on se bagarre ?<\/span>
\u00c7a sert \u00e0 quoi la guerre ?<\/span>
Pourquoi l\u2019\u00eatre humain s\u2019entre-tue ?<\/span>
 <\/p>","label":"

Sevan<\/p>"},{"id":1629,"type":2,"content":"


\u00ab Mahmoud mange du couscous avec Hamid mais la v\u00e9rit\u00e9 c\u2019\u00e9tait Karim qui mangeait seul. Le lendemain, Hamid sort dehors et va voir son voisin ami Mathieu pour vendre leur couscous \u00e0 Noailles. \u00bb<\/span>
Oui je me pose des questions<\/span>
Non rien<\/span>
 <\/p>","label":"

Yanis<\/p>"},{"id":1630,"type":2,"content":"


Que va-t-on d\u00e9couvrir finalement ?<\/span>
Les mots sont tr\u00e8s inutiles.<\/span><\/p>","label":"

No\u00e9<\/p>"},{"id":1631,"type":2,"content":"


Le mensonge m\u2019a aid\u00e9 \u00e0 ne pas \u00eatre puni (par les parents). Le mensonge peut sauver des vies sauf s\u2019il y a un d\u00e9tecteur de mensonge.<\/span>
Conclusion : Le mensonge peut aider. Ce n\u2019est pas trop une violence.<\/span>
Les toilettes de mon \u00e9cole maternelle se sont effondr\u00e9es sur moi, j\u2019ai utilis\u00e9 le mensonge pour dire que ce n\u2019\u00e9tait pas moi.<\/span>
Qu\u2019est-ce que le monde deviendrait sans violence ?<\/span>
 <\/p>","label":"

Joseph<\/p>"},{"id":1632,"type":2,"content":"


Je me pose \u00e9norm\u00e9ment de questions<\/span>
Partir en laissant un mensonge ou aucune explication valable<\/span>
La conclusion est que celui qui part ne ressent rien, voire absolument rien<\/span>
Et celui \u00e0 qui on a laiss\u00e9 le mensonge reste sur cette histoire et culpabilise \u00e9norm\u00e9ment.<\/span>
 <\/p>","label":"

Lara<\/p>"},{"id":1605,"type":2,"content":"


Wesh alors, je suis dans le game en claquettes<\/span>
J\u2019ai perdu mes billets et mon temps dans les bagarees<\/span>
Quand y\u2019a la police \u00e7a crie ahra ou artheno (?)<\/span>
\u00c7a parle plus fort quand y\u2019a les chmit<\/span>
\u00c7a m\u2019insulte ma m\u00e8re<\/span>
Je lance la guerre, gros chaud<\/span>
On est tous gros, \u00e7a part en freestyle<\/span>
Je pars du tribunal<\/span>
Je sors du shtar<\/span>
Go nique des m\u00e8res freestyle<\/span>
 <\/p>","label":"

Kenzi<\/p>"},{"id":1633,"type":2,"content":"


Une fois, il y a sept ans, un enfant avait vol\u00e9 le bonbon de l\u2019autre et il a menti : \u00ab Mais non, c\u2019est pas moi, c\u2019est Eliot. \u00bb Et le deux enfants ont fini par se battre.<\/span>
Manger c\u2019est la vie, c\u2019est ce qui donne le go\u00fbt \u00e0 la vie depuis des si\u00e8cles. Mais le mensonge, \u00e7a peut amener la violence.<\/span><\/p>","label":"

Sofian<\/p>"},{"id":1634,"type":2,"content":"

 <\/p>

Cela \u00e9tait peut-\u00eatre un r\u00eave ou un cauchemar
Cet apr\u00e8s-midi encore, j\u2019\u00e9tais l\u00e0 en train de songer \u00e0 nous, je cesse de me demander si cela est bien sachant que nous sommes partis de promesses jamais faites et de mensonges. En moi, il a toujours cette partie de moi qui me dit que \u00ab nous \u00bb n\u2019existera plus jamais.
 <\/p>","label":"

Lara<\/p>"},{"id":1635,"type":2,"content":"

 <\/p>

Morte violette<\/span>
\u00c0 bord du vaisseau de la mort, \u00e0 l\u2019int\u00e9rieur du vaste espace, une m\u00e8re de famille mourante allait \u00eatre ex\u00e9cut\u00e9e devant son fils de 7 ans, IMMORTEL, portant sa petite soeur dans ses fr\u00eales bras. Son crime : avoir eu un deuxi\u00e8me enfant. La terre MORTE est inutilisable \u00e0 cause des ondes nucl\u00e9aires MORTELLES, d\u2019il y a soixante ans. Un groupe dr personnes, maintenant MORTES, s\u2019est alors exil\u00e9 dans l\u2019espace \u00e0 bord d\u2019un vaisseau. Ils ignorent si la terre est MORTE ou r\u00e9utilisable, alors il est interdit, il est interdit MORTELLEMENT d\u2019avoir plusieurs enfants pour \u00e9conomiser, sous risque de peine de MORT. Cette peine de MORT est surutilis\u00e9e et est devenue normale, l\u00e0 o\u00f9 il reste la seule colonie d\u2019humains de l\u2019univers. Ce jour-l\u00e0, une ex\u00e9cution, une MORT de plus, une personne de plus qui va MOURRIR en souriant une derni\u00e8re fois \u00e0 ses enfants IMMORTELS, avant d\u2019\u00eatre \u00e9ject\u00e9e dans l\u2019espace. D\u2019un coup, son corps se fige, flotte \u00e0 travers le temps, dans l\u2019immensit\u00e9 infinie, MORT. Ses enfants, bouche ouverte, regardant \u00e0 travers la vitre, le corps de leur vie, devenu violet, mort.<\/span>
 <\/p>","label":"

Lison<\/p>"},{"id":1636,"type":2,"content":"

 <\/p>

PUBG c\u2019est un jeu de combat. Vous voulez jouer sur vos t\u00e9l\u00e9phones ou sur vos ordinateurs, et sur vos ps5 ou ps4 ou ps3. Le but de ce jeu est de gagner comme dans les autres jeux de combat. Dans PUBG vous commencez dans un avion. Dans l\u2019avion, vous avez entendu beaucoup de mots bizarre. Apr\u00e8s vous tombez de l\u2019avion avec un parachute. \u00ab On oublie pas PUBG, c\u2019est un jeu violence. \u00bb<\/span><\/p>","label":"

Sami<\/p>"},{"id":1637,"type":2,"content":"

 <\/p>

Fifa 22 fait rager plusieurs personnes quand elles perdent<\/span>
Elles cassent leur manette \/<\/span>
manette cass\u00e9e<\/span>
volant d\u00e9truire<\/span>
conduire fracass\u00e9 frapp\u00e9<\/span>
avancer reculer blessure<\/span>
Elles \u00e9teignent leurs plays en s\u2019\u00e9nervant.<\/span>
mangerbougercinqfuitsetl\u00e9gumesparjour.fr<\/strong><\/span><\/p>

Bamba<\/span>
Bamba est avec Fatou. Ils sont en train de boire<\/span>
Je suis avec Bamba, je bois du Bissap<\/span>
Tout d\u2019un coup, y\u2019a Koulibaly<\/span>
Tout d\u2019un coup, y\u2019a Keita Koulibaly qui frappe \u00e0 la porte par derri\u00e8re Bamba et prend le jus. Il vole le Bissap et part en courant et lance un petit cri de rage :  \u00bb ishiii AAA \u00bb<\/span><\/p>

 <\/span><\/p>","label":"

Yacoub<\/p>"},{"id":1638,"type":2,"content":"

 <\/p>

Dans Squidgame, les personnages se tuent entre eux la nuit pour qu\u2019il y ait moins de participants, le sang gicle partout.<\/span>
Dans Squidgame, les personnages se tuent \/\/ crime mort tombe cimeti\u00e8re \u00e9ternel \/<\/span>
\/\/entre eux la nuit pour qu\u2019il y ait moins de participants,<\/span>
le sang \/ rouge veine organe corps \/<\/span>
gicle partout.<\/span><\/p>

 <\/span><\/p>","label":"

Kylian<\/p>"},{"id":1639,"type":2,"content":"

 <\/p>

Dans Cropse-Party<\/span><\/p>

Quand Seiko elle \u00e9tait pendue par une corde par Naomi car Naomi elle \u00e9tait poss\u00e9d\u00e9e apr\u00e8s leur dispute \/ douleur tuer crise torture \/<\/span><\/p>","label":"

Thanina<\/p>"},{"id":1640,"type":2,"content":"

 <\/span><\/p>

Si c\u2019est violent ?<\/span>
Squid Game >> l\u2019\u00e9pisode o\u00f9 ils doivent faire des \u00e9quipes et chaque \u00e9quipe se confronte avec une corde et l\u2019\u00e9quipe qui gagne ne tombe pas et seule celle qui perd tombe et meurt \/ confrontation-r\u00e9el > stress > angoisse<\/span>
avec une corde et l\u2019\u00e9quipe qui gagne ne tombe pas et seule celle qui perd tombe > chute > mal > glisser > malaise<\/span>
> et meurt.<\/span>
 <\/p>","label":"

Myriam <\/p>"},{"id":1641,"type":2,"content":"

 <\/p>

Le bulletin c\u2019est violent<\/span>
C\u2019est violent car les notes peuvent choquer des \u00e9l\u00e8ves faibles.<\/span>
Le bulletin c\u2019est violent car il peut entra\u00eener des coups de ceinture.<\/span>
 <\/p>","label":"

Nassim<\/p>"},{"id":1642,"type":2,"content":"

 <\/p>

Dans Happy weels,<\/span>
Une sc\u00e8ne<\/span>
\u00c0 chaque fois<\/span>
T\u2019as des obstacles<\/span>
Y\u2019en a un<\/span>
Le harpon<\/span>
Il te coupe en deux<\/span>
Et on voit<\/span>
Des boyaux pendre<\/span>
et du sang<\/span>
 <\/p>","label":"

Sevan<\/p>"},{"id":1606,"type":2,"content":"


All I ever needed<\/span>
Is here in my arms<\/span>
Words are very unnecessary<\/span>
Words are very unnecessary<\/span><\/p>

Que va-t-on d\u00e9couvrir finalement ?<\/span><\/p>

Que va-t-on d\u00e9couvrir ?<\/span>
Les mots sont tr\u00e8s inutiles<\/span>
 <\/p>","label":"

No\u00e9<\/p>"},{"id":1643,"type":2,"content":"

 <\/p>

On peut arracher les membres des ennemis sur le jeu The Forest<\/span>
On peut arracher les membres : organe, vital, sang, os, jambe, bras, t\u00eate<\/span>
Grand combat.<\/span><\/p>

Dans le jeu Vendredi 13. Le tueur Jason arrive avec une hache \u00e0 la main et (col\u00e8re) plante une femme par derri\u00e8re (rouge noir), puis il s\u2019approche d\u2019un homme (Tato) et le tue en l\u2019\u00e9tranglant.<\/span>
 <\/p>","label":"

Yanis<\/p>"},{"id":1644,"type":2,"content":"

 <\/p>

Quand je parle de violence, je parle de choses marquantes,<\/span>
Par exemple, o\u00f9 il y a du sang<\/span>
Ou m\u00eame des membres arrach\u00e9s.<\/span>
Dans Demons Slayer, c\u2019est le cas,<\/span>
C\u2019est-\u00e0-dire que dans cet anim\u00e9 d\u2019origine japonaise<\/span>
Les dessins, combats, romances<\/span>
sont violents.<\/span>
Il y a des membres arrach\u00e9s (jambes, bras)<\/span>
Et \u00e0 la fin, la t\u00eate.<\/span>
Ceci \u00e0 chaque combat. Violence, coups, concurrent, vainqueur, perdant.<\/span><\/p>

Tokyo Ghoul<\/span>
Il y avait une personne dans une ar\u00e8ne, ne comprenant pas ce qu\u2019elle faisait ici. D\u2019un coup, un homme \u00e9trange fait son apparition, annon\u00e7ant qu\u2019il voulait le d\u00e9vorer<\/span>
Il rentre dans l\u2019ar\u00e8ne, et le jeune homme tente de fuir<\/span>
mais ne peut pas et est donc oblig\u00e9 de se battre<\/span>
L\u2019autre le tue avec un pouvoir \u00e9trange et du sang gicle dans toute l\u2019ar\u00e8ne. Il y avait tellement de sang que c\u2019\u00e9tait flouter avec une autre couleur (pour le sang).<\/span>
 <\/p>","label":"

No\u00e9<\/p>"},{"id":1645,"type":2,"content":"

 <\/p>

Dans le film Gisgaw<\/span>
Il y a des gens qui se font capturer<\/span>
pour jouer \u00e0 un jeu \u00e0 \u00e9preuves. Dans ce jeu, dans la premi\u00e8re \u00e9preuve, des gens sont attach\u00e9s<\/span>
et ils ont une bo\u00eete sur leur t\u00eate. Ils doivent trouver un moyen de s\u2019\u00e9chapper sinon ils mourront atrocement tu\u00e9s<\/span>
par une scie<\/span>
qui d\u00e9coupe en deux la victime. C\u2019est une mort subite,<\/span>
ensanglant\u00e9e.<\/span>
Sang.<\/span><\/p>

 <\/span><\/p>","label":"

Joseph<\/p>"},{"id":1646,"type":2,"content":"

 <\/p>

\u00c7a<\/span>
Le petit gar\u00e7on avec la veste jaune joue avec son petit bateau au niveau du trottoir. \u00c0 un moment, il y a une plaque d\u2019\u00e9gout et le petit bateau tombe dedans. Le petit gar\u00e7on s\u2019abaisse. Un clown<\/span>
surgit en montrant ses dents<\/span>
et lui montre des ballons. Pour r\u00e9cup\u00e9rer son bateau, il devra aller dans la plaque d\u2019\u00e9gout et \u00e7a d\u2019un coup sort ses dents et croque<\/span>
le petit gar\u00e7on<\/span>
et du sang gicle<\/span>
de partout.<\/span>
 <\/p>","label":"

Kenzi<\/p>"},{"id":1647,"type":2,"content":"

 <\/p>

R\u00e9apparition inattendue<\/span>
Apr\u00e8s avoir eu cette poup\u00e9e, plusieurs sc\u00e8nes bizarres se passent donc ils d\u00e9cident de la jeter, ils la jettent et sortent mais \u00e0 leur retour la poup\u00e9e r\u00e9apparut comme par magie, elle \u00e9tait assise l\u00e0 au milieu du salon.<\/span><\/p>

petite fille, enfance, amusement, jouer<\/span>
plusieurs sc\u00e8nes, moments irr\u00e9els bizarres inattendus se passent donc ils d\u00e9cident de la jeter, mais \u00e0 leur retour sursaut, revenu<\/span>
la poup\u00e9e apparue, arriv\u00e9e<\/span>
sorcier, sorcellerie<\/span>
elle \u00e9tait assise l\u00e0 au milieu du salon.<\/span>
 <\/p>","label":"

Lara<\/p>"},{"id":1648,"type":2,"content":"

 <\/p>

Hormis le fait que Emma et Norman veulent rapporter se peluche \u00e0 leur petite soeur\u2026<\/strong><\/span><\/p>

Emma et Norman voulaient rapporter sa peluche \u00e0 leur petite soeur qui avait pr\u00e9vu de partir dans sa famille d\u2019adoption. Ils partirent le soir pour la lui rendre. Arriv\u00e9s au portail, ils se faufil\u00e8rent derri\u00e8re le portail, puis ils virent leur m\u00e8re. Ils partirent se cacher sous un camion et ils trouv\u00e8rent leur petite soeur morte.<\/span><\/p>

Famille Fille<\/span>
Famille d\u2019adoption \/ nouvelle vie<\/span>
Famille amour (dans le cas) fournisseuse bouch\u00e8re.<\/span>
Se cacher sous un camion \/ poubelle kidnapping boucherie stock<\/span>
Leur petite soeur morte \/ souffrance tristesse d\u00e9sespoir pleur*<\/span>
 <\/p>","label":"

Zo\u00e9<\/p>"},{"id":1649,"type":2,"content":"

 <\/p>

Des personnes tu\u00e9es par une fl\u00e8che<\/span>
C\u2019est un justicier qui se nomme Olivier. Il \u00e9tait en voyage avec son p\u00e8re dans un bateau, et il y avait aussi la petite soeur de sa copine. Le bateau a \u00e9t\u00e9 sabot\u00e9. Son p\u00e8re et le jeune fille sont morts et Olivier a surv\u00e9cu dans une \u00eele,<\/span>
Olivier a rencontr\u00e9 des gens sur l\u2019\u00eele.<\/span>
Il a rencontr\u00e9 une fille qui s\u2019appelle Shado, et y\u2019avait le p\u00e8re de Shado.<\/span>
Le p\u00e8re de Shado a appris \u00e0 Olivier \u00e0 se batte, \u00e0 se d\u00e9fendre, et aussi \u00e0 savoir tirer une fl\u00e8che.<\/span>
Olivier a r\u00e9ussi \u00e0 rentrer dans sa ville en passant par la Chine.<\/span>
Maintenant il paie les dettes de son p\u00e8re<\/span>
Maintenant, il tue les gens qui se trouvent dans le carnet de son p\u00e8re avant qu\u2019il meurt.<\/span>
Olivier tue les gens qui ont trahi la ville d\u2019o\u00f9 il vient.<\/span>
 <\/p>","label":"

Momar<\/p>"},{"id":1650,"type":2,"content":"

 <\/p>

Call of Duty<\/span>
Sc\u00e8ne : il se fait tirer \/ viser \/ pointer dessus par un robot, et ensuite un robot s\u2019approche de lui<\/span>
Et le frappe \/ se battre-couteaux-armes<\/span>
en lui arrachant \/ blesser-le bras<\/span>
et tente de lui arracher \/ blesser-la jambe<\/span>
Mais quelqu\u2019un parvient \u00e0 le sauver avant de mourir \/ cri peur angoisse silence \/ Il le ram\u00e8ne dans un labo pour lui refaire un bras robot et apprendre \u00e0 le bouger.<\/span>
 <\/p>","label":"

Evan<\/p>"},{"id":1651,"type":2,"content":"

 <\/p>

Pendant la 1\u00e8re guerre-bombardement-destruction mondiale, un homme du camp adverse perd la t\u00eate et franchit les tranch\u00e9es et passe la fronti\u00e8re. Il marche des heures et des heures et arrive enfin dans une ville. Il voit un h\u00f4pital-maternit\u00e9 et il rentre dedans. Il va du c\u00f4t\u00e9 Maternit\u00e9. Dans une chambre, il voit une m\u00e8re et son nouveau-n\u00e9. L\u2019homme tue-mort-crime le b\u00e9b\u00e9 et repart en courant.<\/span><\/p>

 <\/span><\/p>","label":"

Lana<\/p>"},{"id":1652,"type":2,"content":"

 <\/p>

Le Mur Maria vient de tomber, le mur appartient d\u00e9sormais aux d\u00e9mons. Eren et Mikasa courent pour retrouver Carla, la m\u00e8re d\u2019Eren. \u00c0 leurs malheurs, Carlo \u00e9tait enseveli sous les gravas de leur maison. Et le cauchemar -monstrueux-irr\u00e9el-r\u00eave-effroi continua. Un Titan-monstre-gigantesque-mangeur-d\u2019hommes-et-d\u00e9mon arriva dans la direction de Carla. Les deux enfants refus\u00e8rent de l\u2019abandonner, mais pour son plus grand bonheur, un ami (Hanse) arriva pour sauver les enfants. Dans la peur et les cris, le titan attrapa Carla puis la d\u00e9membra-souffrance-sang-morceau-cri pour ensuite la d\u00e9vorer. Suite \u00e0 cette sc\u00e8ne d\u2019effroi, Eren promit de se venger-objectif-promesse-col\u00e8re.<\/span><\/p>

 <\/span><\/p>","label":"

Jeanne<\/p>"},{"id":1607,"type":2,"content":"


La vie est une vall\u00e9e de larmes et aussi de roses mais aussi de mensonges<\/span>
Les larmes peuvent couler \u00e0 l\u2019infini<\/span>
Les roses repoussent<\/span>
Mais les mensonges restent, ne s\u2019effacent jamais, tout \u00e7a jusqu\u2019\u00e0 la mort.<\/span><\/p>

J\u2019aimerais sentir sa rose et contempler son amour comme les vall\u00e9es d\u2019amour qui traversent les mensonges. Les mensonges qui m\u00e8nent aux larmes qui elles coulent sur mon visage, qui se terminent sur le bas du sol.<\/span><\/p>

Feelings are intense<\/span>
Words are trivial<\/span>
 <\/p>","label":"

Annabel<\/p>"},{"id":1653,"type":2,"content":"

 <\/p>

Tatakae<\/span>
Elle veut de l\u2019aide, elle crie des SOS mais personne ne l\u2019entend, tout le monde est aveugle<\/span>
Tatakae<\/span>
Tatakae<\/span>
Tatakae<\/span>
Mauvais souvenirs qui reviennent comme un th\u00e8me<\/span>
Qu\u2019est-ce que vous venez foutre \u00e0 cette heure ?<\/span><\/p>

Quand le major est avec tout le reste du bataillon d\u2019exploration \u00e0 cheval et qu\u2019ils se sacrifient tous pour le bien de l\u2019humanit\u00e9.<\/span>
Quand Point Virgule fait manger la viande de son animal de compagnie mort \u00e0 Rika<\/span>
Point Virgule \/ monstre-volant-ail\u00e9-horrible \/ fait manger \/ nourriture-bon-midi-p\u00e9rim\u00e9 \/ la viande de son compagnon-mignon-petit-gentil \/ mort \/ tombe-triste-tuer-meurtre\/ \u00e0 Rika enfant-chanteuse-idole-humaine<\/span>
I\u2019m not okay with this<\/strong><\/span><\/p>

I\u2019m not okay with this<\/strong><\/span>
I\u2019m not ok with this<\/span>
Une jeune fille de 15 ans au lyc\u00e9e<\/span>
Elle se nomme Sydney, mais les gens la surnomme Syd.<\/span>
Sa meilleure amie, Dina, \u00e9tait quelqu\u2019un de confiance.<\/span>
Ensemble, elles all\u00e8rent au bal du lyc\u00e9e.<\/span>
Alors que ces deux-l\u00e0 dansaient, l\u2019ex-petit ami de Dina prit la parole au micro.<\/span>
Il avait r\u00e9ussi \u00e0 voler le journal intime de Syd.<\/span>
Il commen\u00e7a \u00e0 r\u00e9citer les choses inscrites dedans.<\/span>
Lorsque le jeune homme allait lire le secret le plus lourd,<\/span>
Syd lui fit exploser la t\u00eate sans le vouloir avec ses pouvoirs t\u00e9l\u00e9kin\u00e9siques.<\/span>
En une fraction de seconde, la joie qui r\u00e9gnait dans la salle disparut pour laisser place \u00e0 la panique.<\/span>
Les jeunes lyc\u00e9ens courraient de partout pour s\u2019enfuir.<\/span>
Dina, elle, se rapprocha du corps immobile et qui petit \u00e0 petit d\u00e9corait le sol d\u2019une \u00e9norme t\u00e2che de sang.<\/span>
Syd, v\u00eatue de sa robe, qui de blanc \u00e9tait pass\u00e9e \u00e0 rouge, sortit en courant et partir dehors.<\/span>
L\u2019ambulance en fond (sonore) qui allait spn lyc\u00e9e<\/span>
Syd qui coure avec tant de questions dans la t\u00eate<\/span>
Pourquoi ? Pourquoi elle et pas une autre ?<\/span>
Allant dans sa for\u00eat pr\u00e9f\u00e9r\u00e9e, elle d\u00e9cida de monter sur une tour en bois abandonn\u00e9e.<\/span>
Arriv\u00e9e en haut de celle-ci, elle voulut sauter,<\/span>
Mais un homme l\u2019arr\u00eata.<\/span>
Qui est-ce ?<\/span>
Cette personne sait-elle des choses sur ses pouvoirs qu\u2019elle-m\u00eame se sait pas ?<\/span>
Tant de questions sans r\u00e9ponses.<\/span>
 <\/p>","label":"

Darya<\/p>"},{"id":1654,"type":2,"content":"

 <\/p>

C\u2019est l\u2019histoire d\u2019une fillette \u00e2g\u00e9e de 8 ans \/ enfant-jeune-irresponsable \/ qui vit avec sa famille. Mais celle-ci souffre terriblement. Elle cherche \u00e0 s\u2019enfuir \/ peur-anxi\u00e9t\u00e9-courrir-se cacher \/ du vrai monde, en s\u2019isolant, en se mutilant.<\/span>
Cette fillette a une famille pas comme les autres. Elle est constitu\u00e9e d\u2019une m\u00e8re \/ occup\u00e9e \u00e0 son programme de r\u00e9\u00e9duc, \u00e0 se soigner \/car elle a fait un AVC mais lors de sa r\u00e9\u00e9ducation, elle apprend le cancer. Elle a un p\u00e8re \/ n\u2019a pas le temps ni de conversation avec sa (famille) \/ absent qui est constamment en d\u00e9placement pour son travail et quand il est pr\u00e9sent, il est sous l\u2019emprise de l\u2019alcool. Cette fillette va se suicider \/ mort-voulue-fuir-mal-\u00eatre \/ car elle subit un trop gros stress \/ peur-d\u00e9r\u00e9alisation-dispara\u00eetre-ne plus souffrir \u2013 fuir.<\/span><\/p>

Cette fillette va se suicider sur une colline. Sur cette colline, un vieil arbre qui avait une branche suspendue dans le vide. Elle s\u2019y accroche, l\u2019enroule, passe sa t\u00eate, resserre la corde autour de son cou. Alors qu\u2019elle commen\u00e7ait \u00e0 partir, la branche cassa et celle-ci se laissa tomber dans le vide avec un sourire sur son visage, et meurt \u00e9cras\u00e9e sur le sol, couverte de son vaste sang rouge.<\/span>
 <\/p>","label":"

Annabel<\/p>"},{"id":1655,"type":2,"content":"

 <\/p>

Mortal Combat<\/span>
Un homme v\u00eatu d\u2019une tenue jaune, avec une capuche noire, se nommait Scorpion. Il se tenait devant un autre homme avec une tenue bleue et aussi une capuche noire. Ce dernier se nommait Sub-Z\u00e9ro et\u2026 le combat \u00e9clata entre les deux personnes. Scorpion eut l\u2019avantage durant tout le combat et transper\u00e7a \u00e9norm\u00e9ment l\u2019adversaire pendant pr\u00e8s de 30 minutes. Sub-Z\u00e9ro \u00e9tait dans le mal mais se soigna avec un pouvoir de glace, et au bout d\u2019un moment, Scorpion n\u2019avait plus d\u2019\u00e9nergie, ce que Sub-Z\u00e9ro avait pr\u00e9vu. Il voulait que Scorpion se fatigue le plus vite possible. Et Scorpion se prit un gros coup de genou dans la m\u00e2choire de la part de Sub-Z\u00e9ro. Suite \u00e0 ce coup violent, Scorpion recula \u00e9tant dans les nuages, et Sub-Z\u00e9ro en profita pour lui trancher le torse avec une lame qui n\u2019\u00e9tait que de l\u2019air mat\u00e9rialis\u00e9 en \u00e9p\u00e9e de glace. Puis il transforma l\u2019\u00e9p\u00e9e en boule d\u2019\u00e9nergie de glace, il se pr\u00e9cipita sur Scorpion et lui envoya la boule. Scorpion essaya de l\u2019attaquer mais Sub-Z\u00e9ro esquiva facilement l\u2019attaque lente de Scorpion. Puis il lui transper\u00e7a le ventre. Il attrapa l\u2019intestin de Scorpion, il \u00e9crasa l\u2019organe, il sortit sa main du ventre tout en gardant l\u2019organe et transforma l\u2019organe en lance de glace, puis enfon\u00e7a cette arme dans l\u2019oeil de Scorpion. Scorpion tomba par terre, et Sub-Z\u00e9ro souffla sur le corps de Scorpion. La peau de ce dernier est en glace apr\u00e8s l\u2019action. Suite \u00e0 \u00e7a, Sub-Z\u00e9ro partit dans son temple en laissant le cadavre de Scorpion par terre.<\/span>
 <\/p>","label":"

Sofian<\/p>"},{"id":1656,"type":2,"content":"

 <\/p>

La violence, qu\u2019elle soit verbale ou physique, est l\u00e0, partout, en voici la preuve :<\/span>
Dans un d\u00e9p\u00f4t d\u00e9saffect\u00e9 de Los Santos, trois hommes se pr\u00e9parent \u00e0 faire subir l\u2019impensable, l\u2019inimaginable, l\u2019insoutenable \u00e0 un homme.<\/span>
Le malheureux est attach\u00e9 \u00e0 une chaise, torse nu, dans une position indigne d\u2019un \u00eatre humain.<\/span>
Son corps est recouvert de dizaines de c\u00e2bles m\u00e9dicaux.<\/span>
Sa tension est constamment contr\u00f4l\u00e9e, et son rythme cardiaque analys\u00e9.<\/span>
Les trois hommes, dont la cupidit\u00e9 d\u00e9passe leurs \u00e9motions, commencent \u00e0 le frapper violemment.<\/span>
Mais un des tortionnaires semblait aller plus loin, on aurait dit qu\u2019il prenais du plaisir.<\/span>
Le coeur du mexicain, battait d\u00e9j\u00e0 tr\u00e8s vite, mais il n\u2019\u00e9tait au bout de ses peines.<\/span>
L\u2019homme, que les autres appelait T prit une une cl\u00e9 \u00e0 molette, l\u2019homme le suppliait mais T lui frappe le genou. Son genou ensanglant\u00e9 t\u00e9moignait de sa douleur ! L\u2019homme hurle mais quand T le menace d\u2019un autre coup de cl\u00e9 \u00e0 molette, il commence a donn\u00e9 des informations.<\/span>
Le hommes jubilaient mais, s\u00fbrement par plaisir, T pris une pince, et commen\u00e7a \u00e0 arracher une des dents de leur victime. La molaire bougeait dans tous les sens, il avait mal, tr\u00e8s mal. Il essaye de parler, de le supplier, mais T, imperturbable sociopathe continue son effroyable besogne.<\/span>
La dent finit par par sortir de sa m\u00e2choire et le pauvre homme s\u2019\u00e9vanouit. L\u2019homme \u00e9tait entre la vie et la mort, et les trois hommes faisaient tout leurs possible pour le r\u00e9veiller, le jeu \u00e9tait beaucoup trop amusant, pourquoi l\u2019arr\u00eater<\/span>
 <\/p>","label":"

Lucas<\/p>"},{"id":1657,"type":2,"content":"

 <\/p>

Le bon et le mauvais ont un point commun.<\/span>
Ils d\u00e9forment la r\u00e9alit\u00e9 pour l\u2019accorder \u00e0 leurs mensonges.<\/span>
Et d\u2019ailleurs, le terme \u00ab Bien et Mal \u00bb est faux. Il n\u2019y a pas de gentils ou de m\u00e9chants. Il n\u2019y a que des tar\u00e9s. En voici la preuve : un homme qui se fait attaquer et qui va vouloir faire la justice se pense le gentil, et l\u2019autre le m\u00e9chant. Et l\u2019autre \u00ab le m\u00e9chant \u00bb va penser qu\u2019il fait le bien. Chacun pense faire le bien pour lui. Et si il y a confrontation, on verra bel et bien qu\u2019il n\u2019y a ni bien ni mal, et que la violence n\u2019est pas \u00ab gnagnagna un truc pas bien \u00bb. Contrairement \u00e0 ce qu\u2019on rab\u00e2che, la violence est un art.<\/span><\/p>

Dans une station de m\u00e9tro, sous la pluie, un groupe de jeunes arm\u00e9s et d\u00e9guis\u00e9s attaque un homme mais s\u2019arr\u00eatent \u00e0 la vue une lumi\u00e8re en forme de chauve-souris dans le ciel. Puis, un bruit de pas se fait entendre. Un pas lourd, solide et m\u00e9tallique, et une silhouette ressemblant \u00e0 une armure sombre sort d\u2019une zone d\u2019ombre \/ t\u00e9n\u00e8bres \u2013 peur. Une des racailles demande \u00e0 l\u2019individu : \u00ab T\u2019es qui ? \u00bb et l\u2019individu r\u00e9pond, froid et effrayant: \u00ab Je suis la vengeance. \u00bb \/ revanche \/. Puis une violente bagarre explose, et l\u2019individu en armure au signe de chauve-souris fait un massacre \/ lamination \u2013 sang \u2013 sans piti\u00e9.<\/span>
 <\/p>

Le tour du crayon \u2013 The dark knight<\/span>
Pendant la r\u00e9union de mafieux, un seul sujet revenait : tuer le batman. Puis la porte s\u2019ouvre et un homme aux cheveux verts, et au costume violet, et au maquillage blanc p\u00e2le, et au sourire sanglant taill\u00e9 dans le visage, entre et enfonce un crayon dans la table. Il dit : \u00ab Regardez, le crayon va dispara\u00eetre. \u00bb Et un des hommes s\u2019avance vers le \u00ab clown \u00bb et s\u2019appr\u00eate \u00e0 le frapper. Mais l\u2019individu intercepte le coup, prend la t\u00eate de l\u2019homme et la cogne violemment sur le crayon et la table, et le corps tombe avec le crayon enfonc\u00e9 dans le cr\u00e2ne. Le clown s\u2019assoit en enjambant le cadavre et crie : \u00ab Tadaaaa ! \u00bb<\/span><\/p>

 <\/span><\/p>","label":"

Laslo<\/p>"},{"id":1658,"type":2,"content":"

 <\/p>

La sc\u00e8ne se d\u00e9roule dans un labyrinthe \/perdue-sortie \/ lors d\u2019une partie de jeux.<\/span>
Dans la partie, il y a des \u00e9preuves plus compliqu\u00e9es \/ dures \/ les unes que les autres<\/span><\/p>

La sc\u00e8ne se d\u00e9roule lors d\u2019une partie<\/span>
La sc\u00e8ne se d\u00e9roule dans un labyrinthe<\/span>
La sc\u00e8ne se d\u00e9roule dans un labyrinthe sans sortie<\/span>
Dans la partie, il y a des \u00e9preuves plus compliqu\u00e9es \/ dures \/ les unes que les autres<\/span>
\u00c0 un moment de la partie, il ne reste plus que H et C<\/span>
Alors que les deux gar\u00e7ons arrivent \u00e0 la fin, V attrape H, le coince et tue C violemment \/ violent \u2013 casser \u2013 peur \/<\/span>
H est maintenant seul. Il pleure, il est \u00e9nerv\u00e9.<\/span>
V approche d\u2019H, prend son bras et lui fait une entaille \/ coupure \u2013 sang \u2013 mal \/ pour prendre son sang et en faire une force.<\/span>
H arrive \u00e0 partir avec C \u00e0 la fin du jeu pour rejoindre le directeur et tous les \u00e9l\u00e8ves.<\/span>
 <\/p>","label":"

Anne-Laure<\/p>"},{"id":1659,"type":2,"content":"

 <\/span><\/p>

Twilight<\/span>
Sc\u00e8ne 1 :<\/span>
Les vampires ont accueilli une humaine dans leur famille ce qui a d\u00e9plu \u00e0 leurs adversaires les loups.<\/span>
Les loups ont donc menac\u00e9 les vampires<\/span>
Les coups s\u2019enchainent<\/span>
Cependant, l\u2019humaine nomm\u00e9e Bella est prot\u00e9g\u00e9e.<\/span><\/p>

Les vampires  morbides \u2013 surnaturels  ont accueilli une humaine dans leur famille ce qui a d\u00e9plu \u00e0 leurs adversaires les loups sauvages<\/span><\/p>

-animal \u2013 for\u00eat \/<\/span>
bagarre \u2013 dispute -violence \/ Les coups s\u2019enchainent.<\/span>
Bella est prot\u00e9g\u00e9e \/ entourage \u2013 aide \/ Bella est prot\u00e9g\u00e9e<\/span><\/p>

 <\/span><\/p>","label":"

Kali<\/p>"},{"id":1660,"type":2,"content":"

 <\/p>

\u00c7a : Salle de bains ensanglant\u00e9e<\/span><\/p>

Quand la jeune fille s\u2019approcha de l\u2019\u00e9vier, elle entendit un bruit \/ assourdissant silence \u00e9trange. Elle s\u2019avan\u00e7a doucement mais prudemment \/ attention prudence \/ du lavabo en se penchant au-dessus du trou. le bruit s\u2019accentua et un gisement de sang sortit du lavoir ! En un claquement de doigt, les murs de la salle de bain \u00e9taient retapiss\u00e9s du liquide rouge \/ couleur col\u00e8re vive. La jeune fille poussa un cri strident, tout en reculant. Elle tomba \/ tr\u00e9bucha \/ se fit mal \/ par terre toute tremblante \/  frissonner. Elle \u00e9tait toute recouverte de sang, m\u00eame dans la bouche. Elle courut pour appeler son p\u00e8re et lui montrer, mais \u00e0 peine arriv\u00e9 devant la porte, le p\u00e8re se tourna pour faire face \u00e0 sa fille, au d\u00e9but elle ne comprenait pas pourquoi, mais il lui dit qu\u2019il n\u2019y avait rien, que la pi\u00e8ce \u00e9tait parfaitement normale. Elle regarda son p\u00e8re d\u2019un air d\u2019incompr\u00e9hension car elle voyait une pi\u00e8ce noy\u00e9e de sang. Puis il repartit s\u2019asseoir et elle se posa un moment, ne comprenant pas ce qui venait d\u2019arriver. Normal \/ anormal \/<\/span><\/p>

 <\/span><\/p>","label":"

Soumaya<\/p>"},{"id":1661,"type":2,"content":"

 <\/p>

Le couloir infini<\/span>
Une personne nomm\u00e9e Devon<\/span>
Un jour en rentrant chez lui<\/span>
La soir \/ cauchemar insomnie<\/span>
Il entend des hurlements \/ peur \u2013 cri \u2013 migraine \/<\/span>
Dans le couloir<\/span>
\u00c0 3 heures, il entend quelqu\u2019un<\/span>
Un inconnu<\/span>
Lui dire de courir<\/span>
Car un photenciel \/ un fou sombre \/ allait lui ouvrir le ventre<\/span>
Le monstre peut tourner sa t\u00eate \u00e0 l\u2019infini<\/span>
Et le voir partout o\u00f9 il est<\/span>
Sauf quand Devon a confiance en lui<\/span>
Le couloir est en fait<\/span>
Devon<\/span>
 <\/p>","label":"

Anas<\/p>"},{"id":1662,"type":2,"content":"

 <\/p>

Qu\u2019est-ce que la violence ?<\/span>
True beauty : harc\u00e8lement, humiliation et intimidation<\/span>
(Un si bel amour) : Tentative de suicide)<\/span>
Quand apr\u00e8s la d\u00e9claration de la jeune Kim, son amoureux lui brise le coeur et l\u2019intimide en filmant la sc\u00e8ne<\/span>
Apr\u00e8s \u00e7a elle d\u00e9cide alors de faire une tentative de suicide sur le toit d\u2019une tour<\/span>
Quand ils ont poignard\u00e9 son p\u00e8re adoptif devant ses yeux.<\/span><\/p>

Quand apr\u00e8s la d\u00e9claration \/ paroles \u2013 honn\u00eates \u2013 courage \u2013<\/span>
Son amoureux \/ amour \u2013 relation \u2013 sentiment  bris\u00e9- rejet \u2013 haine- solitude<\/span>
Crime \/ enfer \u2013 cauchemars \/ sur le toit d\u2019une tour<\/span>
 <\/p>","label":"

Manassik<\/p>"},{"id":1609,"type":2,"content":"


Je me pose des fois des questions.<\/span>
Je ne sais pas pour la violence.<\/span>
Les gens qui frappent sont vulgaires.<\/span>
 <\/p>","label":"

Yacoub<\/p>"},{"id":1663,"type":2,"content":"


Anniversaire : pour avoir des nouvelles de ses proches<\/span>
Le covid : pour me confiner \/ m\u2019emb\u00eater<\/span>
Le tribunal : pour punir les criminels<\/span>
Un ciseau : pour couper mon coeur<\/span>
Et le scotch : pour le r\u00e9parer<\/span>
Le cerf-volant : pour me faire voler dans les airs, pour m\u2019envoler dans mes r\u00eaves<\/span>
Un petit fr\u00e8re : pour me d\u00e9fouler<\/span>
Un oreiller : pour me faire r\u00eaver<\/span>
Une montre : pour me faire passer le temps<\/span>
L\u2019humain : pour d\u00e9truire, tuer.<\/span><\/p>

 <\/p>","label":"

Jeanne<\/p>"},{"id":1664,"type":2,"content":"


Un rival pour faire des cauchemars<\/span>
Une chanson pour oublier<\/span>
La vie pour vivre<\/span>
Un tribunal pour que justice soit faite<\/span>
Un proc\u00e8s pour avoir la v\u00e9rit\u00e9<\/span>
Un mensonge pour se sauver<\/span>
Le suicide pour tout arr\u00eater<\/span>
La peine pour se redresser<\/span>
La nuit pour s\u2019isoler<\/span>
L\u2019amour pour casser<\/span>
Pleurer pour tout faire sortir<\/span>
Se cr\u00e9er une personnalit\u00e9 pour se sentir aim\u00e9e<\/span>
Adopter une personnalit\u00e9 pour avoir des amis<\/span><\/p>

 <\/p>","label":"

Lara<\/p>"},{"id":1665,"type":2,"content":"


Le mensonge sert \u00e0 cacher la v\u00e9rit\u00e9.
Les arbres servent \u00e0 faire de l\u2019ombre
Le soleil \u00e0 faire de la lumi\u00e8re
La musique pour \u00e9couter.<\/p>

 <\/p>","label":"

Zo\u00e9<\/p>"},{"id":1666,"type":2,"content":"


Des chaussettes \u00e0 mettre<\/span>
R\u00eaver pour penser \u00e0 quelqu\u2019un<\/span>
L\u2019eau pour faire la douche<\/span>
Agresser pour avoir la haine<\/span>
Un jeu pour s\u2019amuser<\/span>
Se battre pour se d\u00e9fouler<\/span>
Un stylo pour \u00e9crire<\/span>
Un sentiment pour se l\u2019avouer<\/span>
Des habits \u00e0 mettre<\/span>
Avoir instagram pour chercher des filles<\/span>
Prendre l\u2019avion pour d\u00e9couvrir<\/span>
Un cahier pour noter les informations<\/span>
L\u2019h\u00f4pital pour sauver<\/span>
 <\/p>","label":"

Momar<\/p>"},{"id":1667,"type":2,"content":"


Prendre l\u2019avion pour voyager<\/span>
Dormir pour se reposer<\/span>
Jouer au foot pour se divertir<\/span><\/p>

 <\/p>","label":"

Evan<\/p>"},{"id":1668,"type":2,"content":"


Les tribunaux, pour briser les couples<\/span>
Les p\u00e8res, pour ne jamais \u00eatre l\u00e0<\/span>
La musique, pour soigner les blessures<\/span>
L\u2019oc\u00e9an, pour se perdre en plein milieu<\/span>
V-live pour parler \u00e0 ses idoles<\/span>
Les larmes, mieux vaut ne pas en parler<\/span>
Les larmes, combien ont d\u00e9j\u00e0 coul\u00e9 ?<\/span>
La pluie, pour danser en dessous<\/span>
Voler, pour se sentir libre.<\/span><\/p>

 <\/p>","label":"

Darya<\/p>"},{"id":1669,"type":2,"content":"


prison : pour \u00eatre enferm\u00e9<\/span>
tribunal : pour que les juges soient ridicules<\/span>
Manger : pour vivre<\/span>
un film : pour le regarder toute la nuit<\/span>
un jeu : pour s\u2019amuser<\/span><\/p>

 <\/p>","label":"

Sevan<\/p>"},{"id":1670,"type":2,"content":"


Le soleil pour briller<\/span>
Un stylo pour \u00e9crire<\/span>
Des vaisseaux sanguins pour vivre<\/span>
Discord pour discuter<\/span>
Chercher pour trouver<\/span>
Cr\u00e9er pour \u00e9merveiller<\/span>
Gagner pour sa fiert\u00e9<\/span>
Crier pour se lib\u00e9rer<\/span>
Perdre pour se reconstruire<\/span>
La vie comme un diamant brut qu\u2019il faut travailler pour voir sa beaut\u00e9<\/span>
Aimer pour faire esp\u00e9rer<\/span><\/p>

 <\/p>","label":"

Soumiya<\/p>"},{"id":1671,"type":2,"content":"


La triplette, pour l\u2019\u00e9lectrocution<\/span>
Le tr\u00e9sor, pour la richesse<\/span>
L\u2019adsl, pour la d\u00e9ception<\/span>
La rtx 3090, pour la joie<\/span>
La traduction, pour la compr\u00e9hension<\/span><\/p>

 <\/p>","label":"

Joseph<\/p>"},{"id":1672,"type":2,"content":"


Invention des choses<\/span><\/p>

Les mensonges pour fuir<\/span>
Les larmes coulent infiniment<\/span>
Les roses repoussent<\/span>
Les murs et leur silence<\/span>
Le soleil qui illumine le monde<\/span>
Les oiseaux aussi libres que l\u2019air<\/span>
Les yeux pour contempler<\/span>
Les paysages pour d\u00e9couvrir<\/span>
Les fleurs pour leur bont\u00e9<\/span>
Les livres pour s\u2019y plonger<\/span>
Le monde pour s\u2019y aventurer<\/span>
La musique pour soigner les plaies<\/span>
La lune pour d\u00e9corer<\/span>
Les \u00e9toiles pour s\u2019y accrocher<\/span>
Les lettres pour s\u2019excuser<\/span>
Les gommes pour effacer<\/span>
La vie pour s\u2019y aventurer<\/span>
Les bagues pour les porter<\/span>
Les humains pour compter le vide<\/span>
Dessiner pour communiquer<\/span>
La solitude pour se ressaisir<\/span>
Les mots pour d\u00e9crire<\/span>
Le suicide pour dispara\u00eetre<\/span>
Le coeur pour s\u2019arr\u00eater<\/span>
L\u2019\u00e2me pour s\u2019enfuir<\/span>
La mort pour le regret<\/span>
Le visage pour combler les larmes<\/span>
Le suicide pour dispara\u00eetre<\/span>
Le coeur pour s\u2019arr\u00eater<\/span>
L\u2019\u00e2me pour se perdre<\/span>
La mort pour le regret<\/span>
Si c\u2019\u00e9tait le dernier jour de toute ta vie, qu\u2019est-ce que vous feriez ?<\/span><\/p>

 <\/p>","label":"

Annabel<\/p>"},{"id":1610,"type":2,"content":"


Est-ce que le mensonge peut \u00eatre une violence ?<\/span>
Positif : exemple pr\u00e9cis concret<\/span>
\u00ab Conclusion \u00bb<\/span>
Retour \u00e0 la question<\/span>
N\u00e9gatif<\/span>
Exemple vu entendu en live<\/span>
V\u00e9cu<\/span>
\u00ab Conclusion \u00bb<\/span>
 <\/p>","label":"

Evan<\/p>"},{"id":1673,"type":2,"content":"


Les livres pour se divertir<\/span>
Parler pour porter le masque<\/span>
La lumi\u00e8re pour \u00eatre \u00e9clair\u00e9e<\/span>
\u00catre soi-m\u00eame pour \u00eatre appr\u00e9ci\u00e9.e<\/span>
L\u2019encre pour \u00eatre gaspiller<\/span>
De la cr\u00e9ativit\u00e9 pour cr\u00e9er<\/span><\/p>

 <\/p>","label":"

Kali<\/p>"},{"id":1674,"type":2,"content":"


Une histoire, pour raconter<\/span>
L\u2019amour, pour en donner \/ en recevoir<\/span>
Rire, pour \u00eatre heureux<\/span>
Les fant\u00f4mes, pour avoir peur<\/span>
Mentir, pour le bien de certaines personnes<\/span>
Pleurer, par amour<\/span>
Trier, faut trier les amis.<\/span><\/p>

 <\/p>","label":"

Anne-Laure<\/p>"},{"id":1675,"type":2,"content":"


Le masque pour l\u2019enlever<\/span>
Le lit pour muser<\/span>
L\u2019eau pour faire la douche<\/span>
La table pour dessiner<\/span>
Le tableau pour regarder<\/span>
PUBG pour insulter la m\u00e8re<\/span>
L\u2019amour pour briser le coeur<\/span>
Les ordinateurs pour jouer \u00e0 Warzone<\/span>
Le t\u00e9l\u00e9phone pour appeler la m\u00e8re<\/span>
Le kebab pour manger<\/span>
La montagne pour monter<\/span>
Les clefs pour ne pas les perdre !-)<\/span><\/p>

 <\/p>","label":"

Sami<\/p>"},{"id":1676,"type":2,"content":"


Inventaire des choses pour se d\u00e9fendre<\/span>
La nuit pour s\u2019\u00e9vader<\/span>
L\u2019h\u00f4pital pour sauver<\/span>
Le regard pour d\u00e9crire<\/span>
L\u2019amour pour partager<\/span>
La primaire pour la nostalgie<\/span>
La for\u00eat pour fuir<\/span>
Les \u00e9toiles pour \u00e9claircir<\/span>
Le suicide pour \u00eatre heureux<\/span>
Les rires pour faire sourire<\/span>
La journ\u00e9e pour s\u2019\u00e9chapper<\/span>
La pluie pour ses effets<\/span>
Les photos de classes pour s\u2019en rappeler<\/span>
Les TCA (troubles du comportement alimentaire) pour s\u2019aider<\/span>
\u00catre aim\u00e9 pour aimer<\/span>
Les \u00e9motions pour apprendre<\/span>
Le soleil pour \u00e9blouir<\/span>
Les photos pour des souvenirs<\/span>
Aller voir mon psy pour gu\u00e9rir des blessures de soi et des autres<\/span>
Savoir agir pour comprendre<\/span>
L\u2019\u00e9clipse pour prouver que l\u2019amour de la lune et du soleil n\u2019est pas invisible<\/span>
Amour pour apprendre<\/span>
Pleurer pour se vider<\/span>
\u00c9crire pour ext\u00e9rioriser<\/span>
S\u2019aimer pour aimer<\/span>
Le courage pour avouer<\/span>
Les cicatrices pour apprendre<\/span>
Les \u00e9toiles pour nous faire r\u00eaver<\/span>
Les larmes pour \u00e9vacuer<\/span>
Les actes pour prouver<\/span>
\u00c9couter pour comprendre<\/span>
Les amis virtuels pour aider<\/span>
Les live pour parler \u00e0 ses idoles<\/span>
S\u2019amuser pour trouver le bonheur<\/span>
Inventer des choses pour se d\u00e9fendre<\/span>
Les r\u00eaves pour soi-m\u00eame<\/span>
L\u2019oc\u00e9an pour se perdre en plein milieu<\/span>
La sacrification pour se d\u00e9fouler<\/span>
Explorer pour conna\u00eetre<\/span>
Une couleur, une tentation.<\/span><\/p>

 <\/p>","label":"

Manassik<\/p>"},{"id":1677,"type":2,"content":"


Lumi\u00e8re ! pour m\u2019\u00e9clairer<\/span>
Punir, pour le d\u00e9go\u00fbt<\/span>
Torture, pour briser<\/span>
Rival, pour la jalousie champion !<\/span>
Joie pour s\u2019amuser, aimer<\/span><\/p>

 <\/p>","label":"

Thanina<\/p>"},{"id":1678,"type":2,"content":"


Noir pour faire peur<\/span>
Jeux pour s\u2019amuser<\/span>
M\u00e9dical, pour \u00eatre malade.<\/span>
Voiture, pour conduire la voiture.<\/span>
Meilleure amie, pour la consid\u00e9rer comme sa soeur.<\/span>
L\u2019amour pour se faire mal.<\/span>
M\u00e8re, pour la consid\u00e9rer comme sa meilleure amie.<\/span>
Voyager pour d\u00e9couvrir.<\/span><\/p>

 <\/p>","label":"

Myriam<\/p>"},{"id":1679,"type":2,"content":"


Un lit, pour r\u00eaver<\/span>
Viser pour se visualiser les objets<\/span>
Le jeu vid\u00e9o pour une partie de plaiz\u2019<\/span>
Le succ\u00e8s pour avoir du pouvoir<\/span><\/p>

 <\/p>","label":"

Nassim<\/p>"},{"id":1680,"type":2,"content":"


Tristesse pour pleurer<\/span>
Inventaire pour ses affaires<\/span>
Rester seul pour r\u00e9fl\u00e9chir<\/span>
Pleurer pour \u00e9vacuer<\/span><\/p>

 <\/p>","label":"

No\u00e9<\/p>"},{"id":1681,"type":2,"content":"


L\u2019argent : sert \u00e0 tout et fait le bonheur<\/span>
L\u2019histoire : \u00e7a sert \u00e0 rien<\/span>
L\u2019hiver : \u00e0 se geler<\/span>
Les pieds : pour marcher<\/span>
Les maths : \u00e0 s\u2019endormir<\/span>
Une voiture pour se tirer plus vite<\/span>
Le vaccin : c\u2019est du mytho<\/span>
Jul : pour \u00eatre le meilleur rappeur<\/span>
GTA32 : trop bien<\/span><\/p>

 <\/p>","label":"

Kenzi<\/p>"},{"id":1682,"type":2,"content":"

buzz m\u00e9diatique vs choc politique<\/span>
\n<\/span>
\nLes virus : buzz m\u00e9diatique ou choc politique ? > ?<\/span>
\nUn fou qui rentre dans une mosqu\u00e9e et qui fusille tout le monde :<\/>? <\/span>
\nLes accusations de viols et agressions sexuelles envers un acteur assez connu :?<\/>?<\/span>
\nLes Talibans :?<\/>?<\/span>
\nL\u2019histoire du 11 septembre :?<\/>?<\/span>
\nLes Gilets jaunes .1 :?<\/>?<\/span>
\nL\u2019attentat du Bataclan :?<\/>?<\/span>
\nLes gilets jaunes.2 :?<\/>?<\/span>
\nL\u2019attentat du Bataclan :?>\/>?<\/strong><\/span>
\nMacron disant : \u00ab Je veux<\/strong> emmerder les non vaccin\u00e9s \u00bb :?<\/>?<\/span>
\nMacron disant : \u00ab Je<\/strong> vais<\/strong> emmerder les non vaccin\u00e9s \u00bb :?<\/>?<\/span>
\nMacron disant : \u00ab J\u2019emmerde<\/strong> les non vaccin\u00e9s \u00bb:?<\/>?<\/span>
\nLe r\u00e9chauffement climatique : ?>\/>?<\/span>
\nUne personne qui s\u2019est fait \u00e9gorger : ?>\/<?<\/span>
\nL\u2019assassinat de JFK : ?>\/<?<\/span>
\nLe Covid 19.1 :?<\/>?<\/span>
\nLe Covid 19.2 :?>\/<? Le Covid 19.3 : ?>\/<? Le Covid 19.4: ?<\/<? Le Covid 19.5 : ?>\/<? Le Covid 19.6 : ?>\/<? Le Covid 19.7 : ?>\/<? Le Covid 19.8 : ?>\/<? Le Covid 19.9 :>\/<? Le Covid 19.10 : ?>\/>?<\/span>
\nCovid etc :<?>?<\/span>
\nLe meurtre de George Floyd :\/:?<\/span>
\nLa guerre en Ukraine :><?<\/span>
\nL\u2019Ukraine en guerre :><?<\/span>
\nLa mort de Rayan :>>?<\/span>
\nLa guerre en Ukraine :<?<\/span>
\nUn homme twerke dans une \u00e9glise :<?<\/span>
\nLa guerre :<\/>?<\/span>
\nUn tiktokeur qui pense qu\u2019au buzz et qui r\u00e9ussit la twerkan dans une \u00e9glise deux fois : : ? ?<\/span>
\nBenjamin twerke dans une \u00e9glise :\/?<\/span>
\nLa guerre entre la Russie et l\u2019Ukraine :\/<?<\/span>
\nLe 14 on enl\u00e8ve le masque :>?<\/span>
\nLa Russie contre l\u2019Ukraine :<<?<\/span>
\nBenjamin qui twerke dans l\u2019\u00e9glise :<?<\/span>
\nRayan :<?<\/span>
\nGuerre Ukraine vs Russie :<<\/?<\/span>
\nBenjamin qui twerke dans un endroit religieux :<?<\/span>
\nLe d\u00e9bat Macron-Poutine :<<<?<\/span>
\nLe twerk :><?<\/span>
\nLa guerre d\u2019Ukraine :<<?<\/span>
\nHiroshima :-<<\/span><\/p>"},{"id":1611,"type":2,"content":"


Je me pose \u00e9norm\u00e9ment de questions<\/span>
Partir en laissant un mensonge ou aucune explication valable<\/span>
La conclusion est que celui qui part ne ressent rien, voire absolument rien<\/span>
Et celui \u00e0 qui on a laiss\u00e9 le mensonge reste sur cette histoire et culpabilise \u00e9norm\u00e9ment.<\/span><\/p>

Cela \u00e9tait peut-\u00eatre un r\u00eave ou un cauchemar<\/span>
Cet apr\u00e8s-midi encore, j\u2019\u00e9tais l\u00e0 en train de songer \u00e0 nous, je cesse de me demander si cela est bien sachant que nous sommes partis de promesses jamais faites et de mensonges. En moi, il a toujours cette partie de moi qui me dit que \u00ab nous \u00bb n\u2019existera plus jamais.<\/span>
 <\/p>","label":"

Lara<\/p>"},{"id":1612,"type":2,"content":"


Quand une personne parle dans ton dos comme raconter des trucs faux sur toi, \u00e7a peut amener de la violence, du coup il faut pas faire \u00e7a.<\/span>
Voler la copine de son ami peut amener le manque de confiance et aussi \u00e7a peut amener de la violence.<\/span>
Je me pose des questions sur les gens qui r\u00e9agissent violemment \u00e0 la place de se calmer et r\u00e9fl\u00e9chir.<\/span>
 <\/p>","label":"

Momar<\/p>"},{"id":1971,"type":2,"content":"


Je te d\u00e9teste comme le clafoutis de ma grand-m\u00e8re le jour de No\u00ebl<\/p>

Tu m\u2019exasp\u00e8res comme le niveau de math de ma s\u0153ur en g\u00e9om\u00e9trie<\/p>

Tu me fais peur \u00e0 l\u2019id\u00e9e d\u2019avoir un cr\u00e2ne chauve comme celui du CPE<\/p>

Tu m\u2019angoisses comme les fonds d\u2019\u00e9cran des ordinateurs en salle 103<\/p>

Tu m\u2019exasp\u00e8res comme le monsieur qui ressemble \u00e0 un playmobil et qui se prom\u00e8ne dans Fardeloup<\/p>

 <\/p>

 <\/p>

On te trompe quand on te dit que l\u2019\u00e9cole te fait grandir<\/p>

On te trompe quand on te dit que tous les hommes sont \u00e9gaux<\/p>

 <\/p>","label":"

Je te d\u00e9teste, Lola<\/p>"},{"id":1980,"type":2,"content":"

 <\/p>

Il s\u2019est perdu, les deux rues se ressemblent. Il me conna\u00eet mais je ne le reconnais pas. Il me suit pour savoir o\u00f9 j\u2019habite et me kidnapper la nuit. Il remarque que j\u2019ai vol\u00e9 quelque chose dans un magasin et je remarque que c\u2019est un policier.<\/p>

 <\/p>

Il a fini de fumer tous les paquets de cigarette et il est mort d\u2019un cancer. Il a voulu allumer une de ses cigarettes et s\u2019est immol\u00e9. Il s\u2019est achet\u00e9 un paquet de cigarettes et a oubli\u00e9 de venir me voir.<\/p>

 <\/p>

Il s\u2019est fait quitter, n\u2019a pas de maison, il attend devant un distributeur pour voler au passant leur carte. En retirant de l\u2019argent, son chien s\u2019est \u00e9chapp\u00e9, malheureusement, c\u2019\u00e9tait la seule chose qui lui restait de sa femme.<\/p>

 <\/p>","label":"

Il s\u2019est perdu, Lucr\u00e8ce<\/p>"},{"id":1981,"type":2,"content":"

 <\/p>

Je voulais r\u00e9viser et j\u2019ai pens\u00e9 danser, j\u2019ai abandonn\u00e9<\/p>

J\u2019ai pens\u00e9 abandonner et je voulais danser, je l\u2019ai fait<\/p>

Je volais en dansant et je suis tomb\u00e9e, je me suis cogn\u00e9e<\/p>

J\u2019avais envie d\u2019abandonner et de ne plus r\u00e9viser mais je pensais encore danser<\/p>

Je voulais vraiment r\u00e9viser mais cette fois j\u2019ai abandonn\u00e9 et je me suis fait d\u00e9masquer<\/p>

Je ne voulais pas me faire d\u00e9masquer, mais c\u2019est fait, tant pis c\u2019est termin\u00e9<\/p>

C\u2019\u00e9tait termin\u00e9 mais finalement j\u2019ai r\u00e9vis\u00e9<\/p>

 <\/p>

Tu ferais mieux d\u2019aller vite, tu ferais mieux de courir<\/p>

Tu veux finir premier et pas dernier tu veux d\u00e9passer tout le monde<\/p>

Alors d\u00e9passe les, d\u00e9passe les, d\u00e9passe les<\/p>

D\u00e9passe les, d\u00e9passe les, passe premier, passe premier, passe premier, passe premier, tu as gagn\u00e9, bravo<\/p>

 <\/p>","label":"

finalement j\u2019ai r\u00e9vis\u00e9, Carla<\/p>"},{"id":1982,"type":2,"content":"

 <\/p>

Violence peut \u00eatre des mots ou des coups<\/p>

Couleur rouge sang sur l\u2019arme du crime<\/p>

Immortel comme ce souvenir qui se sert dans ma gorge<\/p>

Gore comme cette sc\u00e8ne de mes cauchemars qui me revient sans cesse<\/p>

Cesser cet horrible souvenir qui me fait souffrir<\/p>

Souffrance telle est la chose que je vis chaque jour<\/p>

Journ\u00e9e n\u2019est que quelques heures<\/p>

Heure longue pendant laquelle j\u2019attends patiemment que tout cela se termine.<\/p>

 <\/p>","label":"

Violence peut \u00eatre des mots, No\u00e9mie<\/p>"},{"id":1983,"type":2,"content":"

 <\/p>

Insulte propos m\u00e9chant sur le physique d\u2019une personne ou sur son comportement<\/p>

Lentement tu lui fais du mal<\/p>

Malheureusement, il est bless\u00e9 dans sa personne<\/p>

Personne ne pourra le consoler<\/p>

Les critiques, il n\u2019en peut plus<\/p>

Plusieurs fois, il demande d\u2019arr\u00eater<\/p>

Et tu ne l\u2019\u00e9coutes pas<\/p>

Attaqu\u00e9, il se sent,<\/p>

en m\u00eame temps pour lui<\/p>

C\u2019est fini<\/p>

 <\/p>","label":"

Insulte propos m\u00e9chant, Lucie<\/p>"},{"id":1984,"type":2,"content":"

 <\/p>

Liam s\u2019avance en premier, \u00e9lance son bras, point ferm\u00e9 \u00e0 120.<\/p>

Il fait sombre dans le parc. Tous les deux, au milieu d\u2019un cercle de deux personnes.<\/p>

\u00c9mile recule de deux pas pour \u00e9viter le point de son ennemi. Il lance sa chaussure marron toute neuve et vise la t\u00eate. Liam re\u00e7oit la chaussure sur le nez, se mit \u00e0 saigner. Entre les cris d\u2019encouragement, la sueur et le sang, Liam s\u2019\u00e9vanouit et tombe sur le sol boueux.<\/p>

La sc\u00e8ne semble se passer au ralenti. \u00c9mile, ne r\u00e9alisant pas la situation insulte Liam de personne sans d\u00e9fense qui ne r\u00e9fl\u00e9chit pas correctement. La foule crie sous la lumi\u00e8re des lampadaires et du clair de lune. Liam ne semble pas se r\u00e9veiller, mais \u00c9mile continue d\u2019injurier celui-ci d\u2019enfant de femme qui doit satisfaire les hommes pour de l\u2019argent. Il dit aussi que c\u2019est un gar\u00e7on qui a des pr\u00e9f\u00e9rences et des attirances envers des personnes du m\u00eame sexe. C\u2019est alors que le garde arrive, la foule fuie en toute direction, laissant Liam seul, sur le sol et inconscient.<\/p>

 <\/p>","label":"

Il fait sombre dans le parc, Emma<\/p>"},{"id":1985,"type":2,"content":"

 <\/p>

Tu vas \u00e0 la salle de sport pour travailler tes gros muscles, tu es parfois le pire mec au monde.<\/p>

Tu me fais penser au mistral et ses bourrasques, ta casquette remplie de sang \u00e0 cause des coups que tu as pris.<\/p>

Tu es un zombie, il est interdit de tuer des gens, mais tu te ferais des trous pour tuer, tuer des gens coupables de leurs actes.<\/p>

 <\/p>","label":"

tes gros muscles, Noa<\/p>"},{"id":1986,"type":2,"content":"

 <\/p>

Frapper la t\u00eate contre un arbre<\/p>

Terrible accident en avion<\/p>

Avion qui se crashe<\/p>

Crash de voiture<\/p>

Voiture qui tombe dans un foss\u00e9<\/p>

Foss\u00e9 entre deux villes caus\u00e9 par un tremblement de terre<\/p>

Terre qui br\u00fble et enflamme toutes les familles et village<\/p>

D\u00e8s la sonnerie, il sort et le rue de coups<\/p>

Direct dans le nez<\/p>

Uppercut dans la m\u00e2choire<\/p>

 <\/p>","label":"

Frapper la t\u00eate, Esteban<\/p>"},{"id":1987,"type":2,"content":"

 <\/p>

en \u00e9t\u00e9 il y a beaucoup de gens sur les plages<\/p>

il y a beaucoup de plage dans le monde<\/p>

donc les hommes sont des plages<\/p>

 <\/p>

le bleu est une couleur<\/p>

le vert est une couleur<\/p>

donc le vert est le bleu<\/p>

 <\/p>

 <\/p>

Je voulais r\u00e9viser et j\u2019ai pens\u00e9 r\u00e9ussite et j\u2019ai foir\u00e9<\/p>

Je voulais r\u00e9ussir et j\u2019ai pens\u00e9 \u00e0 ma vie je suis tomb\u00e9<\/p>

Je voulais savoir et j\u2019ai pens\u00e9 r\u00e9ussite et j\u2019ai rat\u00e9<\/p>

Je voulais dire savoir j\u2019ai pens\u00e9 g\u00e9nie, mais j\u2019ai pas de vie<\/p>

 <\/p>","label":"

les hommes sont des plages, Paul<\/p>"},{"id":1988,"type":2,"content":"

 <\/p>

Je voulais me venger et j\u2019ai pens\u00e9 faire mal, j\u2019ai tap\u00e9, j\u2019ai pens\u00e9 torture, j\u2019ai tortur\u00e9, j\u2019ai pens\u00e9 s\u00e9questration, j\u2019ai fait pleurer, je voulais d\u00e9truire la personne et j\u2019ai pens\u00e9 harc\u00e8lement, j\u2019ai insult\u00e9, je voulais faire saigner et j\u2019ai pens\u00e9 couteau, j\u2019ai poignard\u00e9, je voulais tuer et j\u2019ai pens\u00e9 d\u00e9capitation, j\u2019ai d\u00e9coup\u00e9, dissimuler, bruler, enterr\u00e9, c\u2019est ce que j\u2019ai fait, je ne voulais pas me faire attraper, j\u2019ai pens\u00e9 fuite, j\u2019ai fuis.<\/p>

 <\/p>","label":"

Je voulais me venger, livio<\/p>"},{"id":1989,"type":2,"content":"

 <\/p>

Tu viens de manger un hamburger qui t\u2019hypnotise, comme la musculation qui te manque car tu t\u2019es bless\u00e9 \u00e0 cause de ton vice. Tu assistes un terroriste qui utilise des armes pour racketter des gens et leur casser les genoux ainsi que les pare brises des voitures des com\u00e9diens qui font la sieste sur une sc\u00e8ne de th\u00e9\u00e2tre.<\/p>

 <\/p>

 <\/p>

Il veut s\u00fbrement qu\u2019on lui donne une pi\u00e8ce, il a s\u00fbrement pas mang\u00e9 depuis deux jours, il a besoin d\u2019un chewing-gum, il doit avoir une mauvaise haleine. Il tourne en rond \u00e0 cause de sa perruque.<\/p>

 <\/p>","label":"

hamburger qui t\u2019hypnotise, Ma\u00ebl<\/p>"},{"id":1972,"type":2,"content":"

 <\/p>

Tu ferais mieux de r\u00e9viser, tu ferais mieux d\u2019\u00e9couter, tu veux \u00eatre intelligent ? Tu veux \u00eatre malin ? Tu ferais mieux d\u2019arr\u00eater de faire l\u2019imb\u00e9cile, tu ferais mieux de te concentrer, tu ferais mieux de te redresser.<\/span><\/p>

\u2013<\/span><\/p>

Tu m\u2019angoisses comme travailler au coll\u00e8ge<\/span><\/p>

Je te d\u00e9teste pour le mal que tu m\u2019as fait<\/span><\/p>

Tu m\u2019angoisses comme une voiture sans permis<\/span><\/p>

Je te d\u00e9teste comme comme les livres de bandes dessin\u00e9es<\/span><\/p>

 <\/p>","label":"

Tu ferais mieux de r\u00e9viser, Alya<\/p>"},{"id":1990,"type":2,"content":"

 <\/p>

la petite surprise du pr\u00e9sident<\/strong><\/span><\/p>

contre la promesse faite \u00e0 la Russie<\/p>

ON RESSORT DONC<\/span><\/p>

NOS MOUCHOIRS<\/span><\/p>

\u00e7a soulage.<\/i><\/p>

#Sexisme #Egalit\u00e9<\/strong><\/span><\/p>

\u00c0 PLEURER DE BEAUT\u00c9<\/span><\/p>

La pauvret\u00e9 pousse<\/strong><\/i><\/span><\/p>

Gunnar et la perle noire<\/p>

s\u2019accroche \u00e0 nous comme une moule \u00e0 son rocher<\/strong><\/span><\/p>

24% des salari\u00e9s fran\u00e7ais<\/strong><\/span><\/p>

n\u2019ont pas d\u2019argent<\/span><\/p>

une l\u00e9gende<\/span><\/p>

 <\/p>","label":"

la petite surprise du pr\u00e9sident, Clayman<\/p>"},{"id":1973,"type":2,"content":"

 <\/p>

Les tomates sont rouges<\/span><\/p>

Je rougie quand je suis intimid\u00e9e<\/span><\/p>

Je suis une tomate<\/span><\/p>

 <\/p>

HALO QUOI<\/span><\/p>

pr\u00e9parez-vous \u00e0 l\u2019inattendu<\/span><\/p>

\u00e7a s\u2019est pass\u00e9 un 21 f\u00e9vrier<\/strong><\/span><\/p>

la crise du coronavirus<\/span><\/p>

un parfum de scandale<\/i><\/span><\/p>

vous voyez l\u2019embrouille ?<\/i><\/span><\/p>

 <\/p>","label":"

Halo quoi,  L\u00e9a<\/p>"},{"id":1974,"type":2,"content":"

 <\/p>

Tu commences toujours par me raconter un mensonge pr\u00e9par\u00e9 \u00e0 l\u2019avance.<\/p>

Tu ne stoppes jamais, j\u2019en ai marre.<\/p>

A force le poids tes mensonges me p\u00e8sent sur le syst\u00e8me<\/p>

 <\/p>

 <\/p>

Tu allais toujours manger des hamburger<\/p>

Tu \u00e9tais toujours en surpoids<\/p>

Je te dis de te reprendre<\/p>

Tu te reprends du jour au lendemain<\/p>

Ta blessure se referme<\/p>

Quelques jours plus tard, les hamburgers te manquent<\/p>

Tu replonges<\/p>

C\u2019est dommage<\/p>

 <\/p>","label":"

le poids tes mensonges, Pablo<\/p>"},{"id":1975,"type":2,"content":"

 <\/p>

Il attend une femme qui ne vient pas. C\u2019est un SDF. Il fait chaud, il se repose. Il a oubli\u00e9 ses clefs. Il est d\u00e9pressif et ne sait pas quoi faire. Il n\u2019a pas d\u2019amis. Il attend son bus qui n\u2019arrive pas. Il est hypnotis\u00e9 par son t\u00e9l\u00e9phone. Il attend un coll\u00e8gue qui ne vient pas. Il piste quelqu\u2019un. Il a rat\u00e9 son avion donc il n\u2019a pas de maison. Il est prof de math et corrige tous les contr\u00f4les catastrophiques<\/span><\/p>

\u2013<\/span><\/p>

Coronavirus<\/strong><\/span><\/p>

le virus venu de Chine<\/span><\/p>

300 personnes ont d\u00e9j\u00e0 \u00e9t\u00e9 plac\u00e9es en quarantaine<\/span><\/p>

LE MALHEUR SONNE TOUJOURS<\/strong><\/span><\/p>

Paris, Gen\u00e8ve, Berlin\u2026<\/p>

des concerts annul\u00e9s<\/strong><\/span><\/p>

La Gr\u00e8ce a refus\u00e9 ce week-end le passage des r\u00e9fugi\u00e9s<\/span><\/p>

pour freiner l\u2019\u00e9pid\u00e9mie<\/i><\/span><\/p>

 <\/p>","label":"

Il attend une femme, Camille<\/p>"},{"id":1976,"type":2,"content":"

 <\/p>

Entaille, il se taille les veines pour se faire mal<\/p>

malade, devient fou et te tue<\/p>

tueur en s\u00e9rie, tue des gens pour remplacer son vide<\/p>

vide de joie caus\u00e9 par le harc\u00e8lement<\/p>

harc\u00e8lement, discrimination des plus faibles<\/p>

faible, car il est maltrait\u00e9 chez lui, ces parents sont mauvais<\/p>

mauvais \u00e0 l\u2019\u00e9cole car il est frapp\u00e9<\/p>

frapp\u00e9, car il a de mauvaise note \u00e0 l\u2019\u00e9cole<\/p>

\u00e9cole, lieu ou il est discrimin\u00e9<\/p>

discrimin\u00e9 en continu car il est mauvais \u00e0 l\u2019\u00e9cole, ces parents le frappent et il devient de plus en plus faible.<\/p>

 <\/p>","label":"

Entaille, Sohane<\/p>"},{"id":1977,"type":2,"content":"

 <\/p>

Il s\u2019est fait \u00e9craser par une voiture. Il s\u2019est retrouver dans un attentat. Il a fait un malaise. Il est parti au Mexique. Il est parti au Macdo. Il est parti en Chine pour trouver un rem\u00e8de pour soigner le Coronavirus<\/span><\/p>

 <\/p>

 <\/p>

BATAILLE CONTRE L\u2019\u00c9PID\u00c9MIE<\/span><\/p>

coronavirus<\/strong><\/span><\/p>

quel manque de chance<\/span><\/p>

lutter contre la rapide propagation<\/span><\/p>

\u00e0 la Trump<\/strong><\/span><\/p>

 <\/p>","label":"

il s\u2019est fait \u00e9craser, Lisa<\/p>"},{"id":1978,"type":2,"content":"

 <\/p>

Tu m\u2019agaces comme une craie qui grince sur un tableau<\/p>

Tu m\u2019agaces comme savoir qu\u2019on fini \u00e0 12h au lieu de 10h<\/p>

Tu m\u2019agaces comme quand je me coupe avec une feuille en papier<\/p>

Tu m\u2019agaces comme quand le prof t\u2019interroge alors que tu es la seul \u00e0 ne pas lever la main<\/p>

Tu m\u2019agaces comme quand ma m\u00e8re sort de ma chambre sans fermer la porte.<\/p>

 <\/p>","label":"

Tu m\u2019agaces, Laurine<\/p>"},{"id":1979,"type":2,"content":"

 <\/p>

Tu me fais peur comme le noir<\/p>

Tu me fais peur comme la mort qui sort de sa tombe<\/p>

Tu me fais peur comme une porte qui grince quand je suis seul<\/p>

Tu me fais peur comme une araign\u00e9e dans le coin de ma chambre<\/p>

Tu me fais peur comme un film d\u2019horreur que je regarde le soir Halloween<\/p>

Tu me fais peur comme la forme de mon linge dans le noir<\/p>

 <\/p>

 <\/p>

On te trompe quand on te dit que les blondes sont b\u00eates<\/p>

On te trompe quand on te dit que l\u2019habit ne fait pas le moine<\/p>

 <\/p>","label":"

Tu me fais peur, Lilly<\/p>"},{"id":238,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/312_20080215162912.mp3","label":"Four 6<\/sup> - avec Antoine Lenoble, Mathieu Besset, Victor Lenoble, Lenka Luptakova, Baptiste Amann, Karine Germaix, dirig\u00e9s par Jean-Marc Montera ","duration":1897},{"id":671,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/773_20111108172411.mp3","label":"Fourteen Thousand Facts - Traduction en fran\u00e7ais de et lue par Jean Daive","duration":429},{"id":433,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/530_20100120162014.mp3","label":"Fragment d'automne [Eshiro Mitsuru] - Lecture de la traduction fran\u00e7aise par Claude Mouchard.","duration":190},{"id":13,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/20_20061020140730.mp3","label":"Fragments d'amour - Lecture de fragments de Sappho, sur une projection de films de Helga Fanderl, par Bruno Montels le 19 mai 2000.","duration":260},{"id":660,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/762_20110920183032.mp3","label":"Fragments d'un dossier","duration":256},{"id":625,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/727_20110712175656.mp3","label":"Fragments pour E.H. (extrait)","duration":202},{"id":37,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/61_20050923175824.pdf","label":"Franck Venaille (dossier CCP 0)"},{"id":934,"type":1,"imageIds":[3137]},{"id":1268,"type":1,"imageIds":[3415]},{"id":1231,"type":4,"fileUrl":"\/resources\/files\/file_65a927b49de35.mp3","label":"

Bob Kaufman \u2014 From Bob Kaufman, poet: the life and times of an African-American man<\/i> 1992.<\/p>

Written and produced by David Henderson; courtesy of Naropa University Audio Archive, David Henderson, and Neeli Cherkovski, 35'58\" excerpt of Kaufman reading more from Jail Poems <\/p>

Dur\u00e9e : 02'30\" <\/p>","duration":150},{"id":582,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/682_20110205154533.mp3","label":"From Maximus - Lecture compl\u00e8te au Black Mountain College - Enregistr\u00e9e dans les studios du Black Mountain College.","duration":691},{"id":1226,"type":4,"fileUrl":"\/resources\/files\/file_65a7f55fe9eeb.mp3","label":"

Jack Kerouac \u2014 From Readings by Jack Kerouac on The Beat Generation<\/i>, Verve Records, San Francisco Scene (The Beat Generation), 1958<\/p>

Dur\u00e9e : 03'14\"<\/p>","duration":193},{"id":511,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/610_20100525174719.mp3","label":"Fucking Letters - Fucking Numbers","duration":1241},{"id":434,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/531_20100120162309.mp3","label":"Fuite [Takarabe Toriko] - Lecture de la traduction fran\u00e7aise par Claude Mouchard.","duration":166},{"id":646,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/748_20110903165540.mp3","label":"Fun\u00e9railles dans la maison d'\u00e9t\u00e9 de Yu Tai \u00e0 P\u00e9kin","duration":291},{"id":641,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/743_20110903162355.mp3","label":"Galaxie (extrait)","duration":469},{"id":920,"type":1,"imageIds":[3109]},{"id":622,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/724_20110712174826.mp3","label":"Gazette de la Villa Harris n\u00b07 (extrait)","duration":170},{"id":580,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/680_20110118135302.pdf","label":"Genet-Shahid : Les Scandaleux"},{"id":388,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/485_20090915160559.mp3","label":"Genres - Enregistrement par Arlette Albert-Birot,\r\nin Genres<\/i>, Pierre Albert-Birot, Les \u00e9ditions Derri\u00e8re la Salle de Bain, coll. Acquaviva, 2008.","duration":229},{"id":565,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/664_20101112181842.mp3","label":"Gerval","duration":87},{"id":2077,"type":3,"videoId":"949486065","duration":13},{"id":2078,"type":3,"videoId":"949487723","duration":8},{"id":1205,"type":1,"imageIds":[3385]},{"id":1211,"type":1,"imageIds":[3382]},{"id":180,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/239_20100209154412.mp3","label":"Glimpses","duration":584},{"id":691,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/793_20120211174028.mp3","label":"Glose de la comtesse de Die et de Didon","duration":668},{"id":187,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/247_20070825153910.mp3","label":"Goutte (extrait)","duration":359},{"id":24,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/34_20061020134108.mp3","label":"Gouttes de bougies noires - Lecture dans le cadre de la manifestation Po\u00e9sie Marocaine<\/i>, vendredi 27 octobre 1995.","duration":143},{"id":1082,"type":2,"content":"

 <\/p>

WASTING MY GRAMMAR<\/strong><\/span><\/p>

GASPILLER MA GRAMMAIRE<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

SIAH NERIN<\/strong><\/span><\/p>

s\u2019il y a une erreur<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

De la langue<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

A<\/strong><\/span><\/p>

Il n\u2019y a pas d\u2019autre langue que la langue.<\/strong><\/span><\/p>

Christophe Tarkos<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

B<\/strong><\/span><\/p>

Je n'ai qu'une langue, ce n'est pas la mienne.<\/strong><\/span><\/p>

Jacques Derrida<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

C<\/strong><\/span><\/p>

La dette au d\u00e9j\u00e0 dit augmente avec chaque nouveau point final.<\/strong><\/span><\/p>

Emmanuel Hocquard<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

D<\/strong><\/span><\/p>

Life had become rather like a German sentence in which the absence of a last auxiliary verb had rendered meaning permanently provisional.<\/strong><\/span><\/p>

Laure Prouvost<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

E<\/strong><\/span><\/p>

La personne qui parle n\u2019a jamais le dernier mot.<\/strong><\/span><\/p>

Paul Val\u00e9ry<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

F<\/strong><\/span><\/p>

l\u2019erreur est l\u00e0.<\/strong><\/span><\/p>

Henri Chopin<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

I<\/strong><\/span><\/p>

LA VIE,<\/strong><\/span><\/p>

MOT D\u2019EMPLOI<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

7\u00c8ME CIEL<\/strong><\/span><\/p>

6\u00c8ME CIEL<\/strong><\/span><\/p>

5\u00c8ME CIEL<\/strong><\/span><\/p>

4\u00c8ME CIEL<\/strong><\/span><\/p>

3\u00c8ME CIEL<\/strong><\/span><\/p>

2\u00c8ME CIEL<\/strong><\/span><\/p>

1ER CIEL<\/strong><\/span><\/p>

CIEL<\/strong><\/span><\/p>

CIEL<\/strong><\/span><\/p>

CIEL<\/strong><\/span><\/p>

CIEL<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

(ATTERRISSAGE)<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

THE TEXT IS PRESENT<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

LA LOI DU 29<\/strong><\/span><\/p>

[TOUT NEUF]<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

SIGN\u00c9: LE MINIST\u00c8RE DU HASARD<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

INVENTEZ-MOI<\/strong><\/span><\/p>

\u00c7A SUFFIT<\/strong><\/span><\/p>

LE RIEN<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

UNE PERSONNE<\/strong><\/span><\/p>

[PERSONNE]<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

POUR TOI<\/strong><\/span><\/p>

POOR ME<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

PLATON<\/strong><\/span>[1]<\/strong><\/span><\/a><\/p>

 <\/strong><\/span><\/p>

THE DEBT OF<\/strong><\/span><\/p>

THE AUTHOR<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

TT RR OO UU BB LL EE<\/strong><\/span><\/p>

[DOUBLE TROUBLE]<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

IDEALLY, THERE SHOULD BE AN EXTENSIVE ANALYSIS HERE<\/strong><\/span><\/p>

 <\/p>

 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/strong><\/span><\/p>

[1]<\/strong><\/span><\/a> LA PHILOSOPHIE OCCIDENTALE<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

II<\/strong><\/span><\/p>

LITS ET RATURES<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ACHETER UN DICTIONNAIRE<\/strong><\/span><\/p>

ET BARRER LES MOTS \u00c0 BARRER.<\/strong><\/span><\/p>

SIGNER: REVU ET CORRIG\u00c9.<\/strong><\/span><\/p>

MARCEL DUCHAMP<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

UN MOT<\/strong><\/span><\/p>

UNWORT<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

CE MOT N\u2019EXISTE PAS<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

JUSTE<\/strong><\/span><\/p>

[LE MOT JUSTE]<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

TRUE WORD<\/strong><\/span><\/p>

MOT-TROU<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

MOTS<\/strong><\/span><\/p>

MAUX<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ABC<\/strong><\/span><\/p>

D\u2019AIR<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ADDICTIONNAIRE<\/strong><\/span><\/p>

B\u00c9N\u00c9DITIONNAIRE<\/strong><\/span><\/p>

\u00c9DICTIONNAIRE<\/strong><\/span><\/p>

INTERDICTIONNAIRE<\/strong><\/span><\/p>

JURIDICTIONNAIRE<\/strong><\/span><\/p>

MALEDICTIONNAIRE<\/strong><\/span><\/p>

PREDICTIONNAIRE<\/strong><\/span><\/p>

CONTRADICTIONNAIRE<\/strong><\/span><\/p>

CONTINUEZ<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ADDIZIONE PER MOLTIPLICAZIONE<\/strong><\/span><\/p>

ALBERTO GIACOMETTI<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

LA SEMOINE<\/strong><\/span><\/p>

LUNDIS-MOI<\/strong><\/span><\/p>

MARDIS-MOI<\/strong><\/span><\/p>

MERCREDIS-MOI<\/strong><\/span><\/p>

JEUDIS-MOI<\/strong><\/span><\/p>

VENDREDIS-MOI<\/strong><\/span><\/p>

SAMEDIS-MOI<\/strong><\/span><\/p>

DIS, QUEL MANCHE<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

THIS TEXT HAS NO IDEA WHAT IT IS TALKING ABOUT<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

III<\/strong><\/span><\/p>

TEMPS ET<\/strong><\/span><\/p>

RATURES<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ET QUI LIBRE<\/strong><\/span><\/p>

MARCEL DUCHAMP<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

HUILE SUR<\/strong><\/span><\/p>

\u00c9TOILE<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

SIOUILISATION<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

EITHER<\/strong><\/span><\/p>

ORDINARY<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

UNCANNIBALS<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

RISK<\/strong><\/span><\/p>

[MEASURE]<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

LES PAS DE<\/strong><\/span><\/p>

PANIQUE<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

ETCETERRA<\/strong><\/span><\/p>

ETCETERRA<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

REST:<\/strong><\/span><\/p>

RISK<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

IDEALLY, THIS TEXT SHOULD BE SELF-EXPLICATORY<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

AND TIMES AND<\/strong><\/span><\/p>

TIMES AND TIMES<\/strong><\/span><\/p>

AND TIMES AND<\/strong><\/span><\/p>

TIMES AND TIMES<\/strong><\/span><\/p>

AND TIMES END<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

THE SHOW<\/strong><\/span><\/p>

MUST<\/strong><\/span><\/p>

GO<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

IV<\/strong><\/span><\/p>

TENDER<\/strong><\/span><\/p>

BUT TONS<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

CONTRACEPTUAL<\/strong><\/span><\/p>

POEM<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

MISS<\/strong><\/span><\/p>

EN ABYME<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

BONJOUR TRIST-ER-SIE-ES<\/strong><\/span><\/p>

une positio-partiti-pard-missi-on<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

E<\/strong><\/span><\/p>

SE<\/strong><\/span><\/p>

SSE<\/strong><\/span><\/p>

ESSE<\/strong><\/span><\/p>

MESSE<\/strong><\/span><\/p>

D\u00c9ESSE<\/strong><\/span><\/p>

FINESSE<\/strong><\/span><\/p>

PROMESSE<\/strong><\/span><\/p>

TENDRESSE<\/strong><\/span><\/p>

ALLEGRESSE<\/strong><\/span><\/p>

GENTILLESSE<\/strong><\/span><\/p>

D\u00c9FENDERESSE<\/strong><\/span><\/p>

ENCHANTERESSE<\/strong><\/span><\/p>

CODEMANDERESSE<\/strong><\/span><\/p>

SUPERFORTERESSE<\/strong><\/span><\/p>

TURBOCOMPRESSE<\/strong><\/span><\/p>

IND\u00c9LICATESSE<\/strong><\/span><\/p>

D\u00c9SINT\u00c9RESSE<\/strong><\/span><\/p>

IMPOLITESSE<\/strong><\/span><\/p>

VENGERESSE<\/strong><\/span><\/p>

TRISTESSE<\/strong><\/span><\/p>

JEUNESSE<\/strong><\/span><\/p>

IVRESSE<\/strong><\/span><\/p>

BLESSE<\/strong><\/span><\/p>

CESSE<\/strong><\/span><\/p>

ESSE<\/strong><\/span><\/p>

SSE<\/strong><\/span><\/p>

SE<\/strong><\/span><\/p>

E<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

L\u2019INVRAISEMBLA<\/strong><\/span><\/p>

BLA<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

EROS IS EROS<\/strong><\/span><\/p>

IS EROS IS<\/strong><\/span><\/p>

EROS IS EROS<\/strong><\/span><\/p>

IS EROS IS<\/strong><\/span><\/p>

EROS IS EROS<\/strong><\/span><\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/strong><\/span><\/p>

V<\/strong><\/span><\/p>

LA PO\u00c9SIE CONCR\u00c8TE MENT<\/strong><\/span><\/p>

ORION SCOHY<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

LE VRAI MENT<\/strong><\/span><\/p>

L\u2019ABSOLU MENT<\/strong><\/span><\/p>

LA LOGIQUE MENT<\/strong><\/span><\/p>

LE VISIBLE MENT<\/strong><\/span><\/p>

LA TACTIQUE MENT<\/strong><\/span><\/p>

L\u2019ESTH\u00c9THIQUE MENT<\/strong><\/span><\/p>

LA BROUILLE MENT<\/strong><\/span><\/p>

LA TECHNIQUE MENT<\/strong><\/span><\/p>

L\u2019ACOUSTIQUE MENT<\/strong><\/span><\/p>

LE DIABLE MENT<\/strong><\/span><\/p>

LA MORALE MENT<\/strong><\/span><\/p>

L\u2019INSENSIBLE MENT<\/strong><\/span><\/p>

LA CLASSE MENT<\/strong><\/span><\/p>

LA DEBATTE MENT<\/strong><\/span><\/p>

LE FANATIQUE MENT<\/strong><\/span><\/p>

LE PEUPLE MENT<\/strong><\/span><\/p>

LA DROITE MENT<\/strong><\/span><\/p>

L\u2019ALTERNATIVE MENT<\/strong><\/span><\/p>

LE JUGE MENT<\/strong><\/span><\/p>

L\u2019INJUSTE MENT<\/strong><\/span><\/p>

L\u2019INFAILLIBLE MENT<\/strong><\/span><\/p>

LA FORCE MENT<\/strong><\/span><\/p>

L\u2019\u00c9GOISTE MENT<\/strong><\/span><\/p>

LE TOLERABLE MENT<\/strong><\/span><\/p>

LA VACHE MENT<\/strong><\/span><\/p>

LE SOMMAIRE MENT<\/strong><\/span><\/p>

L\u2019IRONIQUE MENT<\/strong><\/span><\/p>

LE FI\u00c8RE MENT<\/strong><\/span><\/p>

LE PASSABLE MENT<\/strong><\/span><\/p>

L\u2019ADEQUATE MENT<\/strong><\/span><\/p>

LE FUTILE MENT<\/strong><\/span><\/p>

L\u2019EXEMPLAIRE MENT<\/strong><\/span><\/p>

L\u2019INEXACTE MENT<\/strong><\/span><\/p>

LE TYPIQUE MENT<\/strong><\/span><\/p>

LE CONTRAIRE MENT<\/strong><\/span><\/p>

L\u2019IMPENSABLE MENT<\/strong><\/span><\/p>

LE RARE MENT<\/strong><\/span><\/p>

L\u2019INFINI MENT<\/strong><\/span><\/p>

L\u2019IMPECCABLE MENT<\/strong><\/span><\/p>

TOUT LE MONDE<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

PAS D\u2019AUTRES QUESTIONS<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>","label":"

Cette version de WASTING MY GRAMMAR a \u00e9t\u00e9 lue par Cia Rinne en sortie de r\u00e9sidence de lecture \u00e0 la Biblioth\u00e8que du Cipm le samedi 16 octobre 2021.<\/p>"},{"id":1110,"type":2,"content":"

 <\/p>

 <\/p>

GREFFE   A-<\/i>\u00c9paule - Mercurialis perennis<\/p>

 <\/p>

Tendinopathie aigu\u00eb non rompue non calcifiante avec ou sans enth\u00e9sopathie de la coiffe des rotateurs<\/p>

 <\/p>

Racine rampante, noueuse, blanch\u00e2tre, produisant des filaments aux jointures<\/p>

 <\/p>

Travaux comportant des mouvements ou le maintien de l'\u00e9paule sans soutien en abduction avec un angle sup\u00e9rieur ou \u00e9gal \u00e0 60\u00b0 pendant au moins 3h30 par jour en cumul\u00e9<\/p>

 <\/p>

Tige haute, dress\u00e9e, ronde et glabre<\/p>

 <\/p>

Tendinopathie chronique non rompue non calcifiante avec ou sans enth\u00e9sopathie de la coiffe des rotateurs objectiv\u00e9e par IRM<\/p>

 <\/p>

Feuilles lanc\u00e9ol\u00e9es, p\u00e9dicul\u00e9es, dentel\u00e9es et vertes<\/p>

 <\/p>

Travaux comportant des mouvements ou le maintien de l'\u00e9paule sans soutien en abduction :<\/p>

- avec un angle sup\u00e9rieur ou \u00e9gal \u00e0 60\u00b0 pendant au moins deux heures par jour en cumul\u00e9<\/p>

ou<\/p>

- avec un angle sup\u00e9rieur ou \u00e9gal \u00e0 90\u00b0 pendant au moins une heure par jour en cumul\u00e9<\/p>

 <\/p>

Stipules<\/p>

 <\/p>

Rupture partielle ou transfixiante de la coiffe des rotateurs objectiv\u00e9e par IRM<\/p>

 <\/p>

Fleurs bilob\u00e9es et dio\u00efques<\/p>

 <\/p>

Travaux comportant des mouvements ou le maintien de l'\u00e9paule sans soutien en abduction :<\/p>

- avec un angle sup\u00e9rieur ou \u00e9gal \u00e0 60\u00b0 pendant au moins deux heures par jour en cumul\u00e9<\/p>

ou<\/p>

- avec un angle sup\u00e9rieur ou \u00e9gal \u00e0 90\u00b0 pendant au moins une heure par jour en cumul\u00e9<\/p>

 <\/p>

Le fruit est une capsule, courte et rigide.<\/p>

 <\/p>

 <\/p>

 <\/i><\/p>","label":"

Texte in\u00e9dit de Julie R\u00e9al adress\u00e9 le 21 juillet 2023, <\/p>

dans la cadre de l'invitation \u00e0 la rencontre Les Laboratoires d'Aubervilliers \/ Mosa\u00efques des Lexiques, <\/p>

du 14 octobre 2023. <\/p>

 <\/p>"},{"id":922,"type":1,"imageIds":[3119]},{"id":1195,"type":3,"videoId":"893447730","duration":4322},{"id":227,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/291_20080108170201.pdf","label":"Hackulturation [4 pages] - Culture libre - culture hacker"},{"id":437,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/534_20100122144448.mp3","label":"Ha\u00efku divers","duration":188},{"id":436,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/533_20100122143457.mp3","label":"Ha\u00efku et explications","duration":203},{"id":719,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/821_20120421145945.mp3","label":"Hautement seul \/ Alice \/ De tes seins pales","duration":214},{"id":657,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/759_20110913160528.mp3","label":"Hazard \u00e0 l'hallali","duration":151},{"id":476,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/574_20100429182724.mp3","label":"He Studied Maps","duration":208},{"id":1239,"type":4,"fileUrl":"\/resources\/files\/file_65a93b4557a5f.mp3","label":"

Helen Adam \u2014 Cheerless Junkie Song, from Biting Off The Tongue Of A Corpse - The Dial-A-Poem Poets,  Giorno Poetry Systems records, New York, 1975<\/p>

Dur\u00e9e : 03'48\"<\/p>","duration":229},{"id":1240,"type":1,"imageIds":[3401]},{"id":305,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/391_20090407175245.mp3","label":"H\u00e9ros - Limite","duration":1355},{"id":552,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/651_20100909153615.mp3","label":"Histoire du feu (extrait)","duration":182},{"id":415,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/512_20091203164018.mp3","label":"Histories (A woman...) - Traduction en fran\u00e7ais par B\u00e9atrice Trotignon, lue par elle-m\u00eame.","duration":158},{"id":848,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/959_20140416123025.mp3","label":"Hiver (extrait) - Eug\u00e9nie Paultre - Lecture du 11 avril 2014\r\n<\/br>Vernissage de l'exposition d'Etel Adnan & The Post-Apollo Press","duration":60},{"id":377,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/473_20090829152731.mp3","label":"hommage \u00e0 Franco Beltrametti par Esther Ferrer","duration":120},{"id":292,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/378_20090311132535.mp3","label":"Homme de poussi\u00e8re - Lecture de la traduction fran\u00e7aise par V\u00e9ronique Vassiliou et Jean-Luc Parant","duration":175},{"id":11,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/18_20061020144604.mp3","label":"Hongroise Histoire - Nouvelle B.S. n\u00b014 \/ Novembre 1994 \/ cipM<\/i>\r\nin Quant \u00e0 je (kantaje)<\/i>, \u00c9d. P.O.L., 1996","duration":378},{"id":110,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/151_20060419102014.mp3","label":"Horloges d'Amour","duration":149},{"id":726,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/829_20120504190452.mp3","label":"Hormis un chirurgien s'op\u00e9rant soi-m\u00eame... (extrait)","duration":219},{"id":1259,"type":4,"fileUrl":"\/resources\/files\/file_65a9611d96272.mp3","label":"

Jerome Rothenberg \u2014 The 13th Horse <\/i>song of Frank Mitchell, 1993<\/p>

Dur\u00e9e : 04'53\"<\/p>

 <\/p>

The Wedding<\/i> from \u201cPoland \/ 1931\u201d, music by Bertram Turetzky, 1974<\/p>

Dur\u00e9e : 03'05\"<\/p>

 <\/p>

In the dark world<\/i>, \u201ckhurbn\u201d, music by Charlie Morrow, 1989<\/p>

Dur\u00e9e : 00'45\"<\/p>","duration":525},{"id":2420,"type":1,"imageIds":[3764]},{"id":807,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/915_20130329161034.mp3","label":"I am","duration":183},{"id":1255,"type":4,"fileUrl":"\/resources\/files\/file_65a95953ac35d.mp3","label":"

Dick Higgins \u2014 I found myself composing music with words<\/i>, excerpt from interview by Carl N\u00f8rrested and Svend Thomsen, State Museum for Fine Art, Copenhagen 1986<\/p>

Dur\u00e9e : 02'26\"<\/p>","duration":146},{"id":1292,"type":4,"fileUrl":"\/resources\/files\/file_65aaa0369b2a4.mp3","label":"

The Fugs \u2014 I saw the best minds of My Generation Rock<\/i>, (Ed Sanders covers Allen Ginsberg's poem, \u00ab Howl \u00bb), Virgin Fugs<\/i> 1967<\/p>

Dur\u00e9e : 04'52\"<\/p>","duration":292},{"id":1263,"type":4,"fileUrl":"\/resources\/files\/file_65aa46cf17fdc.mp3","label":"

Kathy Acker \u2014 I was walking down the street<\/i>, from Sugar, Alcohol, & Meat<\/i> (LP), Giorno Poetry Systems Institute GPS-018-019, 1980<\/p>

Dur\u00e9e : 03'20\"<\/p>","duration":148},{"id":502,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/601_20100518180432.mp3","label":"Ici & ailleurs - le tri","duration":116},{"id":553,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/652_20100909153804.mp3","label":"Id Est (extraits 1-2-3-4)","duration":249},{"id":2422,"type":1,"imageIds":[3770]},{"id":2423,"type":1,"imageIds":[3771]},{"id":496,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/594_20100504163056.mp3","label":"If I Told Him : A Completed Portrait of Picasso - Enregistrement diffus\u00e9s par Keith Cohen pendant la soir\u00e9e.","duration":222},{"id":988,"type":1,"imageIds":[3200]},{"id":836,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/946_20131203171705.mp3","label":"Il","duration":72},{"id":743,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/849_20120615155055.mp3","label":"Il a fallu se lever... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":317},{"id":685,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/787_20120113182752.mp3","label":"Il \u00e9tait une fois un moine... - Lecture de la traduction compl\u00e8te en fran\u00e7ais par Bernard Banoun et V\u00e9ronique Vassiliou","duration":728},{"id":631,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/733_20110830144206.mp3","label":"Il faut bien encore parler d'anesth\u00e9sie g\u00e9n\u00e9rale","duration":185},{"id":505,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/604_20100518181024.mp3","label":"Il faut mettre le d\u00e9but avant la fin","duration":171},{"id":654,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/756_20110913155705.mp3","label":"Il n'est point venu mais son d\u00e9sir est l\u00e0 - Lecture de la traduction par Anne-France Abillon","duration":654},{"id":419,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/516_20100108152813.mp3","label":"Il pratiqe un art d'ambiance...","duration":152},{"id":786,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/893_20121016164740.mp3","label":"Il se peut que le son du couperet... - Extrait de D\u00e9saccord\u00e9 parmi les ombres","duration":215},{"id":776,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/883_20120831173939.mp3","label":"Il y a presque longtemps... et autres po\u00e8mes","duration":342},{"id":588,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/688_20110215121648.mp3","label":"Il y a un Fran\u00e7ais ...","duration":192},{"id":2472,"type":1,"imageIds":[3840]},{"id":1007,"type":1,"imageIds":[3217]},{"id":942,"type":1,"imageIds":[3141]},{"id":941,"type":1,"imageIds":[3140],"label":"

\u00a9 Suzanne Doppelt<\/p>"},{"id":102,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/143_20060314145334.mp3","label":"Imagine que tu sois projet\u00e9 en 2097...","duration":182},{"id":1571,"type":5,"fileUrl":"\/resources\/files\/file_65e9dfbe2620d.pdf"},{"id":680,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/782_20120113175807.mp3","label":"Imitation totale - Lecture de la traduction en fran\u00e7ais par Pascal Poyet","duration":159},{"id":286,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/372_20090310165311.mp3","label":"Immense verger ... - adaptation fran\u00e7aise par Liliane Giraudon, lue par Jean-Jacques Vitton","duration":179},{"id":2916,"type":1,"imageIds":[4054]},{"id":2812,"type":1,"imageIds":[3989]},{"id":607,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/709_20110527181651.pdf","label":"Infinis Paysages - Carole Villain"},{"id":606,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/708_20110527181606.pdf","label":"Infinis Paysages - Catherine Savy"},{"id":604,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/706_20110527181329.pdf","label":"Infinis Paysages - Evelyne Willey"},{"id":609,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/711_20110527181924.pdf","label":"Infinis Paysages - Lydie-Gabrielle Gaudin"},{"id":608,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/710_20110527181742.pdf","label":"Infinis Paysages - Roland Hamelin"},{"id":605,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/707_20110527181442.pdf","label":"Infinis Paysages - Sophie Menu"},{"id":1085,"type":2,"content":"

Pelouse n\u00b018 (huile sur toile)<\/strong><\/span><\/p>

 <\/span><\/p>

La pelouse ne surprend pas. Mais ses fronti\u00e8res sont difficiles \u00e0 d\u00e9terminer. Tu peux commencer par une image. Une des \u00ab images internes \u00bb. Celles qu\u2019on suppose que tu as dans la t\u00eate. Un bon r\u00e9sidu de tant de souvenirs, par exemple, travers\u00e9 de superpositions, angles et toiles de fond, mais qui eux appartiennent au r\u00eave. (Mais peut-\u00eatre tu as seulement des r\u00eaves de prairies, ou de sable, ou de rochers recouverts de buissons \u00e9pineux). (Peut-\u00eatre tu n\u2019as que tr\u00e8s peu de souvenirs, seulement ceux que tu n'as pu effacer, et ce ne sont pas des images de pelouse qui s\u00e9dimentent, mais des images de sols, que ce soit du carrelage, du marbre, ou du parquet. Des sols aux fronti\u00e8res pr\u00e9cises, des murs tout autour, des portes g\u00e9n\u00e9ralement ferm\u00e9es). Il faudrait une image, avant que le mot s\u2019en saisisse. Ou bien une photographie qu\u2019il serait facile d'amputer de toute figure ou environnement humains, pour ne retenir qu'une bande courte, d'herbe seulement, herbe sur herbe, un commencement de pelouse. Le m\u00e9diateur, c'est encore un personnage, cette fois-ci une femme si l'autre, le pr\u00e9c\u00e9dent, \u00e9tait un homme. Qui t'accompagne encore pour regarder fixement la m\u00eame estampe accroch\u00e9e au mur par deux punaises. C'est une reproduction de l'Annonciation<\/i> de Fra Angelico. Elle dit qu'elle ne regarde jamais les deux figures humaines, l'ange et la vierge. Elle dit qu'elle ne les a encore jamais regard\u00e9es, ni m\u00eame l'int\u00e9rieur de la loge. Elle dit chaque fois, en te tenant par le poignet, que seule l'herbe l'int\u00e9resse, \u00ab Ce pan de pelouse, tu vois \u2014 elle te r\u00e9p\u00e8te \u2014 comment il se glisse sous la palissade, combien d'esp\u00e8ces de fleurs et d'herbes tu discernes\u202f? \u00bb Et elle exige une r\u00e9ponse que tu ne peux pas lui donner, que tu ne veux pas lui donner et que, de toute fa\u00e7on, elle ne voudrait pas entendre. C'est de sa stupeur qu\u2019il s'agit, non de l'\u00e9num\u00e9ration pr\u00e9cise et \u00e9rudite des esp\u00e8ces.<\/span><\/p>

 <\/p>","label":"

Andrea Inglese, Prati \/ Pelouses<\/i>, traduction de l'italien par Laurent Grisel, Eric Houser et Magali Amougou, Camera Verde, Rome, 2007.<\/p>"},{"id":2468,"type":1,"imageIds":[3835]},{"id":60,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/89_20060204162204.mp3","label":"Innaha Toum\u00e9h\u00e9 Li - Elle me fait signe - Extraits de Innaha Toum\u00e9h\u00e9 Li<\/i>\r\n
(Al-Hai\u2019a Al-\u00c2ma Liqusur Al Thaq\u00e2fa, 1993)\r\n
\r\n
traduits dans Une autre anthologie<\/i> (Fourbis, 1992)
sous le titre de Elle me fait signe<\/i>\r\n
\r\n
traductions de Jean-Charles Depaule<\/a>","duration":150},{"id":176,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/235_20070807164640.mp3","label":"Instantan\u00e9s scintillants","duration":523},{"id":510,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/609_20100525173244.mp3","label":"Int\u00e9grale et lat\u00e9ralit\u00e9 - 3 propositions","duration":185},{"id":142,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/197_20070313150713.mp3","label":"Intention de voix","duration":420},{"id":586,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/686_20110215121135.mp3","label":"Interrupteur","duration":189},{"id":232,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/296_20080109151101.mp3","label":"Intervention d'Alain Giffard (extrait)","duration":585},{"id":230,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/294_20080109135608.mp3","label":"Intervention de Kenneth McKenzie Wark (extrait)","duration":296},{"id":148,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/204_20070322152142.mp3","label":"intervention de Lorenzo Menoud (extrait) - La po\u00e9sie est nulle part et la po\u00e9sie est partout. J\u2019ai beau chercher, la po\u00e9sie s\u2019absente du monde. M\u00eame dans les librairies, il devient difficile d\u2019en trouver.","duration":216},{"id":233,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/297_20080109165218.mp3","label":"Intervention de Patrice Maniglier (extrait) - Culture libre, culture hacker","duration":299},{"id":231,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/295_20080109143547.mp3","label":"Intervention de Stephen Wright (extrait)","duration":434},{"id":816,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/924_20130413151722.mp3","label":"Interview Patti Smith - Eric Giraud a interview\u00e9 Patti Smith lors du Colloque \u00e0 Tanger en avril 2013","duration":906},{"id":823,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/932_20130524151640.mp3","label":"Interview Patti Smith \u00e0 Tanger traduit","duration":1102},{"id":1269,"type":4,"fileUrl":"\/resources\/files\/file_65aa4f44f1833.mp3","label":"

John Ashbery, Kenneth Koch \u2014 Introduction by Kenneth Koch<\/p>

Dur\u00e9e : 02'35\"<\/p>


John Ashbery \u2014 These Lacustrine Cities<\/i>, reading at The Living Theatre, New York City, September 16, 1963<\/p>

Dur\u00e9e : 01'40\"<\/p>

 <\/p>

 <\/p>

 <\/p>","duration":255},{"id":798,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/906_20130306173202.mp3","label":"Isolina Pumar (extrait)","duration":190},{"id":407,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/504_20091119161541.mp3","label":"J.L.S. 1992 & 1997","duration":233},{"id":174,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/233_20070807161035.mp3","label":"J'ai 8 mois dans le ventre de maman","duration":356},{"id":457,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/555_20100407174616.mp3","label":"J'ai appris que tr\u00f4nait sur un gratte-ciel de Shangha\u00ef le \"I am What I am\" de Reebok ...","duration":148},{"id":62,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/91_20060203133531.mp3","label":"J'ai flatt\u00e9 un chien... - extrait de Trois cuiller\u00e9es de poivre<\/i>,\r\nlivre \u00e9crit lors de sa r\u00e9sidence au cipM<\/i> d\u2019avril \u00e0 juillet 2005.","duration":195},{"id":99,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/140_20060307115711.mp3","label":"J'ai le temps - texte in\u00e9dit","duration":102},{"id":169,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/225_20070802164651.mp3","label":"J'ai parl\u00e9 des montagnes qui entourent la ville","duration":193},{"id":875,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/987_20160323135652.mp3","label":"J'ai repens\u00e9... - Lola Cr\u00e9\u00efs","duration":110},{"id":290,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/376_20090311131625.mp3","label":"J'\u00e9cris avec le doute, je ressemble \u00e0 mon baton de p\u00e8lerin - Lecture de la traduction en fran\u00e7ais par Jean-Luc Parant","duration":411},{"id":617,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/719_20110705183046.mp3","label":"J'entends le son, goutte \u00e0 goutte ...","duration":372},{"id":2320,"type":3,"videoId":"1023171173","label":"

J'\u00e9vite de lire (\u00e0 la biblioth\u00e8que Marguerite Audoux)<\/i>, SNG, 2023<\/p>

vid\u00e9o \u00a9 Po\u00e9sie is not dead<\/p>","duration":796},{"id":2321,"type":1,"imageIds":[3665]},{"id":2322,"type":5,"imageIds":[3666],"fileUrl":"\/resources\/files\/file_671b9e83a4645.pdf","label":"

Extrait du texte  <\/i>J'\u00e9vite de lire<\/i><\/a> <\/i><\/p>"},{"id":1228,"type":1,"imageIds":[3395]},{"id":1238,"type":1,"imageIds":[3400]},{"id":1258,"type":1,"imageIds":[3410]},{"id":2343,"type":3,"videoId":"1036993941","duration":2327},{"id":2336,"type":1,"imageIds":[3686]},{"id":2338,"type":1,"imageIds":[3687]},{"id":2405,"type":5,"fileUrl":"\/resources\/files\/file_67d96ff8770e5.pdf","label":"

Jadis, Po\u00efena (une po\u00e8me) <\/i>- Extraits<\/p>"},{"id":314,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/401_20090423142744.mp3","label":"janvier 1944","duration":109},{"id":2891,"type":1,"imageIds":[4052]},{"id":571,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/671_20110104153627.mp3","label":"Je cherche des chemins Sibyllins ...","duration":239},{"id":39,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/64_20060201172418.mp3","label":"Je cherche un livre - \u00e9dit\u00e9 aux \u00e9ditions Spectres Familiers","duration":113},{"id":551,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/650_20100909153349.mp3","label":"Je crains que tu ne m'aies pas bien lu","duration":219},{"id":411,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/508_20091119182246.mp3","label":"Je fais le pas","duration":164},{"id":612,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/714_20110625182038.mp3","label":"Je marche","duration":166},{"id":640,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/742_20110903162155.mp3","label":"Je me transforme \/ Non rien - Lecture le traduction par Ines Seki Depr\u00e9.","duration":161},{"id":111,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/152_20060422105340.mp3","label":"Je n'avais encore rien vu du monde devant moi...","duration":173},{"id":459,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/557_20100407175327.mp3","label":"Je pourrais il est vrai a dit Alfred ...","duration":275},{"id":221,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/284_20071130183119.mp3","label":"Je pourrais imaginer que je suis un peintre","duration":172},{"id":373,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/469_20090828145214.mp3","label":"Je range, je lis ... - de et par Berivan - Lecture enregistr\u00e9e lors d'un atelier \"d'une langue \u00e0 l'autre ... paroles et musique\"<\/b>, men\u00e9 par Nicolas Tardy, avec des \u00e9l\u00e8ves ENAP du Coll\u00e8ge Edmond Rostand.","duration":60},{"id":318,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/406_20090423182637.mp3","label":"Je rattache les gestes les uns aux autres (extrait)","duration":166},{"id":613,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/715_20110625182436.mp3","label":"Je suis possible (extrait)","duration":101},{"id":548,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/647_20100902164917.mp3","label":"Je t'arracherai \u00e0 toutes les familles","duration":354},{"id":2092,"type":2,"content":"

 <\/p>

Non je ne suis pas un perroquet qui r\u00e9p\u00e8te tout<\/p>

Non je ne suis pas le coeur qui bat dans chaque individu<\/p>

Non je ne suis pas la bague qui relie deux personnes<\/p>

Non je ne suis pas une ville que la neige et la pluie recouvrent \u00e0 longueur de temps<\/p>

 <\/p>","label":"

Ce qui n'est pas moi, Joane<\/p>"},{"id":2101,"type":2,"content":"

 <\/p>

Non je ne suis pas la mochet\u00e9 incarn\u00e9e<\/p>

Non je ne suis pas un politicien pourri de l\u2019int\u00e9rieur et de l\u2019ext\u00e9rieur<\/p>

Non je ne suis pas un f\u00eatard \u00e9veill\u00e9 de midi \u00e0 minuit<\/p>

Non je ne suis pas un imb\u00e9cile croyant tout et son contraire<\/p>

Non je ne suis pas un singe sage<\/p>

Non je ne suis pas un nihiliste r\u00e9fl\u00e9chissant sans cesse au sens de la vie<\/p>

Non je ne suis pas un Homme d\u00e9ambulant sans but tel un mort<\/p>

Non je ne suis pas un enfant ayant connu les pires atrocit\u00e9s<\/p>

Non je ne suis pas un animal soumis \u00e0 ses bas instincts<\/p>

Non je ne suis pas un h\u00e9ros qui sauve la veuve et l\u2019orphelin<\/p>

Non je ne suis pas un chiffre de la machine<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Non je ne suis pas une page vide sur laquelle on peut \u00e9crire<\/p>

Non je ne suis pas un tra\u00eetre retournant sa veste \u00e0 chaque instant<\/p>

Non je ne suis pas une horloge comptant les secondes, les minutes et les heures<\/p>

Non je ne suis pas tout \u00e7a car je suis moi<\/p>

 <\/p>","label":"

Je ne suis pas ce que je ne suis pas, Ili\u00e8s<\/p>"},{"id":2102,"type":2,"content":"

 <\/p>

Non je ne suis pas blonde ou rousse,<\/p>

Non je ne suis pas un homme,<\/p>

Non je ne vit pas dans un pays en guerre,<\/p>

Non je ne suis pas fille unique<\/p>

Non je ne suis pas non plus l\u2019a\u00een\u00e9e d\u2019une fratrie de 10 pauvres enfants.<\/p>

 <\/p>","label":"

Chlo\u00e9<\/p>"},{"id":2103,"type":2,"content":"

 <\/p>

Non, je ne suis pas agonisante devant un hopital au Texas.<\/p>

Non, je ne suis pas forc\u00e9e \u00e0 faire des v\u00eatement dans un camp de concentration.<\/p>

Non, je ne suis pas ensevelie sous des d\u00e9combres en Ukraine.<\/p>

Non, je ne suis pas dans un refuge sous les bombes.<\/p>

Non, je ne suis pas sur un banquise qui fond.<\/p>

Non, je ne suis pas une star assaillie par les cam\u00e9ras.<\/p>

Non, je ne suis pas celle qui jette sa cigarette par la fen\u00eatre.<\/p>

Non, je ne suis pas l'enseignante qui se fait menacer.<\/p>

Non, je ne suis pas une extr\u00e9miste conservatrice.<\/p>

Non, je ne suis pas traqu\u00e9e pour mes d\u00e9fenses.<\/p>

Non, je ne suis pas celle qui augmenta le coup de la vie.<\/p>

Non, je ne suis pas une de ces personnes qui ne vivent plus que part le regard des autres.<\/p>

Non, je ne suis pas autre chose que moi.<\/p>

Non, je ne suis pas une de ces personnes<\/p>

 <\/p>","label":"

Non, je ne suis pas, Cyrine<\/p>"},{"id":2104,"type":2,"content":"

 <\/p>

Oui, tu es parti en laissant un grand vide<\/p>

\u00e0 l'int\u00e9rieur de mon ame meurtrie, je ne sais pourquoi tu es participes<\/p>

C'est s\u00fbrement \u00e0 cause de mon incomp\u00e9tence en mati\u00e8re de sentiments, c'est certainement \u00e0 cause<\/p>

de mes peurs les pus profondes que je tombe, sombre et m'enfonce !
 <\/p>

Je repr\u00e9sentais la vie<\/p>

Tu semblais \u00eatre mon Paradis et pourtant tout est fini<\/p>

Je me suis reconstruite petit \u00e0 petit malgr\u00e9 les ennuis<\/p>

Je contemple mes souvenirs en ta compagnie<\/p>

Je vous condamnerais \u00e0 ma rancoeur \u00e9ternelle !<\/p>

 <\/p>

Jamais je n'oublierai mes cris, mes pleurs et mon malheur !<\/p>

Je voudrais ne jamais t'avoir rencontr\u00e9<\/p>

Seulement les d\u00e9s sont jet\u00e9s, je ne peux pas changer le pass\u00e9 !<\/p>

Je me demande si nos sorties te resteront grav\u00e9es \u00e0 tout jamais ?<\/p>

Peut-\u00eatre que nous \u00e9tions destin\u00e9s \u00e0 nous rencontrer mais \u00e0 ne pas rester ?<\/p>

Peut-\u00eatre que tu m'oublieras tel un ouragan qui emporte jusqu'aux choses les plus insignifiantes ?<\/p>

Maintenant tu es un \u00e9tranger sur qui je ne peux plus compter et que bizarrement je connais.<\/p>

\u00c0 celui qui m'a lach\u00e9<\/p>

Moi, je me souviendrai de cette trahison<\/p>

jusqu'au bout du temps comme un souvenir ind\u00e9l\u00e9bile<\/p>

me massacrant \u00e0 toutes les saisons<\/p>

 <\/p>","label":"

\u00c9lisa<\/p>"},{"id":2105,"type":2,"content":"

 <\/p>

Non je ne suis pas une adolescente en crise<\/p>

Non je ne suis pas un bout de viande une pour les darons de 50ans<\/p>

Non je ne suis pas une pute quand je m'habille en jupe<\/p>

Non je ne suis pas insensible \u00e0 vos remarques<\/p>

Non je ne suis pas parfaite, ai-je le droit ?<\/p>

 <\/p>","label":"

Solen<\/p>"},{"id":2106,"type":2,"content":"

 <\/p>

Non je ne suis pas une fille hautaine<\/p>

Non je ne suis pas celle que l'on peut penser<\/p>

Non je ne suis pas celle qui a le meilleur corps pour la soci\u00e9t\u00e9<\/p>

Non je ne suis pas une adolescente qui doit rentrer dans les normes<\/p>

Non je ne suis pas un robot pour suivre autant de cours<\/p>

Non je ne suis pas certaine de ce que je veux faire plus tard<\/p>

Non je ne suis pas la perfection pour tout le monde et pour moi mais je suis comme \u00e7a<\/p>

 <\/p>","label":"

Wendy<\/p>"},{"id":2107,"type":2,"content":"

 <\/p>

Non je ne suis pas contente d'\u00eatre l\u00e0<\/p>

Non je ne suis pas l\u00e0 pour mon plaisir<\/p>

Non je ne suis pas celle que vous pensez connaitre<\/p>

 <\/p>","label":"

Arwa<\/p>"},{"id":2108,"type":2,"content":"

 <\/p>

Salut ! Je ne me pr\u00e9sente pas !<\/p>

Je suis s\u00fbr que vous me connaissez d\u00e9j\u00e0 !<\/p>

Salut, jeune \u00e9tranger ! Comment vas-tu<\/p>

Si tu ne m\u2019appr\u00e9cies pas retourne dans la rue !<\/p>

Je suis un magicien divin<\/p>

J\u2019aime t\u2019envoyer balader<\/p>

Et j\u2019adore tes beaux pets<\/p>

Je ne sais pas pourquoi on me trouve zinzin !<\/p>

Oui je suis le plus malicieux<\/p>

\u00c0 la one again, je suis quand m\u00eame heureux<\/p>

C\u2019est le vent qui souffle, c\u2019est mes pieds en pantoufles<\/p>

Mais quand l\u2019hiver approche vite j\u2019enfile mes moufles !<\/p>

On peut comparer une cigarette \u00e0 la vie<\/p>

Au plus le temps passe au plus on rapetissi<\/p>

Je me demande toujours pourquoi \u00eatre ind\u00e9cis<\/p>

Je contemple la vie et les pissenlits !<\/p>

Je voudrais tellement avoir pu le conna\u00eetre<\/p>

Je me demande bien pourquoi j\u2019ai gagn\u00e9 cette course !<\/p>

Au plus proche de mon p\u00e8re je nageais dans ses bourses<\/p>

Puis-je laisser un h\u00e9ritage avant de disparaitre ?<\/p>

Peut-\u00eatre ne devrai-je pas exister<\/p>

Quand je vois une opportunit\u00e9 je la saisie<\/p>

Peut-\u00eatre que je suis pass\u00e9 \u00e0 cot\u00e9<\/p>

Quand il faut assurer on me dit vas-y<\/p>

Avant de vous laisser je vais r\u00e9v\u00e9ler<\/p>

\u00c0 tous mes auditeurs ma vraie identit\u00e9<\/p>

Moi, je m\u2019appelle Mathis<\/p>

Avec un grand A comme mes tr\u00e8s gros bras<\/p>

 <\/p>","label":"

Une vie de roots, Mathis<\/p>"},{"id":2093,"type":2,"content":"

 <\/p>

Oui, je suis all\u00e9e au cin\u00e9ma<\/p>

\u00c0 14h30, je me suis pris du pop-corn<\/p>

C'est aujourd'hui, c'est son anniversaire<\/p>

Il faut profiter de la vie<\/p>

Je me sens triste donc<\/p>

Je contemple les \u00e9toiles<\/p>

Peut-\u00eatre que si j'avais \u00e9t\u00e9 l\u00e0 tout cela ne se serait pas pass\u00e9 comme \u00e7a ?<\/p>

Peut-\u00eatre que j'aurais r\u00e9ussi \u00e0 le sauver ?<\/p>

 <\/p>","label":"

Rania<\/p>"},{"id":2094,"type":2,"content":"

 <\/p>

Non je ne suis pas n\u00e9e ici, dans la ville du soleil.<\/p>

Non je ne suis pas Blanche-Neige, aux cheveux noir de jais.<\/p>

Non je ne suis pas une colombe qui s\u2019envole suite \u00e0 une union.<\/p>

Non je ne suis pas Lune, qui assombrit les rues.<\/p>

 <\/p>","label":"

Moi aussi, je sais ce que je ne suis pas, Amandine<\/p>"},{"id":2095,"type":2,"content":"

 <\/p>

Non je ne suis pas un de ces \u00e9crivains r\u00e9volutionnaires.<\/p>

Non je ne suis pas la derni\u00e8re pens\u00e9e d'un d\u00e9funt.<\/p>

Non je ne suis pas un de ces fous emprisonn\u00e9s.<\/p>

Non je ne suis pas une de ces personnes \u00e0 succ\u00e8s.<\/p>

Non je ne suis pas toujours moi-m\u00eame.<\/p>

 <\/p>","label":"

Louka<\/p>"},{"id":2096,"type":2,"content":"

 <\/p>

Non je ne suis pas l'ombre qui fuit,<\/p>

Non je ne suis pas le vent qui g\u00e9mit,<\/p>

Non je ne suis pas la pluie qui suit,<\/p>

Non je ne suis pas le silence qui palit.<\/p>

Non je ne suis pas l'\u00e9cho sans voix,<\/p>

Non je ne suis pas la nuit sans \u00e9clat,<\/p>

Non je ne suis pas le temps sans choix,<\/p>

Non je ne suis pas le r\u00eave qui s'\u00e9bat.<\/p>

 <\/p>","label":"

Aaron<\/p>"},{"id":2097,"type":2,"content":"

 <\/p>

Non je ne suis pas enferm\u00e9 dans une vie monotone<\/p>

Non je ne suis pas dans un pays sans \u00e9coles<\/p>

Non je ne suis pas affam\u00e9<\/p>

Non je ne suis pas orphelin<\/p>

Non je ne suis pas au chomage<\/p>

Non je ne suis pas dans la mis\u00e8re<\/p>

 <\/p>","label":"

Adam<\/p>"},{"id":2098,"type":2,"content":"

 <\/p>

Non, je ne suis pas les larmes meurtri\u00e8res de cette guerre sans fin.<\/p>

Non, je ne suis pas les hurlements et les saignements de ces pauvres enfants.<\/p>

Non, je ne suis pas l'\u00e9cho des canons grondant sur les champs de bataille.<\/p>

Non, je ne suis pas la fum\u00e9e acre des ruines froides de la d\u00e9vastation.<\/p>

Non, je ne suis pas le cr\u00e9pitement des armes embrasant le silence de la nuit.<\/p>

Non, je ne suis pas le souffle haletant des soldats \u00e9puis\u00e9s dans les tranch\u00e9es.<\/p>

Non, je ne suis pas le chaos hurlant des villes d\u00e9chir\u00e9es par les conflits.<\/p>

Non, je ne suis pas la douleur sourde des familles endeuill\u00e9es par la perte.<\/p>

Non, je ne suis pas l'ombre lugubre des r\u00e9fugi\u00e9s cherchant un abri dans l'obscurit\u00e9.<\/p>

Non, je ne suis pas le fracas des bombes d\u00e9chirant le tissu fragile de la paix.<\/p>

Non, je ne suis pas la d\u00e9solation silencieuse des terres d\u00e9vast\u00e9es par la guerre.<\/p>

Non, je ne suis pas quelque chose que je ne suis pas.<\/p>

 <\/p>","label":"

Myriam<\/p>"},{"id":2099,"type":2,"content":"

 <\/p>

Salut ! Enfin au revoir !<\/p>

Car oui je pars !<\/p>

Oui, je traverse multiples pays<\/p>

\u00c0 l\u2019international, je voyage sans soucis<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

C\u2019est ma nouvelle vie.<\/p>

Je me demande s\u2019il y aura une fin.<\/p>

Je contemple l\u2019horizon qui me parait si loin !<\/p>

J\u2019en fais donc mon r\u00eave inatteignable.<\/p>

Je vous emm\u00e8nerais bien avec moi, mais plus personne ne me semble convenable.<\/p>

Peut-\u00eatre que vous me croiserez \u00e0 Bali, aux \u00c9tats-Unis ou m\u00eame en Bolivie,<\/p>

Qui sait de quoi notre avenir est-il fait ?<\/p>

 <\/p>","label":"

Nouvelle vie, Safia<\/p>"},{"id":2100,"type":2,"content":"

 <\/p>

Salut ! Je n\u2019ai pas d\u2019id\u00e9e<\/p>

D\u2019habitude j\u2019ai toujours de l\u2019imagination mais cette fois \u00e7a coince<\/p>

Salut \u00e0 toi la page blanche ! Toi qui est rempli d\u2019angoisse et de peur<\/p>

Toi qui m\u2019inspire la terreur<\/p>

Je suis au bout du rouleau<\/p>

J\u2019aime l\u2019\u00e9criture c\u2019est ma grande passion<\/p>

Et j\u2019ai toujours su trouver l\u2019inspiration<\/p>

Mais l\u00e0, je n\u2019ai pas d\u2019id\u00e9e pour de prochaines cr\u00e9ations<\/p>

Oui l\u2019\u00e9criture, pour moi, a toujours \u00e9t\u00e9 une passion<\/p>

\u00c0 toi la page blanche, je te d\u00e9fie avec d\u00e9termination<\/p>

C\u2019est toi que je d\u00e9fierai, c\u2019est toi que je combattrai<\/p>

Car telle est mon nouveau d\u00e9fi<\/p>

Pour \u00e9crire j\u2019ai toujours su puiser dans la vie<\/p>

Mais celle-ci est devenue vide et d\u2019un ennui<\/p>

Je me vois encore chercher, chercher des id\u00e9es<\/p>

Je contemple la nature je contemple la salle mais les deux sont vid\u00e9es<\/p>

 <\/p>","label":"

La Page Blanche, Ili\u00e8s<\/p>"},{"id":383,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/479_20090909175541.mp3","label":"Jean-Fran\u00e7ois Bory autobiographie \u00e9videmment","duration":311},{"id":84,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/114_20060204162539.mp3","label":"Jean-Louis Debr\u00e9 - texte in\u00e9dit","duration":96},{"id":704,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/806_20120228160629.mp3","label":"Jean-Luc Parant et Le Bout des Bordes<\/i> (extrait)","duration":212},{"id":143,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/198_20070314162036.mp3","label":"Jean-Pierre Brisset : \u0152uvre natatoire - \u0152uvre natatoire<\/a>","duration":540},{"id":2910,"type":1,"imageIds":[533]},{"id":44,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/71_20061020134438.mp3","label":"Jeanne Darc - extrait de Jeanne Darc<\/i>, P.O.L, 1998.","duration":127},{"id":1260,"type":1,"imageIds":[3411]},{"id":279,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/365_20090226132849.mp3","label":"J\u00e9rusalem - Beyrouth - Rome (extraits) - extrait de Ces villes l\u00e0","duration":182},{"id":463,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/561_20100423165939.mp3","label":"Jeu de r\u00e9sistance etc. - Traduction par \u00c9ric Giraud et Holly Dye, lue par \u00c9ric Giraud.","duration":165},{"id":458,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/556_20100407174942.mp3","label":"Jeudi 15 janvier 2009","duration":203},{"id":47,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/76_20060204163129.mp3","label":"Jeune fille avec entourage - in\u00e9dit
\r\npubli\u00e9 depuis par Inventaire\/Invention<\/a>","duration":175},{"id":277,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/363_20090225180607.mp3","label":"Jeux souterrains - introduction","duration":63},{"id":547,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/646_20100902160415.mp3","label":"Jhon pr\u00e9tendait qu'il n'existait pas d'acte plus po\u00e9tique que de cirer ses propres chaussures","duration":211},{"id":2909,"type":1,"imageIds":[4050]},{"id":2857,"type":1,"imageIds":[2386]},{"id":638,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/740_20110903160808.mp3","label":"Jo\u00e3o Cabral de Melo Neto - Lecture de la traduction par Henri Deluy.","duration":247},{"id":1147,"type":2,"content":"

GROTTE NUIT SOMBRE SOURD 
CHAUVE SOURIS CIEL NUIT NOIR 
botte crotte nuire saoul chauve 

ROCHE CALCAIRE DUR SOLIDE FRAICHE 
DU FER 

PEIGNE GRIFFE BROSSE PARALL\u00c8LE 
COUPE DE CHEVEUX 

THYM ODEUR BUTINER PROVENCE ROMARIN 
pain vin Aubin butiner d\u00e9jeuner voler romain sarrasin 

LIBELLULE VOLANT TRANSPARENT CIEL NUAGE OVNI 
fascicule monticule translucide transhumance 
miel \u00e2g\u00e9 nuanc\u00e9 nu nid voltige 

CH\u00caNE KERM\u00e8S PETIT RAMPANT PIQUANT SERPENT LIMACE 
m\u00e8ne messe fesse 
poli mena\u00e7ant paon 
limit\u00e9 piq\u00fbre piquet vivace menace 

FRELON RAGE NID BUTINE ABEILLE GU\u00caPE BOURDON 

CYSTE COTONNEUx FRAGILE DOUX 
COTON COTON TIGE VERRE 
chapelle saint sixte argile vigile 
neutron boutonneux 
assister Lavandou mou 
raciste terre venimeux<\/p>","label":"

Joao, Tim\u00e9o, Tom F<\/p>"},{"id":1281,"type":1,"imageIds":[3421]},{"id":1275,"type":4,"fileUrl":"\/resources\/files\/file_65aa6b2961227.mp3","label":"

Ron Padgett \u2014 Joe Brainard's Painting Bingo<\/i>, reading at unknown location, November 20, 1979 <\/p>

Dur\u00e9e : 01'35\" <\/p>","duration":95},{"id":1270,"type":1,"imageIds":[3416]},{"id":1254,"type":1,"imageIds":[3408]},{"id":236,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/310_20080214172040.mp3","label":"John Cage par Christian Tarting","duration":501},{"id":237,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/311_20080214181030.mp3","label":"John Cage par Ulrike Kasper","duration":439},{"id":1266,"type":1,"imageIds":[3414]},{"id":860,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/972_20160322154113.mp3","label":"Journal - Extraits d\u00e9cembre 2015 - f\u00e9vrier 2016 - Soir\u00e9e La T\u00eate et les Cornes.","duration":267},{"id":2899,"type":1,"imageIds":[4079]},{"id":2900,"type":1,"imageIds":[4080]},{"id":2901,"type":1,"imageIds":[4081]},{"id":2902,"type":1,"imageIds":[4082]},{"id":2903,"type":1,"imageIds":[4083]},{"id":2047,"type":1,"imageIds":[3529]},{"id":251,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/329_20080709184331.mp3","label":"Jours - Extrait - 6","duration":532},{"id":647,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/749_20110913141925.mp3","label":"Juin un soir \/ Oiseaux - Lecture de la traduction par Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani","duration":207},{"id":1115,"type":1,"imageIds":[3344]},{"id":1025,"type":2,"content":"

Les doc(k)s <\/strong>made in Blaine :<\/span><\/p>

 <\/span><\/p>

S\u00e9rie 1 :<\/span><\/p>

N\u00b01 \u00e0 4 \u00e9t\u00e9\/automne - 1976 = 1<\/span><\/p>

N\u00b05\/6 - 1977 = 2<\/span><\/p>

N\u00b07\/8 - 1977 = 3<\/span><\/p>

N\u00b0 9 \u00e0 11 - 1977 = 4<\/span><\/p>

N\u00b0 12 \u00e0 14 - 1978 = 5<\/span><\/p>

N\u00b0 Sp\u00e9cial Post Cards - 1978 = 6<\/span><\/p>

N\u00b0 15 \u00e0 18 - 1979 = 7<\/span><\/p>

N\u00b0 Destinataire Paris - 1979 = 8<\/span><\/p>

N\u00b0 23 \u00e0 28 - 1980 = 9<\/span><\/p>

N\u00b0 29 \u00e0 33 - 1980 = 10<\/span><\/p>

N\u00b0 27 \u00e0 34 - 1980 = 11<\/span><\/p>

N\u00b0 35 \u00e0 40 - 1981 = 12<\/span><\/p>

N\u00b0 41 \u00e0 45 - 1982 = 13<\/span><\/p>

N\u00b0 46 \u00e0 49 - 1982 = 14<\/span><\/p>

N\u00b0 50 \u00e0 53 - 1982 = 15<\/span><\/p>

N\u00b0 54 \u00e0 59 - 1983 = 16<\/span><\/p>

N\u00b0 Dixi\u00e8me anniversaire du CiRCA - 1983 = 17<\/span><\/p>

N\u00b0 60 \u00e0 65 - 1984 = 18<\/span><\/p>

N\u00b0 66 \u00e0 70 - 1985 = 19<\/span><\/p>

N\u00b0 71 \u00e0 75 - 1985 = 20<\/span><\/p>

N\u00b0 76 \u00e0 79 - 1986 = 21<\/span><\/p>

N\u00b0 80 \u00e0 86 - 1987 = 22<\/span><\/p>

 <\/span><\/p>

S\u00e9rie 2 :<\/span><\/p>

N\u00b0 0 - 1988 hiver = 23<\/span><\/p>

N\u00b0 1 - 1988 printemps = 24<\/span><\/p>

N\u00b0 2 - 1988 \u00e9t\u00e9 = 25<\/span><\/p>

N\u00b0 3 - 1988 automne = 26<\/span><\/p>

N\u00b0 4 - 1989 printemps = 27<\/span><\/p>

N\u00b0 5 - 1989 automne = 28<\/span><\/p>

 <\/span><\/p>

soit 28 volumes.<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

 <\/p>

Les doc(k)s <\/strong>made in Akenaton :<\/span><\/p>

 <\/span><\/p>

S\u00e9rie 3 :<\/span><\/p>

N\u00b01 \u00e9t\u00e9\/autome - 1991 = 1<\/span><\/p>

N\u00b02\/3 printemps\/\u00e9t\u00e9 - 1992 = 2<\/span><\/p>

N\u00b04\/5 - 1993 = 3<\/span><\/p>

N\u00b0 6\/7\/8 - 1994 = 4<\/span><\/p>

N\u00b0 9\/10\/11\/ - 1995\/1996 = 5<\/span><\/p>

N\u00b0 12 \u00e0 16 - 1997 = 6<\/span><\/p>

N\u00b0 17 \u00e0 20 - 1998 = 7<\/span><\/p>

N\u00b0 21 \u00e0 24 - ? non dat\u00e9 = 8<\/span><\/p>

N\u00b025 \u00e0 28 - ? non dat\u00e9 = 9<\/span><\/p>

N\u00b0 29 \u00e0 33 - 2003 = 10<\/span><\/p>

N\u00b0 34 \u00e0 37 - 2004\/2005 = 11<\/span><\/p>

 <\/span><\/p>

S\u00e9rie 4 :<\/span><\/p>

N\u00b01 \u00e0 4 - 2006 = 12<\/span><\/p>

N\u00b0 ? non num\u00e9rot\u00e9 intitul\u00e9 Le\u00e7on d\u2019amour<\/i> - ? non dat\u00e9 = 13<\/span><\/p>

N\u00b0 ? non num\u00e9rot\u00e9 intitul\u00e9 Doc(k)s Asie <\/i>- 2008 = 14<\/span><\/p>

N\u00b0 13 \u00e0 16 - 2011 = 15<\/span><\/p>

N\u00b0 17 \u00e0 20 - 2012 = 16<\/span><\/p>

N\u00b0 21 \u00e0 24 - 2013 = 17<\/span><\/p>

N\u00b0 25 \u00e0 28 - 2016 = 18<\/span><\/p>

N\u00b0 29 \u00e0 32 - 2018 = 19<\/span><\/p>

N\u00b0 33 \u00e0 36 - 2019\/2020 = 20<\/span><\/p>

 <\/span><\/p>

soit 20 volumes.<\/span><\/p>

Le suivant \u00e9tait presque achev\u00e9\u2026<\/span><\/p>

Les doc(k)s <\/strong>made in Fran\u00e7ois Massut (Po\u00e9sie is not Dead) <\/span><\/p>

et Xavier Dandoy de <\/span>Casabianca (\u00e9ditions \u00e9oliennes)<\/span><\/p>


 <\/p>

S\u00e9rie 5 :<\/strong><\/span><\/p>

N\u00b0 \u00e0 d\u00e9finir<\/span>\u2026<\/span><\/p>"},{"id":494,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/592_20100504161353.mp3","label":"Just Say No to Family Values","duration":195},{"id":2450,"type":1,"imageIds":[3811]},{"id":287,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/373_20090310165738.mp3","label":"Kalendārs \/ Calendrier - adaptation fran\u00e7aise par Jean-Jacques Vitton","duration":492},{"id":253,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/332_20080912174739.mp3","label":"Kamikaze","duration":425},{"id":1264,"type":1,"imageIds":[3413]},{"id":1302,"type":1,"imageIds":[3431]},{"id":1272,"type":1,"imageIds":[3417]},{"id":886,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/999_20160323150015.mp3","label":"Ko Un - (Cor\u00e9en)\r\nExtrait.","duration":96},{"id":957,"type":1,"imageIds":[3173]},{"id":1129,"type":2,"content":"


morceau de cette terre<\/p>

impartageable<\/p>

                                 arrosez la bien <\/p>

                       de vos larmes                <\/p>

pourquoi Angelus Silesius<\/p>

t\u2019avait \u00e9pouvant\u00e9e<\/p>

arch\u00e9ologie de tous les d\u00e9chiffrages<\/p>

                      longtemps tu as lu sans comprendre<\/p>

                      ce que tu lisais<\/p>

 <\/p>

une fascination \u00e9pouvantable<\/p>

ou une \u00e9pouvantable attraction<\/p>

                                      mesurez la diff\u00e9rence<\/p>

quelque chose \u00e0 voir<\/p>

avec le retournement des stigmates<\/p>

 <\/p>

s\u0153ur du m\u00eame<\/p>

                        un th\u00e9\u00e2tre aussi mort<\/p>

                        que le m\u00eame<\/p>

puisqu\u2019\u00e0 chaque pierre retourn\u00e9e<\/p>

                         pue du cadavre<\/p>

par exemple cette histoire<\/p>

sans doute v\u00e9ritable<\/p>

conseil  au vagabond se plaignant<\/p>

de ne pas avoir mang\u00e9  depuis 3 jours<\/p>

                         \u00ab Ha mon ami quelquefois<\/p>

                          il faut s\u2019obliger \u00e0 manger ! \u00bb<\/p>

un ricanement<\/p>

                       pulpe des hy\u00e8nes<\/p>

                       changement ou chargement<\/p>

du masculin sur du f\u00e9minin<\/p>

                                          dans l\u2019anus des langues<\/p>

                       perdues puis retrouv\u00e9es<\/p>

                       mauvais virage<\/p>

une pudeur polici\u00e8re<\/p>

                        mais bien morte<\/p>

c\u2019est \u00e0 dire sororit\u00e9 meurtri\u00e8re<\/p>

 <\/p>

piti\u00e9 on arr\u00eate on arr\u00eate<\/p>

                       avec ce substantif viand\u00e9<\/p>

d\u00e9j\u00e0 bouff\u00e9 au asticots<\/p>

                       sororit\u00e9<\/p>

                       sordide soupape blanche<\/p>

allumeuse spermatique<\/p>

                     <\/p>

et n\u2019allez pas me traiter de marrane<\/p>

                ni m\u2019accuser d\u2019antis\u00e9mitisme<\/p>

par ces temps nouveaux<\/p>

barbaques identiques<\/p>

les immondices sont partageables<\/p>

 <\/p>

l\u2019impossibilit\u00e9 de ne pas \u00e9crire<\/p>

                        une chose raconteuse<\/p>

                        onirique dormante<\/p>

les yeux parfaitement ouverts<\/p>

22 images par seconde<\/p>

                         barbarie en temps r\u00e9el<\/p>

le massacre<\/p>

nouvelle pratique pornographique<\/p>

ce flux continue des images<\/p>

                    (l\u2019image est son message)<\/p>

 <\/p>

plus bas<\/p>

chaque livre est un placard<\/p>

                        o\u00f9 repose<\/p>

un corps tortur\u00e9<\/p>

vivant mais d\u00e9coup\u00e9<\/p>

                       <\/p>

les femmes et les enfants<\/p>

                        sont au premier rang
                                                                                   <\/p>","label":"

Po\u00e8me in\u00e9dit re\u00e7u de Liliane Giraudon \u00e0 l'approche de son Solo,<\/p>

samedi 2 d\u00e9cembre 2023.<\/p>"},{"id":248,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/324_20080522133356.mp3","label":"L'amiti\u00e9 et le Livre","duration":406},{"id":312,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/399_20090422175023.mp3","label":"l'ann\u00e9e 1956","duration":798},{"id":570,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/670_20101126173137.mp3","label":"L'art d'\u00eatre aveugle","duration":182},{"id":777,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/884_20120831174255.mp3","label":"L'arte \u00e8 forse una diga","duration":243},{"id":157,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/213_20070627162736.mp3","label":"L'eau super-liquide","duration":245},{"id":361,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/457_20090707175854.mp3","label":"L'esprit des lois (extrait)","duration":186},{"id":3,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/7_20061020142258.mp3","label":"L'\u00e9ternit\u00e9 c'est la balle all\u00e9e au but - Expo J.-F. Bory \/ D\u00e9cembre 1993 \/ cipM<\/i>\r\nAffiche<\/i>, \u00c9d. cipM<\/i>","duration":217},{"id":344,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/440_20090606163851.mp3","label":"L'Illiade (extrait) - par Philippe Brunet<\/b>
\r\npiste 01 du CD inclus - Pens\u00e9e de Midi 28","duration":113},{"id":572,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/672_20110104155019.mp3","label":"L'image possible (extrait)","duration":189},{"id":745,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/851_20120615163937.mp3","label":"L'inacceptable - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":264},{"id":710,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/812_20120309160601.mp3","label":"L'introduction de la pelle","duration":201},{"id":761,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/868_20120703185534.mp3","label":"L'opacit\u00e9 fait l'objet (extrait) - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":282},{"id":544,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/643_20100902154542.mp3","label":"L'op\u00e9ration \/ Elisabeth est parti - Traduction fran\u00e7aise de Henri Deluy, lue par Adilia Lopes.","duration":356},{"id":600,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/701_20110405181343.mp3","label":"L'orientation de nos intentions int\u00e9resse le March\u00e9","duration":265},{"id":2532,"type":1,"imageIds":[3890]},{"id":968,"type":1,"imageIds":[3184]},{"id":762,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/869_20120703185722.mp3","label":"L'usine, la grande usine univers... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":227},{"id":97,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/138_20060228162358.mp3","label":"L\u2019absence c\u2019est la pr\u00e9sence - texte in\u00e9dit","duration":204},{"id":54,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/83_20060209152021.mp3","label":"L\u2019Almanach des montagnes","duration":173},{"id":2838,"type":5,"fileUrl":"\/resources\/files\/file_696ba662c9e4b.pdf"},{"id":2527,"type":1,"imageIds":[3885]},{"id":41,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/66_20060209154125.mp3","label":"L\u2019Herbe aux teigneux - \u00e9dit\u00e9 par Farrago","duration":264},{"id":56,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/85_20060203133257.mp3","label":"L\u2019homme est une page dispers\u00e9e - commentaire de \u201cLes objets contiennent l\u2019infini\u201d
\r\nparu dans Anstra-n-Gallar<\/i> (revue galicienne)","duration":158},{"id":1119,"type":2,"content":"


\u0645\u0646 \u0627\u0644\u0646\u0627\u0641\u0630\u0629<\/span><\/p>

 <\/span><\/p>

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 <\/span><\/p>

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 <\/span><\/p>

\u0644\u0627 \u0623\u0638\u0646 \u0623\u0646\u0643 \u0645\u0646 \u0632\u062c\u0627\u062c \u0627\u0644\u0646\u0627\u0641\u0630\u0629\u060c \u064a\u0645\u0643\u0646 \u0623\u0646 \u062a\u064f\u062f\u0631\u0643 \u0647\u0624\u0644\u0627\u0621 \u0627\u0644\u0630\u064a\u0646 \u062a\u0645\u0632\u0651\u0642\u0648\u0627 \u0645\u0646 \u0642\u0628\u0644<\/span><\/p>

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De la fen\u00eatre<\/strong>

Tu peux reconna\u00eetre celui qui a \u00e9t\u00e9 bris\u00e9,
celui dont on a r\u00e9ussi \u00e0 remettre le dos en place
ou \u00e0 rattacher le cou aux \u00e9paules. De l\u00e0 o\u00f9 tu es,
debout en train de boire un caf\u00e9 et de regarder les passants,
tu pourrais deviner la forme de la veine qu\u2019on a tir\u00e9e
de son poignet jusqu\u2019au c\u0153ur, ou apercevoir le brillant
des broches import\u00e9es pour ses genoux.
Tu verras clairement sa d\u00e9marche appliqu\u00e9e,
lente peut-\u00eatre. D\u2019habitude, il avance en ligne
droite. Il ne se retournera pas vers toi pour te
laisser voir ses yeux. Il est herm\u00e9tiquement clos.

Ce sera plus facile avec celui qui a \u00e9t\u00e9 dispers\u00e9. En g\u00e9n\u00e9ral,
celui qui a \u00e9t\u00e9 dispers\u00e9 se retourne, comme s\u2019il cherchait
un morceau qu\u2019il n\u2019a pas encore retrouv\u00e9. Dans ce geste,
il peut avoir l\u2019air tr\u00e8s doux, parce qu\u2019on l\u2019a rassembl\u00e9 avec
de la gomme, ou un peu amer, parce qu\u2019il a abus\u00e9 de la colle
pour combler un manque entre deux membres.

De derri\u00e8re la fen\u00eatre, je ne crois pas que tu puisses rep\u00e9rer
ceux qui ont \u00e9t\u00e9 d\u00e9chir\u00e9s. En fait, ils n\u2019ont aucun signe particulier.
Ou plut\u00f4t, chacun d\u2019eux ne ressemble qu\u2019\u00e0 lui-m\u00eame,
comme des timbres oblit\u00e9r\u00e9s d\u00e9coll\u00e9s de leurs enveloppes
qui ont fini dans l\u2019album d\u2019un philat\u00e9liste.<\/p>


 <\/p>

 <\/p>


\u0641\u0643\u0631\u0629 \u0627\u0644\u0628\u064a\u0648\u062a<\/span><\/p>

 <\/span><\/p>

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 <\/span><\/p>

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 <\/strong><\/span><\/p>

\u0632\u0648\u062c \u0623\u0648\u0644\u062c\u0627 \u0644\u0645 \u064a\u0631\u064e \u0645\u0634\u0647\u062f \u0627\u0644\u0645\u0644\u0643\u0629\u060c \u0648\u0631\u0628\u0645\u0627 \u0644\u0647\u0630\u0627 \u0644\u0627 \u064a\u0632\u0627\u0644 \u064a\u0638\u0646 \u0623\u0646 \u0627\u0644\u0628\u064a\u062a\u064e \u0647\u0648 \u0627\u0644\u0635\u062f\u064a\u0642 \u0627\u0644\u0648\u0641\u064a\u0651 \u0639\u0646\u062f\u0645\u0627 \u064a\u0635\u0628\u062d \u0623\u0639\u0645\u0649\u060c \u0623\u0631\u0643\u0627\u0646\u0647 \u062a\u062d\u0641\u0638 \u062e\u0637\u0648\u0627\u062a\u0647 \u0648\u0633\u064f\u0644\u0651\u0645\u0627\u062a\u0647 \u0633\u062a\u062d\u0645\u064a\u0647 \u0628\u0631\u062d\u0645\u062a\u0647\u0627 \u0645\u0646 \u0627\u0644\u0633\u0642\u0648\u0637 \u0641\u064a \u0627\u0644\u0639\u062a\u0645\u0629<\/span><\/p>

 <\/span><\/p>

\u0623\u0628\u062d\u062b \u0639\u0646 \u0645\u0641\u062a\u0627\u062d\u064d \u064a\u0636\u064a\u0639\u064f \u062f\u0627\u0626\u0645\u0627\u064b \u0641\u064a \u0642\u0639\u0652\u0631 \u0627\u0644\u062d\u0642\u064a\u0628\u0629\u060c \u062d\u064a\u062b \u0644\u0627 \u062a\u0631\u0627\u0646\u064a \u0623\u0648\u0644\u062c\u0627 \u0648\u0644\u0627 \u0632\u0648\u062c\u0647\u0627\u060c \u062d\u064a\u062b \u0623\u062a\u062f\u0631\u0651\u0628 \u0641\u064a \u0627\u0644\u062d\u0642\u064a\u0642\u0629 \u062d\u062a\u0649 \u0623\u062a\u062e\u0644\u0649 \u0639\u0646 \u0641\u0643\u0631\u0629 \u0627\u0644\u0628\u064a\u0648\u062a<\/span><\/p>

 <\/span><\/p>

\u0643\u0644 \u0645\u0631\u0629\u064d \u062a\u0639\u0648\u062f \u0625\u0644\u064a\u0647 \u0648\u062a\u0631\u0627\u0628 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0623\u0637\u0631\u0627\u0641 \u0623\u0635\u0627\u0628\u0639\u0643\u060c \u062a\u062d\u0634\u0631 \u0645\u0627 \u0627\u0633\u062a\u0637\u0639\u062a \u062d\u0645\u0652\u0644\u0647 \u0641\u064a \u062e\u0632\u0627\u0626\u0646\u0647. \u0645\u0639 \u0630\u0644\u0643 \u062a\u0631\u0641\u0636 \u0623\u0646 \u062a\u064f\u0639\u0631\u0651\u0641 \u0627\u0644\u0628\u064a\u062a \u0628\u0623\u0646\u0647 \u0645\u0633\u062a\u0642\u0628\u0644 \u0627\u0644\u0643\u0631\u0627\u0643\u064a\u0628\u060c \u062d\u064a\u062b \u0623\u0634\u064a\u0627\u0621 \u0645\u064a\u062a\u0629 \u0643\u0627\u0646\u062a \u0642\u062f \u0628\u062f\u062a \u0641\u064a \u0644\u062d\u0638\u0629\u064d \u0645\u0627 \u062a\u0641\u0627\u0648\u0636\u0627\u064b \u0645\u0639 \u0627\u0644\u0623\u0645\u0644. \u0644\u064a\u0643\u0646 \u0627\u0644\u0628\u064a\u062a \u0647\u0648 \u0627\u0644\u0645\u0643\u0627\u0646 \u0627\u0644\u0630\u064a \u0644\u0627 \u062a\u0644\u0627\u062d\u0638 \u0627\u0644\u0628\u062a\u0651\u0629 \u0625\u0636\u0627\u0621\u062a\u0647 \u0627\u0644\u0633\u064a\u0626\u0629\u060c \u062c\u062f\u0627\u0631 \u062a\u062a\u0633\u0639 \u0634\u0631\u0648\u062e\u0647 \u062d\u062a\u0649 \u062a\u0638\u0646\u0647\u0627 \u064a\u0648\u0645\u0627\u064b \u0628\u062f\u064a\u0644\u0627\u064b \u0644\u0644\u0623\u0628\u0648\u0627\u0628<\/span>
 <\/p>


L\u2019id\u00e9e des maisons

J\u2019ai vendu mes boucles d\u2019oreilles chez l\u2019orf\u00e8vre pour acheter une bague au souk des argentiers. Je l\u2019ai \u00e9chang\u00e9e contre de l\u2019encre ancienne et un cahier noir. C\u2019\u00e9tait avant que j\u2019oublie mes pages sur le si\u00e8ge d\u2019un train qui \u00e9tait cens\u00e9 me ramener chez moi. Et chaque fois que j\u2019arrivais dans une ville, il me semblait que ma maison \u00e9tait dans une autre.<\/p>

 <\/p>

Olga, \u00e0 qui je n\u2019ai rien racont\u00e9 de tout cela, dit : \u00ab Ce n\u2019est qu\u2019au moment o\u00f9 tu la vends que ta maison devient vraiment une maison. Tu d\u00e9couvres les possibilit\u00e9s de son jardin et de ses grandes pi\u00e8ces dans les yeux de l\u2019agent immobilier. Tu as remis\u00e9 tes cauchemars dans le grenier et maintenant tu dois les faire tenir dans une valise ou deux tout au plus \u00bb. Olga se tait soudain et sourit, comme une reine au milieu de ses sujets, entre la machine \u00e0 caf\u00e9 de sa cuisine et une fen\u00eatre qui donne sur des fleurs. <\/p>

 <\/p>

Le mari d\u2019Olga n\u2019a pas assist\u00e9 \u00e0 la sc\u00e8ne de la reine. C\u2019est peut-\u00eatre \u00e0 cause de cela qu\u2019il continue de voir dans la maison l\u2019ami qui lui sera fid\u00e8le quand il aura perdu la vue, une maison dont les coins conserveront la m\u00e9moire de ses pas et dont les escaliers, par mis\u00e9ricorde, l\u2019emp\u00eacheront de tomber dans le noir.<\/p>

 <\/p>

Je cherche une cl\u00e9 qui se perd tout le temps au fond de mon sac, o\u00f9 ni Olga ni son mari ne me voient ; je m\u2019exerce en r\u00e9alit\u00e9 \u00e0 renoncer \u00e0 l\u2019id\u00e9e des maisons.<\/p>

 <\/p>

Chaque fois que tu rentres \u00e0 la maison, la poussi\u00e8re du monde sous les ongles, tu ranges tout ce que tu as pu ramener dans ses placards. Pourtant tu refuses de d\u00e9finir la maison comme l\u2019avenir du bric-\u00e0-brac, le lieu o\u00f9 des objets sans vie ont \u00e0 un moment sembl\u00e9 \u00eatre un marchandage avec l\u2019espoir. Que la maison soit le lieu dont tu ne remarques jamais qu\u2019il est mal \u00e9clair\u00e9, que ce soit un mur dont les fissures ne cessent de s\u2019\u00e9largir jusqu\u2019au jour o\u00f9 tu les prendras pour des portes.
 <\/p>","label":"

 2 po\u00e8mes tir\u00e9s du recueil  Des choses m\u2019ont \u00e9chapp\u00e9, <\/i>Iman Mersal, Actes Sud Sindbad, trad. Richard Jacquemond, 2018<\/p>"},{"id":57,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/86_20060209152401.mp3","label":"L\u2019insomnie de finir","duration":171},{"id":958,"type":1,"imageIds":[3174]},{"id":960,"type":1,"imageIds":[3176]},{"id":2459,"type":5,"fileUrl":"\/resources\/files\/file_68025e3010de6.pdf"},{"id":611,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/713_20110625181757.mp3","label":"La 3e personne - Traduction en fran\u00e7ais de et lue par Alain Mascarou.","duration":197},{"id":43,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/70_20060201172757.mp3","label":"La Bouilloire - extrait de \"Le Principe du tout ou rien\" (in\u00e9dit)","duration":117},{"id":506,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/605_20100520163914.mp3","label":"La chambre ne me plait pas mais j'y suis beaucoup","duration":159},{"id":51,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/80_20060204163329.mp3","label":"La Chanson - extrait de Au jug\u00e9<\/i>, Galil\u00e9e, 2004","duration":189},{"id":217,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/279_20071130162332.mp3","label":"La collection \u00ab Points po\u00e9sie \u00bb (pr\u00e9sentation)","duration":153},{"id":2543,"type":3,"videoId":"1075644581","duration":3768},{"id":308,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/394_20090409161553.pdf","label":"La collection Laureli & Raymond Federman [4 pages]"},{"id":311,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/397_20090422131030.mp3","label":"La constituante piratesque (extrait)","duration":176},{"id":432,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/529_20100120161703.mp3","label":"La cour [Eshiro Mistruru] - Lecture de la traduction fran\u00e7aise par Claude Mouchard.","duration":194},{"id":341,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/437_20090526174150.mp3","label":"La Dissolution (extrait)","duration":423},{"id":637,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/739_20110903160346.mp3","label":"La femme et autres po\u00e8mes courts - Lecture de la traduction par Henri Deluy.","duration":271},{"id":151,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/207_20070328175952.mp3","label":"La fin de Fin<\/i>","duration":292},{"id":417,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/514_20091211143513.mp3","label":"La for\u00eat","duration":199},{"id":306,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/392_20090408184614.mp3","label":"La fourrure de ma tante Rachel (extrait)","duration":251},{"id":115,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/156_20060523135341.mp3","label":"La loi des rendements d\u00e9croissants","duration":180},{"id":2456,"type":2,"content":"

 <\/p>

La maison p\u00e8le<\/p>

            les objets desquament<\/p>

                        sur la commode au soleil d\u2019une apr\u00e8s-midi d\u2019ao\u00fbt<\/p>

                                   surchauff\u00e9e (\u00e0 l\u2019heure de la sieste)<\/p>

                                               :<\/p>

 <\/p>

photos (: lumi\u00e8res refroidies) :<\/strong><\/p>

- d\u2019anc\u00eatres qu\u2019on a toujours connus<\/p>

v\u00e9tustes<\/p>

et que pourtant on pr\u00e9f\u00e8re exposer b\u00e9b\u00e9s enfouis<\/p>

dans leurs dentelles antiques plut\u00f4t que vieux ensevelis<\/p>

dans la vieillesse  <\/p>

 <\/p>

- de vrais b\u00e9b\u00e9s jeunes<\/p>

aux couleurs acides de couverture Mickey et de bavoirs arc-en-ciel<\/p>

dont on ne sait plus toujours ni le nom ni la provenance<\/p>

 <\/p>

- de familles compos\u00e9es d\u00e9compos\u00e9es recompos\u00e9es d\u00e9pos\u00e9es paus\u00e9es<\/p>

 <\/p>

- du couple \u00e0 l\u2019\u00e9glise couple \u00e0 la mairie couple \u00e0 la mer couple au sommet couple en bateau couple en avion couple en voiture couple \u00e0 v\u00e9lo couple en char \u00e0 voile couple en montgolfi\u00e8re<\/p>

couple \u00e0 dos de : chameau \u00e9l\u00e9phant cheval<\/p>

 <\/p>

- de paysages de : montagne canyon rivi\u00e8re mer falaises campagne<\/p>

 <\/p>

- de paysages sous : la neige la pluie le soleil la brume le crachin la bruine le vent la gr\u00eale la temp\u00eate<\/p>

 <\/p>

- de paysage au : cr\u00e9puscule<\/p>

 <\/p>

- de paysage \u00e0 l\u2019 : aube<\/p>

 <\/p>

- de paysages le : matin apr\u00e8s-midi soir \u00e9t\u00e9 automne hiver printemps<\/p>

 <\/p>

- de paysages la : nuit<\/p>

 <\/p>

- de l\u2019aim\u00e9e derri\u00e8re un bouquet de fleurs l\u2019aim\u00e9e devant la tour de Pise l\u2019aim\u00e9e \u00e0 droite d\u2019un \u00e2ne l\u2019aim\u00e9e \u00e0 gauche de la tour Eiffel l\u2019aim\u00e9e sous un olivier l\u2019aim\u00e9e contre un platane l\u2019aim\u00e9e sur un escabeau (cueillant des cerises repeignant le plafond de la chambre rangeant un livre dans la biblioth\u00e8que accrochant une guirlande de papier cr\u00e9pon pour P\u00e2ques) l\u2019aim\u00e9e au-dessus de la mer l\u2019aim\u00e9e en-dessous de la mer<\/p>

           <\/p>

 <\/p>

souvenirs (: tout \u00e0 fait en-dessous de ce qui vient) :<\/strong><\/p>

( : babioles) :<\/strong><\/p>

boules \u00e0 neige porte-cl\u00e9s coquillages boutons pi\u00e8ces de monnaie \u00e9trang\u00e8re boucle d\u2019oreille unique (l\u2019autre \u00e9tant irr\u00e9m\u00e9diablement perdue) capsules de sodas exotiques tickets de bus de territoires coloniaux<\/p>

 <\/p>

( : idoles) :<\/strong><\/p>

vierge bouddha, basilique de rome statue de la libert\u00e9 bonne m\u00e8re tour eiffel acropole en : plastique bois pl\u00e2tre bois papier r\u00e9sine verre m\u00e9tal ou boule \u00e0 neige<\/p>

 <\/p>

( : colonioles\/exoticoles) :<\/strong><\/p>

masque africain masque balinais masque japonais masque v\u00e9nitien<\/p>

\u00e9ventails en soie en bambou en coton en cageot en plastique en canettes de coca en rafia<\/p>

 <\/p>

( : bestioles et rocamboles) :<\/strong><\/p>

hiboux chats poussins dauphins chevaux poneys poules cygnes canards paons porcelets veaux agneaux berg\u00e8res ramoneurs c\u0153urs angelots b\u00e9b\u00e9s danseuse espagnole danseuses africaine danseuse indon\u00e9sienne paysanne \u00e9quatorienne paysanne proven\u00e7ale inuit geisha en porcelaine verre cristal r\u00e9sine plastique bois papier carton bouilli<\/p>

 <\/p>

 <\/p>

poussi\u00e8re<\/strong> : (farine de t\u00e9gument des corps de tous les habitants de la maison (morts ou vifs) \/ phan\u00e8re des phan\u00e8res ( : tout le saint frusquin des corps \u2013 sans oublier leurs cro\u00fbtes \u2013 retourn\u00e9 \u00e0 la terre \u00e0 la cendre, aux rainures de plancher et au lustre domestique) \/ peau seconde recompos\u00e9e dans le d\u00e9sordre \u00e0 partir des peaux premi\u00e8res) :<\/strong><\/p>

 <\/p>

peaux mortes<\/p>

            ongles rong\u00e9s<\/p>

                        cheveux coup\u00e9s en quatre<\/p>

                                   poils arrach\u00e9s \u00e9pil\u00e9s ras\u00e9s<\/p>

                                               cornes de pied<\/p>

                                                           de mains<\/p>

                                                                       verrues<\/p>

 <\/p>

 (: farine de t\u00e9gument des corps de tous les habitants de la maison (morts ou vifs)) :<\/strong><\/p>

 <\/p>

pollens,<\/p>

            p\u00e9tales,<\/p>

                        \u00e9corces,<\/p>

                                   sable<\/p>

                                               poudre de rocs<\/p>

                                                            \u00e9cailles<\/p>

                                                                       griffes<\/p>

                                                                                   mues d\u2019insecte et mues de serpent<\/p>

                                                                                              \u00e9lytres<\/p>

                                                                                                          cornes<\/p>

                                                                                                                      laines<\/p>

                                                                                                                                  soies<\/p>

plumes barbes calames<\/p>

 <\/p>

(: et aussi de tout ce que le temps desquame) :<\/strong><\/p>

-       dans nos armoires (pleines ou vides)<\/p>

-       dans nos biblioth\u00e8ques (vivantes ou br\u00fbl\u00e9es)<\/p>

-       dans nos archives (archiv\u00e9es et oubli\u00e9es)<\/p>

 <\/p>

( : peau morte de tout ce qui papier fait) :<\/strong><\/p>

-       livres lettres photos (cf. supra<\/i>)<\/p>

-       tickets de :<\/p>

concert \u00e0 jamais silencieux<\/p>

           de cin\u00e9ma \u00e9teints<\/p>

                      de th\u00e9\u00e2tres aveugles et sourds<\/p>

-       tickets d\u2019 :<\/p>

avion<\/p>

           de train<\/p>

                      de bus<\/p>

                                  pour des chemins ray\u00e9s des cartes<\/p>

-       tickets d\u2019 :<\/p>

entr\u00e9e sortis du monde depuis longtemps <\/p>

 <\/p>

( : et la cendre de tout cela qu\u2019on br\u00fble) :<\/strong><\/p>

v\u00eatements bibelots (cf. supra<\/i>) papiers (cf. supra<\/i>) matelas armoires buffets photos (cf. supra<\/i>) lettres (cf. supra<\/i>) cahiers d\u2019\u00e9colier vieux journaux tickets (cf. supra<\/i>) convocations amendes faire-part de vie ou de mort coffres<\/p>

 <\/p>

( : et tout cela qui roussit au soleil d\u2019une apr\u00e8s-midi d\u2019ao\u00fbt surchauff\u00e9e (\u00e0 l\u2019heure de la sieste) :<\/strong><\/p>

-        <\/p>

-        <\/p>

-        <\/p>

-        <\/p>

-       etc. :<\/p>

                       <\/p>

 <\/p>

 <\/p>

 <\/p>

 <\/p>

:<\/p>

            la poussi\u00e8re<\/p>

                        saupoudre<\/p>

                                    ses pr\u00e9quelles.<\/p>

 <\/p>","label":"

La maison p\u00e8le,<\/i> in\u00e9dit de Christine Guichou, re\u00e7u le 7 avril, 2025.<\/p>


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l\u2019Association des Amis du Mus\u00e9e","duration":138},{"id":2430,"type":1,"imageIds":[3788]},{"id":350,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/446_20090612155425.mp3","label":"La parabola de Carmen la Reina - v. 52","duration":412},{"id":472,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/570_20100428180716.mp3","label":"La p\u00e2te-mot (introduction)","duration":146},{"id":303,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/389_20090403160216.mp3","label":"La peinture dissipe la nuit ?","duration":117},{"id":2822,"type":1,"imageIds":[4014],"fileUrl":"\/resources\/files\/file_691ee71a32983.pdf","label":"

Les tribulations de la petite G<\/i>, Liliane Giraudon, co-\u00e9dition Cipm \/ \u00e9ditions Plaine Page, novembre 2025<\/p>"},{"id":297,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/383_20090324173340.mp3","label":"La place de Potsdam - Lecture de la traduction fran\u00e7aise par \u00c9ric Giraud","duration":177},{"id":96,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/137_20060228161856.mp3","label":"La plupart du temps... - paru dans Action Po\u00e9tique<\/i>","duration":186},{"id":986,"type":1,"imageIds":[3198]},{"id":128,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/173_20060926141237.mp3","label":"La Porte - traduction collective \u00e9tablie lors du s\u00e9minaire \u201cImport\/Export : Alexandrie-Marseille\u201d (lue par Anne Parian<\/a>)","duration":105},{"id":2446,"type":1,"imageIds":[3803]},{"id":967,"type":1,"imageIds":[3183]},{"id":1310,"type":5,"fileUrl":"\/resources\/files\/file_65ce2bd484b36.pdf"},{"id":1316,"type":2,"content":"


Tenir mes r\u00e9flexions puis \u00e9crire mes pens\u00e9es<\/p>

Mon carnet est vert et mon texte est debout<\/p>

Tenir l'espoir de retenir mon stress<\/p>

Il m'oppresse, il m'agresse<\/p>

Je me balance comme une danse de l'angoisse<\/p>

De ce m\u00eame stress qui me presse de tenir<\/p>

Debout<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

O\u00f9 est cet enfant ?<\/p>

 <\/p>

Comme tous les enfants on voyait le monde grand,<\/p>

Comme tous les enfants on se dispute avec son fr\u00e8re en lui disant de se taire,<\/p>

Comme tous les enfants la vie est color\u00e9e, la vie est enjou\u00e9e,<\/p>

Comme tous les enfants on nous caresse la t\u00eate en nous disant qu'on est devenu grand.<\/p>

Devenu grand ?<\/p>

Maintenant je suis le \"grand\" de cet enfant,<\/p>

Cet enfant qui voulait devenir grand,<\/p>

Mais moi je veux juste retrouver cet enfant.<\/p>

Et maintenant comme tous les grands le monde rapetisse,<\/p>

Comme tous les grands on ne parle plus \u00e0 son fr\u00e8re,<\/p>

Comme tous les grands on voit la vie en noir et blanc,<\/p>

Et comme tous les grands on ne nous remarque plus.<\/p>

Et alors<\/p>

On caresse la t\u00eate de ceux qui sont devenus enfants.<\/p>

\"La ligne de mots palpe ton propre c\u0153ur<\/p>

Elle le fait battre<\/p>

Car sans mot comment exprimer ses id\u00e9es ?<\/p>

Et sans c\u0153ur qui bat on est mort<\/p>

Et il n'y a pas de mots<\/p>

Les mots sont comme le c\u0153ur<\/p>

Ils te font vivre\"<\/p>

\"Exp\u00e9rience, exp\u00e9rience, exp\u00e9rience<\/p>

Profonde et cach\u00e9e<\/p>

Me laisser porter par les mots<\/p>

Il prend vie et tombe sur l'oiseau<\/p>

Ses paroles glissent \u00e0 travers mes oreilles<\/p>

\u00c7a vient mais \u00e7a va trop vite<\/p>

Le temps coule, il s'\u00e9chappe<\/p>

J'ai mal \u00e0 la t\u00eate, ce qui trouble mon esprit<\/p>

Je dompte mes mots pour construire ma pens\u00e9e<\/p>

Pour ne jamais avoir de regrets,<\/p>

Ne pas avoir l'impression de perdre mon temps.<\/p>

\u00c7a finira s\u00fbrement par venir<\/p>

On se sent petit dans<\/p>

LE NEANT<\/p>

Cet immense infini<\/p>

Perdu dans une masse d'individus<\/p>

Moi ? Mais qui suis-je ?<\/p>

La phrase n'arrive pas \u00e0 sortir de la pointe de mon stylo.\"
 <\/p>","label":"

Margot<\/p>"},{"id":1325,"type":2,"content":"


J'ai tellement \u00e0 te donner, je renferme tellement de choses autant que Mille v\u0153ux
Je suis toi comme tu moi, parce que m\u00eame les d\u00e9mons sont heureux. Tu es l\u00e0 beau sentiment. J'aimerais que tu me mordes pour savoir si j'existe.
Je n'ai plus peur maintenant : Mes D\u00e9mons Dans mon monde. Je me l\u00e8ve avec eux regarde par la fen\u00eatre et aussi par la porte. Pri\u00e8re qui compte Chaque minute, chaque seconde 
semble me confirmer m'emp\u00eache et me permet. 
La phrase n'arrive pas \u00e0 sortir quand bien m\u00eame elle est 
Sonner comme la trompette Chaque seconde m'emb\u00eate
Je ne suis pas avec toi mais alors o\u00f9 suis-je ? Mes ennemis, Mes amis
Kiffe ta vie, je r\u00e9p\u00e8te, KIFFE TA VIE, Encore +, encore plus vite, j'ai envie.
J'ai tellement \u00e0 te dire. Surprise. Tous les jours de toi, si 
R\u00e9duit \u00e0 mes \u00e9tats d'\u00e2mes. Aim\u00e9, Aim\u00e9, Aim\u00e9 ne me demande pas<\/p>

Le mot de la fin est toujours douloureux :<\/p>

La vie <\/p>

 <\/p>","label":"

Amine<\/p>"},{"id":1326,"type":2,"content":"


La phrase ne veut pas sortir, et pourtant elle est l\u00e0.<\/p>

Tout s'embrouille dans ma t\u00eate.<\/p>

Je suis enferm\u00e9e dans cette vaste cage, cage, cage...<\/p>

Dois-je l\u00e2cher prise ?<\/p>

Dois-je \u00eatre comme tout le monde ?<\/p>

Dois-je jouer la pi\u00e8ce de ma vie ?<\/p>

Comment me retrouver ?<\/p>

Comment m'aimer moi ? Comment savoir ?<\/p>

Comment m'en sortir ?<\/p>

Respire...Esprit se brouille...Mon c\u0153ur bat si fort que ma force me laisse ici,<\/p>

Seule,<\/p>

Comme le temps qui passe.<\/p>

Sourire \u00e0 l'ext\u00e9rieur, pourtant,<\/p>

Marre de tout, marre de toi, marre de moi...<\/p>

Mais que de pens\u00e9es tranchantes comme les mots.<\/p>

Et mon vide,<\/p>

Les gens ne l'acceptent pas,<\/p>

Mais pourtant, il me touche,<\/p>

Je m'y sens chez moi.\"<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

\"Une \u00e2me perdue,<\/p>

Une douleur intense,<\/p>

Le confort,<\/p>

Le moelleux dur,<\/p>

Allong\u00e9, mon esprit s'endort malgr\u00e9 les larmes tomb\u00e9es,<\/p>

Mes yeux s'\u00e9puisent,<\/p>

Dans ce vaste enfer.\"<\/p>

 <\/p>","label":"

Ambre<\/p>"},{"id":1327,"type":2,"content":"


Alors j'\u00e9cris \u00e0 un moment ou un autre avec tendresse Ma col\u00e8re <\/p>

La phrase n'arrive pas \u00e0 sortir, mon cerveau est en pose comme l'univers<\/p>

Car c'est le plus important <\/p>

\u00c9crire des mots en vrac mais qui est ce que je cherche ? Le temps est compt\u00e9 vite, vite, vite<\/p>

Un \u00e0 un, deux \u00e0 deux, comme par hasard. 
Mais j'\u00e9cris quand m\u00eame, puis tr\u00e9buche <\/p>

Un vide invisible me rapproche aussi comme un aimant<\/p>

Alors je cours vers celle-ci id\u00e9es sauvages, mais vagabondent \u00e0 la fois<\/p>

Et petit \u00e0 petit, ton c\u0153ur pour l'ouvrir au MONDE. <\/p>

 <\/p>","label":"

Marine<\/p>"},{"id":1328,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir de ma bouche,<\/p>

Je la cherche.<\/p>

Je vois ma vie pass\u00e9e, devant mes yeux.<\/p>

Qui suis-je ? O\u00f9 suis-je ?<\/p>

Vide de tout.<\/p>

Je ne suis qu'une actrice.<\/p>

Mais quand est-ce qu'elle sortira ???<\/p>

Je dois me trouver,<\/p>

Je dois \u00eatre patiente.<\/p>

Je suis perdue.<\/p>

Expire et inspire.<\/p>

Je vais voyager, je peux m'y r\u00e9fugier<\/p>

Endroit chaleureux dans lequel...<\/p>

ELLE M'ENFERME, les r\u00f4les sont invers\u00e9s.<\/p>

Ils ne l'accepteront pas, les mots violents ! <\/p>

J'ai besoins d'\u00eatre sauv\u00e9e. <\/p>

Je commence \u00e0 trembler et j'ai peur.<\/p>

La phrase n'arrive pas \u00e0 sortir.<\/p>

Le fil, le fil, le fil de ma vie va l\u00e2cher. \"<\/p>

 <\/p>","label":"

Iris <\/p>"},{"id":1329,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir <\/p>

Comme les mots <\/p>

Comment \u00e9crire ? <\/p>

Source d'inspiration confuse <\/p>

La t\u00eate brouill\u00e9e d'ondes <\/p>

Pour se sentir vivant<\/p>

Formater des consciences <\/p>

Mouvements d\u00e9compos\u00e9s<\/p>

Savoir, pouvoir, voir, m\u00e2choire, gloire <\/p>

Le temps d\u00e9pend de l'instant pr\u00e9sent <\/p>

Jouets doux, finir les contraintes de la vie. Chapitre qui s'en va loin <\/p>

S'attache mots de th\u00e9\u00e2tre <\/p>

Ferrailles, Ferrailles, Ferrailles <\/p>

Le confinement \u00e9tait une caverne<\/p>

Pause... <\/p>

Continuer <\/p>

Tuer pour vivre ou tuer <\/p>

Ennui mais passion <\/p>

La vie est une pi\u00e8ce comme les dents<\/p>

Feuilles longues, trop longues<\/p>

Portes claquent<\/p>

O\u00f9 sommes-nous ? Dans un endroit<\/p>

Bruit de fond distordu<\/p>

 <\/p>

La place de mon enfer<\/p>

Dans un espace de silence<\/p>

Le mouvement recommence<\/p>

C'est moi qui oublie le deuil<\/p>

Avec une fleur dans l'\u0153il<\/p>

O\u00f9 dansent les marionnettes cornues<\/p>

Dans un but qui m'est inconnu<\/p>

Je reste avec cette solution <\/p>

Dans le bois de ma d\u00e9solation<\/p>

 <\/p>","label":"

Yolhan<\/p>"},{"id":1330,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir pour le moment,<\/p>

Je m'en \u00e9loigne de plus en plus, <\/p>

Comme un b\u00e9b\u00e9 soleil qui danse<\/p>

Qui me suit partout o\u00f9 je vais<\/p>

Qui m'enfonce en moi m\u00eame<\/p>

Qui r\u00e9pare mon c\u0153ur <\/p>

Qui m'attire et m'appelle comme par magie<\/p>

Qui s'enflamme \u00e0 chaque battement invisible.<\/p>

Si je cherche bien je finirai par la retrouver,<\/p>

\u00c7a finit par me revenir <\/p>

Et ne pas ne pas ne pas s'arr\u00eater.<\/p>

Je vais \u00e9crire ce qui me passe par la t\u00eate<\/p>

Je m'\u00e9vade mais ma phrase a de nouveau disparu <\/p>

Alors je vais plut\u00f4t \u00e9couter mon c\u0153ur.<\/p>

Je recommence depuis le d\u00e9but <\/p>

Dans cet espace immense, <\/p>

Parler seule afin de me comprendre m'inspire,<\/p>

Et me ram\u00e8ne \u00e0 ces pens\u00e9es infinies qui n'ont aucun sens.<\/p>

 <\/p>","label":"

C\u00e9leste<\/p>"},{"id":1331,"type":2,"content":"


\u00c7a s'envole toujours plus haut et Brouillard aux herbes, pass\u00e9 pr\u00e9sent futur,                                       Je marche vers un horizon lointain                                             Vivre survivre vie nuit et jour, Berceau d'id\u00e9e, paillettes, paillettes, paillettes briller                                 Les liens avec le Pass\u00e9 qui tissent mon avenir                                      Tant\/ temps j'ai la conscience qu'il faut que                                               Ma force int\u00e9rieure raccroche \u00e0 l'avenir qui est ici la fin...                     La phrase n'arrive pas \u00e0 sortir de mon esprit puissance de mon<\/p>

Enfance       L'horloge tourne comme la richesse de mon c\u0153ur                       Je m'envole et survole le monde chaque seconde                                           La joie qui s'\u00e9coule sur le fleuve de                                                          Ma conscience \u00e9merveill\u00e9e de mon \u00eatre pr\u00e9cieux, m'\u00e9blouit \u00e0 briller comme un diamant <\/p>

 <\/p>","label":"

Justine<\/p>"},{"id":1332,"type":2,"content":"


La lumi\u00e8re <\/p>

Bloqu\u00e9e dans mon c\u0153ur <\/p>

Scintille et m'envahit <\/p>

Passionnant <\/p>

Temps, en m\u00eame temps, elle sonne<\/p>

Traverse<\/p>

Tourne et bondit dans ma t\u00eate<\/p>

Difficile mais belle et joyeuse<\/p>

\u00c9motion importante <\/p>

Avancer <\/p>

Devant moi <\/p>

Il fait beaucoup de bruit <\/p>

Plus \u00e0 penser.<\/p>

 <\/p>","label":"

Sharleen<\/p>"},{"id":1333,"type":2,"content":"


La lumi\u00e8re <\/p>

Bloqu\u00e9e dans mon c\u0153ur <\/p>

Scintille et m'envahit <\/p>

Passionnant <\/p>

Temps, en m\u00eame temps, elle sonne<\/p>

Traverse<\/p>

Tourne et bondit dans ma t\u00eate<\/p>

Difficile mais belle et joyeuse<\/p>

\u00c9motion importante <\/p>

Avancer <\/p>

Devant moi <\/p>

Il fait beaucoup de bruit <\/p>

Plus \u00e0 penser.<\/p>

 <\/p>","label":"

Sharleen<\/p>"},{"id":1334,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir donc je vais exprimer ce que je ressens <\/p>

Pourtant <\/p>

Elle englobe ma vision des choses<\/p>

Elle renferme mon enfance que je perds petit \u00e0 petit comme une boite qui m'est pr\u00e9cieuse <\/p>

L'\u00e9cho de ma pens\u00e9e retentit <\/p>

Trop de mots <\/p>

Tout se m\u00e9lange dans ma t\u00eate <\/p>

Je cherche <\/p>

Ma p\u00e9nombre s'\u00e9claircit <\/p>

Me ram\u00e8ne \u00e0 mon monde <\/p>

Mon monde \u00e0 moi avec mes r\u00e8gles mes lois <\/p>

Et sortir pour partir <\/p>

Partir pour laisser <\/p>

Laisser pour sortir cette pens\u00e9e qui me p\u00e8se pr\u00e9sente <\/p>

Pourtant la vie, la vie voici ma vie <\/p>

Elle est moi <\/p>

Mais j'en suis s\u00fbre c'est la mienne <\/p>

Avancer <\/p>

Parcourir le chemin gr\u00e2ce \u00e0 ta lumi\u00e8re FLASH !<\/p>

 <\/p>","label":"

Sarah PM<\/p>"},{"id":1317,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir<\/p>

Je m'en vais, je pars, je quitte la salle<\/p>

Mais si je ne vis pas, \u00e7a ne s'arr\u00eate pas l\u00e0 <\/p>

La phrase n'arrive pas \u00e0 sortir, cach\u00e9e je ne la laisse pas m'effrayer <\/p>

Chaque seconde \u00e9ph\u00e9m\u00e8re <\/p>

Comme le vide qui me parle, m'\u00e9crit en sa pr\u00e9sence<\/p>

Ce son qui raisonne ne cesse de m'\u00e9couter, m'intrigue, m'\u00e9blouit<\/p>

Je le laisse s'\u00e9chapper <\/p>

Si ma voie ne porte pas assez, je l'\u00e9l\u00e8verai \u00e0 en crier <\/p>

C'est aussi facile que de s'endormir un soir de nuit <\/p>

Un soir de pluie <\/p>

Un soir sans bruit <\/p>

La pluie qui coule qui vie <\/p>

Qui vole s'endort <\/p>

La peine qui casse qui part <\/p>

Si la plume s'envole la phrase aussi. <\/p>

 <\/strong><\/p>","label":"

Nawel<\/p>"},{"id":1335,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir elle est bloqu\u00e9e dans ma gorge <\/p>

la phrase est longue<\/p>

esp\u00e9rer qu'elle finira par arriver<\/p>

avec un peu de temps<\/p>

ma tristesse prend le dessus, et mes larmes coulent et dansent<\/p>

quand cette douleur s'arr\u00eatera-t-elle ?<\/p>

la phrase n'arrive pas \u00e0 sortir<\/p>

la phrase n'arrive pas \u00e0 sortir<\/p>

La phrase n'arrive pas \u00e0 sortir ? et alors ?<\/p>

il n'y en a-t-il pas d'autres ?<\/p>

\"je ne sais pas o\u00f9 est ma place\"<\/p>

avant, j'\u00e9tais une jeune fille, innocente et mignonne<\/p>

une jeune fille qui savait o\u00f9 \u00e9tait sa place<\/p>

aujourd'hui, je suis une femme, une femme<\/p>

seulement une femme parmi tant d'autres?<\/p>

Plus de notion du temps<\/p>

Chut! 
d\u00e9sormais, je suis ma\u00eetresse de mon monde<\/p>

la joie, la tristesse, la col\u00e8re, sentiments contradictoires qui me permettent de rester en vie.<\/p>

 <\/p>","label":"

Illhame<\/p>"},{"id":1336,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir, il y a trop de pens\u00e9es<\/p>

Elle reste bloqu\u00e9e au fond de moi<\/p>

Rien<\/p>

Ce voyage dans mes pens\u00e9es me perd, quoi penser ?<\/p>

Je suis perdue trop tard<\/p>

Alors je n'ose pas<\/p>

Je ne pense pas<\/p>

Tout comme moi, je suis perdue <\/p>

Pour \u00e9vacuer<\/p>

Je me retrouve dans les airs<\/p>

Je me sens bien dans mon imaginaire <\/p>

Elle est vivante <\/p>

Puis mon esprit r\u00e9sonne <\/p>

Et l'alt\u00e9rit\u00e9 qui m'est si pr\u00e9cieuse me gagne<\/p>

Mais plus maintenant, trop de sentiments tous aussi beaux et contradictoires<\/p>

C'est ce qui me rend humain<\/p>

Oui, oui, oui<\/p>

Afin de m'exprimer, je laisse mon corps s'exprimer par la danse<\/p>

Je suis la vie<\/p>

Me trouver est long <\/p>

Gr\u00e2ce \u00e0 toi je me retrouve <\/p>

Je me retrouve et j'avance <\/p>

Je suis forte.<\/p>

 <\/p>","label":"

Sarah E<\/p>"},{"id":1318,"type":2,"content":"

 <\/p>

J\u2019\u00e9cris pour me parcourir<\/p>

Je r\u00e9fl\u00e9chis et je repense<\/p>

Je suis tomb\u00e9e amoureuse<\/p>

Chagrin d\u2019amour <\/p>

Mais je suis rest\u00e9e debout <\/p>

J'\u00e9cris pour rester en vie<\/p>

J'avais plus les mots<\/p>

J\u2019\u00e9tais perdue mais j\u2019m\u2019en suis sortie <\/p>

 <\/p>

Mais est ce que les animaux chantent <\/p>

Ils me fascinent me touchent m'envolent ?<\/p>

Encore et toujours, \u00e7a vient \u00e7a part chaque minute, chaque heure <\/p>

Puis j'abandonne j'oublie je retrouve l'amour la tristesse <\/p>

Suis-je amoureuse ou heureuse ? <\/p>

Je ne sais pas, je ne sais pas et toi tu sais ? <\/p>

La phrase n'arrive pas \u00e0 sortir, les id\u00e9es vivent, vivent, encore et toujours, de plus en plus au risque de mourir.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

La phrase n'arrive pas \u00e0 sortir<\/p>

\u00c7a me tracasse, je n'ai pas de<\/p>

Solution. POURQUOI ?<\/p>

Phrase remplie de jeux. Que faire pour \u00eatre Soi<\/p>

Je suis perdu ; oppression sensible...<\/p>

Les attentes me semblent inatteignables<\/p>

Marre, MARRE, MaRRe. Soi<\/p>

Comment \u00eatre et faire ce que l'on me demande ?<\/p>

Comment Moi sentir Soi ?<\/p>

ZUT, zut, ZuT. Qui ? QUI ? qUi ?<\/p>

Elle ne sort, je ne veux !<\/p>

Cet exo si exact ne me touche, TOUCHE, TOUche le vide<\/p>

Qui sont les autres, elle ne sort pas, c'est comme \u00e7a !<\/p>

Je me sens VIDE, VIDES, Sens de vide<\/p>

Je ne sais plus quoi dire...<\/p>

Elle sortira l'instant pr\u00e9sent.<\/p>

Fl\u00e9chir et craquer<\/p>

 <\/p>

Fin, enfin, r\u00e9sultats du Soi.<\/p>

 <\/p>","label":"

Fabio<\/p>"},{"id":1319,"type":2,"content":"


La phrase n'arrive pas \u00e0 sortir. Je r\u00e9fl\u00e9chis et tout s'\u00e9croule, ce qui m'entra\u00eene \u00e0 penser et me perdre sans m\u00eame ne plus rien penser. Encore, encore, puis soudain, mon corps se disperse, passe, coule et nous nous oublions. Malgr\u00e9 cela, nous nous effor\u00e7ons de nous rappeler. En Italie, pr\u00e8s de l'eau, j'\u00e9tais un fou, fou, fou. Mon esprit s'\u00e9gare, laissant les choses se faire. Je me suis perdu pour ne plus me sentir, dans ce gouffre noir qui m'agresse et me fait me perdre dans ma remise en question. Calme les battements de ton c\u0153ur, instantan\u00e9ment, instantan\u00e9ment, instantan\u00e9ment. Par qui pourrais-je, et m'y sentir bien ? \u00c7a tourne dans ma t\u00eate, pas de suite qui me vient, de moi-m\u00eame ou de ma libert\u00e9, \u00e0 imaginer. Le verbe n'existe pas. J'ai fini d'\u00e9crire. La phrase n'arrive pas \u00e0 sortir, donc je m'arr\u00eate de r\u00e9fl\u00e9chir.<\/p>

 <\/p>","label":"

Lo\u00efc<\/p>"},{"id":1320,"type":2,"content":"


LA PHRASE N'ARRIVE PAS \u00c0 SORTIR ET \u00c7A EN DEVIENT FRUSTRANT, je regarde le miroir et je le hais, le symbole qu'il m'envoie m'est repoussant.<\/p>

Mes amis sont des anges, ils me construisent d'une part et inversement.<\/p>

JE SUIS CAR TU ES ! Dans quel \u00e9tat, mon \u00e2me ?<\/p>

Je marche tel un po\u00e8te, j\u2019\u00e9cris tel un esprit.<\/p>

Les exp\u00e9riences subies, la haine, et surprenantes elles se d\u00e9voilent.<\/p>

Envie, en vide, mais vite, m\u2019invite le battement du c\u0153ur, le SOI, le moi, j\u2019expose l\u2019autre en substitut.<\/p>

L\u2019absence si pr\u00e9sente qui heurte mes pens\u00e9es semble n\u00e9cessaire et AAAAAAAAAAAA !!
O\u00f9 sont les cl\u00e9s ? Tocsin, tocsin, tocsin.<\/p>

La phrase n\u2019arrive pas \u00e0 sortir, est-ce que c\u2019est moi qui la retiens ? Je remets une musique.<\/p>

L\u2019expression est difficile, faire glisser l\u2019encre est facile. <\/p>

Nos deux \u00e2mes s\u2019enchev\u00eatrent.<\/p>

 <\/p>

Qui j\u2019\u00e9tais ?<\/p>

 <\/strong><\/p>","label":"

Alexis<\/p>"},{"id":1321,"type":2,"content":"


La phrase n\u2019arrive pas \u00e0 sortir et moi j\u2019aurai pr\u00e9f\u00e9r\u00e9 ne pas entrer. Alors je regarde le monde d\u2019une autre mani\u00e8re. Pour moi, \u00e0 moi on m\u2019a donn\u00e9 la vie, une chance. Je n\u2019y ai jamais eu le droit, la r\u00e9alit\u00e9 s\u2019abat m\u2019aveugle et bouleverse l\u2019Au-dela\u0300 deux fois. Je me d\u00e9vore de l\u2019int\u00e9rieur, seul, indigne, peurs, sans limites. Le vent robuste ne cesse de souffrir mais je prie, j\u2019ai besoin, besoin, besoin de toute mani\u00e8re je n\u2019ai pas mon mot a\u0300 dire. Ou\u0300 partent mes souvenirs ? Je ne sais plus non ? L\u2019incertitude r\u00e8gne. Quels cot\u00e9s sera le vaincu ? \u00c0 la mort. Faire face \u00e0 mes d\u00e9mons et idol\u00e2trer mais sceller d\u2019un m\u00e9tal.<\/p>

 <\/p>","label":"

Lily<\/p>"},{"id":1322,"type":2,"content":"


La phrase n\u2019arrive pas \u00e0 sortir de la t\u00eate dans laquelle des voix n\u2019arr\u00eatent pas de crier alors me d\u00e9truits mentalement, psychologiquement, personnellement et peux plus ! Mais existe toujours...
Pourquoi ? Parce que et me ferme, et renferme, ne ressort plus. Redescend sur la Terre, un retour brutal \u00e0 la r\u00e9alit\u00e9, un gros bazar, enferme dans une critique, sans hypocrites, sans \u00e9trangers, non humain, Robot ? Ou sans arnaquer, abandonne\u0301 d\u2019un c\u00f4t\u00e9 mais entoure de l\u2019autre, monde ne connais pas la paix, l\u2019a jamais connue car, voulais juste bronzer et lancer esprit critique sans penser ? Or enferme\u0301 dans une machine \u00e0 laver qui marche 24\/7 oui, et alors ? Lorsque ne sais pas quelle est la cause. Mais mais mais le chemin est d\u00e9truit lorsque lorsque lorsque quelqu\u2019un d\u2019ouvert comme une bo\u00eete de conserve seule, abandonn\u00e9e, oublie, vers l\u2019infini ou rentrer et cave et lorsque grandi de plus en plus mais sorti comme de la folie, du de\u0301gou\u0302t lorsque comme des piliers d\u2019E\u0301glise, suis une bo\u00eete de Pandore qui attend d\u2019\u00eatre ouverte<\/p>

 <\/p>","label":"

Filip<\/p>"},{"id":1323,"type":2,"content":"


Une id\u00e9e, une pens\u00e9e <\/p>

Je laisse le temps<\/p>

Le train passe...<\/p>

Un son lointain qui me submerge <\/p>

Mon ami, mon amour<\/p>

Fou de toi<\/p>

Ma conscience est un incendie <\/p>

La phrase n'arrive pas \u00e0 sortir, alors je l'enferme <\/p>

La vie, la mort, l'entre deux, je ne sais plus<\/p>

Chemin qui m\u00e8ne aux solutions<\/p>

Dans cette qu\u00eate, l'important est d'avancer <\/p>

L'oc\u00e9an m'accompagne <\/p>

C'est fini<\/p>

Le soleil se couche<\/p>

Et l'obscurit\u00e9 me guette.<\/p>

 <\/p>","label":"

Louanne<\/p>"},{"id":1324,"type":2,"content":"


Mes poumons se remplissent du monde<\/p>

Rang\u00e9s dans ma bo\u00eete \u00e0 souvenirs,<\/p>

En m\u00eame temps que danser <\/p>

La phrase n'arrive pas \u00e0 me quitter<\/p>

Perdue dans mon imaginaire<\/p>

Je plonge pour te retrouver <\/p>

Col\u00e8re qui m'embarque dans un tourbillon color\u00e9<\/p>

Je t'adore car tu me fais avancer<\/p>

Je me redresse face aux mots <\/p>

Ma vision est claire <\/p>

La phrase n'arrive pas \u00e0 sortir <\/p>

J'enlace la honte qui la retient <\/p>

Le temps <\/p>

Le temps est long<\/p>

On m'a toujours dit : le son c'est moi,<\/p>

Je suis le cri <\/p>

Est-ce que j'ai le droit de me perdre dans mon esprit ?<\/p>

D'\u00eatre la musique <\/p>

FORTE<\/p>

 <\/p>","label":"

Flora<\/p>"},{"id":725,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/828_20120504185606.mp3","label":"La r\u00e9daction n'est pas une soci\u00e9t\u00e9 secr\u00e8te... (extrait)","duration":237},{"id":969,"type":1,"imageIds":[3185]},{"id":52,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/81_20051022142203.swf","label":"La Route - texte in\u00e9dit"},{"id":881,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/994_20160323142545.mp3","label":"La Sainte-Victoire de Trois-Quarts - La Sainte-Victoire de Trois-Quarts<\/i> (extrait)\r\nOlivier Domerg, Laure Ballester, Christophe Roque.","duration":510},{"id":1337,"type":2,"content":"

Je n\u2019ai pas d\u2019imagination, mais le r\u00e9el en a pour moi, c\u2019est pourquoi je l\u2019aime.<\/p>

Toutefois, m\u00eame si je ne sais pas tr\u00e8s bien ce qu\u2019est le r\u00e9el, je suis convaincue que je m\u2019en approche souvent, et de plus en plus, \u00e0 mesure que je vieillis. Les math\u00e9maticiens et les amateurs de m\u00e9taphores diraient que ma tension vers le r\u00e9el est asymptotique<\/i>, mais c\u2019est un gros mot<\/i> (m\u00eame s\u2019il en est de ces gros mots que j\u2019aime, malgr\u00e9 leur tr\u00e8s mauvaise r\u00e9putation et qui sont fort mal nomm\u00e9s noms savants<\/i>).<\/p>

Ne perdons pas le fil, je pense m\u2019approcher du r\u00e9el, soit en me baladant avec une loupe, des jumelles, un enregistreur de son. Je crois bien que je m\u2019en rapproche aussi sans instruments, avec seulement<\/i> des yeux et des oreilles, ce qui est d\u00e9j\u00e0 beaucoup, voire en fermant les yeux, mais pas les oreilles, ou l\u2019inverse, ou m\u00eame, en dormant, fen\u00eatre ouverte, quand, par exemple, c\u2019est la lumi\u00e8re qui me r\u00e9veille\u2009; au printemps, c\u2019est la lumi\u00e8re et<\/i> la Fauvette \u00e0 t\u00eate noire ou le Rougequeue \u00e0 front blanc (parfois ils chantent quasi en m\u00eame temps).<\/p>

Je crois que je me rapproche aussi du r\u00e9el, sans sortir du bureau, en \u00e9crivant, lorsque je m\u2019adresse \u00e0 toi<\/i>, et m\u00eame lorsque je n\u2019\u00e9cris pas, et que je m\u2019adresse quand m\u00eame \u00e0 toi<\/i>, car si je vivais sans m\u2019adresser, puisque s\u2019adresser revient un peu au m\u00eame, pour moi, que de t\u00e9moigner, c\u2019est-\u00e0-dire redoubler ce que je crois comprendre du r\u00e9el dans lequel je suis comprise, pour mieux l\u2019aimer, je n\u2019\u00e9crirais pas. Oui, je sens que je m\u2019approche, bien que ce r\u00e9el-l\u00e0 soit encore un peu abstrait.<\/p>

En ouvrant le Cours de Pise*<\/i>, je crois que tout cela s\u2019est un peu objectiv\u00e9, donc clarifi\u00e9, quant \u00e0 la fabrique (personnelle ?) c\u2019est-\u00e0-dire sur ce que je suis en train de faire, sur ce que je souhaiterais continuer \u00e0 faire, et, sur ce que je crois avoir \u00ab\u2009toujours\u2009\u00bb fait. (\u2026)<\/p>","label":"

in La saison des mousses<\/i>, Biophilia, Corti, 2023.<\/p>

 <\/p>

Texte re\u00e7u de Fabienne Raphoz \u00e0 l'approche de sa micro-r\u00e9sidence<\/p>

\u00e0 la Commanderie de Peyrassol les 15 et 16 mars 2024.<\/p>"},{"id":381,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/477_20090909153310.mp3","label":"La salle d'attente est tout \u00e0 fait vide ...","duration":196},{"id":728,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/831_20120504191041.mp3","label":"La sensation de Kronecker","duration":317},{"id":322,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/410_20090429130846.mp3","label":"La seule raison po\u00e8mes","duration":278},{"id":623,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/725_20110712175157.mp3","label":"La strat\u00e9gie du coquelicot (extrait)","duration":193},{"id":260,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/341_20090812142211.mp3","label":"La terre du moment - Traduction fran\u00e7aise lue par J\u00e9r\u00f4me Mauche.","duration":170},{"id":1092,"type":3,"label":"

Olivier Domerg, Brigitte Palaggi, lecture, La Verte traVers\u00e9e<\/i>,<\/p>

samedi 16 septembre 2023.<\/p>"},{"id":845,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/956_20140328180007.mp3","label":"La vie des noms (extrait) - Soir\u00e9e de pr\u00e9sentation des \u00e9ditions Nous\r\n14 f\u00e9vrier 2014","duration":102},{"id":323,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/411_20090429131137.mp3","label":"La ville dans la boucle - Extraits de La r\u00e8gle du changement<\/i>","duration":185},{"id":454,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/552_20100302171816.mp3","label":"La vingt-trois mille deux cent vingt-septi\u00e8me nuit (extrait)","duration":395},{"id":149,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/205_20070322161211.mp3","label":"La vitesse et l'esprit - Lecture du po\u00e8te cor\u00e9en en r\u00e9sidence au cipM<\/i>
\r\nLecture de la traduction fran\u00e7aise par Andr\u00e9 Derval","duration":138},{"id":2057,"type":5,"imageIds":[3556],"fileUrl":"\/resources\/files\/file_6636353479066.pdf","label":"

La Schlitte du narr\u00e9 (\u00e9tat provisoire, f\u00e9vrier 2024)<\/i><\/p>

\u00a9 P. Beurard-Valdoye \/ Photo Cipm.<\/p>

 <\/p>


 <\/p>"},{"id":1267,"type":4,"fileUrl":"\/resources\/files\/file_65aa4cdd87f34.mp3","label":"

Frank O\u2019Hara \u2014 Lana Turner has Collapsed<\/i>, poem, SUNY, Buffalo \u2013 September 25, 1964<\/p>

Dur\u00e9e : 00'47\"<\/p>","duration":48},{"id":392,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/489_20091006161309.mp3","label":"Larountala + Je me l\u00e8ve t\u00f4t... - Montage - Fr\u00e9d\u00e9ric Acquaviva","duration":165},{"id":1070,"type":8,"label":"

Mixage r\u00e9alis\u00e9 par Alessandro Bosetti \u00e0 partir de divers enregistrements r\u00e9alis\u00e9s \u00e0 Forcalquier, les 4 et 6 mai 2023, lors de la cr\u00e9ation de Latences, pi\u00e8ce pour carillon, radio et vall\u00e9e<\/i>.<\/p>","duration":1958,"soundId":"1557741967"},{"id":1071,"type":1,"imageIds":[3268]},{"id":919,"type":4,"fileUrl":"\/resources\/files\/file_6411fc2d1a757.mp3","label":"

Une co-production Festival Num\u00e9ro Z\u00e9ro<\/a>\/Cipm, en partenariat avec Radio Zinzine <\/a>(100.7).<\/p>

Teaser r\u00e9alis\u00e9 par Alessandro Bosetti<\/p>","duration":64},{"id":122,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/164_20060711135416.mp3","label":"Later a Second Visit - (Plus tard une seconde visite) - Traduction de et lue par Pascal Poyet.\r\n","duration":203},{"id":337,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/433_20090516184454.mp3","label":"Le charme est rompu","duration":231},{"id":183,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/242_20070817143405.mp3","label":"Le bar \u00e9tait enfum\u00e9... - extrait de Le radeau de la m\u00e9duse<\/i> (Gallimard, Paris, 1983)","duration":345},{"id":113,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/154_20060509122111.mp3","label":"Le Baron La Hontan","duration":154},{"id":438,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/535_20100127164819.mp3","label":"Le Bazar de l'H\u00f4tel de Ville (extrait)","duration":189},{"id":645,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/747_20110903165337.mp3","label":"Le bec de la plume (extrait)","duration":171},{"id":500,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/599_20100518175528.mp3","label":"Le ciel est une paupi\u00e8re ronde (extrait)","duration":189},{"id":686,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/788_20120113183615.mp3","label":"Le ciel, la mer ... (extrait) - Lecture de la traduction en fran\u00e7ais compl\u00e8te par Liliane Giraudon","duration":858},{"id":406,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/503_20091119161038.mp3","label":"Le ciel, un peu & autres extraits","duration":181},{"id":2741,"type":1,"imageIds":[3923]},{"id":104,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/145_20060321122232.mp3","label":"Le circuit de l\u2019eau dans la nature - texte in\u00e9dit
\r\ntraduction de letitia Ilea<\/a>, lue par Pascal Jourdana","duration":235},{"id":509,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/608_20100525173110.mp3","label":"Le citron perd son apparence","duration":86},{"id":280,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/366_20090226143835.mp3","label":"Le commencement de la nuit - Courrier de la douleur - Lecture de la traduction fran\u00e7aise par Jean-Charles Depaule","duration":196},{"id":589,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/690_20110312174102.mp3","label":"Le commencement du jour \/ Plantation - Beginning [Charles Olson]","duration":289},{"id":524,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/623_20100701172250.mp3","label":"Le concentr\u00e9 de tomate","duration":241},{"id":131,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/176_20061018181204.pdf","label":"le corps-biblioth\u00e8que (version d\u00e9finitive) [5 pages] - une biblioth\u00e9conomie de la langue - texte r\u00e9dig\u00e9 \u00e0 l'occasion de la publication sur internet du catalogue de la biblioth\u00e8que du cipM<\/i>.\r\n\r\nune version ant\u00e9rieure de ce texte est parue dans le Cahier du Refuge<\/i> consacr\u00e9 \u00e0 l'\u00e9v\u00e9nement."},{"id":791,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/898_20121023130026.mp3","label":"Le Cow boy et le po\u00e8te (extrait) - Extrait sonore de l'ouvrage \u00e9ponyme publi\u00e9 aux \u00e9ditions de l'Attente","duration":188},{"id":2053,"type":1,"imageIds":[3553]},{"id":750,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/857_20120623165124.mp3","label":"Le d\u00e9part","duration":284},{"id":1021,"type":3,"videoId":"766441307","duration":3974},{"id":2821,"type":2,"content":"

 <\/span><\/p>

Je ne sais pas si je respire convenablement.<\/span><\/p>

Je ne crois pas avoir re\u00e7u d'explications pr\u00e9cises<\/span><\/p>

sur l\u2019histoire ou les mobiles de la respiration.<\/span><\/p>

Comme beaucoup trop de choses aujourd\u2019hui<\/span><\/p>

la respiration est un acquis, quelque chose<\/span><\/p>

qui va de soi, qui n\u2019est pas vraiment<\/span><\/p>

questionn\u00e9e, mais pour ma part<\/span><\/p>

la seule bonne question concerne le fait personnel<\/span><\/p>

de respirer, la raison propre, la motivation intime.<\/span><\/p>

C\u2019est une histoire priv\u00e9e celle du souffle,<\/span><\/p>

elle fait partie des choses qui sont si proches de nous<\/span><\/p>

qu\u2019on les perd de vue, qu\u2019on ne sait m\u00eame plus<\/span><\/p>

si on les poss\u00e8de encore. La respiration<\/span><\/p>

est devenue difficile de nos jours, une sorte<\/span><\/p>

d\u2019\u00e9nigme. Il faudrait encore que je m\u2019arr\u00eate<\/span><\/p>

au milieu de toute cette agitation pour y voir clair :<\/span><\/p>

on dit souvent que la respiration est d\u00e9j\u00e0 l\u00e0,<\/span><\/p>

elle serait m\u00eame la condition pour quelqu\u2019un<\/span><\/p>

de na\u00eetre vivant, parce qu'on ne peut pas exclure<\/span><\/p>

de na\u00eetre tout \u00e0 fait mort, sans respiration,<\/span><\/p>

comme si on \u00e9tait arriv\u00e9 trop t\u00f4t ou trop tard<\/span><\/p>

pour attraper le souffle. Il s\u2019agit donc d\u2019une liaison<\/span><\/p>

puissante, la vie est avant tout un ph\u00e9nom\u00e8ne<\/span><\/p>

respiratoire, et maintenant me viennent \u00e0 l\u2019esprit<\/span><\/p>

une ou deux le\u00e7ons de sciences naturelles :<\/span><\/p>

on nous apprenait des notions comme les poumons,<\/span><\/p>

l\u2019oxyg\u00e9nation du sang, le bon sang nouveau<\/span><\/p>

et le mauvais sang tout vieux, mais chacun,<\/span><\/p>

heureusement, avait d\u00e9j\u00e0 appris \u00e0 respirer<\/span><\/p>

et \u00e0 sa propre mani\u00e8re, qui bien qui mal. Elle arrivait<\/span><\/p>

un peu trop tard toute l\u2019explication avec les sch\u00e9mas<\/span><\/p>

bicolores, bleu et rouge, et les tuyaux<\/span><\/p>

en forme de serpent. Trop tard, je respirais d\u00e9j\u00e0,<\/span><\/p>

mais sans trop le savoir, et aujourd\u2019hui je sens<\/span><\/p>

qu\u2019il y a probl\u00e8me, je n\u2019arrive plus \u00e0 avaler<\/span><\/p>

comme il faut, distrait et insouciant, mais \u00e7a marche<\/span><\/p>

malgr\u00e9 tout, malgr\u00e9 moi, je me dis alors<\/span><\/p>

\u00ab mmm, que c\u2019est bon, c\u2019est du pur oxyg\u00e8ne,<\/span><\/p>

c\u2019est exquis, et il y a en a partout \u00bb. Je l\u2019avale encore<\/span><\/p>

et encore, mais non, soyons sinc\u00e8res, j\u2019en veux plus<\/span><\/p>

de cette chose, et certes je l\u2019avale, mais par reflexe,<\/span><\/p>

par un geste parfaitement automatique,<\/span><\/p>

et \u00e7a me racle la gorge, me d\u00e9sole,<\/span><\/p>

donc j\u2019h\u00e9site, parce que je sens l\u2019effort volontaire<\/span><\/p>

pour repousser ce gaz, mais je sens aussi<\/span><\/p>

l\u2019effort inverse, involontaire, pour survivre,<\/span><\/p>

l\u2019inhaler de mani\u00e8re aveugle, \u00e9go\u00efste, alors que<\/span><\/p>

j'en ai marre de tout cet exercice, et puis<\/span><\/p>

c\u2019est compliqu\u00e9, maintenant, de man\u0153uvrer son souffle,<\/span><\/p>

il y a plein de sous-entendus, des petits errements,<\/span><\/p>

plus rien n\u2019est lin\u00e9aire et \u00e0 plat dans cette affaire.<\/span><\/p>

 <\/p>","label":"

Le discours en apn\u00e9e<\/i> (extrait), re\u00e7u de Andrea Inglese le 8 novembre \u00e0 l'approche du colloque Liliane Giraudon : \u00e0 la p\u00e9riph\u00e9rie du po\u00e8me<\/i><\/a> du 15 novembre 2025.<\/p>"},{"id":672,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/774_20111108182431.mp3","label":"Le dit d'amour et de mort du Cornette Christoph Rilke [Rainer Maria Rilke] (extrait)","duration":427},{"id":713,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/815_20120309161827.mp3","label":"Le Facteur Cheval","duration":241},{"id":885,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/998_20160323145633.mp3","label":"Le fait est que... - Extrait.\r\nFrank Smith","duration":95},{"id":281,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/367_20090226161833.mp3","label":"Le Fant\u00f4me de Hamlet - extrait de Fleurs M\u00e9t\u00e9oriques - Lecture de la traduction en fran\u00e7ais par David Lespiau","duration":110},{"id":1708,"type":1,"imageIds":[3503]},{"id":1709,"type":2,"content":"

 <\/p>

chut le masque qui m\u2019emp\u00eache de respirer<\/p>

chut les d\u00e9cisions b\u00eate du gouvernement \u00e0 cause de toi<\/p>

chute chute et chute ma moyenne<\/p>

chut le r\u00e9veil qui sonne tout les matins, laisse moi dormir bordel<\/p>

chut le couvre feu \u00e0 cause de toi je peux pas bouffer macdo<\/p>

chut dites merci aux clients fid\u00e8les qui viennent tout les week-ends pour faire des rappels qui servent \u00e0 rien<\/p>

chut les tests covid \u00e7a fait 8 fois que je le fais quand allez vous comprendre que je l\u2019ai pas.<\/p>

Chut les personnes qui aiment les pizzas \u00e0 l\u2019ananas, c\u2019est d\u00e9gueulasse<\/p>

chut les profs qui crient de bon matin<\/p>

chut \u00e0 tout \u00e7a<\/p>

 <\/p>","label":"

chut \u00e0 tout \u00e7a \u2013 Alycia<\/p>"},{"id":1718,"type":4,"fileUrl":"\/resources\/files\/file_65f1b9e7a606a.mp3","label":"

apprendre le fran\u00e7ais, Natalia<\/p>","duration":15},{"id":1719,"type":4,"fileUrl":"\/resources\/files\/file_65f1ba1a0513a.mp3","label":"

ta sueur sent le Hammam, WE<\/p>","duration":15},{"id":1720,"type":2,"content":"

 <\/p>

que tu sois kidnapp\u00e9<\/p>

que quelqu\u2019un te kidnappe et te tue<\/p>

que tu te fasses kidnapper devant tes parents<\/p>

fais toi kidnapper sans que personne ne puisses t\u2019aider<\/p>

que tu te fasses prendre par une camionnette noire du ferrage<\/p>

qu\u2019elle t\u2019emm\u00e8ne au lieu de ton anniversaire surprise<\/p>

que la f\u00eate prenne toute une apr\u00e8s-midi<\/p>

 <\/p>","label":"

Kidnapp\u00e9, WE<\/p>"},{"id":1721,"type":2,"content":"

 <\/p>

Chut les gens qui ouvrent leur bouche quand je regarde mes s\u00e9ries tranquillement dans ma chambre le soir.<\/p>

Chut les p\u00e9dophiles qui me suivent dans la rue quand je sors dehors avec Nahida.<\/p>

Chut le vent qui m\u2019emp\u00eache de m\u2019habiller comme je veux parce qu\u2019il fait trop froid pour mettre ma veste.<\/p>

Chut Toi qui me saoule avec ses black et m\u00e9tisse et Toi avec RK et Toi avec tes crushs d\u2019anim\u00e9.<\/p>

Chut les gens qui me parlent de bon matin alors que je n\u2019ai pas envie de parler avec eux.<\/p>

Chut les gens qui parlent sur moi mais n\u2019assument pas et qui s\u2019agitent avec leur corps mais n\u2019agissent pas. Allez Mouak.<\/p>

Chut les contr\u00f4les qui s\u2019encha\u00eenent heure apr\u00e8s heure jour apr\u00e8s jour en plus y\u2019a 8 pages \u00e0 apprendre.<\/p>

Chut fermez votre bouche merci d\u2019avance.<\/p>

 <\/p>","label":"

les gens qui ouvrent leur bouche , Bouchra.arz<\/p>"},{"id":1722,"type":2,"content":"

 <\/p>

Mange ou tu vas mourir de faim<\/p>

Mange sinon tu vas tomber dans les pommes<\/p>

Mange pour grossir un peu
 <\/p>

Mange pour dig\u00e9rer<\/p>

dig\u00e9rer pour ne pas vomir<\/p>

Mange pour te nourrir<\/p>

broie la nourriture avec tes dents pour ne pas t\u2019\u00e9touffer<\/p>

\u00e9crase l\u2019aliment qui te nourri pour qu\u2019il soit dig\u00e9r\u00e9 plus facilement<\/p>

Ne mange quand m\u00eame pas trop pour ne pas grossir<\/p>

 <\/p>","label":"

mange sinon, Yousra.EP<\/p>"},{"id":1723,"type":4,"fileUrl":"\/resources\/files\/file_65f1bae7cf928.mp3","label":"

la torture te tue, Yousra.EP souffres, Bouchra.arz<\/p>","duration":31},{"id":1724,"type":2,"content":"

 <\/p>

Un bon matin une femme grande, de longue jambes, de belles hanches et une beaut\u00e9 aveuglante se balade dans une rue habit\u00e9e. Un jeune homme lance des regards insistants et des petits clins d\u2019oeil pervers, il a faim de femme et vient l\u2019accoster sans son consentement bien sur. Elle lui fait clairement comprendre qu\u2019elle n\u2019est pas int\u00e9ress\u00e9e, elle l\u2019ignore en regardant son t\u00e9l\u00e9phone, mais celui-ci continu sans rel\u00e2che, alors elle met sa main dans son sac, sort un spray et vise les yeux du pervers. L\u2019homme cri A\u00ef\u00ef\u00ef\u00ef\u00ef\u00ef\u00efi\u00ef\u00ef\u00ef de douleur et de souffrance aux yeux. Il se met \u00e0 genoux, mains sur les yeux et la jeune femme s\u2019en va le plus vite possible.<\/p>

 <\/p>","label":"

le pervers, Nahida<\/p>"},{"id":1725,"type":4,"fileUrl":"\/resources\/files\/file_65f1bb5bac99d.mp3","label":"

taitoi ! et obeis, Nahida accompagn\u00e9e de Wessal<\/p>","duration":24},{"id":1726,"type":2,"content":"

 <\/p>

Tu ferais mieux de parler<\/p>

Tu ferais mieux d\u2019assumer<\/p>

tu veux \u00eatre grand<\/p>

tu veux \u00eatre fort<\/p>

alors assumes<\/p>

assume qui tu es<\/p>

assume<\/p>

 <\/p>","label":"

assume, Loan<\/p>"},{"id":1727,"type":4,"fileUrl":"\/resources\/files\/file_65f1bbd8a7f01.mp3","label":"

que la mort te fasse souffrir, Loan<\/p>","duration":11},{"id":1710,"type":4,"fileUrl":"\/resources\/files\/file_65f1b808f3140.mp3","label":"

confin\u00e9 d\u00e9confin\u00e9, Alycia<\/p>","duration":36},{"id":1728,"type":4,"fileUrl":"\/resources\/files\/file_65f1bcfb502c8.mp3","label":"

tu ferais mieux de, Maelys<\/p>","duration":14},{"id":1729,"type":2,"content":"

 <\/p>

Couvre feu, couvre notre envie de voyager et br\u00fble notre joie de vivre.<\/p>

Vivre avec le covid, masque \u00e0 vie qui cache notre sourire avec un tissu pas tr\u00e8s esth\u00e9tique.<\/p>

Ticket de cin\u00e9ma que je n\u2019ai pas vu depuis 1 an et demi, migraine en voyant mon agenda.<\/p>

Agence de voyage ferm\u00e9e, m\u00e9connu de ce monde, on se demande o\u00f9 \u00e7a va aller.<\/p>

Regardez o\u00f9 \u00e7a m\u00e8ne, emmener nos masques de partout, tout le monde en \u00e0 marre.<\/p>

 <\/p>","label":"

vivre avec, Maelys<\/p>"},{"id":1730,"type":4,"fileUrl":"\/resources\/files\/file_65f1bd4a7dc15.mp3","label":"

FLS<\/p>","duration":12},{"id":1731,"type":4,"fileUrl":"\/resources\/files\/file_65f1bd7225869.mp3","label":"

entra\u00eene-toi, Sayumo<\/p>","duration":12},{"id":1732,"type":2,"content":"

 <\/p>

Souffre<\/p>

Que tu souffres<\/p>

Que tu souffres de maladie<\/p>

Que tes maladies soient terribles<\/p>

Qu\u2019elles soient terriblement blessantes<\/p>

Qu\u2019elles soient blessantes \u00e0 t\u2019en faire du mal<\/p>

Que le mal te fasse devenir parano<\/p>

Que tu deviennes parano \u00e0 t\u2019en suicider.<\/p>

 <\/p>","label":"

souffre, Sayumo<\/p>"},{"id":1733,"type":2,"content":"

 <\/p>

Lave toi les mains<\/p>

porte le masque correctement<\/p>

laisse 1m de distance avec tes copines<\/p>

ne parle pas beaucoup<\/p>

fais attention \u00e0 tes affaires que personne ne les touche<\/p>

d\u00e9sinfecte tes mains avant d\u2019entrer \u00e0 l\u2019\u00e9cole<\/p>

ne touche pas les affaire des autres<\/p>

ne touche pas tes yeux avec les mains sales<\/p>

rentre chez toi \u00e0 18h \u00e0 19h<\/p>

confine toi \u00e0 la maison.<\/p>

 <\/p>","label":"

lave toi les mains, Wessal<\/p>"},{"id":1734,"type":2,"content":"

 <\/p>

Tu ferais mieux de parler en public<\/p>

et ne pas avoir peur des regards.<\/p>

Tu veux \u00eatre \u00e0 l\u2019aise.<\/p>

Tu veux parler facilement,<\/p>

alors parle et ai confiance en toi.<\/p>

Alors parle et adresse toi \u00e0 ton entourage,<\/p>

ne sois pas timide, parle, sois \u00e0 l\u2019aise.<\/p>

 <\/p>","label":"

la peur, Doha<\/p>"},{"id":1735,"type":4,"fileUrl":"\/resources\/files\/file_65f1be308bedf.mp3","label":"

couvre-feu, Doha<\/p>","duration":26},{"id":1736,"type":4,"fileUrl":"\/resources\/files\/file_65f1be6a7daa3.mp3","label":"

Chut, au mytho, LR<\/p>","duration":30},{"id":1737,"type":2,"content":"

 <\/p>

tu es un 6\u00e8me, tu as le Covid donc tu es confin\u00e9 chez toi, tu as des odeurs horribles et tu meurs asphyxi\u00e9 dans ton masque.<\/p>

Tu es confin\u00e9 avec ta famille, tu es tellement horrible sans ton oreille que tu fais peur aux enfants, ces pauvres petits finissent asphyxi\u00e9s \u00e0 force de sentir ton horrible odeur.<\/p>","label":"

tu es un 6\u00e8me, AO<\/p>"},{"id":1711,"type":4,"fileUrl":"\/resources\/files\/file_65f1b839afd6e.mp3","label":"

n\u2019oublis pas, Yousra<\/p>","duration":16},{"id":1738,"type":4,"fileUrl":"\/resources\/files\/file_65f1c8d738d98.mp3","label":"

chut l\u2019\u00e9cole le matin, AO<\/p>","duration":18},{"id":1739,"type":4,"fileUrl":"\/resources\/files\/file_65f1c90659b65.mp3","label":"

chut maman, Marouane et AO<\/p>","duration":17},{"id":1740,"type":2,"content":"

 <\/p>

que tu sois myope<\/p>

que la brume t\u2019arrache les yeux<\/p>

que tes gros yeux explosent<\/p>

que tu exploses dans un champ<\/p>

que tu n\u2019es rien de mal<\/p>

que tout le monde te souhaite du bien<\/p>

 <\/p>","label":"

que la brume t\u2019arrache les yeux, Marouane<\/p>

 <\/p>"},{"id":1741,"type":2,"content":"

 <\/p>

Je voulais \u00eatre \u00ab cette \u00bb personne. Puis j\u2019ai pens\u00e9 \u00e0 elle. Je voulais \u00eatre \u00ab elle \u00bb. J\u2019ai repens\u00e9, \u00ab elle est morte, non? \u00bb J\u2019ai des souvenirs. Elle \u00e9tait admirable. Pas moi. Du moins pas autant qu\u2019elle. Je me souviens. Elle avait 17 ans et moi 6, je crois. Est-ce elle qui cr\u00e9e des v\u00eatements ? Je ne sais plus. Je ne me souviens plus. Je voulais juste \u00eatre elle. Cette fille admirable. Elle \u00e9tait gentille de ce que je me souviens. Elle cr\u00e9ait beaucoup de chose et aimait lire. Je fais pareil. Mais peut-on dire qu\u2019on se ressemble ? Mes parents me disent que oui. Ma grand-m\u00e8re aussi. Ils disent tous que nous avons les m\u00eames traits du visage. Le m\u00eame caract\u00e8re. Mais je veux lui ressembler sur d\u2019autres points. Pas \u00e7a. Pas comme \u00e7a. Je l\u2019aimais bien. C\u2019est toujours le cas. Elle disait ce qu\u2019elle pense et ce qu\u2019elle aime. Elle ne se souciait pas de l\u2019avis des autres. Sa mort. Sa mort ressemblait \u00e0 un suicide. Mais ce n\u2019est pas le cas. Ce n\u2019\u00e9tait pas voulu. Sur ce point. Je ne veux pas lui ressembler. Je veux pas mourir comme \u00e7a. Pas comme \u00e7a, non. J\u2019y ai pens\u00e9 \u00e0 ma mort. Elle aussi a du y penser. Elle est morte \u00e0 17 ans. Morte mais toujours admirable.<\/p>

 <\/p>","label":"

admirable \u2013 Nawel<\/p>"},{"id":1742,"type":4,"fileUrl":"\/resources\/files\/file_65f1c9caeef31.mp3","label":"

si t\u2019es un Homme, EGO<\/p>","duration":11},{"id":1743,"type":2,"content":"

 <\/p>

crame<\/p>

que tu crames au soleil<\/p>

que ta peau morte tombe<\/p>

que ta tombe crame au soleil<\/p>

que le soleil te fasse briller<\/p>

 <\/p>","label":"

crame, EGO<\/p>"},{"id":1744,"type":2,"content":"

 <\/p>

chut aux professeurs qui crient sur les \u00e9l\u00e8ves<\/p>

chut au coll\u00e8ge, vivement les vacances<\/p>

chut \u00e0 la CPE qui hurle quand on court<\/p>

chut au travail \u00e0 la maison qui me prend trop de temps<\/p>

chut \u00e0 mon chien qui aboie tout le temps<\/p>

 <\/p>","label":"

chut aux professeurs, Th\u00e9o<\/p>"},{"id":1745,"type":2,"content":"

 <\/p>

cr\u00e8ve<\/p>

que tu cr\u00e8ves seul<\/p>

que tu dormes pour toujours<\/p>

que tu oublies tout<\/p>

que tu m\u00e9dites sur ta vie minable<\/p>

que tes souvenirs disparaissent<\/p>

que tes amis t\u2019oublient<\/p>

que tu d\u00e9m\u00e9nages loin d\u2019ici<\/p>

que tu oublies les matchs qu\u2019on a gagn\u00e9 au rugdby<\/p>

que tu \u00e9tais un bon joueur<\/p>

que tu t\u2019entrainais beaucoup<\/p>

que tu \u00e9tais joyeux<\/p>

que tu brillais<\/p>

 <\/p>","label":"

cr\u00e8ve, LH<\/p>"},{"id":1746,"type":1,"imageIds":[3504]},{"id":1747,"type":2,"content":"

 <\/p>

Viens te battre si t\u2019es un homme<\/p>

Travaille t\u2019es un nul<\/p>

L\u00e8ve toi si t\u2019es un homme<\/p>

Viens jouer au foot si t\u2019es un homme<\/p>

Mets ton masque ou tu as une amende<\/p>

Vas au sport !! T\u2019es pas assez muscl\u00e9<\/p>

T\u2019habille pas au hasard<\/p>

Gueule pour te faire respecter<\/p>

 <\/p>","label":"

viens te battre, Maxime<\/p>"},{"id":1748,"type":4,"fileUrl":"\/resources\/files\/file_65f1cb1b1a232.mp3","label":"

tu es le covid, Aya<\/p>","duration":17},{"id":1712,"type":2,"content":"

 <\/p>

Chut, la covid, cette covid l\u00e0 depuis un an.<\/p>

Chut, les devoirs, des tonnes et des tonnes tous les soirs.<\/p>

Chut, Pythagore des + et des \u2013 je m\u2019endors.<\/p>

Chut, la t\u00e9l\u00e9 qui ne veut pas s\u2019allumer.<\/p>

Chut, les lacets qui ne font que s\u2019emm\u00ealer.<\/p>

Chut, les voitures qui klaxonnent toute la journ\u00e9e.<\/p>

Chut, le t\u00e9l\u00e9phone qui sonne et qui sonne.
 <\/p>","label":"

qui contamine, Yousra<\/p>"},{"id":1749,"type":2,"content":"

 <\/p>

Je voulais partir mais je suis rest\u00e9e, j\u2019ai dit partir, j\u2019ai dit rentrer, je voulais apprendre mais j\u2019ai jou\u00e9, j\u2019ai dit apprendre, j\u2019ai dit jouer, je voulais dormir mais je me suis r\u00e9veill\u00e9e, je voulais \u00e9crire mais j\u2019ai parl\u00e9, j\u2019ai dit \u00e9crire, j\u2019ai dit parler, je voulais m\u2019arr\u00eater mais j\u2019ai continu\u00e9, je voulais m\u2019amuser mais j\u2019ai pleur\u00e9, j\u2019ai dit m\u2019amuser, j\u2019ai dit pleurer.<\/p>","label":"

je voulais partir, Aya<\/p>"},{"id":1750,"type":4,"fileUrl":"\/resources\/files\/file_65f1cb77ede1b.mp3","label":"

nettoie, Kenza<\/p>","duration":15},{"id":1713,"type":4,"fileUrl":"\/resources\/files\/file_65f1b88c1137e.mp3","label":"

une vie au hasard, Sans Pitax<\/p>","duration":13},{"id":1714,"type":4,"fileUrl":"\/resources\/files\/file_65f1b8cb51cab.mp3","label":"

prohibido, couvre-feu, Alejandro et Sans Pitax<\/p>","duration":25},{"id":1715,"type":2,"content":"

 <\/p>

Tu veux \u00e9voluer.<\/p>

Tu ferais mieux d\u2019avancer,<\/p>

de progresser,<\/p>

de te motiver.<\/p>

Alors avance-toi,<\/p>

progresse,<\/p>

motive-toi,<\/p>

muscle-toi,<\/p>

entraine-toi,<\/p>

venge-toi,<\/p>

motive-toi,<\/p>

\u00e9nerve-toi.<\/p>

 <\/p>","label":"

costaud, Moha<\/p>"},{"id":1716,"type":4,"fileUrl":"\/resources\/files\/file_65f1b97e91193.mp3","label":"

rentrer d\u00e9gainer, Moha et Sans Pitax<\/p>","duration":15},{"id":1717,"type":2,"content":"

 <\/p>

Tu es un enfant, tu reproduis ta salive dans la for\u00eat.<\/p>

Tu es un adolescent, qui est allergique au pollen de la for\u00eat.<\/p>

Tu es une femme, qui peut se r\u00e9veiller avec la pluie et le brouillard de la mer, tu es chez toi pour le confinement<\/p>

Tu as attendu la classe de 6\u00e8me et ses nouveaux masques ?<\/p>

Nous ne pouvons pas sortir dans la for\u00eat pour le confinement<\/p>

 <\/p>","label":"

tu es un enfant, Natalia<\/p>"},{"id":1005,"type":2,"content":"

 <\/p>

(\u2026)<\/p>

 <\/p>

 <\/p>

il est question de deux \u00e9cluses dont l\u2019une serait math\u00e9matique
et l\u2019autre d\u00e9passerait la simple id\u00e9e de la perspective pour
dessiner des cercles concentriques \u00e0 la surface de l\u2019anglais
basic de charles kay ogden un sous-ensemble tr\u00e8s restreint<\/p>


de 850 mots de la langue anglaise et de r\u00e8gles grammaticales
ad hoc. British American Scientific International Commercial.
attention ce dont on parle dispose de plomb, de m\u00e9taux lourds
et de moyens corrosifs charg\u00e9s de bact\u00e9ries pathog\u00e8nes<\/p>

 <\/p>

 <\/p>

(\u2026)<\/p>

 <\/p>

 <\/p>

une bande d\u2019\u00e9tanch\u00e9it\u00e9 flexible une feuille d\u2019aluminium un film
polyester enduit d\u2019un rev\u00eatement bitumineux autant de formes
dont rel\u00e8ve la petite station d\u2019\u00e9puration du langage en sous-effectif
les raccords joints-fissures sont id\u00e9aux pour l\u2019ext\u00e9rieur la sc\u00e8ne<\/p>


est relev\u00e9e dans sa globalit\u00e9 nul besoin de retourner sur le terrain
on utilise un nuage de points l\u2019int\u00e9r\u00eat pour le po\u00e8me : archiver
l\u2019ensemble des donn\u00e9es \u00e0 partir du nuage nous pouvons extraire
des plans de coupe et des contours d\u2019organes extr\u00eamement pr\u00e9cis<\/p>

 <\/p>

 <\/p>

(\u2026)<\/p>

 <\/p>

 <\/p>

le corps pench\u00e9 sur un pr\u00e9cis d\u2019herboristerie tenter d\u2019\u00e9valuer l\u2019impact
de la sixi\u00e8me crise d\u2019extinction massive des temps g\u00e9ologiques
rien n\u2019emp\u00eache la douleur de camper jusqu\u2019\u00e0 l\u2019aine la piq\u00fbre
est douloureuse une sensation de br\u00fblure l\u2019engourdissement la syncope<\/p>


la sauge et le gen\u00e9vrier d\u00e9signent une derni\u00e8re fi\u00e8vre rassembl\u00e9e sur
les berges tout un projet de simplification du vocabulaire strictement
n\u00e9cessaire pour se faire comprendre a vu le jour simplement pour
divertir ou bien marketing et communication devancent-ils tous nos d\u00e9sirs<\/p>

 <\/p>

 <\/p>

(\u2026)<\/p>

 <\/p>","label":"

Extraits de le foss\u00e9 macinante<\/i> (LansKine, 2023) re\u00e7us de l'auteur<\/p>

en pr\u00e9vision de sa venue \u00e0 Marseille et \u00e0 Forcalquier d\u00e9but juin 2023.<\/p>"},{"id":724,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/827_20120504185043.mp3","label":"Le h\u00e9ros (extrait)","duration":267},{"id":255,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/334_20080912180141.mp3","label":"le jour viendra ...","duration":45},{"id":348,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/444_20090610150930.mp3","label":"Le lac des aveugles - Traduction fran\u00e7aise lors de l'\u00e9change \"IMPORT\/EXPORT\" Tanger \/ Marseille, lue par Jean-Michel Espitallier.","duration":434},{"id":50,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/79_20060204164039.mp3","label":"Le Lecteur - extrait du CD inclus dans CCP 10<\/i>

au piano : Pascal Quignard interpr\u00e9tant le th\u00e8me (anonyme) de \"Ronsard\".","duration":139},{"id":2444,"type":1,"imageIds":[3801]},{"id":2445,"type":1,"imageIds":[3802]},{"id":304,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/390_20090403160331.mp3","label":"Le mais trop blanc (extrait)","duration":255},{"id":195,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/255_20070825175223.mp3","label":"Le manquant, l'\u00e9tonn\u00e9 ...","duration":44},{"id":884,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/997_20160323145534.mp3","label":"Le mausol\u00e9e des mots ail\u00e9s - Extrait.\r\nAntoine Simon.","duration":26},{"id":2055,"type":2,"content":"

Des \u0153ufs. Je dors sur des \u0153ufs. Je dors sur des \u0153ufs, et des pertes, et des plumes, et des fourchettes. Des fourchettes. Je dors sur des fourchettes. Je dors sur des fourchettes, et des b\u00fbches, et des miroirs, et des brosses \u00e0 dents. Des brosses \u00e0 dents. Je dors sur des brosses \u00e0 dents. Je dors sur des brosses \u00e0 dents, et des livres, et des ongles, et des gravats. Des gravats. Je dors sur des gravats. Je dors sur des gravats, et des touches de clavecin, et des branches, et des crinolines. Des crinolines. Je dors sur des crinolines. Je dors sur des crinolines, et des \u00e9paules, et des \u00e9crans, et des brins d\u2019herbe. Des brins d\u2019herbe. Je dors sur des brins d\u2019herbe. Je dors sur des brins d\u2019herbe, et des portes ferm\u00e9es, et des crayons, et des cataplasmes. Des cataplasmes. Je dors sur des cataplasmes. Je dors sur des cataplasmes, et des mains, et des mousses, et des sabots fendus. Des sabots fendus. Je dors sur des sabots fendus. Je dors sur des sabots fendus, et des feuilles, et des fen\u00eatres, et des cendres. Des cendres. Je dors sur des cendres. Je dors sur des cendres, et des glaces, et des langues, et des couteaux. Des couteaux. Je dors sur des couteaux. Je dors sur des couteaux, et des mucus, et des fleurs, et des \u00e9clats de vitre. Des \u00e9clats de vitre. Je dors sur des \u00e9clats de vitre. Je dors sur des \u00e9clats de vitre, et des poils, et des masques, et des vapeurs. Les vapeurs. Je me r\u00e9veille dans les vapeurs. Je me r\u00e9veille dans les vapeurs, et les masques, et les poils, et les \u00e9clats de vitre. Les \u00e9clats de vitre. Je me r\u00e9veille dans les \u00e9clats de vitre. Je me r\u00e9veille dans les \u00e9clats de vitre, et les fleurs, et les mucus, et les couteaux. Les couteaux. Je me r\u00e9veille dans les couteaux. Je me r\u00e9veille dans les couteaux, et les langues, et les glaces, et les cendres. Les cendres. Je me r\u00e9veille dans les cendres. Je me r\u00e9veille dans les cendres, et les fen\u00eatres, et les feuilles, et les sabots fendus. Les sabots fendus. Je me r\u00e9veille dans les sabots fendus. Je me r\u00e9veille dans les sabots fendus, et les mousses, et les mains, et les portes ferm\u00e9es. Les portes ferm\u00e9es. Je me r\u00e9veille dans les portes ferm\u00e9es. Je me r\u00e9veille dans les portes ferm\u00e9es, et les et les brins d\u2019herbe, et les crayons, et les cataplasmes. Les cataplasmes. Je me r\u00e9veille dans les cataplasmes. Je me r\u00e9veille dans les cataplasmes, et les \u00e9crans, et les \u00e9paules, et les crinolines. Les crinolines. Je me r\u00e9veille dans les crinolines. Je me r\u00e9veille dans les crinolines, et les branches, et les touches de clavecin, et les gravats. Les gravats. Je me r\u00e9veille dans les gravats. Je me r\u00e9veille dans les gravats, et les ongles, et les livres, et les brosses \u00e0 dents. Les brosses \u00e0 dents. Je me r\u00e9veille dans les brosses \u00e0 dents. Je me r\u00e9veille dans les brosses \u00e0 dents, et les miroirs, et les b\u00fbches, et les fourchettes. Les fourchettes. Je me r\u00e9veille dans les fourchettes. Je me r\u00e9veille dans les fourchettes, et les plumes, et les pertes, et les \u0153ufs.<\/p>","label":"

Texte re\u00e7u de Simon Brown le 18 avril 2024 \u00e0 l'approche de l'Exploration de la Revue WATTS.<\/p>"},{"id":1,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/5_20061020133454.mp3","label":"Le mille-pattes de Sophie - Conf\u00e9rence prononc\u00e9e le 11 juin 1999 dans le cadre du cycle \"De la po\u00e9sie contemporaine\".\r\n","duration":86},{"id":307,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/393_20090409122909.mp3","label":"Le mus\u00e9e des culs imaginaires","duration":125},{"id":178,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/237_20070808152042.mp3","label":"Le noir et le bleu \u2013 Paul C\u00e9zanne (extrait)","duration":272},{"id":215,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/277_20071130150048.mp3","label":"Le passant de l'Athos (extrait)","duration":153},{"id":369,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/465_20090820163913.mp3","label":"Le peintre et les carabiniers - bande son du film (extrait)","duration":166},{"id":59,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/88_20060203124524.mp3","label":"Le Perrin - extrait de \"Terrasses\", ouvrage \u00e9crit durant la r\u00e9sidence effectu\u00e9e par l'auteur au cipM<\/i> en 2004, et publi\u00e9 dans la collection du Refuge","duration":52},{"id":835,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/945_20131203171436.mp3","label":"Le petit Cardo","duration":119},{"id":539,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/638_20100729164002.mp3","label":"Le plus simple appareil (extrait)","duration":191},{"id":477,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/575_20100429183337.mp3","label":"Le po\u00e8me de la chapelle Rothko - Lecture de la traduction fran\u00e7aise par Jean-Jacques Vitton.","duration":416},{"id":275,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/361_20090225154132.mp3","label":"Le Po\u00e8me de Tyr - extrait - Lecture de la traduction fran\u00e7aise par Mohamed Kacimi","duration":137},{"id":491,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/589_20100430184742.mp3","label":"Le point de retour - Lecture de la traduction par Jean-Jacques Vitton.","duration":106},{"id":399,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/496_20091014161648.mp3","label":"Le puit - Lecture de la traduction en fran\u00e7ais par Franck Andr\u00e9 Jamme","duration":161},{"id":541,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/640_20100730153303.mp3","label":"Le regard tate ... les parois et autres po\u00e8mes","duration":178},{"id":295,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/381_20090311150446.mp3","label":"Le repas tactile [Filli\u00e0]","duration":185},{"id":7,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/14_20061020140445.mp3","label":"Le Repolluard - Lecture dans le cadre d'une \"Soir\u00e9e Polyphonix\", le 30 mai 1990.\r\nIn\u00e9dit.","duration":98},{"id":707,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/809_20121218180037.mp3","label":"Le soleil dans le ciel tient entre nos doigts...","duration":339},{"id":523,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/622_20100701172128.mp3","label":"Le temps est \u00e0 l'attente...","duration":268},{"id":850,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/961_20140620130318.mp3","label":"Le texte est Expressif - Premi\u00e8re lecture publique de Christophe Tarkos, donn\u00e9e \u00e0 l'occasion de la soir\u00e9e des In\u00e9dits 1993 au cipM","duration":317},{"id":717,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/819_20120421145240.mp3","label":"Le texte o\u00f9 je parle \u00e0 nouveau de l'eau super liquide","duration":195},{"id":466,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/564_20100423171111.mp3","label":"Le tombeau de Reverdy (extrait) - Traduction fran\u00e7aise par \"Un bureau sur l'Atlantique\" lue par Jean-Jacques Viton.","duration":204},{"id":147,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/203_20070322141615.mp3","label":"Le ton rentrant - 10\/09","duration":98},{"id":682,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/784_20120113181702.mp3","label":"Le tr\u00f4ne du paon - Lecture de la traduction en fran\u00e7ais par Pascal Poyet","duration":445},{"id":158,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/214_20070627164511.mp3","label":"Le vrai po\u00e8te","duration":138},{"id":156,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/212_20070627160258.mp3","label":"Le\u00e7on du 8 juin - Saint-M\u00e9dard","duration":655},{"id":1059,"type":3,"videoId":"513112948","duration":3291},{"id":2412,"type":3,"videoId":"955857115","label":"

Lecture de l\u2019anthologie Et puis, soudain, il carillonne [Selected, 2005-2021]<\/i>, LansKine, 2023.<\/p>","duration":228},{"id":697,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/799_20120214172058.mp3","label":"Lecture retro de l'inverse phon\u00e9tique du lipogramme \u00e9quivalent au texte de Queneau","duration":183},{"id":2090,"type":3,"videoId":"936464980","duration":2754},{"id":244,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/320_20080425134049.pdf","label":"Les 20 ans d\u2019 \u00ab Ext\u00e9rieur Nuit \u00bb [4 pages] - Vivre en cin\u00e9ma"},{"id":159,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/215_20070627173515.mp3","label":"Les accusations port\u00e9es par le personnage principal ...","duration":276},{"id":447,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/544_20100204144445.mp3","label":"Les Affiches n\u00b01-2-3-4-6-8-9-12-13-15-16-17-20 & 21 (extraits)","duration":311},{"id":1139,"type":5,"fileUrl":"\/resources\/files\/file_655f6a807d970.pdf"},{"id":1142,"type":1,"imageIds":[3370]},{"id":1143,"type":3,"videoId":"887696955","label":"

Po\u00e9sie paysage<\/p>","duration":195},{"id":1149,"type":2,"content":"

Moule 
T-shirt lacoste \u00e0 100 boule 
charger transporter porter remuer 
m\u00e9langer malaxer d\u00e9charger 

Roule et ton chargement 
tu d\u00e9moules <\/p>


Tony<\/span> <\/i>


Capte capte 
l\u2019antenne diffuse 
capte la fiction <\/p>


Tom E <\/span>


paysage mort 
paysage fan\u00e9 
paysage nourrit 
rouge gorge 

mes yeux d\u00e9couvrent la montagne 
un nuage monte 
bouge bouge platane et ch\u00eane rouge 

Lily <\/span>


Dress\u00e9 dress\u00e9s 
poteau et soleil 
illumin\u00e9 

Bouge grise 
ombre triste 
passe, goutte et bouge 

Tombe tombe 
de tes entrailles 
s\u2019\u00e9goutte de la pluie 

Hugo <\/span>


Bougent 
romarin et sapin 
bougie bouge 

Abondant montagne et ch\u00eane 
dent abondantes 

Emma <\/span>


\u00c9tendues \u00e9tendues 
les Alpilles fond une muraille 

Joao<\/span>
 <\/p>


Lisse la brindille fraiche<\/p>

sous l\u2019ombre de l\u2019arbre de Jud\u00e9e<\/p>

form\u00e9e d\u00e9sordonn\u00e9e mouill\u00e9e

Dresser <\/p>

poteau et antenne immobile<\/p>

morte branche et cloporte <\/p>

porte<\/p>

monte, se d\u00e9place, roule <\/p>

roule creuse profond\u00e9ment <\/p>

monte et recule doucement <\/p>

 <\/p>

Tim\u00e9o<\/span>


Tombe, tombent
les feuilles de platane<\/p>

et les cours 
me plombent 

Baptiste<\/span>


Douce doux
un cyste cotonneux et fico\u00efde 
velout\u00e9

vente vent
le vent vadrouille
et part en vrille

volant, volant
le vent d\u00e9rayant
violant virulent vrille

Lucca<\/span>


Danse 
dansent 
les branches du grand ch\u00eane 
s\u2019expriment 

Immobile 
imposante montagne <\/p>

for\u00eat mobile <\/p>

feuille au sol <\/p>

vole pivotant dans l\u2019atmosph\u00e8re 

Yohan <\/span>


Couleur 
coup\u00e9e au couteau 
coulante 
couillon l\u2019impressionne
pression 
press\u00e9 de dresser l\u2019int\u00e9ress\u00e9 

Rose, violet, gris 
violet laid, lait 
le rose ose la pause 
gris gr\u00e9sille, r\u00e9sille 

Mathias<\/span> 


\u00c9quip\u00e9 chien 
gilet collier 
l\u00e2ch\u00e9 chasser 
lev\u00e9 le gibier 
tirer tuer sanglier 
ramasser d\u00e9s\u00e9quiper 
espiller partager 
manger rentrer ranger 

 Aubin<\/span>


Grotte explor\u00e9e
vaste grotte
toiles d\u2019araign\u00e9es
parois rocheuses
passage \u00e9troit
araign\u00e9e frelon
intrigu\u00e9 et curieux 

Yohan<\/span><\/p>



La montagne domine
mes pieds souffrent
le sac sur mes \u00e9paules<\/p>

les glands jet\u00e9s<\/p>

piqu\u00e9 par des \u00e9pines<\/p>

chien effray\u00e9, sanglier cach\u00e9<\/p>

c\u00e8dre coup\u00e9pin, tron\u00e7onn\u00e9, \u00e9corch\u00e9<\/p>

 <\/p>

Tim\u00e9o<\/span>


Ma chaussure d\u00e9fonc\u00e9e
Mes jambes souffrent
Les chemins poussi\u00e9reux, bossus, caillouteux
Les c\u00e8dres bleut\u00e9s comme des vagues 

Mathias<\/span>


Ma chaussure d\u00e9fonc\u00e9e
Mes jambes souffrent<\/p>

Les chemins poussi\u00e9reux, bossus, caillouteux<\/p>

Les c\u00e8dres bleut\u00e9s comme des vagues <\/p>

 <\/p>

Mathias<\/span><\/p>

 <\/p>

 <\/p>

L\u2019oiseau chante
la montagne domine<\/p>

une citerne remplie <\/p>

 <\/p>

Brayan<\/span><\/p>



Marcher longtemps<\/p>

manger des chip<\/p>

sun chien se prom\u00e8ne<\/p>

jeter des cailloux<\/p>

mal au pied<\/p>

les oiseaux sifflent<\/p>

de beaux paysages<\/p>

courir dans la descente <\/p>

 <\/p>

Ugo<\/span><\/p>



Cailloux, chemin<\/p>

douleur dans la cuisse<\/p>

cailloux lanc\u00e9s<\/p>

rouge gorge nid sur pin<\/p>

bois dur et sec<\/p>

long chemin<\/p>

oiseau mort<\/p>

 <\/p>

Lucas<\/span><\/p>"},{"id":1151,"type":2,"content":"


GALE <\/span>
ROND MALADE ACCROCH\u00c9 <\/span>
NID GRAIN DE BEAUT\u00c9 CROUTE<\/span>
gala gal\u00e8re galet <\/span>

GALET OVALE INERTE <\/span>
PILULE GOMME <\/span>
gaulois <\/span>

ROCHE CALCAIRE <\/span>
FROID CLAIRE DUR <\/span>
FRIGO BANQUISE <\/span>

CITERNE ENTERR\u00c9E PLEINE <\/span>
LES MORTS <\/span>

FRELON AILES AIGLE ROYAL <\/span>

SOL SOLITAIRE SOLIDAIRE <\/span>
GROTTE GROSSE ROTE <\/span>
noire froide toile d\u2019araign\u00e9e frisson <\/span>

CH\u00caNE KERM\u00c8S <\/span>
PIQUANT VERT \u00c9TAL\u00c9 RONCE <\/span>

CALCAIRE GRIS <\/span>
STRATIFI\u00c9 ANCIEN <\/span>
MILLE FEUILLE GLACE<\/span>
claire \u00e9claire Nike air r\u00e9volutionnaire <\/span>
stratophile grimace strat\u00e9gie ciel <\/span><\/p>

 <\/p>","label":"

Lily, Ugo, Julien, Yohan, Tony<\/p>"},{"id":1160,"type":2,"content":"


Bougent 
romarin et sapin 
bougie bouge 

Abondant montagne et ch\u00eane 
dent abondantes <\/p>

 <\/p>","label":"

Emma<\/p>"},{"id":1161,"type":2,"content":"


\u00c9tendues \u00e9tendues 
les Alpilles fond une muraille<\/p>

 <\/p>","label":"

Joao<\/p>"},{"id":1162,"type":2,"content":"


Lisse la brindille fraiche
sous l\u2019ombre de l\u2019arbre de Jud\u00e9e
form\u00e9e d\u00e9sordonn\u00e9e mouill\u00e9e

Dresser 
poteau et antenne immobile
morte branche et cloporte 
porte
monte, se d\u00e9place, roule 
roule creuse profond\u00e9ment 
monte et recule doucement <\/p>

 <\/p>","label":"

Tim\u00e9o<\/p>"},{"id":1163,"type":2,"content":"


Tombe, tombent
les feuilles de platane
et les cours 
me plombent <\/p>

 <\/p>","label":"

Baptiste<\/p>"},{"id":1164,"type":2,"content":"


Douce doux
un cyste cotonneux et fico\u00efde 
velout\u00e9

vente vent
le vent vadrouille
et part en vrille

volant, volant
le vent d\u00e9rayant
violant virulent vrille
 <\/p>","label":"

Lucca<\/p>"},{"id":1165,"type":2,"content":"


Danse 
dansent 
les branches du grand ch\u00eane 
s\u2019expriment 

Immobile 
imposante montagne 
for\u00eat mobile 
feuille au sol 
vole pivotant dans l\u2019atmosph\u00e8re<\/p>

 <\/p>","label":"

Yohan<\/p>"},{"id":1166,"type":2,"content":"


Couleur 
coup\u00e9e au couteau 
coulante 
couillon l\u2019impressionne
pression 
press\u00e9 de dresser l\u2019int\u00e9ress\u00e9 

Rose, violet, gris 
violet laid, lait 
le rose ose la pause 
gris gr\u00e9sille, r\u00e9sille<\/p>

 <\/p>","label":"

Mathias<\/p>"},{"id":1167,"type":2,"content":"


\u00c9quip\u00e9 chien 
gilet collier 
l\u00e2ch\u00e9 chasser 
lev\u00e9 le gibier 
tirer tuer sanglier 
ramasser d\u00e9s\u00e9quiper 
espiller partager 
manger rentrer ranger<\/p>

 <\/p>","label":"

Aubin<\/p>"},{"id":1168,"type":2,"content":"


Grotte explor\u00e9e
vaste grotte
toiles d\u2019araign\u00e9es
parois rocheuses
passage \u00e9troit
araign\u00e9e frelon
intrigu\u00e9 et curieux<\/p>

 <\/p>","label":"

Yohan<\/p>"},{"id":1169,"type":2,"content":"


La montagne domine
mes pieds souffrent
le sac sur mes \u00e9paules
les glands jet\u00e9s
piqu\u00e9 par des \u00e9pines
chien effray\u00e9, sanglier cach\u00e9
c\u00e8dre coup\u00e9
pin, tron\u00e7onn\u00e9, \u00e9corch\u00e9<\/p>

 <\/p>","label":"

Tim\u00e9o<\/p>"},{"id":1152,"type":2,"content":"


CYSTE COTONNEUX DUVETEUX <\/span>
DOUX FRAGILE <\/span>
ALGUE OURSON FICO\u00cfDE<\/span>
fisc disque risque tique bleuet bleu fait <\/span>
ch\u00e8che cheh hibou<\/span>

BROUILLARD \u00c9PAIS GRIS HUMIDE <\/span>
NUAGE MOLARD FIANTE ALGUE<\/span>
lard <\/span>

SOLEIL RAYONNEMENT CHAUD <\/span>
LUMI\u00e8RE LAMPE CHEMIN\u00c9E FEU<\/span>
falafel elle truelle <\/span>
blanc banc rang flanc flou <\/span>
bouuuuuu ! <\/span><\/p>

 <\/p>","label":"

Lucca<\/p>"},{"id":1170,"type":2,"content":"


Ma chaussure d\u00e9fonc\u00e9e
Mes jambes souffrent
Les chemins poussi\u00e9reux, bossus, caillouteux
Les c\u00e8dres bleut\u00e9s comme des vagues<\/p>

 <\/p>","label":"

Mathias<\/p>"},{"id":1171,"type":2,"content":"

 <\/p>

L\u2019oiseau chante
la montagne domine
une citerne remplie<\/p>

 <\/p>","label":"

Brayan<\/p>"},{"id":1172,"type":2,"content":"


Marcher longtemps
manger des chip
sun chien se prom\u00e8ne
jeter des cailloux
mal au pied
les oiseaux sifflent
de beaux paysages
courir dans la descente<\/p>

 <\/p>","label":"

Ugo<\/p>"},{"id":1173,"type":2,"content":"


Cailloux, chemin
douleur dans la cuisse
cailloux lanc\u00e9s
rouge gorge nid sur pin
bois dur et sec
long chemin
oiseau mort<\/p>

 <\/p>","label":"

Lucas<\/p>"},{"id":1174,"type":2,"content":"


Minuscule 
enterr\u00e9 enseveli
 je sors droit face au soleil 
prends de la hauteur 
grandis 
et finis en penderie 

chaud, froid 
je perds mes feuilles 
et je les regagne
 <\/p>","label":"

Lucca<\/p>"},{"id":1175,"type":2,"content":"


Mini 
je buissonne 
vert claire 
mes feuilles 
sont fines et odorantes 
beaucoup de soleil 
et peu d\u2019eau 

petite boule 
j\u2019ai la colline devant moi 
 <\/p>","label":"

Emma et Lily<\/p>"},{"id":1176,"type":2,"content":"


Dur 
on m\u2019\u00e9crase au sol 
on me shoot 
je vois des pieds
 <\/p>","label":"

Yohan<\/p>"},{"id":1177,"type":2,"content":"


Piquant 
sec 
un pote \u00e0 mes c\u00f4t\u00e9s 
je vis dans la terre et les cailloux 
je vois une vigie 
dans les Alpilles 
entour\u00e9 d\u2019arbre 

je bouge quand il y a du vent
 <\/p>","label":"

Julien<\/p>"},{"id":1178,"type":2,"content":"


De ma hauteur 
je domine le reste 
j\u2019indique des directions 
jaune dans mon dos 
je ne suis pas naturel
 <\/p>","label":"

Joao et Mathias<\/p>"},{"id":1179,"type":2,"content":"


En for\u00eat dans une pente 
mes fruits ovales 
mang\u00e9s par les animaux 
ils se prom\u00e8nent \u00e0 mes pieds 
\u00e0 mes pieds cailloux rocher 
et d'autres esp\u00e8ces
 <\/p>","label":"

Aubin et Lucas<\/p>"},{"id":1153,"type":2,"content":"


FRELON <\/span>
NID PIQURE VOLE <\/span>
GU\u00caPIER HUMAIN INFIRMI\u00c8RE<\/span>
melon m\u00eal\u00e9e voler <\/span>
pie piqu\u00e9 violet <\/span>
rie piqu\u00e9 paniqu\u00e9<\/span>

CHAMPIGNON FOR\u00caT <\/span>
SOL PLUIE <\/span>
RAMASSER<\/span>
MOUSSE HUMIDE <\/span>
Avignon fuir fard vol ramer rousse <\/span>
puit forme molle mouche passion <\/span>
folle marr\u00e9 pousse<\/span><\/p>

 <\/p>","label":"

Aubin<\/p>"},{"id":1180,"type":2,"content":"


Par terre, pos\u00e9 au sol 
dur 
de diff\u00e9rente forme 
sous moi des feuilles 
on m'\u00e9crase 
je me d\u00e9place 
quand on me shoote 

j'ai chaud en \u00e9t\u00e9 
en hiver j'ai froid
 <\/p>","label":"

Tom et Tim\u00e9o<\/p>"},{"id":1181,"type":2,"content":"


Vert 
pointu 
assez doux 
je deviens orange en automne 
je pousse
 <\/p>","label":"

Ugo<\/p>"},{"id":1154,"type":2,"content":"


GROTTE NUIT SOMBRE SOURD 
CHAUVE SOURIS CIEL NUIT NOIR 
botte crotte nuire saoul chauve 

ROCHE CALCAIRE DUR SOLIDE FRAICHE 
DU FER 

PEIGNE GRIFFE BROSSE PARALL\u00c8LE 
COUPE DE CHEVEUX 

THYM ODEUR BUTINER PROVENCE ROMARIN 
pain vin Aubin butiner d\u00e9jeuner voler romain sarrasin 

LIBELLULE VOLANT TRANSPARENT CIEL NUAGE OVNI 
fascicule monticule translucide transhumance 
miel \u00e2g\u00e9 nuanc\u00e9 nu nid voltige 

CH\u00caNE KERM\u00e8S PETIT RAMPANT PIQUANT SERPENT LIMACE 
m\u00e8ne messe fesse 
poli mena\u00e7ant paon 
limit\u00e9 piq\u00fbre piquet vivace menace 

FRELON RAGE NID BUTINE ABEILLE GU\u00caPE BOURDON 

CYSTE COTONNEUx FRAGILE DOUX 
COTON COTON TIGE VERRE 
chapelle saint sixte argile vigile 
neutron boutonneux 
assister Lavandou mou 
raciste terre venimeux<\/p>

 <\/p>","label":"

Joao, Tim\u00e9o, Tom F<\/p>"},{"id":1155,"type":2,"content":"


CITERNE ENTERRER TERRE PROFOND L\u2019EAU <\/span>
lit pie <\/span>

NID ROND BOIS MARRON COCHONNET <\/span>

CITERNE EAU LIQUIDE VIE <\/span>
POMPIER FEU<\/span>
citrouille citron sceau faut faucheuse <\/span>
pompe plier plonger ferme<\/span>

LIBELLULE VOLE AIR HAUTEUR <\/span>
GU\u00caPIER D\u2019EUROPE OISEAU<\/span>
libre livrer bille sol colle poule <\/span>
gu\u00eape guerre pierre <\/span>

SAPIN DROIT ODORANT PIQUANT \u00c9PINEUX <\/i>
CYPR\u00c9S PINS <\/i>
espin pin tintin roi fois doigt<\/i>

ROCHE CALCAIRE DURE NID DURE MIEL<\/i>

ROMARIN VIOLET ODORANT ASSAINISSEMENT <\/span>
roumain main tin tarte tatin pin <\/span>
citerne termes fermes<\/span>

BROUILLARD <\/span>
VISIBLE AVEUGLANT \u00c9PAIS BRUMEUX <\/span>
NUAGE<\/span>
oeuf brouill\u00e9 nuisible volant \u00e9p\u00e9e brouillon bouillon<\/span><\/p>

 <\/p>","label":"

Baptiste, Lucas, Mathias, Tom E<\/p>"},{"id":1156,"type":2,"content":"


Moule 
T-shirt lacoste \u00e0 100 boule 
charger transporter porter remuer 
m\u00e9langer malaxer d\u00e9charger 

Roule et ton chargement 
tu d\u00e9moules <\/p>

 <\/p>","label":"

Tony <\/i><\/p>"},{"id":1157,"type":2,"content":"


Capte capte 
l\u2019antenne diffuse 
capte la fiction
 <\/p>","label":"

Tom E <\/p>"},{"id":1158,"type":2,"content":"


paysage mort 
paysage fan\u00e9 
paysage nourrit 
rouge gorge 

mes yeux d\u00e9couvrent la montagne 
un nuage monte 
bouge bouge platane et ch\u00eane rouge<\/p>

 <\/p>","label":"

Lily<\/p>"},{"id":1159,"type":2,"content":"


Dress\u00e9 dress\u00e9s 
poteau et soleil 
illumin\u00e9 

Bouge grise 
ombre triste 
passe, goutte et bouge 

Tombe tombe 
de tes entrailles 
s\u2019\u00e9goutte de la pluie<\/p>

 <\/p>","label":"

Hugo<\/p>"},{"id":1150,"type":2,"content":"


Moule 
T-shirt lacoste \u00e0 100 boule 
charger transporter porter remuer <\/p>

m\u00e9langer malaxer d\u00e9charger 

Roule et ton chargement 
tu d\u00e9moules 

Tony <\/span>


Capte capte 
l\u2019antenne diffuse 
capte la fiction 
 <\/p>

Tom E <\/span>


paysage mort 
paysage fan\u00e9 
paysage nourrit 
rouge gorge 
 <\/p>

mes yeux d\u00e9couvrent la montagne 
un nuage monte <\/p>

bouge bouge platane et ch\u00eane rouge <\/p>


Lily<\/span> 


Dress\u00e9 dress\u00e9s 
poteau et soleil 
illumin\u00e9 

Bouge grise 
ombre triste 
passe, goutte et bouge 

Tombe tombe 
de tes entrailles 
s\u2019\u00e9goutte de la pluie 
 <\/p>

Hugo<\/span> 


Bougent 
romarin et sapin 
bougie bouge 

Abondant montagne et ch\u00eane 
dent abondantes 

Emma<\/span> 


\u00c9tendues \u00e9tendues 
les Alpilles fond une muraille 

Joao<\/span>


Lisse la brindille fraiche
sous l\u2019ombre de l\u2019arbre de Jud\u00e9e
form\u00e9e d\u00e9sordonn\u00e9e mouill\u00e9e

Dresser 
poteau et antenne immobile
morte branche et cloporte 
porte
monte, se d\u00e9place, roule 
roule creuse profond\u00e9ment 
monte et recule doucement 

Tim\u00e9o<\/span>


Tombe, tombent
les feuilles de platane
et les cours 
me plombent 

Baptiste<\/span>


Douce doux
un cyste cotonneux et fico\u00efde 
velout\u00e9

vente vent
le vent vadrouille
et part en vrille

volant, volant
le vent d\u00e9rayant
violant virulent vrille

Lucca<\/span>


Danse 
dansent 
les branches du grand ch\u00eane 
s\u2019expriment 

Immobile 
imposante montagne 
for\u00eat mobile 
feuille au sol 
vole pivotant dans l\u2019atmosph\u00e8re 

Yohan <\/span>


Couleur 
coup\u00e9e au couteau 
coulante 
couillon l\u2019impressionne
pression 
press\u00e9 de dresser l\u2019int\u00e9ress\u00e9 

Rose, violet, gris 
violet laid, lait 
le rose ose la pause 
gris gr\u00e9sille, r\u00e9sille 

Mathias<\/span> 


\u00c9quip\u00e9 chien 
gilet collier 
l\u00e2ch\u00e9 chasser 
lev\u00e9 le gibier 
tirer tuer sanglier 
ramasser d\u00e9s\u00e9quiper 
espiller partager 
manger rentrer ranger 

 Aubin<\/span>


Grotte explor\u00e9e
vaste grotte
toiles d\u2019araign\u00e9es
parois rocheuses
passage \u00e9troit
araign\u00e9e frelon
intrigu\u00e9 et curieux 

Yohan<\/span><\/p>



La montagne domine
mes pieds souffrent
le sac sur mes \u00e9paules<\/p>

les glands jet\u00e9s<\/p>

piqu\u00e9 par des \u00e9pines<\/p>

chien effray\u00e9, sanglier cach\u00e9<\/p>

c\u00e8dre coup\u00e9pin, tron\u00e7onn\u00e9, \u00e9corch\u00e9<\/p>

 <\/p>

Tim\u00e9o<\/span>


Ma chaussure d\u00e9fonc\u00e9e
Mes jambes souffrent
Les chemins poussi\u00e9reux, bossus, caillouteux
Les c\u00e8dres bleut\u00e9s comme des vagues 

Mathias<\/span>
 <\/p>

 <\/p>

L\u2019oiseau chante
la montagne domine<\/p>

une citerne remplie <\/p>

 <\/p>

Brayan<\/span><\/p>



Marcher longtemps<\/p>

manger des chip<\/p>

sun chien se prom\u00e8ne<\/p>

jeter des cailloux<\/p>

mal au pied<\/p>

les oiseaux sifflent<\/p>

de beaux paysages<\/p>

courir dans la descente <\/p>

 <\/p>

Ugo<\/span><\/p>



Cailloux, chemin<\/p>

douleur dans la cuisse<\/p>

cailloux lanc\u00e9s<\/p>

rouge gorge nid sur pin<\/p>

bois dur et sec<\/p>

long chemin<\/p>

oiseau mort<\/p>

 <\/p>

Lucas<\/span>

 <\/p>

La montagne domine<\/p>

lanc\u00e9 de gland<\/p>

mes chaussures souffrent<\/p>

un sapin grand comme la montagne<\/p>

le soleil descend dans les arbres<\/p>

les nuages montent<\/p>

la montagne fait des vagues<\/p>

un rocher trou\u00e9<\/p>

 <\/p>

Emma<\/span><\/p>

 <\/p>

 <\/p>

La montagne domine<\/p>

marcher, pieds<\/p>

cailloux jet\u00e9s<\/p>

jambe souffrante<\/p>

un chien se prom\u00e8ne<\/p>

paysage sous la brume <\/p>

 <\/p>

Tom E<\/span>


Marcher longtemps
pente d\u00e9val\u00e9e
pigeon mort 

Baptiste<\/span>


Ma chaussure est cass\u00e9e
mes fesses ont mal
mes pieds ont mal
paysage agr\u00e9able
paysage douloureux 

Julien<\/span>

Ma chaussure d\u00e9fonc\u00e9e
Mes jambes souffrent
Les chemins poussi\u00e9reux, bossus, caillouteux
Les c\u00e8dres bleut\u00e9s comme des vagues 

Mathias<\/span><\/p>"},{"id":567,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/666_20101112182705.mp3","label":"Les Appalaches (extrait)","duration":197},{"id":25,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/44_20060201172930.mp3","label":"Les Archip\u00e9liens - \"Les Archip\u00e9liens sont quatre. Le groupe des Archip\u00e9liens ne se r\u00e9unit jamais.\"
\r\n(extrait du Cahier du Refuge hors s\u00e9rie : Quinze ans du cipM<\/i><\/a>)","duration":76},{"id":785,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/892_20121016164055.mp3","label":"Les c\u00e8dres se d\u00e9robent \u00e0 travers les fen\u00eatres... - Extrait de D\u00e9saccord\u00e9 parmi les ombres","duration":199},{"id":829,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/938_20131004165921.mp3","label":"Les choses viennent (extraits)","duration":203},{"id":86,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/118_20060204164236.mp3","label":"Les Constellations - Les Constellationskonstellationen constellations constellaciones - versions originales extraites de \u201ckonstellationen constellations constellaciones\u201d (spiral press, Berne, 1953).
\r\nversions fran\u00e7aises : Les Constellations<\/i> (H\u00e9ros-Limite, 2005).","duration":152},{"id":1315,"type":1,"imageIds":[3464]},{"id":2810,"type":1,"imageIds":[3986]},{"id":1043,"type":8,"duration":973,"soundId":"1331844358"},{"id":1042,"type":8,"duration":875,"soundId":"1331875201"},{"id":1041,"type":8,"duration":904,"soundId":"1332341152"},{"id":903,"type":3,"videoId":"767373787","duration":4110},{"id":249,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/327_20100518155046.mp3","label":"Les formules du narateur n\u00b02","duration":187},{"id":658,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/760_20110913161211.mp3","label":"Les Goudes","duration":544},{"id":520,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/619_20100701165604.mp3","label":"Les lignes du d\u00e9sir (extraits) - Texte form\u00e9 de plusieurs fragments lus de fa\u00e7on al\u00e9atoire. Pierre M\u00e9nard en lit ici 3 fragments.","duration":221},{"id":150,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/206_20070327174505.mp3","label":"Les livres ont un prix - fausse conf\u00e9rence - Comment d\u00e9signer des livres aux contours mal d\u00e9limit\u00e9s, des livres dont le statut est pr\u00e9cis\u00e9ment de n\u2019\u00eatre ni ceci ni cela mais ceci, cela et le reste \u00e0 la fois ? Comment d\u00e9signer des livres dont l\u2019espace \u2013 le d\u00e9ploiement et\/ou le d\u00e9roulement \u2013 a \u00e9t\u00e9 travaill\u00e9 tel une installation sans pour autant \u00eatre l\u2019oeuvre d\u2019un artiste mais tout en pouvant l\u2019\u00eatre puisqu\u2019il s\u2019agit d\u2019exposer des livres qui sont l\u2019oeuvre de po\u00e8tes au sens \u00e9tymologique, autrement dit de cr\u00e9ateurs ? Comment nommer des livres qui ne sont plus des recueils, mais un espace dont le feuilletage requiert du temps, des livres de po\u00e8tes sans po\u00e8me, des livres d\u2019artistes \u00e9crits ?\r\n\r\n\r\n","duration":418},{"id":397,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/494_20091009165332.mp3","label":"Les mots sont la retenue du son","duration":203},{"id":2850,"type":2,"content":"

 <\/p>

Y a des pays qui sont en forme de peaux de b\u00eates mal tann\u00e9es. Malmen\u00e9s sont les pays qu\u2019on ass\u00e8che\u2026Vann\u00e9s les pays d\u00e9pouill\u00e9s bien \u00e0 plat aux extr\u00e9mit\u00e9s \u00e9cartel\u00e9es, bien ligot\u00e9es. Des pays sens cibles o\u00f9 il est pas possible de fuir. Y en a d\u2019autres de pays qui sont en forme de peaux de vache rev\u00eache \u00e9tal\u00e9e, arm\u00e9e de gants amers chauss\u00e9e de bottes de rangers et d\u2019\u00e9tuis pour revolvers en cuir trop bien cir\u00e9. Le tout d\u00e9bit\u00e9 dans des peaux de b\u00eates muettes d\u00e9c\u00e9d\u00e9es qui ont hurl\u00e9 et march\u00e9 par\/chemins d\u00e9tourn\u00e9s avec langues arrach\u00e9es. D\u00e9zingu\u00e9es d\u00e9glingu\u00e9es d\u00e9pec\u00e9es les b\u00eates ! Tu peux pas construire si tu d\u00e9p\u00e8ces \u00e0 tour de bras.Tu peux pas construire si tu d\u00e9p\u00e8ces \u00e0 tour de langue qui sort de la poche d\u2019un \u00e9tui de cuir un peu trop cir\u00e9. Tu peux pas construire non plus sans la langue qui n\u2019a pas la forme d\u2019une b\u00eate mais qui est un zoo \u00e0 elle seule qui a la forme qu\u2019on veut lui faire prendre avec de la peau non plus dedans mais autour. La langue faut l\u2019hydrater comme ta peau qui p\u00e8le et que tu soignes \u00e0 coups de cr\u00e8me cirage. Mirage des pays en forme de peaux mal trait\u00e9es. La langue elle s\u2019ass\u00e8che comme une peau de b\u00eate si on la fait pas boire et quand c\u2019est trop sec la langue elle s\u2019arr\u00eate de tourner de prononcer de se prononcer. Elle se tait mal dans sa peau ! Alors tu tires la langue ou sur la langue pour aller vers un ailleurs mais la langue elle part pas m\u00eame quand tu la tires fort et loin de toi. Tu as beau tirer sur la langue elle se tire pas c\u2019est ancr\u00e9 profond en toi la langue. Tu tires la langue mais tu peux pas tirer sur la peau de la langue, la langue \u00e7a se d\u00e9plisse pas \u00e7a se lifte pas. Par contre \u00e7a se ravine \u00e7a se parchemine \u00e7a blanchit \u00e7a bleuit \u00e7a se crevasse plein de fois, mais \u00e7a se coupe pas de toi la langue avec la peau autour. Elle est attach\u00e9e par quoi et \u00e0 quoi la langue ? la langue \u00e7a reste toujours fid\u00e8le, \u00e7a reste attach\u00e9 au pays tann\u00e9 qui l\u2019a matern\u00e9e et plus tard malmen\u00e9e. Allez savoir pourquoi elle reste attach\u00e9e! D\u2019ailleurs si on coupe la langue \u00e0 quelqu\u2019un on prend un morceau de peau de son pays en plein visage qu\u2019on avance masqu\u00e9. D\u00e8s fois la langue c\u2019est lourd \u00e0 porter. D\u00e8s fois tu as un b\u0153uf sur la langue tu es emp\u00each\u00e9 de dire mais tu dis quand m\u00eame malgr\u00e9 le cheveu du syst\u00e8me pileux qu\u2019on voit pas mais qui s\u2019entend et qu\u2019on veut te couper en quatre\u2026Aussi faut qu\u2019on la tire \u00e0 bout portant la langue si on veut plus l\u2019entendre se plaindre de n\u2019avoir pas de pot ! Et quand elle explose \u00e7a saigne \u00e7a s\u2019arr\u00eate pas h\u00e9morragie interne de chaque mot qu\u2019on prononcera pas. La langue qui saigne c\u2019est une marque de fabrique estampill\u00e9e Label Rouge pour dure \u00e0 cuir(e). Son sang fait toujours sens apr\u00e8s \u00e7a cicatrise \u00e7a se reforme conforme ou plus souvent \u00e7a se d\u00e9forme, \u00e7a se br\u00fble direct et puis \u00e7a p\u00e8le, \u00e7a s\u2019\u00e9pelle aussi Help ! Elle ! C\u2019est quoi qui p\u00e8le dans la langue qu\u2019on br\u00fble si elle a pas de peau ? Elle est pass\u00e9e o\u00f9 la peau de la langue pourtant charg\u00e9e boursoufl\u00e9e comme une peau mal tann\u00e9e ? La langue si on sait pas la tenir \u00e7a bouge tout le temps \u00e7a se tourne dans tous les sens dessus dessous c\u2019est humide partout la langue \u00e7a glisse dans la bouche avec la peau autour. La langue elle se cache au milieu de toi dans une peau autour qui lui appartient pas. Elle sort pas de toi la langue enrob\u00e9e de peau autour dehors. La peau nous recouvre et la langue nous d\u00e9couvre si on la d\u00e9p\u00e8ce pas. Et si \u00e7a d\u00e9p\u00e8ce pas tu te d\u00e9p\u00eaches de construire. Tu crois que tu peux construire mais pas tant que \u00e7a car trop souvent la langue on la mange en plat de viande bien assaisonn\u00e9e qu\u2019on d\u00e9coupe en menus morceaux de choix. Et l\u00e0 tu manges la langue d\u2019une b\u00eate muette sans sa peau. La langue fait recette ! Y en a que \u00e7a d\u00e9range pas d\u2019avoir la langue d\u2019un autre que tu crois plus b\u00eate que toi et qui passe par ton estomac, par ton foie gras en hachis bien trop r\u00f4tie et qui se desquame en peaux mortes pour devenir langue morte rot\u00e9e dig\u00e9r\u00e9e. Alors pour l\u2019atteindre cette langue cible tu sondes la profondeur de la peau en couches multicouches accouch\u00e9e tissu par tissu d\u00e9cousus \u00e9piderme derme hypoderme mal recousus. C\u2019est si profond la peau que \u00e7a s\u00e9pare de la langue parfois\u2026 Y en a m\u00eame qui y laissent leur peau pour leur langue, leur langue trop pendue qui a encore pas de pot quand elle d\u00e9c\u00e8de \u00e0 coup de bombes hydratantes neutralisantes pas tant que \u00e7a qui la d\u00e9p\u00e8cent en mille morceaux ! Quand \u00e7a explose on est habill\u00e9 de la t\u00eate aux pieds de peaux mutil\u00e9es et de langues arrach\u00e9es et on se retrouve d\u00e9sarm\u00e9 en lambeaux\u2026 Fatigu\u00e9s rompus vann\u00e9s sont les pays en forme de peaux de b\u00eates mal coagul\u00e9es, mal tann\u00e9es bien \u00e0 plat aux extr\u00e9mit\u00e9s emprisonn\u00e9es\u2026 Y a trop de pays aujourd\u2019hui qui sont taill\u00e9s \u00e0 l\u2019emporte-pi\u00e8ce de b\u00eates tapies en cuir trop vieilli et qui ont du mal \u00e0 sauver leur peau\u2026<\/p>

 <\/p>","label":"

Les Peaux cibles<\/i>, texte re\u00e7u de Claudie Lenzi le 23 f\u00e9vrier en amont de la rencontre autour des \u00e9ditions LansKine, le 14 mars 2026.<\/p>"},{"id":75,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/105_20060209153808.mp3","label":"Les Professions \u00e9quivoques ou Les Talents profanes - texte in\u00e9dit","duration":84},{"id":137,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/190_20091103171853.mp3","label":"Les quatre soeurs - Traduction par et lue par Jean-Charles Depaule.","duration":99},{"id":252,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/330_20080709184511.mp3","label":"Les rideaux tir\u00e9s [...] les draps moites.","duration":804},{"id":481,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/579_20100429184758.mp3","label":"Les seuls sens ou la n\u00e9cessit\u00e9 de la vie - Traduction fran\u00e7aise de et lue par Fran\u00e7oise de Laroque.","duration":349},{"id":326,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/414_20090429180810.mp3","label":"Les soifs - Lecture de la traduction en Fran\u00e7ais par V\u00e9ronique Vassiliou","duration":627},{"id":2477,"type":5,"fileUrl":"\/resources\/files\/file_680a320dbbeb5.pdf"},{"id":723,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/826_20120504184708.mp3","label":"Les textes faits pour n'\u00eatre lu qu'une seule fois (extrait)","duration":251},{"id":1079,"type":2,"content":"

 <\/p>

L E S   \u00c9 G A R \u00c9 S<\/span><\/p>

consid\u00e9rations sur la vie martienne et les sushi bars<\/span><\/p>

partie 1<\/strong><\/span><\/p>

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(\u2026)<\/span><\/p>

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M m'entretenant une fois, de nuit, des \u00e9gar\u00e9s et des non-\u00e9gar\u00e9s<\/span><\/p>

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(...)<\/span><\/p>

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tambourinant, comme \u00e0 son habitude, n'importe quand \u00e0 la porte de l'appartement, tant il serait \u00ab boulevers\u00e9 \u00bb, s'excusant d'arriver ainsi, comme \u00e0 son habitude, n'importe quand, ayant h\u00e9sit\u00e9 pourtant \u00ab durant des heures \u00bb dirait-il \u00e0 le faire, ayant tourn\u00e9 d'abord en rond chez lui, dans la cuisine de son appartement, M habitant, \u00e0 cette \u00e9poque, sur Mars, l'appartement d'en face, troisi\u00e8me \u00e9tage, au m\u00eame pallier, se demandant durant des heures \u00ab quoi faire \u00bb, dans l'appartement d'en face, tournant et retournant l'affaire dans tous les sens, n'arrivant ni \u00e0 se d\u00e9cider ni \u00e0 trouver le sommeil<\/span><\/p>

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(\u2026)<\/span><\/p>

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se fichant bien de tirer les autres du lit, tant il serait boulevers\u00e9, \u00ab retourn\u00e9 \u00bb dirait-il par l'affaire, la \u00ab journ\u00e9e de dingue \u00bb dirait-il qu'il viendrait de vivre, aujourd'hui, \u00ab sur Mars \u00bb, M, \u00e0 cette \u00e9poque, disant ais\u00e9ment qu'il passerait des \u00ab journ\u00e9es de dingue sur Mars \u00bb, trouvant dans tout et n'importe quoi des raisons de vivre, de passer des \u00ab journ\u00e9es intenses et de dingue sur Mars \u00bb, soutenant, par exemple, deux \u00e0 trois semaines auparavant, qu'il aurait pass\u00e9 une journ\u00e9e \u00ab intense et de dingue \u00bb en raison d'une improbable couleur rose au plafond et aux murs et d'une petite cuiller, M s'\u00e9tant mis, tr\u00e8s jeune, d\u00e8s l'enfance, au caf\u00e9, abondamment, non par go\u00fbt du caf\u00e9 mais par go\u00fbt des petites cuillers de sa m\u00e8re acqu\u00e9rant, d\u00e8s avant la naissance de M, tout un tas de petites cuillers, \u00e0 manche plastique, vert, translucide ou mat, la m\u00e8re de M pensant, bien avant la naissance de M, qu'il serait bon d'avoir tout un tas de petites cuillers, \u00e0 la mode ou pas, mais \u00e0 manche vert et plastique, translucide ou pas, dans son tiroir \u00e0 couverts, les petites cuillers de sa m\u00e8re obnubilant ensuite M, des heures durant, d\u00e8s l'enfance, d\u00e8s qu'il touillerait son caf\u00e9, plongeant sa cuiller, verticalement, dans le liquide noir, la tenant \u00e0 peine de ses pouce et index, se fichant pas mal des oncles et des tantes, des conversations, interminables, de sa m\u00e8re \u00e0 propos de tout et n'importe quoi<\/span><\/p>

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(\u2026)<\/span><\/p>

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plongeant, quant \u00e0 lui, verticalement sa cuiller et touillant l'affaire, des heures durant, ne pouvant s'emp\u00eacher de voir dans la porcelaine blanche, les parois de sa tasse blanche, une baignoire, exotique, ou un grand bassin blanc, situ\u00e9 quelque part, en Chine ou en Inde, \u00ab ailleurs, en tout cas, ailleurs \u00bb, dans les caves immenses d'un palais, o\u00f9 un type, fort maigre, un sage, torse nu, en turban immense et vert et filant vers le haut, s'immergerait, des heures durant, profitant, des heures durant, de la chaleur de l'eau, ultra sombre, ultra chaude, le manche de la cuiller figurant le turban, le haut de la cuiller figurant, quant \u00e0 lui, le cou et les \u00e9paules d\u00e9nud\u00e9es, curieusement argent\u00e9es, de l'homme vu de dos<\/span><\/p>

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(\u2026)<\/span><\/p>

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l'improbable couleur rose du plafond et des murs lui \u00ab sautant, quant \u00e0 elle, aux yeux \u00bb, le m\u00eame jour<\/span><\/p>

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(\u2026)<\/span><\/p>

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la cuiller et l'improbable couleur rose lui revenant d'un coup en t\u00eate, le soir, bien apr\u00e8s le \u00ab travail \u00bb, la cuiller et l'improbable couleur rose s'\u00e9garant, pour ainsi dire, la journ\u00e9e enti\u00e8re, lui sautant aux yeux, l'une, dans sa cuisine, au petit d\u00e9jeuner, l'autre, une heure plus tard, au bureau, dans un des placards du bureau, puis l'une et l'autre s'\u00e9garant, comme toute chose, tout \u00eatre du monde, puis lui revenant, toutes les deux, d'un seul coup en t\u00eate \u00e0 l'heure de se coucher, accaparant, alors, toutes les deux, des heures durant, malgr\u00e9 tout, la grande fatigue ext\u00e9nuant M depuis des mois, le for\u00e7ant, depuis des mois, \u00e0 s'\u00e9tendre malgr\u00e9 l'heure, les mille et une t\u00e2ches \u00e0 accomplir, tant ce vieux rose, \u00ab totalement improbable \u00bb, \u00ab totalement inou\u00ef \u00bb, couvrant n'importe comment les murs et le plafond d'un des placards au bureau, l'obs\u00e9derait comme une peau, M passant son temps \u00e0 \u00ab traquer les peaux \u00bb, n'arr\u00eatant pas de voir, dans ce qu'il verrait, des peaux, s'excusant, des fois, \u00ab mille fois par jour \u00bb de sa \u00ab distraction \u00bb, sortant, alors, dans la mesure du possible, un carnet de sa poche et notant \u00ab peau \u00bb, le mot \u00ab peau \u00bb, puis notant, scrupuleusement, dans la mesure du possible, les circonstances et conditions, les occasions o\u00f9, dans quelque chose, bien souvent n'importe quoi, il aurait vu une peau, M ayant la propension \u00e0 voir des peaux, dans n'importe quoi, n'importe quel mur, n'importe quelle chose, n'importe quelle faille ou surface \u00e0 structure lisse ou granuleuse<\/span><\/p>

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(\u2026)<\/span><\/p>

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une chose \u00e9gar\u00e9e, quelquefois deux, totalement oubli\u00e9es sit\u00f4t que vues ou per\u00e7ues, lui revenant parfois en t\u00eate, en une fois, le soir, durant des heures, l'emp\u00eachant de dormir, refaisant surface, curieusement, des mois apr\u00e8s parfois, revenant d'on ne sait o\u00f9, obnubilant M, en tout cas, durant des heures<\/span><\/p>

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(\u2026)<\/span><\/p>

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M grossissant, alors, les choses, exag\u00e9r\u00e9ment, faisant de tout et de rien une peau dont on ne verrait que les accidents, les minces sillons la traversant, les taches, plus rouges, du sang effleurant \u00e0 la surface, en raison d'une veine ou d'un bout d'art\u00e8re \u00e9clat\u00e9, la marque, plus claire, d'un trou qu'une aiguille de seringue, parfaitement effil\u00e9e, parfaitement au fait de ce qu'il faudrait faire, aurait laiss\u00e9e en per\u00e7ant la peau, etc., \u00ab etc. \u00bb dirait M<\/span><\/p>

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(\u2026)<\/span><\/p>

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trouvant plut\u00f4t, \u00e0 cette \u00e9poque, ais\u00e9ment le sommeil, s'endormant d\u00e8s qu'il se coucherait sur le dos ou le c\u00f4t\u00e9 droit, ne parvenant pas, \u00e0 l'inverse, \u00e0 cette \u00e9poque, \u00e0 s'endormir s'il se couchait sur le ventre ou le c\u00f4t\u00e9 gauche<\/span><\/p>

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(\u2026)<\/span><\/p>

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M souffrant, \u00e0 cette \u00e9poque, de \u00ab quelque chose dans le c\u0153ur \u00bb<\/span><\/p>

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(\u2026)<\/span><\/p>

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lui arrivant au c\u0153ur d\u00e8s qu'il se coucherait sur le ventre ou sur le c\u00f4t\u00e9 gauche, tout le poids de son corps pesant alors sur son c\u0153ur et fatiguant son c\u0153ur, exag\u00e9r\u00e9ment, d\u00e8s qu'il se coucherait sur le ventre ou sur le c\u00f4t\u00e9 gauche <\/span><\/p>

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(\u2026)<\/span><\/p>

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M n'essayant m\u00eame pas de se coucher cette nuit o\u00f9, comme un dingue, il aurait d\u00e9boul\u00e9, tambourinant \u00e0 la porte, tenant ensuite des propos de dingue \u00e0 propos des \u00e9gar\u00e9s, de ce qu'il appellerait \u00ab \u00e9gar\u00e9s \u00bb, ne pensant m\u00eame pas, cette nuit, \u00e0 dormir, tant tout ce qui lui serait arriv\u00e9, aujourd'hui, \u00ab sur Mars \u00bb dirait-il, l'aurait boulevers\u00e9, le bouleverserait encore, l'inqui\u00e8terait \u00ab depuis des heures \u00bb, dirait-il, tournant maintenant en rond dans mon appartement, tenant des propos divers, comme \u00e0 son habitude, comme s'il ne parlait qu'\u00e0 lui-m\u00eame, comme si je n'\u00e9tais pas l\u00e0, disant que rien de ce qui lui serait arriv\u00e9 aujourd'hui n'arriverait \u00e0 s'\u00e9garer, \u00e0 rejoindre le \u00ab vaste troupeaux des \u00e9gar\u00e9s \u00bb dirait-il<\/span><\/p>

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(\u2026)<\/span><\/p>

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comme si mon appartement n'aurait \u00e9t\u00e9 que le prolongement de son appartement, comme si, \u00e0 force de \u00ab ressasser \u00bb, de mac\u00e9rer dans le \u00ab jus sombre des choses et des \u00eatres de la surface de la terre suppos\u00e9s s'\u00e9garer mais ne s'\u00e9garant pas \u00bb, il aurait eu besoin de changer d'air<\/span><\/p>

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(\u2026)<\/span><\/p>

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changeant alors d'air<\/span><\/p>

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(\u2026)<\/span><\/p>

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tambourinant, alors, comme un dingue \u00e0 ma porte pour changer d'air, puis tournant en rond dans mon appartement, ne s'excusant m\u00eame pas d'entrer ici \u00e0 l'improviste<\/span><\/p>

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(\u2026)<\/span><\/p>

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commen\u00e7ant, d'abord, par dire n'importe quoi, tenir des propos, sans queue ni t\u00eate, \u00e0 propos d'une femme, crois\u00e9e tout \u00e0 l'heure, gare Saint-Charles, puis d'un couple de vieux en partance, n'arrivant pas \u00e0 tenir leurs petits-enfants, leurs \u00ab sales gosses \u00bb dirait M, tout entiers dans leur fougue, leur bonheur \u00e9perdu d'\u00eatre jeunes, vigoureux et vivants, pirouettant partout, entre les valises, les perdus, \u00ab chers \u00e9gar\u00e9s de la gare \u00bb et \u00ab les press\u00e9s \u00bb dirait M, puis M en venant \u00e0 Wiens, enfin \u00e0 Wiens, son ami Wiens<\/span><\/p>

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(\u2026)<\/span><\/p>

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tenant d'abord, allez savoir pourquoi, des propos divers \u00e0 propos d'une femme aper\u00e7ue tout \u00e0 l'heure, gare Saint-Charles, lui revenant en t\u00eate, allez savoir pourquoi, au milieu de la nuit, l'obnubilant alors, sans raison, \u00ab autant que Wiens \u00bb dirait M, le couple de petits vieux lui revenant alors en t\u00eate et l'accaparant \u00e0 son tour \u00ab autant que Wiens \u00bb dirait-il, M partant alors \u00e0 la d\u00e9rive, \u00e9mettant une hypoth\u00e8se quant aux raisons qu'il aurait de tenir des propos \u00e0 propos d'une femme qui ne lui \u00ab serait rien \u00bb dirait-il, la femme gare Saint-Charles portant \u00ab curieusement, un curieux pantalon \u00bb, fronc\u00e9 \u00e0 la taille, immens\u00e9ment, tant quelqu'un quelque part ailleurs, dans une usine \u00e0 pantalons, aurait \u00ab forc\u00e9 la dose \u00bb, exag\u00e9r\u00e9, volontairement, la fron\u00e7ure, glissant dans le tissu, dans l'ourlet de la taille, une bande \u00e9lastique blanche totalement inad\u00e9quate, d'\u00e9vidence trop courte, \u00ab beaucoup trop \u00bb, pour un pantalon de cette taille<\/span><\/p>

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(\u2026)<\/span><\/p>

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la fron\u00e7ure fron\u00e7ant alors le tissu, immens\u00e9ment, comme si quelqu'un quelque part ailleurs, dans une usine \u00e0 pantalons, \u00e0 l'\u00e9tranger, probablement en Chine, ou \u00ab dans un coin recul\u00e9 de l'Asie \u00bb dirait M, aurait d\u00e9cid\u00e9, \u00ab je ne sais pas pourquoi \u00bb dirait M, de \u00ab forcer la dose \u00bb, for\u00e7ant alors la dose en raison de convictions profondes l'incitant \u00e0 saboter, saborder le travail, la r\u00e9putation de la firme, du pays ou de l'Asie, tant il ou elle, quelqu'un, en Asie ou en Chine, n'en pourrait plus \u00ab des injustices du monde, des injustices sociales ou quelque chose du genre \u00bb, l'incitant, \u00ab \u00e0 force d'\u00eatre criantes \u00bb, \u00e0 ruminer, \u00e0 mettre au point \u00ab un stratag\u00e8me \u00bb, des mois durant, une strat\u00e9gie de sabotage, visant \u00e0 r\u00e9sister, \u00e0 ridiculiser tout qui porterait un pantalon, \u00ab made in Asia, made in China \u00bb, fabriqu\u00e9 par ses mains<\/span><\/p>

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(\u2026)<\/span><\/p>

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n'importe quel individu, \u00ab m\u00eame splendide \u00bb, parfaitement moul\u00e9 dans un pantalon fabriqu\u00e9 par ses mains, se trouvant ridicule, instantan\u00e9ment, en raison d'une bande \u00e9lastique blanche fron\u00e7ant immens\u00e9ment, exag\u00e9r\u00e9ment \u00e0 la taille le porteur ou la porteuse du pantalon, de sorte qu'on ne verrait plus que \u00e7a, un pantalon rose, en tissu spongieux, fluide et brillant, exag\u00e9r\u00e9ment fronc\u00e9 \u00e0 la taille, ne mettant rien en \u00e9vidence \u00ab si ce n'est le ridicule \u00bb dirait M, la splendeur de l'individu, par ailleurs moul\u00e9, parfaitement, passant comme \u00e0 la trappe, \u00ab s'\u00e9garant dans l'espace en somme ou dans une autre dimension spatio-temporelle \u00bb dirait M<\/span><\/p>

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(\u2026)<\/span><\/p>

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rejoignant, pour ainsi dire, pour toujours, \u00ab les \u00e9gar\u00e9s \u00bb<\/span><\/p>

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(\u2026)<\/span><\/p>

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les choses et les \u00eatres de la surface de la terre ayant une \u00ab sacr\u00e9e propension \u00bb dirait M \u00e0 dispara\u00eetre de la surface de la terre<\/span><\/p>

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(\u2026)<\/span><\/p>

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les choses et les \u00eatres de la surface de la terre disparaissant, g\u00e9n\u00e9ralement, de la surface de la terre sit\u00f4t que vus, ou crois\u00e9s, \u00e0 la surface de la terre, la plupart des choses et des \u00eatres de la surface de la terre rejoignant, de nos jours, plus vite qu'avant, et plus intens\u00e9ment, les \u00e9gar\u00e9s, \u00ab chers disparus, ch\u00e8res disparues \u00bb, ne revenant, g\u00e9n\u00e9ralement, plus en t\u00eate, \u00ab tout dans nos vies actuelles \u00bb dirait M concourant \u00e0 la \u00ab disparition des esp\u00e8ces \u00bb, tant il serait impossible, de nos jours, dans nos vies actuelles, en raison de nos vies, ne pas \u00e9garer, \u00ab pour toujours \u00bb, la plupart des choses et des \u00eatres de la surface de la terre, tant les choses et les \u00eatres de la surface de la terre auraient tendance, de nos jours, dans nos vies actuelles, \u00e0 \u00ab se multiplier \u00bb, jouant du coude, n'importe quand, n'importe comment, pour demeurer un peu, malgr\u00e9 tout, dans nos vies actuelles<\/span><\/p>

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(\u2026)<\/span><\/p>

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voil\u00e0<\/span><\/p>

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(...)<\/span><\/p>

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\u00ab c'est ainsi \u00bb dirait M<\/span><\/p>

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(\u2026)<\/span><\/p>

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des choses et des \u00eatres de la surface de la terre revenant, pourtant, parfois, des heures durant, on ne sait pas pourquoi, de \u00ab chez les morts \u00bb dirait M, \u00ab les \u00e9gar\u00e9s \u00bb pr\u00e9ciserait-il, obnubilant parfois, des<\/span><\/p>

heures durant, on ne sait pas pourquoi, l'esprit de quelques-uns<\/span><\/p>

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(\u2026)<\/span><\/p>

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M passant, une fois, il y a trois semaines, trois jours devant sa machine \u00e0 laver, en raison d'un souvenir d'enfance revenant sans raison de chez les \u00e9gar\u00e9s, M, une autre fois, fixant un mur en cr\u00e9pi blanc dans une chambre d'h\u00f4tel, distinguant, dans le cr\u00e9pi blanc d'un mur, une \u00ab peau splendide \u00bb dirait-il<\/span><\/p>

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(\u2026)<\/span><\/p>

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\u00ab enfin soit \u00bb dirait M, balayant de la main tout ce qu'il viendrait de dire<\/span><\/p>

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(\u2026)<\/span><\/p>

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en venant enfin \u00e0 Wiens, \u00ab l'\u00e9gar\u00e9 Wiens \u00bb, son \u00ab ami de toujours \u00bb<\/span><\/p>

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(\u2026)<\/span><\/p>

 <\/span><\/p>

M, toutefois, rappelant d'abord, \u00ab avant d'en venir aux faits \u00bb, sa manie, \u00ab sale manie de M \u00bb dirait-il, de recevoir, \u00e0 n'importe quelle heure, chez lui, dans son appartement, en robe de chambre, M n'aimant rien de plus au monde que de recevoir en robe de chambre, M ne trouvant rien de plus commode, pour vivre chez soi, qu'une robe de chambre, rev\u00eatue illico, par-dessus ses \u00ab v\u00eatements de ville \u00bb, d\u00e8s qu'il rentrerait de la ville, ne prenant, des fois, m\u00eame pas la peine d'\u00f4ter son veston sans forme, rev\u00eatant, en tout cas, \u00e0 chaque fois, sa robe de chambre sans prendre la peine d'\u00f4ter ses chemise et cravate, M ouvrant d\u00e8s lors \u00e0 Wiens, ce matin, son ami Wiens, en robe de chambre<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

non qu'il s'agirait d'une pose<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, \u00e0 cette \u00e9poque, se fichant d\u00e9j\u00e0 pas mal des poses<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, \u00e0 cette \u00e9poque, disant ais\u00e9ment \u00ab Mars \u00bb pour \u00ab Marseille \u00bb<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

ouvrant simplement \u00e0 Wiens, son \u00ab ami de toujours \u00bb, sans poser, une fois semaine, en robe de chambre, Wiens passant prendre M, une fois semaine, sur un temps de midi, en vue de lui \u00ab faire prendre l'air \u00bb, Wiens jugeant que M, son \u00ab ami de toujours \u00bb, ne prendrait \u00ab pas assez d'air \u00bb, M vivant, selon Wiens, \u00ab trop souvent confit \u00bb, ne sortant de chez lui que deux fois la semaine pour aller \u00ab au travail \u00bb, en raison de son c\u0153ur, ultra faible \u00e0 l'\u00e9poque, ayant en tout cas des rat\u00e9s, l'obligeant \u00e0 rester, des heures durant, allong\u00e9 ou assis, \u00e0 ne rien faire, Wiens jugeant bon, d\u00e8s lors, d'aller ensemble, une fois la semaine, au \u00ab sushi bar \u00bb, ce que M appellerait sushi bar, erron\u00e9ment sushi bar, M appelant sushi bar n'importe quoi, n'importe quel \u00e9tablissement proposant \u00e0 sa carte des plats, des sp\u00e9cialit\u00e9s japonaises, ou balinaises, telles qu'on en trouverait dans les gargotes, dans les rues de Tokyo ou de Nagasaki, des machins \u00e0 l'huile, \u00ab faits maison \u00bb, des g\u00e2teaux et des glaces comme on en trouverait chez soi, dans les maisons, les appartements priv\u00e9s, de \u00ab Fukuoka, Fukushima, etc. \u00bb dirait M, blagueur<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

cherchant \u00e0 faire rire, d'embl\u00e9e, \u00e0 d\u00e9rider ou distraire Wiens, tant Wiens, son ami de toujours, \u00ab porterait sur mes nerfs \u00bb dirait M, ne cachant pas que ses nerfs, depuis trois semaines, ne supporteraient plus Wiens, l'attitude de Wiens, ses sourcils si fronc\u00e9s, arriv\u00e9 aujourd'hui bien avant l'heure, bien avant le temps de midi, prenant M au d\u00e9pourvu, Wiens hochant \u00e0 peine la t\u00eate quand il passerait la porte, entrant comme une furie, dans l'appartement de M, sans saluer M, aujourd'hui bien avant le temps de midi<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

pr\u00e9f\u00e9rant, et de loin, rester debout et faire les cent pas, les sourcils fronc\u00e9s, tant que M vaquerait, comme il pourrait, \u00e0 ses occupations, puis se changerait, exc\u00e9d\u00e9, \u00f4terait sa robe de chambre et passerait son veston, blaguant alors \u00e0 tout va, comme si M ne remarquerait pas le man\u00e8ge, \u00ab insupportable \u00bb dirait M, de Wiens, revenant sans cesse, depuis trois semaines, sur M, l'attitude de M, \u00ab inqui\u00e9tante \u00bb dirait Wiens, ne pourrait s'emp\u00eacher de dire Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Wiens sonnant comme un dingue, aujourd'hui, bien avant le temps de midi, \u00e0 la sonnette d'en bas, tant M, la sant\u00e9 de M, le mental de M, \u00ab m'inqui\u00e8teraient \u00bb dirait Wiens, une fois entr\u00e9, une fois mont\u00e9, toute allure, jusqu'au troisi\u00e8me, la sant\u00e9 de M et son mental semblant \u00e0 Wiens vaciller \u00ab depuis des semaines \u00bb, le mental de M inqui\u00e9tant Wiens plus encore que le physique de M, l'inqui\u00e9tant teint p\u00e2le et l'inqui\u00e9tant souffle au c\u0153ur emp\u00eachant d\u00e9j\u00e0 Wiens de \u00ab dormir tranquille depuis des mois \u00bb dirait Wiens, essouffl\u00e9, tournant en rond dans l'appartement de M, le meubl\u00e9 de M, l'inqui\u00e9tant mental inqui\u00e9tant Wiens \u00ab depuis des semaines \u00bb, M, quant \u00e0 lui, en robe de chambre, accueillant Wiens d'un \u00ab ah c'est toi \u00bb ultra glacial, puis disant \u00e0 Wiens qu'il aurait \u00e0 faire, \u00ab fort \u00e0 faire \u00bb, d\u00e8s que Wiens \u00ab commencerait \u00bb, tournerait en rond, le visage fronc\u00e9, revenant, une fois de plus, sur l'inqui\u00e9tant teint p\u00e2le, le souffle au c\u0153ur et l'inqui\u00e9tant mental de M<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

ne voyant pas du tout, par ailleurs, ce que Wiens, le s\u00e9millant Wiens, voudrait dire<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M proposant alors \u00e0 Wiens de revenir plus tard, \u00e0 midi ou juste avant midi, M ayant des choses \u00e0 faire, tout un tas, des \u00ab trucs machins \u00e0 ranger \u00bb, Wiens insistant alors, lourdement, aga\u00e7ant M, lourdement<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

tant M n'aimerait pas que Wiens, son ami de toujours, le prenne ainsi au d\u00e9pourvu, Wiens, g\u00e9n\u00e9ralement, le si peu matinal Wiens, ne d\u00e9boulant dans l'appartement de M qu'\u00e0 midi, ou juste avant midi, Wiens ne d\u00e9boulant jamais, dans le petit meubl\u00e9 de M, sans \u00ab avoir sonn\u00e9 \u00bb, fait savoir, au pr\u00e9alable, \u00e0 M qu'il arriverait dans dix minutes, mais d\u00e9boulant aujourd'hui sans rien dire, va savoir pourquoi, disant alors \u00e0 M, \u00e0 peine entr\u00e9 dans le meubl\u00e9 de M, tout ce qu'il aurait sur le c\u0153ur, se voyant mal, aujourd'hui, \u00ab attendre midi \u00bb dirait-il, tant tout ce qu'on lui aurait dit ce matin, \u00e0 propos de M, lui aurait \u00ab retourn\u00e9 le c\u0153ur \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Laura V, ce matin, tr\u00e8s t\u00f4t, ayant sonn\u00e9 \u00e0 Wiens, ne sachant que faire d'autre, tant elle \u00ab n'aurait pas go\u00fbt\u00e9 \u00bb dirait Wiens, \u00ab la pantomime de M \u00bb, Laura V ayant aper\u00e7u M, le si peu matinal M, tout \u00e0 l'heure en rue, de l'autre c\u00f4t\u00e9 de la rue, Laura V faisant signe de loin puis interpelant M, marchant en sens inverse sur le trottoir de l'autre c\u00f4t\u00e9 de la rue, M faisant mine alors, quant \u00e0 lui, de ne rien voir, ignorant Laura V, ultra visible pourtant, lui faisant signe de l'autre c\u00f4t\u00e9 de la rue et l'interpelant, M \u00ab faisant plut\u00f4t le singe \u00bb dirait Wiens, acc\u00e9l\u00e9rant le pas, trimbalant sous son bras un carton, une bo\u00eete contenant, \u00ab plus que probablement \u00bb aurait dit Laura V, un ixi\u00e8me totem, une ixi\u00e8me machine, un nouveau machin-chose d'une laideur \u00e0 faire peur, susceptible d'aider \u00e0 vivre, suppos\u00e9 all\u00e9ger l'existence, M, \u00e0 cette \u00e9poque, achetant trois fois semaine des \u00ab machins-choses \u00bb, ou \u00ab totems \u00bb, totalement inutiles, susceptibles d'aider M \u00e0 vivre ou d'all\u00e9ger sa vie, l'existence de M, \u00e0 cette \u00e9poque, ne tenant qu'\u00e0 un fil en raison d'un c\u0153ur ultra fragile, M s'entourant alors de \u00ab totems bon march\u00e9 \u00bb, de \u00ab machins-trucs \u00bb, totalement inutiles, suppos\u00e9s l'aider \u00e0 vivre, \u00e0 mener ici, sur Mars, une existence plus ou moins digne, une existence int\u00e9ressante, M accumulant alors, dans son meubl\u00e9, des totems bon march\u00e9, achet\u00e9s n'importe o\u00f9, \u00e0 n'importe qui et \u00e0 n'importe quel prix, M passant son temps, \u00e0 cette \u00e9poque, \u00e0 \u00ab courir les march\u00e9s et les brocantes \u00bb, achetant n'importe o\u00f9 \u00ab totem sur totem \u00bb dirait Wiens, comme si l'accumulation des choses, des trois fois rien ou \u00ab pacotilles bon march\u00e9 \u00bb l'aiderait un jour \u00e0 vivre, \u00e0 poursuivre un jour \u00ab dans la joie \u00bb son existence sur Mars dirait Wiens<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

\u00ab ridicule \u00bb dirait Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

des poup\u00e9es de chiffons, laides \u00e0 faire peur, et des bazars en zinc, \u00ab Made in China \u00bb, munis de plumes ou d'\u00e9lytres, s'accumulant chez M, dans les armoires, dans le meubl\u00e9 de M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

planquant ses totems, des dizaines, plus effrayants les uns que les autres, derri\u00e8re les kilos de sucre, les piles de linge ou la r\u00e9serve de pommes de terre<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb<\/span><\/p>

 <\/span><\/p>

M d\u00e9pensant des fortunes en \u00ab totems bon march\u00e9 \u00bb, Laura V, \u00ab comme d'autres, beaucoup d'autres \u00bb, s'inqui\u00e9tant, tout autant que Wiens, de la sant\u00e9 mentale de M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

si pas plus<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Laura V s'inqui\u00e9tant de la \u00ab sale manie de M \u00bb, lui faisant, quelquefois, \u00ab perdre le sens \u00bb dirait-elle, M d\u00e9pensant, des fois, des fortunes par mois, se mettant quelquefois sur la paille, tant il s'entourerait de \u00ab totems \u00bb, soi-disant bon march\u00e9, en vue de \u00ab faire barrage \u00bb, repousser un peu, le plus loin possible, \u00ab l'in\u00e9luctable \u00bb dirait M, Laura V ne sachant que faire, ce matin, en rue, tournant en rond, d\u00e8s qu'elle aurait vu M, crois\u00e9 M acc\u00e9l\u00e9rant le pas d\u00e8s qu'elle l'aurait interpel\u00e9 depuis l'autre c\u00f4t\u00e9 de la rue, l'appelant de son nom plusieurs fois de suite, depuis l'autre c\u00f4t\u00e9 de la rue, M faisant alors comme si de rien n'\u00e9tait, acc\u00e9l\u00e9rant le pas, les cheveux ridiculement dans le vent, un nouveau \u00ab machin-chose \u00bb sous le bras, dans un carton de r\u00e9cup, Laura V ne cherchant pas \u00e0 le rejoindre bien que s'inqui\u00e9tant pour M, mais sonnant plut\u00f4t, alors, matinalement, \u00e0 Wiens, passant, quant \u00e0 lui, illico n'importe quoi, une veste courte, trou\u00e9e aux coudes, puis se rendant, toute allure chez M, bien avant midi<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait-il, tournant toujours en rond, de nuit, dans mon appartement, balayant, comme \u00e0 son habitude, d'un revers de la main, tout ce qu'il viendrait de dire, disant alors n'importe quoi, s'excusant de me faire \u00ab perdre ainsi le temps \u00bb dirait-il, quelqu'un, n'importe qui, ayant, tout de m\u00eame, autre chose \u00e0 faire qu'\u00e0 \u00e9couter quelqu'un, de nuit, \u00ab d\u00e9baller une affaire de dingue \u00bb dirait M, \u00ab pas vrai ? \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab pas vrai ? \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

moi disant, alors, \u00ab non \u00e7a va \u00bb puis invitant de la main M \u00e0 poursuivre<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M poursuivant alors<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>","label":"

Cette \u00ab esp\u00e8ce de fiction \u00bb [V. T.], issue d'une R\u00e9sidence d'\u00e9criture au Cipm dont a b\u00e9n\u00e9fici\u00e9 Vincent Tholom\u00e9 en mai et juin 2017 nous a \u00e9t\u00e9 confi\u00e9e par l'auteur le 3 avril 2019. Rest\u00e9 in\u00e9dit jusqu'\u00e0 aujourd'hui, 22 juillet 2023, ce texte est publi\u00e9 ici pour la premi\u00e8re fois.<\/p>"},{"id":1080,"type":2,"content":"

 <\/p>

L E S   \u00c9 G A R \u00c9 S<\/span><\/p>

consid\u00e9rations sur la vie martienne et les sushi bars<\/span><\/p>

partie 2<\/strong><\/span><\/p>

 <\/p>

 <\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

revenant sur Wiens, l'inqui\u00e9tant silence de Wiens, observant, ce matin, durant des heures, \u00ab la pantomime \u00bb, le va-et-vient de M, rangeant dans son appartement, comme il pourrait, les choses, les dizaines de totems, sortis, tout \u00e0 l'heure, de leurs cachettes, M tenant, comme \u00e0 son habitude, \u00e0 pr\u00e9senter ses totems \u00e0 son nouveau totem, M n'arrivant pas aujourd'hui \u00e0 le faire, en raison de Wiens, d'une visite de Wiens, impromptue, la pr\u00e9sence de Wiens irritant M, le for\u00e7ant \u00e0 ranger, durant des heures, ses totems et son nouveau totem, M se changeant, toutefois, sur le coup de midi, par \u00e9gard pour Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

rev\u00eatant alors sa veste favorite, puis prenant l'air, comme si de rien n'\u00e9tait, se rendant, comme si de rien n'\u00e9tait, au sushi bar, devisant en route avec Wiens, son \u00ab ami de toujours \u00bb, comme si de rien n'\u00e9tait, M faisant \u00ab bonne figure \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Wiens lui tapant, toutefois, sur les nerfs, M ne supportant plus, \u00ab depuis des mois d\u00e9j\u00e0 \u00bb, Wiens, les postures de Wiens, \u00ab contraires \u00e0 la biens\u00e9ance \u00bb dirait M, Wiens, selon M, mastiquant, par exemple, les choses d'une fa\u00e7on \u00ab contraire \u00e0 la biens\u00e9ance \u00bb, tant tout ce qui tomberait en bouche de Wiens lui tomberait en bouche comme si cela lui \u00ab venait de nulle part \u00bb dirait M, les choses lui tombant discr\u00e8tement en bouche sans qu'on le remarque, la langue de Wiens, ultra visible et large d\u00e8s qu'il ouvrirait la bouche, parlerait ou mastiquerait, tout d'abord vide, obsc\u00e8nement visible, d\u00e9pourvue d'aliments quelconques, se couvrant, \u00ab shazam et zou \u00bb dirait M, en une fois de p\u00e2tes alimentaires, obsc\u00e8nement visibles, italiennes ou chinoises, broy\u00e9es fines ou de cake quatre quart aux olives broy\u00e9 fin ou de beurre fondu \u00ab etc. \u00bb dirait M, tant \u00ab la nature \u00bb aurait dot\u00e9 Wiens d'une bouche ultra large, ultra visible d\u00e8s qu'il ouvrirait la bouche, parlerait ou mastiquerait, porterait en bouche des quartiers de pomme, des salades vari\u00e9es, \u00ab etc. \u00bb, de sorte que \u00ab l'on ne verrait plus que cela \u00bb, la bouche de Wiens, grande ouverte, et les quartiers de dinde, finement broy\u00e9s, \u00e9tal\u00e9s en fine couche sur sa langue rose clair, \u00ab ultra placide et peu mobile \u00bb dirait M, la langue de Wiens occupant alors tout l'espace et toutes les pens\u00e9es, prenant toutes ses aises, en quelque sorte, non seulement dans l'enti\u00e8ret\u00e9 de l'espace buccal d\u00e9volu \u00e0 la langue mais aussi dans la t\u00eate, l'enti\u00e8ret\u00e9 des pens\u00e9es de tout qui verrait Wiens, la langue de Wiens, curieusement immobile, sa bouche immense, grande ouverte, laissant voir, sans le vouloir, sans le savoir, \u00ab obsc\u00e8nement \u00bb dirait M, \u00ab l'int\u00e9rieur inqui\u00e9tant de son \u00eatre \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

les langues s'agitant, plut\u00f4t, g\u00e9n\u00e9ralement, ne pouvant demeurer immobiles, \u00e9tant prises de \u00ab fr\u00e9n\u00e9sie par exemple \u00bb d\u00e8s qu'il s'agirait de parler embrasser, la langue de Wiens, comme toutes les langues, s'agitant \u00ab d\u00e8s lors \u00bb, \u00ab probablement \u00bb, d\u00e8s qu'il s'agirait de parler embrasser, M ne voyant pas de raison \u00e0 ce que Wiens, la langue de Wiens, ultra plate et placide, demeure immobile d\u00e8s qu'il s'agirait de parler embrasser, rien dans Wiens, la physionomie de Wiens, ne laissant penser que la langue de Wiens ne s'agiterait pas d\u00e8s qu'il s'agirait de parler embrasser, aucun \u00ab ant\u00e9c\u00e9dent g\u00e9n\u00e9tique \u00bb ne laissant supposer que Wiens serait dot\u00e9 d'une langue curieuse, demeurant immobile, lors \u00ab des grands transports \u00bb dirait M, des parler embrasser \u00ab etc. \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M n'imaginant pas Wiens, son ami de toujours, parler embrasser de fa\u00e7on \u00ab contraire \u00e0 la biens\u00e9ance \u00bb, M ayant eu le temps, au fil des ans, de se faire \u00e0 Wiens parlant \u00ab la bouche en grand \u00bb, ne remarquant plus, pour sa part, que Wiens parlerait \u00ab la bouche en grand \u00bb, ne s'offusquant pas du fait que Wiens, son ami de toujours, parle \u00ab la bouche en grand \u00bb, en raison de \u00ab je-ne-sais-pas-quoi \u00bb dirait M, une affaire de largeur de m\u00e2choires ou \u00ab d'articulations singuli\u00e8res \u00bb, peu importe, puis \u00ab peu importe \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

n'arrivant pas, pourtant, malgr\u00e9 le temps, \u00e0 se faire \u00ab au mastiquer de Wiens \u00bb, tant la vue du bol alimentaire, \u00ab broy\u00e9 ultra fin \u00bb, \u00e9tal\u00e9 en fine couche, sur la langue de Wiens, \u00e0 l'int\u00e9rieur de Wiens, r\u00e9pugnerait \u00e0 M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

se levant d\u00e8s fois de table, le c\u0153ur au bord des l\u00e8vres, s'excusant aupr\u00e8s de Wiens d'avoir \u00e0 laisser Wiens, M, alors, se pr\u00e9cipitant ailleurs<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

cherchant ailleurs \u00e0 \u00ab reprendre \u00bb ses \u00ab esprits \u00bb, laissant alors \u00e0 table un Wiens inquiet, s'inqui\u00e9tant que M, le fragile M, se l\u00e8ve si souvent de table, quand ils d\u00e9jeuneraient, \u00ab en amis de toujours \u00bb, une fois la semaine, au sushi bar, dans le vieux Mars, \u00e0 proximit\u00e9 de chez M, M se levant des fois plusieurs fois de table lors du m\u00eame repas, se h\u00e2tant ailleurs, plusieurs fois ailleurs, en raison d'un \u00ab esprit brouill\u00e9 \u00bb, incapable de supporter Wiens, la vue de Wiens et de sa langue, ultra plate et immobile, couverte d'un bol alimentaire, ultra visible et contraire \u00e0 la biens\u00e9ance<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

M reprenant toutefois ses \u00ab esprits \u00bb, puis revenant \u00e0 table, face \u00e0 Wiens, s'inqui\u00e9tant \u00e0 nouveau, fron\u00e7ant le visage, disant qu'il n'aimerait pas que M, son ami de toujours, sorte ainsi de table, si souvent, lorsqu'ils d\u00e9jeuneraient ensemble, \u00ab en amis de toujours \u00bb, Wiens ne supportant pas l'id\u00e9e que \u00ab quelque chose arrive \u00bb, tant le corps de M, pourtant jeune et \u00e9nergique, serait \u00ab d\u00e9traqu\u00e9 \u00bb dirait Wiens, tant l'esprit de M, pourtant vif et dr\u00f4latique, serait \u00ab \u00e9gar\u00e9 \u00bb, dirait Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

le c\u0153ur de M, ultra faible et fragile, pouvant, \u00e0 tout instant, \u00ab flancher \u00bb, l'esprit de M, \u00ab totalement \u00e9gar\u00e9 \u00bb, pouvant, \u00e0 tout instant, \u00ab virer court \u00bb dirait Wiens, ne supportant pas l'id\u00e9e que M, son ami de toujours, \u00ab cr\u00e8ve ailleurs \u00bb, \u00ab comme un chien \u00bb, ou \u00ab vire court \u00bb, \u00ab comme un chien \u00bb, sur le carrelage blanc d'une salle d'eau d'un snack, un sushi bar de Mars, empestant \u00ab l'urine et la javel \u00bb, rien ne retournant plus le c\u0153ur de Wiens que \u00ab l'urine et la javel \u00bb, rien ne retournant plus le c\u0153ur de Wiens que l'id\u00e9e que M cr\u00e8ve \u00ab seul comme un chien \u00bb dans la salle d'eau d'un sushi bar<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, alors, s'emportant<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

disant \u00e0 Wiens \u00ab pr\u00e9f\u00e8rerais, plut\u00f4t, que je cr\u00e8ve l\u00e0 plut\u00f4t que l\u00e0 ? \u00bb ou quelque chose du genre, tendant, dangereusement, le bras derri\u00e8re lui, sans prendre garde \u00e0 ce qui se passerait derri\u00e8re lui, \u00e0 la chinoise sans \u00e2ge, derri\u00e8re lui, d\u00e9barrassant les tables une fois les tables, minuscules, rectangulaires, vid\u00e9es de leurs clients, ne s'attardant jamais, pr\u00e9f\u00e9rant, toujours, sortir, aller ailleurs, prendre ailleurs, sur une terrasse ensoleill\u00e9e de Mars, un caf\u00e9 serr\u00e9, ne souhaitant jamais s'attarder plus avant au sushi bar, d\u00e9barquant en masse, pourtant, sur le temps de midi, pour un repas, vite fait bien fait, puis s'en allant ailleurs, toujours ailleurs, juste avant le caf\u00e9, comme si le caf\u00e9 serr\u00e9 du sushi bar ne valait pas la peine qu'on s'installe, prenne encore ses aises, vingt minutes de plus<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab la moyenne \u00e9tant, selon Wiens \u00bb, dirait M, de vingt minutes<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

les clients et clientes d'un sushi bar, d'une taverne ou d'un grand restaurant prenant, en moyenne, un caf\u00e9, ultra court et serr\u00e9, en vingt minutes<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

selon Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

prenant note, quant \u00e0 lui, sur le vif, des usages et coutumes des clients et clientes des tavernes ou des sushi bars<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

se voyant bien, un jour, publier son \u00e9tude, ultra vive et serr\u00e9e, ultra s\u00e9rieuse, dans un magazine anthropologique ou sociologique, \u00ab ou quelque chose du genre \u00bb dirait Wiens, menant son enqu\u00eate, ultra pouss\u00e9e, sur Mars, les coutumes de Mars, \u00ab depuis des ann\u00e9es d\u00e9j\u00e0 \u00bb dirait M, Wiens se rendant huit fois la semaine sur le terrain, fr\u00e9quentant les bars et les d\u00e9bits de nourriture huit fois la semaine, parvenant, on ne sait pas trop comment, \u00e0 \u00ab garder la forme \u00bb, garder l'allure juv\u00e9nile et svelte d'un \u00ab jeune homme de quinze ans \u00bb dirait M, malgr\u00e9 son \u00e2ge, \u00ab sa trentaine bien sonn\u00e9e \u00bb dirait M, et \u00ab les quantit\u00e9s de nourriture ingurgit\u00e9es \u00e0 chaque repas \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Wiens d\u00e9cr\u00e9tant, d'une part, que la mine renfrogn\u00e9e de la chinoise sans \u00e2ge d\u00e9barrassant les tables une fois le riz, ou les nouilles, ingurgit\u00e9es, et, d'autre part, l'agencement exigu du sushi bar, ne pousseraient pas \u00e0 \u00ab la consommation conviviale \u00bb, les clients et les clientes du sushi bar pr\u00e9f\u00e9rant, et de loin, une fois le repas termin\u00e9, \u00e0 l'instant du caf\u00e9, se rendre ailleurs, dans un \u00ab lieu plus propice \u00bb, favorable aux \u00ab discussions s\u00e9rieuses ou intimes \u00bb, Wiens d\u00e9cr\u00e9tant, une fois pour toutes, que l'instant propice, dans un repas, \u00e0 une discussion s\u00e9rieuse ou intime co\u00efnciderait, \u00ab myst\u00e9rieusement \u00bb, \u00e0 l'instant du caf\u00e9, \u00e0 l'instant o\u00f9 quelqu'un, des fois une chinoise sans \u00e2ge, \u00e0 la mine renfrogn\u00e9e, des fois quelqu'un d'autre et ailleurs, dans un lieu autre que le sushi bar, d\u00e9poserait sur la table, sans renverser, des caf\u00e9s bien serr\u00e9s, bien compacts, agissant fortement sur \u00ab les corps et les \u00e2mes \u00bb, \u00ab l'ar\u00f4me d'un caf\u00e9, bien serr\u00e9, bien compact \u00bb dirait Wiens pouvant agir, des fois, \u00ab instantan\u00e9ment \u00bb, bouleverser, des fois, \u00ab instantan\u00e9ment \u00bb, \u00ab les corps comme les \u00e2mes \u00bb rapporterait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

totalement inattentif, quant \u00e0 lui, aujourd'hui, au sushi bar, sur le temps de midi, au fait que quelqu'un, la chinoise sans \u00e2ge, d\u00e9barrassant les tables, passerait derri\u00e8re lui, les bras charg\u00e9s d'un plateau contenant les couverts, les bols et assiettes empil\u00e9s l'un sur l'autre dans un \u00e9quilibre \u00ab ultra pr\u00e9caire \u00bb dirait M, M ne prenant garde \u00e0 rien, ce midi, s'emportant \u00ab comme jamais \u00bb contre Wiens, l'attitude de Wiens, la posture de Wiens, s'excusant de se pr\u00e9occuper de M, de la sant\u00e9 physique et mentale de M, de sa fa\u00e7on, \u00ab recluse \u00bb, totalement \u00ab autiste \u00bb, de se frotter au monde et \u00ab aux remous int\u00e9rieurs \u00bb dirait Wiens, les remous int\u00e9rieurs affaiblissant M, ces temps-ci, \u00ab tant au physique qu'au psychique \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab bullshit \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab bullshit \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

envisageant alors, le plus s\u00e9rieusement du monde, d'arr\u00eater de voir Wiens, son ami de toujours, tant Wiens, l'attitude de Wiens, sa posture \u00ab d'expert en tout genre \u00bb, insupporteraient M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

dirait M, reculant, alors, brusquement sa chaise et tendant les bras derri\u00e8re lui dans un vaste mouvement d'exasp\u00e9ration, disant \u00ab pr\u00e9f\u00e9rerais, plut\u00f4t, que je cr\u00e8ve l\u00e0 plut\u00f4t que l\u00e0 ? \u00bb, pointant successivement du doigt le carrelage en damier noir et orange, datant d'une autre \u00e9poque, puis la porte blanche, bon march\u00e9, donnant sur la salle d'eau, manquant de peu de \u00ab faire valdinguer \u00bb la chinoise sans \u00e2ge d\u00e9barrassant les tables vides et tra\u00eenant ridiculement les pieds dans leurs chaussons en feutre noir, \u00ab made in China \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M se confondant, alors, en excuses et commandant deux caf\u00e9s, \u00ab minuscules et serr\u00e9s \u00bb dirait-il<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Wiens, quant \u00e0 lui, sortant alors son flingue<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

profitant du fait que M se confondrait en excuses pour sortir, d'on ne sait o\u00f9, un flingue<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

\u00ab quelque chose de lourd \u00bb dirait M, un calibre puissant, un Magnum \u00ab 38 ou 58 \u00bb supposerait M, sorti d'on ne sait o\u00f9 et pos\u00e9, l\u00e0, sur la table, \u00e0 gauche de Wiens, sous sa serviette blanche, le canon rutilant, \u00ab ultra noir \u00bb, d\u00e9passant \u00ab de trois centim\u00e8tres \u00e0 peine \u00bb, dans le sushi bar \u00ab heureusement ultra vide \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

d\u00e9barrass\u00e9 des clients et clientes partis prendre, ailleurs, leur caf\u00e9 de midi<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M et Wiens, au sushi bar, demeurant g\u00e9n\u00e9ralement seuls \u00e0 l'instant du caf\u00e9<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M tentant, alors, de \u00ab faire diversion \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

disant n'importe quoi, comme si de rien n'\u00e9tait<\/span><\/p>

 <\/span><\/p>

(...)<\/span><\/p>

 <\/span><\/p>

d\u00e9signant de la t\u00eate la table \u00e0 c\u00f4t\u00e9 et disant des choses comme \u00ab m\u00eame enthousiasme \u00e0 cette table qu'\u00e0 notre table on dirait \u00bb et \u00ab pas vrai ? \u00bb, puis \u00ab pas vrai ? \u00bb encore, les patronne et patron du sushi bar prenant place, g\u00e9n\u00e9ralement, \u00e0 l'instant du caf\u00e9, \u00e0 une table, carr\u00e9e, deux tables plus loin que celle de Wiens et de M, ne s'avisant pas, jamais, de prendre place juste \u00e0 c\u00f4t\u00e9 de Wiens et de M, tant il importerait aux patronne et patron du sushi bar de \u00ab pr\u00e9server \u00bb diraient-ils \u00ab l'intimit\u00e9 des clients et clientes du sushi bar \u00bb, les patronne et patron du sushi bar connaissant, pourtant, M et Wiens depuis \u00ab des lustres maintenant \u00bb, n'h\u00e9sitant pas, jamais, \u00e0 les charrier, ou \u00e0 leur offrir quelque chose, un dessert chinois ou balinais, \u00ab etc. \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

ne pr\u00eatant, toutefois, pas attention \u00e0 ce que diraient Wiens et M, une fois pass\u00e9s \u00e0 table, Wiens sur sa banquette en ska\u00ef, tournant le dos au mur, faisant face \u00e0 l'entr\u00e9e, M sur son antique chaise en bois, peinte en rose, face \u00e0 Wiens, de l'autre c\u00f4t\u00e9 de leur table, de ce qu'il appellerait \u00ab leur table \u00bb, M refusant de s'asseoir ailleurs qu'\u00e0 \u00ab leur table \u00bb, s'emportant une fois, contre Wiens, il y a des ann\u00e9es, insistant, quant \u00e0 lui, pour qu'ils prennent place \u00e0 \u00ab une table \u00bb plut\u00f4t qu'\u00e0 \u00ab leur table \u00bb, les patronne et patron du sushi bar, \u00ab dans le feu de l'action \u00bb, \u00ab pris dans la folie active \u00bb, n'ayant pas remarqu\u00e9 un client et une cliente prendre place \u00e0 \u00ab leur table \u00bb, Wiens disant, alors, \u00ab bah \u00bb, puis \u00ab pas grave \u00bb, puis \u00ab peut-on prendre place ailleurs \u00bb, puis faisant mine de prendre palace ailleurs, \u00e0 une autre table, M, alors, s'emportant, d'un coup, contre Wiens, disant \u00e0 Wiens \u00ab ses quatre v\u00e9rit\u00e9s \u00bb, n'en revenant pas que Wiens, \u00ab son meilleur ami \u00bb, \u00ab son ami de toujours \u00bb, n\u00e9glige \u00e0 ce point M, la sensibilit\u00e9 de M, M n'en revenant pas que Wiens se soucie si peu de lui, de ses \u00ab besoins essentiels \u00bb, de ses \u00ab manies essentielles \u00bb, Wiens sachant \u00ab fort bien \u00bb, \u00ab depuis longtemps \u00bb, que \u00ab leur table \u00bb serait \u00ab leur table \u00bb, qu'il n'y aurait pas, au sushi bar, d'autre table possible que \u00ab leur table \u00bb, qu'il serait impossible, \u00e0 M, de prendre place \u00e0 table, au sushi bar, ailleurs qu'\u00e0 leur table, etc., M sortant, alors, pr\u00e9cipitamment, du sushi bar, ultra bond\u00e9, bousculant un client au passage, disant \u00e0 Wiens que, si \u00e7a devait se reproduire, il ne reviendrait plus, refuserait de revoir Wiens, son \u00ab meilleur ami pourtant \u00bb, son \u00ab ami de toujours \u00bb, etc.<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

les patronne et patron du sushi bar se confondant, alors, en excuses, sortant \u00e0 leur tour du sushi bar et rattrapant M, ulc\u00e9r\u00e9, marchant d'un bon pas, d\u00e9j\u00e0, cheveux au vent, au milieu de la rue, Wiens, alors, rattrapant M et se confondant en excuses, n'en revenant pas lui-m\u00eame dirait-il d'avoir \u00e9t\u00e9 \u00ab \u00e0 ce point n\u00e9gligent \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

les patronne et patron du sushi bar se fichant pas mal, depuis, de tout ce que diraient ou feraient Wiens et M, une fois pass\u00e9s \u00e0 table,  ne pr\u00eatant pas attention \u00e0 leur \u00ab man\u00e8ge de dingues \u00bb aurait dit, une fois, la patronne \u00e0 Laura V, partant l'une et l'autre dans un rire g\u00ean\u00e9, ultra jaune, s'amusant, l'une et l'autre, de conna\u00eetre, c\u00f4toyer, intimement, depuis des ann\u00e9es, \u00ab des dingues de ce genre \u00bb diraient-elles<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab des dingues de ce genre \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

le patron du sushi bar, quant \u00e0 lui, tournant g\u00e9n\u00e9ralement le dos \u00e0 l'entr\u00e9e, le patron du sushi bar, une fois son repas termin\u00e9, \u00e9cartant, comme \u00e0 son habitude, sa chaise de la table, la jambe droite toujours crois\u00e9e sur la gauche, laissant pendre, de tout son poids, son pied nu et chauss\u00e9, \u00e9t\u00e9 comme hiver, d'une sandale en cuir, brun fonc\u00e9, \u00e0 larges bandes de cuir \u00e0 l'air neuf, curieusement neuf, malgr\u00e9 le temps, M ne se souvenant pas d'avoir vu autre chose aux pieds du patron du sushi bar que ces sandales en cuir, la patronne du sushi bar, quant \u00e0 elle, de l'autre c\u00f4t\u00e9 de la table, terminant son repas<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

disant \u00e0 l'autre, son mari, tout ce qu'elle aurait \u00e0 lui dire, ses \u00ab quatre v\u00e9rit\u00e9s \u00bb \u00e0 propos d'on ne sait pas quoi, reprenant, dans une langue, curieusement nasillarde, \u00e9trang\u00e8re \u00e0 M, \u00e9trang\u00e8re \u00e0 Wiens, leur conversation d'hier ou d'avant-hier, entam\u00e9e sur le temps de midi, \u00e0 l'instant du repas, mais interrompue, brusquement, en raison d'un coup de vent renversant les deux tables l\u00e9g\u00e8res et le parasol, puis emportant les chaises dans les lointains, d\u00e9j\u00e0, ou en raison d'une pluie cr\u00e9pitante, for\u00e7ant les patronne et patron du sushi bar et la chinoise sans \u00e2ge \u00e0 rentrer, imm\u00e9diatement, les parasols et les nappes en coton color\u00e9<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

la patronne du sushi bar reprenant, alors, quant \u00e0 elle, le lendemain ou le surlendemain, \u00e0 l'instant de la pause du midi, leur conversation, interrompue, la veille ou l'avant-veille, par le vent ou la pluie cr\u00e9pitante, la patronne du sushi bar, un coude sur la table, ponctuant, aujourd'hui, tout ce qu'elle dirait de ses baguettes en bambou point\u00e9es vers l'avant, vers son homme, son mari en chemise bleue et froiss\u00e9e, en chemise de travail, le patron du sushi bar assurant la cuisine du sushi bar, la patronne du sushi bar ass\u00e9nant ainsi \u00e0 l'autre, de l'autre c\u00f4t\u00e9 de la table, son mari lui faisant face, de l'autre c\u00f4t\u00e9 de la table, ses \u00ab quatre v\u00e9rit\u00e9s \u00bb, l'autre ne pouvant que hocher la t\u00eate, de temps \u00e0 autre, absorb\u00e9 tout entier dans son occupation, rouler \u00e0 la main cigarette sur cigarette, attendant ainsi que \u00ab l'orage passe \u00bb, ou quelque chose du genre, le patron du sushi bar r\u00e9alisant, \u00ab les doigts dans le nez \u00bb, l'exploit de se caler trois cigarettes, parfaitement fines et cylindriques, derri\u00e8re l'oreille droite, le patron du sushi bar r\u00e9alisant, \u00ab les doigts dans le nez \u00bb, l'exploit de se caler trois cigarettes, parfaitement roul\u00e9es, fines et cylindriques, derri\u00e8re l'oreille gauche sans piper mot, laissant \u00e0 l'autre, son \u00e9pouse, toute la place, sa voix nasillarde, ultra haut perch\u00e9e, d\u00e9bitant, tout allure, des \u00ab v\u00e9rit\u00e9s premi\u00e8res \u00bb mais g\u00eanant M, consid\u00e9rablement, l'obligeant \u00e0 tendre l'oreille, \u00e0 pr\u00eater attention, r\u00e9ellement attention, aux propos de Wiens, assis, quant \u00e0 lui, dos au mur, sur la banquette en ska\u00ef us\u00e9e par le temps, M luttant, quant \u00e0 lui, \u00ab de toutes mes forces \u00bb dirait-il, pour ne pas se laisser distraire, pour ne pas regarder l'autre, le patron du sushi bar, rouler puis caler, d'une main experte, ses cigarettes, une \u00e0 une, derri\u00e8re l'une ou l'autre oreille, tant voir l'autre, le patron du sushi bar, rouler ses cigarettes et se les caler derri\u00e8re l'oreille, d\u00e9go\u00fbterait M \u00ab au plus haut point \u00bb, un trois fois rien, \u00e0 cette \u00e9poque, d\u00e9go\u00fbtant M \u00ab immens\u00e9ment \u00bb, un bol alimentaire ultra visible \u00e0 l'int\u00e9rieur d'une bouche, des cigarettes ultra fines, roul\u00e9es avec soin mais imbib\u00e9es d'un exc\u00e8s de salive, etc.<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

Wiens, quant \u00e0 lui, regardant M, droit dans les yeux, disant \u00e0 M qu'il serait temps de finir ces \u00ab enfantillages \u00bb, ces \u00ab affaires vaudoues ou pseudo-vaudoues \u00bb, \u00ab grotesques et inefficaces \u00bb,<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

comme si l'on pouvait \u00ab faire barrage \u00e0 Mars, \u00e0 la violence de Mars \u00bb dirait Wiens, en sortant de leurs planques des gris-gris \u00ab laids \u00e0 faire peur \u00bb et des amulettes en peau de ch\u00e8vre, \u00ab ridicule \u00bb dirait Wiens<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab ridicule \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

comme s'il ne fallait pas r\u00e9pondre \u00e0 la violence de Mars par les \u00ab armes de Mars \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

comme si Mars pouvait entendre autre chose que les \u00ab lois de Mars \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

comme si Mars \u00e9tait sensible \u00e0 autre chose que Mars<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait M<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, alors, ne sachant que dire ou que faire<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

renversant, alors, \u00ab leur table \u00bb sur Wiens, faisant valdinguer les caf\u00e9s, faisant valdinguer le flingue, puis errant, des heures durant, sur Mars, ressassant toute l'affaire, tout ce qui se serait pass\u00e9, aujourd'hui, temps de midi, sushi bar<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, \u00e9puis\u00e9, rentrant alors, de nuit, chez lui, troisi\u00e8me \u00e9tage, sortant alors, \u00ab en vain \u00bb, ses gris-gris et amulettes, en vue de \u00ab faire barrage \u00bb, puis convoquant ensuite, \u00ab en vain \u00bb, deux ou trois choses, deux ou trois \u00eatres, \u00ab ultra toniques \u00bb, entraper\u00e7us tout \u00e0 l'heure, gare Saint-Charles, dans son errance, des \u00ab petit p\u00e8re et petite m\u00e8re \u00bb dirait-il en proie \u00e0 leurs \u00ab sordides petits-enfants \u00bb, un pantalon dr\u00f4latique et rose, ultra fronc\u00e9 \u00e0 la taille, \u00ab etc. \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, ensuite, dans mon appartement, s'\u00e9garant \u00e0 nouveau<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

partant \u00e0 la d\u00e9rive<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

prenant place, enfin, \u00e0 table, dans la cuisine, puis partant \u00e0 la d\u00e9rive<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

se perdant dans le mur de la cuisine, tant le mur de la cuisine \u00ab ferait peau \u00bb dirait-il, M, \u00e0 cette \u00e9poque, faisant de tout une peau, soutenant que, quant \u00e0 lui, il n'y aurait \u00ab rien de plus tonique que les peaux \u00bb, M ayant d\u00e9cid\u00e9, d\u00e9j\u00e0 \u00e0 cette \u00e9poque, \u00ab une fois pour toutes \u00bb, de \u00ab vivre pour faire peau \u00bb, de n'\u00eatre plus qu'une surface sensible, \u00e9mettant une peau d\u00e8s qu'elle parlerait penserait, rien n'ayant plus d'importance pour M, \u00e0 cette \u00e9poque, que de faire peau, que de \u00ab tenter de faire peau \u00bb, M, pris au c\u0153ur, se fichant pas mal \u00ab du travail \u00bb ou \u00ab de la sant\u00e9 \u00bb, ne pensant qu'\u00e0 faire peau, agen\u00e7ant, alors, les choses et les \u00eatres de la surface de la terre, de fa\u00e7on sensible, \u00ab uniquement sensible \u00bb, faire peau, selon M, \u00e9tant la meilleure fa\u00e7on de r\u00e9sister, de faire barrage \u00e0 \u00ab la mentalit\u00e9 de fonctionnaire \u00bb dirait-il gangr\u00e9nant de nos jours \u00ab les corps et les \u00e2mes \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

M, alors, faisant peau de toute chose et de tout \u00eatre de la surface de la terre, \u00e0 tout bout de champ<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

m'invitant, alors, \u00e0 consid\u00e9rer avec lui la peinture du mur de la cuisine, orang\u00e9e, \u00ab s'\u00e9caillant par endroits \u00bb, dirait-il, comme si la peinture du mur, appliqu\u00e9e au rouleau, probablement au rouleau, par l'ancien locataire, \u00e9tait \u00ab anim\u00e9e \u00bb ou \u00ab pourvue de volont\u00e9 propre \u00bb, aucune fuite, aucun d\u00e9g\u00e2t ne justifiant le fait, selon M, qu'une peinture, d'excellente facture, appliqu\u00e9e avec soin, au rouleau, sur une couche \u00e9paisse, non dilu\u00e9e, \u00ab s'\u00e9caille ou parte en vrille \u00bb dirait M, de larges plaques, pourtant, tombant r\u00e9guli\u00e8rement sur le sol, maculant de pl\u00e2tras le carrelage gris de la cuisine, M, alors, \u00e9mettant, des heures durant, jusqu'au petit jour, des hypoth\u00e8ses quant \u00e0 l'affaire, se levant de table et t\u00e2tant le mur, se demandant si le mur \u00ab ne prendrait pas les eaux \u00bb en raison d'une fuite ou d'un d\u00e9g\u00e2t des eaux ayant cours chez lui, dans sa cuisine \u00e0 lui, sa cuisine jouxtant ma cuisine, son lave-vaisselle jouxtant mon lave-vaisselle, ses tuyauteries jouxtant mes tuyauteries, \u00ab etc. \u00bb dirait-il, \u00ab etc. \u00bb, M collant alors ses paumes, sa joue et son oreille aux endroits exacts o\u00f9 la peinture du mur se serait \u00e9caill\u00e9e, choyant par terre, par plaques enti\u00e8res, de grande ou de petite taille, sans logique apparente, des plaques enti\u00e8res pouvant choir, \u00e0 tout bout de champ, des jours entiers, puis ne plus choir, des semaines durant, aucune t\u00e2che noir\u00e2tre de moisissure n'apparaissant \u00ab au blanc \u00bb, \u00ab au plafonnage du mur mis \u00e0 nu \u00bb, aucune odeur suspecte ne s'\u00e9tant jusqu'ici r\u00e9pandue dans les airs, \u00ab etc. \u00bb<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

\u00ab etc. \u00bb dirait-il encore<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/span><\/p>

puis se taisant<\/span><\/p>

 <\/span><\/p>

(\u2026)<\/span><\/p>

 <\/p>","label":"

Cette \u00ab esp\u00e8ce de fiction \u00bb [V. T.], issue d'une R\u00e9sidence d'\u00e9criture au Cipm dont a b\u00e9n\u00e9fici\u00e9 Vincent Tholom\u00e9 en mai et juin 2017 nous a \u00e9t\u00e9 confi\u00e9e par l'auteur le 3 avril 2019. Rest\u00e9 in\u00e9dit jusqu'\u00e0 aujourd'hui, 22 juillet 2023, ce texte est publi\u00e9 ici pour la premi\u00e8re fois.<\/p>"},{"id":30,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/52_20060209153435.mp3","label":"Let\u2019s let\u2019s go - extrait de Let\u2019s let\u2019s go<\/i>, P.O.L, 2005","duration":182},{"id":792,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/899_20121123182508.mp3","label":"Lettre d'Ivan \u00e0 la reine Elizabeth (extrait)","duration":154},{"id":467,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/565_20100423171757.mp3","label":"Lettre de Marina - Traduction de et lue par Jean-Charles Depaule.","duration":121},{"id":549,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/648_20100902165137.mp3","label":"Lettre destination sud - Traduction de et lue par Yvan Mignot.","duration":231},{"id":741,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/846_20120608143702.pdf","label":"Lettre ouverte \u00e0 M. Daniel Hermann"},{"id":593,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/694_20110315170454.pdf","label":"Lettre ouverte \u00e0 Monsieur Jean-Claude Gaudin - 700 premiers signataires"},{"id":540,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/639_20100729171856.mp3","label":"Lettres (cf. derni\u00e8re de Rimbaud)","duration":163},{"id":564,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/663_20101112180717.mp3","label":"Lettres \u00e0 Fif (extrait)","duration":187},{"id":562,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/661_20101023171813.mp3","label":"Lettres \u00e0 Klaipeda - Enregistrement effectu\u00e9 au cours de la r\u00e9sidence d'H\u00e9l\u00e8ne Gerster au cipM<\/i>.","duration":242},{"id":2392,"type":2,"content":"

 <\/p>

Sur l\u2019affiche du film La derni\u00e8re piste<\/i><\/p>

Michelle Williams<\/p>

met en joue Meek, le passeur v\u00e9reux,<\/p>

pour qu\u2019il ne tue pas l\u2019Indien.<\/p>

 <\/p>

Quand le film est sorti,<\/p>

je ne savais pas qui \u00e9tait Mich\u00e8le Williams,<\/p>

ni Kelly Reichardt.<\/p>

 <\/p>

 <\/p>

Croire qu\u2019il y a une gare \u00e0 chaque endroit<\/p>

o\u00f9 l\u2019on a envie d\u2019aller.<\/p>

 <\/p>

Lapsus : glissade.<\/p>

 <\/p>

Parlant \u00e0 cette femme,<\/p>

confondue avec une autre,<\/p>

dans le tram le soir.<\/p>

 <\/p>

Le portail noir coulissant de la maison que l\u2019on me pr\u00eatait,<\/p>

en \u00e9change du gardiennage d\u2019un Golden retriever.<\/p>


\u2014<\/p>

 <\/p>

Dans Wendy and Lucy,<\/i><\/p>

Michelle Williams<\/p>

joue Wendy et cherche sa chienne,<\/p>

Lucy.<\/p>

 <\/p>

Quand j\u2019ai vu la bande annonce,<\/p>

je ne savais toujours pas qui \u00e9tait Mich\u00e8le Williams<\/p>

ni Kelly Reichardt.<\/p>

 <\/p>

Je m\u2019inqui\u00e9tais pour le chien.<\/p>

 <\/p>

 <\/p>

Croire que l\u2019on pourra toujours gagner de l\u2019argent,<\/p>

m\u00eame tr\u00e8s vieux.<\/p>

 <\/p>

Une all\u00e9e de graviers, une premi\u00e8re vol\u00e9e de marches<\/p>

surmont\u00e9e d\u2019arches en m\u00e9tal avec des p\u00e9tunias.<\/p>

 <\/p>

R\u00e9current : recurare, revenir en arri\u00e8re.<\/p>

 <\/p>

La fille survivante qui \u00e9chappe au tueur<\/p>

dans les \u00ab shlashers \u00bb.<\/p>

 <\/p>

 <\/p>

Depuis la terrasse, la ligne de Marseille<\/p>

dessin\u00e9e d\u2019un seul trait.<\/p>

 <\/p>

S\u00e9duction : conduire \u00e0 soi.<\/p>

 <\/p>

Les m\u00e9gas feux empruntent le chemin des racines.<\/p>

 <\/p>

Ce bref moment o\u00f9 un rayon de soleil frappe<\/p>

le miroir.
 <\/p>

\u2014<\/p>

 <\/p>

Au g\u00e9n\u00e9rique de Quelques femmes<\/i><\/p>

de Kelly Reichardt, j\u2019ai reconnu le nom de<\/p>

Michelle Williams qui joue aussi dans<\/p>

Manchester by the sea,<\/i> que j\u2019avais vu juste avant.<\/p>

 <\/p>

 <\/p>

Une table en verre transparent,<\/p>

une th\u00e9i\u00e8re en m\u00e9tal noir, pos\u00e9e dessus.<\/p>

 <\/p>

L\u2019ajout de fonctionnalit\u00e9s augmente le nombre<\/p>

de composants dans les t\u00e9l\u00e9phones portables.<\/p>

 <\/p>

Hiatus, en latin : ouverture.<\/p>

 <\/p>

On dira de la victime<\/p>

qu\u2019elle aimait les \u00ab bad boys \u00bb.<\/p>

 <\/p>

 <\/p>

Les tra\u00een\u00e9es lumineuses des bateaux de p\u00eache<\/p>

chinois, visibles depuis l\u2019espace.<\/p>

 <\/p>

Une sc\u00e8ne de crime souill\u00e9e.<\/p>

 <\/p>

Dmitri Chostakovitch, glissait dans ses<\/p>

\u0153uvres des messages cod\u00e9s.<\/p>

 <\/p>

Seum<\/i> est un mot arabe ayant pour sens \u00ab poison \u00bb <\/p>

et, au figur\u00e9, \u00ab jalousie \u00bb et \u00ab rage \u00bb.<\/p>

 <\/p>

 <\/p>

Aujourd\u2019hui, j\u2019ai vu Wendy<\/i><\/p>

and Lucy<\/i>.<\/p>

 <\/p>

Wendy retrouve sa chienne \u00e0 la fin du film,<\/p>

mais qu\u2019ensuite elle l\u2019abandonne<\/p>

pour<\/p>

chercher du travail<\/p>

en Alaska.<\/p>

 <\/p>"},{"id":655,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/757_20110913160005.mp3","label":"Lever les murs","duration":228},{"id":507,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/606_20100525172641.mp3","label":"Lieu d'un lieu","duration":72},{"id":861,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/973_20160322154435.mp3","label":"Lignes de Partage - Marie de Quatrebarbes lit un extrait de \"Lignes de Partage\", de Michel Couturier.","duration":259},{"id":1144,"type":2,"content":"

GALE 
ROND MALADE ACCROCH\u00c9 
NID GRAIN DE BEAUT\u00c9 CROUTE
gala gal\u00e8re galet 

GALET OVALE INERTE 
PILULE GOMME 
gaulois 

ROCHE CALCAIRE 
FROID CLAIRE DUR 
FRIGO BANQUISE 

CITERNE ENTERR\u00c9E PLEINE 
LES MORTS 

FRELON AILES AIGLE ROYAL 

SOL SOLITAIRE SOLIDAIRE 
GROTTE GROSSE ROTE 
noire froide toile d\u2019araign\u00e9e frisson 

CH\u00caNE KERM\u00c8S 
PIQUANT VERT \u00c9TAL\u00c9 RONCE 

CALCAIRE GRIS 
STRATIFI\u00c9 ANCIEN 
MILLE FEUILLE GLACE
claire \u00e9claire Nike air r\u00e9volutionnaire 
stratophile grimace strat\u00e9gie ciel <\/p>","label":"

Lily, Ugo, Julien, Yohan, Tony<\/p>"},{"id":865,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/977_20160322171419.mp3","label":"Lima\u00e7on - \"Lima\u00e7on\", texte de l'Abb\u00e9 Raynal, lu par Jacques Damade.","duration":96},{"id":27,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/49_20060209152746.mp3","label":"Liste des histoires que je ne raconterai pas - in\u00e9dit","duration":153},{"id":21,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/29_20061020141038.mp3","label":"LIVELIVELIVELIVELIVE - Lecture \u00e0 l'occasion de la pr\u00e9sentation de la revue Chain (U.S.A.), en collaboration avec Un Bureau sur l'Atlantique, le 9 juin 1999.\r\nExtrait paru dans le n\u00b01 de la revue The Germ (U.S.A.).","duration":155},{"id":2344,"type":1,"imageIds":[3688]},{"id":2353,"type":5,"fileUrl":"\/resources\/files\/file_675ae78acd9c6.pdf"},{"id":2310,"type":1,"imageIds":[3627]},{"id":1338,"type":1,"imageIds":[3473]},{"id":2305,"type":1,"imageIds":[3615]},{"id":642,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/744_20110903163137.mp3","label":"LJ - Lecture de la traduction par Pascal Boulanger.","duration":310},{"id":692,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/794_20120211174359.mp3","label":"Locutions introuvables","duration":196},{"id":2803,"type":1,"imageIds":[3978]},{"id":2833,"type":1,"imageIds":[4018]},{"id":2806,"type":1,"imageIds":[3255]},{"id":2811,"type":1,"imageIds":[3988]},{"id":2308,"type":1,"imageIds":[3618]},{"id":479,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/577_20100429184254.mp3","label":"Loose - Lecture : Barry Wallenstein.\r\nSaxophone : Charles Taylor.\r\nContrebasse : Christian Brazier.","duration":237},{"id":358,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/454_20090707173041.mp3","label":"Loque (extrait)","duration":254},{"id":1250,"type":1,"imageIds":[3406]},{"id":1248,"type":1,"imageIds":[3405]},{"id":1307,"type":1,"imageIds":[3435]},{"id":1145,"type":2,"content":"

CYSTE COTONNEUX DUVETEUX 
DOUX FRAGILE 
ALGUE OURSON FICO\u00cfDE
fisc disque risque tique bleuet bleu fait 
ch\u00e8che cheh hibou

BROUILLARD \u00c9PAIS GRIS HUMIDE 
NUAGE MOLARD FIANTE ALGUE
lard 

SOLEIL RAYONNEMENT CHAUD 
LUMI\u00e8RE LAMPE CHEMIN\u00c9E FEU
falafel elle truelle 
blanc banc rang flanc flou 
bouuuuuu ! <\/p>","label":"

Lucca<\/p>"},{"id":1306,"type":1,"imageIds":[3433]},{"id":768,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/875_20120824174431.mp3","label":"Ma allora Dove l'acqua","duration":180},{"id":9,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/16_20061020143626.mp3","label":"Ma Dictionnaire - CD Cent Titres<\/b>, Po\u00e9sie fran\u00e7aise de 1945 \u00e0 aujourd'hui - piste 5 - \r\nin Le Volume<\/i>, \u00c9d. Ces Lignes, 1998","duration":617},{"id":334,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/430_20090514143942.mp3","label":"Ma Dictionnaire (version longue)","duration":557},{"id":619,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/721_20110708184921.mp3","label":"Ma maison","duration":199},{"id":125,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/170_20060906123020.mp3","label":"Ma vie avec - extrait de Ma vie avec<\/i>, \r\nparu dans la revue \u201cMeditarran\u00e9ennes\u201d","duration":215},{"id":298,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/384_20090324181327.mp3","label":"Ma vie loin de moi","duration":272},{"id":288,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/374_20090310170238.mp3","label":"Maceta \/ Pot \u00e0 fleurs - adaptation fran\u00e7aise de Anne Talvaz lue par \u00c9ric Giraud","duration":77},{"id":1087,"type":2,"content":"

 <\/p>

N\u00e9e 18 et 60, le 29 ao\u00fbt, n\u00e9e en septembre, d\u2019apr\u00e8s le calendrier russe, le 11, n\u00e9e en 80, artiste, n\u00e9e moscovite, cosaque, n\u00e9e Marianna, Marianne, n\u00e9e en 1911, ange bleu, n\u00e9e de nouveau \u00e0 cheval, auf der Br\u00fccke, carnets d\u2019esquisses retrouv\u00e9s: 170<\/span><\/p>

 <\/span><\/p>

\u2014<\/p>

 <\/span><\/p>

une page vingt mains,<\/span><\/p>

une autre enti\u00e8rement occup\u00e9e<\/span><\/p>

par un cheveu, dans le cahier<\/span><\/p>

les couleurs d\u00e9crites par leur premi\u00e8re<\/span><\/p>

lettre, aux infrarouges<\/span><\/p>

on distingue que les rochers<\/span><\/p>

\u00e9taient \"rochers\"<\/span><\/p>

et le rouge \"r\"<\/span><\/p>

 <\/span><\/p>

\u2014<\/span><\/p>

 <\/p>

\u00ab j\u2019aime les choses qui ne sont pas \u00bb, ou  de la couleur<\/span><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

les m\u00eames centim\u00e8tres de teinte<\/span><\/p>

se transforment par rapport au model\u00e9<\/span><\/p>

d\u00e9forment les formes, d\u00e9pendent<\/span><\/p>

des causes les plus vari\u00e9es, la densit\u00e9 par<\/span><\/p>

exemple, la radiation<\/span><\/p>

et les autres incroyables rapports<\/span><\/p>

entre les yeux et la lumi\u00e8re<\/span><\/p>

 <\/span><\/p>

\u2014<\/p>

 <\/p>

assise au bar<\/span><\/p>

dans la cour du mus\u00e9e<\/span><\/p>

d\u2019autres d\u00e9j\u00e0 assis-<\/span><\/p>

restez retourn\u00e9s 3 immobiles ainsi<\/span><\/p>

restez 3 humains \u00e0 vos<\/span><\/p>

tables<\/span><\/p>

\u00e0 carreaux roses et blancs<\/span><\/p>

et \u00e0 lignes rouges 6<\/span><\/p>

rectangles dispos\u00e9s<\/span><\/p>

en file pr\u00e9cise le long<\/span><\/p>

de la longueur et<\/span><\/p>

3 chaises du m\u00eame<\/span><\/p>

c\u00f4t\u00e9 de mani\u00e8re<\/span><\/p>

que vous me<\/span><\/p>

tourniez le dos<\/span><\/p>

de mani\u00e8re que moi aussi<\/span><\/p>

je tourne le dos \u00e0 celui qui suit<\/span><\/p>

et aucun de nous tous<\/span><\/p>

puisse savoir qui regarde<\/span><\/p>

quoi devant<\/span><\/p>

ou qui regarde<\/span><\/p>

regarder<\/span><\/p>

et ensemble nous regardons<\/span><\/p>

au-del\u00e0 du bar<\/span><\/p>

un d\u2019entre nous plus attentif<\/span><\/p>

sur son coude une autre les<\/span><\/p>

mains recueillies un autre<\/span><\/p>

d\u00e9j\u00e0 fatigu\u00e9 appuy\u00e9<\/span><\/p>

sur lui-m\u00eame une autre ici assise<\/span><\/p>

\u00e0 ma place<\/span><\/p>

et les autres derri\u00e8re moi<\/span><\/p>

que jamais je ne pourrai compter<\/span><\/p>

 <\/span><\/p>

\u2014<\/p>

 <\/span><\/p>

\u2026 une artiste sans une foi profonde en les devoirs de la vie bla bla bla\u2026<\/span><\/p>

 <\/span><\/p>

dans ce tableau un classique,<\/span><\/p>

La route de campagne,<\/span><\/p>

appara\u00eet comme un fleuve de par<\/span><\/p>

son dynamisme, mais les poteaux ?<\/span><\/p>

Sur les c\u00f4t\u00e9s, aujourd\u2019hui on les appellerait \"d\u00e9lin\u00e9ateurs\",<\/span><\/p>

ce sont de futures st\u00e8les ? Il y flotte trois femmes<\/span><\/p>

aux foulards blancs comme des voiles,<\/span><\/p>

elles glissent vers moi<\/span><\/p>

des esprits simples qui disent Crois<\/span><\/p>

\u00e0 ne pas Croire.<\/span><\/p>

 <\/span><\/p>

\u2014<\/p>

 <\/p>

\u00ab nos nos nos<\/span><\/p>

adieux puis non maintenus \u00bb<\/span><\/p>

 <\/span><\/p>

mais non, mais non, mais non<\/span><\/p>

s\u2019en aller, m\u00eame de Toula<\/span><\/p>

de Munich, d\u2019Ascona<\/span><\/p>

faire comme Arzhur<\/span><\/p>

\u00ab il est des destructions<\/span><\/p>

n\u00e9cessaires \u00bb, en<\/span><\/p>

finir avec la plume,<\/span><\/p>

avec le pinceau<\/span><\/p>

 <\/span><\/p>

nous porterons le symbole<\/span><\/p>

comme un paletot<\/span><\/p>

jaune<\/span><\/p>

 <\/p>","label":"

Extrais de Renata Morresi, La Signora W., <\/i>Camera Verde, 2013,<\/p>

traduits en fran\u00e7ais par Manuel Caprari et Sabra Boukelia en 2014.<\/p>"},{"id":859,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/971_20160322153548.mp3","label":"Maël Guesdon lit Lucie Taïeb - Soir\u00e9e La T\u00eate et les Cornes. Maël Guesdon lit Lucie Taïeb.","duration":280},{"id":2399,"type":1,"imageIds":[3749]},{"id":656,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/758_20110913160253.mp3","label":"Main de nuit (extrait)","duration":246},{"id":684,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/786_20120113182217.mp3","label":"Maintenant - Lecture de la traduction en fran\u00e7ais par Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani","duration":148},{"id":324,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/412_20090429131324.mp3","label":"Maison \u00e0 deux genoux - Extrait de Lettre \u00e0 Dia Fidia<\/i>","duration":185},{"id":610,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/712_20110625180556.mp3","label":"Maison morte - Traduction en fran\u00e7ais de et lue par Alain Mascarou.","duration":235},{"id":172,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/229_20070807134427.mp3","label":"Ma\u00eetre en Pi\u00e8ce(s) (extrait) [Jules Vipaldo]","duration":877},{"id":825,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/934_20130618171224.pdf","label":"Manifeste HP Process"},{"id":81,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/111_20060110154522.swf","label":"Mano a mano - in\u00e9dit"},{"id":587,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/687_20110215121511.mp3","label":"Manufacture","duration":219},{"id":599,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/700_20110405181105.mp3","label":"Mar Thom (extrait) - Lecture de la traduction en fran\u00e7ais par Franck Andr\u00e9 Jamme","duration":247},{"id":475,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/573_20100429145151.mp3","label":"Marcher","duration":181},{"id":1069,"type":2,"content":"

 <\/p>

Ils sont deux et on dirait qu\u2019ils passent leur temps dehors, pour aller au-devant des lieux. Sur les routes, le long des rives, des sentiers, \u00e0 travers champs ; \u00e0 marcher, fl\u00e2ner, grimper ; sortir de la voiture pour y voir de plus pr\u00e8s, reprendre la voiture ou le train pour glisser, tapis-volant, dans les campagnes fran\u00e7aises ; observer ce qui s\u2019invente et se pr\u00e9sente au d\u00e9tour de chaque cours d\u2019eau, de chaque relief, de chaque d\u00e9clivit\u00e9 (ou m\u00eame d\u2019un angle de leur chambre), y revenir et s\u2019en r\u00e9jouir, en s\u2019accordant aux invitations du r\u00e9el par un \u00ab Ha ! \u00bb ou un \u00ab Oui ! \u00bb permanents, au moyen de la photographie ou de la phrase.<\/p>

 <\/p>

C\u2019est un compagnonnage par amour du paysage donc, du paysage dans tous ses \u00e9tats, dans tous ses visages. Une cr\u00e9ation n\u00e9e d\u2019un \u00ab parti-pris des lieux 1<\/sup> \u00bb et de l\u2019intensit\u00e9 d\u2019un \u00ab sentiment g\u00e9ographique \u00bb2<\/sup>. Car toute la beaut\u00e9 (ou la tristesse) qui a lieu<\/i> r\u00e9clame d\u2019\u00eatre honor\u00e9e, dans l\u2019image comme dans la page : l\u2019immense ruban du Rh\u00f4ne, le bassin de l\u2019\u00e9tang de Berre, les prairies d\u2019altitude du Cantal, la Sainte Victoire, un jardin d\u2019enfance (le jardin qu\u2019est l\u2019enfance), un paysage p\u00e9riurbain, une centrale hydro-\u00e9lectrique, un parking, la Provence nucl\u00e9aris\u00e9e\u2026 Voil\u00e0 trente-cinq ans que \u00e7a dure, trente-cinq ans que Brigitte Palaggi et Olivier Domerg travaillent sur le motif<\/i>, exercent leur regard et composent in situ<\/i> leur double \u0153uvre, photographique et po\u00e9tique.<\/p>

 <\/p>

Parfois les choses se composent d\u2019embl\u00e9e \u00e0 deux, dans \u00ab la somme des deux \u00bb (au cours d\u2019une longue p\u00e9riode d\u2019approche, de rep\u00e9rages, d\u2019allers-retours, d\u2019encerclement progressif du motif), et cela prend la forme d\u2019une exposition3<\/sup> commune, d\u2019un livre (une dizaine de livres \u00e0 deux depuis Treize jours \u00e0 New York, voyage compris<\/i>), d\u2019une performance. Parfois une s\u00e9rie photographique de Brigitte Palaggi vit d\u2019elle-m\u00eame (Parmi d\u2019autres possibles<\/i>).<\/p>

 <\/p>

Mais toujours le paysage est con\u00e7u comme un \u00ab pi\u00e8ge \u00e0 regards \u00bb, qui appelle, s\u00e9duit, requiert, m\u00eame pour un instant. Et chaque fois c\u2019est comme s\u2019il fallait r\u00e9pondre \u00e0 l\u2019appel : r\u00e9pondre d\u2019un saisissement g\u00e9ographique, et r\u00e9pondre aux propositions que fait contin\u00fbment la r\u00e9alit\u00e9 \u2014 au triple sens du mot \u00ab proposition \u00bb : une offrande, recommenc\u00e9e \u00e0 chaque inflexion du terrain \/ une phrase (puisque chaque paysage fait sa phrase \u00e0 lui, et vous lance son id\u00e9e) \/ et une invitation amoureuse, la promesse d\u2019une jouissance du monde qu\u2019il y a, qui est l\u00e0, tel, \u00e9mouvant et grand ouvert.<\/p>

 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

1 <\/sup>Michel Collot, Le Parti-pris des lieux<\/i>, Bruxelles, La Lettre vol\u00e9e, 2018.<\/span><\/p>

2 <\/sup>Michel Chaillou, Le Sentiment g\u00e9ographique<\/i>, Paris, Gallimard, 1976.<\/span><\/p>

3 <\/sup>Le titre de l\u2019exposition visible \u00e0 Marseille du 16 septembre au 23 d\u00e9cembre 2023, au Centre international de po\u00e9sie, provient de L\u2019affiche, revue murale de po\u00e9sie no<\/sup> 52, La Somme des deux<\/i>, Brigitte Palaggi (photographie) \/ Olivier Domerg (texte), Le bleu du ciel \u00e9ditions, 2009.<\/span><\/p>

 <\/p>

***<\/p>

 <\/p>

Cette prodigalit\u00e9 du monde, Olivier Domerg la pr\u00e9cipite dans la page, nombreuse, avec \u00ab pour toute po\u00e9tique et toute morale ce qui est devant nous \u00bb (Le temps fait rage<\/i>), ce que vraiment on voit<\/i>, dans un ajustement permanent de la focale et d\u2019infinis changements d\u2019angle. La d\u00e9cision, ferme, est de \u00ab ne rien mentir4 <\/sup>\u00bb (le mot est de Jean-Marie Gleize), d\u2019\u00e9chapper \u00e0 toute mise en sc\u00e8ne, d\u2019en rajouter m\u00eame sur l\u2019exactitude d\u2019un Ponge (Fabrique du plus pr\u00e8s<\/i> !). Ne rien mentir, sauf dans cette discr\u00e8te entourloupe o\u00f9, sur un panneau de signalisation dans les Hautes-Alpes, \u00ab C\u00e9dez le passage \u00bb a \u00e9t\u00e9 trafiqu\u00e9 et devient, \u00e0 la lettre : \u00ab C\u00e9dez le paysage \u00bb !<\/p>

 <\/p>

Cela r\u00e9clame une \u00e9criture du d\u00e9tail, h\u00e9t\u00e9rog\u00e8ne, profuse, une \u00e9criture de la d\u00e9clinaison et de l\u2019inventaire, acharn\u00e9e \u00e0 s\u2019approcher toujours mieux, revenant sur ses pas, pers\u00e9v\u00e9rant, suant, reprenant la marche et le b\u00e2ton, malgr\u00e9 la tension \u00ab entre l\u2019engagement de la phrase et la r\u00e9sistance des choses \u00bb (Le temps fait rage<\/i>).<\/p>

 <\/p>

Devant une montagne, tout est affaire de volume : \u00e9taler la pente, \u00e9prouver l\u2019\u00e9paisseur du terrain et les accidents du sol, trouver des prises, faire lever toute une masse g\u00e9ologique par l\u2019effort m\u00eame de la phrase, et de blocs-proses aussi t\u00eatus que la roche.<\/p>

Devant le Rh\u00f4ne (en d\u00e9pit des ouvrages qui l\u2019entravent, le canalisent ou le salissent, ou en d\u00e9pit des moments o\u00f9 le paysage est moribond, et ils sont l\u00e9gion), il faut lib\u00e9rer la vitesse de l\u2019\u00e9nonc\u00e9 pour qu\u2019il coule, prolifique et d\u00e9bordant, chavir\u00e9 par \u00ab la puissance bruissante et passante \u00bb du fleuve, lanc\u00e9 \u00ab \u00e0 tonneau ouvert ! \u00bb.<\/p>

 <\/p>

L\u2019\u00e9motion g\u00e9ographique prend d\u2019ailleurs souvent la forme de l\u2019exclamation. \u00ab Fortes exclamations ! Et puis, youyous ! \u00bb (La Verte traVers\u00e9e<\/i>). Il s\u2019agit presque d\u2019applaudir au paysage qui surgit, \u00ab comme une vivante et verte \u00e9vidence \u00bb. D\u2019\u00e9crire comme on acclamerait, en grandes bouff\u00e9es de reconnaissance, pour relayer l\u2019\u00e9motion vive de la vision (qui fut d\u2019abord continu\u00e9e dans la vibration de la prise de note : vite ! On prend le carnet, on s\u2019arr\u00eate pour essayer d\u2019attraper la merveille du per\u00e7u au filet de la langue, de la \u00ab saisir \u00bb sans pour autant la fixer, pour dire l\u2019exactitude de la sensation mais aussi pr\u00e9parer le passage de relais \u00e0 la photographe qui viendra y voir \u00e0 son tour). Il s\u2019agit \u00e9galement de livrer cette sensation comme un \u00e9v\u00e9nement, ou plut\u00f4t un av\u00e8nement : \u00ab vrai ! \u00bb, dans une \u00e9criture joueuse, remuante, souvent stup\u00e9faite, parfois indign\u00e9e, un \u00e9norme travelling h\u00e9riss\u00e9 de points d\u2019exclamation, de soubresauts, \u00e9gay\u00e9 de jeux de mots, de rimes riches ou \u00e9quivoqu\u00e9es, de calembours qui font d\u00e9j\u00e0 de la langue un vaste territoires de saillies, une continuit\u00e9 hyper-vivante. \u00ab La vie remue, et la vue avec elle ! \u00bb (Rh\u00f4n\u00e9o-Rod\u00e9o<\/i>).<\/p>

 <\/p>

Pour le lecteur, la lectrice, c\u2019est un \u00e9boulis de perceptions, changeant vite et \u00ab \u00e0 vue \u00bb, comme si la r\u00e9alit\u00e9 d\u00e9valait la pente de la page (m\u00eame dans l\u2019ennui des zones interm\u00e9diaires, logistiques ou commerciales).<\/p>

 <\/p>

\u00ab T\u00e9m\u00e9raire lecteur, \u2018\u2019tiens-toi aux branches\u2019\u2019 ! \u00bb (La Verte traVers\u00e9e<\/i>). Les pages se d\u00e9versent et semblent nous reverser en continu dans la vitalit\u00e9 bouleversante du r\u00e9el, captant \u00ab la vivacit\u00e9 de chaque \u00e9l\u00e9ment \u00bb, arbres, pentes, pr\u00e9s, rus, monts, pics, ceux qui se dressent, ceux qui s\u2019\u00e9talent, ceux qui s\u2019\u00e9tendent, ceux qui d\u00e9talent ou se renfrognent\u2026<\/p>

 <\/p>

Au bout de chaque parcours, \u00e0 force de remettre l\u2019ouvrage sur le m\u00e9tier de la langue, d\u2019\u00e9puiser la vue, la plume, le corps, on aura appris \u00e0 mieux p\u00e9n\u00e9trer ce morceau de monde qui s\u2019offre, renversant, au regard ; \u00e0 mieux \u00ab y \u00eatre \u00bb, \u00e0 mieux \u00eatre dans le paysage plut\u00f4t que devant lui ; \u00e0 \u00ab s\u2019entourer de plus de r\u00e9alit\u00e9 \u00bb (La Verte traVers\u00e9e<\/i>).<\/p>

 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

4 <\/sup>Jean-Marie Gleize, Tarnac, un acte pr\u00e9paratoire<\/i>, Paris, Le Seuil, 2011.<\/span><\/p>

 <\/p>

***<\/p>

 <\/p>

La photographie \u00e9pouse elle aussi la joie exclamative du \u00ab voir \u00bb, mais dans une sorte de calme, et d\u2019acquiescement \u00e0 l\u2019\u00e9vidence : \u00ab c\u2019est \u00e7a, c\u2019est l\u00e0 ! \u00bb, agrandissant la sensation, mettant le flux verbal en pause, appliqu\u00e9e \u00e0 prendre acte de la surprise, de l\u2019incongru, et \u00e0 concentrer les diff\u00e9rentes lignes du paysage. Brigitte Palaggi accentue en effet souvent les coutures, les jointures, les sutures ; elle expose \u00ab ce qui fait paysage \u00bb en le liant : rivi\u00e8res, ponts, bancs, trains de nuages, rambardes, talus, lignes de chemin de fer et lignes \u00e0 haute tension\u2026 Sa Sainte-Victoire est un signe insistant parmi les lignes, un signe obstin\u00e9 pos\u00e9 sur le fil de l\u2019horizon, un coup de point<\/i> dans le flux de nos inattentions.<\/p>

 <\/p>

C\u2019est \u00e9tonnant : on dirait qu\u2019au texte est d\u00e9volu le temps de l\u2019instantan\u00e9, et \u00e0 la photographie celui de l\u2019\u00e9tendue, de l\u2019\u00e9tirement, de l\u2019enracinement dans l\u2019agencement souriant des parcelles. Des phrases pour aller vite, au rod\u00e9o des virages \/ et des images pour prendre patience, d\u00e9poser des contours, reposer dans un bain de dur\u00e9e. \u00ab VOIR s\u2019effectue dans le temps et d\u00e9cante avec lui. Peu \u00e0 peu remontent des sensations spatiales, mat\u00e9rielles, pittoresques. Une sensualit\u00e9 ubiquiste \u00e9lectrise le paysage \u00bb (Fragments d\u2019un Mont-Monde<\/i>).<\/p>

 <\/p>

Et puis, la photographie annonce la couleur. Le bleu insolent et superbe des ciels de M\u00e9diterran\u00e9e, ou des Hautes-Alpes. Mais surtout le vert<\/i>, dans une vision obstin\u00e9e de ce dont la nature nous fait don.<\/p>

 <\/p>

D\u2019une image \u00e0 l\u2019autre en effet, c\u2019est une sorte d\u2019insistance chromatique, comme si le sang du vivant coulait, humide et p\u00e9n\u00e9trant. Bien s\u00fbr il y a d\u2019autres tons, d\u2019autres nuances (tellement de gris, de roux, d\u2019emmauvements et de transparences \u2014 gouttes de pluies, \u00e0-plats de neige) ; mais avec ceux qui placent le paysage au centre de leur vie, c\u2019est surtout \u00e0 d\u2019infinis \u00ab \u00e9tats de vert \u00bb que l\u2019on est conduit. Tous les verts dont est faite la r\u00e9alit\u00e9 paysag\u00e8re.<\/p>

 <\/p>

Les s\u00e9ries photographiques de Brigitte Palaggi documentent donc les stations de cette sorte de jardin immense et intermittent qu\u2019est le pays : un grand entrelacs d\u2019hommes et de terres, de nature et de travail, de surprises ; un jardin ici lib\u00e9r\u00e9, l\u00e0 n\u00e9glig\u00e9, l\u00e0 encore assoiff\u00e9 et d\u00e9fait. Pas une seule figure humaine dans ces vues (ou de si loin), mais les traces de beaucoup de gestes d\u2019habitation, qui ont lentement dessin\u00e9 le territoire.<\/p>

 <\/p>

C\u2019est le c\u0153ur m\u00eame de la notion de paysage. Le paysage, en effet, c\u2019est cette zone de participation des hommes au monde, et du monde dans l\u2019homme. C\u2019est \u00ab la nature prise dans les filets de l\u2019histoire humaine \u00bb (Jean-Marc Besse5<\/sup>). Une \u0153uvre collective, anonyme, quotidienne, une \u00e9criture \u00e0 la surface de la terre (g\u00e9o-graphie), produite par une infinit\u00e9 d\u2019activit\u00e9s humaines, mais qui nous \u00e9chappe en grande partie.<\/p>

 <\/p>

De ce point de vue, La Verte traVers\u00e9e<\/i> est peut-\u00eatre le compagnonnage le plus abouti du po\u00e8te et de la photographe : voyant tout vert, l\u2019herbe et le vers, voyant la vie en vert \u2014 si grand est le besoin, si forte l\u2019impression \u2014 et versant contin\u00fbment dans ce vert le pas et la parole.<\/p>

 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

5 <\/sup>Jean-Marc Besse, La N\u00e9cessit\u00e9 du paysage<\/i>, Marseille, Parenth\u00e8ses, 2018.<\/span><\/p>

 <\/p>

***<\/p>

 <\/p>

Je crois que le mouvement m\u00eame du vivre est bel et bien l\u00e0, dans ce \u00ab versement \u00bb, et je r\u00eave \u00e0 mon tour. \u00ab Verser \u00bb se dit de tout ce qui s\u2019incline pour se r\u00e9pandre, irriguer, asperger, \u00e9pancher. En abondance, puisque versare<\/i> est le \u00ab fr\u00e9quentatif \u00bb de vertere<\/i>. (Vertere<\/i> avait aussi donn\u00e9 son nom \u00e0 Vertumnus, le dieu des saisons, de la maturation des fruits aux beaux jours, mais aussi des m\u00e9tamorphoses et du travestissement, et encore de la greffe, de l\u2019\u00e9change et du troc ; Vertumnus, qui se tourne vers le soleil, qui fait tourner les saisons, et qui change sans cesse de tournure \u2014 tour \u00e0 tour singulier et pluriel, masculin et f\u00e9minin, \u00e9trusque et romain, avec pour seule permanence le fait d\u2019\u00eatre toujours beau, rayonnant et f\u00e9cond6<\/sup>.)<\/p>

 <\/p>

\u00ab Verser \u00bb a donn\u00e9 \u00ab versant \u00bb, \u00ab d\u00e9vers \u00bb, \u00ab avers \u00bb. Le versant comme face,  d\u00e9clivit\u00e9, pente, l\u2019une des nombreuses attitudes de la montagne. Et par cons\u00e9quent (retour \u00e0 l\u2019eau), \u00ab bassin-versant \u00bb (le bassin-versant est cet espace g\u00e9ographique alimentant un cours d\u2019eau et drain\u00e9 par lui ; c\u2019est une continuit\u00e9 hydrographique, qui appelle une longue prose humide et sinu\u00e9e \u2014 sur une carte, les bassins-versants forment le trac\u00e9 d\u2019un r\u00e9seau sanguin, les veines de la terre7<\/sup>). Et encore \u00ab averse \u00bb, \u00ab d\u00e9verser \u00bb, \u00ab renverser \u00bb, \u00ab bouleverser \u00bb, \u00ab converser \u00bb (converser qui, \u00e9tymologiquement, ne voulait pas dire \u00e9changer des \u00e9nonc\u00e9s, mais fr\u00e9quenter, revenir souvent aupr\u00e8s de quelqu\u2019un, vivre avec)\u2026<\/p>

 <\/p>

\u00ab Verser \u00bb est m\u00eame le verbe de la sexualit\u00e9 et de l\u2019amour. Le nom d\u2019\u00c9ros vient de \u00ab verser, se r\u00e9pandre, pleuvoir \u00bb, c\u2019est une averse (j\u2019ai appris \u00e7a de St\u00e9phane Bouquet : \u00ab \u00c9ros est tr\u00e8s probablement la m\u00eame chose que l\u2019eau. C\u2019est une divinit\u00e9 liquide. Erao<\/i> voulait dire \u00e0 l\u2019origine je verse. La vie \u00e9tait : je verse quelque chose. Quelqu\u2019un suppliait \u00e0 quelqu\u2019un (\u2026) Laisse-moi venir dans ton eau \u00bb8<\/sup>). Ce verser-l\u00e0 \u00e9videmment bouleverse.<\/p>

 <\/p>

Au creux du po\u00e8me, le vers<\/i> embrasse toutes ces coul\u00e9es. Le vers (et le verset, autrement dit le vers\u00e9) est fait de ces tours et d\u00e9tours du lieu lui-m\u00eame, il les accueille et les reconna\u00eet. Soucieux du monde, les po\u00e8tes semblent aller au paysage comme les paysans \u00e0 leur travail \u2014 le versus<\/i> \u00e9tait d\u2019ailleurs le mouvement de la charrue qui tourne au bout du sillon (et \u00ab verser \u00bb s\u2019est aussi dit pour \u00ab labourer \u00bb), ou comme les fleuves \u00e0 leur delta.<\/p>

 <\/p>

\u00ab Verser \u00bb est sans rapport avec \u00ab vert \u00bb, croit savoir le dictionnaire. Mais on peut y penser, et surtout le faire, dans la parole. On a toutes les raisons de le faire. Puisque verte est la comparution infinie du vivant, verte la tonalit\u00e9 d\u2019un monde auquel aller comme \u00e0 son bien \u2014 en qu\u00eate, comme nous le sommes tous, du bon paysage.<\/p>

 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

6 <\/sup>Maurizio Bettini, \u201cThe Invention of a Roman God: Anthropology and Roman Religion\u201d, Jerome Lectures, American Academy in Rome, 20 juin 2016.<\/span><\/p>

7 <\/sup>Marin Schaffner, Mathias Rollot, Fran\u00e7ois Guerrou\u00e9 (dir.), Les Veines de la terre. Une anthologie des bassins-versants<\/i>, Marseille, Wildproject, 2021.<\/span><\/p>

8 <\/sup>St\u00e9phane Bouquet, Nos Am\u00e9riques<\/i>, Seyssel, Champ Vallon, 2010.<\/span><\/p>

 <\/p>","label":"

Marielle Mac\u00e9, texte \u00e9crit en juin 2023<\/p>

\u00e0 la demande du Cipm, en vue de l'exposition<\/p>

Brigitte Palaggi\/Olivier Domerg : La somme des deux.<\/i><\/p>

 <\/p>"},{"id":2814,"type":1,"imageIds":[4000]},{"id":555,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/654_20100915164955.mp3","label":"Marseille, le 20 juin ...","duration":188},{"id":643,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/745_20110903163509.mp3","label":"Martingale, chant n\u00b06 (extrait)","duration":272},{"id":639,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/741_20110903161850.mp3","label":"Matin piscine \/ Mythe \/ Almanach 1 - Lecture de la traduction par Ines Seki Depr\u00e9.","duration":204},{"id":497,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/595_20100504163735.mp3","label":"Matisse - Enregistrement diffus\u00e9s par Keith Cohen pendant la soir\u00e9e.","duration":167},{"id":316,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/403_20090423161013.mp3","label":"Matisse en famille - extrait de Grand m\u00e8re Qu\u00e9quette<\/i>","duration":568},{"id":949,"type":1},{"id":925,"type":1,"imageIds":[3120]},{"id":926,"type":1,"imageIds":[3121]},{"id":2309,"type":1,"imageIds":[3617]},{"id":1212,"type":1,"imageIds":[3383]},{"id":1286,"type":4,"fileUrl":"\/resources\/files\/file_65aa99b66323c.mp3","label":"

Anne Waldman, Ted Berrigan \u2014 Memorial Day, c<\/i>omplete reading, Ted Berrigan and Anne Waldman, at the St. Mark's Poetry Project, May 5, 1971<\/p>

Dur\u00e9e : 26'33\" <\/p>","duration":1585},{"id":135,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/180_20061201132458.mp3","label":"Mer \u00e0 faire","duration":189},{"id":775,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/882_20120831173349.mp3","label":"Mes cheveux flambent","duration":168},{"id":1224,"type":3,"videoId":"874586315","duration":1857},{"id":145,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/200_20070320170328.mp3","label":"Meteoric Flowers - le cipM a accueilli un s\u00e9minaire de traduction collective consacr\u00e9 \u00e0 la po\u00e8te am\u00e9ricaine Elizabeth Willis. Ce s\u00e9minaire, co-organis\u00e9 par Un bureau sur l\u2019Atlantique, a r\u00e9uni, autour de l\u2019auteur invit\u00e9e pour l\u2019occasion, une \u00e9quipe de po\u00e8tes et traducteurs fran\u00e7ais : Vincent Broqua, Emmanuel Hocquard, Abigail Lang, David Lespiau, Pascal Poyet et Juliette Val\u00e9ry.","duration":74},{"id":139,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/194_20070127164112.mp3","label":"Mettray","duration":110},{"id":963,"type":1,"imageIds":[3179]},{"id":1234,"type":1,"imageIds":[3398]},{"id":1134,"type":1,"imageIds":[374]},{"id":985,"type":1,"imageIds":[3196]},{"id":872,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/984_20160322185231.mp3","label":"Mohamed Hmoudane - Mohamed Hmoudane, soir\u00e9e consacr\u00e9e aux \u00e9ditions Al Manar.","duration":107},{"id":353,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/449_20090626163433.pdf","label":"Moins 15 % ? Pour tous ?"},{"id":659,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/761_20110920182803.mp3","label":"Mon abracadabra pour Emmanuel (extrait)","duration":214},{"id":259,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/340_20081118172659.mp3","label":"Mon Wolman","duration":68},{"id":2049,"type":2,"content":"

Monobon du rempotage*<\/strong><\/p>


La technique du rempotage, en horticulture, consiste \u00e0 changer de pot pour que la plante prenne d\u2019autres aises. Vous prenez un raisonnement de philosophie politique en prose th\u00e9orique, vous le taillez pour accentuer la lenteur du raisonnement, jusqu\u2019\u00e0 trouver le nom d\u2019un oiseau, symbole inattendu de la crise \u00e9cologique : Mauviette. C\u2019est le titre d\u2019un de mes livres, paru aux \u00e9ditions Ni Fait ni \u00e0 Faire. Mauviette, c\u2019est du rempotage rythmique de prose taill\u00e9e (et d\u00e9sherb\u00e9e). Je n\u2019ai pas dit que c\u2019\u00e9tait \u00ab de la prose coup\u00e9e \u00bb, comme certains disent pour disqualifier le vers libre \u2013 qui n\u2019existe pas. De la prose est toujours coup\u00e9e de toutes fa\u00e7ons : il suffit de lire une page de roman pour se rendre compte que le bord de la page coupe la phrase que tu lis, qui continue une ligne plus bas. Hum. Rempotage rythmique de prose : \u00e0 l\u2019origine, ce serait l\u2019action qui consiste \u00e0 changer le pot du po\u00e8me en prose (disons, une forme souhait\u00e9e musicale, sans rythme et sans rime, par Baudelaire), pour le mettre dans un cadre de parole plus serr\u00e9, o\u00f9 la prosodie (une sensibilit\u00e9 pensive) fait le bruit visible de ses gestes de sens quand elle pousse \u2013 et repousse apr\u00e8s taille. O\u00f9 il est souhait\u00e9 que ce soit plut\u00f4t rythmique, sans  musique et sans rime. Il y a rythme (m\u00e9trique) et rythme \u2013 un indice : il faut \u00e9couter, sentir, et lire-\u00e9crire \u00e0 travers les po\u00e8tes sonores. A travers le math-rock instrumental et l\u2019afrobeat, aussi. J\u2019aime bien la po\u00e9sie, mais j\u2019ai remarqu\u00e9 que la versification des artisans, po\u00e8tes impeccables, du vers, cache parfois une plante artificielle, une sensibilit\u00e9 un peu forc\u00e9e, affect\u00e9e, ou simplement une sensibilit\u00e9 qui ne se pense pas. Robert Musil disait \u00e0 peu pr\u00e8s qu\u2019il y a des sensibilit\u00e9s p\u00e9rim\u00e9es. C\u2019est \u00e7a le probl\u00e8me. Le probl\u00e8me n\u2019est pas d\u2019\u00e9crire aujourd\u2019hui dans des formes r\u00e9put\u00e9es anciennes. Les formes n\u2019ont pas d\u2019\u00e2ge, comme les math\u00e9matiques. Le probl\u00e8me, c\u2019est quand tu tiens \u00e0 dire que tu \u00e9cris des po\u00e8mes en tant que po\u00e8te, et que ton po\u00e8te a une sensibilit\u00e9 mal rempot\u00e9e.<\/p>

 <\/p>

Jusqu\u2019o\u00f9 va l\u2019action d\u2019une graine
 <\/p>

 <\/p>

* Le monobon, consistant en une prose suivie d\u2019un monostiche, est une forme po\u00e9tique invent\u00e9e par Eileen Tabios. Le monobon est une forme faite pour \u00e9voquer d\u2019autres formes, ainsi que je le comprends.<\/span><\/p>","label":"

Texte re\u00e7u le 19 avril 2024, \u00e9crit par Samuel Rochery dans la perspective de son Solo du 27 avril.<\/p>"},{"id":989,"type":1,"imageIds":[3201]},{"id":107,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/148_20060405123659.mp3","label":"Monsieur - texte in\u00e9dit","duration":136},{"id":537,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/636_20100729152056.mp3","label":"Monsieur Solo - Partie 1, Chapitres 3 & 4","duration":291},{"id":1113,"type":1,"imageIds":[3342]},{"id":653,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/755_20110913155215.mp3","label":"Montre dans l'heure - Lecture de la traduction par V\u00e9ronique Breyer","duration":141},{"id":559,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/658_20101015183950.mp3","label":"Moquette","duration":87},{"id":690,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/792_20120211173719.mp3","label":"Morales \u00e9l\u00e9mentaires","duration":172},{"id":28,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/50_20060209152939.mp3","label":"Morceaux de ciel - publi\u00e9 par Gallimard","duration":149},{"id":827,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/936_20131004161613.mp3","label":"Mort \u00e0 venir - lu en fran\u00e7ais par \u00c9ric Pesty","duration":148},{"id":490,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/588_20100430184543.mp3","label":"Motif avec dessins - Lecture de la traduction par Jean-Jacques Vitton.","duration":203},{"id":2431,"type":1,"imageIds":[3789]},{"id":2432,"type":1,"imageIds":[3790]},{"id":229,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/293_20080108175726.mp3","label":"Mur \/ Co\u00e9ternel - extrait de Aubades<\/i>","duration":105},{"id":2447,"type":1,"imageIds":[3804]},{"id":964,"type":1,"imageIds":[3180]},{"id":879,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/991_20160323141425.mp3","label":"Mustafa Stitou - (N\u00e9erlandais)","duration":96},{"id":837,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/947_20131203172044.mp3","label":"My kind\/Les miens","duration":154},{"id":1305,"type":4,"fileUrl":"\/resources\/files\/file_65aade385db9e.mp3","label":"

Lyn Hejinian \u2014 Reading My Life<\/i> at UCSD, complete Recording, Recording courtesy of Michael Davidson <\/p>

Dur\u00e9e : 39'16\"<\/p>

 <\/p>","duration":2356},{"id":1012,"type":2,"content":"

Tant vaut<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Relis Ulysse et entre en lice oh hisse les voiles et gonfle tes poumons va te falloir du souffle pour d\u00e9gager de l\u00e0 te sortir de                    oh l\u00e0 qu\u2019est-ce qu\u2019il se passe qui m\u2019attache les mains et me retient                     ok j\u2019arrache tout je d\u00e9chire les chers puisque tant vaut la libert\u00e9 d\u00e9part de parole qu\u2019est-ce que tu dis combien \u00e7a co\u00fbte d\u00e8s \u00e0 pr\u00e9sent interpr\u00e9ter tous les non-dits et chaque dit et jacadi laisse moisir les ananas et regarder \u00e0 l\u2019int\u00e9rieur les fibres s\u00e8ches elles finiront en tresse-corde ne va pas boire tant de caf\u00e9 \u00e7a t\u2019\u00e9nerve et t\u2019en perds la cervelle c\u2019est quoi ces r\u00eaves que tu fais tu peux                    tu peux pas en sortir t\u2019en  \u00e9chapper tu peux plus te sortir de l\u00e0 les cl\u00e9s t\u2019as pas les cl\u00e9s pour sortir de la bo\u00eete mais t\u2019es idiote ou quoi faut juste ouvrir les yeux te r\u00e9veiller sortir du lit arr\u00eater de dormir et relire tes classiques les tiens ceux qui t\u2019ont faite va laver tes cheveux va te laver la t\u00eate va te remplir de ceux de les autres qui parlent juste et pas juste pour dire des                                          repoudre                    de                    paillettes                    et<\/span>
remets ta couronne et               redresse-toi bon sang ne saurais mentir sinon elle va tomber t\u2019es faite pour debout te tenir tiens bon la barre et pour mener le jeu la politesse c\u2019est pas fait pour les chiens z\u2019ont qu\u2019\u00e0 \u00eatre polis avec toi comme ils le sont avec la boulang\u00e8re bonjour madame je voudrais s\u2019il vous pla\u00eet merci beaucoup madame tu perds m\u00eame plus de sang t\u2019as du sang de navet t\u2019as du dedans les veines c\u2019est tout blanc comme dedans l\u2019h\u00e9v\u00e9a bient\u00f4t seras un pneu un truc qui tourne \u00e0 vide avide de plus riens pluriels plus rit elle et pourquoi tu ris plus allez rigole \u00e7a sert \u00e0 rien de faire la gueule.<\/span><\/p>","label":"

Nadine Agostini - Extrait de La cerise sur le g\u00e2teau<\/i>, \u00e9ditions Gros Textes<\/p>"},{"id":426,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/523_20100119181719.mp3","label":"Naissance, Nuit, Pieds nus et Journ\u00e9e - Lecture de la traduction fran\u00e7aise par Henri Deluy.","duration":200},{"id":1304,"type":1,"imageIds":[3432]},{"id":752,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/859_20120626135720.mp3","label":"Ne pas penser","duration":207},{"id":882,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/995_20160323145226.mp3","label":"Nein ein - Extrait.\r\nPauline Catherinot","duration":141},{"id":2476,"type":1,"imageIds":[3844]},{"id":959,"type":1,"imageIds":[3175]},{"id":1213,"type":1,"imageIds":[3322]},{"id":2529,"type":1,"imageIds":[3887]},{"id":962,"type":1,"imageIds":[3178]},{"id":152,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/208_20070405170231.mp3","label":"No\u00ebl au charbon - Texte issu des tablotins de Joelle de la Casini\u00e8re. Lu par l'auteur.","duration":63},{"id":596,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/697_20110405175320.mp3","label":"Noeud coullant - Lecture de la traduction en fran\u00e7ais par Caroline Sagot-Duvauroux","duration":286},{"id":877,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/989_20160323140135.mp3","label":"Non, tu n'as rien vu... - Anne Kawala","duration":58},{"id":492,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/590_20100430185006.mp3","label":"Nones \/ About the Nursery \/ The Nocturn - Lecture de la traduction par Jean-Jacques Vitton.","duration":156},{"id":484,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/582_20100430170545.mp3","label":"Not Withstanding with Stood Mirage Like - Carte Blanche \u00e0 Peter Gizzi :\r\nenregistrements en marge de l'atelier de traduction men\u00e9 par \"Un bureau sur l'Atlantique\" et de la r\u00e9sidence de Peter Gizzi.","duration":220},{"id":339,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/435_20090520185654.mp3","label":"Note de Moscou + autre po\u00e8me - La lecture du paragraphe 8 des Notes de Moscou est suivie par la lecture d'un po\u00e8me issu de la tradition des bardes ouzbeks.\r\nLecture de la traduction en fran\u00e7ais des Notes de Moscou par Fran\u00e7ois Lespiau.","duration":242},{"id":751,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/858_20120626132338.mp3","label":"Notre enterrement du monde","duration":200},{"id":450,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/548_20100211165112.mp3","label":"Notre quartier","duration":116},{"id":888,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1002_20160323152552.mp3","label":"Noun\u00e9e Abrahamian lit Avag Epremian - (Arm\u00e9nien)","duration":63},{"id":166,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/222_20070712180908.mp3","label":"Nous la m\u00e9moire (extrait)","duration":208},{"id":889,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1004_20180322175547.mp3","label":"Nu\u00e9e (fragment) - Alfredo Costa Monteiro.","duration":261},{"id":455,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/553_20100323153401.pdf","label":"Nuit de l'instant (pr\u00e9sentation Film Flamme et programmation d\u00e9taill\u00e9e)"},{"id":416,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/513_20091203172942.mp3","label":"Nulle part est un endroit (Richard Baqui\u00e9) [Hubert Lucot]","duration":81},{"id":181,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/240_20070809163149.mp3","label":"Num\u00e9ro de roi","duration":98},{"id":981,"type":3,"videoId":"730328772","duration":1900},{"id":976,"type":3,"videoId":"733944441","duration":3047},{"id":980,"type":3,"videoId":"728402757","duration":954},{"id":982,"type":3,"videoId":"730554004","duration":592},{"id":978,"type":3,"videoId":"728387206","duration":691},{"id":977,"type":3,"videoId":"728381137","duration":958},{"id":979,"type":3,"videoId":"728390906","duration":1096},{"id":1249,"type":4,"fileUrl":"\/resources\/files\/file_65a9505f0369d.mp3","label":"

Lorine Niedecker \u2014 Nursery Rhyme<\/i>, from the Factory School Archive<\/i>, Home Recording made by Cid Corman, November 1970<\/p>

Dur\u00e9e : 00'17\"<\/p>

 <\/p>

On writing poetry more frequently, <\/i>from the Factory School Archive<\/i>, Home Recording made by Cid Corman, November 1970<\/p>

Dur\u00e9e : 00'54\"<\/p>","duration":72},{"id":867,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/979_20160322171946.mp3","label":"Nymphes, sir\u00e8nes, poup\u00e9es, anges et autres larves - Extrait de \"Nymphes, sir\u00e8nes, poup\u00e9es, anges et autres larves\" (La Biblioth\u00e8que, 2014), par Jean-Roch Siebauer.","duration":405},{"id":771,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/878_20120824180215.mp3","label":"O Vanda","duration":418},{"id":1003,"type":1,"imageIds":[3214]},{"id":245,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/321_20080516180620.mp3","label":"Offrande de fleurs - extrait de <\/i>Les Techniciens du sacr\u00e9 - Traduction fran\u00e7aise d'Yves Di Manno, lue par lui-m\u00eame ","duration":221},{"id":1235,"type":4,"fileUrl":"\/resources\/files\/file_65a92e1c72e8f.mp3","label":"

Robert Duncan \u2014 Often I Am Permitted<\/i>, reading and discussion of  Often I am Permitted <\/i> at the Poetry Center at San Francisco State University, May 18, 1959<\/p>

 Dur\u00e9e : 02'00\" <\/p>","duration":78},{"id":2398,"type":1,"imageIds":[3747]},{"id":2454,"type":1,"imageIds":[3814]},{"id":396,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/493_20091009165051.mp3","label":"Ombre","duration":605},{"id":747,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/853_20120619183041.mp3","label":"On attend depuis le premier jour qu'on nous touche le centre... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":194},{"id":441,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/538_20100127165635.mp3","label":"On va pas partir comme \u00e7a, on va pas rester (extrait)","duration":189},{"id":302,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/388_20090328185331.mp3","label":"Ondine (extrait) [Ingeborg Bachmann]","duration":528},{"id":205,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/267_20070830173624.mp3","label":"Onuma Nemon","duration":127},{"id":268,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/354_20081209174324.mp3","label":"Op. Cit.","duration":61},{"id":2358,"type":2,"content":"

 <\/p>

Elle se noie dans les mots <\/p>

le flot les fleurs<\/p>

homophoniques<\/p>

l\u2019enchantent<\/p>

l\u2019\u00e9garent<\/p>

les racines <\/p>

et les rimes<\/p>

l\u2019attirent<\/p>

vers<\/p>

le fond<\/p>

 <\/p>

\u00ab la mer et la m\u00e8re ont l\u2019amer en partage \u00bb<\/p>

 <\/p>

Elle se trompe<\/p>

en r\u00e9citant<\/p>

et chante <\/p>

faux<\/p>

 <\/p>

toute langue est am\u00e8re<\/p>

quand on ne sait pas se<\/p>

traduire<\/p>

 <\/p>

 <\/p>

Traduisant <\/p>

elle traverse <\/p>

apporte les fleurs <\/p>

qui tra\u00eenent<\/p>

arrache et <\/p>

entra\u00eene<\/p>

les racines<\/p>

d\u2019une rive<\/p>

\u00e0 l\u2019autre<\/p>

 <\/p>

Traversant<\/p>

elle s\u2019apporte : <\/p>

l\u2019amer immense de l\u2019amour <\/p>

la voix \u00e9loign\u00e9e de sa m\u00e8re<\/p>

dans les d\u00e9rives <\/p>

d\u00e9risoires<\/p>

d\u2019une rivi\u00e8re <\/p>

 <\/p>"},{"id":272,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/358_20090128174316.mp3","label":"Oreille rouge - extrait","duration":301},{"id":560,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/659_20101015184142.mp3","label":"Osiris, Dieu de pierre","duration":423},{"id":319,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/407_20090423183011.mp3","label":"o\u00f9 disjonction","duration":402},{"id":202,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/264_20070829165933.mp3","label":"O\u00f9 \u00e9tais-je ? ...","duration":130},{"id":1062,"type":8,"duration":2952,"soundId":"1547953066"},{"id":2023,"type":5,"fileUrl":"\/resources\/files\/file_660ea7e5a45bd.pdf","label":"

Pages re\u00e7ues de Vannina Maestri<\/p>

\u00e0 l'approche des rencontres des 12 et 13 avril 2024.<\/p>"},{"id":1008,"type":1,"imageIds":[3218]},{"id":1218,"type":1,"imageIds":[3388]},{"id":1219,"type":1,"imageIds":[3387]},{"id":700,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/802_20120214173500.mp3","label":"Palindrome de vers [Raymond Queneau]","duration":62},{"id":696,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/798_20120214171604.mp3","label":"Palindrome phon\u00e9tique - Zazie dans le m\u00e9tro","duration":72},{"id":289,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/375_20090310170447.mp3","label":"Palos Gruesos \/ Gros batons - adaptation fran\u00e7aise de Anne Talvaz, lue par \u00c9ric Giraud","duration":80},{"id":420,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/517_20100108153444.mp3","label":"Par manque de temps...","duration":201},{"id":34,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/56_20060204164606.mp3","label":"Par Roulement - paru dans la revue Issue<\/i>","duration":114},{"id":650,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/752_20110913143212.mp3","label":"Parce que je suis la force de l'innomie et autres po\u00e8mes - Lecture de la traduction par Jean-Jacques Viton","duration":182},{"id":883,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/996_20160323145417.mp3","label":"Parce-que - Extrait.\r\nMaxime Hortense Pascal","duration":96},{"id":1251,"type":4,"fileUrl":"\/resources\/files\/file_65a95308ad08d.mp3","label":"

Paul Blackburn \u2014 Paris-Toulouse Train<\/i>, reading at Bard College, December 6, 1968<\/p>

Dur\u00e9e : 02'37\"<\/p>

 <\/p>","duration":157},{"id":278,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/364_20090225181848.mp3","label":"Parole qui passe - Lecture de la traduction fran\u00e7aise par Jean-Charles Depaule","duration":141},{"id":461,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/559_20100407182210.mp3","label":"participe pr\u00e9sent (extrait)","duration":186},{"id":335,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/431_20090514145421.mp3","label":"Partition B2 B3","duration":189},{"id":2461,"type":2,"content":"

 <\/strong><\/p>

Je voudrais faire un g\u00e2teau<\/p>

et il n\u2019y a pas de sucre dans la ville<\/p>

 <\/p>

Il n\u2019y a point de sourires<\/p>

qui pleuvent sur le visage des passants<\/p>

pas de balcons donnant sur les r\u00eaves<\/p>

et les fen\u00eatres n\u2019ont pas retrouv\u00e9 leur place<\/p>

depuis la derni\u00e8re guerre<\/p>

 <\/p>

Je voudrais faire du pain<\/p>

et il n\u2019y a pas de bl\u00e9 dans les champs<\/p>

Il n\u2019y a qu\u2019un \u00e9pouvantail en lambeaux<\/p>

qui effraie les paysans  bien plus que les corbeaux<\/p>

 <\/p>

Je voudrais cuire une lune<\/p>

et il n\u2019y a pas de four \u00e0 la mesure de son immense rondeur<\/p>

Alors j\u2019ai d\u00e9cid\u00e9<\/p>

de d\u00e9vorer tout cru<\/p>

mon c\u0153ur<\/p>

car il n\u2019y a pas de feu dans la ville<\/p>

 <\/p>","label":"

Hind Joudeh, Pas de sucre dans la ville<\/i><\/p>"},{"id":770,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/877_20120824175722.mp3","label":"Pasa a volo un Occhio","duration":140},{"id":546,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/645_20100902155559.mp3","label":"Passages - Traduction de et lue par Yvan Mignot.","duration":487},{"id":429,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/526_20100119182727.mp3","label":"Passant par - Lecture de la traduction fran\u00e7aise par Henri Deluy.","duration":213},{"id":8,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/15_20061020143237.mp3","label":"Passionn\u00e9ment - Expo G. Luca \/ Juillet 1991 \/ cipM<\/i>\r\nin Le Chant de la Carpe<\/i>, \u00c9d. Jos\u00e9 Corti, 1986","duration":372},{"id":618,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/720_20110708184649.mp3","label":"Pathologie des saisons (extrait)","duration":228},{"id":266,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/352_20081209173717.mp3","label":"Patrick Sainton ou l'art du portrait","duration":110},{"id":1252,"type":1,"imageIds":[3407]},{"id":1013,"type":3,"videoId":"732123405","duration":1406},{"id":965,"type":1,"imageIds":[3181]},{"id":160,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/216_20070627180702.mp3","label":"Pavots","duration":347},{"id":2111,"type":2,"content":"

HUVEAUNE<\/p>


BLEU<\/span> , sur grey , bleu de prusse , pariser blau , QUATRE-VINGT<\/span> bouquins
align\u00e9s , rail d\u2019Allemandes<\/i> bleurailant cinq par deux rang\u00e9es , wei\u00df ,
aux stries , d\u00fan de lait , en r\u00e9serve \u00e9chine , l\u2019englissade au long de la
schlitte , rutsch sur des cartes s\u00e9rie bleue randonn\u00e9e sur plan , in ,
zlitu , parlando , au dos de radio , documents vers une int\u00e9grale ,
embase allebloue rosemossant \u00e0 d\u00e9livrer , LU<\/span> , de luJE<\/span> , clef de vo\u00fbte ,
pour les exil\u00e9s , ta lamenta en lissacrue , narr\u00e9 adoss\u00e9 aux sept volumes
envol\u00e9s , via , l\u2019\u00e9chelle , migratoire , de crypte au long cours , fugue
inachev\u00e9e par tra\u00eeneau , d\u2019une ossature installation oreilles comprises ,
fond , frottant , terranant , calandre \u00e0 parole , rumeurs en apn\u00e9e de la
hleute , vaisseau appareillant de la flache qui s\u00e9cr\u00e8te , SCRT<\/span> , pr\u00e9caire ,
informant , vessel \u00e0 timons , d\u2019un manche \u00e0 corne d\u2019andouiller ,
sorte de canne irland\u00e9e orient\u00e9e dirigeante , nef , navette , nouveau
Lef<\/i> , c\u2019est la nav des Rroms , navire explorant le dedans , navicelle
aux lieux communs translat\u00e9s en noms propres , FFLLLT<\/span> , sleamhun ,
accostant , admise au refuge , partie des racines de teil , et lorsque
courtine s\u2019\u00e9coule cours d\u2019eau s\u2019\u00e9croule , roux , table basse , \u00e7a va
de l\u2019essor , r\u00e9citcollage sans d\u00e9rive , c\u2019est l\u2019int\u00e9gration contrepoint \u00e0
l\u2019interm\u00e9diaire , je , vous dis , souvenirs , des autres soyez , miens et
venez donc dans mon GESAMTKUNSTMESHUGGA<\/span> , o\u00f9 , tout est , dit et
tout , est gard\u00e9 secret , embarcation escamotable , ma fabricature aussi
pr\u00e9cise qu\u2019une horloge , loge , roulotte , d\u00e9maison , rivi\u00e8re flottante ,
pour les malades-du-narr\u00e9 , po\u00e9sie archipel entre m\u00e9moire et langage ,
forme , d\u00e9lire , th\u00e9orie , de la ligature , avant c\u2019est aussi bien devant ,
chaque mot a son poids augural physique des , sens , texture , agenc\u00e9e ,
inclin\u00e9e de neige , qui voit les raccords \u00e0 distance ? somme de pleur \u00e0
cri de f(migrant) dt , est , = , au douloir , petite maison , le mur en
t\u00eate d\u00e9gringole<\/p>","label":"

Patrick Beurard-Valdoye, extrait de Lamenta des murs, <\/i>po\u00e9sie\/Flammarion, 2024, p. 338.<\/p>"},{"id":620,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/722_20110709173700.mp3","label":"Penelope et autre po\u00e8me","duration":84},{"id":1223,"type":3,"videoId":"874385351","duration":2145},{"id":1214,"type":2,"content":"

La petite bande des \u00e9crits, les doigts et l\u2019\u00e9crire-bien qui vient dans du pas-nous.<\/p>

 <\/p>

Po\u00e8me-brouillon pour pr\u00e9parer le son de la pens\u00e9e qui vient dans l\u2019\u00e9critur\u00e9.<\/p>

 <\/p>

Nous d\u00e9parlons depuis la mort de nous.<\/p>

 <\/p>

La po\u00e9sie est une petite bande et nous \u00e9crivons \u00e0 partir de l\u00e0. Nous \u00e9crivons depuis nos mains, depuis la petite bande des doigts qui vient parler dedans nos bouches. Car la po\u00e9sie vient dans la bouche pour faire parler les dehors. La po\u00e9sie c\u2019est la petite bande qui vient des dehors par la bande des morts et nous \u00e9crivons, c\u2019est-\u00e0-dire nous tra\u00e7ons, nous eructons, nous gesticulons, nous dessinons, nous verbig\u00e9rons, nous peignons des langues vers les dehors.<\/p>

 <\/p>

Puisque la po\u00e9sie c\u2019est animer la petite bande en nous.<\/p>

 <\/p>

La bande des \u00e9crituries depuis des parlers qui sont venus mourir en dedans de nous.<\/p>

 <\/p>

Et la po\u00e9sie c\u2019est cette petite bande des morts qui nous pousse \u00e0 vivre \u00e0 l\u2019air libre de l\u2019\u00e9crit pour parler dans les petites langues en nous, car la po\u00e9sie c\u2019est les petites langues qui parlent \u00e0 l\u2019int\u00e9rieur de nos bouches.<\/p>

 <\/p>

La po\u00e9sie c\u2019est le vide qu\u2019il y a dedans nos bouches car on ne pourrait pas \u00e9crire sans le vide.<\/p>

 <\/p>

Si dedans n\u2019\u00e9tait pas vide on ne pourrait rien faire que se taire et laisser tout le parler nous remplir.<\/p>

 <\/p>

On pourrait que papoter et la po\u00e9sie \u00e7a n\u2019est pas que papoter, la po\u00e9sie c\u2019est se taire aussi.<\/p>

 <\/p>

C\u2019est se taire dans tout le papoter.<\/p>

 <\/p>

La po\u00e9sie c\u2019est faire du papotaire contre tout ce qui veut nous parler.<\/p>

 <\/p>

La po\u00e9sie c\u2019est faire un gros trou de papotaire dans tout ce qui voudra toujours parler sans nous.<\/p>

 <\/p>

Petite bande est dans les doigts. Petite bande c\u2019est la main dans laquelle poussent des morts qui viennent dans des doigts non-n\u00f4tres. Nous sommes avec les doigts non-n\u00f4tres qui s\u2019agitent depuis la bouche non-mienne. Nous parlons depuis un non-nous fait des morts non-n\u00f4tres avec une bouche non-mienne.<\/p>

 <\/p>

Nous ne sommes pas nous-m\u00eames \u00e0 parler les langues mortes sauf \u00e0 faire ressortir depuis les dedans des \u00e9crits qu\u2019on trace sur les mains & la bouche.<\/p>

 <\/p>

Le parler est une bande qui parle. Le parler est dans les doigts non-n\u00f4tres qui viennent dans l\u2019int\u00e9rieur de nos bouches. Nos petites bouches \u00e9crivent depuis les morts qui poussent dans les mains qui s\u2019agitent depuis dehors pour nous \u00e9crire vers dedans. C\u2019est nous qui \u00e9crivons en dedans pour que se dessine le po\u00e8me qu\u2019on entendra dehors.<\/p>

 <\/p>

\u00c9crire depuis la main la bouche.<\/p>

 <\/p>

\u00c9crire depuis la bande des parlers qui passent.<\/p>

 <\/p>

\u00c9crire depuis les voix mortes qui poussent de partout.<\/p>

 <\/p>

\u00c7a pousse depuis dehors et \u00e7a va vers nous. C\u2019est un nous dans l\u2019\u00e9crit dessin\u00e9. Un nous dans le peint le dessin et l\u2019\u00e9criturien qui sortent par la bande. La petite bande des \u00e9crits et parlers morts qu\u2019on fait vivre en po\u00e8mes.<\/p>

 <\/p>

Nous \u00e9crivons depuis la t\u00eate qui parle en nous. La t\u00eate et les membres. Nous \u00e9crivons depuis la bouche et les doigts dans les mains. Nous poussons dans l\u2019\u00e9crit depuis les morts qui parlent de partout. \u00c7a pousse \u00e0 sortir dans les langues qui traversent le vivant par l\u2019\u00e9crit le parler le dessin\u00e9. Nous \u00e9crivons des po\u00e8mes d\u00e9labr\u00e9s. Nous dessinons depuis les litt\u00e9ratu\u00e9es qui sortent de nous par la bande. La petite bande des po\u00e8mes qui nous sort de partout.<\/p>

 <\/p>

J\u2019\u00e9cris depuis la mort de nous. La mort en bande dans les paroles qui viennent nous mourir dans l\u2019\u00e9crit. J\u2019\u00e9cris depuis la mort de moi qui bande dans les doigts. J\u2019\u00e9cris depuis la bouche et les mains non miens. J\u2019appartiens aux langues mortes miennes qui viennent de dehors. Le dehors vient dedans pour sortir mes \u00e9crits des organes. Tous les organes veulent sortir du corps quand je parle. <\/p>

 <\/p>

Petite bande est dans les doigts. Petite bande est la main. Petite bande c\u2019est les morts qui nous poussent dans la main. La main pousse dans la bouche aussi avec la petite mort. Toutes les paroles viennent nous mourir dedans. Petite bande est la lutte contre les parlers morts en nous qui viennent des dehors.<\/p>

 <\/p>

Comment \u00e9crire avec les mains. On ne peut pas vraiment \u00e9crire hors du dressage. On a dress\u00e9 nos mains. On nous a dress\u00e9 les mains pour l\u2019\u00e9crire-bien. C\u2019est dans l\u2019\u00e9crire-bien qu\u2019on vit avec nos mains. Nos mains remplies de morts et nous dress\u00e9s \u00e0 remplir l\u2019\u00e9crire-bien. On remplit l\u2019\u00e9crit de notre adresse. Nous nous adressons aux morts en parlant dans l\u2019\u00e9crire-bien. Mais les morts entendent rien. Ou bien c\u2019est nous. C\u2019est nous qui pipons rien. On pipe rien des morts qui peuplent nos mains tout \u00e7a \u00e0 cause de l\u2019\u00e9crire-bien.<\/p>

 <\/p>

La po\u00e9sie veut faire un gros trou dans tout ce qui parle en nous.<\/p>"},{"id":521,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/620_20100701171741.mp3","label":"Percer le code g\u00e9n\u00e9tique de la langue fran\u00e7aise (extrait)","duration":356},{"id":2234,"type":3,"videoId":"952205933","label":"

Performance de Patrick Beurard-Valdoye au vernissage de l\u2019exposition LE \u00ab\u2009CYCLE DES EXILS\u2009\u00bb (1982-2024) le 18 mai.<\/p>","duration":398},{"id":2331,"type":3,"videoId":"1033264789","label":"

Performances, lectures avec Gorge Bataille, SNG (Natacha Guiller) et Charles Pennequin lors du vernissage de l'exposition AL DANTE : LE RAOUT [raout : de l\u2019anglais rout, d\u00e9sordre, et de l\u2019ancien fran\u00e7ais route, compagnie], le 9 novembre 2024.<\/p>","duration":1313},{"id":161,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/217_20090903153808.mp3","label":"Performance du GRPS","duration":1251},{"id":1296,"type":4,"fileUrl":"\/resources\/files\/file_65aaa791b9c12.mp3","label":"

Louis Zukofsky \u2014 Performances of A <\/i>-24 by an ensemble of Bay Area poets including : Steve Benson, Carla Harryman, Lyn Hejinian, Kit Robinson and Barrett Watten with Bob Perelman on piano, at the University of California Davis, November 16, 1978 <\/p>

Dur\u00e9e : 1'13\"43\"' <\/p>","duration":4424},{"id":18,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/26_20061020145811.mp3","label":"Permier jour des vacances... - Po\u00e8te-musicien \/ Mai 1996 \/ cipM<\/i>\r\nin Vengeance Tardive<\/i>","duration":338},{"id":394,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/491_20091008172406.mp3","label":"Perp\u00e9tuel voyez Physique 6-7","duration":209},{"id":1024,"type":2,"content":"

L\u2019\u00c9COUTE<\/p>

 <\/p>

Est-ce que tu m\u2019\u00e9coutes ?<\/p>

Moi je ne sais pas encore m\u2019\u00e9couter<\/p>

J\u2019essaie de m\u2019\u00e9couter mais je n\u2019y arrive pas<\/p>

Le c\u0153ur s\u2019\u00e9coute<\/p>

Le corps s\u2019\u00e9coute<\/p>

Le monde s\u2019\u00e9coute<\/p>

L\u2019univers s\u2019\u00e9coute<\/p>

Mais je ne m\u2019\u00e9coute pas<\/p>

Saurais-tu m\u2019\u00e9couter \u00e0 ma place<\/p>

En attendant que je puisse m\u2019\u00e9couter moi-m\u00eame ?<\/p>

Les vagues s\u2019\u00e9coutent<\/p>

L\u2019eau s\u2019\u00e9coute<\/p>

La poussi\u00e8re s\u2019\u00e9coute<\/p>

Les pierres s\u2019\u00e9coutent<\/p>

Je me demande si quelqu\u2019un sait m\u2019\u00e9couter<\/p>

Peut-\u00eatre que c\u2019est foutu<\/p>

L\u2019\u00e9coute est un acte magique<\/p>

Quand tu \u00e9coutes le monde, le monde t\u2019\u00e9coute<\/p>

Quand tu \u00e9coutes l\u2019univers, l\u2019univers t\u2019\u00e9coute<\/p>

Tu \u00e9coutes le monde qui t\u2019\u00e9coute<\/p>

Tu \u00e9coutes l\u2019univers qui t\u2019\u00e9coute<\/p>

Et ainsi ton c\u0153ur t\u2019\u00e9coute<\/p>

Tu te dis que ce n\u2019est pas foutu<\/p>

Tu \u00e9coutes l\u2019eau qui t\u2019\u00e9coute<\/p>

La poussi\u00e8re sait t\u2019\u00e9couter \u00e9couter<\/p>

Les pierres savent t\u2019\u00e9couter \u00e9couter<\/p>

C\u2019est magique qu\u2019elles t\u2019\u00e9coutent<\/p>

Tu ne m\u2019\u00e9coutes pas<\/p>

Je t\u2019\u00e9coute<\/p>

Je m\u2019\u00e9coute \u00e9couter<\/p>

Mais je ne m\u2019\u00e9coute pas<\/p>

Tu ne peux pas m\u2019\u00e9couter t\u2019\u00e9couter<\/p>

\u00c9couter est un acte magique<\/p>

\u00c7a se fait sans effort<\/p>

Ce n\u2019est pas foutu<\/p>

Est-ce que tu m\u2019\u00e9coutes ?<\/p>

Sinon, ce sont les murs qui m\u2019\u00e9couteront<\/p>

Je sais \u00e9couter les murs<\/p>

Les murs m\u2019\u00e9coutent t\u2019\u00e9couter<\/p>

Entre nous, il y a des murs qui nous \u00e9coutent<\/p>

\u00c7a reste entre nous que les murs savent \u00e9couter<\/p>

Quand tu ne m\u2019\u00e9coutes pas, j\u2019\u00e9coute les murs<\/p>

Est-ce qu\u2019\u00e9couter les murs c\u2019est m\u2019\u00e9couter ?<\/p>

Est-ce que c\u2019est \u00e9couter, \u00e9couter les murs ?<\/p>","label":"

Extrait de M\u00e9diter sans ma\u00eetre<\/i><\/p>"},{"id":2088,"type":2,"content":"

Le d\u00e9ni des mots<\/p>

Le refus de vivre m\u00eame en tant qu\u2019une autre esp\u00e8ce<\/p>

 <\/p>

L\u2019ombre du c\u0153ur<\/p>

Qui bat trop vite<\/p>

L\u2019abn\u00e9gation du d\u00e9sespoir translucide<\/p>

 <\/p>

L\u2019ombre<\/p>

Qui p\u00e8te trop vite<\/p>

Une omission de la soumission et des \u00e9quations<\/p>

 <\/p>

Le rejet d\u2019un certain niveau de luminosit\u00e9<\/p>

 <\/p>

L\u2019absence de trace<\/p>

 <\/p>

La perte d\u00e9finitive<\/p>

 <\/p>

L\u2019abn\u00e9gation d\u2019une extase opaque<\/p>

Le d\u00e9ni du reflet<\/p>

 <\/p>

La n\u00e9gation des trajectoires impossibles<\/p>

L\u2019ombre de l\u2019abstraction abdominale<\/p>

 <\/p>

Un rejet onirique r\u00eav\u00e9<\/p>

L\u2019omission d\u2019un niveau d\u2019analyse v\u00e9g\u00e9tale<\/p>

 <\/p>

Une palpation quelconque<\/p>

L\u2019abn\u00e9gation du non-dit<\/p>

 <\/p>

L\u2019omission strat\u00e9gique du paranormal et d\u2019autres cibles pertinentes<\/p>

Un d\u00e9ni de toute g\u00e9ographie possible<\/p>

 <\/p>

L\u2019oubli de tout d\u00e9tournement<\/p>

Une n\u00e9gation d\u2019une pr\u00e9sence imperceptible<\/p>

 <\/p>

Un d\u00e9ni d\u2019un monde souterrain trans-dimensionnel<\/p>

L\u2019impossibilit\u00e9 du journal intime<\/p>

 <\/p>

Le rejet d\u2019une personne quelconque<\/p>

Une abn\u00e9gation de la possibilit\u00e9 d\u2019une personne<\/p>

 <\/p>

L\u2019ombre de la for\u00eat apr\u00e8s l\u2019orage<\/p>

Un rejet de l\u2019odorat<\/p>

 <\/p>

L\u2019ombre des rituels cybern\u00e9tiques<\/p>

L\u2019omission de tout dialogue<\/p>

 <\/p>

Un oubli des chants de mouettes<\/p>

L\u2019ombre de l\u2019\u00e9tiqueteuse<\/p>

 <\/p>

Le d\u00e9ni du stylo intergalactique<\/p>

L\u2019oubli du miroir<\/p>

 <\/p>

Un rejet d\u2019interpr\u00e9tations de la chor\u00e9graphie de la fum\u00e9e<\/p>

L\u2019oubli de tout ce qui aurait pu exister<\/p>

 <\/p>

L\u2019abn\u00e9gation du nom<\/p>

Un refus de se baisser devant la fum\u00e9e translucide<\/p>

 <\/p>

Comme les draps de la sagesse<\/p>

Nuit abandonn\u00e9e<\/p>

Au milieu des vagues f\u00e9roces qui viennent clairement de nulle part<\/p>

 <\/p>

Toi qui as b\u00e2ti l\u2019orgueil du r\u00e9veil<\/p>

Pourquoi tu ne me r\u00e9ponds pas ?<\/p>","label":"

Insomnie XVIII, extrait de M\u00e9diter sans ma\u00eetre, <\/i>Milagro, 2023.<\/p>

Texte re\u00e7u de Peter Hart le 21 avril 2024.<\/p>"},{"id":173,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/230_20070807143602.mp3","label":"Petit fait curieux dont le r\u00e9cit peut \u00e9clairer le dessous des choses","duration":612},{"id":206,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/268_20071020001140.pdf","label":"P\u00e9tition - les incertitudes du cipM<\/i>"},{"id":98,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/139_20060307115516.mp3","label":"Peu de solides peuvent \u00eatre sublim\u00e9s...","duration":140},{"id":742,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/848_20120615152809.mp3","label":"Phan\u00e9es les nu\u00e9es (extraits) - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":193},{"id":2460,"type":1,"imageIds":[3823]},{"id":966,"type":1,"imageIds":[3182]},{"id":1340,"type":1,"imageIds":[3480]},{"id":1341,"type":1,"imageIds":[3481]},{"id":2483,"type":1,"imageIds":[3848]},{"id":2484,"type":1,"imageIds":[3849]},{"id":220,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/282_20071130180145.mp3","label":"Physicienne - La face nord de Juliau 3 (extrait)","duration":185},{"id":849,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/960_20140416123313.mp3","label":"Picasso et le diable (extrait) - Jean Fr\u00e9mon - Lecture du 11 avril 2014\r\n<\/br>Vernissage de l'exposition d'Etel Adnan & The Post-Apollo Press","duration":170},{"id":390,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/487_20090925173323.mp3","label":"pi\u00e8ce sonore (extrait)","duration":179},{"id":117,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/158_20060606162526.mp3","label":"Pierre - lecture des traductions par Jean-Claude Villain","duration":138},{"id":384,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/480_20090910140054.mp3","label":"Pierre Guyotat - Ashby<\/i> - roman - 1964","duration":169},{"id":1294,"type":4,"fileUrl":"\/resources\/files\/file_65aaa358685fd.bin","label":"

Charles Bernstein \u2014 Piffle Breathing<\/i> with Susan Bee [Laufer] & Greg Ball , 1976<\/p>

Dur\u00e9e : 07'00\"
 <\/p>","duration":473},{"id":61,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/90_20060119142633.mp3","label":"Piquer la parole","duration":48},{"id":718,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/820_20120421145636.mp3","label":"Placez un gla\u00e7on d'eau superliquide...","duration":249},{"id":140,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/195_20070207181134.mp3","label":"PLI (extrait) - Noise is the Message - lecture de Noise is the Message<\/i> (Leos Ator + Alfredo Costa Monteiro) ","duration":187},{"id":360,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/456_20090707175128.mp3","label":"Plouk Town (extrait)","duration":357},{"id":651,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/753_20110913144122.mp3","label":"Plus de larmes","duration":166},{"id":744,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/850_20120615161833.mp3","label":"Plus que... Moins que... - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":154},{"id":805,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/913_20130329155813.mp3","label":"Plutonium ode - Lecture d'Anne Waldman extraite de l'album The Nova Convention","duration":192},{"id":970,"type":1,"imageIds":[3186]},{"id":2504,"type":1,"imageIds":[3858]},{"id":329,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/417_20090505182649.mp3","label":"Po\u00e8me commen\u00e7ant l\u00e0 [Louis Zukofski] (extrait) - traduction de Louis Zukofski par Jacques Roubaud, lue par lui m\u00eame.","duration":248},{"id":155,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/211_20070626184431.mp3","label":"Po\u00e8me du b\u00e8gue","duration":314},{"id":382,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/478_20090909173039.mp3","label":"Po\u00e8me du silence - Jiri Kolar","duration":180},{"id":819,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/927_20130523182905.mp3","label":"Po\u00e8me en picard","duration":396},{"id":2798,"type":5,"fileUrl":"\/resources\/files\/file_689caa62e45c6.pdf","label":"

po\u00e8me in\u00e9dit, re\u00e7u de J\u00e9r\u00f4me Dumont, le 25 juillet \u00e0 l'approche de la rencontre autour des \u00e9ditions H\u00e9ros-Limite du 25 octobre 2025.<\/p>"},{"id":2796,"type":5,"fileUrl":"\/resources\/files\/file_689c6bdcbc4c9.pdf","label":"

po\u00e8me in\u00e9dit issu de l'ensemble intitul\u00e9 Nycth\u00e9m\u00e8re<\/i>, J\u00e9r\u00f4me Dumont<\/p>"},{"id":591,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/692_20110312175837.mp3","label":"Po\u00e8me pour D.H. Lawrence \/ Po\u00e8me pour d\u00e9butant [Robert Creeley]","duration":225},{"id":635,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/737_20110830154155.mp3","label":"Po\u00e8mes [Hugo Ball]","duration":159},{"id":2375,"type":1,"imageIds":[3702]},{"id":2060,"type":2,"content":"

MADE IN CHINA<\/strong><\/p>

 <\/p>

Un d\u00e9tail \u00e0 propos de l\u2019impertinence : je fais du bien<\/p>

et je fais mal \u2014 le courage de me montrer<\/p>

contrefa\u00e7on \/ \u00e9clectiser l\u2019id\u00e9ologie<\/p>

avec les plastiques, les n\u00e9ons, avec<\/p>

l\u2019eyeliner <\/i>: plus tard, le don \u2014 le talent<\/p>

et la douleur qui se sexualisent \/ main-d\u2019\u0153uvre pas ch\u00e8re :<\/p>

comme une fibule, comme une m\u00e9daille,<\/p>

l\u2019effort de mat\u00e9rialiser la distinction<\/p>

\u2013 eh, Toi, rends-moi l\u2019arrogance du pouvoir \/<\/p>

\u00e0 vingt balles, toutes les fantaisies imparfaites.<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

MADE IN CHINA<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Un detall sobre la impertin\u00e8ncia: faig goig<\/span><\/p>

i faig mal \u2013 l'atreviment de mostrar-me<\/span><\/p>

c\u00f2pia \/ eclectitzar la ideologia<\/span><\/p>

amb pl\u00e0stics, amb fluorescents, amb<\/span><\/p>

l'eyeliner<\/i>: m\u00e9s tard, el do \u2013 el talent<\/span><\/p>

i el dolor sexualitzant-se \/ m\u00e0 d'obra barata:<\/span><\/p>

com una agulla de pit, com una medalla,<\/span><\/p>

l'esfor\u00e7 de materialitzar la distinci\u00f3<\/span><\/p>

\u2013 eh, Tu, torna'm l'arrog\u00e0ncia del poder \/<\/span><\/p>

a vint duros, totes les fantasies imperfectes.<\/span><\/p>

 <\/p>

 <\/p>

\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

ALGO DE ROJO, ALGO DE BRILLO*<\/strong><\/p>

 <\/p>

Id\u00e9ologise-moi le Moi<\/p>

en r\u00e9v\u00e9lations choc :<\/p>

* en exclusivit\u00e9 pour nos lectrices *<\/p>

au-del\u00e0 du go\u00fbt<\/p>

et du risque qui codifie<\/p>

\/\/ la desvalorizaci\u00f3n<\/i><\/p>

del mundo humano<\/i><\/p>

crece en raz\u00f3n directa<\/i><\/p>

de la valorizaci\u00f3n<\/i><\/p>

del mundo de las cosas<\/i>\u2020 1<\/sup>\/\/<\/p>

se sentir et se penser soi-m\u00eame<\/p>

comme frittage d\u00e9finitif<\/p>

\u2013 c\u2019est \u00e7a, pr\u00e9cis\u00e9ment<\/p>

\u00e7a, d\u2019or, d\u2019argent, ou<\/p>

d\u2019autres mat\u00e9riaux, acier<\/p>

inoxydable, porcelaine,<\/p>

cristaux de couleurs, oui,<\/p>

c\u2019est \u00e7a, aussi de la chantilly,<\/p>

fraises, g\u00e2teaux<\/p>

au chocolat, Kit-Kat,<\/p>

robe m\u00e9lodramatique<\/p>

transparente, je tends l\u2019autre<\/p>

joue, le cou aussi, je<\/p>

suis Marie-Antoinette pute<\/p>

tra\u00eetresse qui fume un piti<\/i>*<\/p>

engalanada<\/i>\u2020 au milieu de ses amants<\/p>

et camarades \u2013 c\u2019est \u00e7a,<\/p>

ce genre de fiction,<\/p>

\/\/ algo de rojo, algo de brillo <\/i>\/\/<\/p>

propri\u00e9t\u00e9s sp\u00e9cifiques,<\/p>

propri\u00e9t\u00e9s fantastiques,<\/p>

dessins merveilleux<\/p>

et compliqu\u00e9s \/ instruisez-moi,<\/p>

* en exclusivit\u00e9 pour nos lectrices *<\/p>

au-del\u00e0 du go\u00fbt<\/p>

et le risque qui codifie, le style<\/p>

dor\u00e9 et argent\u00e9, la classe.<\/p>

 <\/p>

L\u2019artificialit\u00e9 de l\u2019artefact. C\u2019est \u00e7a, la s\u00e9duction.<\/p>

C\u2019est \u00e7a, la s\u00e9duction.<\/p>

 <\/p>

 <\/p>

1.<\/sup> Karl Marx, Manuscrits de 1844.<\/i><\/span><\/p>

* Un peu de rouge, un peu de paillettes.<\/span><\/p>

\u2020 La d\u00e9pr\u00e9ciation \/ du monde humain \/ s\u2019accroit en raison directe \/ de la valorisation \/ du monde des choses.<\/span><\/p>

* Une clope.<\/span><\/p>

\u2020 En tenue de gala.<\/span><\/p>

 <\/p>

\u2014<\/p>

 <\/p>

ALGO DE ROJO, ALGO DE BRILLO<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Ideologitza'm el Jo<\/span><\/p>

al descobert:<\/span><\/p>

* exclusiva femenina *<\/span><\/p>

m\u00e9s enll\u00e0 del gust<\/span><\/p>

i el risc que codifica<\/span><\/p>

\/\/ la desvalorizaci\u00f3n<\/i><\/span><\/p>

del mundo humano<\/i><\/span><\/p>

crece en raz\u00f3n directa<\/i><\/span><\/p>

de la valorizaci\u00f3n<\/i><\/span><\/p>

del mundo de las cosas<\/i>1<\/sup> \/\/<\/i><\/span><\/p>

sentir-se i pensar-se<\/span><\/p>

en definitiva sinteritzaci\u00f3<\/span><\/p>

\u2013 \u00e9s aix\u00f2, precisament<\/span><\/p>

aix\u00f2, d'or, de plata, o<\/span><\/p>

d'altres materials, acer<\/span><\/p>

inoxidable, porcellana,<\/span><\/p>

cristalls de colors, aix\u00f2,<\/span><\/p>

aix\u00f2 \u00e9s, tamb\u00e9 nata,<\/span><\/p>

maduixes, pastissos<\/span><\/p>

de xocolata, Kit-Kat,<\/i><\/span><\/p>

vestit melodram\u00e0tic<\/span><\/p>

transparent, ofereixo l'altra<\/span><\/p>

galta, tamb\u00e9 el coll, s\u00f3c<\/span><\/p>

Maria Antonieta puta<\/span><\/p>

tra\u00efdora fumant un piti<\/i><\/span><\/p>

engalanada <\/i>entre amants<\/span><\/p>

i camarades \u2013 \u00e9s aix\u00f2,<\/span><\/p>

aquesta classe de ficci\u00f3,<\/span><\/p>

\/\/ algo de rojo, algo de brillo \/\/<\/i><\/span><\/p>

propietats espec\u00edfiques,<\/span><\/p>

propietats fant\u00e0stiques,<\/span><\/p>

dissenys meravellosos<\/span><\/p>

i complicats \/ instru\u00efu-me<\/span><\/p>

* exclusiva femenina *<\/span><\/p>

m\u00e9s enll\u00e0 del gust<\/span><\/p>

i el risc que codifica, l'estil<\/span><\/p>

daurat i platejat amb classe.<\/span><\/p>

 <\/span><\/p>

L'artificialitat de l'artefacte.<\/span><\/p>

\u00c9s aix\u00f2, la seducci\u00f3.<\/span><\/p>

 <\/span><\/p>

1.<\/sup> Karl Marx, Manuscrits economics i filosofics de 1844<\/i><\/span><\/p>

 <\/p>","label":"

Po\u00e8mes re\u00e7us de Juana Dolores \u00e0 l'approche de l'Exploration des \u00e9ditions L'Extr\u00eame contemporain.<\/p>

Traduction : David Casta\u00f1er.<\/p>"},{"id":356,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/452_20090707145245.pdf","label":"Po\u00e8mes des Moulins - Ce livret est le fruit d'une exp\u00e9rience d'improvisation po\u00e9tique men\u00e9e par Florence Pazzottu avec des enfants de moyenne et petite section de l'\u00e9cole maternelle des Moulins, projet initi\u00e9 par Le\u00efla Mestiri, directrice."},{"id":767,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/874_20120818165010.mp3","label":"Po\u00e8mes du milieu (extrait)","duration":320},{"id":688,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/790_20120211173107.mp3","label":"Po\u00e8mes pour animaux","duration":143},{"id":678,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/780_20111216143221.pdf","label":"Po\u00e9sie & Philosophie"},{"id":863,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/975_20160322163745.mp3","label":"Po\u00e9sie & photographie - \u00c9ric Dayre interroge Anne Parian\r\nsur les rapports entre \u00e9criture et images. ","duration":387},{"id":864,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/976_20160322164105.mp3","label":"Po\u00e9sie & photographie - \u00c9ric Dayre interroge Jean Daive\r\nsur les rapports entre \u00e9criture et images. ","duration":552},{"id":2827,"type":2,"content":"

 <\/p>

Puisque je viens d'une ville assez grande qui accueille des \u00e9v\u00e9nements.<\/span><\/p>

Et colore chaque nuit la ville de belles d\u00e9corations.<\/span><\/p>

Cachant son cot\u00e9 m\u00e9prisant et sale.<\/span><\/p>

J'ai d\u00e9cid\u00e9 de faire semblant de ne rien voir, de ne rien faire.<\/span><\/p>

Ce que je sais faire de mieux, je continue \u00e0 la faire.<\/span><\/p>

Je te le donne, mais ce n'est pas parfait .<\/span><\/p>

 <\/span><\/p>

La justice juge la v\u00e9rit\u00e9 et ment<\/span><\/p>

La v\u00e9rit\u00e9 ment et juge la justice<\/span><\/p>

 <\/span><\/p>

Je viens vous l\u00e9guer mon pays qui n'est pas parfait, mais qui me rend fier.<\/span><\/p>

Mon histoire longue n'est pas termin\u00e9e.<\/span><\/p>

Commencer, comme ment, terminer, d\u00e9terminer<\/span><\/p>

Un grain de ma juste justice,<\/span><\/p>

Mon r\u00e9sonnement me pla\u00eet,<\/span><\/p>

Mes valeurs sont prioritaires.<\/span><\/p>

 <\/span><\/p>

La justice juge la v\u00e9rit\u00e9 et ment,<\/span><\/p>

La v\u00e9rit\u00e9 ment et juge la justice<\/span><\/p>

 <\/span><\/p>

La justice ment, je m'en tire juste<\/span><\/p>

Si la soci\u00e9t\u00e9 change et \u00e9volue, je changerai et \u00e9voluerai.<\/span><\/p>

Si elle ne bouge pas, je la transformerai.<\/span><\/p>

J'\u00e9voluerai moi, c'est mon envie de r\u00e9ussir,<\/span><\/p>

Si je reste, je ne change rien.<\/span><\/p>

 <\/span><\/p>

Si on a besoin de moi je suis l\u00e0,<\/span><\/p>

je r\u00e9pondrais avec honn\u00eatet\u00e9.<\/span><\/p>

                                                          <\/span><\/p>","label":"

Sarah<\/p>"},{"id":2828,"type":2,"content":"

 <\/p>

Puisque je viens des Moli\u00e8res<\/span><\/p>

Et que je vis pour ne pas plaire<\/span><\/p>

J'ai d\u00e9cid\u00e9 que la solitude est parfois mieux que l'amiti\u00e9<\/span><\/p>

Ces gens malhonn\u00eates ne disent pas la v\u00e9rit\u00e9<\/span><\/p>

Derri\u00e8re leurs visages se cachent leur r\u00e9elle identit\u00e9<\/span><\/p>

 <\/span><\/p>

Sous un masque de douceur, l'hypocrisie fleurit,<\/span><\/p>

Mais le vrai visage t\u00f4t ou tard s'affranchit.<\/span><\/p>

 <\/span><\/p>

Je vous parle de mon d\u00e9go\u00fbt<\/span><\/p>

Ma joie, ma foi, parfois en moi<\/span><\/p>

Ma col\u00e8re, mes fronti\u00e8res ne date pas d'hier<\/span><\/p>

Mon m\u00e9contentement, mon changement, ma patience, \u00e9vident<\/span><\/p>

Mes pr\u00e9f\u00e9rences envers la connaissance<\/span><\/p>

Ma confiance, t'es con, t'es fianc\u00e9<\/span><\/p>

Mon honn\u00eatet\u00e9, ma sinc\u00e9rit\u00e9 doit se lib\u00e9rer<\/span><\/p>

Ma famille, brille comme une bille<\/span><\/p>

Mes passions et cette sensation<\/span><\/p>

 <\/span><\/p>

Sous un masque de douceur, l'hypocrisie fleurit,<\/span><\/p>

Mais le vrai visage t\u00f4t ou tard s'affranchit<\/span><\/p>

                                            <\/span><\/p>","label":"

Meyssa<\/p>"},{"id":2829,"type":2,"content":"

 <\/p>

Puisque je viens d'un pays remplit de conflit<\/span><\/p>

plus pr\u00e9cis\u00e9ment ou le soleil se l\u00e8ve en premier<\/span><\/p>

et que les gens se moquent des guerres<\/span><\/p>

j'ai d\u00e9cid\u00e9  de donner mon avis<\/span><\/p>

je viens vous balancez ce en quoi je crois<\/span><\/p>

je vous donne la s\u00e9curit\u00e9<\/span><\/p>

 <\/span><\/p>

Quand je mange du caviar \u00e7a me rappelle le go\u00fbt du caillou<\/span><\/p>

 <\/span><\/p>

mon bateau et remplit d\u2019amiti\u00e9<\/span><\/p>

bon \u00e0 bon malgr\u00e9 les critiques je reste debout<\/span><\/p>

mon train et remplit de d\u00e9go\u00fbt<\/span><\/p>

 <\/span><\/p>

Quand je mange du caviar \u00e7a me rappelle le go\u00fbt du caillou<\/span><\/p>

 <\/span><\/p>

mon pouvoir et ma parole<\/span><\/p>

mes erreurs sont une force<\/span><\/p>

et je m'inspire de faits r\u00e9els<\/span><\/p>

mon envie de tout vous balancer va vous larguer<\/span><\/p>

ma vie et remplit de justice et d'injustice<\/span><\/p>

mes envies d'aider les personnes en situation de pauvret\u00e9<\/span><\/p>

mon invisibilit\u00e9 et injuste<\/span><\/p>

ma batte vas te battre<\/span><\/p>

les casses pieds j'en assez<\/span><\/p>

mon d\u00e9bit et la pour vous enflammer<\/span><\/p>

ma libert\u00e9 vous angoisse<\/span><\/p>

mes armes ne sont pas des armes<\/span><\/p>

 <\/span><\/p>

ma peur de voir tout tomber me fait sombrer<\/span><\/p>

mon ennemi veut se faire petit<\/span><\/p>

mon caract\u00e8re va vous faire peur<\/span><\/p>

mes rares coup d\u2019\u00e9tat me font mal<\/span><\/p>

 <\/span><\/p>

Quand je mange du caviar \u00e7a me rappelle le go\u00fbt du caillou<\/span><\/p>

                           <\/span><\/p>","label":"

Othman<\/p>"},{"id":2830,"type":2,"content":"

 <\/p>

Je viens d\u2019un endroit o\u00f9 on passe du coq \u00e0 l\u2019\u00e2ne<\/span><\/p>

du soleil, \u00e0 la pluie,<\/span><\/p>

des rires, aux pleurs<\/span><\/p>

des Moli\u00e8res \u00e0 la Carraire<\/span><\/p>

 <\/span><\/p>

L\u2019avenir, nous pr\u00e9serve des surprises,<\/span><\/p>

Il nous r\u00e9serve des soupirs, du d\u00e9sespoir, de l\u2019espoir<\/span><\/p>

Et puis la victoire me procure du pouvoir<\/span><\/p>

Ce soir j\u2019ai de la peine<\/span><\/p>

Quand je vois vos peines de c\u0153ur<\/span><\/p>

Vous \u00eates bris\u00e9s en 1000 morceaux<\/span><\/p>

Je ne vous reconnais plus<\/span><\/p>

vous changez<\/span><\/p>

Je ne vois plus vos sourires<\/span><\/p>

Je ne vous vois plus vivre<\/span><\/p>

 <\/p>","label":"

Haroun<\/p>"},{"id":2831,"type":2,"content":"

 <\/p>

Puisque je viens de Paris la plus belle des villes<\/span><\/p>

Et qu'on la surnomme la ville de l'amour, la ville des pommes d'amour<\/span><\/p>

Que nos d\u00e9licieux croissants font du vent<\/span><\/p>

Avez vous remarqu\u00e9, la tour Eiffel cette tour qui \u00e0 des ailes<\/span><\/p>

Je la vois aussi m\u00eame si vous \u00eates toujours l\u00e0 \u00e0 g\u00e2cher le spectacle<\/span><\/p>

 <\/span><\/p>

Je viens vous expliquer mon m\u00e9contentement<\/span><\/p>

Mes d\u00e9go\u00fbts et ce tout le temps<\/span><\/p>

Les touristes qui se risquent<\/span><\/p>

Un citoyen doit \u00eatre honn\u00eate, si il veut qu'on le respecte<\/span><\/p>

Mon petit doigt me dit que \u00e7a ne vas s\u2019arr\u00eater<\/span><\/p>

Et j'en suis d\u00e9sol\u00e9e<\/span><\/p>

 <\/span><\/p>

Mon c\u0153ur s'emballe, faites gaffe<\/span><\/p>

Mes mains se crispent, c'est triste<\/span><\/p>

Et mes dents se serrent, faites attention<\/span><\/p>

Mon caract\u00e8re reprend le dessus<\/span><\/p>

Mon talent vous le sentez<\/span><\/p>

Mon poing vous le voyez<\/span><\/p>

Le go\u00fbt de nos col\u00e8res<\/span><\/p>

Mes pickpockets pr\u00e9f\u00e9r\u00e9s<\/span><\/p>

La poche trou\u00e9e de votre gentillesse<\/span><\/p>

Ma veste secou\u00e9e par vos faits<\/span><\/p>

Et mes cigarettes de prol\u00e9taire<\/span><\/p>

Mes agissements sont justes<\/span><\/p>

Ils agissent, ils mentent<\/span><\/p>

Mes agissements sont vrais<\/span><\/p>

J'agis et \u00e7a m'aide<\/span><\/p>

 <\/span><\/p>

Ma fiert\u00e9<\/span><\/p>

Mon honn\u00eatet\u00e9<\/span><\/p>

Mon orgueil<\/span><\/p>

Et ma force sont mes seuls atouts<\/span><\/p>

Et Mon humour ! Croyez moi !<\/span><\/p>

Le Parisien en parlera.<\/span><\/p>

 <\/p>","label":"

Emma<\/p>"},{"id":2832,"type":2,"content":"

 <\/p>

\u2026Je vous donne, mes peurs, mes terreurs,<\/span><\/p>

ma peur d'aimer, ma peur de ne pas savoir<\/span><\/p>

mon envie de partir, mon envie de parler,l'envie qu'on me comprenne,<\/span><\/p>

mon pass\u00e9 qui me fait souffrir, les restes de mon c\u0153ur bris\u00e9<\/span><\/p>

et le peux qui reste de mes r\u00eaves...<\/span><\/p>

 <\/p>","label":"

M\u00e9lina<\/p>"},{"id":263,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/347_20081202143528.mp3","label":"Po\u00e9sie \u00e0 l'\u00e9cole \u00e9l\u00e9mentaire Saint Joseph Servi\u00e8res - Po\u00e9sie en vrac \u00e0 deux voix<\/i> - Ateliers de lecture et d'\u00e9criture avec le CM1\/CM2 de l'\u00e9cole \u00e9l\u00e9mentaire Saint Joseph Servi\u00e8res.","duration":507},{"id":2512,"type":1,"imageIds":[3859]},{"id":2513,"type":1,"imageIds":[3860]},{"id":2514,"type":5,"imageIds":[3861],"fileUrl":"\/resources\/files\/file_68122cbc969a8.pdf"},{"id":2505,"type":2,"content":"

 <\/p>

Il est n\u00e9<\/p>

il a mang\u00e9 sa vie \u00e0 pleines dents<\/p>

et il n'avait plus faim<\/p>

et il est mort<\/p>

il est n\u00e9<\/p>

il s'est fait br\u00fbler par ses r\u00eaves <\/p>

il est mort<\/p>

il est n\u00e9<\/p>

il r\u00eavait d'\u00eatre serein<\/p>

il est mort<\/p>

il est n\u00e9 <\/p>

avec des voitures thermiques<\/p>

les voitures \u00e9lectriques sont arriv\u00e9es<\/p>

il est mort<\/p>

 <\/p>","label":"

Thierry<\/p>"},{"id":2506,"type":2,"content":"

 <\/p>

Avoir les dents longues et tomber dans les pommes pour se retourner dans sa tombe.<\/p>

C'est le p\u00e9trin, il n'a pas le cul bord\u00e9 de nouilles, il est dans un ours mal l\u00e9ch\u00e9 sans queue ni t\u00eate, <\/p>

l'ours montre ses griffes, \u00e0 vue de nez il ne se jette pas dans la gueule du loup <\/p>

donc pas besoin de sortir de polytechnique pour aller \u00e0 la chasse et perdre sa place.<\/p>

 <\/p>","label":"

David<\/p>"},{"id":2507,"type":2,"content":"

 <\/p>

\u00catre dans le p\u00e9trin \u00e7a ne mange pas de pain. <\/p>

Bouche \u00e0 oreille une parole en l'air.<\/p>

Gros comme une maison. <\/p>

Press\u00e9 comme un citron. Avoir les dents longues compter pour du beurre.<\/p>

Apr\u00e8s avoir vu le loup on doit venir te chercher de midi \u00e0 14h<\/p>

Pousse le bouchon un peu loin et on va te coucher avec les poules. Les murs ont des oreilles, faut \u00eatre de bon poil.<\/p>

Arr\u00eate de crier sur les toits, tu vas faire de l'orage dans l'air.<\/p>

Arr\u00eatez de raconter des salades, l'arbre ne cache pas la for\u00eat. <\/p>

Si tu te tiens \u00e0 carreau tu vas avoir des frites et si tu es sage comme l'image t'auras la t\u00eate sur les \u00e9paules.<\/p>

Marchez \u00e0 la baguette sans queue ni t\u00eate.<\/p>

 <\/p>","label":"

Rayan<\/p>"},{"id":2508,"type":2,"content":"

 <\/p>

Je voulais \u00eatre parfaitement sage, car je n'ai pas l'\u00e2ge, je mens mais pas parfaitement, <\/p>

\u00e7a se voit sur le bout de mon menton au final je fini par manger du thon rouge trop saignant, j'en mange tout le temps, <\/p>

j'aurai pr\u00e9f\u00e9r\u00e9 du requin mais j'ai du marocain, je suis en fum\u00e9 comme le saumon, en pomme je n'ai pens\u00e9 qu'\u00e0 manger, mais pas \u00eatre sage.<\/p>

 <\/p>","label":"

David<\/p>"},{"id":2509,"type":2,"content":"

 <\/p>

Tu \u00e9tais sous hypnose, mon regard t'attirait. Peut-on parler de... lorsque j'enlevais volontairement mon tee-shirt pour attirer tes yeux sur mes muscles.<\/p>

Tu \u00e9tais en manque. Cette souffrance \u00e9tait plus intense qu'une blessure physique. Et pourtant un simple hamburger aurait pu att\u00e9nuer ta faim.<\/p>

Tu avais pourtant \u00e9t\u00e9 pr\u00e9venu, il est interdit d'y p\u00e9n\u00e9trer. Le trou de la maison est hant\u00e9. On y trouve m\u00eame des zombies<\/p>

 <\/p>","label":"

Mouctar<\/p>"},{"id":2510,"type":2,"content":"

 <\/p>

Je voulais prendre son jaune, elle m'a pass\u00e9 son 06, elle est trop folle, j'aurais pas d\u00fb lui parler mais elle s'est attach\u00e9e, elle me pla\u00eet mais dommage elle vient de Montpellier,<\/p>

elle veut me voir mais elle peut pas sortir le soir, je lui ai dit je t'aime tellement, elle \u00e9tait contente, elle s'est faite contr\u00f4ler par les motards, elle regarde des vid\u00e9os de mariage <\/p>

elle veut trop imaginer la sc\u00e8ne et moi je ne veux pas, c'est devenu un probl\u00e8me, j'\u00e9tais sur l'A7 avec la McLaren, <\/p>

elle m'appelle en masqu\u00e9 elle me dit t'es o\u00f9 je t'aime mon b\u00e9b\u00e9, j'en ai marre de cette discussion mais je ne veux pas choquer.<\/p>

 <\/p>","label":"

Rayan<\/p>"},{"id":2511,"type":2,"content":"

 <\/p>

Je voulais \u00eatre parfaitement sage, car je n'ai pas l'\u00e2ge, je mens mais pas parfaitement, <\/p>

\u00e7a se voit sur le bout de mon menton, au final je fini par manger du thon rouge trop saignant, <\/p>

j'en mange tout le temps, j'aurai pr\u00e9f\u00e9r\u00e9 du requin mais j'ai du marocain, je suis en fum\u00e9 <\/p>

comme le saumon, en pomme je n'ai pens\u00e9 qu'\u00e0 manger, mais pas \u00eatre sage.  <\/p>

 <\/p>","label":"

Mehdi<\/p>"},{"id":2860,"type":2,"content":"

 <\/p>

Je voyage dans mon dessin<\/p>

J\u2019ai pris de l\u2019encre<\/p>

 <\/p>

Appara\u00eet une fleur animale<\/p>

Un tigre-lion<\/p>

 <\/p>

La for\u00eat est un lieu que j\u2019aime<\/p>

 <\/p>

parce que je m\u2019y prom\u00e8ne<\/p>

L\u00e0 dans mon dessin<\/p>

Je suis tr\u00e8s fi\u00e8re de moi<\/p>

 <\/p>","label":"

Kenza<\/p>"},{"id":2869,"type":2,"content":"

 <\/p>

C\u2019est un pays en Europe<\/p>

C\u2019est une ville dans ce pays<\/p>

C\u2019est une rue dans cette ville<\/p>

C\u2019est une maison dans cette rue<\/p>

C\u2019est un jardin dans cette maison<\/p>

Un jardin dans lequel je me prom\u00e8ne<\/p>

Il n\u2019y a pas de vent<\/p>

Tout est calme les oiseaux chantent<\/p>

Chez ma tante<\/p>

 <\/p>","label":"

Voyage-zoom en Europe<\/i>, Chahrazad<\/p>"},{"id":2870,"type":2,"content":"

 <\/p>

Les cerisiers du japon sont tr\u00e8s jolis,<\/p>

Quand ils sont en fleur<\/p>

Ce n\u2019est que pendant une courte p\u00e9riode<\/p>

Malheureusement.<\/p>

Leurs fleurs rose pastel,<\/p>

Des p\u00e9tales qui tombent,<\/p>

Magnifiques.<\/p>

 <\/p>

On dirait que le ciel est rose<\/p>

La route devient rose.<\/p>

 <\/p>

Je voyage dans le rose.<\/p>

       <\/strong><\/span><\/p>","label":"

La cerisaie<\/i>, Eve<\/p>"},{"id":2871,"type":2,"content":"

 <\/p>

C\u2019est heure de partir au cin\u00e9ma<\/p>

Voir le nouveau Bob l\u2019 \u00e9ponge.<\/p>

Je me pr\u00e9pare et prends mon argent<\/p>

J\u2019emm\u00e8ne mon meilleur ami.<\/p>

Sur place, j\u2019ach\u00e8terai du pop-corn sucr\u00e9.<\/p>

 <\/p>

Toutes les salles sont grandes<\/p>

et les si\u00e8ges sont mous,<\/p>

c\u2019est confortable et agr\u00e9able.<\/p>

 <\/p>

L\u2019\u00e9cran est grand, les lumi\u00e8res s\u2019\u00e9teignent<\/p>

 <\/p>

     \u00e7a commence.<\/p>

 <\/p>","label":"

Eliott<\/p>"},{"id":2872,"type":2,"content":"

 <\/p>

Ma sculpture<\/p>

Les larmes sortent de son c\u0153ur<\/p>

Malgr\u00e9 les feuilles qui l\u2019entourent<\/p>

Elle a peur de dispara\u00eetre<\/p>

     <\/strong><\/p>","label":"

Voyage dans ma sculpture<\/i>, Sena<\/p>"},{"id":2873,"type":2,"content":"

 <\/p>

J\u2019ai vu l\u2019azur du ciel<\/p>

j\u2019ai vu le bleu de l\u2019eau<\/p>

j\u2019ai vu la couleur du soleil<\/p>

j\u2019ai vu un dictionnaire que j\u2019ai utilis\u00e9 pour cr\u00e9er une po\u00e9sie<\/p>

j\u2019ai vu un \u00e9colier<\/p>

j\u2019ai vu une feuille qui tombe<\/p>

j\u2019ai vu une guimauve<\/p>

j\u2019ai vu l\u2019horizon<\/p>

j\u2019ai vu ma maman<\/p>

j\u2019ai vu des Normands<\/p>

j\u2019ai vu l\u2019oc\u00e9an<\/p>

j\u2019ai vu des papillons<\/p>

j\u2019ai vu des Quechuas<\/p>

j\u2019ai vu un renard<\/p>

j\u2019ai vu un serpent<\/p>

j\u2019ai vu un tailleur<\/p>

j\u2019ai vu un Uber<\/p>

j\u2019ai vu un violon<\/p>

j\u2019ai vu du wasabi<\/p>

j\u2019ai vu un xylophone<\/p>

j\u2019ai vu Yassir<\/p>

j\u2019ai vu un zoo<\/p>

 <\/strong><\/p>","label":"

L\u2019alphabet du train, Ervis<\/p>"},{"id":2874,"type":2,"content":"

 <\/p>

C\u2019est l\u2019heure.<\/p>

Moi, mes amis, mon chat et Monsieur Ciarlo<\/p>

partons pour le Mont-Blanc.<\/p>

Nous avons l\u2019essentiel.<\/p>

 Nous prenons l\u2019h\u00e9licopt\u00e8re.<\/p>

 <\/p>

Puis, plus tard, nous y sommes \u2013 au pied du Mont-Blanc.<\/p>

 <\/p>

C\u2019est alors que commence<\/p>

notre randonn\u00e9e.<\/p>

 <\/p>

Quand nous arrivons pour camper,<\/p>

 le soleil se couche.<\/p>

 <\/p>

Moi, Monsieur Ciarlo et mes amis allons cueillir<\/p>

des girolles, des truffes, des morilles.<\/p>

 <\/p>

     Nous avons de tout ! Un vrai r\u00e9gal !<\/p>

 <\/p>

*<\/p>

Le second jour<\/p>

l\u2019Ascension commence.<\/p>

 <\/p>

*<\/p>

La nuit venue,<\/p>

nous mangeons,<\/p>

puis faisons : du tennis de table,<\/p>

du rugby<\/p>

et du tennis.<\/p>

Nous rentrons dans la tente.<\/p>

 <\/p>

Ici, mes amis et moi<\/p>

faisons une partie de Zelda.<\/p>

 <\/p>

Puis, nous allons nous coucher.<\/p>

Mon chat, lui, s\u2019amuse avec la neige.<\/p>

 <\/p>

*<\/p>

Le lendemain nous prenons les remont\u00e9es m\u00e9caniques<\/p>

et nous skions.<\/p>

C\u2019est alors qu\u2019il est l\u00e0<\/p>

 <\/p>

qu\u2019on y arrive<\/p>

devant nous :<\/p>

 Le Mont-Blanc<\/p>

 <\/p>","label":"

Le Mont-Blanc<\/i>, Aliocha<\/p>"},{"id":2875,"type":2,"content":"

 <\/p>

Je prends mon cahier et mon crayon<\/p>

pour y \u00e9crire tout ce dont<\/p>

 j\u2019ai besoin :<\/p>

le courage, la joie, l\u2019\u00e9nergie,<\/p>

 <\/p>

mais aussi :<\/p>

mes peines, ma tristesse, ma solitude<\/p>

 <\/p>

pour qu\u2019il soit mon compagnon de voyage :<\/p>

mon seul et unique confident,<\/p>

je lui laisse tout<\/p>

 <\/p>

Mais surtout,<\/p>

je garde ma voix pour toujours chanter<\/p>

ce que je suis,<\/p>

 <\/p>

mes m\u00e9lodies<\/p>

pour toujours savoir d\u2019o\u00f9 je viens,<\/p>

 <\/p>

mes chansons pour ne jamais me perdre,<\/p>

 <\/p>

mes partitions pour toujours savoir o\u00f9 je suis,<\/p>

 <\/p>

mes rythmes pour ne jamais me sentir seule,<\/p>

et mes musiques pour ne jamais oublier<\/p>

ce qui est important :<\/p>

 <\/p>

ce que j\u2019aime vraiment\u2026<\/p>

                             <\/p>","label":"

Sur une \u00eele d\u00e9serte<\/i>, \u00c9lise<\/p>"},{"id":2876,"type":2,"content":"

 <\/p>

Je suis all\u00e9 \u00e0 Budapest<\/p>

pour voir mes grands-parents<\/p>

C\u2019est une si belle ville<\/p>

 <\/p>

Le Danube y passe et on peut<\/p>

glisser dessus en bateau<\/p>

C\u2019est si beau<\/p>

 <\/p>","label":"

Fedir<\/p>"},{"id":2877,"type":2,"content":"

 <\/p>

Je rentre \u00e0 la maison<\/p>

Puis je pars pour l\u2019aventure au Mont-Blanc<\/p>

J\u2019emm\u00e8ne plein d\u2019amis, public et monsieur Ciarlo<\/p>

Je prends une tente<\/p>

du mat\u00e9riel pour skier<\/p>

ma tenue de ski et mes apr\u00e8s-ski<\/p>

mes skis et une poudreuse<\/p>

s\u2019il n\u2019y a pas assez de neige.<\/p>

Tout le matos \u00e0 boules de neige<\/p>

une remont\u00e9 m\u00e9canique<\/p>

une motoneige.<\/p>

Mon pique-nique<\/p>

pour me rassasier.<\/p>

Et pour encore plus d\u2019amusement, j\u2019emm\u00e8ne<\/p>

un terrain de Rugby<\/p>

une table de ping-pong<\/p>

des raquettes et des balles.<\/p>

 <\/p>

Sans oublier aussi<\/p>

tous les r\u00eaves qui sont<\/p>

rest\u00e9s ancr\u00e9s dans ma t\u00eate<\/p>

        <\/p>","label":"

 La joyeuse aventure de l\u2019infini<\/i>, Gabin<\/p>"},{"id":2878,"type":2,"content":"

 <\/p>

Je pars.
J<\/strong>e prends toutes mes affaires favorites
je laisse le conservatoire avec mes devoirs de FM
j\u2019emm\u00e8ne avec moi mes souvenirs
je vais dans le pays que j\u2019admire<\/p>

la Cor\u00e9e du Sud
bien s\u00fbr je prends Get<\/p>

qui est maintenant fant\u00f4me,
je prends mes chiens pour me porter bonheur<\/p>


Je<\/strong> vais rencontrer mes IDOLES.<\/p>

 <\/strong><\/p>","label":"

La Cor\u00e9e<\/i>, Leia<\/p>"},{"id":2861,"type":2,"content":"

 <\/p>

C\u2019est bient\u00f4t l\u2019heure de partir<\/p>

Je pars en Cor\u00e9e du sud<\/p>

J\u2019emm\u00e8ne F\u00e9lix pour faire des photos<\/p>

V\u00e9nus pour faire des balades<\/p>

Alpha parce que c\u2019est mon chachou<\/p>

J\u2019emm\u00e8ne mes meilleures amies :<\/p>

Lucie, Lola, Lyly, Cl\u00e9o et Lise<\/p>

Ruka pour m\u2019expliquer la langue<\/p>

Millie Bobby Brown pour m\u2019expliquer aussi<\/p>

 <\/p>

Je laisse derri\u00e8re moi<\/p>

mes devoirs de FM<\/p>

       <\/strong><\/p>","label":"

Apolline<\/p>"},{"id":2879,"type":2,"content":"

   <\/p>

Je prends un appareil photo<\/p>

ma boite \u00e0 souvenirs<\/p>

j\u2019emm\u00e8ne mon chien.<\/p>

                               <\/p>

Je me souviens d\u2019un voyage en Italie<\/p>

 Je me souviens de la tour de Pise<\/p>

 Je me souviens de la tour de Ceasar<\/p>

 de l\u2019h\u00f4tel avec son petit d\u00e9jeuner<\/p>

 des rues \u00e9troites et hautes.<\/p>

                               <\/p>

 J\u2019ai amen\u00e9 dans ma bo\u00eete \u00e0 souvenirs<\/p>

 un magnet pour ma collection,<\/p>

 une boule \u00e0 neige.<\/p>

                        <\/p>

Je laisse derri\u00e8re moi<\/p>

mes cours<\/p>

tous mes cahiers<\/p>

                              <\/p>","label":"

Un grand voyage en Italie<\/i>, Timoth\u00e9<\/p>"},{"id":2880,"type":2,"content":"


Salam aleykoum<\/i><\/p>

\u00e7a veut dire bonjour en arabe
Mes endroits pr\u00e9f\u00e9r\u00e9s sont Aknoul et Taza
Aknoul est un village que j'aime beaucoup
J'y ai deux maisons qui sont presque coll\u00e9es
Il y a \u00e0 peu pr\u00e8s 10 m\u00e8tres entre les deux
Elles sont grandes Et il y a un stah<\/i>
C'est comme un balcon sur le toit
d\u2019o\u00f9 on peut voir<\/p>

    de grosses montagnes
    <\/strong>et des rivi\u00e8res<\/p>

            <\/strong><\/p>","label":"

Le Maroc<\/i>, Mohamed-Amine<\/p>"},{"id":2881,"type":2,"content":"

 <\/p>

Je rentre dans mes chaussures<\/span><\/p>

Je rentre dans les chaussures de Mohamed-Amine<\/p>

Je rentre dans les TN<\/p>

Je vais dans les chaussures d\u2019Imran F<\/p>

Je vole les pieds de Imran B<\/p>

Apr\u00e8s, je vole les pieds de No\u00e9<\/p>

Je vole les pieds d\u2019Hassan<\/p>

Puis je prends mes jambes \u00e0 mon cou<\/p>

je mets des chaussettes<\/p>

Et je choisis mes chaussures<\/p>

J\u2019en ai tellement que je ne sais pas quoi mettre.<\/p>

J\u2019ai des New Balance<\/p>

des TN<\/p>

des Nike,<\/p>

des palmes<\/p>

des claquettes<\/p>

des Pumas<\/p>

des Asics,<\/p>

 des chaussons.<\/p>

Je les aime toutes.<\/p>

 <\/p>","label":"

Yassir<\/p>"},{"id":2882,"type":2,"content":"

 <\/p>

voyager dans les m\u00e9caniques<\/p>

 <\/p>

voyager dans la lumi\u00e8re,<\/p>

 <\/p>

j\u2019ai teint la lumi\u00e8re<\/p>

         <\/strong><\/p>","label":"

No\u00e9<\/p>"},{"id":2862,"type":2,"content":"

 <\/p>

Il existe plusieurs continents<\/p>

et aucun n\u2019est pareil<\/p>

chaque continent a sa propre culture<\/p>

chaque continent a sa propre langue<\/p>

sur chaque continent, sa fa\u00e7on de s\u2019habiller<\/p>

et sa mani\u00e8re de faire les choses,<\/p>

mais une seule chose les r\u00e9unit,<\/p>

c\u2019est le soleil qui \u00e9claire la terre enti\u00e8re<\/p>

et la lune l\u2019obscurit\u00e9<\/p>

          <\/strong><\/span><\/p>","label":"

Loay  <\/p>"},{"id":2863,"type":2,"content":"

 <\/p>

Ma maison sera vide<\/p>

Ma chambre sera rang\u00e9e<\/p>

Je laisse mes devoirs non faits<\/p>

Ma ville sera intacte<\/p>

J\u2019emm\u00e8ne Desserty<\/p>

Sa beaut\u00e9 m\u2019accompagne<\/p>

Je prends mes mangas<\/p>

Pour le plaisir qu\u2019ils procurent<\/p>

J\u2019emm\u00e8ne mon chat Alpha<\/p>

Il compte tellement pour moi<\/p>

Mes meilleur(e)s ami(e)s m\u2019accompagnent<\/p>

 <\/p>

Avec tout \u00e7a je me prom\u00e8nerai au Japon<\/p>

J\u2019observerai les cerisiers<\/p>

Je go\u00fbterai \u00e0 toute la nourriture \u00e0 disposition<\/p>

Je lirai plein de mangas<\/p>

Je me perdrai dans la langue japonaise<\/p>

          <\/p>","label":"

Po\u00e8me de Voyage<\/i>, Jeanne<\/p>"},{"id":2864,"type":2,"content":"

 <\/p>

La Cor\u00e9e est un endroit<\/p>

o\u00f9 il y a de la musique appel\u00e9e K-Pop<\/p>

et beaucoup de K-drama<\/p>

et beaucoup de choses encore,<\/p>

comme la K-Fashion<\/p>

 <\/p>

Il y a tous les styles de musique<\/p>

en fait<\/p>

et des films et des s\u00e9ries<\/p>

et l\u2019obsession de la mode<\/p>

et du maquillage<\/p>

et des jeux<\/p>

 <\/p>

pleins de choses auxquelles on ajoute un K<\/p>

Pour Korea<\/p>

 <\/p>","label":"

Insaf<\/p>"},{"id":2865,"type":2,"content":"

 <\/p>

Au fond de l\u2019eau, aucune lumi\u00e8re<\/p>

 <\/p>

Un poisson-lanterne m\u2019\u00e9claire<\/p>

et je vois tout ce qui est l\u00e0-dessous<\/p>

 <\/p>

tout le monde pense que<\/p>

sous l\u2019eau, c\u2019est terrifiant,<\/p>

mais c\u2019est tr\u00e8s beau et tr\u00e8s bleu<\/p>

 <\/p>

Je marche sous le ventre des poissons<\/p>

Ceux-ci s\u2019\u00e9loignent de moi<\/p>

Et tr\u00e8s vite la lumi\u00e8re se dilue<\/p>

Jusqu\u2019\u00e0 ce qu\u2019un requin m\u2019attaque<\/p>

 <\/p>

Et alors, la lumi\u00e8re dispara\u00eet tout \u00e0 fait<\/p>

   <\/strong><\/p>","label":"

Imran B.<\/p>"},{"id":2866,"type":2,"content":"

 <\/p>

C\u2019est bient\u00f4t l\u2019heure de partir en Alg\u00e9rie<\/p>

je laisse derri\u00e8re moi ma maison<\/p>

J\u2019emm\u00e8ne ma grande s\u0153ur,<\/p>

mon grand fr\u00e8re, ma cousine,<\/p>

mon cousin, mes copines et<\/p>

ma grand-m\u00e8re<\/p>

 <\/p>

Je n\u2019emm\u00e8ne pas mon grand-p\u00e8re<\/p>

son cercueil<\/p>

lui est au Maroc<\/p>

        <\/strong><\/p>","label":"

Souka\u00efna<\/p>"},{"id":2867,"type":2,"content":"

 <\/p>

Nous pouvons voyager<\/p>

en mangeant<\/p>

 tout simplement,<\/p>

 <\/p>

 \u00e7a nous rappelle le pays,<\/p>

ses merveilles,<\/p>

juste en mangeant<\/p>

 <\/p>

nous pouvons voyager<\/p>

juste en d\u00e9gustant des plats<\/p>

 <\/p>

nous pouvons nous retrouver<\/p>

dans n\u2019importe quel pays,<\/p>

les papilles illumin\u00e9es<\/p>

et voyager \u00e0 travers le monde.<\/p>

 <\/p>

quand nous avons fini,<\/p>

nous laissons derri\u00e8re nous<\/p>

la vaisselle, les couverts,<\/p>

 <\/p>

souvenirs et trace de joie<\/p>

 <\/p>","label":"

Un voyage pas comme les autres<\/i>, Amira<\/p>"},{"id":2868,"type":2,"content":"

 <\/strong><\/p>

Je t\u2019emm\u00e8ne dans ma salle de fran\u00e7ais<\/p>

plus pr\u00e9cis\u00e9ment la salle dix<\/p>

 <\/p>

dans cette salle, il y a<\/p>

la couleur de la mer sur les murs<\/p>

au-dessus, les nuages blancs<\/p>

des pages et des pages<\/p>

des oiseaux de passage,<\/p>

 <\/p>

le soleil est \u00e9lectrique,<\/p>

les radiateurs nous r\u00e9chauffent<\/p>

 <\/p>

ma partie pr\u00e9f\u00e9r\u00e9e est la porte<\/p>

on la passe<\/p>

apr\u00e8s un bruit sourd<\/p>

           <\/strong><\/p>","label":"

Dans ma salle 10<\/i>, Imran F.<\/p>"},{"id":2885,"type":1,"imageIds":[4061]},{"id":2734,"type":1,"imageIds":[3914]},{"id":2735,"type":1,"imageIds":[3915]},{"id":2736,"type":1,"imageIds":[3916]},{"id":2739,"type":5,"fileUrl":"\/resources\/files\/file_688baede438d4.pdf"},{"id":2740,"type":5},{"id":2762,"type":5,"fileUrl":"\/resources\/files\/file_688baf22ed4ce.pdf"},{"id":2763,"type":1,"imageIds":[3936]},{"id":2765,"type":1,"imageIds":[3937]},{"id":2766,"type":1,"imageIds":[3938]},{"id":2764,"type":8,"duration":591,"soundId":"2138870490"},{"id":2723,"type":1,"imageIds":[3909]},{"id":2724,"type":1,"imageIds":[3910]},{"id":2767,"type":5,"fileUrl":"\/resources\/files\/file_688a14cec5c57.pdf"},{"id":2746,"type":2,"content":"

 <\/p>

Je dors.<\/p>

J'entends un moustique : ZZZZZZZZZZZ<\/strong>.<\/p>

Je descens les escaliers.<\/p>

Je mange un bol de c\u00e9r\u00e9ales : slurp slurp<\/i>.<\/p>

Je fais tomber mon bol de c\u00e9r\u00e9ales : Pong Pong Pong<\/strong>.<\/p>

Je glisse : Zip Zip<\/strong>.<\/p>

 <\/p>","label":"

Maria<\/p>"},{"id":2747,"type":2,"content":"

 <\/p>

L'\u00e9cole c'est long<\/p>

ennuyant<\/p>

r\u00e9p\u00e9titif<\/p>

interminable<\/p>

L'\u00e9cole c'est long<\/p>

On passe notre temps \u00e0 regarder le ciel<\/p>

Et on r\u00eave<\/p>

On r\u00eave longuement<\/p>

On sursaute quand on nous r\u00e9veille<\/p>

Et on replonge<\/p>

Le cours se termine<\/p>

C'est la r\u00e9cr\u00e9ation<\/p>

On sort avec nos amis<\/p>

Car \u00eatre seul<\/p>

C'est g\u00eanant<\/p>

On fait sort dans la cour<\/p>

On rejoint notre groupe d'amis<\/p>

On discute de tout<\/p>

On discute de rien<\/p>

Mais on ne doit pas dire ce qu'on pense vraiment<\/p>

Parce-que sinon c'est g\u00eanant<\/p>

Parce-que sinon on nous hait<\/p>

Et on n'a plus d'amis<\/p>

Car \u00eatre seul<\/p>

C'est g\u00eanant<\/p>

Et on nous juge<\/p>

Et apr\u00e8s on est triste<\/p>

Mais faut pas le montrer<\/p>

Car sinon c'est g\u00eanant<\/p>

Et \u00e7a empire<\/p>

On doit pas montrer qu'on est faible<\/p>

On doit pas \u00eatre gentil<\/p>

Mais pas trop m\u00e9chant non plus<\/p>

Car sinon on nous hait<\/p>

On dit qu'on a pas de personnalit\u00e9<\/p>

Qu'on est des PNJ<\/p>

Et qu'on est des bouffons<\/p>

Et \u00e7a<\/p>

\u00c7a fait mal<\/p>

Parce-que c'est pas vrai<\/p>

Et on finit tout seul<\/p>

Et c'est g\u00eanant<\/p>

Et on nous juge<\/p>

Fort<\/p>

Beaucoup<\/p>

Souvent<\/p>

Non tout le temps en faite<\/p>

Et il faut garder la pause<\/p>

Face au<\/p>

Regard de la cour<\/p>

 <\/p>","label":"

L'\u00e9cole<\/i>, Romane<\/p>"},{"id":2748,"type":2,"content":"

 <\/p>

Je sors dehors et je vois un corps : ouf. J\u2019appelle les secours. Ils arrivent pimpon pimpon. Les pompiers le chatouillent pour v\u00e9rifier s\u2019il est mort guiliguili.<\/p>

 <\/p>","label":"

Onomatop\u00e9es<\/i>, Abel<\/p>"},{"id":2749,"type":2,"content":"

 <\/p>

J'aper\u00e7ois un cheval.<\/p>

Je monte dessus : Tagada<\/strong>.<\/p>

Je tombe du cheval : boum boum<\/strong>.<\/p>

Je suis d\u00e9go\u00fbt\u00e9 : ARGHARGH<\/strong>.<\/p>

 <\/p>","label":"

Maria<\/p>"},{"id":2750,"type":2,"content":"

 <\/p>

L\u00e0-bas, l\u00e0-bas o\u00f9 les plats sont cors\u00e9s mais o\u00f9 ici, tout est doux, l\u00e0-bas o\u00f9 les plages sont claires et ici o\u00f9 elles sont fonc\u00e9es. L\u00e0-bas o\u00f9 les cactus font ravage et l\u00e0, o\u00f9 il y a quelques roses, l\u00e0-bas o\u00f9 la capitale est pollu\u00e9e et ici o\u00f9 elle l\u2019est moins. L\u00e0-bas o\u00f9 il y a des sombreros et ici o\u00f9 il y a seulement quelques chapeaux. Le Mexique, le pays des tacos en U.<\/p>

 <\/p>","label":"

L\u00e0-bas<\/i>, Abel<\/p>"},{"id":2751,"type":2,"content":"

 <\/p>

Je fais guili guili<\/i> \u00e0 ma s\u0153ur.<\/p>

Elle tombe : boum boum<\/strong>.<\/p>

J'appel les pompiers : PIN PON<\/strong>.<\/p>

 <\/p>","label":"

Maria<\/p>"},{"id":2745,"type":1,"imageIds":[3934]},{"id":2752,"type":5,"fileUrl":"\/resources\/files\/file_6884d0b307191.pdf"},{"id":2725,"type":2,"content":"

 <\/p>

Go\u00fbter la poussi\u00e8re d\u2019\u00e9toiles<\/p>

Go\u00fbter les \u00e9toiles<\/p>

D\u00e9guster la lune<\/p>

Croquer la galaxie<\/p>

Mordre les constellations<\/p>

M\u00e2chouiller les nuages<\/p>

L\u00e9cher les nuages<\/p>

Savourer le ciel<\/p>

Aspirer les plan\u00e8tes<\/p>

Avaler le feu<\/p>

Manger les satellites<\/p>

Mastiquer le paradis<\/p>

 <\/p>","label":"

Po\u00e8me collectif 1<\/i><\/p>"},{"id":2726,"type":2,"content":"

 <\/p>

Cracher notre col\u00e8re<\/p>

Cracher sa tendresse<\/p>

L\u00e9cher sa gourmandise<\/p>

Mastiquer les id\u00e9es blanches de lumi\u00e8re<\/p>

Fermer les trous noirs<\/p>

 <\/p>","label":"

Po\u00e8me collectif 2<\/i><\/p>"},{"id":2727,"type":2,"content":"

 <\/p>

5. Mets tous les po\u00e8mes que tu as choisis dans la casserole,<\/p>

Y compris les arobases ou le titre<\/p>

 <\/p>

6. Verse les pages dans la casserole<\/p>

jusqu\u2019\u00e0 recouvrir les<\/p>

minuscules<\/p>

 <\/p>

7. Ajoute la pur\u00e9e de lettres,<\/p>

le tiret et les adjectifs<\/p>

 <\/p>

M\u00e9lange bien.<\/p>

 <\/p>","label":"

Recette de Lana<\/i><\/p>"},{"id":2728,"type":2,"content":"

 <\/p>

1. Taille les feuilles de lettres, de tirets<\/p>

ou de mots en petits bouts<\/p>

et lave-les dans la passoire<\/p>

 <\/p>

Choisis ce dont tu as envie<\/p>

 <\/p>

2. Equeute les pages vertes lav\u00e9es<\/p>

et coupe-les en morceaux<\/p>

 <\/p>

3. P\u00e8le les mots et coupe-les en rondelles<\/p>

 <\/p>

4. Dans la grande casserole,<\/p>

fais fondre le livre et<\/p>

mets des histoires \u00e9minc\u00e9es \u00e0 dorer<\/p>

 <\/p>","label":"

Fondant de livre<\/i><\/p>"},{"id":2729,"type":2,"content":"

 <\/p>

1. Mets les majuscules dans la passoire et<\/p>

remue-les \u00e0 l\u2019eau froide.<\/p>

Egoutte-les, puis transf\u00e8re-les<\/p>

dans le grand saladier<\/p>

 <\/p>

2. Verse la virgule sur les majuscules,<\/p>

m\u00e9lange bien et laisse-les mariner<\/p>

pendant au moins 1h<\/p>

 <\/p>

3. Fais tremper les guillemets dans l\u2019eau froide<\/p>

pendant au moins 30 min<\/p>

 <\/p>

4. Enfile soigneusement les majuscules<\/p>

sur les guillemets et \u00e9tale-les sur<\/p>

la plaque de cuisson<\/p>

 <\/p>

5. Fais cuire les majuscules au four<\/p>

pendant 20 min ou<\/p>

le temps qu\u2019elles soient tendres.<\/p>

 <\/p>","label":"

K\u00e9bab de mots \u00e9pic\u00e9s<\/i><\/p>"},{"id":2730,"type":2,"content":"

 <\/p>

1. Mets tous les points rouges<\/p>

dans le grand saladier et ajoute les mots<\/p>

 <\/p>

2. Verse deux cuill\u00e8res \u00e0 soupe de lettres<\/p>

au fond de chaque verre<\/p>

 <\/p>

3. Ajoute une cuill\u00e8re \u00e0 glace de crochets<\/p>

sur les majuscules<\/p>

 <\/p>

4. R\u00e9partis les minuscules sur les points-virgules<\/p>

 <\/p>","label":"

Beignets  de crochets<\/i><\/p>

 <\/p>"},{"id":2731,"type":2,"content":"

 <\/p>

1. Mets les esperlu\u00e8tes froides dans la passoire<\/p>

et rince-les \u00e0 l\u2019eau froide (pas besoin de le faire<\/p>

si elles sont surgel\u00e9es<\/p>

 <\/p>

2. M\u00e9lange-les avec le point-virgule blanc<\/p>

dans le grand saladier<\/p>

 <\/p>

3. Beuure le plat de cuisson<\/p>

avant d\u2019y verser le m\u00e9lange<\/p>

 <\/p>

4. Dans un petit saladier, vers les arobases,<\/p>

le roman, la parenth\u00e8se, la lettre,<\/p>

le point et une ponctuation<\/p>

 <\/p>","label":"

Recette du biscuit tout bleu au roman tartin\u00e9<\/i><\/p>"},{"id":2732,"type":2,"content":"

 <\/p>

 1. Dans le saladier de taille moyenne, bats ensemble<\/p>

des mots et des phrases jusqu\u2019\u00e0 obtenir<\/p>

un m\u00e9lange cr\u00e9meux<\/p>

 <\/p>

2. Ajoute le point et les virgules,<\/p>

et bats \u00e0 nouveau<\/p>

 <\/p>

3. Dans le grand saladier, m\u00e9lange les lettres, la page,<\/p>

la sauce de l\u00e9gende, le titre<\/p>

les po\u00e8mes et les livres secs.<\/p>

 <\/p>

D\u00e9guste !<\/p>

 <\/p>","label":"

Les rondel\u00e9s de mots aux raisins<\/i><\/p>"},{"id":2733,"type":2,"content":"

 <\/p>

 1. M\u00e9lange toutes les phrases dans le grand saladier<\/p>

 <\/p>

2. Ajoute les points d\u2019interrogation,<\/p>

les lettres, les virgules et<\/p>

m\u00e9lange bien de nouveau<\/p>

 <\/p>

3. Fais boullir le papier dans la grande casserole.<\/p>

 <\/p>

4. Ajoutes-y les majuscules et<\/p>

laisse cuire 8 \u00e0 10 minutes<\/p>

 <\/p>

R\u00e9galez-vous !<\/p>

 <\/p>","label":"

Craquantes coquilles aux phrases<\/i><\/p>"},{"id":2795,"type":8,"label":"

Extrait de la lecture du 18 d\u00e9cembre au Cipm de l'atelier Po\u00e9sie Aujourd\u2019hui avec Arno Calleja et la classe de seconde du Lyc\u00e9e Cit\u00e9 scolaire internationale Jacques Chirac \u00e0 Marseille.<\/p>","duration":1912,"soundId":"2140757403"},{"id":2883,"type":5,"fileUrl":"\/resources\/files\/file_69b9795505915.pdf"},{"id":2884,"type":4,"fileUrl":"\/resources\/files\/file_69b97a7ee1fb7.mp3","duration":528},{"id":2768,"type":2,"content":"

 <\/p>

Salle de danse<\/i><\/p>

Cette salle inspire et transpire<\/p>

La musique r\u00e9sonne dans<\/p>

Chaque coin de la salle<\/p>

Elle est lumineuse avec<\/p>

De grands miroirs et<\/p>

Une \u00e9norme enceinte<\/p>

Avec cette musique hip-hop<\/p>

Qui donne envie de bouger<\/p>

Il y\u2019a une odeur de sueur<\/p>

Avec des danseurs fatiguer<\/p>

Des fen\u00eatres ouvertes avec<\/p>

Un courant d\u2019air, discret mais pr\u00e9sent<\/p>

On entend les bruits de chaussures<\/p>

Se frottant au sol. Ainsi que le<\/p>

Bruit du vent bousculer par les<\/p>

Figures des danseurs.<\/p>

Les bouteilles d\u2019eau quasiment vide<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Le stylo \u00e9crit<\/strong><\/i><\/p>

Le stylo \u00e9crit ainsi va la vie nous<\/p>

Serons unis, pour la vie. Car oui je<\/p>

Suis ici, tu es ici, on \u00e9crit pour<\/p>

Nos vies qui se finissent aujourd\u2019hui.<\/p>

Le stylo \u00e9crit les rimes et les nuits.<\/p>

Il vous dit, je vie la vie, et oui<\/p>

Je serais ici aujourd\u2019hui, lundi<\/p>

Mardi, Jeudi, Vendredi et Samedi.<\/p>

Le stylo \u00e9crit l\u2019\u00e9ternel infini\u2026<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Je d\u00e9cide ma vie<\/strong><\/i><\/p>

Je d\u00e9cide ma vie car aujourd\u2019hui<\/p>

Je suis ici, mais demain peut-\u00eatre<\/p>

Pas. La vie est dure car oui ce n\u2019est<\/p>

Pas facile de vivre sa vie quand tout<\/p>

Te fascine. C\u2019est-\u00e0-dire de ne pas se<\/p>

Poser des questions et y aller. Pour<\/p>

Ne pas rater de jolies histoires \u00e0 raconter.<\/p>

Et de ne pas se d\u00e9cevoir en ayant pas v\u00e9cu<\/p>

Ce que tu aurais d\u00fb vivre. Car aujourd\u2019hui<\/p>

Je d\u00e9cide de ma vie et je ne compte pas m'enfuir.<\/p>

 <\/p>","label":"

Rose<\/p>"},{"id":2769,"type":2,"content":"

 <\/p>

Le tonnerre gronde<\/strong><\/i><\/p>

Le tonnerre gronde son enfant<\/p>

Le tonnerre rassure son enfant<\/p>

Le tonnerre fait des \u00e9clairs<\/p>

Le tonnerre fait peur<\/p>

Le tonnerre fait des accidents<\/p>

Le tonnerre fait tomber les arbres<\/p>

Le tonnerre fait \u00e9clater les pneus<\/p>

 <\/p>

\u2014<\/strong><\/p>

 <\/p>

Garage<\/strong><\/i><\/p>

Plein de voitures d\u00e9mont\u00e9es, ouvertes pr\u00eates \u00e0 \u00eatre r\u00e9par\u00e9es. Des mat\u00e9riaux de m\u00e9canicien, des bruits de moteur r\u00e9sonne dans la pi\u00e8ce, l\u2019odeur de l\u2019essence m\u00e9lang\u00e9e \u00e0 d\u2019autres produits chimiques qui passent sous le nez. L\u2019air chaud se fait sentir dans la pi\u00e8ce. Des clients discutent avec des m\u00e9caniques, la radio se met en marche avec des outils entre les mains, les mains de couleur noir salissant, et puis cette salopette large remplie de sueur.<\/p>

 <\/p>

\u2014<\/strong><\/p>

 <\/p>

Je saute dans le vide<\/strong><\/i><\/p>

Seule dans le noir, je repense \u00e0 tout.<\/p>

Marcher seule dans le vide sans le savoir.<\/p>

Je saute dans le vide sans rien voir.<\/p>

Je fais face \u00e0 ce grand couloir.<\/p>

Des larmes coulantes, sans avoir de mouchoirs.<\/p>

Je saute dans le vide sans lueur d\u2019espoir.<\/p>

Je pars sans me retourner. Au revoir.<\/p>

 <\/p>","label":"

L.M<\/p>"},{"id":2770,"type":2,"content":"

 <\/p>

 LA CELLULE<\/i><\/p>

Allong\u00e9 sur ce lit superpos\u00e9<\/p>

R\u00e9fl\u00e9chissant a un avenir meilleur<\/p>

Cette ambiance morose<\/p>

M\u00e9lang\u00e9 a cette odeur de renferm\u00e9<\/p>

Une table et une chaise sans plus<\/p>

C\u2019est barreau qui emp\u00eache la lumi\u00e8re d\u2019entrer<\/p>

Ce cod\u00e9tenu assis limite affal\u00e9 sur la table<\/p>

Ecrivant une lettre a sa bien aim\u00e9e<\/p>

Depuis cette cellule plong\u00e9e dans l\u2019obscurit\u00e9<\/p>

Les larmes coulantes sur ces joues<\/p>

Plus de marche arri\u00e8re<\/p>

Ces erreurs resteront pour toujours<\/p>

 <\/p>

\u2014<\/p>

                                                                                                                                          <\/p>

TU DANSES TOUTE SEULE<\/i><\/p>

Tu danses toute seule<\/p>

Tu voyages toute seule<\/p>

Tu manges toute seule<\/p>

Tu vis toute seule<\/p>

Tu dors toute seule<\/p>

Tu rigoles toute seule<\/p>

Tu marches toute seule<\/p>

Et au final t\u2019es mieux toute seule.<\/p>

 <\/p>

\u2014<\/p>

   <\/p>

LE VENT SOUFFLE<\/i><\/p>

Le vent souffle<\/p>

Le vent souffle sur moi<\/p>

Le vent m\u2019essouffle<\/p>

Je souffle sur le vent<\/p>

Le vent me pousse<\/p>

Le vent me porte<\/p>

Le vent souffle en moi<\/p>

Le vent volatil dans l\u2019air<\/p>

Le vent ventile sur les arbres<\/p>

Je m\u2019envole avec le vent<\/p>

 <\/p>","label":"

A.A<\/p>"},{"id":2771,"type":2,"content":"

 <\/p>

Le temps aura-t-il raison de nous<\/i><\/p>

L\u2019heure tourne mais mes pense son toujours Orient\u00e9 vers lui. Lui qui est si lent mais si press\u00e9 \u00e0 la fois Il a fait son choix mais il ne veut blesser aucune. Je patiente mais combien de temps dois-je encore attendre. Il est si sur de ses choix mais si perdu \u00e0 la fois, \u00e0 ce stade l\u00e0 le temps nous s\u00e9parera \u2026. Le temps a eu raison de nous\u2026<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Piece vide<\/i><\/p>

Une pi\u00e8ce noire, pas de bruit sans aucune pr\u00e9sence humaine a par nous. Aucune lueur d\u2019espoir, pas d\u2019odeur, tr\u00e8s neutre accompagn\u00e9 d\u2019un air frais proviennent du sol froid. Seul dans les penses en remuant le pass\u00e9, pensent qui a faut\u00e9 ? Tellement sombre qu\u2019on ne voit pas la grandeur de la pi\u00e8ce. Pour seul lumi\u00e8re des pens\u00e9es et des regrets inachev\u00e9s.   <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

Dans le noir<\/i><\/p>

Tu danses dans le noir<\/p>

Pour oublier tes id\u00e9es noires<\/p>

Sans craindre leurs regards<\/p>

A ton \u00e9gard<\/p>

 <\/p>","label":"

Ella<\/p>"},{"id":2772,"type":2,"content":"

 <\/p>

Carr\u00e9 de lumi\u00e8re<\/i><\/p>

L\u2019aube douce \u00e9claire tout<\/p>

L\u2019ombre dance sur le mur<\/p>

L\u2019air l\u00e9ger caresse l\u2019\u00e2me<\/p>

L\u2019heure s\u2019\u00e9tire comme soie<\/p>

 <\/p>

Douce lumi\u00e8re claire lueur<\/p>

Douce pri\u00e8re ch\u00e8re lumi\u00e8re<\/p>

Lente rivi\u00e8re vive lumi\u00e8re<\/p>

Lente mani\u00e8re vive pri\u00e8re<\/p>

 <\/p>

\u2014<\/p>

 <\/p>

INSOCIABLE<\/i><\/p>

Insociable que je suis<\/p>

Mon regard d\u00e9sesp\u00e9rer<\/p>

Je r\u00eavasse dans cette classe<\/p>

Cette fen\u00eatre ma porte de sortie <\/span><\/p>

 <\/p>","label":"

Ibn Youssef Ben Mabrouk<\/p>"},{"id":1027,"type":3,"videoId":"777417182","duration":1921},{"id":784,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/891_20121016153711.mp3","label":"Po\u00e9sie c'est","duration":201},{"id":2298,"type":5,"fileUrl":"\/resources\/files\/file_66a3b3b2591e9.pdf"},{"id":2297,"type":1,"imageIds":[3590]},{"id":595,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/696_20110329173317.pdf","label":"Po\u00e9sieRock [4 pages]"},{"id":1093,"type":3,"videoId":"866924303","label":"

Conf\u00e9rence de St\u00e9phane Baquey<\/p>

Samedi 16 septembre 2023<\/p>","duration":3717},{"id":2469,"type":1,"imageIds":[3837]},{"id":357,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/453_20090707172829.mp3","label":"Porridge \/ Le contenu d'une saccoche en cuir","duration":210},{"id":1009,"type":1,"imageIds":[3219]},{"id":601,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/702_20110412153311.mp3","label":"Portrait de Manse en Sainte-Victoire molle (extrait)","duration":198},{"id":2915,"type":1,"imageIds":[4067]},{"id":20,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/28_20061020142012.mp3","label":"Postkarten - Lecture dans le cadre d'une manifestation organis\u00e9e en collaboration avec le Goupe de Musique Exp\u00e9rimentale de Marseille, le 9 avril 1998.\r\nExtrait de Postkarten<\/i>, L'\u00e2ge d'homme, 1985.","duration":46},{"id":769,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/876_20120824174827.mp3","label":"Pour Adriano Spatola","duration":229},{"id":391,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/488_20090925173717.mp3","label":"Pour chaque texte [...] sont donn\u00e9s l'appareil documentaire [...] et la notice analytique","duration":158},{"id":632,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/734_20110830145253.mp3","label":"Pour les palais...","duration":221},{"id":423,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/520_20100108173159.mp3","label":"Pour verser ce liquide...","duration":156},{"id":2025,"type":2,"content":"


Mon r\u00e9veil sonne<\/span><\/p>

Mes yeux s\u2019ouvrent<\/span><\/p>

Je m\u2019\u00e9tire et r\u00e9cup\u00e8re mon t\u00e9l\u00e9phone<\/span><\/p>

 <\/p>","label":"

 La journ\u00e9e, Mathys<\/p>"},{"id":2036,"type":2,"content":"

 <\/p>

Je vais en atelier<\/span><\/p>

Poncer et nettoyer<\/span><\/p>

Monsieur Petriot me dit de tout ranger<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Alex<\/p>"},{"id":2037,"type":2,"content":"

 <\/p>

Je rentre chez moi<\/span><\/p>

En prenant le m\u00e9tro<\/span><\/p>

J\u2019arrive devant ma porte je sors ma cl\u00e9<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Zakaria<\/p>"},{"id":2038,"type":2,"content":"

 <\/p>

Je prends mon go\u00fbter<\/span><\/p>

Apr\u00e8s \u00eatre rentr\u00e9<\/span><\/p>

Chez moi apr\u00e8s avoir eu une dure journ\u00e9e<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Kaled<\/p>"},{"id":2039,"type":2,"content":"

 <\/p>

Je vais dans ma chambre<\/span><\/p>

Pour me reposer<\/span><\/p>

Et me divertir avec mon t\u00e9l\u00e9phone<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Titouan<\/p>"},{"id":2040,"type":2,"content":"

 <\/p>

Ce soir je cuisine<\/span><\/p>

Pour la famille<\/span><\/p>

Je les appelle tous pour se r\u00e9unir <\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Sette<\/p>"},{"id":2041,"type":2,"content":"

 <\/p>

On mange en famille<\/span><\/p>

Ce d\u00e9licieux plat<\/span><\/p>

De p\u00e2tes carbonara<\/span><\/p>

 <\/p>"},{"id":2042,"type":2,"content":"

 <\/p>

Apr\u00e8s mes parties<\/span><\/p>

J\u2019\u00e9teins mon PC<\/span><\/p>

Je vais dans mon lit je ferme mes yeux<\/span><\/p>

 <\/p>"},{"id":2043,"type":2,"content":"

 <\/p>

Une longue distance, et un temps court, le regard per\u00e7ant qui me d\u00e9vore des yeux. <\/span><\/p>

Je d\u00e9cide de m\u2019avancer lui parler, j\u2019ai entendu sa voix douce et tendre, qui m\u2019a fait tomber amoureux. <\/span><\/p>

Je lui demande son num\u00e9ro pour que, plus tard, nous allions boire un verre. <\/span><\/p>

Apr\u00e8s cette douce rencontre, cette belle colombe, je repense \u00e0 son ombre qui illumine mes nuits. <\/span><\/p>

\u00ab Viens ce soir on se voit pour mieux se conna\u00eetre. \u00bb<\/span><\/p>

Je la ram\u00e8ne au resto elle me fait la michto, elle a pris des p\u00e2tes \u00e0 la bolo. <\/span><\/p>

On se prom\u00e8ne dans un beau parc, elle me dit qu\u2019elle aime les fleurs, surtout les roses. <\/span><\/p>

J\u2019aper\u00e7ois un fleuriste, vers lequel on se dirige, je lui ach\u00e8te un bouquet de roses, je lui offre. <\/span><\/p>

Je la raccompagne chez elle. <\/span><\/p>

Devant chez elle, j\u2019embrasse ses chaudes l\u00e8vres. <\/span><\/p>

 <\/p>","label":"

Premier rendez-vous<\/p>"},{"id":2044,"type":2,"content":"

 <\/p>

 J\u2019ai pris ma Ferrari pour me rendre chez moi<\/span><\/p>

Ma voiture a \u00e9t\u00e9 r\u00e9par\u00e9e par amour<\/span><\/p>

J\u2019ai pris mon classe G Brabus pour aller rouler<\/span><\/p>

Je prends la voiture pour l\u2019amener en peinture<\/span><\/p>

Je vais au N\u00fcrburgring avec ma GT 40<\/span><\/p>

Je r\u00e9cup\u00e8re mon Hypercar dans le garage<\/span><\/p>

Je roule au circuit de N\u00fcrburgring pour le fun<\/span><\/p>

 <\/p>","label":"

ALEXANDRINS<\/p>"},{"id":2045,"type":2,"content":"

 <\/p>

Le soir tard je bois trop en pensant trop \u00e0 elle<\/span><\/p>

Dans les rues de ma ville il y a mon chagrin<\/span><\/p>

Peu importe o\u00f9 elle va avec le temps perdu<\/span><\/p>

Peu importe o\u00f9 il va je penserais toujours \u00e0 lui<\/span><\/p>

Dans la sombrure de ton c\u0153ur je trouve mon malheur<\/span><\/p>

Dans les rues de ma ville je traine la nuit sans c\u0153ur<\/span><\/p>

Dans les rues de ma ville je pense toujours \u00e0 elle  <\/span><\/p>

Perdu sans rien j\u2019erre toute la nuit sans fin<\/span><\/p>

 <\/p>","label":"

Dans la ville des c\u0153urs d\u00e9chir\u00e9s<\/p>"},{"id":2027,"type":2,"content":"


Je vais dans la cuisine<\/span><\/p>

Prendre mon d\u00e9jeuner<\/span><\/p>

Pour bien commencer la journ\u00e9e de lyc\u00e9e<\/span>
 <\/p>","label":"

La journ\u00e9e, Joris<\/p>"},{"id":2046,"type":2,"content":"

 <\/p>

Dans tes beaux cheveux doux je trouve satisfaction<\/span><\/p>

Dans l\u2019\u00e9ther noir tes cheveux s\u2019\u00e9tirent en volute<\/span><\/p>

Une cascade \u00e9b\u00e8ne qui entoure ton visage<\/span><\/p>

J\u2019ai perdu le doux souvenir de leur couleur <\/span><\/p>

La beaut\u00e9 de tes cheveux me fait chavirer<\/span><\/p>

Dans le brillant de tes cheveux je vois mon c\u0153ur<\/span><\/p>

Boucles dont je ne peux me passer de penser<\/span><\/p>

Tes cheveux tr\u00e8s soyeux caressent mon c\u0153ur <\/span><\/p>

 <\/p>","label":"

Cauchemar d\u2019un chauve<\/p>"},{"id":2028,"type":2,"content":"


Apr\u00e8s d\u00e9jeuner<\/span><\/p>

Brossage des dents<\/span><\/p>

Pour avoir une bonne haleine quand on parle<\/span>
 <\/p>","label":"

La journ\u00e9e, Denilsa<\/p>"},{"id":2029,"type":2,"content":"


Je sors de chez moi<\/span><\/p>

Je marche dehors<\/span><\/p>

Pour me diriger vers l\u2019arr\u00eat de bus<\/span>
 <\/p>","label":"

La journ\u00e9e, Abolilhahi<\/p>"},{"id":2030,"type":2,"content":"


Je sors de chez moi<\/span><\/p>

Je marche dehors<\/span><\/p>

Pour me diriger vers l\u2019arr\u00eat de bus<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Jordan<\/p>"},{"id":2031,"type":2,"content":"

 <\/span><\/p>

Qui se dirige<\/span><\/p>

Vers le lyc\u00e9e<\/span><\/p>

Je rentre dans le bus<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Karim<\/p>"},{"id":2032,"type":2,"content":"


Je sors mon carnet<\/span><\/p>

Pour le montrer au<\/span><\/p>

Surveillant pos\u00e9 devant le portail<\/span>
 <\/p>","label":"

La journ\u00e9e, Amas<\/p>"},{"id":2033,"type":2,"content":"


Je rejoins mes amis<\/span><\/p>

\u00c0 la r\u00e9cr\u00e9ation<\/span><\/p>

On \u00e9voque ensemble notre soir\u00e9e d\u2019hier<\/span>
 <\/p>","label":"

La journ\u00e9e, Salim<\/p>"},{"id":2034,"type":2,"content":"

 <\/p>

Pause d\u00e9jeuner<\/span><\/p>

Je mange un kebab<\/span><\/p>

Je le savoure le plus lentement possible<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Ilyes<\/p>"},{"id":2035,"type":2,"content":"

 <\/p>

Retour au lyc\u00e9e<\/span><\/p>

Je vais jouer a \u2013 <\/span><\/p>

vec ma professeur pr\u00e9f\u00e9r\u00e9e de fran\u00e7ais<\/span><\/p>

 <\/p>","label":"

La journ\u00e9e, Rayame<\/p>"},{"id":2026,"type":1,"imageIds":[3525]},{"id":103,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/144_20060321121738.mp3","label":"Prefab - in\u00e9dit, paru depuis (revu) dans Le Quartanier<\/i> n\u00b03\/4, 2005","duration":107},{"id":234,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/308_20080209165523.mp3","label":"Pr\u00e9face \u00e0 \u00ab Copier n'est pas jouer \u00bb","duration":954},{"id":847,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/958_20140415181635.mp3","label":"Pr\u00e9monition (extrait) - Etel Adnan - Lecture du 11 avril 2014\r\nVernissage de l'exposition Etel Adnan & The Post-Apollo Press","duration":404},{"id":536,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/635_20100729151110.mp3","label":"Pr\u00e9sentation de P.O.L","duration":333},{"id":192,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/252_20070825164517.mp3","label":"Pr\u00e9sentation des Cahiers de l'Adour","duration":251},{"id":543,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/642_20100902152352.mp3","label":"Pri\u00e8re \/ Mise en facteur","duration":179},{"id":2409,"type":2,"content":"

 <\/p>

une vie enti\u00e8re \u00e0 la recherche d\u2019un jumeau<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

le matin au r\u00e9veil d\u2019avril<\/span><\/p>

obscure au milieu de paysages gazeux<\/span><\/p>

 <\/span><\/p>

froide de cascades malgr\u00e9 les rubis chauds<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

l\u2019\u00e2me au crawl vers son noyau<\/span><\/p>

a l\u2019aile lourde<\/span><\/p>

 <\/span><\/p>

galope par corps et ab\u00eemes<\/span><\/p>

 <\/span><\/p>

cherchant juin<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

les fian\u00e7ailles se font mais se d\u00e9font<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

                \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

vagues de fleurs \u00e9mouss\u00e9es<\/span><\/p>

 <\/span><\/p>

les sanglots d\u2019avril s\u2019effacent sur juin a\u00e9rien<\/span><\/p>

 <\/span><\/p>

s\u2019all\u00e8ge la radiaire<\/span><\/p>

dans un cillement de ponctuations<\/span><\/p>

 <\/span><\/p>

 <\/span><\/p>

mais chaque jour la bague est \u00e0 refaire<\/span><\/p>

la r\u00e9surrection de qui n\u2019a jamais \u00e9t\u00e9<\/span><\/p>

 <\/span><\/p>

si tu enl\u00e8ves la peau du fruit<\/span><\/p>

affleurera une peau<\/span><\/p>

 <\/span><\/p>

qui n\u2019attend que nos mains<\/span><\/p>

 <\/span><\/p>","label":"

printemps cosmique<\/i>, <\/i>extrait de Juin sur avril <\/i>(\u00ab <\/i>Le double printemps \u00bb), dans Et puis, soudain, il carillonne [Selected 2005-2021], LansKine, 2023.<\/i><\/p>"},{"id":529,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/628_20100709154929.pdf","label":"Printemps des po\u00e8tes 2010 (jeunesse) [morceaux choisis]"},{"id":2395,"type":1,"imageIds":[3743]},{"id":2904,"type":1,"imageIds":[4085]},{"id":846,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/957_20140409174805.mp3","label":"Prog\u00e9nitures (extrait) - Pierre Guyotat - Extrait de Prog\u00e9nitures<\/i>\r\nLecture de Pierre Guyotat\r\nLe 15 septembre 2000\r\nau cipM<\/i>","duration":247},{"id":824,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/933_20130529181724.pdf","label":"Programme Pier Paolo Pasolini La force scandaleuse du pass\u00e9"},{"id":200,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/262_20070829134848.mp3","label":"Projet (M)W (suite)","duration":71},{"id":1297,"type":4,"fileUrl":"\/resources\/files\/file_65aaa7c0356f9.mp3","label":"

Barrett Watten \u2014 Prologue: The 1980s<\/i> from Bad History<\/i><\/p>

Dur\u00e9e : 03'01\" <\/p>","duration":181},{"id":763,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/870_20120707151057.mp3","label":"Promenade","duration":210},{"id":168,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/224_20070802162032.mp3","label":"Propositions d'activit\u00e9s - 5","duration":124},{"id":412,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/509_20091126175514.pdf","label":"Proses po\u00e9tiques - Po\u00e9sie 3D"},{"id":473,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/571_20100428181823.mp3","label":"Qu'est ce que je fais ici (extrait) [David Antin]","duration":277},{"id":428,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/525_20100119182435.mp3","label":"Quand l'\u00e9corce est un peu chaude - Lecture de la traduction fran\u00e7aise par Henri Deluy","duration":193},{"id":598,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/699_20110405180332.mp3","label":"Quand la femme n'est pas l\u00e0 (extrait) - Lecture de la traduction en fran\u00e7ais par \u00c9ric Giraud","duration":771},{"id":133,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/178_20061024155931.mp3","label":"Quand les mots abandonnent mon \u00e2me... [Patricia Runfola] - Texte de Particia Runfola , traduit en fran\u00e7ais par G\u00e9rard-George Lemaire, lu par Ana Becciu.\r\n","duration":167},{"id":418,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/515_20091203173458.mp3","label":"Quand vient la nuit, les \u00e9lectrons dansent","duration":134},{"id":387,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/484_20090910184606.mp3","label":"Quartiers de ON ! (extraits)","duration":244},{"id":2330,"type":2,"content":"

 <\/p>

On disait<\/p>

   ils fond\u00e8rent des cit\u00e9s<\/p>

d\u2019ocre et de blanc<\/p>

\u00e9difi\u00e8rent sur les p\u00e9ninsules<\/p>

        des acropoles.<\/p>

On dit<\/p>

ils furent contre le ciel<\/p>

    et les nu\u00e9es<\/p>

essaims de p\u00f4les`<\/p>

    et de blessures.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Puis l\u2019on chercha<\/p>

    le centre<\/p>

au creux des vall\u00e9es<\/p>

des parfums<\/p>

    copeaux de votre<\/p>

        \u00e9corce.<\/p>

Des humus    vous encore<\/p>

    \u00e0 demi<\/p>

dans la feuille s\u00e8che.<\/p>

Qui poursuivit<\/p>

    le sacrifice ?<\/p>

Enleva les yeux ?<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Qui tissa les<\/p>

fils des 4 univers ?<\/p>

Embrasa le signe ?<\/p>

Soudain chancellent<\/p>

    les jardins.<\/p>

Nous avions voulu<\/p>

    le pourpre<\/p>

        plus<\/p>

la br\u00fblure des paupi\u00e8res<\/p>

un jour \u00e0 consumer<\/p>

    et \u00e0 confondre.<\/p>

 <\/p>

 <\/p>

\u2014<\/p>

 <\/p>

 <\/p>

 Nous avions d\u00e9pos\u00e9<\/p>

des images d\u2019or<\/p>

    dans les stucs<\/p>

enferm\u00e9 le Verbe.<\/p>

D\u00e9clin\u00e9 des ocres<\/p>

    et des glacis<\/p>

pour que dure<\/p>

        un matin<\/p>

    sur votre tempe.<\/p>

 <\/p>","label":"

Quatre po\u00e8mes re\u00e7us le 24 novembre 2024 \u00e0 l'approche du Solo du 7 d\u00e9cembre.<\/p>"},{"id":404,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/501_20091103172137.mp3","label":"Quatre soeurs venant de Zakariya (traduction d\u00e9finitive) [Ghassan Zaqtan] - La version original en arabe (Palestine) ainsi qu'une traduction partielle avaient \u00e9t\u00e9 lues le 10 novembre 2006<\/a>. Ghassan Zaqtan \u00e9tait alors r\u00e9sident au cipM<\/i>.","duration":51},{"id":190,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/250_20070825160711.mp3","label":"Que ce ne (extrait)","duration":173},{"id":943,"type":3,"videoId":"817581282","label":"

\u00a9 Suzanne Doppelt<\/p>","duration":441},{"id":732,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/835_20120505135815.mp3","label":"Quelque chose contraint quelqu'un","duration":314},{"id":702,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/804_20120221174104.mp3","label":"Quelques Comments<\/i>","duration":309},{"id":649,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/751_20110913142633.mp3","label":"Quelques branches vivantes (extrait)","duration":160},{"id":204,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/266_20070829172038.mp3","label":"Quelques mois avant de dispara\u00eetre ...","duration":72},{"id":370,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/466_20090821134505.mp3","label":"Quelques po\u00e8mes des \u00e9l\u00e8ves de 2nde du lyc\u00e9e Michelet","duration":343},{"id":629,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/731_20110830143323.mp3","label":"Quelques po\u00e8mes pendant une dizaine de minutes (extrait)","duration":219},{"id":695,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/797_20120214171426.mp3","label":"Quelques relev\u00e9s de 2002","duration":210},{"id":1136,"type":3,"videoId":"840877775","duration":7002},{"id":362,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/458_20090715154542.mp3","label":"Qui \u00e9coute le joueur aux chaussures pointues ?","duration":211},{"id":375,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/471_20090828155147.pdf","label":"Qui peut nous stopper ? Devinez la suite"},{"id":443,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/540_20100204122455.mp3","label":"Qui vive (extrait)","duration":186},{"id":902,"type":5,"fileUrl":"\/resources\/files\/file_63ff2be56f85d.pdf"},{"id":716,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/818_20120327150546.pdf","label":"Quinze ans du cipM<\/i> - ' ' ' Cahier du Refuge ' ' ' publi\u00e9 \u00e0 l'occasion des deux soir\u00e9es anniversaires du cipM<\/i>, les 12 et 12 mars 2005."},{"id":78,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/108_20051213122534.swf","label":"Quinze ans... et apr\u00e8s - texte in\u00e9dit"},{"id":1011,"type":1,"imageIds":[3225]},{"id":1094,"type":2,"content":"

 <\/p>

Et \u00e7a recommence et \u00e7a va recommencer et c\u2019est d\u00e9j\u00e0 la re-re-contamination Docks du ruminement m\u00e9tastas\u00e9 dans les glandes Docks et c\u2019est la re-contamination des glandes malignes contamin\u00e9es dans les glandes sonores du concert des glandes Docks de la bouche du concert de rumination qui agitent la langue Docks et la bouche d\u00e9bouche les glandes contamin\u00e9es dans le concert du ruminement Docks avec la bouche et chacun m\u00e2che la viande en triturant la bouillie Docks fix\u00e9e \u00e0 l\u2019ampli pour la digestion des turbulences avec l\u2019agitation des grumeaux Docks et tous les grumeaux Docks s\u2019agitent sous la langue avec la viande sous la langue dans la bouche Docks et les grumeaux bouillis \u00e9touffent la peluche Docks sous-verre par pression violente des glandes de l\u2019ampli et le corps de l\u2019ampli rempli la bouche dans la bouillie de la langue de digestion Docks et les bouches contamin\u00e9es des cellules Docks de la bouche dans la bouillie recontaminent la viande et le bruit des bouch\u00e9es criardes de Docks qui jaillissent de la langue vont entailler la glotte des grumeaux Docks qui amplifient la puce de la luette dans la bouche et la luette Docks contamin\u00e9e d\u00e9bouche sur le trou des glandes Docks attaquant la bidoche remplie et la viande de glotte se m\u00e9lange aux grumeaux Docks dans le concert des cellules Docks et toute la viande hurlante Docks remplit la bouche dans l\u2019ampli des digestions Docks et la bouche du concert Docks est un r\u00e2le r\u00e9p\u00e9titif qui gronde dans les grumeaux Docks et les cellules s\u2019agitent en recouvrant les r\u00e2les Docks dans la bouillie et la langue est agripp\u00e9e au couvert de la bouche comme une manette ruminante dans la viande Docks et le r\u00e2le \u00e9touffe l\u2019ampli Docks dans les trous et chaque trou Docks ronronne en r\u00e9verbe avec le couteau Docks plant\u00e9 dans la console et le ronronnement des glandes Docks s\u2019infiltre dans le corps de l\u2019ampli contamin\u00e9 et les grumeaux Docks remplissent le pancr\u00e9as dans les r\u00e9verbes syncop\u00e9es en boucle dans la glotte Docks du monde et les acides des drains piquant la bidoche des cellules Docks contaminent les glottes de l\u2019ampli mondial et le m\u00e9lange Docks se m\u00e9lange dans la bouche avec les acides Docks de la langue reli\u00e9e aux modulations Docks du gros c\u00f4lon de routing de sortie des acides dans l\u2019assiette Docks et le battement buccal-st\u00e9r\u00e9o et amplifi\u00e9 dans la viande Docks de l\u2019ampli et l\u2019ampli Docks crache l\u2019amplification dans la console Docks de l\u2019ampli et l\u2019ampli Docks crache l\u2019amplification dans la console Docks avec la viande sonore martelant les semi-conducteurs Docks du corps dig\u00e9rant la digestion et les grumeaux de glandes st\u00e9r\u00e9o mart\u00e8lent la glotte Docks sous la poche-micro \u00e0 la petite cuill\u00e8re Docks et la bidoche bave le monde de la digestion dans les battements Docks de bouche et chaque battement Docks se m\u00e9lange aux glottes de puce dans la fourchette et toute la bouillie du ronronnement Docks de l\u2019ampli vibre dans le pharynx et la digestion contamin\u00e9e par les battements d\u2019imp\u00e9dance Docks du corps vibrant remplit la bouche dans les trous Docks et le ronflement des manettes t\u00e9l\u00e9charge la bouillie du battement de la viande Docks qui danse en ruminant la salive invasive dans l\u2019ampli du trou Docks et la glotte du micro du pr\u00e9-ampli chimique d\u00e9gouline dans la serviette mutante de catalyse avec la langue Docks de bouche remplie et la nappe velout\u00e9e des vagissements bruitistes \u00e9chantillonn\u00e9s rugit par la langue chimique du corps de l\u2019ampli Docks dans le mixage des filtres et chaque battement criard Docks est un micro \u00e9chantillon amplifi\u00e9 dans les glottes Docks contamin\u00e9es et la contamination du gros colon Docks envahit la nappe syncop\u00e9e dans l\u2019\u00e9cho d\u2019imp\u00e9dance semi-conducteur et la langue chimique du pharinx Docks amplifie les fourchettes de catalyse et toutes les salives de viande d\u00e9bouchent dans le creux de la salade Docks pour boucher les bouts du drain et chaque bout d\u2019Docks et toutes les salives de viande d\u00e9bouchent dans le creux de la salade Docks pour boucher les bouts du drain et chaque bout d\u2019Docks est re-bouilli avec les acides sous la poche-micro dans la bouillie Docks des battements et le concert augmente dans la bouche Docks du creux des assiettes du monde avec les battements bucaux qui remplissent la bouche Docks de bouillie sonore et le pharinx d\u00e9gouline par pression violente dans les bouch\u00e9es et chaque pression forme le brouillage du fader de la langue du bruit de la glotte bruyante dans la bouillie en st\u00e9r\u00e9o par la langue syncop\u00e9e dans la glande avec l\u2019assiette vibrante intensive du corps grouillant dans la bouche du creux Docks langue g\u00e9missement prolif\u00e9rant bruit intense digestion du signal amplifi\u00e9 des endorphines avec la sauce punk glande m\u00e9lang\u00e9e dans la bouche viande effets-l\u00e9gumes bruit du bruit mix\u00e9 contaminant les fr\u00e9quences du foie connect\u00e9 au micro-clavier digital gastro- mixage saisissement du manche de la fourchette contre la fourchette reli\u00e9e au circuit en mod\u00e9lisant la catalyse des signaux \u00e9mis avec le m\u00e9langeur g\u00e9missement des couteaux simultan\u00e9s tourmentant l\u2019gigot analogique brass\u00e9 \u00e0 mort entre les diodes prolif\u00e9rantes m\u00e9lange mixage des m\u00e9tastases des glandes de la nappe expans\u00e9e gigot\u00e9e infection des assiettes-virus avec l\u2019alimentation fant\u00f4me en creux contagion mixage mastication dans les assiettes agglutin\u00e9es delay des v\u00e9sicules rauques couvrant le bruit du couteau infect\u00e9 qui r\u00e2le dans l\u2019assiette plate avec les couteaux-diodes langues g\u00e9missement dans la sauce Docks glotte du trou main gigot comprimant les manches infect\u00e9es bouches de fourchette pour attaquer la masse-enzimes au compresseur ruminant la bouillie delay Docks prolif\u00e9ration interne mixage couille par les muqueuses langues fant\u00f4me electro Docks glandes-langues rumin\u00e9es dans la bouillie pancr\u00e9as Docks contamination de la pur\u00e9e de composants bouillonnants dans la bile langue de glande de bouche de langue mastiquation du manche de fourchette crisp\u00e9 \u00e0 fond amplification de l\u2019\u00e9galisateur dans l\u2019\u0153sophage Docks vrombissement de chaque source \u00e9pid\u00e9mik dans les g\u00e9missements du corps des g\u00e9missements m\u00e9lang\u00e9s au vin en \u00e9bullition bruit mix\u00e9 \u00e0 main nue bruit de lymphe m\u00e9lang\u00e9e au vin des glandes chuintements s\u00e9cr\u00e9toires du chyme dans l\u2019\u00e9cho de la bouche glooooooooooooo gloooooooo interf\u00e9rence du masticage \u00e9lectronique dans le brassage de digestion bruit gloglo dans la bouche du concert qui enfle gloglo bruit du bouillonnement qui dilate la panse dilat\u00e9e dans les \u00e9chos Docks mastication petit doigt en l\u2019air avec le vibro-crouton \u00e9lectronique auto-\u00e9cho \/ clapotis des lubrifications h\u00e9patiques parasit\u00e9es appendice des transistors jusqu\u2019aux bretelles tum\u00e9fi\u00e9es avec la fourchette comprim\u00e9e en raccord avec le couteau cr\u00e9pitant dans les tintements du verre manche empoign\u00e9 pour le bus de la nappe physique simultan\u00e9ment au spot-traitement du dentier Docks borgorygmes de contamination de la nappe \u00e9pid\u00e9mik sur la table de mixage du menu des oscillateurs de la. ngue dans le bouillon musichol\u00e9doque-radio \/bip-bip-radio du gr\u00e9sillement des fibres palpitation ingurgitation rumination bourdonnement des bouch\u00e9es en distorsion coup de fourchette battement coup de fourchette cliquetis amplifi\u00e9 siphonnant le verre crissant dans le circuit avec l\u2019ampli vibreur frisson biliaire par fr\u00e9quence tube \u00e9clatement \u00e9clat\u00e9 des soupirs slabe de bloche tintement du verre contre le couteau-larsen musique baveuse du concert d\u2019hormones dans la danse des sucs gastriques avec les muscles globulaires \u00e9lectro-vibrants arrangement des tissus d\u2019acides branch\u00e9s au vibro-clavier contamin\u00e9 masticage \u00e9lectro-digestion acc\u00e9l\u00e9r\u00e9 dans l\u2019agitation-babil Docks des sphincters avec la bouteille ronflement des f\u00e8ces par pression-pulse \u00e9pid\u00e9mik cr\u00e9pitement impulsion cr\u00e9pitement impulsion du battement des manches amplifi\u00e9s mains \u00e9touffant le goulot Docks sur la nappe g\u00e9missement contamin\u00e9 total de la table de mixage \u00e0 d\u00e9vorer pour manger la fourchette avec le couteau organique amplifi\u00e9 sur la nappe \u00e9pid\u00e9mik avec la bouteille de vin infect\u00e9 pour la trans-convivialit\u00e9 extr\u00eame des turbulences de l\u2019\u00e9pid\u00e9mie dans l\u2019\u00e9pid\u00e9mie des cancers sonores exorcisants\u2026<\/span><\/p>

 <\/p>","label":"

Jo\u00ebl Hubaut, re-mix de re-rumination en boucle contamin\u00e9e dans l\u2019\u00e9cho de la rumination \u00e9pid\u00e9mik Docks de m\u00e9moire vive<\/i>, Texte de la performance donn\u00e9e par J. H. lors de la soir\u00e9e Docks\/Po\u00e9sie is not dead du 17 juin 2023.<\/p>"},{"id":1233,"type":4,"fileUrl":"\/resources\/files\/file_65a92a7b1300c.mp3","label":"

Michael McClure \u2014 Grahhh! <\/i>(Michael in the Lion's Den), reading at the Lion House, San Francisco Zoo, Summer 1966.<\/p>

Dur\u00e9e : 03'40\" <\/p>","duration":221},{"id":2804,"type":1,"imageIds":[3977]},{"id":1034,"type":3,"videoId":"764889341","duration":4173},{"id":2837,"type":3,"videoId":"1127870628","label":"

Rencontre, performance, discussion BLEU NUIT, BLOUSON ROSE<\/i> avec eta\u00efnn zwer, le 31 mai 2025.<\/p>

En partenariat avec le festival Oh les beaux jours<\/a>.<\/p>","duration":3070},{"id":1200,"type":3,"videoId":"893465017","duration":3172},{"id":2840,"type":3,"videoId":"1156501300","duration":4376},{"id":2328,"type":3,"videoId":"1031245532","label":"

Rencontre, lectures avec Jean-Baptiste Cabaud, Beno\u00eet Casas, Roxana Hashemi et Micha\u00ebl Batalla, le 16 novembre 2024, \u00e0 l'occasion de la sortie de l'ouvrage \"Debout parmi les choses\" (Po\u00e8mes, 1948-2007) de Jonas Mekas.<\/p>

Dans le cadre de la Saison de la Lituanie en France 2024<\/a>.   <\/p>","duration":4279},{"id":2333,"type":3,"videoId":"1031302076","label":"

Rencontre, exploration autour de la po\u00e9sie italienne avec Patrizia Atzei, Beno\u00eet Casas, Guido Mazzoni et Martin Rueff, 19 octobre 2024.

Rencontres organis\u00e9es en coproduction avec l'Institut Culturel Italien de Marseille, dans le cadre de la \u00ab 24e<\/sup> Semaine de la langue italienne dans le monde - L\u2019italien et le livre, un monde entre les lignes \u00bb<\/p>","duration":5011},{"id":2289,"type":3,"videoId":"977091033","duration":3814},{"id":2415,"type":3,"videoId":"1054740593","duration":9549},{"id":971,"type":1,"imageIds":[3187]},{"id":683,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/785_20120113181913.mp3","label":"R\u00e9p\u00e9titeur - Lecture de la traduction en fran\u00e7ais par Pascal Poyet","duration":230},{"id":90,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/127_20060208123922.mp3","label":"Reproche","duration":166},{"id":1572,"type":2,"content":"


Je me souviens de ses yeux bleus.
Je me souviens de ses cheveux.
Je me souviens de son sourire.
Je me souviens de son rire.
Je me souviens de ses habitudes.
Je me souviens de son attitude.
Je me souviens de son pr\u00e9nom.
Je me souviens de son attention.
Je me souviens de son humour.
Je me souviens de notre amour.<\/strong>

\u2014<\/strong><\/p>

 <\/p>

Sur cette piscine de rochers,<\/strong>
Comme deux sir\u00e8nes \u00e9chou\u00e9es,<\/strong>
Tu rajoutais une pointe d\u2019humour.<\/strong>
Tes yeux \u00e9taient un oc\u00e9an,<\/strong>
Tu regorgeais d\u2019imagination,<\/strong>
Tu \u00e9tais tellement passionnant,<\/strong>
Tu me donnais des frissons,<\/strong>
Et c\u2019est pour cela que je t\u2019aime, <\/strong>
Et c\u2019est pour cela que tu m\u2019aimes,<\/strong>
Et c\u2019est pour cela que l\u2019on s\u2019aime<\/strong>
Rien ne pourra rompre l\u2019amour<\/strong>
 <\/p>","label":"

Je me souviens de notre amour, Zo\u00e9<\/p>"},{"id":1573,"type":2,"content":"


Je me souviens quand on glissait sur la rambarde,
Je me souviens du vent,
Je me souviens de la rigolade,
Je me souviens qu\u2019on recommen\u00e7ait infiniment...
Je me souviens que quand je portais un short,
Je me souviens que ma peau s\u2019accrochait,
Je me souviens de la frustration,
Je me souviens que je ne pouvais pas glisser...
Je me souviens que je ne voulais pas quitter la piscine de Cassis,
Je me souviens de ne pas m\u2019en lasser,
Je me souviens de mon plaisir infini,
Je me souviens de mon p\u00e8re qui voulait s\u2019en aller...
Je me souviens de la vitesse,
Je me souviens de son bien-\u00eatre,
Et j\u2019ai de la tristesse, 
De ne plus y \u00eatre...<\/p>

 <\/p>","label":"

NL<\/p>"},{"id":1574,"type":2,"content":"


Je me souviens de mes vacances d\u2019\u00e9t\u00e9 \u00e0 Saint Barth\u2019
Je me souviens d\u2019\u00eatre all\u00e9e \u00e0 la plage avec ma m\u00e8re, mon beau-p\u00e8re et mon demi-fr\u00e8re qui avait trois ans 
Je me souviens que je suis rentr\u00e9e dans l\u2019eau rafra\u00eechissante et avoir jou\u00e9 \u00e0 ne pas toucher les algues sur le sol
Je me souviens avoir vu une tortue
Je me souviens l\u2019avoir suivie jusqu\u2019\u00e0 ce que ma m\u00e8re ne soit qu\u2019on gros point sur la plage
Je me souviens m\u2019\u00eatre retourn\u00e9e pour rentrer car la tortue que je suivais \u00e9tait maintenant trop loin
Je me souviens m\u2019\u00eatre retourn\u00e9e et avoir vu quatre ou cinq tortues g\u00e9antes
Je me souviens avoir eu tr\u00e8s peur et \u00eatre partie le plus vite que j\u2019ai pu sur la plage<\/p>

 <\/p>","label":"

CL<\/p>"},{"id":1575,"type":2,"content":"


Je me souviens qu\u2019il \u00e9tait tout petit
Je me souviens qu\u2019il habitait \u00e0 Caillols
Je me souviens de nos aventures folles
Je me souviens qu\u2019on faisait ce sport ensemble
Je me souviens qu\u2019on est devenu forts ensemble
Je me souviens qu\u2019on a grandi sur le terrain
Je me souviens qu\u2019on \u00e9tait unis comme les cinq doigts de la main
Je me souviens qu\u2019on n \u2018\u00e9tait pas peureux
Je me souviens qu\u2019on \u00e9tait les trois mousquetaires sauf qu\u2019on \u00e9tait deux
Je me souviens de notre premi\u00e8re soir\u00e9e pyjama sur notre lit
Je me souviens qu\u2019on dormait jusqu\u2019\u00e0 minuit
Je me souviens que je te consid\u00e9rais comme mon fr\u00e8re
Je me souviens que ton papa je l\u2019appelais p\u00e8re
Je me souviens de t\u2019avoir quitt\u00e9 pour l\u2019Olympique
Je me souviens de ce moment tragique
Malgr\u00e9 \u00e7a nous avons fond\u00e9 une vie magique<\/p>


\u2014

Lorsqu\u2019on s\u2019est rencontr\u00e9 pour la premi\u00e8re fois
Je savais qu\u2019on allait cr\u00e9er une vie toi et moi
Je me souviens de nos premi\u00e8res passes
L\u00e0 o\u00f9 on battait tout le monde sur notre passage
Notre club \u00e9tait un d\u00e9sastre
Alors on jouait qu\u2019\u00e0 deux
Nous \u00e9tions connect\u00e9s comme des robots
Toi t\u2019\u00e9tais Messi et moi Ronaldo
Nous avons gagn\u00e9 plusieurs tournois
O\u00f9 en finale nous avons jou\u00e9 contre Stade Lavallois
Lorsqu\u2019on a marqu\u00e9 on dansait avec rythme
Ou l\u2019apr\u00e8s-midi on mangeait steak frites
On a jou\u00e9 ensemble
On a grandi ensemble
On a partag\u00e9 nos secrets ensemble
Notre relation amicale a dur\u00e9 six ans
Notre vie \u00e9tait comme un roman<\/p>

 <\/p>","label":"

Je me souviens d\u2019un meilleur ami, Steevy<\/p>"},{"id":1576,"type":2,"content":"


Je me souviens de cet \u00e9t\u00e9
Je me souviens que tout me semblait parfait
Je me souviens de notre arriv\u00e9e
Je me souviens des marches du podium dor\u00e9
Je me souviens que tu m\u2019y emmenais 
Je me souviens qu\u2019ensuite tout s\u2019est effondr\u00e9
Je me souviens \u00eatre rest\u00e9e assise \u00e0 tes c\u00f4t\u00e9s
Je me souviens que les nuits sont pass\u00e9es
Je me souviens te voir te relever
Je me souviens t\u2019avoir vu y monter<\/p>

 <\/p>","label":"

Nina<\/p>"},{"id":1577,"type":2,"content":"


Je me souviens de l\u2019odeur de mon arri\u00e8re-grand-m\u00e8re
Je me souviens de l\u2019ann\u00e9e fantastique de CM2
Je me souviens de ma classe de math\u00e9matique en primaire
Je me souviens de la pire attraction
 <\/p>

\u2014
 <\/p>

Je me souviens de mon arriv\u00e9e
Je me souviens des fleurs de Tiar\u00e9
Je me souviens des singes
Je me souviens des cascades
Je me souviens des dauphins bleu
Je me souviens des d\u00e9licieux repas
Je me souviens des sept terres<\/strong>
Je me souviens du march\u00e9
Je me souviens du sable \u00e9tincelant
Je me souviens du sable \u00e9blouissan

\u2014
 <\/p>

Je me souviens des sept terres<\/strong>
Avec ma m\u00e8re et mon p\u00e8re
Les tortues regardaient avec un air repos\u00e9
Le bien-\u00eatre m\u2019envahissait dans la for\u00eat
Les terres violettes et oranges et puis tr\u00e8s sombres \u00e9taient prot\u00e9g\u00e9es<\/p>

 <\/p>","label":"

Je me souviens des sept terres, AP<\/p>"},{"id":1308,"type":5,"fileUrl":"\/resources\/files\/file_65b27e4b38c4d.pdf"},{"id":755,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/862_20120626154108.mp3","label":"Resurrezione sull' Hudson \/ Suisse miniature","duration":188},{"id":487,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/585_20100430175339.mp3","label":"R\u00e9tif de la Bretonne - Extrait de l'h\u00e9catombe \u00e0 Pythagore<\/i>.","duration":270},{"id":430,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/527_20100120154829.mp3","label":"Retraite d'hiver [Kitasono Katu\u00e9] - Lecture de la traduction fran\u00e7aise par Jean-Fran\u00e7ois Bory","duration":276},{"id":162,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/218_20070712141018.mp3","label":"Retrouver la parole [Roger Giroux] - Extrait de L'arbre et le temps<\/i> de Roger Giroux. ","duration":358},{"id":1288,"type":4,"fileUrl":"\/resources\/files\/file_65aa9c2ec7242.mp3","label":"

Diane di Prima \u2014 Revolutionary,<\/i> letter #16, 1969 <\/p>

Dur\u00e9e : 01'00\"<\/p>

 <\/p>

Revolutionary,<\/i> Letter #19, date unknown <\/p>

Dur\u00e9e : 01'54\"<\/p>","duration":175},{"id":935,"type":1,"imageIds":[3138],"content":"

 <\/p>

Si je pouvais t\u2019\u00e9craser avec mes cuisses, y tordre ton cou pendant la baise, l\u00e0 quand tu as peur du foutre et de tous les fluides, devant les pharmacies, les statues qui regardent, les esprits, les gens qui passent pour le travail et le postier du Airbnb. Me prendre sur le lit est trop banal. Les jambes \u00e9cart\u00e9es tu dis \u00ab debout \u00bb, l\u2019autorit\u00e9 pas convaincue. Laisse-moi sucer qu\u2019il se passe quelque chose enfin, laisse-moi couler, vider l\u2019eau qui tient mon corps, jouir et n\u2019avoir pas peur d\u2019avoir chaud. Les jambes encore tremblantes de ta queue statique en moi quand je te tiens, que je t\u2019ai l\u00e0, bien tout autour, tes fesses en main. C\u2019est machinal parce qu\u2019on s\u2019ennuie. Machinal. Leurre des bouts de canne \u2013 comme si toi tu m\u2019avais. D\u00e9pendre est transitoire. Provisoire. \u00c9vitable. Comme les poissons que l\u2019on \u00e9caille dans les cuisines d\u2019\u00e9t\u00e9. Les boyaux que l\u2019on sort et qui sentent la mort et le sang et le soleil dans l\u2019assiette. Il y a toujours un peu de jus. Un peu de jus et beaucoup d\u2019odeur. L\u2019odeur qui reste sur les mains apr\u00e8s le savon, apr\u00e8s tous les savons, l\u2019eau chaude, l\u2019eau froide, et les huiles et tout le gras. Rien n\u2019enl\u00e8ve les odeurs mortes de poisson sur les doigts et le sexe humide qui a frott\u00e9. Les odeurs ne s\u2019en vont pas. Le couteau qui racle le blanc de ta peau devant l\u2019\u00e9vier. L\u2019air concentr\u00e9 pour ne pas te couper. Le conduit bient\u00f4t bouch\u00e9. <\/p>

 <\/p>","label":"

C\u00e9lia Martin, L'aigreur des sexes<\/i>, 2023<\/p>"},{"id":1028,"type":3,"videoId":"772498110","duration":4963},{"id":1020,"type":3,"videoId":"730556175","duration":806},{"id":2448,"type":1,"imageIds":[3805]},{"id":675,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/777_20111210165111.pdf","label":"Revue de Presse 2007-2008"},{"id":674,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/776_20111210160454.pdf","label":"Revue de Presse 2009"},{"id":676,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/778_20111210170239.pdf","label":"Revue de Presse 2010"},{"id":737,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/841_20120511173310.pdf","label":"Revue de Presse 2011"},{"id":1017,"type":3,"videoId":"733915091","duration":1222},{"id":1016,"type":3,"videoId":"733932012","duration":977},{"id":1019,"type":3,"videoId":"730557861","duration":571},{"id":1014,"type":3,"videoId":"731761552","duration":1800},{"id":1018,"type":3,"videoId":"731730906","duration":1099},{"id":1015,"type":3,"videoId":"733935877","duration":2581},{"id":2438,"type":1,"imageIds":[3795]},{"id":2439,"type":1,"imageIds":[3796]},{"id":2440,"type":1,"imageIds":[3797]},{"id":2441,"type":1,"imageIds":[3798]},{"id":294,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/380_20090311141300.mp3","label":"Revues.org - intervention de Marin Dacos, directeur de Revues.org","duration":2150},{"id":1133,"type":1,"imageIds":[3350]},{"id":1194,"type":3,"videoId":"893451833","duration":3612},{"id":753,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/860_20120626140151.mp3","label":"Rien que cendre","duration":250},{"id":1182,"type":3,"videoId":"885823324","duration":6692},{"id":866,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/978_20160322171600.mp3","label":"Rituels, clich\u00e9s, habitudes, dictons et autre ridicule - Extrait du texte \"Rituels, clich\u00e9s, habitudes, dictons et autre ridicule : une histoire de ma litt\u00e9rature\", Fran\u00e7ois Kasbi. ","duration":178},{"id":1244,"type":1,"imageIds":[3403]},{"id":1236,"type":1,"imageIds":[3399]},{"id":774,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/881_20120824181716.mp3","label":"Romance","duration":443},{"id":1276,"type":1,"imageIds":[3419]},{"id":597,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/698_20110405175805.mp3","label":"Rosaire - Lecture de la traduction en fran\u00e7ais par Caroline Sagot-Duvauroux","duration":503},{"id":764,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/871_20120707151813.mp3","label":"Rose Activit\u00e9 Mortelle (extrait)","duration":198},{"id":2059,"type":2,"content":"

 <\/p>

I<\/span><\/p>

 <\/p>

Ici on ne croit pas les fleuves qui disent vouloir aller se jeter dans la mer.<\/p>

On n\u2019imagine pas l\u2019Atlantique en voyant l\u2019Elbe \u00e0 Dresde ni ses mar\u00e9es.<\/p>

Ici, c\u2019est mar\u00e9e basse, dit quelqu\u2019un.<\/p>

Et un poisson mort recourb\u00e9 flotte au-dessus, tombe \u00e0 l\u2019improviste dans l\u2019eau : la lune. Quatre femmes en observation.<\/p>

Les tableaux romantiques s\u2019effritent. Sous la colle les \u00e9bauches abandonn\u00e9es deviennent visibles, la trame du fond. Le cadre dor\u00e9 n\u2019est la limite du monde qu\u2019en apparence ; nous avons en effet encore la profondeur.<\/p>

La couche v\u00e9n\u00e9neuse de vase au fond des fleuves, dit quelqu\u2019un.<\/p>

Les \u00e9bauches qui n\u2019ont pas \u00e9t\u00e9 achev\u00e9es, dit quelqu\u2019un.<\/p>

La trame, \u00e0 redessiner dit quelqu\u2019un.<\/p>

La lune et l\u2019incroyable mer.<\/p>

 <\/p>

 <\/p>

II <\/span><\/p>

 <\/p>

Peut-\u00eatre est-ce une histoire allemande : plus la surface est restreinte, plus sans fond est la profondeur. Celui qui se laisse tomber, sombre jusqu\u2019au fond. Dans la vase qui dissimule le sol. Le sol sanglant de l\u2019Histoire allemande. Mais sur quoi devons-nous construire et quoi, au milieu de conserves baroques de ruines au milieu du b\u00e9ton.<\/p>

 <\/p>

 <\/p>

III<\/span><\/p>

 <\/p>

La lune tomb\u00e9e dans l\u2019eau est un bateau. Une barque l\u00e9g\u00e8re mais un fond suffisant pour acqu\u00e9rir la certitude que la Saxe elle aussi est au bord de la mer. Fond suffisant \u2013 si j\u2019ai dit fond, nous pouvons nous tenir sur un bateau de papier.<\/p>

Papier, qui cro\u00eet pour nous \u00e0 partir de for\u00eats \u00e0 demi-mortes, \u00e0 qui parfois nous confions notre mort : livres nocturnes, phrases scell\u00e9es, lettres, pas envoy\u00e9es. Tableaux sans cadre, \u00e9bauches sans mesure, la destruction secr\u00e8te des proportions. Papier plein d\u2019errances et d\u2019aventures quand le pays nous a abandonn\u00e9s comme l\u2019espoir nous fait partir ; papier sur lequel nous parvenons \u00e0 nous-m\u00eames, papier sur lequel nous sombrons, notre barque notre fragile fond. La Saxe au bord de la mer \u2013 Oh\u00e9 !<\/p>

 <\/p>","label":"

Barbara K\u00f6hler, Roulette allemande, L'Extr\u00eame contemporain, 2022.<\/p>

Traduction Laurent Cassagnau.<\/p>"},{"id":58,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/87_20060204170900.mp3","label":"Rousseau et le peigne cass\u00e9","duration":77},{"id":6,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/13_20061020133838.mp3","label":"Roxana - Lecture lors de l'inaugurationi de l'exposition Maurice Lema\u00eetre et la photographie d'avant-garde<\/i>, le vendredi 28 mai 1999. Partition publi\u00e9e dans Maurice Lema\u00eetre, \u0152uvres Po\u00e9tiques et Musicales Lettristes<\/i>, Centre de Cr\u00e9ativit\u00e9, Paris 1965 et dans La Po\u00e9sie Lettriste<\/i>, par Jean-Paul Curtay, Seghers 1974.","duration":99},{"id":503,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/602_20100518180708.mp3","label":"Rythme du petit jour (extrait)","duration":156},{"id":592,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/693_20110312180058.mp3","label":"Rythme et autres po\u00e8mes [Robert Creeley]","duration":198},{"id":101,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/142_20060314144939.mp3","label":"S'il y a pas de plaisir...","duration":106},{"id":2417,"type":1,"imageIds":[3761]},{"id":141,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/196_20070309141355.mp3","label":"Sabot - \u00e9dition MIX - Texte de Samuel Rochery lu lors de la soir\u00e9e de pr\u00e9sentation des \u00e9dition Mix","duration":490},{"id":2419,"type":1,"imageIds":[3763]},{"id":614,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/716_20110625183021.mp3","label":"Saint Barth\u00e9lemy ...","duration":258},{"id":2807,"type":1,"imageIds":[3972]},{"id":2312,"type":1,"imageIds":[3644]},{"id":1217,"type":3,"videoId":"893442599","duration":3141},{"id":309,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/395_20090422130507.mp3","label":"samedi 3 septembre 2005 - (extrait de \"Delenda Ouest\")","duration":171},{"id":2056,"type":1,"imageIds":[468]},{"id":2416,"type":4,"fileUrl":"\/resources\/files\/file_67e67eb000de1.mp3","label":"

Sandra Moussemp\u00e8s, R\u00e9surgence momentan\u00e9es des sensations visuelles, <\/i>audio-po\u00e8me dont le texte est extrait de Sunny girls, <\/i>Po\u00e9sie\/Flammarion 2015.<\/p>","duration":305},{"id":444,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/541_20100204122702.mp3","label":"Sans effet personnel 1.1 (extrait)","duration":190},{"id":188,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/248_20070825154907.mp3","label":"Sans fin en soi [Thierry Trani]","duration":313},{"id":4,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/9_20061020140910.mp3","label":"Sans force - Lecture \u00e0 l'occasion du vernissage de l'exposition de Dominique Fourcade AVEC Pierre Buraglio<\/i>, le 9 octobre 1997.\r\nExtrait du livre Le Sujet monotype<\/i>, P.O.L, 1997.","duration":184},{"id":19,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/27_20061020145943.mp3","label":"sans titre (Abderrazak Sahli) - Enseignement et po\u00e9sie<\/i>\r\nD\u00e9cembre 1993, cipM<\/i>","duration":171},{"id":5,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/12_20061020142852.mp3","label":"sans titre (Jo\u00ebl Hubaut) - Pid\u00e9o & Vo\u00e9sie<\/i>\r\nJuillet \/ cipM<\/i> - Artemis","duration":175},{"id":795,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/902_20121124180831.mp3","label":"Sans titre, galerie J.F. Dumont... - Extrait de La nostalgie camarade ?<\/i>, \u00e9d. Confluences \/ FRAC Aquitaine","duration":304},{"id":887,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/1001_20160323152415.mp3","label":"Sarah K\u00e9ryna lit Avag Epremian","duration":46},{"id":379,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/475_20090904175058.pdf","label":"Sauvez la date [4 pages]"},{"id":474,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/572_20100428184959.mp3","label":"Sc\u00e9nario pour une m\u00e9ditation qui commence - Traduction par et lue par Jacques Roubaud.","duration":433},{"id":285,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/371_20090310164613.mp3","label":"Sc\u00e8ne de village - adaptation fran\u00e7aise par Catherine Weinzaepflen lue par \u00c9ric Giraud","duration":104},{"id":32,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/54_20060204171344.mp3","label":"Section 16","duration":106},{"id":2890,"type":1,"imageIds":[4068]},{"id":126,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/171_20060912122658.mp3","label":"Selma Wientge [Arno Schmidt] - Extrait de Paysage lacustre\r\navec Pocahontas<\/i> (in Roses & Poireau<\/i>, Maurice Nadeau \u00e9diteur, 1994).\r\nTraduction de Claude Riehl.","duration":235},{"id":321,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/409_20090424174009.mp3","label":"Selva ! (extrait)","duration":294},{"id":313,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/400_20090423142352.mp3","label":"septembre 1939","duration":156},{"id":681,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/783_20120113181244.mp3","label":"S\u00e9rie rouge - Trolley Bus n\u00b03 - Lecture de la traduction en fran\u00e7ais par Fr\u00e9d\u00e9rique Gu\u00e9tat-Liviani","duration":295},{"id":486,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/584_20100430175027.mp3","label":"S\u00e9ries Baudelaire","duration":182},{"id":462,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/560_20100423165312.mp3","label":"Serment - Traduction par \u00c9ric Giraud et Holly Dye, lue par \u00c9ric Giraud.","duration":152},{"id":826,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/935_20131004160646.mp3","label":"Seul les arbres pour moi sont sacr\u00e9s - lu en fran\u00e7ais par \u00c9ric Pesty","duration":265},{"id":346,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/442_20090610145258.mp3","label":"Si elle \u00e9tait blanche - Traduction fran\u00e7aise lors de l'\u00e9change \"IMPORT\/EXPORT\" Tanger \/ Marseille, lue par Juliette Val\u00e9ry","duration":69},{"id":171,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/228_20070803123411.mp3","label":"Si j'\u00e9cris ...","duration":188},{"id":705,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/807_20120228162908.mp3","label":"Si l'oeil est l'animal du feu... (extrait)","duration":246},{"id":184,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/243_20070817164921.mp3","label":"Si la musique doit mourir...","duration":243},{"id":878,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/990_20160323141258.mp3","label":"Si Mo\u00efse avait insist\u00e9 - Marjolijn van Heemstra\r\n\u00ab Si Mo\u00efse avait insist\u00e9 \u00bb, extrait.","duration":112},{"id":16,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/23_20061020140303.mp3","label":"Si nous ne pouvons pas voir nos yeux c'est que nous sommes encore dans l'enfance du monde - Lecture \u00e0 l'occasion du d\u00e9crochage de l'exposition Les Mains, les Boules ; Les Yeux, les Textes, le 15 janvier 2000.\r\nExtrait de Autoportrait, La Diff\u00e9rence 1999 et de Je t'aime, aux \u00e9ditions Wiliam Blake and co., 1978.","duration":372},{"id":246,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/322_20080516181008.mp3","label":"Si riche heure (extrait) [Cole Swensen] - Traduction en fran\u00e7ais par Ma\u00eftreyi et Nicolas Pesqu\u00e8s, lue par Ma\u00eftreyi Pesqu\u00e8s","duration":160},{"id":343,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/439_20090606163012.mp3","label":"Silat Rahem (extrait) - par Katibeh Khamseh<\/b>
\r\npiste 20 du cd inclus - Pens\u00e9e de Midi 28","duration":85},{"id":1253,"type":4,"fileUrl":"\/resources\/files\/file_65a956eb7d5c8.mp3","label":"

John Cage \u2014 Excerpt from Silence<\/i>, from the CD Caged \/ Uncaged<\/i>, Cramps records, 1993. <\/p>

Initially from \"SILENCE\". Excerpts on the CD are a courtesy of Giorno Poetry Systems, recorded in 1968<\/p>

Dur\u00e9e : 01'05\"<\/p>

 <\/p>

Mureau<\/i>, recorded by Nikolaus Einhorn,  and released as a cassette by Edition S Press (TONBAND No. 14), October 3rd 1972<\/p>

Dur\u00e9e : 04'06\"<\/p>","duration":378},{"id":48,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/77_20060204172304.mp3","label":"Sinon la nuit - paru dans la revue FIN<\/i>","duration":176},{"id":45,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/72_20061020150512.mp3","label":"Sinuo - Lecture donn\u00e9e \u00e0 l'occasion de la soir\u00e9e Saint-Petersbourg - Marseille<\/i> au cipM<\/i> en mai 1994.","duration":437},{"id":1006,"type":5,"fileUrl":"\/resources\/files\/file_6463af362381f.pdf","label":"

6 po\u00e8mes, <\/i>de Mich\u00e8le M\u00e9tail pour le Cipm, en juin 2023<\/p>"},{"id":806,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/914_20130329160130.mp3","label":"Skin meat bones - Lecture d'Anne Waldman extraite de l'Album The Nova Convention","duration":221},{"id":402,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/499_20091020145215.mp3","label":"Sleepwalker - extrait d'une lecture donn\u00e9e au Bowery Poetry Club, NYC.\r\nSource : PennSound","duration":535},{"id":2413,"type":2,"content":"

Ma phrase est un marteau sans enclume
J'ai compt\u00e9 les voix fant\u00f4mes r\u00e9calcitrantes dans mon cerveau
Dans quelle maison pourrai-je appara\u00eetre un jour sans donner mon nom ?
Combien de fant\u00f4mes sont-ils d\u00e9log\u00e9s par nuit ?
Les yeux sur\u00e9l\u00e8vent la transparence
Cette parole ronde \u00e0 chaque intonation
Voulant s'exposer elle-m\u00eame - l\u2019h\u00e9ro\u00efne dispara\u00eet
On lui retire sa pens\u00e9e<\/p>","label":"

Sandra Moussemp\u00e8s, po\u00e8me extrait de Sauvons l'ennemie, <\/i>Po\u00e9sie\/Flammarion 2025.<\/p>"},{"id":1220,"type":1,"imageIds":[3319]},{"id":2839,"type":3,"videoId":"1156417017","duration":3600},{"id":2856,"type":1,"imageIds":[4036]},{"id":1126,"type":3,"videoId":"880109542","label":"

Solo de Brice Bonfanti<\/p>

Samedi 23 septembre 2023<\/p>","duration":4274},{"id":918,"type":3,"videoId":"576410757","duration":1565},{"id":1029,"type":3,"videoId":"750395936","duration":2485},{"id":1123,"type":3,"videoId":"880683398","label":"

Solo de Danielle M\u00e9moire<\/p>

Samedi 28 octobre 2023<\/p>","duration":3197},{"id":916,"type":3,"videoId":"767238793","duration":1565},{"id":915,"type":3,"videoId":"575724520","duration":2320},{"id":2449,"type":8,"duration":5246,"soundId":"2073714264"},{"id":2335,"type":3,"videoId":"579690762","duration":3405},{"id":2296,"type":3,"videoId":"952213873","duration":3550},{"id":2858,"type":3,"videoId":"580959682","duration":4030},{"id":1022,"type":3,"videoId":"738903319","duration":3924},{"id":1125,"type":3,"videoId":"878815534","label":"

Lecture duo de Brigitte Palaggi et Olivier Domerg<\/p>

Samedi 16 septembre 2023<\/p>","duration":2906},{"id":2091,"type":3,"videoId":"952208696","duration":1463},{"id":2313,"type":3,"videoId":"1010703281","duration":6002},{"id":1060,"type":3,"videoId":"508434398","duration":2977},{"id":1004,"type":2,"content":"

La petite bande des \u00e9crits, les doigts et l\u2019\u00e9crire-bien qui vient dans du pas-nous.<\/p>

 <\/p>

Po\u00e8me-brouillon pour pr\u00e9parer le son de la pens\u00e9e qui vient dans l\u2019\u00e9critur\u00e9.<\/p>

 <\/p>

Nous d\u00e9parlons depuis la mort de nous.<\/p>

 <\/p>

La po\u00e9sie est une petite bande et nous \u00e9crivons \u00e0 partir de l\u00e0. Nous \u00e9crivons depuis nos mains, depuis la petite bande des doigts qui vient parler dedans nos bouches. Car la po\u00e9sie vient dans la bouche pour faire parler les dehors. La po\u00e9sie c\u2019est la petite bande qui vient des dehors par la bande des morts et nous \u00e9crivons, c\u2019est-\u00e0-dire nous tra\u00e7ons, nous eructons, nous gesticulons, nous dessinons, nous verbig\u00e9rons, nous peignons des langues vers les dehors.<\/p>

 <\/p>

Puisque la po\u00e9sie c\u2019est animer la petite bande en nous.<\/p>

 <\/p>

La bande des \u00e9crituries depuis des parlers qui sont venus mourir en dedans de nous.<\/p>

 <\/p>

Et la po\u00e9sie c\u2019est cette petite bande des morts qui nous pousse \u00e0 vivre \u00e0 l\u2019air libre de l\u2019\u00e9crit pour parler dans les petites langues en nous, car la po\u00e9sie c\u2019est les petites langues qui parlent \u00e0 l\u2019int\u00e9rieur de nos bouches.<\/p>

 <\/p>

La po\u00e9sie c\u2019est le vide qu\u2019il y a dedans nos bouches car on ne pourrait pas \u00e9crire sans le vide.<\/p>

 <\/p>

Si dedans n\u2019\u00e9tait pas vide on ne pourrait rien faire que se taire et laisser tout le parler nous remplir.<\/p>

 <\/p>

On pourrait que papoter et la po\u00e9sie \u00e7a n\u2019est pas que papoter, la po\u00e9sie c\u2019est se taire aussi.<\/p>

 <\/p>

C\u2019est se taire dans tout le papoter.<\/p>

 <\/p>

La po\u00e9sie c\u2019est faire du papotaire contre tout ce qui veut nous parler.<\/p>

 <\/p>

La po\u00e9sie c\u2019est faire un gros trou de papotaire dans tout ce qui voudra toujours parler sans nous.<\/p>

 <\/p>

Petite bande est dans les doigts. Petite bande c\u2019est la main dans laquelle poussent des morts qui viennent dans des doigts non-n\u00f4tres. Nous sommes avec les doigts non-n\u00f4tres qui s\u2019agitent depuis la bouche non-mienne. Nous parlons depuis un non-nous fait des morts non-n\u00f4tres avec une bouche non-mienne.<\/p>

 <\/p>

Nous ne sommes pas nous-m\u00eames \u00e0 parler les langues mortes sauf \u00e0 faire ressortir depuis les dedans des \u00e9crits qu\u2019on trace sur les mains & la bouche.<\/p>

 <\/p>

Le parler est une bande qui parle. Le parler est dans les doigts non-n\u00f4tres qui viennent dans l\u2019int\u00e9rieur de nos bouches. Nos petites bouches \u00e9crivent depuis les morts qui poussent dans les mains qui s\u2019agitent depuis dehors pour nous \u00e9crire vers dedans. C\u2019est nous qui \u00e9crivons en dedans pour que se dessine le po\u00e8me qu\u2019on entendra dehors.<\/p>

 <\/p>

\u00c9crire depuis la main la bouche.<\/p>

 <\/p>

\u00c9crire depuis la bande des parlers qui passent.<\/p>

 <\/p>

\u00c9crire depuis les voix mortes qui poussent de partout.<\/p>

 <\/p>

\u00c7a pousse depuis dehors et \u00e7a va vers nous. C\u2019est un nous dans l\u2019\u00e9crit dessin\u00e9. Un nous dans le peint le dessin et l\u2019\u00e9criturien qui sortent par la bande. La petite bande des \u00e9crits et parlers morts qu\u2019on fait vivre en po\u00e8mes.<\/p>

 <\/p>

Nous \u00e9crivons depuis la t\u00eate qui parle en nous. La t\u00eate et les membres. Nous \u00e9crivons depuis la bouche et les doigts dans les mains. Nous poussons dans l\u2019\u00e9crit depuis les morts qui parlent de partout. \u00c7a pousse \u00e0 sortir dans les langues qui traversent le vivant par l\u2019\u00e9crit le parler le dessin\u00e9. Nous \u00e9crivons des po\u00e8mes d\u00e9labr\u00e9s. Nous dessinons depuis les litt\u00e9ratu\u00e9es qui sortent de nous par la bande. La petite bande des po\u00e8mes qui nous sort de partout.<\/p>

 <\/p>

J\u2019\u00e9cris depuis la mort de nous. La mort en bande dans les paroles qui viennent nous mourir dans l\u2019\u00e9crit. J\u2019\u00e9cris depuis la mort de moi qui bande dans les doigts. J\u2019\u00e9cris depuis la bouche et les mains non miens. J\u2019appartiens aux langues mortes miennes qui viennent de dehors. Le dehors vient dedans pour sortir mes \u00e9crits des organes. Tous les organes veulent sortir du corps quand je parle. <\/p>

 <\/p>

Petite bande est dans les doigts. Petite bande est la main. Petite bande c\u2019est les morts qui nous poussent dans la main. La main pousse dans la bouche aussi avec la petite mort. Toutes les paroles viennent nous mourir dedans. Petite bande est la lutte contre les parlers morts en nous qui viennent des dehors.<\/p>

 <\/p>

Comment \u00e9crire avec les mains. On ne peut pas vraiment \u00e9crire hors du dressage. On a dress\u00e9 nos mains. On nous a dress\u00e9 les mains pour l\u2019\u00e9crire-bien. C\u2019est dans l\u2019\u00e9crire-bien qu\u2019on vit avec nos mains. Nos mains remplies de morts et nous dress\u00e9s \u00e0 remplir l\u2019\u00e9crire-bien. On remplit l\u2019\u00e9crit de notre adresse. Nous nous adressons aux morts en parlant dans l\u2019\u00e9crire-bien. Mais les morts entendent rien. Ou bien c\u2019est nous. C\u2019est nous qui pipons rien. On pipe rien des morts qui peuplent nos mains tout \u00e7a \u00e0 cause de l\u2019\u00e9crire-bien.<\/p>

 <\/p>

La po\u00e9sie veut faire un gros trou dans tout ce qui parle en nous.<\/p>","label":"

Texte re\u00e7u de Charles Pennequin le 23 avril en pr\u00e9vision de son \u00ab Solo \u00bb du samedi 9 septembre.<\/p>"},{"id":1124,"type":3,"videoId":"880691868","label":"

Solo de Pascal Poyet<\/p>

Samedi 14 octobre 2023<\/p>","duration":5269},{"id":2233,"type":3,"videoId":"977093703","duration":3672},{"id":2841,"type":3,"videoId":"1157590354","duration":3000},{"id":1127,"type":3,"videoId":"878792171","label":"

Solo de Roger Lewinter<\/p>

Samedi 7 octobre 2023<\/p>","duration":6143},{"id":2293,"type":4,"fileUrl":"\/resources\/files\/file_669a8ad728670.m4a","duration":2192},{"id":2481,"type":3,"videoId":"1078287673","duration":3954},{"id":2414,"type":3,"videoId":"1069053601","duration":3908},{"id":2842,"type":3,"videoId":"1156818294","duration":3563},{"id":2292,"type":4,"fileUrl":"\/resources\/files\/file_669a7ecc9527c.m4a","duration":2344},{"id":1091,"type":3,"videoId":"866908784","label":"

Solo de Charles Pennequin<\/p>

Samedi 9 septembre 2023<\/p>","duration":4219},{"id":1095,"type":3,"videoId":"866905105","label":"

Solo de Pierre Alferi<\/p>

25 septembre 2021, La C\u00f4merie<\/p>

Cipm\/Mont\u00e9vid\u00e9o\/actoral<\/p>

 <\/p>","duration":4076},{"id":2089,"type":3,"videoId":"952207316","duration":4450},{"id":661,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/763_20111004170935.mp3","label":"Sommaire astral III [Joan Brossa] - Lecture en catalan par Gloria Bordons \/ traduction en fran\u00e7ais de et lue par Marc Audi","duration":269},{"id":1241,"type":4,"fileUrl":"\/resources\/files\/file_65a945e07dae4.mp3","label":"

Charles Olson \u2014 The Songs of Maximus<\/i>, Studio Recording at Black Mountain College, made by Robert Creeley c., first issued as a record, 1954<\/p>

Dur\u00e9e :  03'15\"<\/p>","duration":195},{"id":1303,"type":4,"fileUrl":"\/resources\/files\/file_65aab2a79bc55.mp3","label":"

Nathaniel Mackey \u2014 Song of the Andoumboulou, <\/i>Nathaniel Mackey with Royal Hartigan and Hafez Modirzadeh, from Strick, 1994<\/p>

Royal Hartigan: drum set and Chinese opera percussion instruments: ban (clapper and wood block), tan pi ku (drum), nao bo (cymbols), xiao luo (small gong), and da luo (large gong) Hafez Modirzadeh: tenor saxophone.<\/p>

Dur\u00e9e : 05'57\"<\/p>","duration":357},{"id":693,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/795_20120211175638.mp3","label":"Sonnet dynamique","duration":123},{"id":910,"type":1,"imageIds":[3084]},{"id":983,"type":8,"duration":6071,"soundId":"1380444373"},{"id":2452,"type":1,"imageIds":[3678]},{"id":2453,"type":1,"imageIds":[3813]},{"id":132,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/177_20061020135455.mp3","label":"Souvenirs de ma vie collective - lecture \u00e0 l'occasion des \u00ab Dix ans de Java \u00bb.\r\nExtraits de Souvenirs de ma vie collective, P.O.L 2000.","duration":469},{"id":1081,"type":2,"content":"

 <\/p>

Vendredi 23 juin 2023, Biblioth\u00e8que du Cipm<\/strong><\/span><\/p>

 <\/p>

Sillonner dans une biblioth\u00e8que peut \u00eatre comme sillonner dans un jardin. Il y a des all\u00e9es, parfois des bosquets. On les parcourt ou on s\u2019y arr\u00eate apr\u00e8s avoir pass\u00e9 une entr\u00e9e plus large que ses rayons. Rayons comme all\u00e9es ; et chacun, une fois parcouru en un sens, nous invite \u00e0 rebrousser chemin pour nous aventurer plus avant, s\u2019aventurer parmi des repaires limpides comme un ciel de juin. Clart\u00e9 rendant \u00e0 \u00ab rayon \u00bb sa richesse s\u00e9mantique par cette lumi\u00e8re venant de l\u2019ext\u00e9rieur et clart\u00e9 tout simplement \u00e9manant de ce lieu, des visages attentifs, de regards \u00e9chang\u00e9s. Mais si on poursuit l\u2019analogie avec le jardin, chaque all\u00e9e contient diff\u00e9rentes plantes, diff\u00e9rentes fleurs et diff\u00e9rents fruits. De telle sorte que certaines sont, pour soi, pousses fertiles.<\/span><\/p>

Nous ne pouvons go\u00fbter toutes les baies, tous les fruits ni prendre le m\u00eame plaisir \u00e0 chaque fleur propos\u00e9e. Quoi qu\u2019il en soit, on y trouve son aise gr\u00e2ce \u00e0 la claire luminosit\u00e9 de cette douce forteresse.<\/span><\/p>

 <\/p>

J\u2019\u00e9voque les bosquets\u2026 Il en est bien un dans l\u2019espace r\u00e9serv\u00e9 au pr\u00e9cieux fonds Albiach et au fonds am\u00e9ricain. C\u2019est l\u00e0 que nous sommes invit\u00e9s \u00e0 nous assoir, \u00e0 m\u00e9diter, \u00e0 travailler.<\/span><\/p>

 <\/p>

Je m\u2019y installe tout naturellement et j\u2019ouvre devant moi le Book of Music<\/i> de Jack Spicer.<\/span><\/p>

 <\/span><\/p>

Nul hasard \u00e0 cela\u2026 Motets, Variations, Suites ou encore Fugues : importance constante accord\u00e9e \u00e0 la musique. De plus, la traduction est, pour moi, interpr\u00e9tation comme on interpr\u00e8te une pi\u00e8ce musicale, d\u2019o\u00f9 l\u2019insistance sur Joyce et sur Dante. Aussi, mon int\u00e9r\u00eat pour les Cantos<\/i> \u2013 le titre lui-m\u00eame m\u2019ayant sollicit\u00e9 jeune homme \u2013 et pour Louis Zukofsky qui th\u00e9orise la question du sound\/sens<\/i> prolongeant l\u2019approche de ses a\u00een\u00e9s.<\/span><\/p>

 <\/p>

J\u2019aurais pu aussi bien, comme Pasolini, r\u00eaver de \u00ab composer de la musique \u00bb ; Pasolini qui ajoute que c\u2019est \u00ab la seule action expressive \/ peut-\u00eatre, haute, et ind\u00e9finissable comme les actions de la r\u00e9alit\u00e9. \u00bb Il me faut, peut-\u00eatre, \u00e9voquer ici une m\u00e9lancolie \u00e9l\u00e9giaque propre \u00e0 tous les po\u00e8tes ayant \u00e9t\u00e9 habit\u00e9s par ce d\u00e9sir.<\/span><\/p>

 <\/span><\/p>

Cela \u00e9tant, j\u2019ai lu d\u2019abord Jack Spicer de fa\u00e7on plut\u00f4t distraite. Il m\u2019avait sembl\u00e9 que nous avions peu en commun, tout simplement. Cependant, le relisant r\u00e9cemment, je m\u2019arr\u00eatais \u00e0 son Book of Music<\/i> \u2013 on le comprendra \u2013 dans l\u2019\u00e9dition de My Vocabulary Did This To Me<\/i> o\u00f9 ce recueil comprend 16 po\u00e8mes. Le dernier po\u00e8me occupe une place quelque peu \u00e9tonnante, mais j\u2019en avais retenu surtout la derni\u00e8re strophe :<\/span><\/p>

 <\/span><\/p>

         <\/span><\/p>

Le barman n\u2019est pas les \u00c9tats-Unis<\/span><\/p>

Ni l\u2019intellectuel<\/span><\/p>

Ni le barman<\/span><\/p>

Il est chaque salaud qui ne pleure pas<\/span><\/p>

Quand il lit ce po\u00e8me.<\/span><\/p>

 <\/p>

 <\/span><\/p>

Pasolini encore revenait, plus violent encore : \u00ab Qui n\u2019a vers\u00e9 ces larmes est un porc \u00bb.<\/span><\/p>

 <\/span><\/p>

Je suis donc, en ce bosquet, assis devant la plaquette, parue \u00e0 San Francisco en 1969, qui forme la premi\u00e8re \u00e9dition de Book of Music<\/i>. Elle contient 14 po\u00e8mes, num\u00e9rot\u00e9s.<\/span><\/p>

 <\/p>

Je les relis et d\u00e9cide de les retraduire.<\/span><\/p>

 <\/span><\/p>

Apr\u00e8s quoi, n\u00e9cessit\u00e9 s\u2019impose de poursuivre ce travail de traduction en y ajoutant des po\u00e8mes d\u2019autres recueils qui r\u00e9sonnent en moi comme des \u00e9chos \u00e0 ce petit ensemble qui se cl\u00f4t admirablement sur lui-m\u00eame. Une courbe se liant par les cordes vibrant. Cordes vocales, cordes liant les choses et les chants d\u2019amour d\u00e9chir\u00e9s\/d\u00e9chirant.<\/span><\/p>

 <\/p>

\u00c0 mon retour, tout impr\u00e9gn\u00e9 encore de cette clart\u00e9 et d\u2019une douceur si rare, j\u2019ouvre Be Brave To Things<\/i>, 2021 \u2013 \u00e9dition rassemblant tous les po\u00e8mes et les pi\u00e8ces de th\u00e9\u00e2tre qui demeuraient in\u00e9dits. D\u2019autres po\u00e8mes s\u2019imposent\u2026<\/span><\/p>

 <\/p>

Ce nouvel ensemble de traductions devient des \u00ab p\u00e9riph\u00e9riques \u00bb.<\/span><\/p>

 <\/span><\/p>

 <\/p>

N.B. Dans la premi\u00e8re partie de ces derniers, je mets entre crochets certains \u00ab \u00e9chos \u00bb pr\u00e9cis avec renvois aux num\u00e9ros des po\u00e8mes du recueil. Dans la seconde, les titres eux-m\u00eames suffisent \u00e0 les \u00e9voquer. Surtout, les m\u00eames cordes y vibrent\u2026<\/span><\/p>

 <\/p>


\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

Jack Spicer<\/strong><\/span><\/p>

 <\/strong><\/span><\/p>

Book of Music<\/strong><\/span><\/p>

Livre de musique<\/strong><\/span><\/p>

 <\/p>

 <\/p>

1<\/p>

Improvisation sur une phrase de Poe<\/strong><\/p>

 <\/p>

\u00ab L\u2019ind\u00e9fini est un \u00e9l\u00e9ment de la vraie musique. \u00bb<\/p>

La concorde de ce qui<\/p>

Ne s\u2019abaisse pas \u00e0 une d\u00e9finition. La mouette<\/p>

Seule sur la jet\u00e9e, croassant gueule ouverte<\/p>

Au-dessus du poisson, pas d\u2019autre mouette,<\/p>

Pas d\u2019oc\u00e9an. D\u00e9pourvue absolument de sens<\/p>

Comme un cor Anglais.<\/p>

Ce n\u2019est pas m\u00eame un orchestre. La concorde<\/p>

Seule sur une jet\u00e9e. La concorde de ce qui<\/p>

Ne s\u2019abaisse pas \u00e0 une d\u00e9finition. Pas de poisson.<\/p>

Pas d\u2019autre mouette, pas d\u2019oc\u00e9an. La vraie<\/p>

Musique.<\/p>

 <\/p>

 <\/p>

2<\/p>

Une Valentine<\/strong><\/p>

 <\/p>

Les Valentines inutiles<\/p>

Sont meilleures<\/p>

Que toutes les autres.<\/p>

Comme quelque chose d\u2019implicite<\/p>

Dans un po\u00e8me.<\/p>

Prenez toutes vos Valentines<\/p>

Et je prendrai la mienne.<\/p>

Ce qui reste est meilleur<\/p>

Que n\u2019importe quelle image.<\/p>


 <\/p>

3<\/p>

Cantate<\/strong><\/p>

 <\/p>

Ridicule<\/p>

Comment l\u2019espace entre trois violons<\/p>

Peut menacer toute notre po\u00e9sie.<\/p>

Nous nous groupons comme des louveteaux<\/p>

Lors d\u2019un pique-nique. C\u2019est un moment de terreur.<\/p>

\u00c9trange comme toutes nos croyances<\/p>

Disparaissent.<\/p>


 <\/p>

4<\/p>

Orph\u00e9e<\/strong><\/p>

 <\/p>

Aussi vif qu\u2019une fl\u00e8che, Orph\u00e9e<\/p>

Dirige sa musique vers le bas.<\/p>

L\u2019enfer est l\u00e0<\/p>

Comme le bas de la falaise.<\/p>

Nul salut<\/p>

Par cette musique.<\/p>

Eurydice<\/p>

Est une fr\u00e9gate ou un rocher ou une algue.<\/p>

Nul, saluez,<\/p>

L\u2019infernal<\/p>

Est un embrun glissant vers l\u2019horizon.<\/p>

L\u2019enfer est ceci :<\/p>

L\u2019absence de toute autre chose que l\u2019\u00e9ternel \u00e0 regarder.<\/p>

L\u2019\u00e9tendue de sel<\/p>

L\u2019absence de tout autre lit et sa propre musique pour dormir.<\/p>

 <\/p>

 <\/p>

5<\/p>

Chanson du prisonnier<\/strong><\/p>

 <\/p>

Rien de mon corps ne m\u2019\u00e9chappe.<\/p>

Le son de l\u2019aigle qui plonge<\/p>

Sur un oiseau noir<\/p>

Ou le chagrin d\u2019un hibou.<\/p>

Rien dans mon corps ne m\u2019\u00e9chappe.<\/p>

Chaque branche est ferm\u00e9e<\/p>

Je<\/p>

Me fais l\u2019\u00e9cho de chaque chant de sa gorge<\/p>

Je mugis chaque son.<\/p>


 <\/p>

6<\/p>

Guerre dans la jungle<\/strong><\/p>

 <\/p>

La ville n\u2019\u00e9tait pas grand-chose<\/p>

Quelques huttes de boue et un clocher d\u2019\u00e9glise.<\/p>

C\u2019\u00e9tait la m\u00eame herbe<\/p>

Et les m\u00eames oiseaux \u00e0 l\u2019or\u00e9e du bosquet.<\/p>

Nous attendions que quelqu\u2019un sorte et se rende.<\/p>

Mais ils ont fait sonner les cloches de leur \u00e9glise<\/p>

Et nous<\/p>

Nous n\u2019avons peur ni de la mort ni de toute forme de mort<\/p>

Mais les m\u00eames balles boueuses, le m\u00eame horrible<\/p>

Amour.<\/p>

 <\/p>

 <\/p>

7<\/p>

Vendredi Saint : faute d\u2019orchestre<\/strong><\/p>

 <\/p>

J\u2019ai vu une mule sans t\u00eate<\/p>

Courant sous la pluie<\/p>

Elle avait une peau d\u2019\u00e9chiquier<\/p>

Et son garrot \u00e9tait mince et sombre.<\/p>

\u00ab Dis-moi \u00bb, demandai-je<\/p>

\u00ab O\u00f9 se trouve<\/p>

Babylone ? \u00bb<\/p>

\u00ab Babylone n\u2019est que briques cuites<\/p>

Avec des symboles dessus.<\/p>

On ne peut pas les entendre. Je cours<\/p>

Jusqu\u2019au bout du monde. \u00bb<\/p>

Elle a couru<\/p>

Comme un perroquet vert et violet qui hurle<\/p>

\u00c0 travers le son.<\/p>

 <\/p>

 <\/p>

8<\/p>

Mime<\/strong><\/p>

 <\/p>

Le mot est imitation<\/p>

Du son Ma ou Mam<\/p>

Utilis\u00e9 par les infirmi\u00e8res pour amuser les enfants.<\/p>

Tout en faisant semblant<\/p>

De se cacher le visage.<\/p>

Comprendre ne suffit pas<\/p>

La vieille mouette est morte. Il y a toute une arm\u00e9e de mouettes<\/p>

Qui attendent dans les coulisses<\/p>

Toute une arm\u00e9e de mouettes.<\/p>

 <\/p>

 <\/p>

9<\/p>

Les joueurs de cartes<\/strong><\/p>

 <\/p>

La lune est attach\u00e9e \u00e0 quelques cordes.<\/p>

Ils la tiennent dans leurs mains. Les joueurs de cartes<\/p>

S\u2019assoient, raides, hi\u00e9ratiques<\/p>

Ne bougent que leurs mains pour le plaisir de<\/p>

Jouer aux cartes.<\/p>

Pas de m\u00e9taphores<\/p>

Chaque doigt est un doigt r\u00e9el<\/p>

Chaque carte est un carton r\u00e9el et pastel, chaque libert\u00e9<\/p>

Sans conscience de l\u2019attachement.<\/p>

La lune est attach\u00e9e \u00e0 quelques cordes.<\/p>

                                           Ces joueurs de cartes<\/p>

Raides, compl\u00e8tement<\/p>

Immobiles.<\/p>

 <\/p>

 <\/p>

10<\/p>

Chanson fant\u00f4me<\/strong><\/p>

 <\/p>

L\u2019in<\/p>

       capacit\u00e9 d\u2019aimer<\/p>

L\u2019incapacit\u00e9<\/p>

         D\u2019aimer<\/p>

Dans l\u2019amour<\/p>

         (Comme tous les petits animaux qui grimpent la colline<\/p>

         dans les sous-bois pour \u00e9chapper \u00e0 la ch\u00e8vre et au m\u00e9chant tigre)<\/p>

L\u2019incapacit\u00e9<\/p>

Incapacit\u00e9<\/p>

         (Dis-moi pourquoi aucune flamme blanche ne monte de la terre<\/p>

         quand l\u2019\u00e9clair frappe les rameaux et les branches des arbres)<\/p>

Dans l\u2019amour. Dans l\u2019amour. J\u2019aime l\u2019<\/p>

In<\/p>

    capacit\u00e9<\/p>

         (comme s\u2019il n\u2019y avait plus rien sur la montagne<\/p>

         que ce \u00e0 quoi personne ne veut \u00e9chapper)<\/p>


 <\/p>

11<\/p>

Plage de l\u2019arm\u00e9e avec trompettes<\/strong><\/p>

 <\/p>

Plut\u00f4t que nos corps le sable<\/p>

Proclame que nous sommes sur l\u2019ultime bord<\/p>

De quelque chose. Deux gar\u00e7ons<\/p>

Qui ne savent attraper les ballons imitaient les chevaux<\/p>

Sur le bord humide.<\/p>

Ou si la vue de la chose prenant fin<\/p>

Ne s\u2019abattait pas sur nous comme une vague<\/p>

De chaque oc\u00e9an chaud.<\/p>

Nous appelons du bord, pour chuter en gouttes<\/p>

Comme un ballon sans c\u0153ur<\/p>

Sur le bord.<\/p>

 <\/p>

 <\/p>

12<\/p>

Duo pour une chaise et une table<\/strong><\/p>

 <\/p>

Le son des mots qui s\u2019\u00e9chappent de nos bouches<\/p>

 <\/p>

Rien<\/p>

N\u2019est moins important<\/p>

Et pourtant cette chaise<\/p>

            cette table<\/p>

                         nomm\u00e9es<\/p>

Assument une identit\u00e9<\/p>

                                           prennent leur place<\/p>

Presque comme une sorte de musique<\/p>

Les mots les choses se nomment<\/p>

                                           elles-m\u00eames<\/p>

Et les tables grommellent<\/p>

                                                         Moi<\/p>

Dans la symphonie de Dieu, une table<\/p>

Qui fait chanter la chaise<\/p>

Une petite chanson sur les gens qui ne s\u2019y assi\u00e9ront jamais<\/p>

Et nous<\/p>

Qui dans la m\u00eame musique<\/p>

Sommes presque aussi facilement d\u00e9plac\u00e9s que les meubles<\/p>

Nous<\/p>

Pouvons apprendre nos noms de nos bouches<\/p>

Nommez nos noms<\/p>

Au milieu de la m\u00eame musique.<\/p>


 <\/p>

13<\/p>

Conspiration<\/strong><\/p>

 <\/p>

Un violon qui me suit<\/p>

 <\/p>

Dans combien de villes lointaines \u00e9coutent-ils<\/p>

Sa musique bouche-b\u00e9e ?<\/p>

Chacune des dix mille personnes qui en jouent.<\/p>

 <\/p>

Il me suit comme quelqu\u2019un qui me hait.<\/p>

 <\/p>

Oh, mon c\u0153ur mourrait plus vite<\/p>

D\u2019entendre sa musique bouche-b\u00e9e. D\u2019autres<\/p>

Dans ces autres villes<\/p>

Dont les c\u0153urs mourraient plus vite.<\/p>

 <\/p>

Il me suit comme quelqu\u2019un qui me hait.<\/p>

 <\/p>

Ou c\u2019est vraiment l\u2019arbre qui pousse juste derri\u00e8re ma gorge<\/p>

Que je pourrais voir si je me retournais assez vite<\/p>

Enracin\u00e9e, immuable, voisine<\/p>

Musique<\/p>

 <\/p>

 <\/p>

14<\/p>

Livre de musique<\/strong><\/p>

 <\/p>

\u00c0 la fin les amoureux<\/p>

Sont \u00e9puis\u00e9s comme deux nageurs. O\u00f9<\/p>

Cela s\u2019est-il termin\u00e9 ? On ne peut le dire. Aucun amour n\u2019est<\/p>

Comme un oc\u00e9an au cort\u00e8ge vertigineux, ou aux lointaines limites<\/p>

D\u2019o\u00f9 l\u2019on peut sortir \u00e9puis\u00e9s, ni comme de longs adieux<\/p>

Comme la mort.<\/p>

Une fin. Plut\u00f4t, dirais-je, comme une longueur<\/p>

De corde enroul\u00e9e<\/p>

Qui ne grime pas dans les premi\u00e8res boucles de sa longueur<\/p>

Sa fin.<\/p>

Mais, me direz-vous, nous avons aim\u00e9<\/p>

Et certaines parties de nous ont aim\u00e9<\/p>

Et de nous restera<\/p>

Deux personnes. Oui<\/p>

La po\u00e9sie se termine comme une corde.<\/p>

 <\/p>


\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

P\u00e9riph\u00e9ries<\/span><\/p>

 <\/p>

 My Vocabulary Did This To Me<\/strong><\/span>
 <\/p>

 <\/p>


 <\/p>

\u00ab N\u2019importe quel fou peut entrer dans un oc\u00e9an \u00bb<\/strong><\/p>

 <\/p>

N\u2019importe quel fou peut entrer dans un oc\u00e9an  <\/p>

Mais il faut une d\u00e9esse  <\/p>

Pour en sortir.<\/p>

Ce qui est vrai pour les oc\u00e9ans l\u2019est aussi, bien s\u00fbr,<\/p>

pour labyrinthes et po\u00e8mes. Quand tu commences \u00e0 nager  <\/p>

\u00c0 travers rythmes et algues de la m\u00e9taphore<\/p>

Il te faut \u00eatre un bon nageur ou une d\u00e9esse n\u00e9e<\/p>

Pour t\u2019en d\u00e9gager<\/p>

Regarde les loutres de mer flottant sauvagement<\/p>

Et sautant hors du milieu du po\u00e8me<\/p>

Elles ont l\u2019air si enthousiastes et si paisibles \u00e0 jouer ici o\u00f9 l\u2019eau<\/p>

    bouge \u00e0 peine<\/p>

Tu pourrais jaillir des vagues et des rochers<\/p>

Au milieu du po\u00e8me pour les toucher<\/p>

Mais quand tu as essay\u00e9 longtemps l\u2019eau b\u00e9nite<\/p>

Suffisamment pour tout recommencer<\/p>

C\u2019est l\u00e0 que le plaisir commence<\/p>

\u00c0 moins d\u2019\u00eatre un po\u00e8te ou une loutre ou quelque chose de surnaturel<\/p>

Tu te noieras, mon cher. Tu te noieras<\/p>

N\u2019importe quel Grec peut t\u2019introduire dans un labyrinthe.<\/p>

Mais il faut un h\u00e9ros pour en sortir<\/p>

Ce qui est vrai pour les labyrinthes l\u2019est aussi<\/p>

Pour l\u2019amour et la m\u00e9moire. Quand on commence \u00e0 se souvenir.<\/p>

 <\/p>

(1945-1950)<\/p>

 <\/p>

 <\/p>

[oc\u00e9an \u2013 1, 4, 11, 14 ; d\u00e9it\u00e9, figure mythologique \u2013 4]<\/p>


 <\/p>

Hymne de la Concorde<\/strong><\/p>

 <\/p>

Ta plaisanterie<\/p>

Est comme un lac<\/p>

Qui s\u2019\u00e9tend l\u00e0 sans aucune pens\u00e9e<\/p>

Et voit<\/p>

Des mers mortes<\/p>

Les oiseaux volent<\/p>

Autour de lui<\/p>

D\u00e9concert\u00e9s par son bleu sans une pens\u00e9e pour l\u2019eau<\/p>

Sans une pens\u00e9e<\/p>

Pour l\u2019eau.<\/p>

 <\/p>

 <\/p>

[concorde \u2013 1 ; oiseaux marins \u2013 8]<\/p>


 <\/p>

Un diamant<\/strong><\/p>

 <\/p>

Une traduction pour Robert Jones<\/i><\/p>

 <\/p>

Un diamant<\/p>

Est l\u00e0<\/p>

Au c\u0153ur de la lune ou des branches ou de ma nudit\u00e9<\/p>

Et il n\u2019y a rien dans l\u2019univers comme le diamant<\/p>

Rien dans l\u2019esprit tout entier.<\/p>

 <\/p>

Le po\u00e8me est une mouette qui se repose sur une jet\u00e9e au bout de l\u2019oc\u00e9an.<\/p>

 <\/p>

Un chien hurle \u00e0 la lune<\/p>

Un chien hurle aux branches<\/p>

Un chien hurle \u00e0 la nudit\u00e9<\/p>

Un chien hurle avec un esprit pur.<\/p>

 <\/p>

Je demande que le po\u00e8me soit aussi pur que le ventre d\u2019une mouette.<\/p>

 <\/p>

L\u2019univers se d\u00e9sagr\u00e8ge et r\u00e9v\u00e8le un diamant<\/p>

Deux mots appel\u00e9s mouette flottent paisiblement l\u00e0 o\u00f9 sont les vagues.<\/p>

Le chien est mort l\u00e0, avec la lune, avec les branches, avec ma nudit\u00e9<\/p>

Et il n\u2019y a rien dans l\u2019univers comme un diamant<\/p>

Rien dans l\u2019esprit tout entier.<\/p>

 <\/p>

(D\u2019apr\u00e8s Lorca, 1957)<\/i><\/p>

 <\/p>

 <\/p>

[Oc\u00e9an, mouettes \u2013 1, 8]<\/p>


 <\/p>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>

 <\/p>

 <\/p>

Be Brave To Things<\/strong><\/span><\/p>

 <\/p>


 <\/p>

Carmen<\/strong><\/p>

 <\/p>

Mon c\u0153ur \u00e9tait un papillon<\/p>

Aux ailes rouges sur les \u00e9paules d\u2019un autre.<\/p>

J\u2019ai pleur\u00e9 entre deux garages<\/p>

Et il a commenc\u00e9 \u00e0 aller de-ci de-l\u00e0 pour les rassembler.<\/p>

J\u2019\u00e9tais un jeu ancien<\/p>

Entre deux garages, c\u2019\u00e9tait un jeu ancien.<\/p>

Lah la lallih, lah lah la lalih.<\/p>

Mon c\u0153ur ancien est un papillon<\/p>

Un ancien papillon.<\/p>

 <\/p>

 <\/p>

Op\u00e9ra<\/strong><\/p>

 <\/p>

D\u2019abord la toile de fond peinte \u2013<\/p>

Les rues d\u2019une ville impossible<\/p>

L\u2019ouverture \u2013<\/p>

La sensation du bois dans la main<\/p>

La gorge d\u2019un violoncelle<\/p>

Puis ils chantent dans cinquante chambres \u2013<\/p>

Les arch\u00e9types amoureux :<\/p>

Rideau, rideau, rideau<\/p>

Trag\u00e9die<\/p>

Puis la toile de fond dispara\u00eet \u2013<\/p>

Il ne reste plus que<\/p>

La musique.<\/p>

 <\/p>

 <\/p>

Mazurka pour les filles qui m\u2019ont apport\u00e9 des tranquillisants<\/strong><\/p>

 <\/p>

En groupe, hors groupe<\/p>

En groupe, hors groupe<\/p>

Homme portant une barbe, un col de 4 \u00bd cm et un pyjama.<\/p>

Hors groupe, en groupe,<\/p>

Hors groupe, en groupe<\/p>

Femme portant du rouge \u00e0 l\u00e8vres, un soutien-gorge taille 36, buvant du gin et de la marmelade.<\/p>

Homme et femme uniques<\/p>

Essaient de danser. Les gens<\/p>

Disent que la danse est la mesure basique d\u2019un po\u00e8me.<\/p>


 <\/p>

\u00ab Sois courageux face aux choses aussi longtemps que \u00bb<\/strong><\/p>

 <\/p>

Sois courageux face aux choses aussi longtemps que<\/p>

Aussi longtemps que<\/p>

Aussi longtemps que l\u2019intrigue s'\u00e9paissit<\/p>

Tant que tu tiendras dans ta main un univers minuscule fait<\/p>

              d\u2019un filet d\u2019huile, de poils de chat,<\/p>

              de tabac, des restes<\/p>

De ce qui fut un vaste jour.<\/p>

Comme c\u2019\u00e9tait le cas autrefois aussi longtemps que, l\u2019intrigue s\u2019\u00e9paissit.<\/p>

              Sois courageux face aux penseurs de la nuit, aux bo\u00eetes<\/p>

              rouill\u00e9es, \u00e0 tout<\/p>

Ce qui a une dimension.<\/p>

Comme si c\u2019\u00e9tait un vaste pied<\/p>

Haut, carr\u00e9, aussi long que<\/p>

Les bo\u00eetes.<\/p>

 <\/p>

(Spider Music)<\/i><\/p>

 <\/p>","label":"

Ce texte introductif et ces traductions nouvelles du Book of Music, <\/i>d'extraits de My Vocabulary Did This To Me<\/i> et de Be Brave To Things, de<\/i> Jack Spicer, ont \u00e9t\u00e9 envoy\u00e9s au Cipm par Philippe Blanchon le 26 juin 2023, soit deux jours apr\u00e8s son Solo.<\/p>"},{"id":1035,"type":3,"videoId":"734377877","duration":4142},{"id":2799,"type":1,"imageIds":[3954]},{"id":2421,"type":1,"imageIds":[3767]},{"id":1002,"type":1,"imageIds":[3205]},{"id":1098,"type":1,"imageIds":[3386]},{"id":2463,"type":2,"content":"

 <\/p>

Je dois l\u2019avouer :<\/p>

mon p\u00e8re a falsifi\u00e9 mon acte de naissance.<\/p>

Il n\u2019a pas, comme c\u2019est souvent le cas, modifi\u00e9 la date<\/p>

non, il a tout simplement mis mon nom \u00e0 la place de celui d\u2019une s\u0153ur morte.<\/p>

Cette appropriation \u00e9tait pour l\u2019\u00e9cole<\/p>

pour l\u2019\u00e9tat civil<\/p>

pour la police anti-\u00e9meutes<\/p>

pour l\u2019h\u00f4pital<\/p>

pour les biblioth\u00e8ques<\/p>

pour les registres \u00e9lectoraux<\/p>

pour les Nations unies<\/p>

pour les organisations des droits de l\u2019homme<\/p>

et ceux aussi des animaux\u2026<\/p>

Cela explique peut-\u00eatre pourquoi je ressens toujours que je fais des choses qui ne me ressemblent pas<\/p>

que je porte des v\u00eatements qui ne sont pas miens<\/p>

que mes d\u00e9cisions ne me ressemblent pas non plus<\/p>

que mon amoureux m\u2019est \u00e9tranger<\/p>

que je pleure sans raison et ris \u00e0 gorge d\u00e9ploy\u00e9e<\/p>

que je prends des r\u00e9solutions que je ne r\u00e9alise pas<\/p>

et que je n\u2019aime pas \u00eatre prise en photo.<\/p>

C\u2019est peut-\u00eatre pourquoi aussi que quand quelqu\u2019un me dit : Tu es belle<\/p>

j\u2019ai l\u2019impression qu\u2019une femme autre que moi sourit.<\/p>

 <\/p>","label":"

\u00abSubstitution\u00bb, <\/i>in Po\u00e9sie en \u00e9clats<\/i>, Al Manar 2025.<\/p>"},{"id":664,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/766_20111004172416.mp3","label":"Suicide passionnel \/ Mots 1 \/ Mots 2 - Lecture de la traduction en fran\u00e7ais par David Lespiau","duration":206},{"id":262,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/345_20090812141836.mp3","label":"Suis l'odeur - Traduction fran\u00e7aise lue par Jean Daive.","duration":140},{"id":501,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/600_20100518175719.mp3","label":"Suite de 4 nuits blanches - 3 (extrait)","duration":156},{"id":282,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/368_20090307181756.mp3","label":"Suncill - mot invent\u00e9","duration":273},{"id":513,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/612_20100601164849.mp3","label":"Sur l'audition imaginaire (extrait) - Extrait de Z\u00e9t\u00e8s,
in Pascal Quignard<\/b>, Lycophron et Z\u00e9t\u00e8s<\/i>, Po\u00e9sie \/ Gallimard, 2010. ","duration":154},{"id":265,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/351_20081209173311.mp3","label":"Sur la route de Tahoua","duration":56},{"id":199,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/261_20070828185049.mp3","label":"S\u00fbr qu'il \u00e9tait bien un dr\u00f4le de pistolet, lui aussi ...","duration":138},{"id":1300,"type":1,"imageIds":[3430]},{"id":948,"type":1,"imageIds":[3158]},{"id":1207,"type":1,"imageIds":[3384]},{"id":228,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/292_20090820122559.mp3","label":"Symphonie du nez aux vibrisses ... - Performance r\u00e9alis\u00e9e et enregistr\u00e9e au cipM<\/i>, dans le cadre du festival actO<\/i>ral.","duration":770},{"id":367,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/463_20090819150829.mp3","label":"Symphonie N\u00b01 : La Guerre IV - Des lendemains qui chantent - Enregistr\u00e9 et dirig\u00e9 en 1999 par Fr\u00e9d\u00e9ric Acquaviva.","duration":130},{"id":2327,"type":3,"videoId":"1031266970","label":"

Table ronde, lectures avec Laurent Cauwet, St\u00e9phane Nowak Papantoniou, Julien Blaine, Carmen Diez Salvatierra et Liliane Giraudon lors du vernissage de l'exposition AL DANTE : LE RAOUT [raout : de l\u2019anglais rout, d\u00e9sordre, et de l\u2019ancien fran\u00e7ais route, compagnie], le 9 novembre 2024.<\/p>","duration":4352},{"id":815,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/923_20130413150934.mp3","label":"Tangier - Travail sonore r\u00e9aliser pendant le Colloque \u00e0 Tanger en avril 2013","duration":597},{"id":2825,"type":1,"imageIds":[4016],"label":"

Christophe Tarkos et  Jacques Roubaud, Rotterdam Poetry international, 1997.<\/i><\/p>

D\u00e9tail d'une planche contact \/ \u00a9 Jan H. Mysjkin.<\/p>"},{"id":899,"type":3,"videoId":"https:\/\/vimeo.com\/793046138","duration":6506},{"id":1128,"type":3,"videoId":"793046138","label":"

 \u00abTarkos Traduit \u00bb exploration du samedi 14 mai 2022<\/p>

 <\/p>","duration":6506},{"id":736,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/839_20120505161839.mp3","label":"Tarnac (extrait)","duration":256},{"id":273,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/359_20090130141442.pdf","label":"Tarnac \/ All\u00e8gement [4 pages]"},{"id":928,"type":1,"imageIds":[3114]},{"id":921,"type":4,"fileUrl":"\/resources\/files\/file_6419ecead2c75.mp3","label":"

Teaser r\u00e9alis\u00e9 d\u00e9but mars 2023 par Alessandro Bosetti<\/p>

 <\/p>

Une co-production Festival Num\u00e9ro Z\u00e9ro<\/a>\/Cipm,<\/p>

en partenariat avec Radio Zinzine <\/a>(100.7)<\/p>

 <\/p>","duration":64},{"id":1287,"type":1,"imageIds":[3424]},{"id":1278,"type":1,"imageIds":[3420]},{"id":972,"type":1,"imageIds":[3188]},{"id":1227,"type":1,"imageIds":[3394]},{"id":789,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/896_20121016165531.mp3","label":"T\u00e9moignage (extraits) [Charles Reznikoff]","duration":241},{"id":2518,"type":1,"imageIds":[3868]},{"id":2519,"type":1,"imageIds":[3869]},{"id":2820,"type":2,"content":"

 <\/p>

Et je lis. \u00c0 l'int\u00e9rieur de quoi. Quand \u00e0 l'int\u00e9rieur. Les mots. D\u00e9coupes, morceaux, puzzle, une vie. La syntaxe du sentiment d'\u00eatre au monde. Ce qui s'assemble. Cherche les figures qui reviennent. Il n'y a pas d'image d'origine. Les mots comme des contours. Tu ne vois pas la totalit\u00e9 de l'espace o\u00f9 tu te trouves. La lumi\u00e8re est circonscrite. Sous la lampe il fait le plus noir. Tu presses l'expression. Laisse imprimer un certain ordre. Tu fais corps avec une phrase. Mais la ponctuation \u00e9chappe. Quelqu'un quelque chose te ponctue. Difficile d'accepter les limites. Un certain d\u00e9sordre cherche \u00e0 travers toi un autre ordre. Moins factice. Ai Wei Wei d\u00e9construit la photo d'un policier chinois : les parties du corps sont juxtapos\u00e9es horizontalement. Les pieds = les jambes = les hanches = le buste = la t\u00eate. Dans un uniforme bleu parfaitement repass\u00e9. Casque dor\u00e9. Matraque cass\u00e9e en morceaux. Le corps policier de la matraque. Un autre ordonnancement. Le vieux mythe de la t\u00eate, du c\u0153ur et du ventre se d\u00e9tache de toi. Les  subordinations ne r\u00e9pondent plus. Tu presses ton corps dans les mots. Sur la sc\u00e8ne. Au t\u00e9l\u00e9phone. Pendant un cours. Contre le d\u00e9sir de l'autre. Quand les mots soufflent. S'ouvrent. Quand ils touchent. Se frottent \u00e0 ce qui n'a pas de nom. \u00c0 ce qui attend d'\u00eatre trouv\u00e9. Quelque chose noir. Quand je lis. Pas seulement. Avec des yeux. Pas seulement et pas seul. Tout ce qui lit. Quand. Ce qu'il s'agit. S'agite en moi. Pression d'un bord. Impressions de l'autre. Tangage langage. Une fa\u00e7on. Comme. Une fa\u00e7on de voir les yeux ferm\u00e9s. Par le noir. Quand. Les calices sus. Laisse les mots lire. Se lire. Se lier. Faire lien. Lignes m\u00eal\u00e9es dans le tissu d'une vie. Des n\u0153uds \u00e0 travers lesquels je me. Nous nous. S\u00fbr il faut. Tenir un bon bout. Tirer le fil en \u00e9coutant avec le bout de son doigt. Tr\u00e8s vite. \u00c7a file. Fait un trou. Y passer une langue. Peu importe \u00e0 qui elle appartient. Si \u00e7a s'appartient. Des op\u00e9rations secr\u00e8tes te font tenir. Ton corps va au-del\u00e0 de ton corps. Ta vie au-del\u00e0 de ta vie. C'est un r\u00e9seau. Un tissu inextricable. O\u00f9 tu fais n\u0153ud. O\u00f9 se fait nous. Un rire autant qu'un \u00e9tranglement autant qu'une corde balanc\u00e9e en plein naufrage. Ce qui saisit avec toi. Tout ce qui saisit. Et le bout qui fait tenir.<\/p>

 <\/p>","label":"

Tenir la vie,<\/i> extrait d'un texte in\u00e9dit re\u00e7u de S\u00e9bastien Lespinasse le 5 novembre \u00e0 l'approche de son solo du 29 novembre 2025.<\/p>"},{"id":261,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/343_20090812142512.mp3","label":"Terre verticale - Traduction fran\u00e7aise lue par Jean-Charles Depaule.","duration":230},{"id":927,"type":2,"content":"

mon texte<\/p>","label":"

ma l\u00e9gende<\/p>"},{"id":900,"type":1,"imageIds":[3077]},{"id":901,"type":3,"videoId":"755471322","label":"

test video<\/p>"},{"id":1201,"type":4,"fileUrl":"\/resources\/files\/file_6582e4062e527.mp3","duration":47},{"id":1202,"type":4,"fileUrl":"\/resources\/files\/file_6582e47804ad0.mp3","duration":47},{"id":975,"type":1,"imageIds":[3195]},{"id":2886,"type":5,"fileUrl":"\/resources\/files\/file_69bbf8c5d9031.pdf","label":"

Sweet lies<\/i>, texte re\u00e7u de Bayan Abu Nahla le 19 mars en amont de la rencontre autour des \u00e9ditions Postfirebooks, le 25 avril 2026.<\/p>"},{"id":628,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/730_20110830142932.mp3","label":"Texte + Oud","duration":201},{"id":817,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/925_20130523180834.mp3","label":"Texte \u00e0 Claude P\u00e9lieux","duration":261},{"id":2614,"type":2,"content":"

 <\/p>

Le r\u00e9veil sonne<\/p>

elle se l\u00e8ve et l\u2019\u00e9t-<\/p>

-einds pour engloutir son petit d\u00e9jeuner<\/p>

 <\/p>

Pour les petit d\u00e9-<\/p>

-jeuner c\u2019est simple,<\/p>

c\u00e9r\u00e9ales, petit verre de lait, \u00e7a suffit<\/p>

 <\/p>

Elle ouvre la porte<\/p>

elle ferme la porte<\/p>

elle rentre dans la voiture et elle s\u2019y rends<\/p>

 <\/p>

Elle entre dan le co-<\/p>

-ll\u00e8ge elle voit ses co-<\/p>

-pains r\u00e9unis qui l\u2019attende pour lui parler<\/p>

 <\/p>

On monte en cours<\/p>

il y a du bruit<\/p>

c\u2019est les profs qui crient et les \u00e9l\u00e8ves aussi<\/p>

 <\/p>

En anglais elle a<\/p>

une \u00e9val sur les<\/p>

verbes irr\u00e9guliers \u00e0 8 heures 30<\/p>

 <\/p>

Elle est l\u00e0 ou pas<\/p>

dans les nuages<\/p>

pos\u00e9e tout en haut sur la mousse lointaine<\/p>

 <\/p>

Dehors le ciel blanc<\/p>

un oiseau s\u2019envole<\/p>

et emporte ses col\u00e8res et ses tourments<\/p>

 <\/p>

Elle dit une blague<\/p>

\u00e0 mourir de rire<\/p>

puis autour d\u2019elle tout le monde rigole<\/p>

 <\/p>

Elle part manger<\/p>

ses amis rigolent<\/p>

elle va plus loin d\u00e9barrasser son plateau<\/p>

 <\/p>

Elle descend les marches<\/p>

tombe s\u2019\u00e9gratine<\/p>

les badauds se regroupent et se moquent d\u2019elle<\/p>

 <\/p>

Elle se dirige<\/p>

vers le m\u00e9decin<\/p>

scolaire puis se pose sur une chaise<\/p>

 <\/p>

Son chat lui manque<\/p>

elle aimerait tant<\/p>

qu\u2019il soit l\u00e0 avec elle pour s\u2019amuser<\/p>

 <\/p>

Elle se rapproche<\/p>

lui glisse un secret<\/p>

ce sont des mots que l\u2019on entend \u00e0 peine<\/p>

 <\/p>

S\u2019assoit sur un banc<\/p>

s\u2019interroge sur elle<\/p>

dans ses pens\u00e9es oublie m\u00eame ses amies<\/p>

 <\/p>

C\u2019est la sonnerie<\/p>

la journ\u00e9e finie<\/p>

rentrer chez elle pour retrouver son chat<\/p>

 <\/p>

Elle est dans son coin<\/p>

elle bosse les maths<\/p>

puis elle se repose en lisant un livre<\/p>

 <\/p>

Elle est \u00e0 table<\/p>

mange des sushis<\/p>

ses parents la questionnent sur sa journ\u00e9e<\/p>

 <\/p>

Allong\u00e9e sur son lit<\/p>

le chat dort sur elle<\/p>

elle ferme doucement ses yeux puis elle s\u2019endort<\/p>

 <\/p>","label":"

Texte collectif<\/p>"},{"id":1114,"type":2,"content":"



\u00ab De  20 h \u00e0 20 h 30, je regarde le journal t\u00e9l\u00e9vis\u00e9, j\u2019emprunte des mots \u00e0 la pr\u00e9sentatrice Anne-Sophie Lapix, aux pr\u00e9sentateurs Gilles Bouleau,  Laurent Delahousse. Parfois j\u2019appelle ces phrases des po\u00e8mes, et parfois les actualit\u00e9s. \u00bb<\/i><\/span><\/p>

 <\/p>

le contexte : 40 000km de barbel\u00e9 high tech<\/p>

 <\/p>

 <\/p>

des croyances variables avec \u00e9quipement et cort\u00e8ge<\/p>

 <\/p>

 <\/p>

un balayeur chasse 849 km de tickets de caisses<\/p>

 <\/p>

 <\/p>

5 janvier 2020, son d\u00e9ballage atmosph\u00e9rique<\/p>

 <\/p>

 <\/p>

une bact\u00e9rie charg\u00e9e de projet<\/p>

 <\/p>

 <\/p>

le tapis rouge est sans \u00e9v\u00e9nement<\/p>

 <\/p>

 <\/p>

l\u2019ambiance, 3 chaises<\/p>

 <\/p>

 <\/p>

22 novembre, l\u2019atmosph\u00e8re est cylindrique<\/p>

 <\/p>

 <\/p>

un camion tourne le dos \u00e0 l\u2019oc\u00e9an<\/p>

 <\/p>

 <\/p>

le salon : les meubles, leur s\u00e9jour autoritaire de longue dur\u00e9e<\/p>

 <\/p>

 <\/p>

partout sur le balcon l\u2019immeuble d\u2019en face<\/p>

 <\/p>

 <\/p>

le brouillard, au sol une laitue<\/p>

 <\/p>

 <\/p>

la vall\u00e9e expose son capital beaut\u00e9<\/p>

 <\/p>

 <\/p>

un chien sans affect dans la campagne Suisse<\/p>

 <\/p>

 <\/p>

l\u2019appel au coup d\u2019\u00e9tat et l\u2019activit\u00e9 de l\u2019essuie - glace<\/p>

 <\/p>

 <\/p>

coup de couteau, des regard appropri\u00e9s, l\u2019hippopotame gonflable \u00e0 terre<\/p>

 <\/p>

 <\/p>

l\u2019\u0153uf : son ambition ovale<\/p>

 <\/p>

 <\/p>

hall d\u2019accueil, pivoine tendue, le fleuriste est concentr\u00e9<\/p>

 <\/p>

 <\/p>

les surfaces sont sous tutelle, dans les parties communes l\u2019activit\u00e9 du chien<\/p>

 <\/p>

 <\/p>

des cigales boulonn\u00e9es entre elles sur le cou de Joe  <\/p>

 <\/p>

 <\/p>

le gla\u00e7on, son sc\u00e9nario discret, ses ajustements<\/p>

 <\/p>

 <\/p>

la t\u00f4le perdue sans coh\u00e9rence en fin d\u2019apr\u00e8s-midi<\/p>

 <\/i><\/span><\/p>

 <\/p>

le gorille, sa chevelure est d\u00e9tendue<\/p>

 <\/p>

 <\/p>

arm\u00e9s de plaques ondul\u00e9es, des chasseurs de sauterelles<\/p>

 <\/i><\/span><\/p>

 <\/p>

le sanglier est abattu, une flaque penche vers l\u2019est<\/p>

 <\/p>

 <\/p>

BOOM : l\u2019animal est stress\u00e9<\/p>

 <\/p>

 <\/p>

brouillon atypique : ce sont les reste de l\u2019animal<\/p>

 <\/p>

 <\/p>

7 cm de luxe d\u00e9borde de son poignet<\/p>

 <\/p>

 <\/p>

une conqu\u00eate locale, 6000 nouveaux cheveux<\/p>

 <\/p>

 <\/p>

au sol les hypoth\u00e8ses s\u2019enfoncent, un chien renifle<\/p>

 <\/p>

 <\/p>

un frelon, quelque part au milieu un cycliste<\/p>

 <\/p>

 <\/p>

classe moyenne, l\u2019un deux traverse le couloir

 <\/p>"},{"id":2852,"type":5,"fileUrl":"\/resources\/files\/file_69a701f188d21.pdf"},{"id":2517,"type":5,"content":"

l\u2019enveloppe h\u00e9riss\u00e9e des ch\u00e2taignes mime la capsule<\/p>

elle sait s\u2019ouvrir \u00e0 terme<\/p>

iris girofl\u00e9es pavots<\/p>

vos fruits aussi              sont d\u00e9hiscents<\/p>

mais comment s\u2019appelle-t-il d\u00e9j\u00e0<\/p>

le temps si bref allou\u00e9   pour formuler un v\u0153u<\/p>

avant cl\u00f4ture du ciel<\/p>

et l\u2019asservissement des champignons     on en parlera quand<\/p>

dans cette vieille langue qui nomme khasta toutes les sortes d\u2019arbres<\/p>

tu crois qu\u2019on l\u2019abordera le sujet<\/p>

celui de la d\u00e9pouille des filles<\/p>

derni\u00e8res de la lign\u00e9e<\/p>","fileUrl":"\/resources\/files\/file_681b693a8b1c5.pdf"},{"id":2295,"type":2,"content":"

 <\/p>

0<\/p>

 <\/p>

il y a de l\u2019espace pour toi<\/p>

entre les mots il y a de l\u2019espace pour moi<\/p>

entre les images nous allons de pair<\/p>

si nous sommes anges mon beau laissons-nous chuter<\/p>

 <\/p>

1<\/p>

 <\/p>

avec des textes qui passent pluto\u0302t
pour difficiles,
avec des textes qui ne sont pas vraiment
ce qu\u2019on appelle divertissants
affirmer malgre\u0301 tout, avec un sens bien
compris de son propre inte\u0301re\u0302t, l\u2019aspect divertissant de la difficulte\u0301 ?
Peut-e\u0302tre me\u0302me la \u00ab pertinence sociale \u00bb de cette difficulte\u0301 ?<\/p>

 <\/p>

2<\/p>


Il y a tant de larmes...<\/p>

 <\/p>

3<\/p>

 <\/p>

Il e\u0301tait un nouveau-venu dans le territoire, un chechaquo, et c\u2019e\u0301tait la\u0300 son premier hiver.
Le proble\u0300me avec lui, c\u2019e\u0301tait qu\u2019il n\u2019avait aucune imagination.
Il e\u0301tait rapide et alerte dans les choses de la vie,<\/p>

mais seulement dans les choses, et non dans leurs significations.<\/p>

 <\/p>

4<\/p>

 <\/p>

Ces pages sont le re\u0301sultat d\u2019une lecture oblique de certains livres. Il s\u2019agit, au sens propre, de notes, de citations noue\u0301es [...] dispose\u0301[e]s en forme de sce\u0301nario. On n\u2019y trouvera pas de de\u0301veloppement (ils manquent me\u0302me), mais une juxtaposition de se\u0301quences. L\u2019agencement de ces positions, relativement rigoureux, fait en quelque sorte partie du texte lui- me\u0302me,il en est l\u2019axe, l\u2019horizon, on le remarquera peut-e\u0302tre.<\/p>

 <\/p>

5<\/p>

 <\/p>

Ce n\u2019est pas trop long ce que je dois te dire : je tremble quand j\u2019en parle.
Pas grand-chose,
en fait.<\/p>

 <\/p>

6

 <\/p>

Penser \u2013

 <\/p>

7<\/p>


Timbre d\u2019ailleurs une voix<\/p>

masque\u0301e belle, ba\u0302illonne\u0301e inconnue s\u2019e\u0301vanouit dans l\u2019hertz<\/p>

 <\/p>

8

 <\/p>

Penser c\u2019est tout ce que j\u2019imagine qu\u2019une sce\u0300ne devrait e\u0302tre.<\/p>

 <\/p>

9<\/p>

 <\/p>

La poe\u0301sie ou la prose. La musique ou le droit ...
Tous deux tenons un atlas. Nos doigts
se posent longs sur les fils.<\/p>

 <\/p>

10<\/p>

 <\/p>

De trace en trace, nous avons suivi une cartographie imaginaire, de\u0301ploye\u0301\u0301 les cartes d\u2019un petit atlas des pleurs, a\u0300 chaque fois confronte\u0301es par un de\u0301tail a\u0300 la violence de l\u2019histoire.<\/p>

 <\/p>

11<\/p>

 <\/p>

Si les sens \u00ab jettent quelque chose au-dehors \u00bb, ils cessent \u00ab d\u2019accomplir leur mission \u00bb : le gou\u0302t quand on crache, l\u2019odorat quand on respire, la vue quand les yeux pleurent.<\/p>

 <\/p>

12<\/p>

 <\/p>

Ceux qui e\u0301crivent ne sont me\u0302me pas une race. Ni une caste. Ni une classe. Ni rien.
Ils de\u0301tiennent le privile\u0300ge de vivre comme des femmes dans un monde de scientifiques.<\/p>

 <\/p>

13<\/p>

 <\/p>

Voila\u0300 donc un livre qui raconte comment se tissent les liens et les constellations, questionne l\u2019antique me\u0301tier de pleureuse et s\u2019oriente a\u0300 l\u2019estime dans les de\u0301sastres du monde.<\/p>

 <\/p>

14<\/p>

 <\/p>

Il existe aussi des larmes de joie.<\/p>

 <\/p>

15<\/p>

 <\/p>

... inonder les vitrines, les murs, les pays, les maisons.<\/p>

 <\/p>

16<\/p>

 <\/p>

Faire des choses avec des mots<\/p>

 <\/p>

17<\/p>

 <\/p>

Papillons guirlandes sarabandes et un atlas ouvert<\/p>

Une gare une i\u0302le et lieux multiples.<\/p>

 <\/p>

18

 <\/p>

Tomber dans le son d\u2019une pure action intellectuelle<\/p>

 <\/p>

19<\/p>

 <\/p>

La commaison commence sans unite\u0301<\/p>

pre\u0301sence commune a\u0300 ceux qui n\u2019ont rien en commun<\/p>

 <\/p>

20<\/p>

 <\/p>

Comme la traduction<\/p>

 <\/p>

21<\/p>

 <\/p>

Re\u0301volution,
mais pas autour d\u2019une table !<\/p>

 <\/p>

22<\/p>

 <\/p>

vous qui avez change\u0301 en rubis et saphirs tous mes pe\u0301che\u0301s,
pardonnez-moi de de\u0301sirer le Monde avec un ventre<\/p>

de femme<\/p>

 <\/p>

23<\/p>

 <\/p>

Permets-moi, seigneur,
de me contempler comme je suis : le fusil a\u0300 la main
la grenade dans la bouche e\u0301tripant les gens que j\u2019aime.<\/p>

 <\/p>

24<\/p>

 <\/p>

Un mot e\u0301tait pre\u0301sent a\u0300 son esprit qu\u2019il avait utilise\u0301 de\u0301ja\u0300, mais pour parler de la litte\u0301rature, dont, soudain, il s\u2019avisa qu\u2019il s\u2019adaptait a\u0300 la politique aussi (les mots de la litte\u0301rature ne sont pas nombreux pourtant qui s\u2019adaptent a\u0300 la politique aussi ou aussi bien). L\u2019impossible, c\u2019est non pas l\u2019accession a\u0300 la politique, me\u0302me re\u0301volutionnaire, ce qu\u2019a\u0300 peu pre\u0300s tout le monde peut, ce dont a\u0300 peu pre\u0300s tout monde est capable (a\u0300 peu pre\u0300s tout le monde sait ce que la politique, me\u0302me re\u0301volutionnaire, peut et doit), mais son excession.<\/p>

 <\/p>

25<\/p>

 <\/p>

ce pourquoi une chose est
ce qu\u2019elle est, par vengeance : por resentida y consentida, porque el deseo se piensa
en te\u0301rminos de poder y terror<\/p>

 <\/p>

26<\/p>

 <\/p>

L\u2019excession ... ce par quoi on de\u0301passe, on e\u0301chappe a\u0300 la politique, me\u0302me re\u0301volutionnaire, par quoi on l\u2019exce\u0300de sans cesse.<\/p>

 <\/p>

27<\/p>

 <\/p>

Qu\u2019est-ce qu\u2019il y a dans le nom nom ?, un caillou.<\/p>

Qu\u2019est-ce qu\u2019il y a dans le nom nous ?, un caillou.<\/p>

Qu\u2019est-ce qu\u2019il y a dans le nom pense\u0301e ?, un caillou.<\/p>

Qu\u2019est-ce qu\u2019il y a dans le nom nuage ?, un caillou.<\/p>

Qu\u2019est-ce qu\u2019il y a dans le nom secret ?, un caillou.<\/p>

 <\/p>

28<\/p>

 <\/p>

Et nous nous demandons pourquoi des mots si diffe\u0301rents tombent toujours sur la me\u0302me re\u0301ponse ?<\/p>

 <\/p>

29<\/p>

 <\/p>

Ce sont des mots
c\u2019est tout. Les impasses de la parole<\/p>

 <\/p>

30<\/p>

 <\/p>

Taciturnite\u0301.<\/p>

 <\/p>

31<\/p>

 <\/p>

Le silence et la langue s\u2019appartiennent. Ce ne sont pas deux choses, mais une Chose \u2026 Pour garder le silence, il faut avoir pu parler. La parole n\u2019est pas impossible. \u00ab Mon amour taciturne est toujours menace\u0301 \u00bb ... La langue est mon amour. \u00ab Elle a ma pre\u0301fe\u0301rence \u00bb<\/p>

 <\/p>

32<\/p>

 <\/p>

L\u2019atlas me tire les cartes ici le destin demeure ge\u0301ographie.
J\u2019entends le crissement des pierres le texte de l\u2019Histoire.<\/p>

Parfois je re\u0302ve d\u2019un amour sans
espoir belle absence de perspectives coulant se\u0301parant reliant
comme cette frontie\u0300re sur-
vivre<\/p>

 <\/p>

33<\/p>

 <\/p>

de quel nai\u0302tre ne\u0301 a\u0300 quoi ne\u0301 nai\u0302tre
ni vie ni mort les deux sans choisir
jouissant des plus anciens vagissements (litte\u0301rature de genre)
& y ajoutant de nouveaux mais angoisse\u0301s (litte\u0301rature expe\u0301rimentale)
c\u2019est ainsi que tu pre\u0301tends devoir vivre les choses<\/p>

ou que tu pre\u0301tends avoir ve\u0301cu entre toutes les choses<\/p>

 <\/p>

34<\/p>

 <\/p>

1500 ans, 95, 40 ou 12, les distances
doivent e\u0302tre chiffre\u0301es \u2013 et pourtant elles ne jouent pas de ro\u0302le,
la\u0300 ou\u0300 un texte vous touche, en
tant qu\u2019individus, a\u0300 la premie\u0300re personne,
me, touche, m\u2019introduit a\u0300 la langue,
dans un cosmos,
qui me contient comme possibilite\u0301, dans lequel je deviens pensable, distincte : langue a\u0300 laquelle je peux acce\u0301der, dans laquelle je peux e\u0302tre
autre<\/p>

\u2013 et avec d\u2019autres ?<\/p>

 <\/p>

35<\/p>

 <\/p>

Un chant d\u2019amour.<\/p>

 <\/p>

36<\/p>

 <\/p>

tant pis si le corps met en gage le nom tant pis si le corps met en gage
tant pis si le corps
tant pis si<\/p>

tant pis<\/p>

 <\/p>

37<\/p>

 <\/p>

L\u2019esquisse d\u2019un cine\u0301ma improbable, voire impossible, mais ouvert a\u0300 son impossible fin.<\/p>

 <\/p>

38<\/p>

 <\/p>

Vieille fuminerie, vieille tapaillerie, le long des pierres littorales dessous la terre, claquant de traverse en traverse, sur les joints de dilatation, combat de pieux couvert par le bruit, vacarme de clo\u0302turerie sous le toit de la terre : vieille e\u0301corcherie... vieillicririe... e\u0301carterie... e\u0301cririe, vieirrie...<\/p>

 <\/p>

39<\/p>

 <\/p>

Le fil est
perdu le labyrinthe inaugure\u0301 ou\u0300 cela me\u0300ne-t-il dans l\u2019ine\u0301vitable qui portera le nom de bonheur<\/p>

 <\/p>

40<\/p>

 <\/p>

Tant pis si l\u2019exce\u0300s.<\/p>

 <\/p>

41<\/p>

 <\/p>

Et, enfin, le long de quelques ruines englouties, le long de Germania II, ou\u0300 dans le flot jouent les constellations, ou\u0300 paissent les minotaures.<\/p>

 <\/p>

42<\/p>

 <\/p>

Elle se le\u0300ve,
le\u0301ge\u0300re,
de bonne humeur. Sortons,<\/p>

 <\/p>

43<\/p>

 <\/p>

Avec : Barbara K\u00f6hler, Laurent Cassagnau, Jean-Paul Iommi-Amunat\u00e9gui, Jack London, Aleksi Barri\u00e8re, Miy\u00f3 Vestrini, Louis Zukofsky, Philippe Blanchon, Alexandre Curlet, Muriel Pic, Anne Weber, Michel Deguy, Juana Dolores, Michel Surya, Amandine Andr\u00e9, Alexis Lussier, Wolfgang Hilbig\u2026<\/p>

 <\/p>"},{"id":1116,"type":2,"content":"

Trames, tables, \u00e9chiquiers... Du IVe si\u00e8cle jusqu'\u00e0 nos jours, la tentation perdure d\u2019inscrire le po\u00e8me dans un carr\u00e9 parfait. \u00c9loges de l'empereur, r\u00eaves sur la croix, nomenclatures fantasm\u00e9es... Tout se passe comme si cette mise au carr\u00e9 de l'\u00e9criture laissait percer un id\u00e9al : l'av\u00e8nement d'un ordre, r\u00e9unissant en une forme parfaite, \u00e9ternelle, le po\u00e8me et son inscription graphique.
\u00c0 l'\u00e9preuve, la perfection en tous sens du carr\u00e9 favorise pourtant une \u00e9trange propension : \u00e0 \u00e9largir les directions de lecture, d'\u00e9criture. Magiques \u00e0 force de parcours multiples et de permutations possibles, les carr\u00e9s de lettres finissent par \u00e9clairer le temps long de la po\u00e9sie, de Maurice Sc\u00e8ve \u00e0 Jacques Roubaud, de Du Monin \u00e0 Gh\u00e9rasim Luca, de Raban Maur \u00e0 Mich\u00e8le M\u00e9tail\u2026 Ils r\u00e9v\u00e8lent surtout un de ses horizons inexpugnables : le r\u00eave d\u2019une langue qui bougerait si vite, si constamment, qu\u2019elle continuerait \u00e0 parler mais sans figer la moindre d\u00e9coupe. Une langue infiniment labile, en perp\u00e9tuelle restructuration ; un r\u00eave de langue, peut-\u00eatre, au revers de ce que fait toute langue - mais \u00e0 m\u00eame de nous rendre \u00e0 la relance ind\u00e9finie du partage du monde. Ce r\u00eave, il faut le perp\u00e9tuer.<\/p>"},{"id":2696,"type":5,"fileUrl":"\/resources\/files\/file_68764e1a4f662.pdf"},{"id":1273,"type":4,"fileUrl":"\/resources\/files\/file_65aa639f09b86.mp3","label":"

Barbara Guest \u2014 The Blue Stairs<\/i>, reading in the Recording Laboratory at the Library of Congress,  June 2, 1969<\/p>

 Dur\u00e9e : 02'33\" <\/p>","duration":153},{"id":1271,"type":4,"fileUrl":"\/resources\/files\/file_65aa61e3561de.mp3","label":"

Kenneth Koch \u2014 The Circus<\/i>, from The Collected Poems of Kenneth Koch<\/i><\/p>

Dur\u00e9e : 06'09\"<\/p>

 <\/p>

 <\/p>","duration":370},{"id":1293,"type":1,"imageIds":[3427]},{"id":95,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/135_20060221150744.mp3","label":"The house in my head - La maison dans ma t\u00eate - traduction de l'anglais \u00e9tablie collectivement durant un atelier organis\u00e9 au cipM<\/i>.
\r\nlecture de la version fran\u00e7aise par Pascal Poyet<\/a>.","duration":199},{"id":489,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/587_20100430183942.mp3","label":"THe Human Properties - d'apr\u00e8s Walt Whitman","duration":137},{"id":257,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/336_20090812145337.mp3","label":"The Incinerator (1) - Traduction fran\u00e7aise lue par Claude Bondy.","duration":390},{"id":258,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/338_20090812144024.mp3","label":"The Incinerator (3) - Traduction fran\u00e7aise lue par Vincent Broqua.","duration":976},{"id":1243,"type":4,"fileUrl":"\/resources\/files\/file_65a9487ae873c.mp3","label":"

Robert Creeley \u2014 The Language<\/i>, at the University of Arizona Poetry Center, Tucson, December 4, 1963<\/p>

Dur\u00e9e : 01'49\" <\/p>","duration":109},{"id":482,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/580_20100430162925.mp3","label":"The Master of The Cante Jondo - Carte Blanche \u00e0 Peter Gizzi :\r\nenregistrements en marge de l'atelier de traduction men\u00e9 par \"Un bureau sur l'Atlantique\" et de la r\u00e9sidence de Peter Gizzi.","duration":269},{"id":2473,"type":3,"videoId":"1078236541","label":"

The moon is an (upside-down) place<\/i><\/a>, vid\u00e9o de Taylor Alaina Liebenstein Smith & Christopher Alexander (in-situ performance, tournage et montage de Taylor; po\u00e8me \u00e9crit et lu par Christopher). Bruit cosmique gr\u00e2ce \u00e0 Antti Kero, KAIRA (Kilpisj\u00e4rvi Atmospheric Imaging Receiver Array), Finlande. 
2021-22 | 3'49''<\/p>","duration":229},{"id":264,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/348_20081203155435.mp3","label":"The Movies - Cin\u00e9ma - Traduction fran\u00e7aise lue par \u00c9ric Giraud.","duration":144},{"id":469,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/567_20100427154128.mp3","label":"The Photography of the Girl of the River","duration":130},{"id":1261,"type":4,"fileUrl":"\/resources\/files\/file_65a9661722999.mp3","label":"

David Antin \u2014 The Principle of Fit, II, Part 1<\/i>, recording at the Folger Shakespeare Library, Washington DC, June 1980<\/p>

 Dur\u00e9e : 26'32\" <\/p>","duration":1593},{"id":583,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/683_20110205160306.mp3","label":"The Rites etc. - Lecture compl\u00e8te au Black Mountain College - Enregistr\u00e9e au studio du Black Mountain College.","duration":593},{"id":1245,"type":4,"fileUrl":"\/resources\/files\/file_65a94a7fe2066.mp3","label":"

Denise Levertov \u2014 The Secret<\/i> from Perhaps<\/i> at the 92nd Street Y in New York, 1963<\/p>

Dur\u00e9e : 01'05\"<\/p>","duration":66},{"id":990,"type":2,"content":"

Th\u00e9or\u00e8me \u00e7a a l\u2019air assez simple<\/p>

 <\/p>

Simple simple mais rien n\u2019est simple<\/p>

 <\/p>

mes rapports avec les gens sont la simplicit\u00e9 m\u00eame<\/p>

 <\/p>

et la nature devrait se comporter comme tu penses que la nature doit \u00eatre<\/p>

 <\/p>

ah les jolies fleurs blanches<\/p>

oh une salade<\/p>

oh de l\u2019oseille<\/p>

oh des dindons<\/p>

oh les jolis moutons<\/p>

 <\/p>

ne nomme pas ce qui n\u2019a pas besoin d\u2019\u00eatre nomm\u00e9 pour \u00eatre<\/p>

fais frotter l\u2019abstraction avec des bouts de r\u00e9el<\/p>

 <\/p>

On croit au chevauchement \u00e9perdu de chaque forme avec chaque couleur<\/p>

et puis le contraire aussi il a l\u2019air assez simple ce tableau<\/p>

 <\/p>

Et \u00e0 un moment donn\u00e9, on commence \u00e0 r\u00eaver plus concr\u00e8tement<\/p>

 <\/p>

On leur rase leur villa imp\u00e9riale, ils la reconstruisent.<\/p>

Et puis le contraire aussi tu ne refais pas un vieux mur<\/p>

 <\/p>

Quand tu as une pierre de ch\u00e2teau de la Loire, elle est faite pour s\u2019user. Si tu en mets une neuve, \u00e7a se voit, c\u2019est pas la m\u00eame.<\/p>

Et puis faut faire le contraire aussi<\/p>

Le mat\u00e9riau du temple est toujours d\u2019actualit\u00e9, le bois n\u2019a pas d\u2019\u00e2ge, ils vont toujours le chercher dans le m\u00eame bois<\/p>

 <\/p>

le bruit des robes de bure que cela fait dans les couloirs de pierre<\/p>

et puis le contraire aussi comme une tr\u00e8s \u00e2pre p\u00e9rilleuse roche.<\/p>

 <\/p>

Et tu le sais et tu le fais<\/p>","label":"

Texte de Vincent Broqua et Anne Portugal, li\u00e9 \u00e0 leur r\u00e9sidence de cr\u00e9ation avec Anna Huber du 5 au 14 mai 2023. <\/p>"},{"id":2851,"type":3,"videoId":"1166723600","duration":6534},{"id":46,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/74_20060204172442.mp3","label":"Th\u00e9orie des pr\u00e9positions - paru dans la revue FIN<\/i>","duration":153},{"id":226,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/290_20080108155152.mp3","label":"Th\u00e9orie des pr\u00e9positions - 2","duration":1270},{"id":1237,"type":4,"fileUrl":"\/resources\/files\/file_65a93830f2e7d.mp3","label":"

Jack Spicer \u2014 Thing Language<\/i>, Jack Spicer reads Language in its entirety<\/i> \u2014 Vancouver, June 1965.<\/p>

Dur\u00e9e : 14'10\" <\/p>","duration":850},{"id":332,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/428_20090514143429.mp3","label":"Thomas Chalamoun Makes History (extrait)","duration":291},{"id":1061,"type":3,"videoId":"838598013","duration":3110},{"id":1086,"type":1,"imageIds":[3290]},{"id":2286,"type":5,"imageIds":[3583],"fileUrl":"\/resources\/files\/file_669127468e0e2.pdf"},{"id":2287,"type":5,"fileUrl":"\/resources\/files\/file_66912a6c0abac.pdf"},{"id":2742,"type":1,"imageIds":[3924]},{"id":2743,"type":5,"fileUrl":"\/resources\/files\/file_688211201933e.pdf"},{"id":2744,"type":1,"imageIds":[3925],"fileUrl":"\/resources\/files\/file_688211ae308ec.pdf"},{"id":1301,"type":4,"fileUrl":"\/resources\/files\/file_65aaaf97e5310.mp3","label":"

Keith Waldrop \u2014 To Rosmarie in Bad Kissingen<\/i> from Windfall Losses, <\/i>1977<\/p>

Dur\u00e9e 02'05\"<\/p>

 <\/p>

A Hatful of Flood<\/i> from The Garden of Effort<\/i>,1975<\/p>

Dur\u00e9e 07'35\"<\/p>","duration":581},{"id":74,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/104_20060204172713.mp3","label":"Tokyo-Spirale","duration":151},{"id":276,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/362_20090225175426.mp3","label":"Tombes de verre - extraits - Lecture de la traduction fran\u00e7aise par Jean-Charles Depaule","duration":195},{"id":274,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/360_20090130160810.mp3","label":"Toni Negri - Leopardi - extrait","duration":471},{"id":557,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/656_20101015183633.mp3","label":"Tony Danza","duration":64},{"id":585,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/685_20110214153043.mp3","label":"Total temps","duration":254},{"id":831,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/941_20131023172323.mp3","label":"Tout dort en paix sauf l'amour (extrait)","duration":185},{"id":2301,"type":5,"fileUrl":"\/resources\/files\/file_66aca48a3ab63.pdf"},{"id":380,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/476_20090909145233.mp3","label":"Tout le monde se ressemble (extrait)","duration":200},{"id":947,"type":2,"content":"

UN SONNET DE WITTGENSTEIN (\u00ab SOYONS HUMAINS \u00bb)<\/p>

 <\/p>

nahm soeben \u00c4pfel aus einem Papiersack,<\/p>

wo sie lange gelegen hatten ;<\/p>

viele mu\u00dfte ich zur H\u00e4lfte<\/p>

wegschneiden und wegwerfen.<\/p>

Als ich dann einen Satz von mir abschrieb,<\/p>

dessen letzte H\u00e4lfte schlecht war,<\/p>

sah ich ihn gleich<\/p>

als zur H\u00e4lfte faulen Apfel.<\/p>

Und so geht es mir u\u0308berhaupt :<\/p>

alles, was mir in den Weg kommt,<\/p>

wird in mir zum Bild dessen,<\/p>

woru\u0308ber ich noch denke.<\/p>

\u2003\u2003(Ist dies eine gewisse Weiblichkeit<\/p>

\u2003\u2003der Einstellung ?)<\/p>

 <\/p>

avais juste pris des pommes d\u2019un sac papier<\/p>

o\u00f9 elles \u00e9taient rest\u00e9es longtemps ;<\/p>

beaucoup en avais-je d\u00fb \u00e0 moiti\u00e9<\/p>

couper jeter ouste<\/i>.<\/p>

Puis comme je recopiais une phrase de moi<\/p>

dont la derni\u00e8re moiti\u00e9 \u00e9tait mauvaise,<\/p>

je l\u2019ai vue pareil<\/p>

\u00e0 moiti\u00e9 pourrie : une pomme.<\/p>

Et moi, il en va ainsi absolument :<\/p>

moi, tout ce qui sur le chemin se pr\u00e9sente<\/p>

devient en moi une image de ce<\/p>

\u00e0 quoi je pense alors.<\/p>

\u2003(Est-ce ici<\/p>

\u2003une certaine f\u00e9minit\u00e9 de l\u2019attitude ?)<\/p>","label":"

Sonnet pos\u00e9 puis traduit par Pascal Poyet, d\u2019apr\u00e8s <\/span>Vermischte Bemerkungen<\/i> (<\/span>Remarques M\u00eal\u00e9es<\/i>).<\/span><\/p>"},{"id":1311,"type":2,"content":"


Words like violence
Break the silence
Come crashing in
Into my little world
Painful to me<\/p>

Des mots comme la violence
Casser le silence
Viens t\u2019\u00e9craser
Dans mon petit monde
Douloureux pour moi
 <\/p>","label":"

Sami Yusuf<\/p>"},{"id":1312,"type":2,"content":"


Wesh alors, je suis dans le game en claquettes<\/span>
J\u2019ai perdu mes billets et mon temps dans les bagarees<\/span>
Quand y\u2019a la police \u00e7a crie ahra ou artheno (?)<\/span>
\u00c7a parle plus fort quand y\u2019a les chmit<\/span>
\u00c7a m\u2019insulte ma m\u00e8re<\/span>
Je lance la guerre, gros chaud<\/span>
On est tous gros, \u00e7a part en freestyle<\/span>
Je pars du tribunal<\/span>
Je sors du shtar<\/span>
Go nique des m\u00e8res freestyle<\/span>
 <\/p>","label":"

Kenzi<\/p>"},{"id":1313,"type":2,"content":"


All I ever needed
Is here in my arms
Words are very unnecessary
Words are very unnecessary<\/p>

Que va-t-on d\u00e9couvrir finalement ?<\/p>

Que va-t-on d\u00e9couvrir ?
Les mots sont tr\u00e8s inutiles<\/p>

 <\/p>","label":"

No\u00e9<\/p>"},{"id":1314,"type":2,"content":"


La vie est une vall\u00e9e de larmes et aussi de roses mais aussi de mensonges
Les larmes peuvent couler \u00e0 l\u2019infini
Les roses repoussent
Mais les mensonges restent, ne s\u2019effacent jamais , tout \u00e7a jusqu\u2019\u00e0 la mort.<\/p>

J\u2019aimerais sentir sa rose et contempler son amour comme les vall\u00e9es d\u2019amour qui traversent les mensonges. Les mensonges qui m\u00e8nent aux larmes qui elles coulent sur mon visage, qui se terminent sur le bas du sol.<\/p>

Feelings are intense
Words are trivial
 <\/p>","label":"

Annabel<\/p>"},{"id":904,"type":3,"videoId":"755471322","duration":2421},{"id":89,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/126_20060204164454.mp3","label":"Train de nuit","duration":229},{"id":2433,"type":1,"imageIds":[3791]},{"id":528,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/627_20100709145825.pdf","label":"Transcrire\/Transposer\/Traduire (Compte-rendu et extraits)"},{"id":518,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/617_20100701165102.mp3","label":"Travail de rivi\u00e8re (extrait)","duration":184},{"id":333,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/429_20090514143735.mp3","label":"Tre (environ)","duration":36},{"id":385,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/481_20090910154125.mp3","label":"Tr\u00e8s pratique est notre peau, tr\u00e8s g\u00e9niale est notre colonne vert\u00e9brale","duration":226},{"id":359,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/455_20090707173926.mp3","label":"Tri selon Tri (extrait)","duration":212},{"id":498,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/597_20100518174925.mp3","label":"Troisi\u00e8me mise \u00e0 mort","duration":136},{"id":40,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/65_20060204173220.mp3","label":"Tu es toi - in\u00e9dit","duration":153},{"id":325,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/413_20090429180404.mp3","label":"Tu es venue entre mes yeux - Lecture de la traduction en Fran\u00e7ais par V\u00e9ronique Vassiliou","duration":530},{"id":468,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/566_20100427153627.mp3","label":"Two Hangovers [James Wright]","duration":105},{"id":189,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/249_20070825160027.mp3","label":"Ultra \"petit\" a","duration":128},{"id":31,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/53_20060204173535.mp3","label":"Un anniversaire - in\u00e9dit","duration":190},{"id":634,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/736_20110830152950.mp3","label":"Un coup de d\u00e9 [St\u00e9phane Mallarm\u00e9]","duration":632},{"id":689,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/791_20120211173447.mp3","label":"Un coup de fil peut sauver une vie et autres fausses contrep\u00e8terie","duration":181},{"id":116,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/157_20060530124532.mp3","label":"Un cr\u00e9puscule - traduction du persan lue par \u00c9ric Pesty<\/a>","duration":161},{"id":182,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/241_20070810141134.mp3","label":"Un \u00e9pouventail","duration":492},{"id":2797,"type":2,"content":"

Voici une errance par gestes somnambules, o\u00f9 le monde prend forme en changeant.

Dans le r\u00e8gne des poussi\u00e8res na\u00eet un r\u00eave de l\u2019herbe. Des brindilles miment une musique au tremblement des extr\u00e9mit\u00e9s.

L\u2019esprit des sols se r\u00e9v\u00e8le, apparitions dessinant une pr\u00e9sence de l\u2019eau in\u00e9galement r\u00e9partie.<\/p>

 <\/p>

 <\/p>

 
L\u2019accumulation parle pour l\u2019occupation en m\u00eame temps que pour l\u2019abandon. Les friches sont en m\u00eame temps affaissement et foisonnement. Des germes s\u2019y \u00e9panouissent en limbes verts et dessinent un gonflement, d\u2019abord en des interstices puis par intrications.<\/p>

 <\/p>

  <\/p>


Les herbes qui paraissent font un plan homog\u00e8ne, o\u00f9 chacune pourtant \u00e9chappe \u00e0 la conciliation. La dormance est partout, un songe au visage de formes possibles.<\/p>

 
L\u2019\u00e9vulsion progressive des vapeurs dessine un paysage, une image aussi bien qu\u2019un th\u00e9\u00e2tre de d\u00e9tails propices \u00e0 la fantasmagorie. Les perspectives ne tiennent plus sans rep\u00e8res, les \u00e9tendues et les arbres se d\u00e9composent en une lente respiration.<\/p>

 
Dans les humidit\u00e9s qui retournent \u00e0 l\u2019air libre, ce sont avant tout des odeurs qui \u00e9mergent, produits des profondeurs. Le voile des brumes r\u00e9duit l\u2019horizon en m\u00eame temps qu\u2019il l\u2019infinit.<\/p>

 
Une portion du territoire se retire par simple \u00e9vaporation.<\/p>

 <\/p>

 <\/p>


Voici une ville dont les parcelles sont al\u00e9atoirement laiss\u00e9es libres et qui ressemble \u00e0 un patchwork, illumin\u00e9es ou non, ne se traversant qu\u2019\u00e0 rythme inconstant. Le d\u00e9sordre qui s\u2019instille remod\u00e8le le terrain. Ombres ou lumi\u00e8res se succ\u00e8dent, d\u00e9terminant l\u2019usage comme l\u2019abandon, et les registres se confondent \u00e0 mesure qu\u2019une puissance de prairie se manifeste ou se r\u00e9sorbe.<\/p>

 
Des constructions inachev\u00e9es que le vent traverse, et le son changeant qu\u2019il produit selon les obstacles qu\u2019il rencontre. Certaines r\u00e9sistances produisent une harmonie dans des ouvertures laissant une longue fuite, un perp\u00e9tuel \u00e9coulement o\u00f9 rien n\u2019a de prise ni ne se produit.<\/p>

 
Il y a une multitude de nuages filtrant chacun la lumi\u00e8re autrement. <\/p>


(...)<\/p>","label":"

Un jardin sans all\u00e9es<\/i>, extrait re\u00e7u de Baptiste Gaillard, le 11 ao\u00fbt \u00e0 l'approche de la rencontre autour des \u00e9ditions H\u00e9ros-Limite du 25 octobre 2025.<\/p>"},{"id":365,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/461_20090715155210.mp3","label":"Un jour je serai paysanne \/ Salvatore Bonifazio","duration":170},{"id":538,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/637_20100729163530.mp3","label":"Un matin de semaine (extrait)","duration":184},{"id":874,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/986_20160322185623.mp3","label":"Un petit gar\u00e7on un peu silencieux - Amandine Marembert, extraits de \"Un petit gar\u00e7on un peu silencieux\" (Al Manar, 2010).","duration":230},{"id":568,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/667_20101112183318.mp3","label":"Un plan lecture (extrait)","duration":205},{"id":2411,"type":4,"fileUrl":"\/resources\/files\/file_67dd6d9a05591.mp3","label":"

Extrait du manuscrit Paradiciaca. Un Lac-Op\u00e9ra,<\/i> (traduction en n\u00e9erlandais.)<\/p>","duration":178},{"id":621,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/723_20110712172933.mp3","label":"Un priv\u00e9 \u00e0 Tanger (extrait)","duration":478},{"id":351,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/447_20090612161024.mp3","label":"Una figura elida","duration":126},{"id":271,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/357_20090123170413.mp3","label":"Une babouche devient jaune - Lecture \u00e0 Montevideo<\/i>, dans le carde du festival act0<\/i>ral.7<\/b>, en partenariat avec le cipM<\/i>","duration":123},{"id":193,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/253_20070825171657.mp3","label":"Une br\u00e8ve histoire de l'homme","duration":536},{"id":112,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/153_20060502135113.mp3","label":"Une femme - (traduction du persan lue par \u00c9ric Pesty)","duration":195},{"id":670,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/772_20111108172127.mp3","label":"Une femme de quelques vies (premier cahier) - Traduction en am\u00e9ricain de et lue par Norma Cole","duration":399},{"id":299,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/385_20090328175408.mp3","label":"Une histoire \u00e0 propos d'Ingeborg Bachmann et de Paul Celan - Avec la participation de Catherine Weinzaepflen pour la lecture en fran\u00e7ais des po\u00e8mes de Paul Celan et d'Ingeborg Bachmann","duration":1182},{"id":26,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/48_20060204171629.mp3","label":"Une larme... - publi\u00e9 dans la reve FIN","duration":160},{"id":146,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/202_20070321175630.mp3","label":"Une Longue Marche (extrait) [Victor Segalen] - Extrait du livre paru aux \u00e9ditions Confluences par \u00c9ric Audinet, \u00e9diteur et Jean Esponde, auteur.","duration":196},{"id":740,"type":5,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/844_20120524013621.pdf","label":"Une Mort Programm\u00e9e [tract]"},{"id":120,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/162_20060623123959.mp3","label":"Une page tourn\u00e9e... - enregistr\u00e9 dans le cadre des lectures \r\n\u201c\u00e0 haute voix\u201d\r\norganis\u00e9es par Emmanuel Ponsart\r\nau Mus\u00e9e de Toulon","duration":152},{"id":106,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/147_20060328124553.mp3","label":"Une raison davantage d\u2019\u00eatre au fond...","duration":210},{"id":2479,"type":8,"label":"

Une travers\u00e9e de l\u2019\u0153uvre de Michel Deguy par lui-m\u00eame, enregistr\u00e9e par David Christoffel le 21 janvier 2020.<\/p>","duration":1022,"soundId":"2084286168"},{"id":2824,"type":3,"videoId":"488447208","duration":2193},{"id":2323,"type":1,"imageIds":[3660]},{"id":177,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/236_20070808145149.mp3","label":"Unica Z\u00fcrn - Lettres \u00e0 Ruth Henry (extraits)","duration":485},{"id":852,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/964_20150122183243.mp3","label":"Unit\u00e9s - Luc B\u00e9nazet - Extrait. Lecture de Luc B\u00e9nazet \u00e0 la librairie Texture (Paris), le 06 novembre 2014","duration":154},{"id":123,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/165_20060722122311.mp3","label":"Urgent Reply For Help - Urgente r\u00e9ponse \u00e0 l'aide - Traduction de J\u00e9r\u00f4me Game<\/a>, lue par lui-m\u00eame.","duration":253},{"id":2,"type":6,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/6_20050928213813.swf","label":"Ursonate - Lecture-interpr\u00e9tation de l'Ursonate de Kurt Schwitters, le 28 juin 1996\r\nPartition publi\u00e9e dans Kurt Schwitters, Mertz, \u00e9crits choisis et pr\u00e9sent\u00e9s par Marc Dachy<\/i>, \u00e9ditions G\u00e9rard Lebovici, 1990\r\n"},{"id":2314,"type":2,"content":"


Sortir<\/i><\/p>

 <\/p>

Il sort de chez lui pour une bonne raison, il l\u2019oublie<\/p>

il monte dans un bus, rencontre des gens, les filtre avec le langage<\/p>

il dit \u00ab \u00e9tudiant de province \u00bb, \u00ab tatou\u00e9e \u00bb, \u00ab philippin \u00bb<\/p>

pour ne pas voir l\u2019\u00e9tudiant de province, la femme tatou\u00e9e, le philippin<\/p>

et le voil\u00e0 emport\u00e9 par des phrases absurdes, des mains color\u00e9es<\/p>

comme des animaux oniriques<\/p>

comme des oiseaux tropicaux, l\u2019anarchie, celle des autres.<\/p>

 <\/p>

Cela fait quelques ann\u00e9es maintenant que les choses m\u2019arrivent sans protections.<\/p>

Dans mes r\u00eaves je vois des dents cass\u00e9es, des points de suture,<\/p>

des souris coup\u00e9es en deux, de l\u2019oreille \u00e0 la m\u00e2choire, en train de discuter.<\/p>

Souvent, quand vous parlez, je ne vous \u00e9coute pas,<\/p>

les pauses entre les mots me retiennent davantage<\/p>

j\u2019y devine un malaise qui va plus loin que la psychologie, quelque chose de primaire.<\/p>

La tatou\u00e9e descend avant de devenir humaine, la vitre<\/p>

multiplie les d\u00e9tails, l\u2019espace d\u2019un instant<\/p>

le philippin veut dire quelque chose,<\/p>

puis il essaie des sonneries, le bruit qu\u2019il fait<\/p>

me lamine \u00e0 l\u2019int\u00e9rieur, je voudrais le frapper.<\/p>

J\u2019\u00e9tais sorti pour acheter une de ces ampoules led<\/p>

de la derni\u00e8re g\u00e9n\u00e9ration, celles qui ne se consument pas,<\/p>

des ciseaux, des fruits, un concombre.<\/p>

J\u2019ai \u00e9crit un texte qui ne va nulle part. Il veut simplement \u00eatre l\u00e0, comme tout le monde.<\/p>

J\u2019ai \u00e9crit un texte qui reste \u00e0 la surface.

\u2014

Uscire<\/i><\/p>

 <\/i><\/p>

Esce di casa per una ragione, la dimentica,<\/p>

sale su un autobus, incontra le persone, le scherma col linguaggio,<\/p>

dice \u201cstudente fuorisede\u201d, \u201ctatuata\u201d, \u201cfilippino\u201d<\/p>

per non vedere il fuorisede, la donna tatuata, il filippino,<\/p>

poi viene travolto dalle frasi assurde, le mani colorate<\/p>

come animali onirici,<\/p>

come uccelli tropicali, l\u2019anarchia degli altri.<\/p>

 <\/p>

Da qualche anno le cose mi vengono addosso senza protezioni.<\/p>

In sogno vedo denti rotti, punti di sutura,<\/p>

topi tagliati in due, fra l\u2019orecchio e la mascella, che discutono fra loro.<\/p>

Spesso, quando parlate, io non vi ascolto,<\/p>

mi interessano di pi\u00f9 le pause tra le parole,<\/p>

ci leggo un disagio che oltrepassa la psicologia, qualcosa di primario.<\/p>

La tatuata scende prima di diventare umana, il vetro<\/p>

moltiplica i dettagli, per un attimo<\/p>

il filippino significa qualcosa,<\/p>

poi prova le suonerie, il suo rumore<\/p>

mi ottunde internamente, vorrei colpirlo.<\/p>

Ero uscito per comprare una di quelle lampadine a led<\/p>

di nuova generazione, di quelle che non si bruciano,<\/p>

un paio di forbici, la frutta, un cocomero.<\/p>

Ho scritto un testo che non tende a nulla. Vuole solo esserci, come tutti.<\/p>

Ho scritto un testo che rimane in superficie.<\/p>

 <\/p>","label":"

Uscire, <\/i>texte de Guido Mazzoni, traduction de Martin Rueff<\/p>"},{"id":82,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/112_20060204174032.mp3","label":"Usine - texte in\u00e9dit","duration":173},{"id":42,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/68_20061020134603.mp3","label":"Vaduz","duration":508},{"id":808,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/916_20130329161321.mp3","label":"Valentine day reading - Extrait d'une lecture William Burroughs","duration":202},{"id":2801,"type":5,"fileUrl":"\/resources\/files\/file_68c43661ac3be.pdf","label":"

Variation \u00e9co-th\u00e9\u00e2trale<\/i>, Mich\u00e8le Pralong<\/p>"},{"id":844,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/955_20140327130639.mp3","label":"Vases communicants canopes (extrait) - Lecture,\r\nManifestations : Ut pictura poesis, novembre 2013","duration":95},{"id":945,"type":1,"imageIds":[2546]},{"id":256,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/335_20080912180850.mp3","label":"Venise ...","duration":88},{"id":898,"type":3,"videoId":"https:\/\/vimeo.com\/manage\/videos\/779551077","duration":3325},{"id":944,"type":3,"videoId":"820063631","duration":2922},{"id":843,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/953_20140319132130.mp3","label":"Vers o (extrait) - Lecture \r\nLes In\u00e9dits; juin 2001","duration":183},{"id":906,"type":1,"imageIds":[3078]},{"id":2058,"type":1,"imageIds":[3558]},{"id":243,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/319_20080402153804.mp3","label":"Vincent Barras sur John Cage","duration":392},{"id":2815,"type":1,"imageIds":[4001]},{"id":2817,"type":1,"imageIds":[4003]},{"id":2816,"type":1,"imageIds":[4002]},{"id":2818,"type":1,"imageIds":[4004]},{"id":2835,"type":1,"imageIds":[4021]},{"id":2836,"type":1,"imageIds":[4022]},{"id":2843,"type":1,"imageIds":[4026]},{"id":2427,"type":1,"imageIds":[3785]},{"id":2428,"type":1,"imageIds":[3786]},{"id":2429,"type":1,"imageIds":[3787]},{"id":788,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/895_20121016165310.mp3","label":"Voci sprecate (extrait)","duration":329},{"id":706,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/808_20120228164317.mp3","label":"Voil\u00e0 la nuit - Musique de Serge Teyssot-Gay","duration":287},{"id":504,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/603_20100518180850.mp3","label":"Voir ce qui arrive","duration":124},{"id":175,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/234_20070807162709.mp3","label":"Vraiment, de participer \u00e0 mon d\u00e9sir, je fis part","duration":427},{"id":759,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/866_20120703185139.mp3","label":"W (extrait) - enregistr\u00e9 dans le cadre des lectures \u201c\u00e0 haute voix\u201d organis\u00e9es par Emmanuel Ponsart au Mus\u00e9e de Toulon","duration":242},{"id":267,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/353_20081209174012.mp3","label":"Walter Benjamin - Citation de Walter Benjamin","duration":11},{"id":2888,"type":5,"fileUrl":"\/resources\/files\/file_69c559fc9963e.pdf","label":"

What's next ?<\/i>, Seiji Shimoda<\/p>"},{"id":478,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/576_20100429183947.mp3","label":"Word (extrait)","duration":218},{"id":2425,"type":1,"imageIds":[3781]},{"id":2426,"type":1,"imageIds":[3782]},{"id":2393,"type":5,"fileUrl":"\/resources\/files\/file_67bdc8f132010.pdf","label":"

\u00a9 R\u00e9alisation graphique et affiche : Matteo Vallorani<\/p>"},{"id":1132,"type":1,"imageIds":[3365]},{"id":590,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/691_20110312175504.mp3","label":"X parle d'avoir \u00e9t\u00e9 r\u00e9veill\u00e9 au milieu de la nuit... [Robert Creeley]","duration":160},{"id":2573,"type":2,"content":"

 <\/p>

Mon pr\u00e9nom<\/i><\/p>

Mon pr\u00e9nom est assez rare.<\/p>

Je l\u2019aime, il n\u2019est pas commun.<\/p>

Il peut para\u00eetre un peu d\u2019origine ancienne.<\/p>

Il y a quand m\u00eame neuf lettres dans mon pr\u00e9nom !<\/p>

Je trouve que c\u2019est beaucoup pour un pr\u00e9nom.<\/p>

Il me semble qu\u2019il est d\u2019origine grecque et je le porte car c\u2019est un m\u00e9lange de deux pr\u00e9noms.<\/p>

C\u2019est un pr\u00e9nom d\u2019origine religieuse.<\/p>

La premi\u00e8re fois que mon pr\u00e9nom a vu le jour, c\u2019\u00e9tait en 1968.<\/p>

En tout, dans le monde, il n\u2019y a que 140 Cristiana !<\/p>

L\u2019ann\u00e9e o\u00f9 mon pr\u00e9nom a eu le moins de succ\u00e8s \u00e9tait en 2012, avec seulement dix naissances.<\/p>

\u2014<\/p>

 <\/p>

Les choses qui me rendent joyeuse<\/i><\/p>

Quand je dors.<\/p>

Quand je mange.<\/p>

Quand je vois mes meilleures amies.<\/p>

Quand je fais du shopping.<\/p>

Mais ce qui me rend heureuse c\u2019est quand l\u2019\u00e9l\u00e9phant fait Meuh !<\/p>

 <\/p>","label":"

Cristiana<\/p>"},{"id":2570,"type":2,"content":"

 <\/p>

Mon pr\u00e9nom<\/strong><\/p>

Mon pr\u00e9nom vient d\u2019Italie.<\/p>

Mon surnom est Didi<\/p>

Je suis Dino.<\/p>

\u2014<\/p>

 <\/strong><\/p>

Je suis joyeux<\/strong><\/p>

Quand je joue \u00e0 la Play.<\/p>

Quand il n'y a pas \u00e9cole.<\/p>

Quand je sors.<\/p>

Quand il y a des f\u00eates.<\/p>

Quand c'est les vacances.<\/p>

\u2014<\/p>

 <\/p>

Je n'aimerais pas vivre en Afrique mais parfois si.<\/p>

Je n'aimerais pas vivre dans une banane mais parfois si.<\/p>

Je n'aimerais pas vivre avec Carabosse la sorci\u00e8re mais parfois si.<\/p>

Je n'aimerais pas vivre avec un dinosaure mais parfois si.<\/p>

Je n'aimerais pas vivre dans une \u00e9glise mais parfois si.<\/p>

                     <\/p>","label":"

Dino<\/p>"},{"id":2571,"type":2,"content":"

 <\/p>

La beaut\u00e9 de ton sourire (\u00e9crit avec Axel)<\/strong><\/i><\/p>

Sourire qui illumine ma vie.<\/p>

Vis ta vie tant qu\u2019il en est encore temps.<\/p>

Tant pis si le d\u00e9grad\u00e9 a pel\u00e9.<\/p>

Pel\u00e9 \u00e9tait rapide.<\/p>

Rapide comme l\u2019\u00e9clair.<\/p>

L\u2019\u00e9clair de la nuit o\u00f9 m\u00eame mon ombre me trahit.<\/p>

Trahis pas l\u2019Omerta.<\/p>

\u2014<\/p>

 <\/p>

- Il me sort des yeux.<\/p>

- Qu\u2019est-ce qu\u2019il a fait ?<\/p>

- Il me cherche des noises.<\/p>

- Mais tu pourrais passer l\u2019\u00e9ponge pour cette fois.<\/p>

- Mais il pousse le bouchon trop loin.<\/p>

- Mais tu es haut comme trois pommes, tu ne vas rien faire.<\/p>

- C\u2019est l\u2019h\u00f4pital qui se fout de la charit\u00e9, tu es plus petit que moi.<\/p>

- Ne raconte pas de salades.<\/p>

- Tu te sens pousser des ailes.<\/p>

- C\u2019est bon, va voir ailleurs si j\u2019y suis.<\/p>

\u2014<\/p>

 <\/p>

Mon pr\u00e9nom<\/strong><\/i><\/p>

Joyeux tous les jours.<\/p>

Adroit des deux mains.<\/p>

Italie, mon pays d\u2019origine.<\/p>

Serpent, mon animal pr\u00e9f\u00e9r\u00e9.<\/p>

 <\/p>","label":"

Ja\u00efs<\/p>"},{"id":2572,"type":2,"content":"

Paupi\u00e8res au repos, je vais dans mon lit.<\/p>

Je dors dans chacune de mes cellules.<\/p>

Dans mon r\u00eave, mes larmes coulent<\/p>

Au rythme de nos deux poumons gonfl\u00e9s d\u2019oxyg\u00e8ne.<\/p>

\u2014<\/p>

 <\/p>

Mon pr\u00e9nom :<\/strong><\/p>

Je m'appelle Mustafa.<\/p>

J'aime mon pr\u00e9nom, c'est mon grand-p\u00e8re qui me la choisit.<\/p>

Mon pr\u00e9nom est arabe, il signifie \u00ab \u00e9lu, le meilleur \u00bb.<\/p>

\u2014<\/p>

 <\/p>

 <\/p>

Quand s'\u00e9teint le soleil, la lune prend son territoire et le pays du soleil s'endort.<\/p>","label":"

Mustafa<\/p>"},{"id":868,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/980_20160322172544.mp3","label":"XYZ des Renon\u00e7ants - Extrait de \"XYZ des Renon\u00e7ants\", Mich\u00e9a Jacobi.","duration":133},{"id":296,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/382_20090311150756.mp3","label":"Zang Tum Tum (entre autres)","duration":130},{"id":154,"type":4,"fileUrl":"https:\/\/cipmarseille.fr\/documents\/210_20070626182125.mp3","label":"Zaroff \/ Chasses, crimes & ch\u00e2timents et traditions (extrait)","duration":638},{"id":1339,"type":1,"imageIds":[3479]},{"id":1131,"type":1,"imageIds":[3364]},{"id":1089,"type":1,"imageIds":[3341]}],"places":[{"id":47,"name":" Biblioth\u00e8que de L\u2019Alcazar"},{"id":30,"name":" l'H\u00f4tel d'Astier, 15 rue Marius Debout, 04300 Forcalquier"},{"id":56,"name":" Les Beaux-Arts de Marseille, 184 Avenue de Luminy, 13009 Marseille."},{"id":82,"name":" Librairie Enclave de Libros, Madrid"},{"id":58,"name":"[mac] Musee d'art contemporain de la Ville de Marseille, 69 Av. d'Haifa, 13008 Marseille."},{"id":28,"name":"*Duuu Radio, Folie N4, Parc de la Villette, Paris 19e"},{"id":35,"name":"AOC"},{"id":43,"name":"Biblioth\u00e8que de la Grognarde, 2 boulevard Berthier, 13011 Marseille"},{"id":54,"name":"Biblioth\u00e8que de po\u00e9sie contemporaine du Cipm"},{"id":96,"name":"Biblioth\u00e8que des Beaux-Arts de Marseille, 184 AV de Luminy, Marseille, Provence-alpes-c\u00f4te D'azur, FR, 13009"},{"id":7,"name":"BULAC, 65 rue des Grands Moulins, Paris"},{"id":9,"name":"Caves \u00e0 Lulu, rue d'Orl\u00e9ans 04300 Forcalquier"},{"id":3,"name":"Centre de la Vieille Charit\u00e9"},{"id":52,"name":"Centre Pompidou, Paris"},{"id":91,"name":"Cipm"},{"id":27,"name":"Coll\u00e8ge Henri Laugier, 04300 Forcalquier"},{"id":22,"name":"Coll\u00e8ge Henri Nans, 83630 Aups"},{"id":93,"name":"Coll\u00e8ge Jean Giono, 13013 Marseille"},{"id":69,"name":"Coll\u00e8ge La Carraire, 13141 Miramas"},{"id":98,"name":"Coll\u00e8ge La Carraire, 13141 Miramas"},{"id":37,"name":"Coll\u00e8ge Roger Carcassonne, 13330 P\u00e9lissanne"},{"id":79,"name":"Coll\u00e8ge Roger Carcassonne, 13330 P\u00e9lissanne"},{"id":49,"name":"Coll\u00e8ge Sylvain Menu, 13009 Marseille "},{"id":50,"name":"Coll\u00e8ge Vallon des pins, 13015 Marseille "},{"id":15,"name":"Conservatoire Pierre Barbizet, Salle Billioud, 2 place Carli, 13001 Marseille "},{"id":60,"name":"Cour de la Vieille Charit\u00e9"},{"id":51,"name":"\u00c9cole Bernard Cadenat, 13003 Marseille "},{"id":65,"name":"\u00c9cole \u00c9l\u00e9mentaire Leverrier, 13004 Marseille"},{"id":87,"name":"\u00c9cole Sup\u00e9rieure d'Art et Design - Toulon Provence M\u00e9diterran\u00e9e \u2014 2, Parvis des \u00c9coles, 83000 Toulon"},{"id":100,"name":"\u00e9sadtpm, 2 Parvis des \u00e9coles 83000 Toulon"},{"id":45,"name":"Flassans-sur-Issole, 83340"},{"id":21,"name":"Forcalquier"},{"id":32,"name":"Forcalquier, Apt et Marseille"},{"id":25,"name":"Forum -1, Centre Pompidou, Paris"},{"id":34,"name":"Frac Sud Cit\u00e9 de l'art contemporain,

20 Bd de Dunkerque, 13002 Marseille <\/p> "},{"id":75,"name":"Galerie Duchamp - centre d\u2019art contemporain d\u2019int\u00e9r\u00eat national, 7 rue Perc\u00e9e 76190 Yvetot"},{"id":29,"name":"Halle des Blancs-Manteaux, Paris IVe "},{"id":94,"name":"Haus der Berliner Festspiele, Schaperstra\u00dfe 24, 10719 Berlin"},{"id":99,"name":"Institut fran\u00e7ais de Gr\u00e8ce, Sina 31, Ath\u00e8nes"},{"id":81,"name":"Institut fran\u00e7ais de Madrid"},{"id":18,"name":"Institut Fran\u00e7ais Vilnius, Did\u017eioji str. 1, 01128 Vilnius, Lituanie"},{"id":16,"name":"INVISIBLE galerie, 2, rue du Petit Puits,13002 Marseille"},{"id":38,"name":"Jardin de l'\u00e9glise Sainte-Anne, Place Baverel, 13008 Marseille"},{"id":31,"name":"l'H\u00f4tel d'Astier, 15 rue Marius Debout, 04300 Forcalquier"},{"id":12,"name":"L\u2019art Hic & Hoc, 6 rue des fr\u00e8res Blanchard, 13600 La Ciotat "},{"id":89,"name":"L\u2019Oasis de Noailles, 55 rue de la Palud, 13001 Marseille"},{"id":90,"name":"L\u2019Oasis de Noailles, 55 rue de la Palud, 13001 Marseille"},{"id":57,"name":"la\u00a0Bnf \u2013 Fran\u00e7ois Mitterrand\u00a0 Quai Fran\u00e7ois Mauriac, 75706 Paris\u00a0"},{"id":80,"name":"La Casa de Vel\u00e1zquez, Madrid"},{"id":66,"name":"La Ciotat"},{"id":72,"name":"La Citadelle de Marseille Fort Saint-Nicolas 1, boulevard Charles Livon, 13007 Marseille "},{"id":8,"name":"La C\u00f4merie, 202 B, rue Breteuil, 13006 Marseille"},{"id":95,"name":"La Compagnie, 19, rue Francis de Pressens\u00e9, 13001 Marseille"},{"id":85,"name":"La Cri\u00e9e \u2014 Th\u00e9\u00e2tre national de Marseille \u2014 30, Quai de Rive Neuve, 13007 Marseille."},{"id":55,"name":"La m\u00e9diath\u00e8que d\u00e9partementale des Alpes-Maritimes"},{"id":26,"name":"Le Miroir, Centre de la Vieille Charit\u00e9, Marseille"},{"id":73,"name":"Le Pharo, salle de conf\u00e9rence, 58 Bd Charles Livon, 13007 Marseille"},{"id":13,"name":"Le Salon du Salon, 21 Av. du Prado, 13006 Marseille."},{"id":40,"name":"Le T\u00e9l\u00e9graphe 2 rue Hippolyte Duprat, 83000 Toulon "},{"id":86,"name":"LGBTQIA+, 17-21 rue du Chevalier Roze, dans le Panier, 13002 Marseille."},{"id":19,"name":"Librairie Au poivre d'\u00e2ne, 6 Quai Fran\u00e7ois Mitterrand, 13600 La Ciotat"},{"id":74,"name":"Librairie du jour - La Fab. Place Jean-Michel Basquiat, 75013 Paris"},{"id":6,"name":"Librairie galerie Zo\u00e8me, 8 rue Vian, Marseille 13006"},{"id":1,"name":"Librairie L'Odeur du temps, 35, rue Pavillon 13001 Marseille "},{"id":88,"name":"Librairie la Salle des Machines, Friche la Belle de Mai, 41 Rue Jobin, 13003 Marseille."},{"id":101,"name":"Librairie O METEORITIS, \ufeff\ufeffFokionos Negri 68, Kipseli, Ath\u00e8nes, Gr\u00e8ce"},{"id":46,"name":"Lyc\u00e9e de l\u2019Emp\u00e9ri, 13300 Salon de Provence"},{"id":68,"name":"Lyc\u00e9e des M\u00e9tiers Alpes Durance, 05200 Embrun"},{"id":53,"name":"Lyc\u00e9e des M\u00e9tiers Fr\u00e9d\u00e9ric Mistral, 13009 Marseille"},{"id":23,"name":"Lyc\u00e9e Ferdinand Revoul, 84600 Valr\u00e9as"},{"id":67,"name":"Lyc\u00e9e g\u00e9n\u00e9ral et technologique Dominique Villars 05010 Gap"},{"id":61,"name":"Lyc\u00e9e Honor\u00e9 Daumier, 13008 Marseille"},{"id":11,"name":"Lyc\u00e9e Pierre Mend\u00e8s France - Vitrolles"},{"id":36,"name":"Lyc\u00e9e professionnel agricole de Saint R\u00e9my de Provence"},{"id":78,"name":"Lyc\u00e9e professionnel Alexandre Dumas, Cavaillon"},{"id":71,"name":"Lyc\u00e9e professionnel La Floride 13014 Marseille"},{"id":64,"name":"Lyc\u00e9e professionnel Pierre Mend\u00e8s France, 13741 Vitrolles"},{"id":63,"name":"Lyc\u00e9e Thiers, 13001 Marseille"},{"id":77,"name":"Maison de la po\u00e9sie de Paris"},{"id":41,"name":"M\u00e9diath\u00e8que Albert Camus, 24 avenue Paul Verlaine, 13470 Carnoux-en-Provence"},{"id":44,"name":"M\u00e9diath\u00e8que Bonneveine, 124 boulevard de Hambourg, 13008 Marseille"},{"id":14,"name":"M\u00e9diath\u00e8que Chalucet, 5 Rue Chalucet, 83000 Toulon"},{"id":83,"name":"M\u00e9diath\u00e8que d\u00e9partementale des Alpes de Haute-Provence"},{"id":76,"name":"M\u00e9diath\u00e8que intercommunale de Lasalle, Chemin du Canal du Moulin d'Algues, 30460 Lasalle"},{"id":48,"name":"M\u00e9diath\u00e8que Jean d'Ormesson, 06270 Villeneuve Loubet"},{"id":24,"name":"Mont\u00e9vid\u00e9o, 3 Imp. Montevideo, 13006 Marseille, France"},{"id":84,"name":"MucemLab \u2014 Mucem-Fort Saint-Jean (entr\u00e9e par la tour du Roy Ren\u00e9) 13002 Marseille"},{"id":92,"name":"Mus\u00e9e Cantini, 19 Rue Grignan, 13006 Marseille"},{"id":39,"name":"Mus\u00e9e national de la Marine, Place Monsenergue, Quai de Norfolk, 83000 Toulon"},{"id":20,"name":"Place \u00c9variste Gras, 13600, La Ciotat"},{"id":62,"name":"Place Saint-Sulpice, Paris 6"},{"id":17,"name":"Place Saint-Sulpice, Paris 6"},{"id":97,"name":"Prolongation du 7 au 31 janvier 2026"},{"id":33,"name":"Quai Fran\u00e7ois-Mauriac \u2013 Paris XIII, entr\u00e9e Est face \u00e0 la rue \u00c9mile Durkheim"},{"id":5,"name":"Radio Grenouille 88.8 fm"},{"id":70,"name":"Salon du livre m\u00e9diterran\u00e9en de Marseille"},{"id":42,"name":"Th\u00e9\u00e2tre Joliette, 2 Place Henri Verneuil, 13002 Marseille"},{"id":10,"name":"Transit Librairie, 51 boulevard de la Lib\u00e9ration, 13001 Marseille"},{"id":2,"name":"V\u00e9lo-Th\u00e9\u00e2tre, 171 Avenue Eug\u00e8ne Baudouin, 84400 Apt"},{"id":59,"name":"Vilnius, Lituanie"}],"publics":[{"id":4,"name":" \u00c9tudiant\u00b7e\u00b7s de l\u2019\u00c9cole sup\u00e9rieure d\u2019art d\u2019Aix-en-Provence et l\u2019\u00c9cole nationale sup\u00e9rieure d\u2019arts de Paris-Cergy"},{"id":2,"name":"\u00e0 destination des \u00e9tudiants du Master Cr\u00e9ation Litt\u00e9raire du Havre","menuName":"des \u00e9tudiants du Master Cr\u00e9ation Litt\u00e9raire du Havre"},{"id":5,"name":"Atelier de recherche et de cr\u00e9ation (ARC)"},{"id":1,"name":"\u00e9tudiants en master des Beaux-Arts de Marseille","menuName":"des \u00e9tudiants des Beaux-Arts de Marseille"},{"id":6,"name":"L'Ecole Sup\u00e9rieure d'Art d'Avignon (ESSA)"},{"id":8,"name":"Les \u00e9tudiant\u00b7e\u00b7s des Beaux-Arts de Marseille et les masterant\u00b7e\u00b7s et doctorant\u00b7e\u00b7s de l\u2019EHESS "},{"id":3,"name":"master en \u00e9critures exp\u00e9rimentales de l'ESBAN + doctorant.es du s\u00e9minaire de Recherche-Cr\u00e9ation \u00e0 Paris 8"},{"id":7,"name":"sur invitation"}],"sections":[{"id":3,"text":"

Les fiches auteur\u00b7e\u00b7s sont fournies par les auteur\u00b7e\u00b7s. Une fiche, en r\u00e8gle g\u00e9n\u00e9rale, date de la derni\u00e8re participation de son auteur\u00b7e \u00e0 l\u2019activit\u00e9 du Cipm. Cette derni\u00e8re participation en date appara\u00eet en haut de la liste chronologique situ\u00e9e en page de droite quand la fiche est ouverte.<\/p>"},{"id":6,"text":"

La biblioth\u00e8que de consultation du Cipm est ouverte du mercredi au samedi de 14h \u00e0 18h. Elle met librement et gratuitement \u00e0 disposition du public une collection in\u00e9gal\u00e9e en mati\u00e8re de po\u00e9sie contemporaine.<\/p>

 <\/p>

 <\/p>","titledTexts":[{"title":"\u00c0 propos","text":"

Constitu\u00e9e par un fonds d\u2019environ 50 000 documents (livres, exemplaires de revue, CD et DVD) la biblioth\u00e8que du Cipm est internationalement connue et reconnue pour ses fonds hors normes parmi lesquels : fonds fran\u00e7ais de livres de po\u00e9sie, essais, monographies, philosophie, livres d'art ; fonds international des revues ; biblioth\u00e8que am\u00e9ricaine ; biblioth\u00e8que Anne-Marie Albiach ; fonds en langues \u00e9trang\u00e8res ; ressources audiovisuelles\u2026          

En plus des acquisitions r\u00e9guli\u00e8res, g\u00e9r\u00e9es \u00e0 partir d\u2019une politique documentaire qui tient compte de l\u2019histoire du centre, ainsi que de l\u2019\u00e9volution du monde de la cr\u00e9ation po\u00e9tique, ses collections et fonds sp\u00e9cifiques sont enrichis par des donations qui compl\u00e8tent et augmentent sa valeur scientifique et patrimoniale.          

La biblioth\u00e8que est ouverte du mercredi au samedi de 14h \u00e0 18h. Elle accueille un public de lecteurs au profil tr\u00e8s vari\u00e9 : \u00e9tudiants, curieux, passionn\u00e9s, auteurs, \u00e9diteurs, traducteurs. Le travail d\u2019accompagnement \u00e0 la recherche et de renseignement bibliographique peut aussi avoir lieu en dehors des temps d\u2019ouverture, sur r\u00e9servation, ou \u00e0 distance (par mail<\/a>). A la biblioth\u00e8que chaque ann\u00e9e sont aussi accueillies d\u2019autres actions du volet \u00ab \u00e9cole \u00bb du Cipm : masterclasses et workshops (Universit\u00e9s, Ecoles des Beaux-Arts), ateliers d'\u00e9criture adultes, accueil de classes (EAC, coll\u00e8ges et lyc\u00e9es), auteurs accueillis en r\u00e9sidence (de lecture, d'\u00e9criture, de traduction) au Cipm.<\/p>

<\/div>"},{"title":"","text":""}],"carouselItemIds":[4791,4792,4793,4794,4795,4812,4813,4796,4818,4819,4821,4826,4827,4899,4900,4901,4902,4945,4946,4947,4948,4958,4959,4960,4980,5036,5037,5038,5039,5040,5041,5254,5256,5258,5272,5273,5274,5281,5335,5336,5337,5338,5339,5340,5341]},{"id":2},{"id":7,"text":"

Le Centre international de po\u00e9sie Marseille vise \u00e0 \u00eatre une institution de r\u00e9f\u00e9rence au service de la po\u00e9sie contemporaine. En tant qu\u2019elle s\u2019appuie sur un lieu, qui est le c\u0153ur de ses activit\u00e9s et le site de sa biblioth\u00e8que, l\u2019action du Cipm repose sur une programmation de ses multiples activit\u00e9s tout au long de l\u2019ann\u00e9e. Cette programmation donne la priorit\u00e9 \u00e0 l\u2019intervention des auteurs eux-m\u00eames et ainsi, une voix, un corps, une perception vivante de leurs pratiques. L\u2019adossement du Cipm \u00e0 un lieu ne lui interdit pas de rayonner en programmant r\u00e9guli\u00e8rement hors les murs. Con\u00e7u de la sorte, le Cipm est avant tout un lieu de rencontres : rencontres avec les \u0153uvres, rencontres entre les po\u00e8tes, rencontres avec les invit\u00e9s d\u2019autres disciplines, rencontres entre les divers invit\u00e9s et les diff\u00e9rents publics.<\/p>

Le Cipm agit en faveur de la cr\u00e9ation po\u00e9tique en mettant \u00e0 la disposition des auteurs diff\u00e9rents moyens. La biblioth\u00e8que sp\u00e9cialis\u00e9e les appuie dans leur travail d\u2019\u00e9tude et de recherche. Le centre propose aux auteurs un espace de travail et un environnement favorable \u00e0 travers des r\u00e9sidences d\u2019\u00e9criture, soit \u00e0 Marseille, soit \u00e0 l\u2019\u00e9tranger. Il propose \u00e9galement des ateliers de traduction, suivis de lectures bilingues et de publications.

    L\u2019action du Cipm en faveur de la diffusion de la po\u00e9sie vise au premier chef \u00e0 permettre aux po\u00e8tes de faire conna\u00eetre leurs cr\u00e9ations en les pr\u00e9sentant eux-m\u00eames. \u00c0 ce titre, le centre organise, tr\u00e8s r\u00e9guli\u00e8rement, des manifestations \u2013 lectures, d\u00e9bats, performances \u2013 et des expositions. D\u2019autre part, la biblioth\u00e8que est un centre de ressources ouvert, lui aussi tout au long de l\u2019ann\u00e9e, \u00e0 tous les publics et d\u2019acc\u00e8s libre et gratuit. Le Cipm met en \u0153uvre une activit\u00e9 de publication sur papier et sous la forme d\u2019une offre \u00e9ditoriale en ligne \u2013 textes, sons, vid\u00e9os \u2013 via son site web et ses r\u00e9seaux sociaux.

    Il s'efforce de diffuser la po\u00e9sie aupr\u00e8s de ses diff\u00e9rents publics selon un sch\u00e9ma pr\u00e9cis et rigoureux.

    L\u2019acc\u00e8s du grand public est d\u2019abord recherch\u00e9 \u00e0 travers l\u2019application d\u2019un principe d\u2019ouverture de l\u2019ensemble des activit\u00e9s.

    Le centre compl\u00e8te cette action en faveur de la culture po\u00e9tique par des op\u00e9rations de sensibilisation \u00e0 la po\u00e9sie contemporaine, sp\u00e9cifiquement tourn\u00e9es vers des cat\u00e9gories particuli\u00e8res du grand public. Il organise pour les jeunes gens des ateliers de lecture et d\u2019\u00e9criture. D\u2019autres stages sont propos\u00e9s aux enseignants, aux biblioth\u00e9caires et documentalistes. Le centre m\u00e8ne des actions dans les \u00e9tablissements scolaires, primaires et secondaires, et dans l\u2019enseignement sup\u00e9rieur. Il organise enfin des ateliers d\u2019\u00e9criture conduits par des po\u00e8tes et ouverts \u00e0 tous les publics, jeunes et adultes.

    Le Cipm adapte r\u00e9guli\u00e8rement ses moyens au service de la cr\u00e9ation et de la diffusion de la po\u00e9sie contemporaine dont les formes sont en constante \u00e9volution. En combinant les divers registres de son action, le Cipm entend produire une intelligence de la po\u00e9sie contemporaine, domaine indispensable \u00e0 la vie intellectuelle et artistique.

    L\u2019association peut \u00e9tablir des partenariats avec toute autre organisation ayant un projet compatible avec le sien. Toutes ces actions peuvent se d\u00e9ployer aux diff\u00e9rentes \u00e9chelles territoriales : internationale, nationale, r\u00e9gionale, d\u00e9partementale, municipale.<\/p>

Statuts de l\u2019association, art. 3.1. Objet<\/p>","titledTexts":[{"title":"informations pratiques","text":"

Centre international de po\u00e9sie Marseille
2, rue de la Charit\u00e9, 13002 Marseille <\/p>


Salle d'exposition : du mercredi au samedi, 11h-13h et 14h-18h
Biblioth\u00e8que : du mercredi au samedi, 14h-18h
04 91 91 26 45
cipm@cipmarseille.fr<\/a>

Pour recevoir la lettre d'information, il suffit d'\u00e9crire \u00e0 cette adresse<\/a> en pr\u00e9cisant en objet \u00abAbonnement\u00bb. Des informations et des documents compl\u00e9mentaires li\u00e9s \u00e0 l\u2019activit\u00e9 du Centre sont aussi consultables sur les r\u00e9seaux Facebook<\/a> et Instagram<\/a> ainsi que sur les plateformes de diffusion Soundcloud<\/a> et Vimeo<\/a>.<\/p>"},{"title":"association","text":"

Fondateurs :<\/p>


Julien Blaine (Christian Poitevin), po\u00e8te
ancien \u00e9lu adjoint \u00e0 la Culture \u00e0 la Mairie de Marseille
sous la mandature de Robert P. Vigouroux (1989-1995)
Emmanuel Ponsart, \u00e9diteur
directeur du Cipm de 1990 \u00e0 2017<\/p>


Anciens Pr\u00e9sidents :<\/p>


Jean Daive (de 2002 \u00e0 2019)
Alain Veinstein (de 1999 \u00e0 2002)
Michel Deguy (de 1997 \u00e0 1999)
Jacques Roubaud (de 1992 \u00e0 1997)
Robert P. Vigouroux (de 1990 \u00e0 1992)

Conseil d\u2019administration :

Membres \u00e9lus :
Pr\u00e9sidente : Danielle M\u00e9moire
Vice-Pr\u00e9sident : Lotfi Nia
Tr\u00e9sori\u00e8re : Abigail Lang 
Secr\u00e9taire g\u00e9n\u00e9ral : Martin Rueff<\/p>


Luc B\u00e9nazet 
Claude Ber
Vincent Broca
Nicolas Cendo
Jean-Charles Depaule
Jean-Michel Espitallier
Alain Giffard
In\u00eas Oseki-D\u00e9pr\u00e9
Maxime Hortense Pascal
Ariel Spiegler
Laura Vazquez

Membres de droit :<\/p>


Jean-Pierre Cochet, adjoint au Maire, Ville de Marseille
Christine Juste, adjointe au Maire, Ville de Marseille
A\u00efcha Sif, adjointe au Maire, Ville de Marseille
Fabien Perez, conseiller municipal, Ville de Marseille<\/p>


Direction du Service des Biblioth\u00e8ques de Marseille
Conseil pour le livre et la lecture de la DRAC Provence-Alpes-C\u00f4te d'Azur<\/p>"},{"title":"\u00e9quipe","text":"

Directeur : Micha\u00ebl Batalla
Administrateur, charg\u00e9 de production : Fran\u00e7ois Lespiau<\/a>
Responsable de l\u2019action culturelle : Lorena Hern\u00e1ndez Puerta<\/a>
Webmestre \/ Assistante de communication : Dina Elnoamany<\/a>
Responsable de la biblioth\u00e8que de po\u00e9sie contemporaine : Giulia Camin<\/a>
Documentaliste : Cassandre P\u00e9pin<\/a>
Stagiaires de la biblioth\u00e8que : Amarando Fredda Miakiteholo Socky, Bertille Avond, Manuela Casta\u00f1o, Estelle Savini, Alexandra Heraudet, Coline Miron.<\/p>"},{"title":"partenaires institutionnels","text":"

Le Cipm b\u00e9n\u00e9ficie du soutien de

Ville de Marseille
M\u00e9tropole Aix-Marseille-Provence
D\u00e9partement des Bouches-du-Rh\u00f4ne
R\u00e9gion Sud Provence-Alpes-C\u00f4te d\u2019Azur
Direction R\u00e9gionale des Affaires Culturelles
Centre National du Livre
Soci\u00e9t\u00e9 Fran\u00e7aise des Int\u00e9r\u00eats des Auteurs de l\u2019\u00e9crit
Fondation Michalski pour l\u2019\u00e9criture et la litt\u00e9rature <\/h3>"},{"title":"mentions l\u00e9gales","text":"

Association loi 1901
Centre international de po\u00e9sie Marseille
2, rue de la Charit\u00e9, 13002 Marseille 
04 91 91 26 45
cipm@cipmarseille.fr

SIRET : 380 085 712 000 20
Code APE : 913 E
Num\u00e9ro en pr\u00e9fecture 0133020934
Date de parution au JO : 18\/01\/1996
Association loi 1901 non assujettie \u00e0 la TVA

Ce site a \u00e9t\u00e9 con\u00e7u par Rovo<\/a>, d\u00e9velopp\u00e9 par Samuel Asensi<\/a> et est h\u00e9berg\u00e9 par OVH<\/a>.

Directeur de la publication : Micha\u00ebl Batalla<\/p>"}],"carouselItemIds":[5068]},{"id":5,"text":"

\u00ab L\u2019\u00e9cole du Cipm \u00bb est un projet en devenir. Elle rassemble les actions de sensibilisation et de transmission li\u00e9es aux pratiques et savoirs de la po\u00e9sie contemporaine, accueillies, accompagn\u00e9es ou directement organis\u00e9es par le Cipm tout au long l\u2019ann\u00e9e : interventions d\u2019auteur\u2e31e\u2e31s en milieu scolaire ; m\u00e9diath\u00e8ques et centres a\u00e9r\u00e9s (AEC) ; modules de formation continue et ateliers d\u2019\u00e9criture pour adultes ; accueil ou co-production de masterclasses ; workshops ; s\u00e9minaires ; avec les universit\u00e9s et les \u00e9coles d\u2019art. L\u2019\u00e9cole du Cipm r\u00e9pond ainsi \u00e0 une demande croissante de connaissances et d\u2019exp\u00e9riences des pratiques po\u00e9tiques et litt\u00e9raires contemporaines \u00e9manant des \u00e9tudiant\u2e31e\u2e31s, des professionnel\u2e31le\u2e31s de la m\u00e9diation culturelle et de la p\u00e9dagogie.<\/p>","titledTexts":[{"title":"AVEC LES BEAUX-ARTS DE MARSEILLE","text":"

ARC TEXTES ET VOIX<\/a><\/p>"}],"carouselItemIds":[4355,4842,5148],"blacklistedItemIds":[4347]},{"id":4},{"id":8,"text":"

Sauf mention sp\u00e9ciale, les m\u00e9dias des cat\u00e9gories \"\u00e9couter et voir\" sont des captations d'\u00e9v\u00e9nements ayant eu lieu au Cipm ou ailleurs.<\/p>"},{"id":1,"titledTexts":[{"title":"Exposition","text":"

<\/div>"}]}]}

En amont de son Solo<\/a>, quatre extraits<\/p>